District 1 Hunger Games Quotes

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District 12: Where you can starve to death in safety.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
We could do it, you know." "What?" "Leave the district. Run off. Live in the woods. You and I, we could make it.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one of you. Just as we did in District Thirteen.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
You know what my mother said to me when she came to say good-bye, as if to cheer me up, she says maybe District Twelve will finally have a winner. Then I realized she didn't mean me, she meant you!" bursts out Peeta. "Oh, she meant you," I say with a wave of dismissal. "She said, 'She's a survivor, that one.' She is," says Peeta. That pulls me up short. Did his mother really say that about me? Did she rate me over her son? I see the pain in Peeta's eyes and know he isn't lying. Suddenly I'm behind the bakery and I can feel the chill of the rain running down my back, the hollowness in my belly. I sound eleven years old when I speak. "But only because someone helped me.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Not exactly. You see, Portia and I think that the coal miner thing's very overdone. No one will remember you in that. And we both see it has our job to make District 12 tributes unforgettable,' says Cinna. I'll be naked for sure, I think. 'So rather than focus on the coal mining itself, we're going to focus on the coal,' says Cinna. Naked and covered in black dust, i think. 'And what do we do with coal? We burn it,' says Cinna. 'You're not afraid of fire, are you, Katniss?' He sees my expression and grins.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
We could do it, you know," Gale says quietly. "What?" I ask. "Leave the district. Run off. Live in the woods. You and I, we could make it," says Gale. I don't know how to respond. This idea is so preposterous.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Katniss?" He drops my hand and I take a step, as if to catch my balance. "It was all for the Games," Peeta says. "How you acted." "Not all of it," I say, tightly holding onto my flowers. "Then how much? No, forget that. I guess the real question is what's going to be left when we get home?" he says. "I don't know. The closer we get to District Twelve, the more confused I get," I say. He waits, for further explanation, but none's forthcoming. "Well, let me know when you work it out," he says, and the pain in his voice is palpable.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
District 12. Where you can starve to death in safety," I mutter. Then I glance quickly over my shoulder. Even here, in the middle of nowhere, you worry someone might overhear you.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Glimmer, I hear someone call her - ugh, the names the people in District 1 give their children are so ridiculous ...
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
But a shift has occurred since I stepped up to take Prim’s place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
In District 12, looking old is something of an achievement since so many people die early. You see an elderly person, you want to congratulate them on their longevity, ask the secret of survival. A plump person is envied because they aren't scraping by like the majority of us. But here is different. Wrinkles aren't desirable. A round belly isn't a sign of success.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Where's your boyfriend, District 12? Still hanging on?" She asks. Well, as long as we're talking I'm alive. "He's out there now. Hunting Cato," I snarl at her. Then I scream at the top of my lungs. "Peeta!" Clove jams her fist into my windpipe, very effectively cutting off my voice. But her head's whipping from side to side, and I know for a moment she's at least considering I'm telling the truth. Since no Peeta appears to save me, she turns back to me. "Liar," she says with a grin. "He's nearly dead. Cato knows where he cut him. You've probably got him strapped up in some tree while you try to keep his heart going. What's in the pretty little backpack? That medicine for Lover Boy? Too bad he'll never get it.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Taking the kids from our districts, forcing them to kill one another while we watch – this is the Capitol’s way of reminding us how totally we are at their mercy. How little chance we would stand of surviving another rebellion. Whatever words they use, the real message is clear. “Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one of you. Just as we did in District Thirteen
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one could help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest form of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
In District 12, looking old is something of an achievement since so many people die early. Yous see an elderly person you want to congratulate them on their longevity, ask the secret of survival.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
It's to the Capitol's advantage to have us divided among ourselves. Another tool to cause misery in our district. A way to plant hatred between the starving workers [of the Seam] and those who can generally count on supper and thereby ensure we will never trust one another.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The rules of the Hunger Games are simple. In punishment for the uprising, each of the twelve districts must provide one girl and one boy, called tributes, to participate. The twenty-four tributes will be imprisoned in a vast outdoor arena that could hold anything from a burning desert to a frozen wasteland. Over a period of several weeks, the competitors must fight to the death. The last tribute standing wins.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I’m about to haul my packs into a tree to make camp when a silver parachute floats down and lands in front of me. A gift form a sponsor. But why now? I’ve been in fairly good shape with supplies. Maybe Haymitch’s noticed my despondency and is trying to cheer me up a bit. Or could it be something to help my ear? I open the parachute and find a small loaf of bread. It’s not the fine white of the Capitol stuff. It’s made of dark ration grain and shaped in a crescent. Sprinkled with seeds. I flashback to Peeta’s lesson on the various district breads in the Training Center. This bread came from District 11. I cautiously lift the still warm loaf. What must it have cost the people of District 11 who can’t even feed themselves? How many would’ve had to do without to scrape up a coin to put in the collection for this one loaf? It had been meant for Rue, surely. But instead of pulling the gift when she died, they’d authorized Haymitch to give it to me. As a thank-you? Or because, like me, they don’t like to let debts go unpaid? For whatever reason, this is a first. A district gift to a tribute who’s not your own. I lift my face and step into the last falling rays of sunlight. “My thanks to the people of District Eleven,” I say. I want them to know I know where it came from. That the full value of the gift has been recognized.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
