Disney Inspirational Quotes

The flower that blooms in adversity is the rarest and most beautiful of all.

It's kind of fun to do the impossible.

No matter how your heart is grieving, if you keep on believing, the dreams that you wish will come true.

Around here, however, we don't look backwards for very long. We keep moving forward, opening up new doors and doing new things, because we're curious...and curiosity keeps leading us down new paths.

A dream is a wish your heart makes, when you're fast asleep.

Think, Believe, Dream, and Dare.

Somehow I can't believe that there are any heights that can't be scaled by a man who knows the secrets of making dreams come true. This special secret, it seems to me, can be summarized in four Cs. They are curiosity, confidence, courage, and constancy, and the greatest of all is confidence. When you believe in a thing, believe in it all the way, implicitly and unquestionable.

I only hope that we never lose sight of one thing — that it was all started by a mouse.

Why worry? If you've done the very best you can, worrying won't make it any better

To all that come to this happy place, welcome. Disneyland is your land. Here age relives fond memories of the past, and here youth may savor the challenge and promise of the future. Disneyland is dedicated to the ideals, the dreams, and the hard facts that have created America... with hope that it will be a source of joy and inspiration to all the world.

Crowded classrooms and half-day sessions are a tragic waste of our greatest national resource - the minds of our children.

You're braver than you believe, stronger than you seem, and smarter than you think. - Christopher Robin

That's what we storytellers do. We restore order with imagination. We instill hope again and again and again.

The very things that held you down are gonna carry you up and up and up.

The difference between winning and losing is most often not quitting.

Be careful what you wear to bed, because you never know where you might wake up.

Of all the things I've done, the most vital is coordinating the talents of those who work for us and pointing them toward a certain goal.

It's fun to do the impossible" Walt Disney I always dream BIG!

If you don't innovate, You die

Sometimes she wore Levi's with white-suede fringe sewn down the legs and a feathered Indian headdress, sometimes old fifties' taffeta dresses covered with poetry written in glitter, or dresses made of kids' sheets printed with pink piglets or Disney characters.

If you're in the business of making something, be in the business of making something great

I believe firmly in the efficacy of religion, in its powerful influence on a person’s whole life. It helps immeasurably to meet the storm and stress of life and keep you attuned to the Divine inspiration. Without inspiration, we would perish.

We restore order through the imagination. We restore hope over and over and over again ... .

You are BRAVER than you believe, and STRONGER than you seem, and SMARTER than you think

If you believe in something, believe in it all the way.

I have always wanted to leave the village and seek adventure. I long to be remembered for something, even if that something is merely the pursuit of my dreams.

It's up to you to let a dream be a dream or to bring it to life.

You have to ask the questions you need to ask, admit without apology what you don’t understand, and do the work to learn what you need to learn as quickly as you can. There’s nothing less confidence-inspiring than a person faking a knowledge they don’t possess. True authority and true leadership come from knowing who you are and not pretending to be anything else.

You may not realize it when it happens, but a kick in the teeth may be the best thing in the world for you.

The things that make me different are the things that make me, ME!!

I especially loved the Old Testament. Even as a kid I had a sense of it being slightly illicit. As though someone had slipped an R-rated action movie into a pile of Disney DVDs. For starters Adam and Eve were naked on the first page. I was fascinated by Eve's ability to always stand in the Garden of Eden so that a tree branch or leaf was covering her private areas like some kind of organic bakini. But it was the Bible's murder and mayhem that really got my attention. When I started reading the real Bible I spent most of my time in Genesis Exodus 1 and 2 Samuel and 1 and 2 Kings. Talk about violent. Cain killed Abel. The Egyptians fed babies to alligators. Moses killed an Egyptian. God killed thousands of Egyptians in the Red Sea. David killed Goliath and won a girl by bringing a bag of two hundred Philistine foreskins to his future father-in-law. I couldn't believe that Mom was so happy about my spending time each morning reading about gruesome battles prostitutes fratricide murder and adultery. What a way to have a "quiet time." While I grew up with a fairly solid grasp of Bible stories I didn't have a clear idea of how the Bible fit together or what it was all about. I certainly didn't understand how the exciting stories of the Old Testament connected to the rather less-exciting New Testament and the story of Jesus. This concept of the Bible as a bunch of disconnected stories sprinkled with wise advice and capped off with the inspirational life of Jesus seems fairly common among Christians. That is so unfortunate because to see the Bible as one book with one author and all about one main character is to see it in its breathtaking beauty.

