Castles Built Quotes

If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.

For so many years I lived in constant terror of myself. Doubt had married my fear and moved into my mind, where it built castles and ruled kingdoms and reigned over me, bowing my will to its whispers until I was little more than an acquiescing peon, too terrified to disobey, too terrified to disagree. I had been shackled, a prisoner in my own mind. But finally, finally, I have learned to break free.

Anne had no sooner uttered the phrase, "home o'dreams," than it captivated her fancy and she immediately began the erection of one of her own. It was, of course, tenanted by an ideal master, dark, proud, and melancholy; but oddly enough, Gilbert Blythe persisted in hanging about too, helping her arrange pictures, lay out gardens, and accomplish sundry other tasks which a proud and melancholy hero evidently considered beneath his dignity. Anne tried to banish Gilbert's image from her castle in Spain but, somehow, he went on being there, so Anne, being in a hurry, gave up the attempt and pursued her aerial architecture with such success that her "home o'dreams" was built and furnished before Diana spoke again.

Doubt had married my fear and moved into my mind, where it built castles and ruled kingdoms and reigned over me, bowing my will to its whispers until I was little more than an acquiescing peon, too terrified to disobey, too terrified to disagree.

There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self.

She said being human is being a young child on Christmas Day who receives an absolutely magnificent castle. And there is a perfect photograph of this castle on the box and you want more than anything to play with the castle and the knights and the princesses because it looks like such a perfectly human world, but the only problem is that the castle isn’t built. It’s in tiny intricate pieces, and although there’s a book of instructions you don’t understand it. And nor can your parents or Aunt Sylvie. So you are just left, crying at the ideal castle on the box which no one would ever be able to build

Doubt had married my fear and moved into my mind, where it built castles and ruled kingdoms and reigned over me, bowing my will to its whispers until I was little more than an acquiescing peon, too terrified to disobey, too terrified to disagree..

I dreamt of a maid at a feast with purple serpents in her hair, venom dripping from their fangs. And later I dreamt that maid again, slaying a savage giant in a castle built of snow.

Most castles in the air are never built. But Walt Disney's was.

The Ganseys were courtiers and kings, and when there was no castle to invite them, they built one.

The upper classes of this country raped this country. You fucked people. You built a castle to rip people off. Not once in all these years have I come across a person inside a big Wall Street firm who was having a crisis of conscience. Nobody

Richard Gansey III had forgotten how many times he had been told he was destined for greatness. He was bred for it; nobility and purpose coded in both sides of his pedigree. His mother’s father had been a diplomat, an architect of fortunes; his father’s father had been an architect, a diplomat of styles. His mother’s mother had tutored the children of European princesses. His father’s mother had built a girls’ school with her own inheritance. The Ganseys were courtiers and kings, and when there was no castle to invite them, they built one. He was a king.

He’s my bodyguard – that’s not changing. It’s not. But I can’t even think about anyone else. He hasn’t just pitched a tent in my brain and dick. He’s built a fucking stone castle.

I learned this, at least, by my experiment; that if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours. He will put some things behind, will pass an invisible boundary; new, universal, and more liberal laws will begin to establish themselves around and within him; or the old laws be expanded, and interpreted in his favor in a more liberal sense, and he will live with the license of a higher order of beings. In proportion as he simplifies his life, the laws of the universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.

I'm not afraid of you. I'm not afraid of anything." "Yes, you are, on both counts. You're afraid of everything. In England there are castles with stone walls that go up over a hundred feet, built during a time when it was the strength of your fortress that won battles. Each time I look at you, I marvel at the feat of organic engineering that's allowed you to create such a fortification within a perfect composition of female flesh.

I should have cause to be proud of this year's work;' and Mrs. Jo sat smiling over her book as she built castles in the air, just as she used to when she was a girl, only then they were for herself, and now they were for other people, which is the reason perhaps that some of them came to pass in reality for charity is an excellent foundation to build anything upon.

...If one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours...If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.

He expected pages and pages of bright pictures of pancakes of every variety shown in plain stacks, or built into castles or bridges or igloos, or shaped like airplanes or rowboats or fire engines. And pitchers of syrup to choose from -- partridge berry syrup, thimbleberry syrup, huckleberry syrup, bosenberry syrup, and raspberry syrup. Then there would be cheese plates and cheeses a la carte. Creamy cheeses, crumbly cheeses, and peculiar little cheeses in peculiar little clay pots.

When a random tells you that you don’t have the right to be the princess in your own life, remember you’ve built your castle and they’re outside staring up at it.

but her emotions sit on the throne of her intellect. This is how she’s built, and like any castle, her foundational stones aren’t easily rearranged.

Doubt had married my fear and moved into my mind, where it built castles and ruled kingdoms and reigned over me,

When God calls you to build 100 castles on earth and you built 98, take the 99th as if it's the begining of your work and work hard to finish the race with all excellence. Go the extra mile!

My grief is my castle, which like an eagle's nest is built high up on the mountain peaks among the clouds; nothing can storm it. From it I fly down into reality to seize my prey; but i do not remain down there, I bring it home with me, and this prey is a picture I weave into the tapestries of my palace. There I live as one dead. I immerse everything I have experienced in a baptism of forgetfulness unto an eternal remembrance. Everything finite and accidental is forgotten and erased. Then I sit like an old man, grey-haired and thoughtful, and explain the pictures in a voice as soft as a whisper; and at my side a child sits and listens, although he remembers everything before I tell it.

The castle, and all it represents, will always be with us. Once it was born, once the stone was made living, the repository of power made real, the idea could never be unmade. Even if all the castles of all the world were destroyed, in the minds of men they would be built anew; the wizard called imagination would raise high walls and towers out of ruins.