In school, they tell us the Capitol was built in a place once called the Rockies. District 12 was in a region known as Appalachia. Even hundreds of years ago, they mined coal here. Which is why our miners have to dig so deep.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
How you’ve both successfully struggled to overcome the barbarism of your district.” Barbarism? That’s ironic coming from a woman helping to prepare us for slaughter.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
But in District 12, where the word tribute is pretty much synonymous with the word corpse, volunteers are all but extinct.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
And I’m left staring out the window, watching District 12 disappear, with all my good-byes still hanging on my lips.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I personally killed the girl, Glimmer, and the boy from district 1. As I try to avoid looking at his family, I learn that his name was Marvel. How did I never know that? I suppose that before the games I didn't pay attention, and afterward I didn't want to know.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Now I see what the audience saw, how he misled the Careers about me, stayed awake the entire night under the traker jacker tree, fought Cato to let me escape and even while he lay in that mud bank, whispered my name in his sleep. I seem heartless in comparison- dodging fireballs, dropping nests, and blowing up supplies- until I go hunting for Rue. They play her death in full, the spearing, my failed rescue attempt, my arrow through the boy from District 1's throat, Rue drawing her last breath in my arms. And the song. I get to sing every note of the song. Something inside me shuts down and I'm too numb to feel anything. It's like watching complete strangers in another Hunger Games. But I do notice they omit the part where I covered her in flowers. Right. Because even that smacks of rebellion.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one can help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest from of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong. Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Things pick up for me once they’ve announced two tributes from the same district can live and I shout out Peeta’s name and then clap my hands over my mouth.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Ladies and gentlemen, I am pleased to present the victors of the Seventy-fourth Hunger Games, Katniss Everdeen and Peeta Mellark! I give you — the tributes of District Twelve!
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The news sinks in. Two tributes can win this year. If they’re from the same district. Both can live. Both of us can live.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The frantic voice of Claudius Templesmith shouts above them. “Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the Seventy-fourth Hunger Games, Katniss Everdeen and Peeta Mellark! I give you — the tributes of District Twelve!
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Everyone has their reservations, naturally. You being from the coal district. But I said, and this was very clever of me, I said, ‘Well, if you put enough pressure on coal it turns to pearls!’” Effie beams at us so brilliantly that we have no choice but to respond
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Our part of District 12, nicknamed the Seam, is usually crawling with coal miners heading out to the morning shift at this hour.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
When I was younger, I scared my mother to death, the things I would blurt out about District 12, about the people who rule our country, Panem, from the far-off city called the Capitol.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I nod, then let the conversation drop. But secretly I'm wondering if Haymitch sobered up long enough to help Peeta and me because he thought we just might have the wits to survive. Maybe he wasn't always a drunk. Maybe, in the beginning, he tried to help the tributes. But then it got unbearable. It must be hell to mentor two kids and then watch them die. Year after year after year. I realize that if I get out of here, that will become my job. To mentor the girl from District 12. The idea is so repellent, I thrust it from my mind.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
District 11
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
To the everlasting credit of the people of District 12, not one person claps.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
District Twelve. Where you can starve to death in safety,
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Then came the Dark Days, the uprising of the districts against the Capitol. Twelve were defeated, the thirteenth obliterated
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
District Twelve. Where you can starve to death in safety,” I mutter.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The girl with the arrows, Glimmer I hear someone call her — ugh, the names the people in District 1 give their children are so ridiculous
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Leave the district. Run off. Live in the woods. You and I, we could make it.” And suddenly, I’m not thinking of Gale but of Peeta and . . . Peeta! He saved my life! I think.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
safety of District 12 if trouble arises. “District Twelve. Where
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
District Twelve. Where you can starve to death in
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I am pleased to present the victors of the Seventy-fourth Hunger Games, Katniss Everdeen and Peeta Mellark! I give you — the tributes of District Twelve!