Maybe this is the case for many of us: No matter who we become or what we accomplish, we still feel that we’re essentially the kid we were at some simpler time long ago. Somehow that’s the trick of leadership, too, I think, to hold on to that awareness of yourself even as the world tells you how powerful and important you are. The moment you start to believe it all too much, the moment you look yourself in the mirror and see a title emblazoned on your forehead, you’ve lost your way. That may be the hardest but also the most necessary lesson to keep in mind, that wherever you are along the path, you’re the same person you’ve always been.

All of our dreams can come true if we have the courage to pursue them.

The Greatest Risk Is Taking No Risk at All

All our dreams can come true if we have the courage to pursue them.  - Walt Disney

The more you like yourself, the less you are like anyone else, which makes you unique

First. think Second. believe Third. dream Fourth. dare

All our dreams can come true, if we have the courage to pursue them.

The night before, Belle had stayed up past her bedtime, making a few changes to her doll with her father's tools. She couldn't help it. Inspiration had struck. Her father always told her that when inspiration strikes, you must grab it.

My mother used to tell me, every time we were watching Cinderella, that Cinderella had the best attitude and that I should strive to be just like her. Later when I grew up, I resented my mother for teaching me that way, as I saw it as the reason why I often felt preyed on by people who were much more like the ugly stepsisters. But now, all of a sudden, I’ve realized that what my mom meant was that no matter how ugly people can be to you, no matter how rough they treat you, no matter how much their actions tempt you to become your worst— you should overcome them by never letting them steal your gentleness. People only win when they are able to take away your gentleness, your sweetness. But if you remember that you’re a princess, and they’re just not, at the end of the day you win! Still, my mom should have pointed me in the direction of Belle from Beauty and the Beast. Cinderella is fine, but had she taught me that Belle was the best way to be, I would have probably never grown to resent that. Belle always retained her gentleness but she could still beat up a pack of wolves at the same time and that’s the kind of princess I wanted to be like! Not to mention she loved books!

In Hollywood, a young cartoonist named Walt Disney was inspired to create an animated short feature called “Plane Crazy” featuring a mouse who was also a pilot. The mouse was initially called Mortimer but soon assumed a more lasting place in the nation’s hearts as Mickey.

Don't count the days, make the days count. -Muhammad Ali     Build your own dreams, or someone else will hire you to build theirs. –Farrah Gray     All our dreams can come true if we have the courage to pursue them.  - Walt Disney     Your time is limited, so don't waste it living someone else's life. -Steve Jobs

As a young cartoonist, Walt Disney faced many rejections from newspaper editors who said he had no talent. One day a minister at a church hired him to draw some cartoons. Disney was working out of a small rodent-infested shed near the church. Seeing a small mouse inspired him to draw a new cartoon. That was the start of Mickey Mouse.

Peter Pan has to be the book of my childhood. Come to think of it, it's the book of my adulthood too. It's a book which, in the reading of it, takes me back to editions that I've had and lost, with various illustrators' work in them. It brings back moments sitting reading it with my mother. It brings back my first contact with the Disney cartoon. It brings back standing in the play-yard when I was a kid, when the wind was really blowing, and closing my eyes, spreading my arms and pretending I could fly. It brings back childhood dreams of flying. It brings back the first encounter I ever had with an invented world... Never Never Land was really the first journey I took to an invented world which I believed in wholly and completely. I remember the immense solidarity that I felt with the Lost Boys, with Peter, with the Indians - how much I wanted to be a Red Indian - how much the saving of Tiger Lily meant to me as a kid, how much I wanted to one day wake up and save an Indian squaw from drowning.