…Mrs. Jo sat smiling over her book as she built castles in the air, just as she used to do when a girl, only then they were for herself, and now they were for other people, which is the reason perhaps that some of them came to pass in reality — for charity is an excellent foundation to build anything upon.

We Built a Castle Near the Rocks, we built it out of sand. Our fortress was an ice-cream box with turret, tall and grand. Our men were twigs, our gun were straws from which we'd sipped at lunch. We had the best of wars... till someone's foot went CRUNCH! [Joan Walsh Anglund]

He made plans to keep himself sane, built castles of hope in the dark.

There is no castle in the world where fear is not the reason it was built for!

I built my ex wife a Castle of Love, and she dug a moat and filled it with sharks and lawyers. Oh well, at least I got to keep the unicorn.

... I see the green earth covered with the works of man or with the ruins of men’s work. The pyramids weigh down the earth, the tower of Babel has pierced the sky, the lovely temples and the gray castles have fallen into ruins. But of all those things which hands have built, what hasn’t fallen nor ever will fall? Dear friends, throw away the trowel and mortarboard! Throw your masons’ aprons over your heads and lie down to build dreams! What are temples of stone and clay to the soul? Learn to build eternal mansions of dreams and visions!

I had roots, too, but not like that. I could be carefully dug up, and shaken loose, and transplanted into a king's castle, or a tower built of marble—unhappily, perhaps, but I could survive.

I still am me I am the little girl I still have wet sand on my feet From the beach castles I built with my hands Nearby the sea Which then later Cold melted by the waves But not in my dreams In my dreams The castles Are now greater than Those in fairytales

She stood at the edge of a glassy river lined with impossibly tall trees, fanning out their wide emerald leaves among the puffy white clouds. Across the river, a row of crystal castles glittered in the sunlight in a way that would make Walt Disney want to throw rocks at his “Magic Kingdom.” To her right, a golden path led into a sprawling city, where the elaborate domed buildings seemed to be built from brick-size jewels—each structure a different color. Snowcapped mountains surrounded the lush valley, and the crisp, cool air smelled like cinnamon and chocolate and sunshine.

Grady for an instant felt the oddest loss: poor Peter, he knew her even less, she realized, than Apple, and yet, because he was her only friend, she wanted to tell him: not now, sometime. And what would he say? Because he was Peter, she trusted him to love her more: if not, then let the sea usurp their castle, not the one they'd built to keep life out, it was already gone, at least for her, but another, that one sheltering friendships and promises.

The castle itself was a huge brick pile, built in the days of William III., which, though they were grand days for the construction of the constitution, were not very grand for architecture of a more material description.

For a while it was forever, and then things started to fall apart. There isn't a story to tell, because a relationship is a story you construct together and take up residence in, a story as sheltering as a house. You invent this story of how your destinies were made to entwine like porch vines, you adjust to a big view in this direction and no view in that, the doorway that you have to duck through and the window that is jammed, how who you think you are becomes a factor of who you think he is and who he thinks you are, a castle in the clouds made out of the moist air exhaled by dreamers. It's a shock to find yourself outdoors and alone again, hard to imagine that you could ever live in another house, big where this one was small, small where it was big, hard when your body has learned all the twists and turns of the staircase so that you could walk it in your sleep, hard when you have built it from scratch and called it home, hard to imagine building again. But you lit the fire that burned it down yourself.

It has been remarked thousands of times that Christ died under torture. Many of us have read so often that he was a “humble carpenter” that we feel a little surge of nausea on seeing the words yet again. But no one ever seems to notice that the instruments of torture were wood, nails, and a hammer; that the man who built the cross was undoubtedly a carpenter too; that the man who hammered in the nails was as much a carpenter as a soldier, as much a carpenter as a torturer. Very few seem even to have noticed that although Christ was a “humble carpenter,” the only object we are specifically told he made was not a table or a chair, but a whip.

A fief, the elder Hosokawa had advised, was like a castle wall built of many rocks. A rock that could not be cut to fit in comfortably with the others would weaken the whole structure, even though the rock itself might be of admirable size and quality.

You grew up soft. Your tender heart would nurse a frightened field mouse rescued from a trap. Would make a splint. You'd try to help but always it would die. You gave them names. You were a friendless child, a barrel-chested, sturdy little thing who played alone. You grew up soft, but still you learned to hide it. Piece by piece. The world's not built for soft and sturdy things. It likes its soft things small and white, defenceless. Princesses in castles. Maidens waiting for the perfect sword. You grew up soft, and piece by wounded piece you built a carapace around your body. Humans are peculiar little things.

One cannot overestimate the power of persistence. It is persistence that guides a stonemason’s hands and causes mighty castles and temples to be built.

Lancre Castle was built on an outcrop of rock by an architect who had heard about Gormenghast but hadn’t got the budget.

If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them. —HENRY DAVID THOREAU, WALDEN

night is kinder in this respect than day, which too often destroys an air-built castle at the moment of its completion, without the least ceremony or remorse.

The reason why castles are built is because of the lack of morals, because where there is morals there is security, and if there is security there is no need for castles!

Due to Jade's fortresslike manner, which, like any well-built castle, made access challenging, girls found her existence not only threatening but flat-out wrong. Although Bartelby Athletic Center featured the latest advertising campaign of Ms. Sturd's three member Benevolent Body-Image Club (laminated Vogue and Maxim covers above captions, “You Can't Have Thighs Like This and Still Walk" and "All Airbrushing"), Jade would only have to swan by, munching on a Snickers to reveal a disturbing truth: You could have thighs like that and still walk. She emphasized what few wanted to accept, that some people did win Trivial Pursuit: The Deity Looks Edition, and there wasn't a thing you could do about it, except come to terms with the fact that you'd only played Trivial Pursuit: John Doe Genes and come away with three pie pieces.

