Disc Quotes

Choose a life. Choose a job. Choose a career. Choose a family. Choose a fucking big television. Choose washing machines, cars, compact disc players and electrical tin openers... Choose DSY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit crushing game shows, stucking junk food into your mouth. Choose rotting away in the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourself, choose your future. Choose life... But why would I want to do a thing like that?

The gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that's where they believe, in their deepest heart, that they deserve to go. Which they won't do if they don't know about it. This explains why it is so important to shoot missionaries on sight.

On the Disc, the Gods aren't so much worshipped, as they are blamed.

It was all very well going on about pure logic and how the universe was ruled by logic and the harmony of numbers, but the plain fact of the matter was that the Disc was manifestly traversing space on the back of a giant turtle and the gods had a habit of going round to atheists' houses and smashing their windows.

Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourselves. Choose your future. Choose life… But why would I want to do a thing like that? I chose not to choose life. I chose somethin’ else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin?

On the Disc the gods dealt severely with atheists.

The disc, being flat, has no real horizon. Any adventurous sailor who got funny ideas from staring at eggs and oranges for too long and set out for the antipodes soon learned that the reason why distant ships sometimes looked as though they were disappearing over the edge of the world was that they were disappearing over the edge of the world.

Sometimes I think a man could wander across the disc all his life and not see everything there is to see,' said Twoflower. 'And now it seems there are lots of other worlds as well. When I think I might die without seeing a hundredth of all there is to see it makes me feel,' he paused, then added, 'well, humble, I suppose. And very angry, of course.

While an elderly man in his mid-eighties looks curiously at a porno site, his grandson asks him from afar, “‘What are you reading, grandpa?’” “‘It’s history, my boy.’” “The grandson comes nearer and exclaims, “‘But this is a porno site, grandpa, naked chicks, sex . . . a lot of sex!’” “‘Well, it’s sex for you, my son, but for me it’s history,’ the old man says with a sigh.” All of people in the cabin burst into laughter. “A stale joke, but a cool one,” added William More, the man who just told the joke. The navigator skillfully guided the flying disc among the dense orange-yellow blanket of clouds in the upper atmosphere that they had just entered. Some of the clouds were touched with a brownish hue at the edges. The rest of the pilots gazed curiously and intently outwards while taking their seats. The flying saucer descended slowly, the navigator’s actions exhibiting confidence. He glanced over at the readings on the monitors below the transparent console: Atmosphere: Dense, 370 miles thick, 98.4% nitrogen, 1.4% methane Temperature on the surface: ‒179°C / ‒290°F Density: 1.88 g/cm³ Gravity: 86% of Earth’s Diameter of the cosmic body: 3200 miles / 5150 km.

Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd's can only see those minute defects, and are blind to the full brightness of the orb.

It's beautiful," said Mort softly. "What is it?" THE SUN IS UNDER THE DISC, said Death. "Is it like this every night?" EVERY NIGHT, said Death. NATURE'S LIKE THAT. "Doesn't anyone know?" ME. YOU. THE GODS. GOOD, ISN'T IT? "Gosh!" Death leaned over the saddle and looked down at the kingdoms of the world. I DON'T KNOW ABOUT YOU, he said, BUT I COULD MURDER A CURRY.

As music becomes less of a thing--a cylinder, a cassette, a disc--and more ephemeral, perhaps we will begin to assign an increasing value to live performances again.

There are eight levels of wizardry on the Disc; after sixteen years Rincewind has failed to achieve even level one. In fact it is considered opinion of some of his tutors that he is incapable even of achieving level zero, which most normal people are born at; to put it another way, it has been suggested that when Rincewind dies the average occult ability of the human race will actually go up by a fraction.

maybe we try too hard to be remembered, waking to the glowing yellow disc in ignorance, swearing that today will be the day, today we will make something of our lives. what if we are so busy searching for worth that we miss the sapphire sky and cackling blackbird. what else is missing? maybe our steps are too straight and our paths too narrow and not overlapping. maybe when they overlap someone in another country lights a candle, a couple resolves their argument, a young man puts down his silver gun and walks away.

The Stars. Jared slept beneath them, uneasy in the rustling leaves. From the battlements Finn gazed up at them, seeing the impossible distances between galaxies and nebulae, and thinking they were not as wide as the distances between people. In the study Claudia sensed them, in the sparks and crackles on the screen. In the prison, Attia dreamt of them, She sat curled on the hard chair, Rix repacking his hidden pockets obsessively with coins and glass discs and hidden handkerchiefs. A single spark flickered deep in the coin Keiro spun and caught, spun and caught.

*The disc's greatest lovers were undoubtedly Mellius and Gretelina, whose pure, passionate and soul-searing affair would have scorched the pages of History if they had not, because of some unexplained quirk of fate, been born two hundred years apart on different continents. However, the gods took pity on them and turned him into an ironing board** and her into a small brass bollard. **When you're a god, you don't have to have reasons.

In fact most people on the Disc were currently in a state of mind normally achievable only by a lifetime of dedicated meditation or about thirty seconds of illegal herbage.

It was all there in that little disc-London, Athens, Jerusalem, Shakespeare. There everyone had lived and everything had happened; and there, presumably, his pack was still lying in the porch of an empty house near Sterk.

The forest of Skund was indeed enchanted, which was nothing unusual on the Disc, and was also the only forest in the whole universe to be called -- in the local language -- Your Finger You Fool, which was the literal meaning of the word Skund. The reason for this is regrettably all too common. When the first explorers from the warm lands around the Circle Sea travelled into the chilly hinterland they filled in the blank spaces on their maps by grabbing the nearest native, pointing at some distant landmark, speaking very clearly in a loud voice, and writing down whatever the bemused man told them. Thus were immortalised in generations of atlases such geographical oddities as Just A Mountain, I Don't Know, What? and, of course, Your Finger You Fool. Rainclouds clustered around the bald heights of Mt. Oolskunrahod ('Who is this Fool who does Not Know what a Mountain is') and the Luggage settled itself more comfortably under a dripping tree, which tried unsuccessfully to strike up a conversation.

(Plants on the disc, while including the categories known commonly as annuals, which were sown this year to come up later this year, biennials, sown this year to grow next year, and perennials, sown this year to grow until further notice, also included a few rare re-annuals which, because of an unusual four-dimensional twist in their genes, could be planted this year to come up last year. The vul nut vine was particularly exceptional in that it could flourish as many as eight years prior to its seed actually being sown. Vul nut wine was reputed to give certain drinkers an insight into the future which was, from the nut's point of view, the past. Strange but true.)

I am not opposed to religion. Far from it. I’m for anything that gives people peace. That’s why I am also for hot tubs and compact discs of whale songs. Anything that soothes the soul is fine by me.

