Vases With Quotes

Break a vase, and the love that reassembles the fragments is stronger than that love which took its symmetry for granted when it was whole.

He’s very pretty. For a human.” “He’s very broken,” said Magnus. “Like a lovely vase that someone has smashed. Only luck and skill can put it back together the way it was before.

Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.

The trauma said, ‘Don’t write these poems. Nobody wants to hear you cry about the grief inside your bones.

The greatest mania of all is passion: and I am a natural slave to passion: the balance between my brain and my soul and my body is as wild and delicate as the skin of a Ming vase.

My mouth is a fire escape. The words coming out don’t care that they are naked. There is something burning in there.

A fine glass vase goes from treasure to trash, the moment it is broken. Fortunately, something else happens to you and me. Pick up your pieces. Then, help me gather mine.

Doctoring her seemed to her as absurd as putting together the pieces of a broken vase. Her heart was broken. Why would they try to cure her with pills and powders?

alone with everybody the flesh covers the bone and they put a mind in there and sometimes a soul, and the women break vases against the walls and them men drink too much and nobody finds the one but they keep looking crawling in and out of beds. flesh covers the bone and the flesh searches for more than flesh. there's no chance at all: we are all trapped by a singular fate. nobody ever finds the one. the city dumps fill the junkyards fill the madhouses fill the hospitals fill the graveyards fill nothing else fills.

Relationships never break cleanly. Like a valuable vase, they are smashed and then glued back together, smashed and glued, smashed and glued until the pieces just don't fit together anymore.

But the first time I saw you. Rio. I took that down to the gardens. I pressed it into the leaves of a silver maple and recited it to the Waterloo Vase. It didn’t fit in any rooms.

I love all things, not only the grand but the infinitely small: thimble, spurs, plates, flower vases.....

Murderess is a strong word to have attached to you. It has a smell to it, that word - musky and oppressive, like dead flowers in a vase. Sometimes at night I whisper it over to myself: Murderess, Murderess. It rustles, like a taffeta skirt across the floor.

And just then Damon stepped out of the coat closet, and at the same time Aunt Maggie tripped him neatly and said, “Bathroom door beside you,” and picked up a vase and hit the rising Damon over the head with it. Hard.

Now-what’s our game plan?” Coach Hedge belched. He’d already had three espressos and a plate of doughnuts, along with two napkins and another flower from the vase on the table. He would’ve eaten the silverware, except Piper had slapped his hand. “Climb the mountain,” Hedge said. “Kill everything except Piper’s dad. Leave.” “Thank you General Eisenhower,” Jason grumbles.

Beauty doesn't have to be about anything. What's a vase about? What's a sunset or a flower about? What, for that matter, is Mozart's Twenty-third Piano Concerto about?

Remind me that the most fertile lands were built by the fires of volcanoes.

The nutritionist said I should eat root vegetables. Said if I could get down thirteen turnips a day I would be grounded, rooted. Said my head would not keep flying away to where the darkness lives. The psychic told me my heart carries too much weight. Said for twenty dollars she’d tell me what to do. I handed her the twenty. She said, “Stop worrying, darling. You will find a good man soon.” The first psycho therapist told me to spend three hours each day sitting in a dark closet with my eyes closed and ears plugged. I tried it once but couldn’t stop thinking about how gay it was to be sitting in the closet. The yogi told me to stretch everything but the truth. Said to focus on the out breath. Said everyone finds happiness when they care more about what they give than what they get. The pharmacist said, “Lexapro, Lamicatl, Lithium, Xanax.” The doctor said an anti-psychotic might help me forget what the trauma said. The trauma said, “Don’t write these poems. Nobody wants to hear you cry about the grief inside your bones.” But my bones said, “Tyler Clementi jumped from the George Washington Bridge into the Hudson River convinced he was entirely alone.” My bones said, “Write the poems.

The hallway was lined with numbered doors, odd numbers on one side and even numbers on the other, and large ornamental vases, too large to hold flowers and too small to hold spies.

Sometimes I wake up and lie still enough to hear a petal drop from the vase of flowers. Sometimes I lie awake and wish there was someone to hear my falling.

However the problem wasn't with the vase, or even that the vases kept breaking. The problem was that I kept putting them on the edges of tables.