We learn from pain that some of the things we thought were castles turn out to be prisons, and we desperately want out, but even though we built them, we can't find the door. Yet maybe if you ask God for help in knowing which direction to face, you'll have a moment of intuition. Maybe you'll see at least one next right step you can take.

When I go out by the gateway, taking the road I drove along that first time I picked up Lotte for the ball, how very different it all is! It is all over, all of it! There is not a hint of the world that once was, not one bulse-beat of those past emotions. I feel like a ghost returning to the burnt-out ruins of the castle he built in his prime as a prince, which he adorned with magnificent splendours and then, on his deathbed, but full of hope, left to his beloved son

Alric! Stop it!" Pickering snapped at him. "You mustn't let the men see you crying!" Fury flared in Alric, and he spun on the count. "No? No? Look at them! They are dying for me. They are dying on my order! I say they do have a right to see their king! They all have a right to see their king!" Alric wiped the tears from his cheeks and gathered his reins. "I'm tired of this. I'm tired of having my face put in the dirt! I won't stand it. I'm tired of being helpless. That's my city, built by my ancestors! If my people chose to fight, then, by Maribor, I want them to know it's me they fight!" The prince put on his helm, drew his father's large sword and spurred his horse forward, not at the trench but at the castle gate itself.

Back in the age of empires, pharaohs built pyramids and kings constructed castles, enshrining their divine right to rule. In the medieval era, monasteries and cathedrals loomed large across Europe, reflecting the power of the Church. With the emergence of the nation-state in the eighteenth century, capitols and courthouses took center stage in urban plans and skylines. By the twentieth century and the age of corporations, skyscrapers towered above everything—monuments to the barons and banks that built them. Today, silicon campuses designed by celebrity architects claim the spotlight. Power has now been harnessed in the physical world by those who invented our virtual ones.

When this house was built, people used daggers and their fingers,” he said. “And it’ll probably last until the days when men dine off capsules.” “Fancy asking friends to come over for capsules,” I said. “Oh, the capsules will be taken in private,” said Father. “By that time, eating will have become unmentionable. Pictures of food will be considered rare and curious, and only collected by rude old gentlemen.

For the first time since they'd left the inn, his eyes stopped roaming the hills and crags of the countryside and roamed her body's curves instead. Slowly, with a raw, possessive hunger. A low, simmering heat sparked and built inside her, feeding off that desire in his eyes the same way a flame fed off coal. He'd once called her uncommonly pretty in conversation, and at the time she had been tempted to argue back. But tonight, for the first time in her life, she felt irresistible. Ravishing. Truly beautiful. In his eyes, if no one else's. Oh, this was dangerous.

In proportion as he simplifies his life, the laws of the universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.

CAPT. J. W. SIMMONS, master of the steamship Pensacola, had just as little regard for weather as the Louisiana’s Captain Halsey. He was a veteran of eight hundred trips across the Gulf and commanded a staunch and sturdy ship, a 1,069-ton steel-hulled screw-driven steam freighter built twelve years earlier in West Hartlepool, England, and now owned by the Louisville and Nashville Railroad Company. Friday morning the ship was docked at the north end of 34th Street, in the company of scores of other ships, including the big Mallory liner Alamo, at 2,237 tons, and the usual large complement of British ships, which on Friday included the Comino, Hilarius, Kendal Castle, Mexican, Norna, Red Cross, Taunton, and the stately Roma in from Boston with its Captain Storms. As the Pensacola’s twenty-one-man crew readied the ship for its voyage to the city of Pensacola on Florida’s Gulf Coast, two men came aboard as Captain Simmons’s personal guests: a harbor pilot named R. T. Carroll and Galveston’s Pilot Commissioner J. M. O. Menard, from one of the city’s oldest families. At

Royce eyed Hadrian with a skeptical expression. “He’ll never manage the climb.” “Climb?” Hadrian asked. “The treasure room is at the top of the Crown Tower,” Arcadius explained. Even Hadrian had heard of that. Even farmers in Hintindar knew of the Crown Tower. Supposedly it was the leftover corner of some ancient but legendary castle. “I’m in good shape. A few stairs aren’t going to kill me.” “The tower is heavily guarded in every way, except against a person climbing up the outside,” Royce replied, his eyes fixed on the long fang he continued to twirl. “Isn’t that because … well, I’ve heard it’s sort of tall.” “The tallest surviving structure built by man,” Arcadius said. “Should I bring a lunch?” “Considering we’ll begin after dusk and climb all night, I’d suggest a late dinner,” Royce replied. “I was joking.” “I wasn’t. But I only ask one thing.” “What’s that?” “When you fall to your death, do so quietly.

If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them

If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them. —Henry David Thoreau, Walden

If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.

Everything becomes a blur when you travel beyond a certain speed. Distant objects may still be clear in outline, but the blurred foreground makes it impossible to attend to them. This landscape is unreal and the passengers in the express train turn to their books, their thoughts or their private fantasies. The subjectivism of our age has a good deal to do with this imprisonment in a speeding vehicle, and the fact that we made this vehicle ourselves, with all the tireless care that children give to a contrivance of wood and wire, does not save us from the sense of being trapped without hope of escape. A further effect of such vertiginous speed is a kind of anaesthesia, entirely natural when the operation of the senses by which we normally make contact with our environment is suspended. With no opportunity to assimilate what is going on, our powers of assimilation are inevitably weakened and certain numbness sets in; nothing is fully savoured and nothing is properly understood. Even fear (which exists to forewarn us of danger) is suspended. This would be so even if speed of change were the only factor involved, but the kind of environment in which a large part of humanity lives today --- the environment created by technology at the service of immediate, short-term needs – does much to intensify this effect. Outside of works of art which embody something beyond our physical needs, our own constructions bore us. Those who, when they have built something and admired the finished product for a decent moment, are ready to pull it down and start on something new have good sense on their side.

and was built into the shape of a balcony at the top, with insecure, irregular battlements, crumbling as if drawn by an anxious or careless child as they stood out, zigzag fashion, against the blue sky.