The Missouri of his childhood was theoretically the inspiration for Main Street, U.S.A., though only in its halcyon summer vacation months and stripped of any dismal memories: no blizzards, no doctor's office, and no school-house. Almost no one has a dismal experience in Walt Disney's America, as a matter of fact, at least not that Walt noticed.

Why do we have to grow up? I know more adults who have the children's approach to life. They're people who don't give a hang what the Joneses do. You see them at Disneyland every time you go there. They are not afraid to be delighted with simple pleasures, and they have a degree of contentment with what life has brought - sometimes it isn't much, either. °o°

if you can dream it, you can do it

Never underestimate the power of the next step you are about to take.

The real problem with the world, too many people grow up.

First, think. Second, believe. Third, dream. Finally, dare.

Help, Remy, help! Emile! Start swinging the light!

The greatest moments in life are not concerned with selfish achievements but rather with the things we do for the people we love and esteem, and whose respect we need.

Why would I want to be President of the United States? I’m the King of Disneyland.

To be successful you must be unique, you must be so different that if people want what you have, they must come to you to get it.

If you can dream it, you can do it.” Walt Disney

The way to get started is to quit talking and begin doing.   Walt Disney

That's what we storytellers do. We restore order with imagination. We instill hope again and again and again.

-Prayer In My Life- Every person has his own ideas of the act of praying for God's guidance, tolerance and mercy to fulfill his duties and responsibilities. My own concept of prayer is not a plea for special favors, nor as a quick palliation for wrongs knowingly committed. A prayer, it seems to me, implies a promise as well as a request; at the highest level, prayer not only is supplication for strength and guidance, but also becomes an affirmation of life and thus a reverent praise of God. Deeds rather than words express my concept of the part religion should play in everyday life. I have watched constantly that in our movie work the highest moral and spiritual standards are upheld, whether it deals with fable or with stories of living action. This religious concern for the form and content of our films goes back 40 years to the rugged financial period in Kansas City when I was struggling to establish a film company and produce animated fairy tales. Thus, whatever success I have had in bringing clean, informative entertainment to people of all ages, I attribute in great part to my Congregational upbringing and lifelong habit of prayer. To me, today at age 61, all prayer by the humble or highly placed has one thing in common: supplication for strength and inspiration to carry on the best impulses which should bind us together for a better world. Without such inspiration we would rapidly deteriorate and finally perish. But in our troubled times, the right of men to think and worship as their conscience dictates is being sorely pressed. We can retain these privileges only by being constantly on guard in fighting off any encroachment on these precepts. To retreat from any of the principles handed down by our forefathers, who shed their blood for the ideals we all embrace, would be a complete victory for those who would destroy liberty and justice for the individual.

Okay, I know--my superpower--I'd be able to shoot lightening bolts out from my fingertips--great big knowledge network lightening bolts--and when a person was zapped by one of those bolts, they'd fall down on their knees and once on their knees, they'd be under water, in this place I saw once off the east coast of the Bahamas, a place where a billion electric blue fish swam up to me and made me a part of their school--and then they'd be up in the air, up in Manhattan, above the World Trade Center, with a flock of pigeons, flying amid the skyscrapers, and then--then what? And then they'd go blind, and then they'd be taken away--they'd feel homesick--more homesick than they'd felt in their entire life--so homesick they were throwing up--and they'd be abandoned, I don't know...in the middle of a harvested corn field in Missouri. And then they'd be able to see again, and from the edges of the field people would appear--everybody they'd known--and they'd be carrying Black Forest cakes and burning tiki lamps and boom boxes playing the same song, and they sky would turn into a sunset, the way it does in Walt Disney brochure, and the person I zapped would never be alone or isolated again.