There’s something amazing about this life. The very same worldly attribute that causes us pain is also what gives us relief: Nothing here lasts. What does that mean? It means that the breathtakingly beautiful rose in my vase will wither tomorrow. It means that my youth will neglect me. But it also means that the sadness I feel today will change tomorrow. My pain will die. My laughter won’t last forever but neither will my tears. We say this life isn’t perfect. And it isn’t. It isn’t perfectly good. But, it also isn’t perfectly bad, either.

I wish I could explain how I feel, but nothing can explain this moment. Not a vase of stars. Not a book. Not a song. Not even a poem. Nothing can explain the moment when the woman you would give your life for sees her daughter for the very first time.

If we'd put them in a vase in the living room, they would have been everyone's flowers. I wanted them to be my flowers.

She’s not a pothead. That thing on her neck is a vase. And anyway, I’m all for legalization. After all, why should surrealism be illegal?

There are two kinds of flowers when it comes to women,” Eve said. “The kind that sit safe in a beautiful vase, or the kind that survive in any conditions . . . even in evil. Lili was the latter. Which are you?

Oh, what a catastrophe, what a maiming of love when it was made personal, merely personal feeling. This is what is the matter with us: we are bleeding at the roots because we are cut off from the earth and sun and stars. Love has become a grinning mockery because, poor blossom, we plucked it from its stem on the Tree of Life and expected it to keep on blooming in our civilized vase on the table.

I HIDE myself within my flower That wearing on your breast, You, unsuspecting, wear me too— And angels know the rest. I hide myself within my flower, That, fading from your vase, You, unsuspecting, feel for me Almost a loneliness...

I wish for a heart you can see straight through, for a voice that glows in the dark, and a few really good friends to say, “That’s the way to go.

a generation that cannot endure boredom will be a generation of little men, of men unduly divorced from the slow process of nature, of men in whom every vital impulse slowly withers as though they were cut flowers in a vase.

Cookie dropped her purse and tried to catch it midair. In the process, she knocked over a vase. When she lunged for the vase, she slipped on the tile and overturned an entire table. A lovely handblown piece of glass flew in my direction, and all I could think as I caught it was, Really? Again? We were going to have to practice muscle control.

We were trying to make our lives easier, trying, with all our rules, to make life effortless. But a friction began to arise between Nothing and Something, in the morning the Nothing vase cast a Something shadow, like the memory of someone you've lost, what can you say about that, at night the Nothing light spilled from the guest room spilled under the Nothing door and stained the Something hallway, there's nothing to say.

You know you're in love with somebody when you wake up next to them, comfortable despite your breath smelling like the week-old water at the bottom of a vase, when you are terribly excited to see them, to talk to them again, having missed them after all that sleep.

I’m an all-the-water-I-can-drink-in-a-flower-vase kind of lover. Roses and batteries sold separately.

And I wanted to be able to listen, to digest the bloody images, to paint them flat and unremarkable onto the vase of posterity. To release him from it and make him Achilles again.

Love isn't always magic. But if I offered my body to the magician, if I told him to cut me in half so after that I could come to you whole and ask for you back would you listen for this dark alley love song? For the winter we heated our home from the steam off our own bodies?

Fresh flowers bloomed from vases, sweetly scenting the air. Again, he had no idea. Fine. He'd requested those. That shit smelled good.

a child is a fire to be lit, not a vase to be filled

..when a war ends, what does that look like exactly? do the cells in the body stop detonating themselves? does the orphanage stop screaming for its mother? when the sand in the desert has been melted down to glass and our reflection is not something we can stand to look at does the white flag make for a perfect blindfold? yesterday i was told a story about this little girl in Iraq, six-years-old, who cannot fall asleep because when she does she dreams of nothing but the day she watched her dog eat her neighbor's corpse. if you told her war is over do you think she can sleep?

Scrivener," he sighed. "I should have known it was you the moment I heard my great-grandmother's priceless antique vase hit the floor." He turned his assessing gaze to the Malefict. "And who's this? A friend of yours?" The Codex bared a mouthful of fangs and produced an ear-splitting shriek. Above them, the chandelier trembled. "Charmed," Nathaniel said. He turned back to Elisabeth. "If the two of you feel the need to destroy anything else, I've been meaning to get rid of Aunt Clothilde's tapestry for years. You'll know it when you see it. It's mauve.

We were the letters sent to the wrong address, but opened anyway.