He paused a moment, gazing in awe at the huge mass of buildings composing the castle. It stood close to the river, on either side and to the rear stretched the extensive park and gardens, filled with splendid trees, fountains and beds of brilliant flowers in shades of pink, crimson, and scarlet. The castle itself was built of pink granite, and enclosed completely a smaller, older building which the present Duke's father had considered too insignificant for his town residence. The new castle had taken forty years to build; three architects and hundreds of men had worked day and night, and the old Duke had personally selected every block of sunset-colored stone that went to its construction. 'I want it to look like a great half-open rose,' he declared to the architects, who were fired with enthusiasm by this romantic fancy. It was begun as a wedding present to the Duke's wife, whose name was Rosamond, but unfortunately she died some nine years before it was completed. 'never mind, it will do for her memorial instead,' said the grief-stricken but practical widower. The work went on. At last the final block was laid in place. The Duke, by now very old, went out in his barouche and drove slowly along the opposite riverbank to consider the effect. He paused midway for a long time, then gave his opinion. 'It looks like a cod cutlet covered in shrimp sauce,' he said, drove home, took to his bed, and died.

Since its sudden birth the city had expanded, swallowing up acre upon acre of the surrounding grasslands and drawing thousands into its domain. Hardly built on the most advantageous ground, miles from the open waters, decades from the mines at the mountain summits, it yet remained the only settlement of note on the isle. This sprawling mass of a city, once a compact kingdom, was now the keystone of the Castilian Empire.

Breathing Under Water,” a title taken from a telling poem by Carol Bieleck, r.s.c.j., which seemed to sum up so much of the common message. I quote it here in full:   “Breathing Under Water”   I built my house by the sea. Not on the sands, mind you; not on the shifting sand. And I built it of rock. A strong house by a strong sea. And we got well acquainted, the sea and I. Good neighbors. Not that we spoke much. We met in silences. Respectful, keeping our distance, but looking our thoughts across the fence of sand. Always, the fence of sand our barrier, always, the sand between.   And then one day, —and I still don’t know how it happened— the sea came. Without warning.   Without welcome, even Not sudden and swift, but a shifting across the sand like wine, less like the flow of water than the flow of blood. Slow, but coming. Slow, but flowing like an open wound. And I thought of flight and I thought of drowning and I thought of death. And while I thought the sea crept higher, till it reached my door. And I knew then, there was neither flight, nor death, nor drowning. That when the sea comes calling you stop being neighbors Well acquainted, friendly-at-a-distance, neighbors And you give your house for a coral castle, And you learn to breathe underwater.3

Era deopotrivă o consolare și o mare tristețe să te simți atât de diferit de ceilalti oameni. Își coborî spre ei ochii spălăciți. Valul de mașini nu mai contenea, iar figurile sumbre și îngrijorate semănau toate între ele. Biata specie! Ce-o preocupa? Ce va mânca, ce va bea? El se gândea la catedrala din Rouen, la castelele de pe Loare, la Luvru. Una singură dintre aceste pietre venerabile face cât o mie de vieți omenești.

It was the belief of Bokonon that good societies could be built only by pitting good against evil, and by keeping the tension between the two high at all times. And, in Castle's book, I read my first Bokononist poem, or 'Calypso' It went like this: 'Papa' Monzano, he's so very bad, But without bad 'Papa' I would be so sad; Because without 'Papa's' badness, Tell me, if you would, How could wicked old Bokonon Ever, ever look good?

Doubt had married my fear and moved into my mind, where it built castles and ruled kingdoms and reigned over me, bowing my will to it's whispers until I was little more than an acquiescing peon, too terrified to disobey.

I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.

Oh, little virgin. I love you with every cold bone in my body. I love you with every dark thought, every violent impulse. I love you enough to leave the walls I’ve carefully built, the iron bars I refined, the castle I made.” “I

The future - what should I do with the future? I felt like one who has climbed the brow of a great hill, and finds only a sea of mist beyond. Go forward I must; but to what goal? With what aim? With what hopes? My father had already distinctly forbidden me to adopt art as a profession. My sister, by ignoring all the purport of my last letter, as distinctly signified her own contempt for that which was to me as the life of my life. Neither loved me; both had wounded me bitterly; and I now, almost for the first time, distinctly saw how difficult a struggle lay before me. "If I become a painter," I thought, "I become so in defiance of my family; and, defying them, am alone in the wide world evermore. If, on the contrary, I yield and obey, what manner of life lies before me? The hollow life of fashionable society, into which I shall be carried as a marriageable commodity, and where I shall be expected to fulfil my duty as a daughter by securing a wealthy husband as speedily as possible. Alas! alas! what an alternative! Was it for this that I had studied and striven? Was it for this that I had built such fairy castles, and dreamt such dreams?

When we obtain positions of power over others, we believe that we have reached the pinnacle of success. But it is at this time that we need to look back and be aware of the multitudes on whose hard work and sacrifices we have built our castles.

Godric Gryffindor, Helga Hufflepuff, Rowena Ravenclaw and Salazar Slytherin. They built this castle together, far from prying Muggle eyes, for it was an age when magic was feared by common people, and witches and wizards suffered much persecution.

