Disney Wedding Quotes

I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?

Everyone needs deadlines. Even the beavers. They loaf around all summer, but when they are faced with the winter deadline, they work like fury. If we didn’t have deadlines, we’d stagnate.

Okay,” Cooper says agreeably. “But what if you and Nigel fall in love, and Nigel and I become BFFs, and then you guys get married, and Nigel wants me to be the best man, and you and I have to talk about the wedding plans?” “That would never happen, because since Nigel would be so in love with me, he would have dumped you as a BFF as soon as we got engaged and/or told you you were not allowed to be best man at our wedding, per my wishes.” “Yes, but—” “Wait a minute,” I say. “Did you just say ‘BFF’?” “Yes,” he says. He looks at me and shrugs. “I’ve been watching a lot of Disney Channel.

I stepped inside and stopped, blinking in astonishment. From the exterior I'd expected a charming little book and curio shop with the inner dimensions of a university Starbucks. What I got was a cavernous interior that housed a display of books that made the library Disney's Beast gave to Beauty on their wedding day look understocked.

I can't think of a film I've worked on where everybody just chilled out while they worked. Even if we had two more years, we'd still be stressing about shots. It's what we signed up for when we wanted to be filmmakers.

White noise, impersonal roar. Deadening incandescence of the boarding terminals. But even these soul-free, sealed-off places are drenched with meaning, spangled and thundering with it. Sky Mall. Portable stereo systems. Mirrored isles of Drambuie and Tanqueray and Chanel No. 5. I look at the blanked-out faces of the other passengers—hoisting their briefcases, their backpacks, shuffling to disembark—and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet—for me, anyway—all that’s worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are. Because—isn’t it drilled into us constantly, from childhood on, an unquestioned platitude in the culture—? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.

I feel a little bit like Alice in Wonderland, in the Disney video that Sasha likes to watch on her weekends with me, and everyone is in on the Unbirthday routine but me. Last time we'd watched it, I realized that being a parent wasn't all that different. We're always bluffing, pretending we know best, when most of the time we're just praying we wont screw up too badly

I imagine the field day we’d have with this in gender studies class. Our desks in a circle, we’d huddle forward and rant: So this is the baseline of femininity. The place where being bestowed certain chromosomes will ultimately take you. This is the dream that’s been pounded into us. Find the guy. Find the dress. Or hell, maybe the other way around. The Disney Princesses told us so. But this isn’t college. This is my job.

So, where are we going?" Eriku then turns onto the highway, one hand on the wheel, the other shifting gears. "I actually put a lot of thought into it. It was hard to decide on a place where we'd have maximum exposure but also enjoy ourselves. Somewhere the public can take us in, yet there's a lot of crowd control." We pass a billboard with a castle and a princess dressed in an ice-blue gown. I shift in my seat. No. Way. "Are we going to Tokyo Disney?" He smiles. "Life is a song, princess. Let's go make some fake-dating music.

… beauty alters the grain of reality … pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful … everything I love is illusion, and yet … all that’s worth living for lies in that charm… a great sorrow and one that I am only beginning to understand: we don’t get to chose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are… how do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer. Be yourself. Follow your heart.

The last slide is Main Street at night, with the castle lit silver blue in the background. In the sky, fireworks are going off, cresting, cracking open the darkness, shooting long tendrils of colored light down to the buildings, way longer than I’ve ever seen for fireworks… I linger on this slide. I study that blue castle and those fireworks and realize that this is the image I’ve had in my head of Disneyland for all these years. Just like the beginning of the Wonderful World of Disney TV show. Maybe that’s why I wanted to head here this time. I know it’s ridiculous, but part of me wants to think that the world after this one could look like that. Like I said before, I stopped having notions about religion and heaven long ago—angels and harps and clouds and all that malarkey. Yet some silly, childish side of me still wants to believe in something like this. A gleaming world of energy and light, where nothing is quite the same color as it is on earth—everything bluer, greener, redder. Or maybe we just become the colors, that light spilling from the sky over the castle. Perhaps it would be somewhere we’ve already been, the place we were before we were born, so dying is simply a return. I guess is that were true then somehow we’d remember it. Maybe that’s what I’m doing with this whole trip—looking for somewhere that I remember, deep in some crevice of my soul. Who knows? Maybe Disneyland is heaven. Isn’t that the damnedest, craziest thing you’ve ever heard? Must be the dope talking. (pp.253-254)