It's turning the thunder into grace, knowing sometimes the break in your heart is like the hole in the flute. Sometimes it's the place where the music comes through.

He picked up one of Lorna's roses and set it in my lap. "Here." I picked it up and smelled it. He poked me in the shoulder. "See what I mean? Thorns don't stop you from sniffing. Or putting them in a vase on the kitchen table. You work around them.... Cause the rose is worth it... Think what you'd miss.

Like freshly cut roses, I place life in a vase... of love.

Why does each man kill the thing he loves?...you killed it by accident. Thinking you were doing something else. It was a cherished vase that broke while you were cleaning it. The phone rang and you dropped it. Shattering, when all you wanted was to keep it safe.

You may break, you may shatter the vase, if you will, But the scent of the roses will hang round it still.

A person of high, rare mental gifts who is forced into a job which is merely useful is like a valuable vase decorated with the most beautiful painting and then used as a kitchen pot.

Every one of us is losing something precious to us... Lost opportunities, lost possibilities, feelings we can never get back again. That's what part of it means to be alive. But inside our heads- at least that's where I imagine it- there's a litle room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let fresh air in, change the water in the flower vases. In other words, you'll live for ever in your own private library.

No amount of soul searching would fix my past. There was no magical Band-Aid I could stick on my heart, no special glue I could use to make myself whole again. I had shattered to pieces like a fragile vase on concrete; some fragments could be roughly cobbled back together, but many of my vital parts had simply turned to dust, pulverized and scattered by the first gust of wind.

I like imagining your body is Saturn, my body ten thousand rings wrapped around you.

Empty, empty, empty; silent, silent, silent. The room was a shell, singing of what was before time was; a vase stood in the heart of the house, alabaster, smooth, cold, holding the still, distilled essence of emptiness, silence.

In the morning, when the nothing vase casts a something shadow, like the memory of someone you've lost, what can you say about that?

It might have a slight hallucinatory effect, though." "That explains why I can see seven of you," Magnus said to Alec. "My ultimate fantasy." Dru covered Tavvy's ears, though Tavvy was playing with a Slinky Alec had given him and appeared deaf to the world. Magnus pointed. "That one of you over there is extremely attractive, Alexander." "That's a vase," said Helen. Magnus squinted at it. "I'd be willing to buy it from you.

I look for myself but find no one. I belong to the chrysanthemum hour of bright flowers placed in tall vases. I should make an ornament of my soul.

Listen, I know you run your mouth so your mind can rest.

Some days my heart beats so fast my ribcage sounds like a fucking railroad track and my breath is a train I just can't catch.

Life is like molten glass. It flows, it's flexible, it can be molded and shaped and...what do you say? Ah, yes. It holds vast potential. You have a number of uncertainties in your melt right now. But they will always be there in one form or another. Always. Unlike molten glass, life can't be fixed or frozen into a pretty vase and placed on a shelf to gather dust.

I have learned over a period of time to be almost unconsciously grateful--as a child is--for a sunny day, blue water, flowers in a vase, a tree turning red. I have learned to be glad at dawn and when the sky is dark. Only children and a few spiritually evolved people are born to feel gratitude as naturally as they breathe, without even thinking. Most of us come to it step by painful step, to discover that gratitude is a form of acceptance.

Sometimes when things break, you can hold them together for a while with string or glue or tape. Sometimes, nothing will hold what’s broken, and the pieces fly all over, and though you think you might be able to find them all again, one or two will always be missing. I flew apart. I broke. I shattered like a crystal vase dropped on a concrete floor, and pieces of me scattered all over. Some of them I was glad to see go. Some I never wanted to see again.

Some broken vases can still hold beautiful flowers

The Cloudy Vase Past time, I threw the flowers out, washed out the cloudy vase. How easily the old clearness leapt, like a practiced tiger, back inside it.

Plenty of people get cheated on and don’t lose their minds. Take me, for example. I threw a vase at Charlie’s head and moved on. That’s a normal reaction.

Music. A flower in a vase on the tray. A January rose, it wouldn't last long, all big and full-blown like that. He loved things like this, fragile, that wouldn't last. She touched its silver-mauve petals, a hundred layers like an old-fashioned petticoat. The Japanese would say that's their elegance, the brevity of their beauty.

Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s what part of it means to be alive. But inside our heads — at least that’s where I imagine it — there’s a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let fresh air in, change the water in the flower vases. In other words, you’ll live for ever in your own private library.

