Preacher Curl Quotes

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Not that this woman would need chains to capture a man's attention under normal circumstances. Her milky skin,soft eyes,and that mad riot of reddish-gold corkscrew curls that gave her a pixie-like appearance would see to the task.
Karen Witemeyer (Stealing the Preacher (Archer Brothers, #2))
Many people approach Tolstoy with mixed feelings. They love the artist in him and are intensely bored by the preacher; but at the same time it is rather difficult to separate Tolstoy the preacher from Tolstoy the artist—it is the same deep slow voice, the same robust shoulder pushing up a cloud of visions or a load of ideas. What one would like to do, would be to kick the glorified soapbox from under his sandalled feet and then lock him up in a stone house on a desert island with gallons of ink and reams of paper—far away from the things, ethical and pedagogical, that diverted his attention from observing the way the dark hair curled above Anna's white neck. But the thing cannot be done : Tolstoy is homogeneous, is one, and the struggle which, especially in the later years, went on between the man who gloated over the beauty of black earth, white flesh, blue snow, green fields, purple thunderclouds, and the man who maintained that fiction is sinful and art immoral—this struggle was still confined within the same man. Whether painting or preaching, Tolstoy was striving, in spite of all obstacles, to get at the truth. As the author of Anna Karenin, he used one method of discovering truth; in his sermons, he used another; but somehow, no matter how subtle his art was and no matter how dull some of his other attitudes were, truth which he was ponderously groping for or magically finding just around the corner, was always the same truth — this truth was he and this he was an art. What troubles one, is merely that he did not always recognize his own self when confronted with truth. I like the story of his picking up a book one dreary day in his old age, many years after he had stopped writing novels, and starting to read in the middle, and getting interested and very much pleased, and then looking at the title—and seeing: Anna Karenin by Leo Tolstoy. What obsessed Tolstoy, what obscured his genius, what now distresses the good reader, was that, somehow, the process of seeking the Truth seemed more important to him than the easy, vivid, brilliant discovery of the illusion of truth through the medium of his artistic genius. Old Russian Truth was never a comfortable companion; it had a violent temper and a heavy tread. It was not simply truth, not merely everyday pravda but immortal istina—not truth but the inner light of truth. When Tolstoy did happen to find it in himself, in the splendor of his creative imagination, then, almost unconsciously, he was on the right path. What does his tussle with the ruling Greek-Catholic Church matter, what importance do his ethical opinions have, in the light of this or that imaginative passage in any of his novels? Essential truth, istina, is one of the few words in the Russian language that cannot be rhymed. It has no verbal mate, no verbal associations, it stands alone and aloof, with only a vague suggestion of the root "to stand" in the dark brilliancy of its immemorial rock. Most Russian writers have been tremendously interested in Truth's exact whereabouts and essential properties. To Pushkin it was of marble under a noble sun ; Dostoevski, a much inferior artist, saw it as a thing of blood and tears and hysterical and topical politics and sweat; and Chekhov kept a quizzical eye upon it, while seemingly engrossed in the hazy scenery all around. Tolstoy marched straight at it, head bent and fists clenched, and found the place where the cross had once stood, or found—the image of his own self.
Vladimir Nabokov (Lectures on Russian Literature)
As dying men are told to have their past unreel before them Fleming had been gainsaid a kaleidoscopic view of his future. In the space of seconds whole sequences unspooled before him. They stood before a Bible-holding preacher. Hand in hand they stood before a crib where lay their firstborn. They stood shoulder to shoulder against a world that did its utmost to drive them to their knees and they prevailed. She knelt before his grave, tousled gray curls swinging, and imbedded into the clay a single white rose. There was a mist of tears in her eyes. He saw all this instantly, not as a future cast in stone but as a swirling maelstrom of events that could be mastered and controlled. It was a future to aspire to. Fleming considered himself a fairly stubborn and persistent person, and he planned to aspire as hard as he could.
