Distance Is Never A Barrier Quotes

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You never come back, not all the way. Always there is an odd distance between you and the people you love and the people you meet, a barrier thin as the glass of a mirror, you never come all the way out of the mirror; you stand, for the rest of your life, with one foot in this world and no one in another, where everything is upside down and backward and sad.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living. Since the dawn of time, roughly a hundred billion human beings have walked the planet Earth. Now this is an interesting number, for by a curious coincidence there are approximately a hundred billion stars in our local universe, the Milky Way. So for every man who has ever lived, in this Universe there shines a star. But every one of those stars is a sun, often far more brilliant and glorious than the small, nearby star we call the Sun. And many--perhaps most--of those alien suns have planets circling them. So almost certainly there is enough land in the sky to give every member of the human species, back to the first ape-man, his own private, world-sized heaven--or hell. How many of those potential heavens and hells are now inhabited, and by what manner of creatures, we have no way of guessing; the very nearest is a million times farther away than Mars or Venus, those still remote goals of the next generation. But the barriers of distance are crumbling; one day we shall meet our equals, or our masters, among the stars. Men have been slow to face this prospect; some still hope that it may never become reality. Increasing numbers, however are asking; 'Why have such meetings not occurred already, since we ourselves are about to venture into space?' Why not, indeed? Here is one possible answer to that very reasonable question. But please remember: this is only a work of fiction. The truth, as always, will be far stranger.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
It's never over. Not really. Not when you stay down there as long as I did, not when you've lived in the netherworld longer than you've lived in this material one, where things are very bright and large and make such strange noises. You never come back, not all the way. Always, there is an odd distance between you and the people you love and the people you meet, a barrier, thin as the glass of a mirror. You never come all the way out of the mirror; you stand, for the rest of your life, with one foot in this world and one in another, where everything is upside down and backward and sad. It is the distance of marred memory, of a twisted and shape-shifting past. When people talk about their childhood, their adolescence, their college days, I laugh along and try not to think: that was when I was throwing up in my elementary school bathroom, that was when I was sleeping with strangers to show off the sharp tips of my bones, that was when I lost sight of my soul and died. And it is the distance of the present, as well - the distance that lies between people in general because of the different lives we have lived. I don't know who I would be, now, if I had not lived the life I have, and so I cannot alter my need for distance - nor can I lessen the low and omnipresent pain that that distance creates. The entirety of my life is overshadowed by one singular and near-fatal obsession.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
If you live with fear and consider yourself as something special then automatically, emotionally, you are distanced from others. You then create the basis for feelings of alienation from others and loneliness. So, I never consider, even when giving a talk to a large crowd, that I am something special, I am 'His Holiness the Dalai Lama' . . . I always emphasize that when I meet people, we are all the same human beings. A thousand people -- same human being. Ten thousand or a hundred thousand -- same human being -- mentally, emotionally, and physically. Then, you see, no barrier. Then my mind remains completely calm and relaxed. If too much emphasis on myself, and I start to think I'm something special, then more anxiety, more nervousness.