However," he continued when she remained silent, her throat a knot of emotion, "it seems Montgomery could not help himself when it came to this vase. I'm afraid he has a weakness for beautiful things and has been known to relocate an item if he feels it is not being accorded the proper appreciation. Once he 'relocated' an ancient sculpture from the home of another archangel.

She's a rare vase, out of a cat's reach, on its shelf.

La goutte d'eau qui fait de border le vase

Whenever I see the alcove of a tastefully built Japanese room, I marvel at our comprehension of the secrets of shadows, our sensitive use of shadow and light. For the beauty of the alcove is not the work of some clever device. An empty space is marked off with plain wood and plain walls, so that the light drawn into its forms dim shadows within emptiness. There is nothing more. And yet, when we gaze into the darkness that gathers behind the crossbeam, around the flower vase, beneath the shelves, though we know perfectly well it is mere shadow, we are overcome with the feeling that in this small corner of the atmosphere there reigns complete and utter silence; that here in the darkness immutable tranquility holds sway.

Aristotle said that some minds are not vases to be filled, but fires to be lit.

I believe in roses. And I believe in putting roses into a vase and sitting the vase on the table. I believe in getting lost and being found, I believe in going barefoot, and in laughter! My religion is to laugh at myself, whenever I can! I believe in the sunlight and in grey skies with big, beautiful clouds!

But 'tis common proof, that lowliness is young ambition's ladder, whereto the climber-upward turns his face; but when he once attains the upmost round, he then turns his back, looks in the clouds, scorning the vase defrees by which he did ascend.

I don't know the first thing about holding together a family, especially one that resembles an heirloom vase, shattered but glued back together for its beauty, and no one mentions that you can see the cracks as plain as day.

In that moment her heart fell out of her chest. Like the glass filled vase he had brought to her, it dropped. It was shattered into a million small pieces.

I shall be forever grateful to you for breaking whatever unfortunate object you did in order to rescue me.” “Something had to be done, she said, “and it was a very ugly vase.

Will interrupted. "Henry," he said, "you're on fire. You do know that, don't you?" "Oh, yeas," Henry said eagerly. The flames were now nearly to his shoulder. "I've been working like a man possessed all day. Charlotte, did you hear what I said about the Sensor?" Charlotte dropped her hand from her mouth. "Henry!" she shrieked. "Your arm!" Henry glanced down at his arm, and his mouth dropped open. "Bloody hell!" was all he had time to say before Will, exhibiting a starling presence of mind, stood up, seized the vase of flowers off the table, and hurled the contents over Henry.

You give me an apartment full of morning smells- toasted bagel and black coffee and the freckled lilies in the vase on the windowsill. You give me 24-across.

We have all fought for our lives more than we know, survived our own questions.

It is incredible what kind of mess I can make with a nine-hour drive and an unanswered text.

Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.

Jealousy smells like the water in the bottom of a flower vase after the flowers have died.

I saw you stand,” I said. “Saw your courage, back at Twelve. Saw the steel in your will, the power you command. You say there’s nothing of woman about you? You aren’t some painted vase, delicate and useless. You’re a fucking lioness. The strongest damn thing that ever lived. There’s nothing of you but woman.

My mouth is a fire escape. The words coming out don't care that they are naked. There is something burning in here. When it burns I hold my own shell to my ear, listen for the parade from when I was seven, when the man who played the bagpipes wore a skirt. He was from Scotland. I wanted to move there. Wanted my spine to be the spine of an unpublished book, my faith the first and last page. The day my ribcage became monkey bars for a girl hanging on my every word they said, "You are not allowed to love her." Tried to take me by the throat to teach me, "You are not a boy." I had to unlearn their prison speak, refusing to make wishes on the star on the sheriff's chest. I started taking to the stars in the sky instead. I said, "Tell me about the big bang." The stars said, "It hurts to become.

Picasso said he'd paint with his own wet tongue on the dusty floor of a jail cell if he had to. We have to create. It is the only thing louder than destruction. It's the only chance the bard are gonna break, our hands full of color reaching towards the sky, a brush stroke in the dark. It is not too late. That starry night is not yet dry.