One reason for the bustle was that over large parts of the continent other people preferred to make money without working at all, and since the Disc had yet to develop a music recording industry they were forced to fall back on older, more traditional forms of banditry.

The body of Homo sapiens had not evolved for such tasks. It was adapted to climbing apple trees and running after gazelles, not to clearing rocks and carrying water buckets. Human spines, knees, necks and arches paid the price. Studies of ancient skeletons indicate that the transition to agriculture brought about a plethora of ailments, such as slipped discs, arthritis and hernias. Moreover, the new agricultural tasks demanded so much time that people were forced to settle permanently next to their wheat fields. This completely changed their way of life. We did not domesticate wheat. It domesticated us. The word ‘domesticate’ comes from the Latin domus, which means ‘house’. Who’s the one living in a house? Not the wheat. It’s the Sapiens.

What is human memory?" Manning asked. He gazed at the air as he spoke, as if lecturing an invisible audience - as perhaps he was. "It certainly is not a passive recording mechanism, like a digital disc or a tape. It is more like a story-telling machine. Sensory information is broken down into shards of perception, which are broken down again to be stored as memory fragments. And at night, as the body rests, these fragments are brought out from storage, reassembled and replayed. Each run-through etches them deeper into the brain's neural structure. And each time a memory is rehearsed or recalled it is elaborated. We may add a little, lose a little, tinker with the logic, fill in sections that have faded, perhaps even conflate disparate events. "In extreme cases, we refer to this as confabulation. The brain creates and recreates the past, producing, in the end, a version of events that may bear little resemblance to what actually occurred. To first order, I believe it's true to say that everything I remember is false.

I had not until then fully realized that I was odd, that there was anything strange about growing up with a single-parent genius. I thought all homes had equations scrawled with disc-marker across all the cabinets and walls, and clean laundry in the freezer, and defrosting chicken in the tool drawer. I thought everyone read a book a day and listened to hours of ancient music.

Danse Russe If I when my wife is sleeping and the baby and Kathleen are sleeping and the sun is a flame-white disc in silken mists above shining trees,-- if I in my north room dance naked, grotesquely before my mirror waving my shirt round my head and singing softly to myself: "I am lonely, lonely. I was born to be lonely, I am best so!" If I admire my arms, my face, my shoulders, flanks, buttocks against the yellow drawn shades,-- Who shall say I am not the happy genius of my household?

Choose life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, Choose washing machines, cars, compact disc players, and electrical tin openers. Choose good health, low cholesterol and dental insurance. Choose fixed- interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisure wear and matching luggage. Choose a three piece suite on hire purchase in a range of fucking fabrics. Choose DIY and wondering who you are on a Sunday morning. Choose sitting on that couch watching mind-numbing sprit- crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pishing you last in a miserable home, nothing more than an embarrassment to the selfish, fucked-up brats you have spawned to replace yourself. Choose your future. Choose life... But why would I want to do a thing like that?

The late British-born philosopher Alan Watts, in one of his wonderful lectures on eastern philosophy, used this analogy: "If I draw a circle, most people, when asked what I have drawn, will say I have drawn a circle or a disc, or a ball. Very few people will say I've drawn a hole in the wall, because most people think of the inside first, rather than thinking of the outside. But actually these two sides go together--you cannot have what is 'in here' unless you have what is out there.' " In other words, where we are is vital to who we are.

You are embarrassed." She leaned over to kiss him, and while he was distracted, snatched the disc. "That's cute. Really cute." "Shut up. Give me that." "I don't think so." Delighted, she danced back a step and held the disc out of reach. "I bet this is very hot. Aren't you curious?" "No." He made a grab, but she was very quick. "Eve, give me the damn thing." "This is fascinating." She edged back toward the open patio doors. "The sophisticated,seen-it-all Roarke is blushing.

Unoka went into an inner room and soon returned with a small wooden disc containing a kola nut, some alligator pepper and a lump of white chalk. "I have kola," he announced when he sat down, and passed the disc over to his guest. "Thank you. He who brings kola brings life. But I think you ought to break it," replied Okoye passing back the disc. "No, it is for you, I think," and they argued like this for a few moments before Unoka accepted the honor of breaking the kola. Okoye, meanwhile, took the lump of chalk, drew some lines on the floor, and then painted his big toe.

At sunset, if I am near the water - and it is hard to be very far from it here -I pause to watch the splendid disc set the brine aflame and then douse itself in it's own fiery broth.

Every room I've lived in since I was given my own room at eleven was lined with, and usually overfull of, books. My employment in bookstores was always continuous with my private hours: shelving and alphabetizing, building shelves, and browsing-- in my collection and others-- in order to understand a small amount about the widest possible number of books. Such numbers of books are constantly acquired that constant culling is necessary; if I slouch in this discipline, the books erupt. I've also bricked myself in with music--vinyl records, then compact discs. My homes have been improbably information-dense, like capsules for survival of a nuclear war, or models of the interior of my own skull. That comparison--room as brain-- is one I've often reached for in describing the rooms of others, but it began with the suspicion that I'd externalized my own brain, for anyone who cared to look.

Vimes died. The sun dropped out of the sky, giant lizards took over the world, and the stars exploded and went out and all hope vanished and gurgled into the sinktrap of oblivion. And gas filled the firmament and combusted and behold! There was a new heaven - or possibly not. And Disc and Io and and possibly verily life crawled out of the sea - or possibly didn't because it had been made by the gods, and lizards turned to less scaly lizards - or possibly did not. And lizards turned into birds and bugs turned into butterflies and a species of apple turned into banana and a kind of monkey fell out of a tree and realised life was better when you didn't have to spend your time hanging onto something. And in only a few billion years evolved trousers and ornamental stripey hats. Lastly the game of Crocket. And there, magically reincarnated, was Vimes, a little dizzy, standing on the village green looking into the smiling countenance of an enthusiast.

poetry readings have to be some of the saddest damned things ever, the gathering of the clansmen and clanladies, week after week, month after month, year after year, getting old together, reading on to tiny gatherings, still hoping their genius will be discovered, making tapes together, discs together, sweating for applause they read basically to and for each other, they can't find a New York publisher or one within miles, but they read on and on in the poetry holes of America, never daunted, never considering the possibility that their talent might be thin, almost invisible, they read on and on before their mothers, their sisters, their husbands, their wives, their friends, the other poets and the handful of idiots who have wandered in from nowhere. I am ashamed for them, I am ashamed that they have to bolster each other, I am ashamed for their lisping egos, their lack of guts. if these are our creators, please, please give me something else: a drunken plumber at a bowling alley, a prelim boy in a four rounder, a jock guiding his horse through along the rail, a bartender on last call, a waitress pouring me a coffee, a drunk sleeping in a deserted doorway, a dog munching a dry bone, an elephant's fart in a circus tent, a 6 p.m. freeway crush, the mailman telling a dirty joke anything anything but these.