Tina was hosting. She's a thirty-five-year-old version of Sienne, only bottle blonde.Same blind-you lipstick, same taste in clothes,same complete disregard for anyone else's opinion on anything. They hate each other. "You hate me!" Sienna wailed. It wasn't Tina's voice that snapped back, but Dad's, "Oh,no. I am not playing that game with you. Do you have any idea what a hundred pounds of filet is gonna cost me? And now you want lobster?" "But it's my wedding! Daddy-" "Don't you Daddy me, princess! I'm already five grand in the hole for the damned hotel,not to mention two for the dress, and every time I turn around, you and your mother have added a new guest, bridesmaid,or crustacean!" First of all,Dad was yelling.Almost. Second,he was swearing.Even damn is fighting talk for him.I set down my pizza and debated the best route for a sealthy escape. I'd seen the dress.Pretty, in a Disney-princess, twenty-yards-of-tulle, boobs-shaped-into-missiles sort of way. Sienne looked deliriously happy in it. She looked beautiful.The less said about the bridesmaids' dressed, I'd decided, on seeing the purple sateen,the better. "No lobster!" he yelled. There was a dramatic howl, followed by the bang of the back door. When I peeked out,it was like a photo. Everything was frozen.Dad was standing over the massive pasta pot, red-faced and scowling, wooden spoon brandished like a sword. Leo and Ricky had retreated to the doorway of the freezer. Nonna had her eyes turned heavenward, and Tina was halfway through the dining room door, smirking a little.

In the year after Chris died, a friend organized a trip for the kids and me to use the time-share at Disney World in Florida. I felt exceptionally lonely the night we arrived in our rental car, exhausted from our flight. Getting our suitcases out, I mentioned something along the lines of “I wish we had Dad here.” “Me, too,” said both of the kids. “But he’s still with us,” I told them, forcing myself to sound as optimistic as possible. “He’s always here.” It’s one thing to say that and another to feel it, and as we walked toward the building I didn’t feel that way at all. We went upstairs--our apartment was on the second floor--and went to the door. A tiny frog was sitting on the door handle. A frog, really? Talk about strange. Anyone who knows the history of the SEALs will realize they trace their history to World War II combat divers: “frogmen” specially trained to infiltrate and scout enemy beaches before invasions (among other duties). They’re very proud of that heritage, and they still occasionally refer to themselves as frogmen or frogs. SEALs often feature frogs in various tattoos and other art related to the brotherhood. As a matter of fact, Chris had a frog skeleton tattoo as a tribute to fallen SEALs. (The term frogman is thought to derive from the gear the combat divers wore, as well as their ability to work both on land and at sea.) But for some reason, I didn’t make the connection. I was just consumed by the weirdness--who finds a frog, even a tiny one, on a door handle? The kids gathered round. Call me squeamish, but I didn’t want to touch it. “Get it off, Bubba!” I said. “No way.” We hunted around and found a little tree branch on the grounds. I held it up to the doorknob, hoping it would hop on. It was reluctant at first, but finally it toddled over to the outside of the door jam. I left it to do whatever frogs do in the middle of the night. Inside the apartment, we got settled. I took out my cell phone and called my mom to say we’d arrived safely. “There was one strange thing,” I told her. “There was a frog on the door handle when we arrived.” “A…frog?” “Yes, it’s like a jungle down here, so hot and humid.” “A frog?” “Yeah.” “And you don’t think there’s anything interesting about that?” “Oh my God,” I said, suddenly realizing the connection. I know, I know: just a bizarre coincidence. Probably. I did sleep really well that night. The next morning I woke up before the kids and went into the living room. I could have sworn Chris was sitting on the couch waiting for me when I came out. I can’t keep seeing you everywhere. Maybe I’m crazy. I’m sorry. It’s too painful. I went and made myself a cup of coffee. I didn’t see him anymore that week.

You know, not every woman dreams of a designer wedding dress, Or even of getting married at all. It’s because of fairy tales, and Disney, that girls are wired from a young age to want to become a princess wearing a tiara and puffy, pink dress.

If you send Mickey and Minnie Mouse an invitation to your wedding, they’ll send you back an autographed photo and a “just married” button. Here is the address: Mickey & Minnie The Walt Disney Company 500 South Buena Vista Street Burbank, CA 91521 USA

you send Mickey and Minnie Mouse an invitation to your wedding, they’ll send you back an autographed photo and a “just married” button. Here is the address: Mickey & Minnie The Walt Disney Company 500 South Buena Vista Street Burbank, CA 91521 USA

Twitter was a potentially powerful platform for us, but I couldn’t get past the challenges that would come with it. The challenges and controversies were almost too much to list, but they included how to manage hate speech, and making fraught decisions regarding freedom of speech, what to do about fake accounts algorithmically spewing out political “messaging” to influence elections, and the general rage and lack of civility that was sometimes evident on the platform. Those would become our problems. They were so unlike any we’d encountered, and I felt they would be corrosive to the Disney brand. On the Sunday after the board had just given me the go-ahead to pursue the acquisition of Twitter, I sent a note to all of the members telling them I had “cold feet,” and explaining my reasoning for withdrawing. Then I called Jack Dorsey, Twitter’s CEO, who was also a member of the Disney board. Jack was stunned, but very polite. I wished Jack luck, and I hung up feeling relieved.