The Edinburgh Castle was incredible, wasn’t it?” she said. His face went hazy. “I don’t really remember a castle. But I was there a long time ago. Maybe it wasn’t built yet?” Possibly, she was tempted to say. The castle was built in 1280. When were you there?

I learned this, at least, by my experiment: that if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours. He will put some things behind, will pass an invisible boundary; new, universal, and more liberal laws will begin to establish themselves around and within him; or the old laws be expanded, and interpreted in his favor in a more liberal sense, and he will live with the license of a higher order of beings. In proportion as he simplifies his life, the laws of the universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.

In proportion as he simplifies his life, the laws of the universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have built castles in the air, your work need not be lost; that is where they should be. Now put foundations under them.

JB, you said I can’t have it both ways, but why can’t I? Why can’t being genuine and putting on an act coexist? Aren’t we all always putting on an act? I’m not trying to excuse myself or justify anything, I don’t think I need to. You said it yourself, you were paying me to lie to you. But I can’t stand the idea of you thinking you were an idiot for enjoying it. I found what we were doing beautiful. Writing you was the absolute best part of my day. I realize maybe you can’t build a real relationship on that. But you can sure as shit build an imaginary one, and I think what we built was a castle in the damn sky.

People come and go all the time but I’ve built a castle around me, making it hard for anyone to enter. I just want to feel safe. I just want to be fine.  But then someone leaves and I am alone and now I wish for nothing more than people people all kinds of people to come into my castle where we can sit in a ring and hold hands and tell stories and keep warm. Everyone would be welcome. Everyone would just love each other and I would heal. slowly. remembering all the things I’ve written before. but it’s so hard now. poetry says so little some days. but i know it will, soon, again. I have no one around so I talk to myself, turned the mic on one night and somewhere on the way I formulated proper thoughts and real ideas, and my heart felt a little better after every hour and I fell in love with the thought that maybe by sharing the things that keep me up at night, I could help someone else, maybe? Or just, have a conversation with you? If you care? I would love to let you in—into my castle—the door is open.  It’s like ... I’m sitting on a chair with my hands resting on my legs, palms turned open to the sky. I have so little in me, but I would give you whatever I can. just … stay? a little? hold my hand? tell me something. Loneliness is so hard when you’re left in it.

Castle Bravo had been built according to the “Teller-Ulam” scheme—named for its co-designers, Edward Teller and Stanislaw Ulam—which meant, unlike with the far less powerful atomic bomb, this hydrogen bomb had been designed to hold itself together for an extra hundred-millionth of a second, thereby allowing its hydrogen isotopes to fuse and create a chain reaction of nuclear energy, called fusion, producing a potentially infinite amount of power, or yield. “What this meant,” Freedman explains, was that there was “a one-in-one-million chance that, given how much hydrogen [is] in the earth’s atmosphere, when Castle Bravo exploded, it could catch the earth’s atmosphere on fire. Some scientists were extremely nervous. Some made bets about the end of the world.

She found herself thinking about the games that she had played when she was young with other children in the village. Those whose parents hadn’t forbidden them from playing with her, that is. They were princes and princess. Damsels and knights. They built castles of twigs and made woven crowns of bluebells and swanned around the fields as if they were nobles in Verene. The had imagined a life of jewels and parties and feasts— oh, the feasts they had dreamed up—the dances, the balls. Serilda had been so very good at dreaming. Even then, her peers were eager to hear her turn their simple musings into unparalleled adventures. But never had it crossed Serilda’s mind, not for the shortest swallow trill, that it might come true. She would live in a castle. She would be wed to a king. She would be wed to a monster.

Therefore, if we built splendid castles, and pictured beautiful scenes, among the fervid coals of the hearth around which we were clustering, and if all went to rack with the crumbling embers, and have never since arisen out of the ashes, let us take to ourselves no shame. In my own behalf, I rejoice that I could once think better of the world’s improvability than it deserved. It is a mistake into which men seldom fall twice in a lifetime.

According to Montagne legend, the mountain has forever been the abode of giants. Long ago a traveling pair of sorcerers, husband and wife, scaled the cliff into the valley, and the woman cured the giants’ chilblains with ointments and the gift of fire. In gratitude, the giants built Chateau de Montagne out of the living rock of Ancienne, and from that castle the couple founded the kingdom of Montagne, using their magic to shield the country and its people from harm.

In England, I built ships, looked at ruined castles, listened to the thud of bombs dropped by German zeppelins, and wrote The Islanders. I regret that I did not see the February Revolution, and know only the October Revolution (I returned to Petersburg, past German submarines, in a ship with lights out, wearing a life belt the whole time, just in time for October). This is the same as never having been in love and waking up one morning already married for ten years or so.

In the third paragraph of the Mandate’s preamble, the Jewish people, and only the Jewish people, are described as having a historic connection to Palestine. In the eyes of the drafters, the entire two-thousand-year-old built environment of the country with its villages, shrines, castles, mosques, churches, and monuments dating to the Ottoman, Mameluke, Ayyubid, Crusader, Abbasid, Umayyad, Byzantine, and earlier periods belonged to no people at all, or only to amorphous religious groups.