...the ocean, the perpetual shapeshifter: one day a disc of hammered gold, the next wild and rearing, like a thousand white horses. I noticed how the ocean had moods, just like a person.

Preparing the manor means removing the disc-lift section, installing railings at a few places. Don’t forget the baby-friendly stairs, even though the newborn won’t use it for another year. Rashad has finished the carpet replacement and floor disinfecting, not that the baby will be crawling anytime soon. Other tasks include removing Meera’s books and crafts, also the sharp objects from up to a height.

She was a bright disc in him that left him sun-spun. She was circular, light-turned, equinox-sprung. She was season and movement, but he had never seen her cold. In winter, her fire sank from the surface to below the surface, and warmed her great halls like the legend of the king who kept the sun in his hearth.

Provided with a case of pencils, and some sheets of paper, I used to take a seat apart from them, near the window, and busy myself in sketching fancy vignettes representing any scene that happened momentarily to shape itself in the ever-shifting kaleidoscope of imagination: a glimpse of sea between two rock; the rising moon, and a ship crossing its disc; a group of reeds and water-flags, and a naiad's head, crowned with lotus-flowers, rising out of them; an elf sitting in a hedge-sparrow's nest, under a wreath of hawthorn bloom.

When the morning light came into the room it found them curled together in a nest of red and white sheets. It revealed also marks, all over the pale cool skin: handprints around the narrow waist, sliding impressions from delicate strokes, like weals, raised rosy discs where his lips had rested lightly. He cried out, when he saw her, that he had hurt her. No, she said, she was part icewoman, it was her nature, she had an icewoman's skin that responded to every touch by blossoming red. Sasan still stared, and repeated, I have hurt you. No, no, said Fiammarosa, they are the marks of pleasure, pure pleasure. I shall cover them up, for only we ourselves should see our happiness. But inside her a little melted pool of water slopped and swayed where she had been solid and shining.

If you don’t have a sense of humour when you’re in a band, you end up like f**king Emerson, Lake and Palmer, making eight-disc LPs so you can all have your own three-hour f**king solos. And who wants to listen to that bollocks?

Many worlds are iron, at the core. But the Discworld is as coreless as a pancake. On the Disc, if you enchant a needle it will point to the Hub, where the magical field is strongest. It’s simple. Elsewhere, on worlds designed with less imagination, the needle turns because of the love of iron.

I suffer from severe nerve damage in the hands, arms, legs and spine. My right leg is numb all the time and there are times when I cannot move either of my legs. In addition to this my C-T-L spine has severe disc herniation. I have Fibromyalgia, asthma, severe allergies, heart problems, bleeding ulcers and I eat maybe once every two or three days. I maintain body weight by drinking an average of 36 Pepsi’s per day.

I have never seen anything like it: two little discs of glass suspended in front of his eyes in loops of wire. Is he blind?

But let my death be memoried on this disc. Wear it, sweet friend. Inscribe no date nor deed. But let thy heart-beat kiss it night and day, Until the name grow vague and wear away.

The day Spenkelink was put to death a popular Jacksonville disc jockey aired a recording of sizzling bacon and dedicated it to the doomed man.

The heart is a map of the world, did you know that?” “I don’t even know what it means,” he said. “I saw a medieval map once. It showed the earth as a flat disc with Jerusalem in the center. Rome was bigger than Africa, and America was not even shown, of course. The heart is that kind of map. The self is in the middle and everything else is out of proportion. You draw the friends of your youth large, then later it’s impossible to rescale them when other more important people need to be added. Anyone who has done you wrong is shown too big, and so is anyone you loved.

Our brains contain one hundred billion nerve cells (neurons). Each neuron makes links with ten thousand other neurons to form an incredible three dimensional grid. This grid therefore contains a thousand trillion connections - that's 1,000,000,000,000,000 (a quadrillion). It's hard to imagine this, so let's visualise each connection as a disc that's 1mm thick. Stack up the quadrillion discs on top of each other and they will reach the sun (which is ninety-three million miles from the earth) and back, three times over.

When Zhuangzi was about to die, his disciples expressed a desire to give him a sumptuous burial. Zhuangzi said, "I will have heaven and earth for my coffin and coffin shell, the sun and moon for my pair of jade discs, the stars and constellations for my pearls and beads, and the ten thousand things for my parting gifts. The furnishings for my funeral are already prepared - what is there to add?

In India, where there are no passports or identity discs, and where religions counts for so much- except among those few who have crossed the 'black water' - I believe that a man wearing a saffron robe, or carrying a beggar's bowl , or with silver crosses on his headgear and chest, could walk from Khyber Pass to Cape Comorin without once being questioned about his destination, or the object of his journey,

People don't live on the Disc any more than, in less hand-crafted parts of the multiverse, they live on balls. Oh, planets may be the place where their body eats its tea, but they live elsewhere, in worlds of their own which orbit very handily around the centre of their heads

Discs of umbrellas poured over suburban terraces with the smooth round ebullience of a Chopin waltz. They sat in the distance under the lugubrious dripping elms, elms like maps of Europe, elms frayed at the end like bits of chartreuse wool, elms heavy and bunchy as sour grapes.

With a flourish, Eithan flipped open the lid of the box. A disc floated within, suspended in midair. It was made of two flat, black discs on the outside, containing between them a layer of creamy white. It smelled sweet and tantalizing, and Lindon began to drool. “Ladies, gentlemen, turtle: for your enrichment and education, I present to you the greatest spiritual elixir ever invented by mankind. Behold…the O’ree’o.

He had a collection of science-fiction films on DVD and Blu-ray discs, and although he said he’d seen most of them before, Caitlin was surprised to discover how many of the cases were still shrink-wrapped. “Why’d you buy them if you weren’t going to watch them?” she asked. He looked at the tall, thin cabinets that contained the movies and seemed to ponder the question. “My childhood was on sale,” he said at last, “so I bought it.