When I first met you, I thought: There is a girl in a million. She isn't like these other silly little fools who believe everything their mammas tell them and act on it, no matter how they feel. And conceal all their feelings and desires and little heartbreaks behind a lot of sweet words. I thought: Miss O'Hara is a girl of rare spirit. She knows what she wants and she doesn't mind speaking her mind–or throwing vases.

Si la rose savait que sa grâce et sa beauté la conduisent droit dans un vase, elle serait la première à trancher la gorge avec sa propre épine.

The flower in the vase smiles, but no longer laughs.

I started talking to the stars in the sky instead. I said, “Tell me about the big bang.” The stars said, “It hurts to become.

When I look at you, I see something broken that isn’t worth fixing. And you look at me like I’m a cheap thing to replace the expensive one that’s been stolen from you. See, we’re all vases. And you’re the one scattered on the floor, shattered beyond repair. So I’ll let someone else pick you up. It’s really that simple. Have fun with your temporary glue.

What did your mother do?" he said. "Sir?" "When it was time for bed," said the King. "Tell me." The girls exchanged nervous glances. He was talking about Mother. "She used to help the girls with their prayers," said Azalea, hesitant. "And-sometimes she would read stories." The King set the sword on the table, next to the vase. "Very well," he said as the girls whispered to one another. "I will read you a story." The whispering stopped.

The author squares man's depravity with still being made in the image of God with this word picture. A vase that has held beautiful roses though now broken, will nevertheless hold something of the fragrance it once contained.

I do not wear a welcome mat on my chest just so people can walk all over it fumbling with the keys to the locks they keep building for the doors I keep opening hoping someone will see the rainforest growing in my living room.

i reached for the last bouquet of flowers you gave me now wilting in their vase one by one i popped their heads off and ate them

An hour is not merely an hour; it is a vase full of scents and sounds and projects and climates.

the flesh covers the bone and they put a mind in there and sometimes a soul, and the women break vases against the walls and the men drink too much and nobody finds the one but keep looking crawling in and out of beds. flesh covers the bone and the flesh searches for more than flesh.

Kintsugi is a pottery technique. When something breaks, like a vase, they glue it back together with melted gold. Instead of making the cracks invisible, they make them beautiful. To celebrate the history of the object. What it's been through. And I was just... Thinking of us like that. My heart full of gold veins, instead of cracks.

I learned to sleep during the day so that I would not be tired when he returned; he always needed to talk then, to tell me down to the last detail about the faces and the wounds and the movements of men. And I wanted to be able to listen, to digest the bloody images, to paint them flat and unremarkable onto the vase of posterity. To release him from it and make him Achilles again.

He said that it always struck him with surprise that while men in buying an earthen or glass vase would sound it first to learn if it were good, yet in choosing a wife they were content with only looking at her.

My pockets had always puzzled Weena, but at the last she had concluded that they were an eccentric kind of vase for floral decoration.

Alec did not like new people. Whenever new Shadowhunters arrived from Idris, Alec would mysteriously slope off. Once Isabelle had found him lurking behind a large vase, claiming he got lost trying to find the training room.

Having a breakdown was like breaking a vase and then gluing it back together. You could never trust yourself to handle that vase again with any surety. You couldn't put a flower in it because flowers need water and water might dissolve the glue. Am I crazy, then?

There are people like Senhor José everywhere, who fill their time, or what they believe to be their spare time, by collecting stamps, coins, medals, vases, postcards, matchboxes, books, clocks, sport shirts, autographs, stones, clay figurines, empty beverage cans, little angels, cacti, opera programmes, lighters, pens, owls, music boxes, bottles, bonsai trees, paintings, mugs, pipes, glass obelisks, ceramic ducks, old toys, carnival masks, and they probably do so out of something that we might call metaphysical angst, perhaps because they cannot bear the idea of chaos being the one ruler of the universe, which is why, using their limited powers and with no divine help, they attempt to impose some order on the world, and for a short while they manage it, but only as long as they are there to defend their collection, because when the day comes when it must be dispersed, and that day always comes, either with their death or when the collector grows weary, everything goes back to its beginnings, everything returns to chaos.

I said there are certain flowers that wilt if you put them in a vase'" (368).

No flower is happy in a vase, because vase is nothing but an ornate coffin for the flower.

On her way back, she scoops up forgiveness like a bouquet, sniffs it deep and arranges it in a vase. She sets forgiveness down, shining in the middle of everything.

...a vase full of flowers: dark red and pale pink in a cloud of baby's breath.