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Two tributes can win this year. If they’re from the same district. Both can live. Both of us can live. Before I can stop myself, I call out Peeta’s name.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
she says maybe District Twelve will finally have a winner. Then I realized, she didn’t mean me,
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
For whatever reason, this is a first. A district gift to a tribute who’s not your own.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The news sinks in. Two tributes can win this year. If they’re from the same district. Both can live. Both of us can live. Before I can stop myself, I call out Peeta’s name.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
although everyone knows she’s just aching to get bumped up to a better district where they have proper victors, not drunks who molest you in front of the entire nation.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Then he reads the list of past District 12 victors. In seventy-four years, we have had exactly two. Only one is still alive.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
And Gale. I know him. He won’t be shouting and cheering. But he’ll be watching, every moment, every twist and turn, and willing me to come home. I wonder if he’s hoping that Peeta makes it as well. Gale’s not my boyfriend, but would he be, if I opened that door? He talked about us running away together. Was that just a practical calculation of our chances of survival away from the district? Or something more?
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Where you can starve to death in safety,” I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you. When I was younger, I scared my mother to death, the things I would blurt out about District 12, about the people who rule our country, Panem, from the far-off city called the Capitol. Eventually I understood this would only lead us to more trouble. So I learned to hold my tongue and to turn my features into an indifferent mask so that no one could ever read my thoughts. Do my work quietly in school. Make only polite small talk in the public market. Discuss little more than trades in the Hob, which is the black market where I make most of my money. Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
school, they tell us the Capitol was built in a place once called the Rockies. District 12 was in a region known as Appalachia. Even hundreds of years ago, they mined coal here. Which is why our miners have to dig so deep.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Our part of District 12, nicknamed the Seam, is usually crawling with coal miners heading out to the morning shift at this hour. Men and women with hunched shoulders, swollen knuckles, many who have long since stopped trying to scrub the coal dust out of their broken nails, the lines of their sunken faces. But today the black cinder streets are empty. Shutters on the squat gray houses are closed. The reaping isn’t until two. May as well sleep in. If you can. Our
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
In school, they tell us the Capitol was built in a place once called the Rockies. District 12 was in a region known as Appalachia. Even hundreds of years ago, they mined coal here. Which is why our miners have to dig so deep. Somehow
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
another rebellion. Whatever words they use, the real message is clear. “Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one of you. Just as we did in District Thirteen.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Haymitch Abernathy, a paunchy, middle-aged man, who at this moment appears hollering something unintelligible, staggers onto the stage, and falls into the third chair. He’s drunk. Very. The crowd responds with its token applause, but he’s confused and tries to give Effie Trinket a big hug, which she barely manages to fend off. The mayor looks distressed. Since all of this is being televised, right now District 12 is the laughingstock of Panem, and he knows it. He quickly tries to pull the attention back to the reaping by introducing Effie Trinket. Bright
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Caesar Flickerman, the man who has hosted the interviews for more than forty years, bounces onto the stage. It’s a little scary because his appearance has been virtually unchanged during all that time. Same face under a coating of pure white makeup. Same hairstyle that he dyes a different color for each Hunger Games. Same ceremonial suit, midnight blue dotted with a thousand tiny electric bulbs that twinkle like stars. They do surgery in the Capitol, to make people appear younger and thinner. In District 12, looking old is something of an achievement since so many people die early. You see an elderly person, you want to congratulate them on their longevity, ask the secret of survival. A plump person is envied because they aren’t scraping by like the majority of us. But here it is different. Wrinkles aren’t desirable. A round belly isn’t a sign of success.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Fancy cakes with flowers and pretty things painted in frosting. They’re for birthdays and New Year’s Day. When we’re in the square, Prim always drags me over to admire them, although we’d never be able to afford one. There’s little enough beauty in District 12, though, so I can hardly deny her this.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The music swells and I recognize the brilliance of it. As the notes overlap, they complement one another, forming a lovely, unearthly harmony. It was this sound then, thanks to Rue, that sent the orchard workers of District 11 home each night. Does someone start it at quitting time, I wonder, now that she is dead?