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
You never come back, not all the way. Always, there is an odd distance between you and the people you love and the people you meet, a barrier, thin as the glass of a mirror. You never come all the way out of the mirror; you stand, for the rest of your life, with one foot in this world and one in another, where everything is upside down and backward and sad.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
Religion, then, is far from "useless." It humanizes violence; it protects man from his own violence by taking it out of his hands, transforming it into a transcendent and ever-present danger to be kept in check by the appropriate rites appropriately observed and by a modest and prudent demeanor. Religious misinterpretation is a truly constructive force, for it purges man of the suspicions that would poison his existence if he were to remain conscious of the crisis as it actually took place. To think religiously is to envision the city's destiny in terms of that violence whose mastery over man increases as man believes he has gained mastery over it. To think religiously (in the primitive sense) is to see violence as something superhuman, to be kept always at a distance and ultimately renounced. When the fearful adoration of this power begins to diminish and all distinctions begin to disappear, the ritual sacrifices lose their force; their potency is not longer recognized by the entire community. Each member tries to correct the situation individually, and none succeeds. The withering away of the transcendental influence means that there is no longer the slightest difference between a desire to save the city and unbridled ambition, between genuine piety and the desire to claim divine status for oneself. Everyone looks on a rival enterprise as evidence of blasphemous designs. Men set to quarreling about the gods, and their skepticism leads to a new sacrificial crisis that will appear - retrospectively, in the light of a new manifestation of unanimous violence - as a new act of divine intervention and divine revenge. Men would not be able to shake loose the violence between them, to make of it a separate entity both sovereign and redemptory, without the surrogate victim. Also, violence itself offers a sort of respite, the fresh beginning of a cycle of ritual after a cycle of violence. Violence will come to an end only after it has had the last word and that word has been accepted as divine. The meaning of this word must remain hidden, the mechanism of unanimity remain concealed. For religion protects man as long as its ultimate foundations are not revealed. To drive the monster from its secret lair is to risk loosing it on mankind. To remove men's ignorance is only to risk exposing them to an even greater peril. The only barrier against human violence is raised on misconception. In fact, the sacrificial crisis is simply another form of that knowledge which grows grater as the reciprocal violence grows more intense but which never leads to the whole truth. It is the knowledge of violence, along with the violence itself, that the act of expulsion succeeds in shunting outside the realm of consciousness. From the very fact that it belies the overt mythological messages, tragic drama opens a vast abyss before the poet; but he always draws back at the last moment. He is exposed to a form of hubris more dangerous than any contracted by his characters; it has to do with a truth that is felt to be infinitely destructive, even if it is not fully understood - and its destructiveness is as obvious to ancient religious thought as it is to modern philosophers. Thus we are dealing with an interdiction that still applies to ourselves and that modern thought has not yet invalidated. The fact that this secret has been subjected to exceptional pressure in the play [Bacchae] must prompt the following lines: May our thoughts never aspire to anything higher than laws! What does it cost man to acknowledge the full sovereignty of the gods? That which has always been held as true owes its strength to Nature.
René Girard (Violence and the Sacred)
We enjoy the poetics but also know we can’t always live off our feelings. We’ve long intuited that a long-distance marathon like ours must be run on more than romance. We delight in each other enough that when we don’t, we still push each other to push through the pain barrier. To try to make it to the next level. Ali calls this “the work of love,” and maybe some days that’s shorthand for me being hard work. But she’s right: love is work. Good work. We may let the scaffolds fall, but we have built our wall. Ali gets fidgety when I get too serious. As I am now. Struggling to express how every day that we give to each other adds both weight and … weightlessness. Gravity and grace. Am I more desperate for our marriage to make it than Ali, who is never as desperate as her husband? I have the most to learn from this relationship, and one of the profoundest lessons it has taught me is in raising children. I’d had that blood-brother compact with my childhood friend Guggi to never grow up, but as Ali and I had kids, I slowly understood that you can’t have a child and remain a child. I really don’t like goodbyes, but sometimes you have to say goodbye.
Bono (Surrender: 40 Songs, One Story)
As her psychosis took hold she moved deeper and deeper into the house, putting as much distance as possible between herself and the outside world. This became her world. To begin with it was just a few rooms. Then it contracted down to just this one, and then to just this tank. Even that wasn’t enough. She constructed barriers to fool and delay the ghosts. Corridors that don’t lead anywhere, or which spiral back on themselves. Hidden stairways that they won’t see. Mirrors everywhere, to baffle and confuse her tormentors. Doors that open onto walls. Of course, even that isn’t sufficient by itself. The ghosts are clever and resourceful, and they’ll keep trying to find a way in. That’s why the house has to keep changing, so that they never get used to one particular configuration.
Alastair Reynolds (House of Suns)
Laura I am not careless about the feelings I have for you. I never expected to find myself wanting to share my life with another person again. As the years passed, I thought it was most unlikely, and now I see myself believing that to love someone is a connection to the deepest levels of the human heart. It isn’t about analyzing why or deciding if it is the right thing to do…, It is beyond that.” In a less serious tone, he asked, “Laura, do you think you could trust your heart? Could you just let soar whatever rises naturally in you, when you are not asking yourself, ‘What if?’ “I’m a patient guy, Laura. You may not be right where I am, but I am willing to wait until you are. I want you to be the love I could never forget, nor would want to forget, and I am eager to accept what comes with this kind of commitment.” Laura felt the uplift Jacob’s words brought her. Her heart fluttered, yet like a bird about to fly, she grasped it in her mind and arrested its flight. Jacob sensed the distance she was putting between them. Glancing down, he saw her hand, slightly splayed, lightly touching his chest It was a clear message, a barrier to him reaching out and gently folding her to him. But he covered his hand over hers and placed it over her heart. “Can you listen to your heart? It likes me.” He pleaded.