George Banks and all he stands for will be saved. Maybe not in life, but in imagination. Because that's what we storytellers do. We restore order with imagination. We instill hope again and again and again.

From the day we arrive on the planet And blinking step into the sun There's more to be seen than can ever be seen More to do than can ever be done Some say, eat or be eaten Some say, live and let live But, all are agreed as they join the stampede You should never take more than you give In the circle of life It's the wheel of fortune It's the leap of faith It's the band of hope Till we find our place On the path unwinding In the circle The Circle of Life

I don't know if You can hear me, Or if You're even there, I don't know if You will listen To a gypsy's prayer, Yes, I know I'm just an outcast, I shouldn't speak to You But still I see Your face and wonder Were You once an outcast too?

After my initial disappointment, I realized that Milicent being a normal, non-royal was more important to her position as a role model. It was more inspirational. She didn't have superpowers or a magic wand. She was simply intelligent and savvy and good at what she did. We need women to be allowed to be simply good at what they do. We need them on set, in meetings, behind cameras and pens and paintbrushes. We need them to be themselves, to be human: ordinary and flawed. That way, more girls can see them and think "I can do that." That way, no one can look at them and say " She got that job because she's beautiful. She got that gig because she slept with someone." Actually, she got hired because she was damn good.

Today I’m alive and here, and now it’s my job to fill my daughter’s world with love, happiness and security. She doesn’t need Disney Land, she just needs me, and I’ll do my best so that when I’m gone she’ll have a head full of memories and a heart full of love.

Your life is a story. You are telling it every single day. You don’t always realize it, but you are constantly telling others a story. The question we must always wrestle with is how well are you telling your story? Are you sharing a story that encourages others? Are you telling a story that gives others the freedom to dream? Is your story one that inspires hope and creates a desire to keep trying in a sometimes tough world? That

There's a table with some catalogues and a guest book in the corner; there are artworks. Today, I need so badly to be inspired by them, even though I hate that word: inspiration. It crops up in too many advertisements, politcians' speeches, Disney films, its meaning obliterated. I refuse to be 'inspired' in the same insipid way that ad executives and politicians and Hollywood producers suggest I should be. What I need from these works is to be reminded of why I used to care about art—so much that I'd try and make it for myself.

Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.

The Blank Slate and its companion doctrines have infiltrated the conventional wisdom of our civilization and have repeatedly surfaced in unexpected places. William Godwin (1756–1835), one of the founders of liberal political philosophy, wrote that “children are a sort of raw material put into our hands,” their minds “like a sheet of white paper.” 12 More sinisterly, we find Mao Zedong justifying his radical social engineering by saying, “It is on a blank page that the most beautiful poems are written.” 13 Even Walt Disney was inspired by the metaphor. “I think of a child’s mind as a blank book,” he wrote. “During the first years of his life, much will be written on the pages. The quality of that writing will affect his life profoundly.

Rather than trying to prevent all errors, we should assume, as is almost always the case, that our people’s intentions are good and that they want to solve problems. Give them responsibility, let the mistakes happen, and let people fix them. If there is fear, there is a reason—our job is to find the reason and to remedy it. Management’s job is not to prevent risk but to build the ability to recover. CHAPTER 7 THE HUNGRY BEAST AND THE UGLY BABY During the late 1980s and early 1990s, as an ascendant Disney Animation was enjoying a remarkable string of hit films—The Little Mermaid, Beauty and the Beast, Aladdin, The Lion King—I began to hear a phrase being used again and again in the executive suites of its Burbank headquarters: “You’ve got to feed the

Walt Disney's orchestration of his animation studio was often likened to that of a Renaissance artist's workshop: 'Of all the things I've done,' he stated, 'the most vital is coordinating the talents of those who work for us and pointing them at a certain goal.' Disney understood the amorphous nature of his role as repeatedly relayed in what may be an apocryphal anecdote: 'You know,' Disney said, 'I was stumped one day when a little boy asked, 'Do you draw Mickey Mouse?' I had to admit I do not draw any more. 'Then you think up all the jokes and ideas?' 'No,' I said, 'I don't do that.' Finally, he looked at me and said, 'Mr. Disney, just what do you do?' 'Well,' I said, 'Sometimes I think of myself as a little bee. I go from one area of the studio to another and gather pollen and sort of stimulate everybody.' I guess that's the job I do.