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old an rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means goodbye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Everyone has their reservations, naturally. You being from the coal district. But I said, and this was very clever of me, I said, ‘Well, if you put enough pressure on coal it turns to pearls!’” Effie beams at us so brilliantly that we have no choice but to respond enthusiastically to her cleverness even though it’s wrong.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
mouth to continue, Haymitch plummets off the stage and knocks himself unconscious. He’s disgusting, but I’m grateful. With every camera gleefully trained on him, I have just enough time to release the small, choked sound in my throat and compose myself. I put my hands behind my back and stare into the distance. I can see the hills I climbed this morning with Gale. For a moment, I yearn for something . . . the idea of us leaving the district . . . making our way in the woods . . . but I know I was right about not running off. Because who else would have volunteered for Prim? Haymitch is whisked away on a stretcher, and Effie Trinket is trying to get the ball rolling again. “What an
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Effie takes both of us by the hand and, with actual tears in her eyes, wishes us well. Thanks us for being the best tributes it has ever been her privilege to sponsor. And then, because it’s Effie and she’s apparently required by law to say something awful, she adds “I wouldn’t be at all surprised if I finally get promoted to a decent district next year!
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Under the new rule, both tributes from the same district will be declared winners if they are the last two alive. Claudius pauses, as if he knows we’re not getting it, and repeats the change again. The news sinks in. Two tributes can win this year. If they’re from the same district. Both can live. Both of us can live. Before I can stop myself, I call out Peeta’s name.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
tells of the history of Panem, the country that rose up out of the ashes of a place that was once called North America. He lists the disasters, the droughts, the storms, the fires, the encroaching seas that swallowed up so much of the land, the brutal war for what little sustenance remained. The result was Panem, a shining Capitol ringed by thirteen districts, which brought peace and prosperity to its citizens.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
He tells of the history of Panem, the country that rose up out of the ashes of a place that was once called North America. He lists the disasters, the droughts, the storms, the fires, the encroaching seas that swallowed up so much of the land, the brutal war for what little sustenance remained. The result was Panem, a shining Capitol ringed by thirteen districts, which brought peace and prosperity to its citizens.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
They do surgery in the Capitol, to make people appear younger and thinner. In District 12, looking old is something of an achievement since so many people die early. You see an elderly person, you want to congratulate them on their longevity, ask the secret of survival. A plump person is envied because they aren’t scraping by like the majority of us. But here it is different. Wrinkles aren’t desirable. A round belly isn’t a sign of success.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
You become eligible for the reaping the day you turn twelve. That year, your name is entered once. At thirteen, twice. And so on and so on until you reach the age of eighteen, the final year of eligibility, when your name goes into the pool seven times. That’s true for every citizen in all twelve districts in the entire country of Panem. But here’s the catch. Say you are poor and starving as we were. You can opt to add your name more times in exchange for tesserae.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Coriolanus acted engrossed in the show as 8, 6, and 11 called their tributes, but his brain spun with the repercussions of landing Lucy Gray Baird. She was a gift, he knew it, and he must treat her as such. But how best to exploit her showstopping entrance? How to wrangle some success from a dress, a snake, a song? The tributes would be given precious little time with the audience before the Games began. How could he get the audience to invest in her and, by extension, him, in just an interview? He half registered the other tributes, mostly pitiful creatures, and took note of the stronger ones. Sejanus got a towering fellow from District 2, and Livia’s District 1 boy looked like he could be a contender as well. Coriolanus’s girl seemed fairly healthy, but her slight build was more suited to dancing than hand-to-hand combat. He bet she could run fast enough, though, and that was important. As the reaping drew to a close, the smell of food from the buffet wafted over the audience
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