Sharon J. Harrison
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. It was a strange sensation watching her walking away by herself, with no bodyguards following at a discreet distance. What were my responsibilities here? I kept thinking. Yet I knew this area well, and not once did I feel uneasy. I had made this decision--not one of my colleagues knew. Senior officers at Scotland Yard would most certainly have boycotted the idea had I been foolish enough to give them advance notice of what the Princess and I were up to. Before Diana disappeared from sight, I called her on the radio. Her voice was bright and lively, and I knew instinctively that she was happy, and safe. I walked back to the car and drove slowly along the only road that runs adjacent to the bay, with heath land and then the sea to my left and the waters of Poole Harbour running up toward Wareham, a small market town, to my right. Within a matter of minutes, I was turning into the car park of the Bankes Arms, a fine old pub that overlooks the bay. I left the car and strolled down to the beach, where I sat on an old wall in the bright sunshine. The beach huts were locked, and there was no sign of life. To my right I could see the Old Harry Rocks--three tall pinnacles of chalk standing in the sea, all that remains, at the landward end, of a ridge that once ran due east to the Isle of Wight. Like the Princess, I, too, just wanted to carry on walking. Suddenly, my radio crackled into life: “Ken, it’s me--can you hear me?” I fumbled in the large pockets of my old jacket, grabbed the radio, and said, “Yes. How is it going?” “Ken, this is amazing, I can’t believe it,” she said, sounding truly happy. Genuinely pleased for her, I hesitated before replying, but before I could speak she called again, this time with that characteristic mischievous giggle in her voice. “You never told me about the nudist colony!” she yelled, and laughed raucously over the radio. I laughed, too--although what I actually thought was “Uh-oh!” But judging from her remarks, whatever she had seen had made her laugh. At this point, I decided to walk toward her, after a few minutes seeing her distinctive figure walking along the water’s edge toward me. Two dogs had joined her and she was throwing sticks into the sea for them to retrieve; there were no crowd barriers, no servants, no police, apart from me, and no overattentive officials. Not a single person had recognized her. For once, everything for the Princess was “normal.” During the seven years I had worked for her, this was an extraordinary moment, one I shall never forget.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Far distances and language barriers never stopped traders, he argued. Who could deny that? So the missionary must not be stopped either. Hunger would rarely be an obstacle, insisted William. The missionary could farm, fish and hunt. But nevertheless the missionary must be resolved to face poverty, poor housing and unrelenting hard work. And yes, he may also face hatred, intimidation, imprisonment, torture and even death. His
Sam Wellman (William Carey)
I don’t like Remy,” I blurt. He looks back quickly. “I mean, I like him. But not like that. Just in case … you thought that. I mean, Aubrey thought that. I don’t know who else was under that … misconception…” He nods. “I’m not with Alice,” he says. “I can see that. Unless she’s gone invisible.” That brings a small smile to his lips. “You know what I mean.” A pause. “We weren’t ever … We just hung out, really. She liked having someone to go with her to the Jade Coast parties and stuff. And I liked…” He looks away. “I didn’t know her before my mom passed away. So. I guess I kind of liked hanging out with someone who wouldn’t … look at me the way everyone else does sometimes.” I nod. And I can’t help it, but it just slips out—“Is that why you hang out with me?” “No,” he says, fast enough to dispel any doubts. “God. No.” “So…” So what is it? If it’s not because of Remy, or Alice, if there’s no barrier, no obstacle, no mistaken anything, why is there still distance between us? But maybe that was never the reason. Maybe he just doesn’t … When he looks at me again, it’s with uncertainty. “I thought maybe you just didn’t … you know.” “Lust after you with the heat of a thousand suns?” “Maybe not a thousand,” he says, eyes shining. “Maybe just one. One really big sun. And maybe not just lust, specifically, but like lust and all the other stuff.” “With, like, the brightness of a star and the speeding intensity of a meteorite and the … diffuse energy … of a gas giant?” “Yes.” It’s not a thunderclap. Or a lightning bolt straight to the chest. It’s not a magnetic pull toward my heart’s true north. It’s just … natural, to step off the porch and step up to him, the painting still between us. It’s a little bit like breathing, like what Remy was saying—something you just do without conscious thought. Something that is because