This was a critical decision that was not obvious to most people. Most people assumed that Pixar would do 3D movies and Disney would do 2D. Or

In 1997, executives at Disney came to us with a request: Could we make Toy Story 2 as a direct-to-video release—that is, not release it in theaters? At the time, Disney’s suggestion made a lot of sense. In its history, the studio had only released one animated sequel in theaters, 1990’s The Rescuers Down Under, and it had been a flop. In the years since, the direct-to-video market had become extremely lucrative, so when Disney proposed Toy Story 2 for video release only—a niche product with a lower artistic bar—we said yes. While we questioned the quality of most sequels made for the video market, we thought that we could do better. Right away, we realized that we’d made a terrible mistake. Everything about the project ran counter to what we believed in. We didn’t know how to aim low. We had nothing against the direct-to-video model, in theory; Disney was doing it and making heaps of money. We just couldn’t figure out how to go about it without sacrificing quality. What’s more, it soon became clear that scaling back our expectations to make a direct-to-video product was having a negative impact on our internal culture, in that it created an A-team (A Bug’s Life) and a B-team (Toy Story 2). The crew assigned to work on Toy Story 2 was not interested in producing B-level work, and more than a few came into my office to say so.

If you can dream it, you can do it.

That uncertainty can make us uncomfortable. We humans like to know where we are headed, but creativity demands that we travel paths that lead to who-knows-where. That requires us to step up to the boundary of what we know and what we don’t know. While we all have the potential to be creative, some people hang back, while others forge ahead. What are the tools they use that lead them toward the new? Those with superior talent and the ability to marshal the energies of others have learned from experience that there is a sweet spot between the known and the unknown where originality happens; the key is to be able to linger there without panicking. And that, according to the people who make films at Pixar and Disney Animation, means developing a mental model that sustains you. It might sound silly or woo-woo, this kind of visualization, but I believe it’s crucial. Sometimes—especially at the beginning of a daunting project—our mental models are all we’ve got.

studios down. (He also thought, frankly, that making us the stewards of both entities would guarantee that Pixar’s traditions didn’t get overtaken by those of the much larger corporation, the Walt Disney Company.)

Athletes and musicians often refer to being in “the zone”—that mystical place where their inner critic is silenced and they completely inhabit the moment, where the thinking is clear and the motions are precise. Often, mental models help get them there. Just as George Lucas liked to imagine his company as a wagon train headed west—its passengers full of purpose, part of a team, unwavering in their pursuit of their destination—the coping mechanisms used by Pixar and Disney Animation’s directors, producers, and writers draw heavily on visualization. By imagining their problems as familiar pictures, they are able to keep their wits about them when the pressures of not knowing shake their confidence.

What ever you do, do it well. Do it so well that when people see you do it they will want to come back and see you do it again and they will want to bring others and show them how well you do what you do.

He saw firsthand the way that the Disney people took advantage of the open floor plan, sharing information and brainstorming. Steve was a big believer in the power of accidental mingling; he knew that creativity was not a solitary endeavor.

Before considering a geodesic sphere, different design structures were considered for Spaceship Earth including the Roman Parthenon, the dome of Saint Peter’s Cathedral in the Vatican (150 feet high and 107 feet in diameter), and the 125-foot-diameter steel frame supporting a map of the world, like the one at the 1964–65 New York World’s Fair. A golden geodesic dome was also seriously considered, inspired by the Expo ’67 dome in Montreal.