the Capitol. You can hear the roar of the crowd. They are always favorites. District 2 gets into position to follow them. In no time at all, we are approaching the door and I can see that between the overcast sky and evening hour the light is turning gray. The tributes from District 11 are just rolling out when Cinna appears with a lighted torch. “Here we go then,” he says, and before we can react he sets our capes on fire. I gasp, waiting for the heat, but there is only a faint tickling sensation. Cinna climbs up before us and ignites our headdresses. He lets out a sigh of relief
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The sun eventually rises, its light slipping through the cracks and illuminating Peeta’s face. Who will he transform into if we make it home? This perplexing, good-natured boy who can spin out lies so convincingly the whole of Panem believes him to be hopelessly in love with me, and I’ll admit it, there are moments when he makes me believe it myself? At least, we’ll be friends, I think. Nothing will change the fact that we’ve saved each other’s lives in here. And beyond that, he will always be the boy with the bread. Good friends. Anything beyond that though . . . and I feel Gale’s gray eyes watching me watching Peeta, all the way from District 12.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
He tells of the history of Panem, the country that rose up out of the ashes of a place that was once called North America. He lists the disasters, the droughts, the storms, the fires, the encroaching seas that swallowed up so much of the land, the brutal war for what little sustenance remained. The result was Panem, a shining Capitol ringed by thirteen districts, which brought peace and prosperity to its citizens. Then came the Dark Days, the uprising of the districts against the Capitol. Twelve were defeated, the thirteenth obliterated. The Treaty of Treason gave us the new laws to guarantee peace and, as our yearly reminder that the Dark Days must never be repeated, it gave us the Hunger Games.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
He tells of the history of Panem, the country that rose up out of the ashes of a place that was once called North America. He lists the disasters, the droughts, the storms, the fires, the encroaching seas that swallowed up so much of the land, the brutal war for what little sustenance remained. The result was Panem, a shining Capitol ringed by thirteen districts, which brought peace and prosperity to its citizens. Then came the Dark Days, the uprising of the districts against the Capitol. Twelve were defeated, the thirteenth obliterated. The Treaty of Treason gave us the new laws to guarantee peace and, as our yearly reminder that the Dark Days must never be repeated, it gave us the Hunger Games. The
Suzanne Collins (The Hunger Games (Hunger Games, #1))
You are a fool,” Haymitch says in disgust. “Do you think he hurt you? That boy just gave you something you could never achieve on your own.” “He made me look weak!” I say. “He made you look desirable! And let’s face it, you can use all the help you can get in that department. You were about as romantic as dirt until he said he wanted you. Now they all do. You’re all they’re talking about. The star-crossed lovers from District Twelve!” says Haymitch. “But we’re not star-crossed lovers!” I say. Haymitch grabs my shoulders and pins me against the wall. “Who cares? It’s all a big show. It’s all how you’re perceived. The most I could say about you after your interview was that you were nice enough, although that in itself was a small miracle.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
That’s why my mother and Prim, with their light hair and blue eyes, always look out of place. They are. My mother’s parents were part of the small merchant class that caters to officials, Peacekeepers and the occasional Seam customer. They ran an apothecary shop in the nicer part of District 12. Since almost no one can afford doctors, apothecaries are our healers. My father got to know my mother because on his hunts he would sometimes collect medicinal herbs and sell them to her shop to be brewed into remedies. She must have really loved him to leave her home for the Seam. I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father’s
Suzanne Collins (The Hunger Games (Hunger Games, #1))
One was a special bird called a jabberjay that had the ability to memorize and repeat whole human conversations. They were homing birds, exclusively male, that were released into regions where the Capitol’s enemies were known to be hiding. After the birds gathered words, they’d fly back to centers to be recorded. It took people awhile to realize what was going on in the districts, how private conversations were being transmitted. Then, of course, the rebels fed the Capitol endless lies, and the joke was on it. So the centers were shut down and the birds were abandoned to die off in the wild. Only they didn’t die off. Instead, the jabberjays mated with female mockingbirds, creating a whole new species that could replicate both bird whistles and human melodies.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