William Gay (Provinces of Night)
Are you telling me you want this? That you want to get married?” She arched a brow, and he couldn’t hold her gaze. For the first time in his life, Leo found himself truly nervous. Here was a situation he couldn’t hit, wrestle, or order into compliance. Baring feelings was all well and good, but talking about them sucked. But there came a time in a man’s life where he had to suck it up and gush, especially when he was a blind idiot for a while. “Would I be going through all this trouble if I didn’t want to get married? Listen, Vex, I know we got off to a rocky start. In my defense, you’re a little much for any man to handle. Not that I mind,” he hastened to add when her second brow shot up. “I like who you are, and I’m a big enough man to admit I might have reacted poorly when you declared I was your mate and that I couldn’t escape.” “I said what?” Again, she gaped in open surprise. Then laughed. Pretty damned hard as a matter of fact. He frowned. “Don’t you dare deny it, Vex. You had me all but in front a preacher within five minutes of us meeting. And it scared me. But you were right about us belonging together, even if it took me longer to realize it. You are the one for me, Meena. The chaos to balance my serenity. The colored rainbow to enrich the grayness of my current life. I want you, Vex. Catastrophes and all. I just hope, even after what I’ve done, and the fact I might sometimes have a stick up my ass, at least according to Luna, that you’ll forgive me and still want me too.” He ended his gush of words and stared at Meena hopefully, and a little fearfully, given she once again stared at him slack-jawed. Would she say something? She did, just not from her lips. No, Meena’s voice came from behind him. “Oh, Pookie, that has got to be the most beautiful thing I ever heard.” Either Meena had some mad ventriloquist skills or… Leo froze as he stared at the woman in front of him, a woman that he realized the more he stared was Meena and yet not. This one wore her hair in soft curls around her shoulders, a tiny scar marred the tip of her chin, and her scent… was all wrong. However, the body that jumped on his back and the lips that noisily kissed the flesh of his neck? That was his Vex. What the hell? “Who are you?” he asked. The Meena clone grinned and waved. “Teena, of course.” “My twin,” Meena added against his ear. “Identical twin?” “Well, duh. And it’s a good thing too, or I’d be a little miffed right now that you just said all those beautiful things to her.” “I thought it was you.” “Apparently. It happens a lot, which I totally don’t get. She looks nothing like me.” “I feel like such an idiot.” He tried to crane his head to see the Meena clinging to his back, but she slapped her hands over his eyes. “No, you can’t look. It’s bad luck.” “But…” “No buts. Although I will say yours looks awfully delicious in those pants. But it will look even better when it’s naked and wearing my teeth marks.” “Vex!” “I know. I know. Don’t start something we can’t finish. Consider yourself warned, however. As soon as that priest says I do, your ass is mine. All mine.” Such a low, husky promise. “Come on, Teena, you are just in time to help me get into my gown. Can you believe my Pookie arranged all this?” The pride in her voice made him smile, but he did have to shake his head at the whole twin sister thing. With one last kiss on his neck, Meena whispered, “See you in a little bit, Pookie.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Are you so scared you were going to run?” She nodded, and he ran a finger along the line of her jaw. “Let’s try to get through this,” he said. “Even if it works, there’s no way I can ever repay you,” Paige said. He just shook his head. “I don’t want anything from you, Paige. Except that no one ever hits you again. Ever.” Paige just had to touch his face. She put her small palm against his cheek and whispered, “You are such an angel.” “Naw. I’m just an average guy.” He laughed a little. “A below-average guy.” She shook her head and a tear escaped and rolled down her cheek. Preacher carefully wiped it away. “It doesn’t make any sense to me,” he said. “If a man has a family like this—you and Christopher and a new baby coming—why? It seems like he’d do anything in the world to keep you safe, not hurt you. I wish...” He shook his head sadly. “What do you wish, John?” “You deserve to have a man who loves you and never lets you forget it. Someone who wants to raise Christopher into a solid and strong man, a good man who respects women.” He put his hand against her hair, grabbing a silky fistful. “If I had a woman like you, I’d be so careful,” he said in a whisper. She looked into his tender eyes and smiled, but it was tinged with fear and sadness. “Come here, let me hold you,” he said, pulling her to him. She slipped onto his lap, pulled up her legs and curled against him, her head on his shoulder, his arm around her back. She nestled like a little kitten against his broad chest. Preacher leaned back in the chair and closed his eyes, his arms around her, holding her against him. All I have to offer is this, he thought. Help. Safety. We’ll get this bastard out of her life, she’ll grow strong and confident again. And then she’ll go. Somewhere down the line there will be a man—one who treats her right. But until then, sometimes she might need someone to hold her for a little while. And if it gets to be me, those few times, I’ll make the most of it. He sat like that until the small clock on the wall said that it was midnight. Paige had not moved in hours; she slept in his arms. He could stay there until dawn, just feeling her small body against his. With a deep sigh, he kissed the top of her head. Then he stood, carefully lifting her in his arms. She roused briefly, looking up at his face. “Shh,” he said. “Let’s get you to bed. We have a big day tomorrow.” He carried her up the back stairs and into his old room. Preacher lowered her to the bed, next to her son, and brushed the hair away from her brow. “Thank you, John,” she whispered. “You don’t have to thank me,” he said. “I’m doing what I want to do.” *
Robyn Carr (Shelter Mountain (Virgin River, #2))
My wife. Mine. Forever and ever.” My upper lip curls. “Amen.
Jessa Kane (Preacher Man)
I’ve done it. I’ve made her my wife. I’ve satisfied her. I’ve claimed her, made her mine. “Mine, mine, MINE!” Those roared words come from deep inside me, my balls draining the last of their spend into her stretching cunt. I start to collapse, but catch myself on an elbow, capturing her gasping mouth with a kiss. “My wife. Mine. Forever and ever.” My upper lip curls. “Amen.
Jessa Kane (Preacher Man)
Preacher took him apart slowly and it was death by paper cuts, the hard length of him slowly dragging almost free, setting Memphis’s already raw nerve endings on fire, only to thrust back in hard enough to curl his toes in his shoes. But it was more than physical. Preacher watched him like there was nobody else in the world but him, like it was so much more than just sex, than just two people making each other feel good. Preacher watched him like he could read his mind if he just looked deeply enough into his eyes. And it was just all so much.
Onley James (Dangerous Breed (Time Served, #2))