Life is like the big wheel at Luna Park. You pay five francs and go into a room with tiers of seats all around, and in the centre the floor is made of a great disc of polished wood that revolves quickly. At first you sit down and watch the others. They are all trying to sit in the wheel, and they keep getting flung off, and that makes them laugh too. It's great fun. You see, the nearer you can get to the hub of the wheel the slower it is moving and the easier it is to stay on. There's generally someone in the centre who stands up and sometimes does a sort of dance. Often he's paid by the management, though, or, at any rate, he's allowed in free. Of course at the very centre there's a point completely at rest, if one could only find it; I'm not very near that point myself. Of course the professional men get in the way. Lots of people just enjoy scrambling on and being whisked off and scrambling on again. How they all shriek and giggle! Then there are others, like Margot, who sit as far out as they can and hold on for dear life and enjoy that. But the whole point about the wheel is that you needn't get on it at all, if you don't want to. People get hold of ideas about life, and that makes them think they've got to join in the game, even if they don't enjoy it. It doesn't suit everyone. People don't see that when they say "life" they mean two different things. They can mean simply existence, with its physiological implications of growth and organic change. They can't escape that - even by death, but because that's inevitable they think the other idea of life is too - the scrambling and excitement and bumps and the effort to get to the middle, and when we do get to the middle, it's just as if we never started. It's so odd. Now you're a person who was clearly meant to stay in the seats and sit still and if you get bored watch the others. Somehow you got on to the wheel, and you got thrown off again at once with a hard bump. It's all right for Margot, who can cling on, and for me, at the centre, but you're static. Instead of this absurd division into sexes they ought to class people as static and dynamic. There's a real distinction there, though I can't tell you how it comes. I think we're probably two quite different species spiritually.

It was not without a certain wild pleasure I ran before the wind, delivering my trouble of mind to the measureless air-torrent thundering through space. Descending the laurel walk, I faced the wreck of a chestnut-tree; it stood up, black and riven: the trunk, split down the centere, gasped ghastly. The cloven halves were not broken for each other, for the firm base and strong roots kept them unsundered below; through communtiy of vitality was destroyed -- the sap could flow no more: their great boughs on each side were dead, and next winter's tempests would be sure to fell one or both to earth: as yet, however, they might be said to form one tree -- a ruin, but and entire ruin. 'You did right to hold fast to each other,' I said: as if the monster splinters were living things, and could hear me. 'I think, scathed as you look, and charred and scorched, there must be a little sense of life in you yet, rising out of that adhesion at the faithful, honest roots: you will never have green leaves more -- never more see birds making nests and singing idylls in your boughs; the time of pleasure and love is over with you; but you are not desolate: each of you has a comrade to sympathize with him in his decay.' As I looked up at them, the moon appeared momentarily in that part of the sky which filled their fissure; her disc was blood-red and half overcast; she seemed to throw on me one bewildered, dreary glance, and buried herself again instantly in the deep drift of cloud. The wind fell, for a second, round Thornfield; but far away over wood and water poured a wild, melancholy wail: it was sad to listen to, and I ran off again.

It was all very well going on about pure logic and how the universe was ruled by logic and the harmony of numbers, but the plain fact of the matter was that the Disc was manifestly traversing space on the back of a giant turtle and the gods had a habit of going around to atheists’ houses and smashing their windows.

Though many strive to hide their human libidinousness from themselves and each other, being a force of nature, it breaks through. Lots of uptight, proper Americans were scandalized by the way Elvis moved his hips when he sang "rock and roll." But how many realized what the phrase rock and roll meant? Cultural historian Michael Ventura, investigating the roots of African-American music, found that rock 'n' roll was a term that originated in the juke joints of the South. Long in use by the time Elvis appeared, Ventura explains the phrase "hadn't meant the name of a music, it meant 'to fuck.' 'Rock,' by itself, has pretty much meant that, in those circles, since the twenties at least." By the mid-1950s, when the phrase was becoming widely used in mainstream culture, Ventura says the disc jockeys "either didn't know what they were saying or were too sly to admit what they knew.

The Sibyl Slant stared out of her slit eyes, the disc of her face showing no feeling at all. “Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old.

I didn’t tell him that it was all stored as binary information on rapidly spinning shiny discs, partly because I’d have to look up the details myself, but mostly because by the time he’d understood the technology it would have been replaced by something else.

With technology and everything, compact discs are going to be, like, vintage soon, right? The way vinyl is now. Like, if I ever have kids, they’re going to look at CDs and think, ‘What is this crap, geez, how clunky.’ By then everyone will have the fiftieth edition of iPods—or maybe they’ll just have music downloaded directly into their brains, like with microchips, or something. And I’ll be the old lady in the corner going, ‘Back when I was a kid, we had mix tapes, and floppy disks, and gas didn’t cost twenty bucks a gallon, and oh, yeah, MTV actually played music videos, if you can believe it.’ And they’ll probably say, ‘Oh, Mom, you and your stories, we’re jetting to the oxygen bar, see you later,’ and take off in their flying cars. You know there’ll be flying cars, it’s only a matter of time.

That's the fashion. Fast as the speed of light, they say. Ha! It's got no soul, sir, no heart.

Now pull back briefly from the dripping streets of Ankh-Morpork, pan across the morning mists of the Disc, and focus in again on a young man heading for the city with all the openness, sincerity, and innocence of purpose of an iceberg drifting into a major shipping lane.

DYER. (Sits down) There was nothing that I recall save that the Sunne was a Round flat shining Disc and the Thunder was a Noise from a Drum or a Pan. VANNBRUGGHE. (Aside) What a Child is this! (To Dyer) These are only our Devices, and are like the Paint of our Painted Age. DYER. But in Meditation the Sunne is a vast and glorious Body, and Thunder is the most forcible and terrible Phaenomenon: it is not to be mocked, for the highest Passion is Terrour.

And let me not leave out the moon—for surely there must be a moon, the full, incredibly clear disc that goes so well with Russian lusty frosts. So there it comes, steering out of a flock of small dappled clouds, which it tinges with a vague iridescence; and, as it sails higher, it glazes the runner tracks left on the road, where every sparkling lump of snow is emphasized by a swollen shadow.

The Death of the Disc was a traditionalist who prided himself on his personal service and spent most of the time being depressed because this was not appreciated. He would point out that no one feared death itself, just pain and separation and oblivion, and that it was quite unreasonable to take against someone just because he had empty eye sockets and a quiet pride in his work. He still used a scythe, he'd point out, while the Deaths of other worlds had long ago invested in combine harvesters.

They say that it’ll hit us on Hogswatchnight and the seas will boil and the countries of the Disc will be broken and kings will be brought down and the cities will be as lakes of glass,’ said the man. ‘I’m off to the mountains.’ ‘That’ll help, will it?’ said Rincewind doubtfully. ‘No, but the view will be better.

And in my moments of greatest fear I feel, physically feel, as if tiny trains were travelling through my soul, pulled along on a string, and that my guts had become a complex system of glass and ivory wheels, tiny multicoloured discs, rusty clock hands – everything spins madly, like some aimless clockwork mechanism.