It’s a lonely thing carrying the body of someone dead and loved. Like a vase you know will never again hold flowers. I

Hey, Donut. If we were back home, you’d finally be able to knock that vase off the high shelf.” “That thing was a menace, Carl. It was haunted.

Let me say right now for the record, I’m still going to be here asking this world to dance, even if it keeps stepping on my holy feet. You, you stay here with me, okay? You stay here with me. Raising your bite against the bitter dark, your bright longing, your brilliant fists of loss. Friend, if the only thing we have to gain in staying is each other, my god that is plenty my god that is enough my god that is so so much for the light to give each of us at each other’s backs whispering over and over and over, “Live. Live. Live.

They go in a vase. On the nighstand by your bed. Or on the kitchen table. Or on the coffee table in the living room. They go where you can see them most often, and, seeing them, remember that you deserve flowers.

Tell me we'll be naming our children Beautiful and nothing else.

Emilienne wore Maman's wedding dress. Just after the ceremony, Emilienne glanced in the mirror. She saw not her own reflection but a tall empty vase.

So pretty with her long hair and bright eyes. And so pure and damaged at the same time, like a priceless vase threaded with cracks.

A thought that is almost beautiful – a thought that you speak not, but that you cherish within you at this moment, will irradiate you as though you were a transparent vase.

I had to get by the flower beds he's planted, the flowers in vases, candles, the potpourri in the powder room—" "Mother of God! Potpourri in the powder room. We need to get a posse together ASAP, go get him. He can be deprogrammed. Don't lose hope.

Initially, a simple phrase chased round and round in Cecilia's thoughts: Of course, of course. How had she not seen it? Everything was explained. The whole day, the weeks before, her childhood. A lifetime. It was clear to her now. Why else take so long to choose a dress, or fight over a vase, or find everything so different, or be unable to leave? What had made her so blind, so obtuse?

I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be linked unto a system of gears where teeth have been filed off at random. Such snaggle-toothed thought machine, driven by a standard or even by a substandard libido, whirls with the jerky, noisy, gaudy pointlessness of a cuckoo clock in Hell. The boss G-man concluded wrongly that there were no teeth on the gears in the mind of Jones. 'You're completely crazy,' he said. Jones wasn't completely crazy. The dismaying thing about classic totalitarian mind is that any given gear, thought mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined. Hence the cuckoo clock in Hell - keeping perfect time for eight minutes and twenty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year. The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases. The wilful filling off a gear teeth, the wilful doing without certain obvious pieces of information - That was how a household as contradictory as one composed of Jones, Father Keeley, Vice-Bundesfuehrer Krapptauer, and the Black Fuehrer could exist in relative harmony - That was how my father-in-law could contain in one mind an indifference toward slave women and love fora a blue vase - That was how Rudolf Hess, Commandant of Auschwitz, could alternate over the loudspeakers of Auschwitz great music and calls for corpse-carriers - That was how Nazi Germany sense no important difference between civilization and hydrophobia - That is the closest I can come to explaining the legions, the nations of lunatics I've seen in my time.

I worship you like night's pavilion, O vase of sadness, o great silent one, And love you more since you escape from me, And since you seem, my night's sublimity, To mock me and increase the leagues that lie Between my arms and blue immensity. I move to the attack, besiege, assail, Like eager worms after a funeral. I even love, o beast implacable, The coldness which makes you more beautiful.

You send me all these roses. Every time I think the last bouquet has arrived, finally, another turns up. I’m running out of vases. I didn’t know roses came in so many colors. You say they’re the perfect symbols of love because they have thorns and love is pain. I say life is pain, highness. Anyone who says differently is selling something. And you don’t get it. You say you love me, but you don’t speak my language. You don’t even realize I’m an orchid girl.

I guess that's the thing: I've spent my whole life longing to be seen, but I've also come to realize that when people look too closely, they inevitably notice the ugly parts too, like how the tiny cracks on a polished vase only become visible under scrutiny.

I read that beauty has historically demanded replication. We make more of anything we find aesthetically pleasing, whether it’s a vase, a painting, a chalice, a poem. We reproduce it in order to keep it, extend it through space and time.

We are bleeding at the roots, because we are cut off from the earth and sun and stars, and love is a grinning mockery, because, poor blossom, we plucked it from its stem on the tree of Life, and expected it to keep on blooming in our civilised vase on the table.