Inside me, there was a little girl who begged to be free and face her fears. She had faced monsters her whole life. Many doubted her and didn't think she would amount to anything, but here she was now. That little Shilletha just needed to be loved, appreciated, and heard. That little girl needed me now, and we were going to summit this together. Each step represented a milestone in our lives-- going to Disney World, surviving sexual abuse, enduring grief at the loss of my aunt, graduating from high school and college, being homeless in Texas, and now hiking the Appalachian Trail. Together, we could conquer anything. We'd been climbing mountains for twenty-eight years. We didn't know it then, but we knew it now.

Walt had a way of communicating that was just magical,” composer Richard Sherman told me. “Simple, but magical. He would give you a challenge and say, ‘I know you can do this.’ He made you believe anything was possible. He made you proud to be on his team. And it really was a team effort—Walt would roll up his sleeves and go to work alongside the rest of us. “He saw potential in people who had never really done anything great. My brother Robert and I really had no track record in the music industry, but Walt heard a few of our songs and he gave us an opportunity and inspired us to keep topping ourselves. Without Walt to inspire us, I don’t know where we’d be today. “Walt always wanted you to find something wonderful in yourself, to believe in it and consider it God’s gift to you. God gives you the gift, and the rest is up to you. Walt taught me that what you do with that gift is your gift back to God.

Right away, we realized that we’d made a terrible mistake. Everything about the project ran counter to what we believed in. We didn’t know how to aim low. We had nothing against the direct-to-video model, in theory; Disney was doing it and making heaps of money. We just couldn’t figure out how to go about it without sacrificing quality. What’s more, it soon became clear that scaling back our expectations to make a direct-to-video product was having a negative impact on our internal culture, in that it created an A-team (A Bug’s Life) and a B-team (Toy Story 2). The crew assigned to work on Toy Story 2 was not interested in producing B-level work, and more than a few came into my office to say so. It would have been foolish to ignore their passion.

On July 13, 1925, Walt and Lillian were married. They spent their honeymoon at Mount Rainier. On their wedding night, Walt had such a bad toothache that he couldn’t sleep. To take his mind off the pain, he left their room and helped a porter shine shoes all night. The next morning he went to a dentist and had his tooth pulled. It certainly wasn’t the most fun way to start off a marriage. But Walt had a good story to tell.

Disneyland opened on July 17, 1955, in Anaheim, California. Just four days earlier he and Lillian had their thirtieth wedding anniversary.

I stepped out and the sun was shining. And the birds were chirping. It was the nicest day we'd had in ages. A couple of bunnies scampering about. It could have been the start of a Disney flick.

Eh, I’ll just get another computer. This will be my Disney trip computer.” My parents had boxes of photos in their closets. Now we have old computers in our closets. “Hey, honey, there’s our wedding computer.” “There’s my computer from when I was single. I guess I should destroy that one.

Bob from the early days of Disney. They were conflicted, therefore, about using certain newer technologies—VHS videotape, for example—that had not existed in the studio’s heyday. If Walt’s Nine Old Men didn’t use videotape, Andrew remembers telling Bob McCrea one day, maybe he shouldn’t either. “Don’t be an idiot,” Bob said. “If we’d had those tools then, we would have used them.

True Love… it’s the most wonderful human emotion and one of the most elusive. We search for it, trying to find that one person in the whole world worthy enough to spend our lives with. When you look at the trail of broken hearts, the rivers of tears and the broken dreams, it’s quite obvious that it’s not an easy dream to achieve. Don’t we rightly call it the Quest for Love? That’s why when we think we’ve found the right person, we are giddy with happiness and relief. Finally! The answer to our prayers has come after such a long wait. We are safe. We are loved. A lot of women view marriage this way and I blame that on all the Walt Disney cartoons we watched as little girls. There’s this beautiful helpless princess locked away in a castle and here comes this handsome prince to save her from her miserable life. Classic. Then, after the grand wedding ball, the movie ends with: “And They Lived Happily Ever After.” That’s it? What happened afterwards? Nothing’s mentioned about that. We are made to think that it all ends there, that the couple’s happiness is secured and a given. They love each other, right? They went through all that trouble just to be together. So they’ll be happy. End of story.

I am a child of Disney, so I learned early that a wedding is a woman's finish line... I wonder if we;re doing something wrong, if marriage isn't what I've been promised... I long for depth, passion, and connection with Craig that I assumed would magically come with I do. And if this magical husband-and-wife bond isn't going to materialize, then I at least want to build a solid friendship. The problem is that none of my relationship-building strategies seem to work with Craig.

for a while. I think even Ike was impressed, and flattered, to be getting a call from Steve Jobs. Steve told him that the Pixar deal far exceeded his expectations, because I’d lived up to my word and respected the brand and the people. Later, after we’d closed the deal, Ike told me that he’d still had his doubts and the call from Steve made a big difference to him. “He said you were true to your word,” Ike said. I was grateful that Steve was willing to do it as a friend, really, more than as the most influential member of our board.