He held up a hand. "You've come perilously close to being written up for insubordination, Lieutenant. I expect better control from you, and have rarely had the need to remind you of it." "Yes, sir." "Moreover, I find myself insulted both on a personal and professional level that you assumed I had or would approve an asinine schedule that pulls you off a priority." "I apologize, Commander, and can only offer the weak excuse that any and all contact with Lee Chang results in my temporary insanity." "Understood." Whitney turned the disc over in his hand. "It surprises me, Dallas, that you didn't shove this down his throat." "Actually, sir, I had another orifice in mind." His lips quirked, just slightly. Then he snapped the disc in two, just as she had. "Thank you, Commander." "Let's get this damn circus over with, so we can both get back to work.

I met a woman and we were lying in her bed, about to kiss for the very first time. Just before our lips touched she jumped up and ran to her closet and grabbed a stethoscope. She came back to the bed, put the earpieces in my ears, slipped the disc down her shirt onto her heart, and whispered, 'I want you to listen to my heart speed up when you kiss me.' And I kissed her, and I listened to her heart beat faster and faster and faster.

Wow,” Ryan said, taking the excedo in from his bare feet to his worn jeans and wrinkled T-shirt. “Protesting showers?” “Bite me.” Trance stood aside and let Ryan inside, despite his growled words. Ryan strode to the living room, went straight to Trance's DVD player, and inserted one of his sex discs. Trance stood in the entrance to the living room, arms crossed, leaning against the wall as if it were the only thing holding him up. “I don't remember making a movie date with you.” “Keep your dick in your pants, Romeo.” Ryan pushed Play and stood back. “What do you know about that?” Trance's eyes shot wide, and he yanked himself off the wall. “I know you need an ass-kicking if you came to watch porn with me—oh, fuck me, that's you. Turn it off! I don't need to see that.” Ryan hit the Pause button. “Well?” “Well, what?” Trance shuddered. “Christ. I'm going to have to gouge out my eyes now.

All praise to winter, then, was Henry's feeling. Let others have their sultry luxuries. How full of creative genius was the air in which these snow-crystals were generated. He could hardly have marveled more if real stars had fallen and lodged on his coat. What a world to live in, where myriads of these little discs, so beautiful to the most prying eye, were whirled down on every traveler's coat, on the restless squirrel's fur and on the far-stretching fields and forests, the wooded dells and mountain-tops,--these glorious spangles, the sweepings of heaven's floor.

Abracadabra," Roarke stated, and opened it. "Now that's more like it." Hunkered down beside him, Eve studied the neat stacks of cash. "This is how he stayed out of a cage so long. No credit, no e-transfers. Cash on the line. And a file box, loaded with discs and vids." "Best of all." Roarke reached in, took out a PPC. "His personal palm, very likely uninfected and chock-full of interesting data." "Let's load it up, get it in." She pulled out her memo book. "What're you doing?" "Logging the entry. I better not see any of that green stuff or those baubles go into your pockets, Ace." "Now I'm offended." He straightened, brushed at his shirt. "If I nipped anything, you can bet your ass you wouldn't see me do it.

His name—or Her name, according to another school of thought—was Great A’Tuin; he—or, as it might be, she—will not take a central role in what follows but it is vital to an understanding of the Disc that he—or she—is there, down below the mines and sea ooze and fake fossil bones put there by a Creator with nothing better to do than upset archaeologists and give them silly ideas.

Sometimes it can be as brutally overwhelming as a tidal wave flooding every orifice, the suffocation, the pressure, the immensity of this damnable depression like an ocean, unsurmountable. It swallows me whole and gnaws at my very bones. It floods me over and over, drowning me over and over... It is a torturous broken record player with a scratched disc on repeat, the wailing disrupting any possible good remaining after the tsunami. It wails and wails inside my ribcage and inside my skull. I cannot make it stop.

There is a certain degree and tone of light which tends to disturb the equilibrium of the senses, and to promote dangerously the tenderer moods; added to movement, it drives the emotions to rankness, the reason becoming sleepy and unperceiving in inverse proportion; and this light fell now upon these two from the disc of the moon. All the dancing girls felt the symptoms, but Eustacia most of all.

THERE IT IS,’ my mother says, and what she means is that the dot we’ve been nearing for weeks, the one that’s been growing into a larger dot with two smaller dots circling it, has now become even larger than that, growing from a dot to a disc, shining back the light from its sun, until you can see the blue of its oceans, the green of its forests, the white of its polar caps, a circle of colour against the black beyond.

Every thought, every word is impressed upon it and carried out in amazing detail. It is like a singer making a record on the sensitive disc of the phonographic plate. Every note and tone of the singer's voice is registered. If he coughs or hesitates, it is registered also. So let us break all the old bad records in the subconscious mind, the records of our lives which we do not wish to keep, and make new and beautiful ones. Speak

Meanwhile, someplace in the world, somebody is making love and another a poem. Elsewhere in the universe, a star manyfold the mass of our third-rate sun is living out its final moments in a wild spin before collapsing into a black hole, its exhale bending spacetime itself into a well of nothingness that can swallow every atom that ever touched us and every datum we ever produced, every poem and statue and symphony we’ve ever known—an entropic spectacle insentient to questions of blame and mercy, devoid of why. “In four billion years, our own star will follow its fate, collapsing into a white dwarf. We exist only by chance, after all. The Voyager will still be sailing into the interstellar shorelessness on the wings of the “heavenly breezes” Kepler had once imagined, carrying Beethoven on a golden disc crafted by a symphonic civilization that long ago made love and war and mathematics on a distant blue dot. But until that day comes, nothing once created ever fully leaves us. Seeds are planted and come abloom generations, centuries, civilizations later, migrating across coteries and countries and continents. Meanwhile, people live and people die—in peace as war rages on, in poverty and disrepute as latent fame awaits, with much that never meets its more, in shipwrecked love. I will die. You will die. The atoms that huddled for a cosmic blink around the shadow of a self will return to the seas that made us. What will survive of us are shoreless seeds and stardust.

I worked transferring books to computer discs, to cut down on storage space and replacement costs, they said. Discers, we called ourselves. We called the library a discotheque, which was a joke of ours. After the books were transferred they were supposed to go to the shredder, but sometimes I took them home with me. I liked the feel of them, and the look. Luke said I had the mind of an antiquarian. He liked that, he liked old things himself. It’s

When one watches some tired hack on the platform mechanically repeating the familiar phrases -- bestial atrocities, iron heel, bloodstained tyranny, free peoples of the world, stand shoulder to shoulder -- one often has a curious feeling that one is not watching a live human being but some kind of dummy: a feeling which suddenly becomes stronger at moments when the light catches the speaker's spectacles and turns them into blank discs which seem to have no eyes behind them. And this is not altogether fanciful. A speaker who uses that kind of phraseology has gone some distance toward turning himself into a machine. The appropriate noises are coming out of his larynx, but his brain is not involved as it would be if he were choosing his words for himself. If the speech he is making is one that he is accustomed to make over and over again, he may be almost unconscious of what he is saying, as one is when one utters the responses in church. And this reduced state of consciousness, if not indispensable, is at any rate favorable to political conformity.