Most people think the Lego corporation assembled a crack team of world-class experts to engineer Mini-Florida on a computer, but I’m not buying it.” “You aren’t?” asked Coleman. “It’s way too good.” Serge pointed at a two-story building in Key West. “Examine the meticulous green shutters on Hemingway’s house. No, my money is on a lone-wolf manic type like the famous Latvian Edward Leedskalnin, who single-handedly built the Coral Castle back in the twenties. He operated in secret, moving multi-ton hewn boulders south of Miami, and nobody knows how he did it. Probably happened here as well: The Lego people conducting an exhaustive nationwide search among the obsessive-compulsive community. But they had to be selective and stay away from the ones whose entire houses are filled to the ceiling with garbage bags of their own hair. Then they most likely found some cult guru living in a remote Lego ashram south of Pueblo with nineteen wives, offered him unlimited plastic blocks and said, ‘Knock yourself out.

There was a pub looking out over the graveyard. The Queen’s Arms, where Pünd had stayed, was actually called the King’s Head. The village noticeboard where Joy had posted her notice of infidelity was on one side of the square. The village shop and the bakery – it was called the Pump House – was on the other. The castle, which cast a shadow over Dr Redwing’s house, and which must have been built around the same time as the one I had seen in Framlingham, was a short distance away. There was even a Daphne Road. In the book it had been Neville Brent’s address but in the real world it was Alan’s sister who lived there. The house was very much as he had described it. I wondered what this meant. Claire Jenkins had been unable to see me the day before but had agreed to meet me at lunchtime. I got there early and strolled around the village, following the main road all the way down to the River Alde. The river doesn’t exist in Alan’s book – it’s been replaced by the main road to Bath. Pye Hall is somewhere over to the left, which would in

WHAT DOES IT ALL MEAN? The lessons of market history are clear. Styles and fashions in investors’ evaluations of securities can and often do play a critical role in the pricing of securities. The stock market at times conforms well to the castle-in-the-air theory. For this reason, the game of investing can be extremely dangerous. Another lesson that cries out for attention is that investors should be very wary of purchasing today’s hot “new issue.” Most initial public offerings underperform the stock market as a whole. And if you buy the new issue after it begins trading, usually at a higher price, you are even more certain to lose. Investors would be well advised to treat new issues with a healthy dose of skepticism. Certainly investors in the past have built many castles in the air with IPOs. Remember that the major sellers of the stock of IPOs are the managers of the companies themselves. They try to time their sales to coincide with a peak in the prosperity of their companies or with the height of investor enthusiasm for some current fad. In such cases, the urge to get on the bandwagon—even in high-growth industries—produced a profitless prosperity for investors.

She said being human is being a young child on Christmas Day who receives an absolutely magnificent castle. And there is a perfect photograph of this castle on the box and you want more than anything to play with the castle and the knights and the princesses because it looks like such a perfectly human world, but the only problem is that the castle isn’t built. It’s in tiny intricate pieces, and although there’s a book of instructions, you don’t understand it. Nor can your parents or Aunt Sylvie. So you are just left, crying at the ideal castle on the box, which no one would ever be able to build.

The multinational is in the position of the bank robber in the old West; all he has to do is ride straight and hard to be safe, because the posse can’t cross the border. We have taken over the roles that nations recently held; we wage war, collect taxes through debt service, protect our areas of property and the worker/citizens within those areas, and we distribute power as we see fit.” Think of it this way. I am the baron. Templar international and Margrave Corporation and Avalon State Bank and so on are the castles I have built in different parts of my territory, for defense and expansion. The subsidiary companies we’ve bought or merged with owe their allegiance not to America but to Margrave. We reward loyalty and punish disloyalty. When necessary, we can protect our most important people from the laws of the state, just as the earlier barons could protect their most important vassal knights from the laws of the Catholic Church. The work force is tied to us by profit-sharing and pension plans. I don’t expect national governments to disappear, any more than the British or Dutch royal families have disappeared, but they will become increasingly irrelevant pageants. More and more, actors will play the parts of politicians and statesmen, while the real work goes on elsewhere.

He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.

if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours. He will put some things behind, will pass an invisible boundary; new, universal, and more liberal laws will begin to establish themselves around and within him; or the old laws be expanded, and interpreted in his favor in a more liberal sense, and he will live with the license of a higher order of beings. In proportion as he simplifies his life, the laws of the universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.

Michael saw Northampton Castle being built by Normans and their labourers, while being pulled down in accordance with the will of Charles the Second fifteen hundred years thereafter. A few centuries of grass and ruins coexisted with the bubbling growth and fluctuations of the railway station. 1920s porters, speeded up into a silent comedy, pushed luggage-laden trolleys through a Saxon hunting party. Women in ridiculously tiny skirts superimposed themselves unwittingly on Roundhead puritans, briefly becoming composites with fishnet tights and pikestaffs. Horses’ heads grew from the roofs of cars and all the while the castle was constructed and demolished, rising, falling, rising, falling, like a great grey lung of history that breathed crusades, saints, revolutions and electric trains.

If one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours. He will put some things behind, will pass an invisible boundary; new, universal, and more liberal laws will begin to establish themselves around and within him; or the old laws be expanded, and interpreted in his favor in a more liberal sense, and he will live with the license of a higher order of beings. In proportion as he simplifies his life, the laws of the universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.” — Henry David Thoreau

pretty unspectacular place. It has no alpine peaks or broad rift valleys, no mighty gorges or thundering cataracts. It is built to really quite a modest scale. And yet with a few unassuming natural endowments, a great deal of time, and an unfailing instinct for improvement, the makers of Britain created the most superlatively park-like landscapes, the most orderly cities, the handsomest provincial towns, the jauntiest seaside resorts, the stateliest homes, the most dreamily-spired, cathedral-rich, castle-strewn, abbey-bedecked, folly-scattered, green-wooded, winding-laned, sheep-dotted, plumply-hedgerowed, well-tended, sublimely decorated 88,386 square miles the world has ever known—almost none of it undertaken with aesthetics in mind, but all of it adding up to something that is, quite often, perfect.