For five straight years, we’d fought to do Toy Story our way. We’d resisted the advice of Disney executives who believed that since they’d had such success with musicals, we too should fill our movie with songs.

Tiff’s allowing her kids the luxury of watching television brought to mind a dinner Pete, the kids, and I went to with a few other couples and their kids. We were at a restaurant where the service was friendly but slow, and after five minutes, all of our kids were growing restless. My husband and I reached for our iPhones, because years earlier we’d decided (or at least accepted) that we’d let our children play on screens while they waited for food in restaurants. Another couple, for reasons of civility or table manners or brain development, had a no-screens-at-the-table policy in effect, so instead they reached for the piles of toys they’d carried with them, in big tote bags brimming with markers and Play-Doh and Disney figurines. They poured these nondigital diversions onto the table, turning the place settings into an elevated rec room. Another couple at the table disapproved of both of these choices. They wanted their children to sit nicely and participate in the conversation. Mostly this meant their kids flopped around and played with the saltshakers and kicked each other’s knees. The one childless couple at the table grimaced at all of us. I could see them silently interrogating each other, trying to understand how it was possible that all six of their friends were such ineffectual parents. Everyone was tense and unhappy. Everyone felt watched and judged. Everyone was wondering who was doing it the right way. But worst of all, worse than the atmosphere of guardedness and anxiety, was the fact that no one was acknowledging any of it. This, it turns out, is the most important rule of parenting as a competitive sport: Nobody ever, no matter what, admits to competing. We smile and nod and hold our judgments until we get home from the restaurant. We say things like, “There’s no single right way.” We say these things as we sip our drinks, and only when we get home do we say to our partner or the nearest person who will listen, “What the fuck are they doing with those kids?” Nothing is acknowledged. Nothing is discussed. And on and on the parenting game goes; it’s hard to win while pretending not to play.

we needed to look closely at Lucasfilm and we needed his cooperation. We’d sign a confidentiality agreement, and we would do it in a way that wouldn’t raise too many questions

once gave him a tour of a hotel in Orlando called “Art of Animation.” It’s a huge hotel, three thousand rooms, priced more affordably than many of our hotels. I was proud of its quality for the price, and when Steve came down for a board retreat shortly after it opened, I took him to see it. We walked into the hotel, and Steve looked around and proclaimed, “This is crap. You’re not faking anybody.” “Steve,” I said, “this is for people who want to come to Disney World with their kids and can’t afford to spend hundreds of dollars a night on a room. It’s ninety bucks, and it’s a decent, nice, clean, pleasant place.” “I don’t get it,” he barked. Most people would have appreciated the quality and the care we’d taken to design it, but Steve wasn’t most people. He was looking at it through his own lens. “It’s not for you,” I said. “I’m sorry that I showed it to you.” I was a little mad at his snobbery, but I also knew that was just who he was. He built things of the highest quality, not necessarily affordable to all, but he never sacrificed quality in order to attain affordability. I never showed him anything like that again.

In 1997, executives at Disney came to us with a request: Could we make Toy Story 2 as a direct-to-video release—that is, not release it in theaters? At the time, Disney’s suggestion made a lot of sense. In its history, the studio had only released one animated sequel in theaters, 1990’s The Rescuers Down Under, and it had been a flop. In the years since, the direct-to-video market had become extremely lucrative, so when Disney proposed Toy Story 2 for video release only—a niche product with a lower artistic bar—we said yes. While we questioned the quality of most sequels made for the video market, we thought that we could do better. Right away, we realized that we’d made a terrible mistake. Everything about the project ran counter to what we believed in. We didn’t know how to aim low. We had nothing against the direct-to-video model, in theory; Disney was doing it and making heaps of money. We just couldn’t figure out how to go about it without sacrificing quality. What’s more, it soon became clear that scaling back our expectations to make a direct-to-video product was having a negative impact on our internal culture, in that it created an A-team (A Bug’s Life) and a B-team (Toy Story 2). The crew assigned to work on Toy Story 2 was not interested in producing B-level work, and more than a few came into my office to say so.

Then we’d be living a lie,” Padmé told him gently. “And one we couldn’t keep

As for the $38 price, I suspected that Comcast could possibly go higher than what they’d already bid, and that if we went to $35, they’d go to $36. If we went to $36, they’d go to $37, at each stage convincing themselves that it’s only a little more, until eventually we’d go up to $40 per share. Whereas if we started at $38, they’d have to think hard about going up at least $3 per share.