What is more, the whole apparatus of life has become so complex and the processes of production, distribution, and consumption have become so specialized and subdivided, that the individual person loses confidence in his own unaided capacities: he is increasingly subject to commands he does not understand, at the mercy of forces over which he exercises no effective control, moving to a destination he has not chosen. Unlike the taboo-ridden savage, who is often childishly over-confident in the powers of his shaman or magician to control formidable natural forces, however inimical, the machine-conditioned individual feels lost and helpless as day by day he metaphorically punches his time-card, takes his place on the assembly line, and at the end draws a pay check that proves worthless for obtaining any of the genuine goods of life. This lack of close personal involvement in the daily routine brings a general loss of contact with reality: instead of continuous interplay between the inner and the outer world, with constant feedback or readjustment and with stimulus to fresh creativity, only the outer world-and mainly the collectively organized outer world of the power system-exercises authority: even private dreams must be channeled through television, film, and disc, in order to become acceptable. With this feeling of alienation goes the typical psychological problem of our time, characterized in classic terms by Erik Erikson as the 'Identity Crisis.' In a world of transitory family nurture, transitory human contacts, transitory jobs and places of residence, transitory sexual and family relations, the basic conditions for maintaining continuity and establishing personal equilibrium disappear. The individual suddenly awakens, as Tolstoi did in a famous crisis in his own life at Arzamas, to find himself in a strange, dark room, far from home, threatened by obscure hostile forces, unable to discover where he is or who he is, appalled by the prospect of a meaningless death at the end of a meaningless life.

Almost I feel the pulsebeat of the ages, Now swift, now slow, beneath my fingertips. The heartthrobs of the prophets and the sages Beat through these bindings; and my quick hand slips Old books from dusty shelves, in eager seeking For truths the flaming tongues of the ancients tell; For the words of wisdom that they still are speaking As clearly as an echoing silver bell. Here is the melody that lies forever At the deep heart of living; here we keep The accurate recorded discs that never Can be quite silenced, though their makers sleep The still deep sleep, so long as a seeker finds The indelible imprint of their moving minds.

There are no specific memories of the first time I used ketamine, which was around age 17 or 18. The strongest recollection of ketamine use regarded an instance when I was concurrently smoking marijuana and inhaling nitrous oxide. I was in an easy chair and the popular high school band Sublime was playing on the CD player. I was with a friend. We were snorting lines of ketamine and then smoking marijuana from a pipe and blowing the marijuana smoke into a nitrous-filled balloon and inhaling and exhaling the nitrous-filled balloon until there was no more nitrous oxide in the balloon to achieve acute sensations of pleasure, [adjective describing state in which one is unable to comprehend anything], disorientation, etc. The first time I attempted this process my vision behaved as a compact disc sound when it skips - a single frame of vision replacing itself repeatedly for over 60 seconds, I think. Everything was vibrating. Obviously I couldn't move. My friend was later vomiting in the bathroom a lot and I remember being particularly fascinated by the sound of it; it was like he was screaming at the same time as vomiting, which I found funny, and he was making, to a certain degree, demon-like noises. My time 'with' ketamine lasted three months at the most, but despite my attempts I never achieved a 'k-hole.' At a party, once, I saw a girl sitting in bushes and asked her what she was doing and she said "I'm in a 'k-hole.'" While I have since stopped doing ketamine because of availability and lack of interest, I would do ketamine again because I would like to be in a 'k-hole.

There was I, then, mounted aloft; I, who had said I could not bear the shame of standing on my natural feet in the middle of the room, was now exposed to general view on a pedestal of infamy. What my sensations were no language can describe; but just as they all rose, stifling my breath and constricting my throat, a girl came up and passed me: in passing, she lifted her eyes. What a strange light inspired them! What an extraordinary sensation that ray sent through me! How the new feeling bore me up! It was as if a martyr, a hero, had passed a slave or victim, and imparted strength in the transit. I mastered the rising hysteria, lifted up my head, and took a firm stand on the stool. Helen Burns asked some slight question about her work of Miss Smith, was chidden for the triviality of the inquiry, returned to her place, and smiled at me as she again went by. What a smile! I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken grey eye, like a reflection from the aspect of an angel. Yet at that moment Helen Burns wore on her arm “the untidy badge;” scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow because she had blotted an exercise in copying it out. Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd’s can only see those minute defects, and are blind to the full brightness of the orb.

The troll rumbled away in the direction of the coal store and his place in front of Billy was taken by a smartly dressed young lady with an air of authority. ‘Sir, I think the railway is going to need a translator. I know every language and dialect on the Disc.’ Her voice was firm but there was a glint of excitement in her eyes as she looked at Iron Girder and the other engines in the compound and Billy knew she was hooked. He also knew that ‘translator’ was not on his list of vacancies and sent her off to Sir Harry’s office, while he returned to his search for shunters, tappers and other workers. And so the line moved on again. It seemed everybody wanted to be part of the railway.

...I'm momentarily transfixed, torn between curiosity and fear. I can pull it up the gently sloping mud bank, but then what? Already thought is lagging behind events, as the blotchy brown mass slides up wet mud toward me, its amorphous margins flowing into the craters left by retreating feet. In the center of the yard-wide disc is a raised turret where two eyes open and close, flashing black. And it's bellowing. A loud rhythmic sound that is at first inexplicable until I realize that those blinking eyes are its spiracles, now sucking in air instead of water, which it is pumping out via gill slits on its underside. And all the while it brandishes that blade, stabbing the air like a scorpion...

Love has earth to which she clings With hills and circling arms about Wall within wall to shut fear out. But Thought has need of no such things, For Thought has a pair of dauntless wings. On snow and sand and turf, I see Where Love has left a printed trace With straining in the world's embrace. And such is Love and glad to be. But Thought has shaken his ankles free. Thought cleaves the interstellar gloom And sits in Sirius' disc all night, Till day makes him retrace his flight, With smell of burning on every plume, Back past the sun to an earthly room. His gains in heaven are what they are. Yet some say Love by being thrall And simply staying possesses all In several beauty that Thought fares far To find fused in another star.

It was an operation that Dr. Maturin had carried out at sea before, always in the fullest possible light and therefore on deck, and many of them had seen him do so. Now they and all their mates saw him do it again: they saw Joe Plaice's scalp taken off, his skull bared, a disc of bone audibly sawn out, the handle turning solemnly; a three-shilling piece, hammered into a flattened dome by the armourer, screwed on over the hole; and the scalp replaced, neatly sewn up by the parson. It was extremely gratifying - the Captain had been seen to go pale, and Barret Bonden too, the patient's cousin - blood running down Joe's neck regardless - brains clearly to be seen - something not to be missed for a mint of money - instructive, too - and they made the most of it.