I learned this, at least, by my experiment; that if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours. He will put some some things behind, will pass an invisible boundary; new, universal, and more liberal laws will begin to establish themselves around and within him, or the old laws be expanded, and interpreted in his favor in more liberal sense, and he will live with the license of a higher order of beings. In proportion as he simplifies his life, the laws of the universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.

I left the woods for as good a reason as I went there. Perhaps it seemed to me that I had several more lives to live, and could not spare any more time for that one. It is remarkable how easily and insensibly we fall into a particular route, and make a beaten track for ourselves. I had not lived there a week before my feet wore a path from my door to the pond-side; and though it is five or six years since I trod it, it is still quite distinct. It is true, I fear, that others may have fallen into it, and so helped to keep it open. The surface of the earth is soft and impressible by the feet of men; and so with the paths which the mind travels. How worn and dusty, then, must be the highways of the world, how deep the ruts of tradition and conformity! I did not wish to take a cabin passage, but rather to go before the mast and on the deck of the world, for there I could best see the moonlight amid the mountains. I do not wish to go below now. I learned this, at least, by my experiment: that if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours. He will put some things behind, will pass an invisible boundary; new, universal, and more liberal laws will begin to establish themselves around and within him; or the old laws be expanded, and interpreted in his favor in a more liberal sense, and he will live with the license of a higher order of beings. In proportion as he simplifies his life, the laws of the universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.

And so it was that Michael built a brown castle on the peak of his mountain, Gabriel built a golden pyramid in the midst of his plain, saying it was both a holy temple in my praise and an edifice that would guide him on his pattern for his future work, though I knew that only he would ever understand it, to my amusement, and Raphael built a silver palace to sparkle above the trees of his forests, as his home and celestial workshop, and I was well pleased with their work, as ever it was better than what I had hoped for. "That was the First Age, the Archangel Age, long over. I can speak in much detail about each stage in my creation, and my scribes have written all my words on each stage in the books I gave to the angel courts, for study and meditation and for prayer, but such details are for my sons and daughters most interested in them, when they are of an age, with the understanding, to comprehend such things.

I readily admit that I am not a minimalist. I find solace in the fact that the traditional Japanese minimal aesthetic was made possible by the equally traditional kura (storehouse) where the items not in use or on display in the home would be kept. I like being surrounded by things that inspire me and allow me to start new projects instantly. I know it’s wrong, but I do judge people. An obsession with minimalism has always smacked to me of a romanticism of poverty (and potentially an outdated one at that) from a wealthy perspective. I think of Marie Antoinette having a little farm built on the castle grounds so that she could play at being a peasant shepherdess. Considered minimalism in this day and age is generally a pastime for those with the affluence to buy (or rebuy) what they need, when they need it. The considered minimalist needn’t be as resourceful about keeping things around “just in case,” because, at any moment, he or she can replenish the shelves with abundance.

Why is programming fun? What delights may its practitioner expect as his reward? First is the sheer joy of making things. As the child delights in his first mud pie, so the adult enjoys building things, especially things of his own design. I think this delight must be an image of God’s delight in making things, a delight shown in the distinctness and newness of each leaf and each snowflake. Second is the pleasure of making things that are useful to other people. Deep within, we want others to use our work and to find it helpful. In this respect the programming system is not essentially different from the child’s first clay pencil holder “for Daddy’s office.” Third is the fascination of fashioning complex puzzle-like objects of interlocking moving parts and watching them work in subtle cycles, playing out the consequences of principles built in from the beginning. The programmed computer has all the fascination of the pinball machine or the jukebox mechanism, carried to the ultimate. Fourth is the joy of always learning, which springs from the nonrepeating nature of the task. In one way or another the problem is ever new, and its solver learns something; sometimes practical, sometimes theoretical, and sometimes both. Finally, there is the delight of working in such a tractable medium. The programmer, like the poet, works only slightly removed from pure thought-stuff. He builds his castles in the air, from air, creating by exertion of the imagination. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures. (As we shall see later, this very tractability has its own problems.) Yet the program construct, unlike the poet’s words, is real in the sense that it moves and works, producing visible outputs separate from the construct itself. It prints results, draws pictures, produces sounds, moves arms. The magic of myth and legend has come true in our time. One types the correct incantation on a keyboard and a display screen comes to life, showing things that never were nor could be. Programming then is fun because it gratifies creative longings built deep within us and delights sensibilities we have in common with all men.

Nothing—and I mean really, absolutely nothing—is more extraordinary in Britain than the beauty of the countryside. Nowhere in the world is there a landscape that has been more intensively utilized—more mined, farmed, quarried, covered with cities and clanging factories, threaded with motorways and railroad tracks—and yet remains so comprehensively and reliably lovely over most of its extent. It is the happiest accident in history. In terms of natural wonders, you know, Britain is a pretty unspectacular place. It has no alpine peaks or broad rift valleys, no mighty gorges or thundering cataracts. It is built to really quite a modest scale. And yet with a few unassuming natural endowments, a great deal of time, and an unfailing instinct for improvement, the makers of Britain created the most superlatively park-like landscapes, the most orderly cities, the handsomest provincial towns, the jauntiest seaside resorts, the stateliest homes, the most dreamily-spired, cathedral-rich, castle-strewn, abbey-bedecked, folly-scattered, green-wooded, winding-laned, sheep-dotted, plumply-hedgerowed, well-tended, sublimely decorated 88,386 square miles the world has ever known—almost none of it undertaken with aesthetics