If love did not exist I would be so goddamn sane my poems would be billboards. Suburbia would be enough. I would not have to gut myself to find my spine crushed into powder and brushed on her cheekbones. My hair would not be a hummingbird’s nest. My mind would not have to move so fast to rest.

The vase was placed upon my desk, and there were orange-blossoms in it—orange-blossoms, in an English winter!

Let me, if I may, be ever welcomed to my room in winter by a glowing hearth, in summer by a vase of flowers. If I may not, let me think how nice they would be and bury myself in my work. I do not think that the road to contentment lies in despising what we have not got. Let us acknowledge all good, all delight that the worlds holds, and be content without it.

-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you

But those who believe that flowers grow in vases don't understand anything about literature. The library has now become her first-aid kit, and she's going to give the children a little of the medicine that helped her recover her smile when she thought she'd lost it forever.

The decor bowled me over. Everywhere I looked, there was something more to see. Botanical prints, a cross section of pomegranates, a passionflower vine and its fruit. Stacks of thick books on art and design and a collection of glass paperweights filled the coffee table. It was enormously beautiful, a sensibility I'd never encountered anywhere, a relaxed luxury. I could feel my mother's contemptuous gaze falling on the cluttered surfaces, but I was tired of three white flowers in a glass vase. There was more to life than that.

Water takes the shape of whatever container holds it, whether it be in a glass, a vase or a river bank. Likewise, your subconscious will create and manifest according to the images you habitually project upon it through your daily thinking. This is how your destiny is created. Your life is in your hands, to make of it what you choose.

I'm in a constant battle with reality and pretend with who I am, who I want to be, and who I wish I could be with picking up the pieces, painting portraits of something strong, something whole, something to be proud of and shattering crystal vases on wooden floors while smiling, without blinking with seeing just how far I can run away from myself without forgetting myself

It's there. The white rose among the dried flowers in the vase. Shriveled and fragile, but holding on to that unnatural perfection cultivated in Snows greenhouse. I grab the vase, stumble down to the kitchen, and throw its contents into the embers. As the flowers flare up, a burst of blue flame envelops the rose and devours it. Fire beats roses again.

And as he followed after the Irishwoman, Margaret Erskine, most levelheaded of women, picked up a Palissy vase, looked at it earnestly and smashed it clean on the floor.

He suggested devils, skulls, harsh masculine drawings. This thing was…heart poundingly good. She wanted to pluck it, and bury her face in it, and keep it in a vase by her bedside.

My mother says it is totally fine if I blow off steam as long as I speak in an octave my kindness can still reach.

This life is built almost entirely of love and losing, isn’t it?

A.Coward," he repeated, and I briefly considered picking up the vase in the center of the island and throwing it at him."Not making a choice is the coward's way out. You love both of them. I get that. But you don't feel the same kind of love for both of them, and the sooner you accept that the better.

We settled Mama into the wheelchair and loaded her down with both our pocketbooks and a vase of flowers I had picked to present to our host in hopes of softening the effects of any opinions Mama might vent during the evening.

Lord Peter's library was one of the most delightful bachelor rooms in London. Its scheme was black and primrose; its walls were lined with rare editions, and its chairs and Chesterfield sofa suggested the embraces of the houris. In one corner stood a black baby grand, a wood fire leaped on a wide old-fashioned hearth, and the Sèvres vases on the chimneypiece were filled with ruddy and gold chrysanthemums. To the eyes of the young man who was ushered in from the raw November fog it seemed not only rare and unattainable, but friendly and familiar, like a colourful and gilded paradise in a mediæval painting

We ate, we slept, we formed our kaleidoscopic relationships and marched ever forward. We licked chocolate from our fingers. We arranged flowers in vases. We inspected our backsides when we tried on new clothes. We gave ourselves over to art. We elected officials and complained. We stood up for home runs. We marked life passages in ceremonies we attended with impatience and pride. We reached out for new love when what we had died, confessing our unworthiness, confessing our great need. We felt at times that perhaps we really were visitors from another planet. We occasionally wondered if it was true that each of us was making everything up. But this was a wobbly saucer; this was thinking we could not endure; we went back to our elegant denial of unbreachable isolation, to refusing the lesson of being born alone and dying that way, too. We went back to loving, to eating, to sleeping, to marching and marching and marching along.