An observer who is sitting eccentrically on the disc K' is sensible of a force which acts outwards in a radial direction, and which would be interpreted as an effect of inertia (centrifugal force) by an observer who was at rest with respect to the original reference-body K. But the observer on the disc may regard his disc as a reference body which is “at rest”; on the basis of the general principle of relativity he is justified in doing this. The force acting on himself, and in fact on all other bodies which are at rest relative to the disc, he regards as the effect of a gravitational field.

His eyes were discs of ignited gold, but I did not look away. 'If I do this thing,' he said, 'it is the last I will ever do for you. Do not come begging again.' 'Father,' I said, 'I never will. I leave this place tomorrow.' He would not ask where, he would not even wonder. So many years I had spent as a child sifting his bright features for his thoughts, trying to glimpse among them one that bore my name. But he was a harp with only one string, and the note it played was himself. 'You have always been the worst of my children,' he said. 'Be sure you do not dishonour me.' 'I have a better idea. I will do as I please, and when you count your children, leave me out.' His body was rigid with wrath. He looked as though he had swallowed a stone, and it choked him. 'Give mother my greetings,' I said. His jaw bit down and he was gone.

1 You said ‘The world is going back to Paganism’. Oh bright Vision! I saw our dynasty in the bar of the House Spill from their tumblers a libation to the Erinyes, And Leavis with Lord Russell wreathed in flowers, heralded with flutes, Leading white bulls to the cathedral of the solemn Muses To pay where due the glory of their latest theorem. Hestia’s fire in every flat, rekindled, burned before The Lardergods. Unmarried daughters with obedient hands Tended it. By the hearth the white-armd venerable mother Domum servabat, lanam faciebat. At the hour Of sacrifice their brothers came, silent, corrected, grave Before their elders; on their downy cheeks easily the blush Arose (it is the mark of freemen’s children) as they trooped, Gleaming with oil, demurely home from the palaestra or the dance. Walk carefully, do not wake the envy of the happy gods, Shun Hubris. The middle of the road, the middle sort of men, Are best. Aidos surpasses gold. Reverence for the aged Is wholesome as seasonable rain, and for a man to die Defending the city in battle is a harmonious thing. Thus with magistral hand the Puritan Sophrosune Cooled and schooled and tempered our uneasy motions; Heathendom came again, the circumspection and the holy fears … You said it. Did you mean it? Oh inordinate liar, stop. 2 Or did you mean another kind of heathenry? Think, then, that under heaven-roof the little disc of the earth, Fortified Midgard, lies encircled by the ravening Worm. Over its icy bastions faces of giant and troll Look in, ready to invade it. The Wolf, admittedly, is bound; But the bond wil1 break, the Beast run free. The weary gods, Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, Will limp to their stations for the Last defence. Make it your hope To be counted worthy on that day to stand beside them; For the end of man is to partake of their defeat and die His second, final death in good company. The stupid, strong Unteachable monsters are certain to be victorious at last, And every man of decent blood is on the losing side. Take as your model the tall women with yellow hair in plaits Who walked back into burning houses to die with men, Or him who as the death spear entered into his vitals Made critical comments on its workmanship and aim. Are these the Pagans you spoke of? Know your betters and crouch, dogs; You that have Vichy water in your veins and worship the event Your goddess History (whom your fathers called the strumpet Fortune).

Then the two animals, crouching to the earth, bowed their heads and did worship. Sudden and magnificent, the sun's broad golden disc showed itself over the horizon facing them; and the first rays, shooting across the level water-meadows, took the animals full in the eyes and dazzled them. When they were able to look once more, the Vision had vanished, and the air was full of the carol of birds that hailed the dawn. As they stared blankly, in dumb misery deepening as they slowly realized all they had seen and all they had lost, a capricious little breeze, dancing up from the surface of the water, tossed the aspens, shook the dewy roses, and blew lightly and caressingly in their faces, and with its soft touch came instant oblivion. For this is the last best gift that the kindly demigod is careful to bestow on those to whom he has revealed himself in their helping: the gift of forgetfulness. Lest the awful remembrance should remain and grow, and overshadow mirth and pleasure, and the great haunting memory should spoil all the after-lives of little animals helped out of difficulties, in order that they should be happy and light-hearted as before.

I once was the guest of the week on a British radio show called Desert Island Discs. You have to choose the eight records you would take with you if marooned on a desert island. Among my choices was Mache dich mein Herze rein from Bach’s St Matthew Passion. The interviewer was unable to understand how I could choose religious music without being religious. You might as well say, how can you enjoy Wuthering Heights when you know perfectly well that Cathy and Heathcliff never really existed? But there is an additional point that I might have made, and which needs to be made whenever religion is given credit for, say, the Sistine Chapel or Raphael’s Annunciation. Even great artists have to earn a living, and they will take commissions where they are to be had. I have no reason to doubt that Raphael and Michelangelo were Christians—it was pretty much the only option in their time—but the fact is almost incidental. Its enormous wealth had made the Church the dominant patron of the arts. If history had worked out differently, and Michelangelo had been commissioned to paint a ceiling for a giant Museum of Science, mightn’t he have produced something at least as inspirational as the Sistine Chapel? How sad that we shall never hear Beethoven’s Mesozoic Symphony, or Mozart’s opera The Expanding Universe. And what a shame that we are deprived of Haydn’s Evolution Oratorio—but that does not stop us from enjoying his Creation.

We made close to forty boxes today. Fifteen truffles (still selling well), but also a batch of coconut squares, some sour cherry gobstoppers, some bitter-coated orange peel, some violet creams, and a hundred or so lunes de miel, those little discs of chocolate made to look like the waxing moon, with her profile etched in white against the dark face. It's such a delight to choose a box, to linger over the shape- will it be heart shaped, round, or square? To select the chocolates with care; to see them nestled between the folds of crunchy mulberry-colored paper; to smell the mingled perfumes of cream, caramel, vanilla, and dark rum; to choose a ribbon; to pick out a wrapping; to add flowers or paper hearts; to hear the silky whisssh of rice paper against the lid-

I learned about the propulsion system the discs use. They have a particle emitter that first shoots out a particle going three-quarters the speed of light. Then a trillionth of a second later, it shoots out another particle at light speed. The faster particle bounces off the slower particle like a billiard ball and shoots back to the ship, striking it on the side of the disc. This happens trillions of times per second, and each time the light-speed particles hit the ship, they create thrust. When you get trillions of those particle hits per second, it allows the ship to quickly accelerate to near light speed. The emitter can shoot particles from any part of the disc’s round edge, so it is a great design because it can very easily make turns and travel in any direction.