districts must provide one girl and one boy, called tributes, to participate. The twenty-four tributes will be imprisoned in a vast outdoor arena that could hold anything from a burning desert to a frozen wasteland. Over a period of several weeks, the competitors must fight to the death. The last tribute standing wins. Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy. How little chance we would stand of surviving another rebellion. Whatever words they use, the real message is clear. “Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one of you. Just as we did in District Thirteen.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
rules of the Hunger Games are simple. In punishment for the uprising, each of the twelve districts must provide one girl and one boy, called tributes, to participate. The twenty-four tributes will be imprisoned in a vast outdoor arena that could hold anything from a burning desert to a frozen wasteland. Over a period of several weeks, the competitors must fight to the death. The last tribute standing wins. Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy. How little chance we would stand of surviving another rebellion. Whatever words they use, the real message is clear. “Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
—Com et dius? Faig una bona empassada. —Katniss Everdeen —dic. […] —Vinga, tothom! Dediquem una gran ovació al nostre nou tribut! —pronuncia amb vibració afectada l'Effie Trinket. Per a honor perdurable de la gent del Districte 12, ningú no aplaudeix. […] Em quedo sense moure'm mentre els meus paisans participen de la forma de dissensió més explícita que es poden permetre. El silenci. El silenci que diu que no hi estem d'acord. Que no concedim. Que tot això està malament. Llavors passa una cosa inesperada. […] Primer un, després l'altre, i finalment tots els membres del públic es posen els tres dits del mig de la mà esquerra als llavis i després me'ls mostren. És un gest antic del nostre districte, rarament utilitzat, que ocasionalment es veu als funerals. Significa agraïment, significa admiració, adéu a algú que estimem.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The rules of the Hunger Games are simple. In punishment for the uprising, each of the twelve districts must provide one girl and one boy, called tributes, to participate. The twenty-four tributes will be imprisoned in a vast outdoor arena that could hold anything from a burning desert to a frozen wasteland. Over a period of several weeks, the competitors must fight to the death. The last tribute standing wins. Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy. How little chance we would stand of surviving another rebellion. Whatever words they use, the real message is clear. “Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one of you. Just as we did in District Thirteen.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
those glasses aren't for the sun they're for darkness, exclaims Rue. Sometimes when we harvest through the night, they'll pass out a few pairs to those of us highest in the trees. Where the torchlight doesn't reach. One time, this boy Martin, he tried to keep his pair. Hid it in his pants. They killed him on the spot. They killed a boy for taking these/ I say Yes. and everyone knew he was no danger. Martin wasn't right in the head. I mean he still acted like a three year old. He just wanted the glasses to play with, says Rue. Hearing this makes me feel like District 12 is some sort of safe haven. Of course, people keel over from starvation all the time, but I can't imagine the peacekeepers murdering a simpleminded child. There's a little girl, one of greasy sae's gradkids, who wanders around the Hob. She's not quite right but she's treated as a sort of pet. People toss her scraps and things.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Winning will make you famous. Losing means certain death. The nation of Panem, formed from a post-apocalyptic North America, is a country that consists of a wealthy Capitol region surrounded by 12 poorer districts. Early in its history, a rebellion led by a 13th district against the Capitol resulted in its destruction and the creation of an annual televised event known as the Hunger Games. In punishment, and as a reminder of the power and grace of the Capitol, each district must yield one boy and one girl between the ages of 12 and 18 through a lottery system to participate in the games. The 'tributes' are chosen during the annual Reaping and are forced to fight to the death, leaving only one survivor to claim victory. When 16-year-old Katniss's young sister, Prim, is selected as District 12's female representative, Katniss volunteers to take her place. She and her male counterpart Peeta, are pitted against bigger, stronger representatives, some of whom have trained for this their whole lives. , she sees it as a death sentence. But Katniss has been close to death before. For her, survival is second nature.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
There’s no way we can compete.” Her eyes were on the leads, now huddled together like they were District 1 in the Hunger Games.
Melissa Ferguson (The Cul-de-Sac War)