Disneyland Quotes

You've won the evolutionary lottery: You're a vampire. Let's go to Disneyland!

Disneyland will never be completed. It will continue to grow as long as there is imagination left in the world.

I'm going to talk to her." "And how's that going to go? You're just going to walk up to her and say, 'Hey, I know you've never seen me before, but I'm your dad. Oh, and guess what? You've won the evolutionary lottery: You're a vampire. Let's go to Disneyland!

Here you leave today and enter the world of yesterday, tomorrow, and fantasy.

Tink's a Disneyland whore!"-Jenks

Disneyland is like Alice stepping through the Looking Glass; to step through the portals of Disneyland will be like entering another world.

Adventure without risk is Disneyland.

I hate Disneyland. It primes our kids for Las Vegas.

When I started on Disneyland, my wife used to say, 'But why do you want to build an amusement park? They're so dirty.' I told her that was just the point--mine wouldn't be.

I love being a wizard. Every day is like Disneyland.

To all that come to this happy place, welcome. Disneyland is your land. Here age relives fond memories of the past, and here youth may savor the challenge and promise of the future. Disneyland is dedicated to the ideals, the dreams, and the hard facts that have created America... with hope that it will be a source of joy and inspiration to all the world.

For it is my opinion that we enclose and celebrate the freaks of our nation and our civilization. Yellowstone National Park is no more representative of America than is Disneyland.

Hell, any plan that added "and then we pray" is not a trip to Disneyland.

I have been going out with Nick Nelson since I was fourteen. He likes rugby and Formula 1, animals (especially dogs), the Marvel universe, the sound felt-tips make on paper, rain, drawing on shoes, Disneyland and minimalism. He also likes me.

Kate: “Oh, please, Vincent. We’re in the middle of a major tourist site. Père Lachaise cemetary is practically Disneyland for the Dead. It’s not some Buffy soundstage with vampires rising out of the ground every time someone turns around.

Here is the world of imagination, hopes, and dreams. In this timeless land of enchantment, the age of chivalry, magic and make-believe are reborn - and fairy tales come true. Fantasyland is dedicated to the young-in-heart, to those who that when you wish upon a star, your dreams come true.

(Ash used his powers to lift Zarek from the floor and pin him roughly against the ceiling.) Stop pushing your luck, boy. I’ve had it with you. (Acheron) Have you ever thought of hiring yourself out to Disneyland? People would pay a fortune for this ride. (Zarek)

Why do we have to grow up? I know more adults who have the children's approach to life. They're people who don't give a hang what the Joneses do. You see them at Disneyland every time you go there. They are not afraid to be delighted with simple pleasures, and they have a degree of contentment with what life has brought - sometimes it isn't much, either.

Whatever you do, do it well. Do it so well that when people see you do it, they will want to come back and see you do it again, and they will want to bring others and show them how well you do what you do.

Whence the possibility of an ideological analysis of Disneyland (L. Marin did it very well in Utopiques, jeux d'espace [Utopias, play of space]): digest of the American way of life, panegyric of American values, idealized transposition of a contradictory reality. Certainly. But this masks something else and this "ideological" blanket functions as a cover for a simulation of the third order: Disneyland exists in order to hide that it is the "real" country, all of "real" America that is Disneyland (a bit like prisons are there to hide that it is the social in its entirety, in its banal omnipresence, that is carceral). Disneyland is presented as imaginary in order to make us believe that the rest is real, whereas all of Los Angeles and the America that surrounds it are no longer real, but belong to the hyperreal order and to the order of simulation. It is no longer a question of a false representation of reality (ideology) but of concealing the fact that the real is no longer real, and thus of saving the reality principle.