You are the sun. The sun doesn't move, this is what it does. You are the Earth. The Earth is here for a start, and then the Earth moves around the sun. And now, we'll have an explanation that simple folks like us can also understand, about immortality. All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign. And just imagine, in this infinite sonorous silence, everywhere is an impenetrable darkness. Here, we only experience general motion, and at first, we don't notice the events that we are witnessing. The brilliant light of the sun always sheds its heat and light on that side of the Earth which is just then turned towards it. And we stand here in its brilliance. This is the moon. The moon revolves around the Earth. What is happening? We suddenly see that the disc of the moon, the disc of the moon, on the Sun's flaming sphere, makes an indentation, and this indentation, the dark shadow, grows bigger... and bigger. And as it covers more and more, slowly only a narrow crescent of the sun remains, a dazzling crescent. And at the next moment, the next moment - say that it's around one in the afternoon - a most dramatic turn of event occurs. At that moment the air suddenly turns cold. Can you feel it? The sky darkens, then goes all dark. The dogs howl, rabbits hunch down, the deer run in panic, run, stampede in fright. And in this awful, incomprehensible dusk, even the birds... the birds too are confused and go to roost. And then... Complete Silence. Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don't know. We don't know, for a total eclipse has come upon us... But... but no need to fear. It's not over. For across the sun's glowing sphere, slowly, the Moon swims away. And the sun once again bursts forth, and to the Earth slowly there comes again light, and warmth again floods the Earth. Deep emotion pierces everyone. They have escaped the weight of darkness

Ian Fleming The CBC Interview, 1953 He doesn’t use Anglo-Saxon four-letter words, “I don’t like seeing them on the page.” When asked why his novels are so popular in light of the dirtiness of the trade (of espionage), Fleming said, “The books have pace and plenty of action. And espionage is not regarded by the majority of the public as a dirty trade. They regard it as a rather sort of ah, ah very romantic affair… Spying has always been regarded as (a) very romantic one-man job, so-to-speak. A one man against a whole police force or an army.” Regarding heroes of his time, Fleming said, “I think that although they may have feet of clay, ah, we probably all have, and all human beings have, there’s no point in dwelling entirely on the feet. There are many other parts of the animal to be examined. And I think people like to read about heroes.” BBC Interview on Desert Island Discs Question: Had the character of James Bond been growing in your mind for a long time? Ian Fleming’s response: “No, I can’t say I had, really. He sort of, ah, developed when I was just on the edge of getting married, after having been a bachelor for so long, and I really wanted to take my mind off the agony. And so I decided to sit down and write a book.” Question: How much long do you think you can keep Bond going? Ian Fleming’s response: “Well, I don’t know. It depends on how much I, how much more I can go on following his adventures.” Question: You don’t feel he’s keeping you from more serious writing? Ian Fleming’s response: “No. I’m not in the Shakespeare stakes. I’ve got no ambitions.

Shall I tell you about life? Well, it's like the big wheel at Luna Park. You pay five francs and go into a room with tiers of seats all round, and in the centre the floor is made of a great disc of polished wood that revolves quickly. At first you sit down and watch the others. They are all trying to sit in the wheel, and they keep getting flung off, and that makes them laugh, and you laugh too. It's great fun. It is very much like life. You see, the nearer you can get to the hub of the wheel the slower it is moving and the easier it is to stay on. There's generally some one in the centre who stands up and sometimes does a sort of dance. Often he's paid by the management, though, or, at any rate, he's allowed in free. Of course at the very centre there's a point completely at rest, if one could only find it. I'm not sure I am not very near that point myself. Of course the professional men get in the way. Lots of people just enjoy scrambling on and being whisked off and scrambling on again. How they all shriek and giggle! Then there are others who sit as far out as they can and hold on for dear life and enjoy that. But the whole point about the wheel is that you needn't get on it at all, if you don't want to. People get hold of ideas about life, and that makes them think they've got to join in the game, even if they don't enjoy it. It doesn't suit every one.

If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning. Purple and gold, the heraldic colors of the king and queen of the meadow, a regal procession in complementary colors. I just wanted to know why. In composing a palette, putting them together makes each more vivid; just a touch of one will bring out the other. In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair. Growing together, both receive more pollinator visits than they would if they were growing alone. It’s a testable hypothesis; it’s a question of science, a question of art, and a question of beauty. Why are they beautiful together? It is a phenomenon simultaneously material and spiritual, for which we need all wavelengths, for which we need depth perception. When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another, might they be goldenrod and asters? We see the world more fully when we use both. The question of goldenrod and asters was of course just emblematic of what I really wanted to know. It was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.

The life of man is a story; an adventure story; and in our vision the same is true even of the story of God. The Catholic faith is the reconciliation because it is the realisation both of mythology and philosophy. It is a story and in that sense one of a hundred stories; only it is a true story. It is a philosophy and in that sense one of a hundred philosophies; only it is a philosophy that is like life. But above all, it is a reconciliation because it is something that can only be called the philosophy of stories. That normal narrative instinct which produced all the fairy tales is something that is neglected by all the philosophies—except one. The Faith is the justification of that popular instinct; the finding of a philosophy for it or the analysis of the philosophy in it. Exactly as a man in an adventure story has to pass various tests to save his life, so the man in this philosophy has to pass several tests and save his soul. In both there is an idea of free will operating under conditions of design; in other words, there is an aim and it is the business of a man to aim at it; we therefore watch to see whether he will hit it. Now this deep and democratic and dramatic instinct is derided and dismissed in all the other philosophies. For all the other philosophies avowedly end where they begin; and it is the definition of a story that it ends differently; that it begins in one place and ends in another. From Buddha and his wheel to Akhen Aten and his disc, from Pythagoras with his abstraction of number to Confucius with his religion of routine, there is not one of them that does not in some way sin against the soul of a story. There is none of them that really grasps this human notion of the tale, the test, the adventure; the ordeal of the free man. Each of them starves the story-telling instinct, so to speak, and does something to spoil human life considered as a romance; either by fatalism (pessimist or optimist) and that destiny that is the death of adventure; or by indifference and that detachment that is the death of drama; or by a fundamental scepticism that dissolves the actors into atoms; or by a materialistic limitation blocking the vista of moral consequences; or a mechanical recurrence making even moral tests monotonous; or a bottomless relativity making even practical tests insecure. There is such a thing as a human story; and there is such a thing as the divine story which is also a human story; but there is no such thing as a Hegelian story or a Monist story or a relativist story or a determinist story; for every story, yes, even a penny dreadful or a cheap novelette, has something in it that belongs to our universe and not theirs. Every short story does truly begin with creation and end with a last judgement.