All our dreams can come true, if we have the courage to pursue them.” -Walt Disney   While

Make Learning Magical

It was the end of the day before John, Steve, and I had a chance to take a breath, heading upstairs and ducking into my office. The minute the door shut behind us, Steve put his arms around us and began to cry, tears of pride and relief—and, frankly, love. He had succeeded in providing Pixar, the company he’d helped turn from a struggling hardware supplier into an animation powerhouse, with the two things it needed to endure: a worthy corporate partner in Disney and, in Bob, a genuine advocate.

When I look back on Pixar’s history, I have to recognize that so many of the good things that happened could easily have gone a different way. Steve could have sold us—he tried more than once. Toy Story 2 could have been deleted for good, bringing the company down. For years, Disney was trying to steal John back, and they could have succeeded. I am distinctly aware that Disney Animation’s success in the 1990s gave Pixar its chance with Toy Story and also that their later struggles enabled us to join together and ultimately merge.

provided.

AREN

at Theodore Roosevelt’s “The Man in the Arena” speech, which has long been an inspiration: “It is not the critic who counts; not the man who points out how the strong man stumbles,

The story of Cinderella is a metaphor for our life experience. Just like Cinderella, some of us will often find ourselves as the only value-giver, surrounded by value-takers. Our goal is to create value, to become sculptors of value; while their goal is to focus on their own value and try to take by all means, to add more to it. When you take value, that's because you're not creating it in the spaces you are in and that surround you. You're not a valuable experience in other people's lives. You're the ugly stepsisters. But unlike Cinderella, we need to be more like Belle. We need to know our own worth while our own worth is happening.

Some say that Homosexuals are an obamination, Disney says that Stitch is an Obamiation, I say that the United States Government is the True Obamiation.

You have a job. They’re expecting you to turn this business around. Your inexperience can’t be an excuse for failure. So what do you do in a situation like that? The first rule is not to fake anything. You have to be humble, and you can’t pretend to be someone you’re not or to know something you don’t. You’re also in a position of leadership, though, so you can’t let humility prevent you from leading. It’s a fine line, and something I preach today. You have to ask the questions you need to ask, admit without apology what you don’t understand, and do the work to learn what you need to learn as quickly as you can. There’s nothing less confidence-inspiring than a person faking a knowledge they don’t possess. True authority and true leadership come from knowing who you are and not pretending to be anything else.

My experiences from day one have all been in the media and entertainment world, but these strike me as universal ideas: about fostering risk taking and creativity; about building a culture of trust; about fueling a deep and abiding curiosity in oneself and inspiring that in the people around you; about embracing change rather than living in denial of it; and about operating, always, with integrity and honesty in the world, even when that means facing things that are difficult to face.

He dreamed big dreams - impossible dreams they told him. Then he moved heaven and earth to make his dreams come true. When you, as a leader, start with a vision, then communicate that vision to the people you lead, utilize your people skills to motivate and inspire them, maintain your character and integrity at every decision-point, command with competence, lead with boldness and confidence, and support your people with your serving heart, your vision will become your reality.

as a leader you can’t communicate that pessimism to the people around you. It’s ruinous to morale. It saps energy and inspiration. Decisions get made from a protective, defensive posture.

and

Life's an adventure & If you don't chose adventure path, then you're not living

Dreams can come true if we have the courage to pursue them.

Arendelle

For five straight years, we’d fought to do Toy Story our way. We’d resisted the advice of Disney executives who believed that since they’d had such success with musicals, we too should fill our movie with songs.

It should be about the future, not the past

All our dreams can come true if we have the courage to pursue them. -Walt Disney (1901 – 66)

Walt Disney was one of my two boyhood idols. The other was Albert Einstein. To me, even at a young age, they represented the two poles of creativity. Disney was all about inventing the new. He brought things into being—both artistically and technologically—that did not exist before. Einstein, by contrast, was a master of explaining that which already was.