Nothing – and I mean, really, absolutely nothing – is more extraordinary in Britain than the beauty of the countryside. Nowhere in the world is there a landscape that has been more intensively utilized – more mined, farmed, quarried, covered with cities and clanging factories, threaded with motorways and railway lines – and yet remains so comprehensively and reliably lovely over most of its extent. It is the happiest accident in history. In terms of natural wonders, you know, Britain is a pretty unspectacular place. It has no alpine peaks or broad rift valleys, no mighty gorges or thundering cataracts. It is built to really quite a modest scale. And yet with a few unassuming natural endowments, a great deal of time and an unfailing instinct for improvement, the makers of Britain created the most superlatively park-like landscapes, the most orderly cities, the handsomest provincial towns, the jauntiest seaside resorts, the stateliest homes, the most dreamily spired, cathedral-rich, castle-strewn, abbey-bedecked, folly-scattered, green-wooded, winding-laned, sheep-dotted, plumply hedgerowed, well-tended, sublimely decorated 88,386 square miles the world has ever known – almost none of it undertaken with aesthetics in mind, but all of it adding up to something that is, quite often, perfect. What an achievement that is. And

SOMETIMES ON A PORCH in June, a girl begins to plunk her banjo; and after a spell of stillness, while the sound travels down their ear crinkles into their inmost feeling-chambers, the music starts to dance the people passing by. They toss like puppets on a bouncing sheet; like boys without a boat; they swing like weeds in the wind; they leap heptangularly about, dancing eccentric saltarellos, discovering that their springs are not so rusty. For even if you have built masterful aspen castles in your mind, have toppled whole forests to throttle the writhing elements into a liveably serene personal pond; if you have longtime sculled your ingenious fins to withstand the tumble-crazy currents; there is music that will dissolve your anchors, your sanctuaries, floating you off your feet, fetching you away with itself. And then you are a migrant, and then you are amuck; and then you are the music’s toy, juggled into its furious torrents, jostled into its foamy jokes, assuming its sparklyblue or greenweedy or brownmuddy tinges, being driven down to the dirgy bottom where rumble-clacking stones are lit by waterlogged and melancholy sunlight, warping back up to the surface, along with yew leaves and alewives and frog bones and other strange acquisitions snagged and rendered willy-nilly by the current, straggling away on its rambling cadenzas, with ever-changing sights—freckled children on the bank, chicken choirs, brewing thunderclouds, june bugs perched in wild parsley—until it spills you into a place whose dimensions make nonsense of your heretofore extraordinary spatial intelligence.

to look at Louisa, stroked her cheek, and was rewarded by a dazzling smile. She had been surprised by how light-skinned the child was. Her features were much more like Eva’s than Bill’s. A small turned-up nose, big hazel eyes, and long dark eyelashes. Her golden-brown hair protruded from under the deep peak of her bonnet in a cascade of ringlets. “Do you think she’d come to me?” Cathy asked. “You can try.” Eva handed her over. “She’s got so heavy, she’s making my arms ache!” She gave a nervous laugh as she took the parcel from Cathy and peered at the postmark. “What’s that, Mam?” David craned his neck and gave a short rasping cough. “Is it sweets?” “No, my love.” Eva and Cathy exchanged glances. “It’s just something Auntie Cathy’s brought from the old house. Are you going to show Mikey your flags?” The boy dug eagerly in his pocket, and before long he and Michael were walking ahead, deep in conversation about the paper flags Eva had bought for them to decorate sand castles. Louisa didn’t cry when Eva handed her over. She seemed fascinated by Cathy’s hair, and as they walked along, Cathy amused her by singing “Old MacDonald.” The beach was only a short walk from the station, and it wasn’t long before the boys were filling their buckets with sand. “I hardly dare open it,” Eva said, fingering the string on the parcel. “I know. I was desperate to open it myself.” Cathy looked at her. “I hope you haven’t built up your hopes, too much, Eva. I’m so worried it might be . . . you know.” Eva nodded quickly. “I thought of that too.” She untied the string, her fingers trembling. The paper fell away to reveal a box with the words “Benson’s Baby Wear” written across it in gold italic script. Eva lifted the lid. Inside was an exquisite pink lace dress with matching bootees and a hat. The label said, “Age 2–3 Years.” Beneath it was a handwritten note:   Dear Eva, This is a little something for our baby girl from her daddy. I don’t know the exact date of her birthday, but I wanted you to know that I haven’t forgotten. I hope things are going well for you and your husband. Please thank him from me for what he’s doing for our daughter: he’s a fine man and I don’t blame you for wanting to start over with him. I’m back in the army now, traveling around. I’m due to be posted overseas soon, but I don’t know where yet. I’ll write and let you know when I get my new address. It would be terrific if I could have a photograph of her in this little dress, if your husband doesn’t mind. Best wishes to you all, Bill   For several seconds they sat staring at the piece of paper. When Eva spoke, her voice was tight with emotion. “Cathy, he thinks I chose to stay with Eddie!” Cathy nodded, her mind reeling. “Eddie showed me the letter he sent. Bill wouldn’t have known you were in Wales, would he? He would have assumed you and Eddie had already been reunited—that he’d written with your consent on behalf of you both.” She was afraid to look at Eva. “What are you going to do?” Eva’s face had gone very pale. “I don’t know.” She glanced at David, who was jabbing a Welsh flag into a sand castle. “He said he was going to be posted overseas. Suppose they send him to Britain?” Cathy bit her lip. “It could be anywhere, couldn’t it? It could be the other side of the world.” She could see what was going through Eva’s mind. “You think if he came here, you and he could be together without . . .” Her eyes went to the boys. Eva gave a quick, almost imperceptible nod, as if she was afraid someone might see her. “What about Eddie?” “I don’t know!” The tone of her voice made David look up. She put on a smile, which disappeared the