it is; it exists because there’s no other way than it existing. The realization is all at once stunning and at the same time, somehow, not a surprise at all. I must’ve loved him all along. I just didn’t realize it. “I gas-giant the shit out of you, Gabe,” I say, and I kiss him. I kiss him very briefly but with great feeling, and then I pull back a little and look at him, his eyes wide, lips parted, and when he gives me the most radiant smile, I can’t help it—I go back twice as hard, pulling him closer and kissing him like I mean it, because God, do I mean it. And as he threads one hand through my hair and kisses back with just as much feeling, I send a silent thanks up to Frank for not letting me kiss him that night on the porch, because he was right—this is so much better. That kiss would’ve been fun, no doubt. But this is one to cherish. “Really?” Gabe says, when we break apart for a moment. I can’t help but snort. “No, you’re right, I changed my mind.” “Wait, really?” he says, and I take his face between my hands. “I like you,” I say. “I lustful-sun like you, I meteorite like you, you are the fucking pink Starburst to me.” He grins. And kisses me again but then eases up, shifts the painting to one side, wraps an arm around me, and just hugs me, and I think I like that just as much. It’s at the very least an incredibly close second.
Emma Mills (This Adventure Ends)
ROZ: My sister and I became guarded with each other in the weeks and months after our mother died. I don’t think either of us had a handle on what it was about, but I, in my characteristic way, was eager to roll up my sleeves and iron out some issues with her. She, less given to argument, preferred to keep her distance. Many is the time I drove through the streets of Boston presenting my case in the most cogent terms to a full courtroom just beyond the dashboard, while she was safely closeted a state away. My birthday came and went and still we had not managed to get together; of course I felt all the more put upon. Finally I had the grace to ask myself, “What’s happening here?” and I caught a glimpse of the in-between. All the energy I had been expending to shape a persuasive argument was actually propelling us apart. And I missed her—acutely. I thought that if I could just see her we surely could find some solutions. So I called her, and invited myself to her house for breakfast, and got up in the dark and was down in Connecticut by seven. There in the kitchen in her nightgown I found her, looking like my favorite sister in all the world. We talked gaily while we drank black Italian coffee, and then we took a long morning walk down the leafy dirt roads of Ashford, Connecticut, while her chocolate Lab, Chloe, ran ahead and came back, ran ahead and came back, in long arcs of perpetual motion. What did we talk about? The architecture, and the countryside, and the cats that Chloe was eager to visit at the farm ahead. We revisited scenes featuring our hilarious mother. We talked about my work, and about a paper she was about to present. My “case” never came up; it must have gotten lost somewhere along that wooded road because by the time I got in the car—my courtroom, my favorable jury—it was no longer on the docket. Did we resolve the issues? Obviously not, but the issues themselves are rarely what they seem, no matter what pains are taken to verify the scoreboard. We walked together, moved our arms, became joyous in the sunlight, and breathed in the morning. At that moment there were no barriers between us. And from that place, I felt our differences could easily be spoken. My disagreements with my sister were but blips on our screen compared to the hostilities individuals and nations are capable of when anger, fear, and the sense of injustice are allowed to develop unchecked. “Putting things aside” then becomes quite a different matter. At the apex of desperation and rage, we need a new invention to see us through.
Rosamund Stone Zander (The Art of Possibility: Transforming Professional and Personal Life)
always completely relaxed. If you live with fear and consider yourself as something special, then automatically, emotionally, you are distanced from others. You then create the basis for feelings of alienation from others and loneliness. So, I never consider, even when giving a talk to a large crowd, that I am something special, I am ‘His Holiness the Dalai Lama,’” he said, mocking his venerated status. “I always emphasize that when I meet people, we are all the same human beings. A thousand people—same human being. Ten thousand or a hundred thousand—same human being—mentally, emotionally, and physically. Then, you see, no barrier. Then my mind remains completely calm and relaxed. If too much emphasis on myself, and I start to think I’m something special, then more anxiety, more nervousness.
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
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