I looked at the faces around me and I knew mine was like theirs. Faces with the blood drained away, tight faces, worried, lost. Faces like flowers torn from their roots and stuffed into a pretty vase, the colours draining fast. I had to get away from that town.

At Pappachi's funeral, Mammachi cried and her contact lenses slid around in her eyes. Ammu told the twins that Mammachi was crying more because she was used to him than because she loved him. She was used to having him slouching around the pickle factory, and was used to being beaten from time to time. Ammu said that human beings were creatures of habit, and it was amazing the kinds of things they could get used to. You only had to look around you, Ammu said, to see that beatings with brass vases were the least of them.

In Plaster I shall never get out of this! There are two of me now: This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints. 
At the beginning I hated her, she had no personality -- She lay in bed with me like a dead body 
And I was scared, because she was shaped just the way I was 
 Only much whiter and unbreakable and with no complaints. I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer. 
I couldn't understand her stupid behavior! 
When I hit her she held still, like a true pacifist. 
Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages. 

Without me, she wouldn't exist, so of course she was grateful. 
I gave her a soul, I bloomed out of her as a rose 
Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, 
Not her whiteness and beauty, as I had at first supposed. 
I patronized her a little, and she lapped it up -- 
You could tell almost at once she had a slave mentality. 

I didn't mind her waiting on me, and she adored it. 
In the morning she woke me early, reflecting the sun 
From her amazingly white torso, and I couldn't help but notice 
Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, 
Holding my bones in place so they would mend properly. In time our relationship grew more intense. 

She stopped fitting me so closely and seemed offish. 
I felt her criticizing me in spite of herself, 
As if my habits offended her in some way. She let in the drafts and became more and more absent-minded. 
And my skin itched and flaked away in soft pieces 
Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal. She wanted to leave me, she thought she was superior, 
And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse! 
And secretly she began to hope I'd die. Then she could cover my mouth and eyes, cover me entirely, 
And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water. 

I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way 
Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully. I used to think we might make a go of it together -- 
After all, it was a kind of marriage, being so close. 
Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy, 
But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her, 
And she'll perish with emptiness then, and begin to miss me. --written 26 Feburary 1961

From her very flesh and blood and from the constant cycles of filling and emptying the red vase in her belly, a woman understands physically, emotionally, and spiritually that zeniths fade and expire, and what is left is reborn in unexpected ways and by inspired means, only to fall back to nothing, and yet be reconceived again in full glory.

Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That's part of what it means to be alive. But inside our heads--at least that's where I imagine it--there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.

This is terrific. What a gorgeous kitchen. You’ve decorated it so beautifully. Now you’re going to have to clear all the counters. Vases. Books. Knickknacks. Get rid of all that stuff. I mean, it is just beautiful. Beautiful. I love what you’ve done with this house. Make sure you put it all away.” ~Real estate agent (p.76)

It was our beautiful life together, amazing vacations and grand gestures and freshly cut flowers in handmade vases, that had held us together for so long.

If you told her the war is over do you think she'd sleep?

If we'd put them in a vase in the living room, they would have been everyone's flowers. I wanted them to be mt flowers.

... ces bouquets de fleurs qui partent à la recherche d'un cœur et ne trouvent qu'un vase.

When 28,000 buildings fall do you know how many walls are no longer there?

Everything I am, I've made myself. Maybe you have all shaped me, molded me like a vase, but when all is said and done, when everyone has chipped away their pieces, I will not break.

In the girl’s room on the chest of drawers stood the glass vase with the withered flowers, the water had evaporated, it was there that her blind hands directed themselves, her fingers brushed against the dead petals, how fragile life is when it is abandoned.

I wish I could explain how I feel, but nothing can explain this moment. Not a vase of stars. Not a book. Not a song. Not even a poem. Nothing can explain the moment when the woman you would give your life for sees her daughter for the very first time. Tears are streaming down her face. She’s stroking our baby girl’s cheek, smiling. Crying. Laughing. “I don’t want to count her fingers or toes,” Lake whispers. “I don’t care if she has two toes or three fingers or fifty feet. I love her so much, Will. She’s perfect.” She is perfect. So perfect. “Just like her mom,” I say. I lean my head against Lake’s and we just stare. We stare at the daughter who is so much more than I could have asked for. The daughter who is so much more than I dreamt of. So much more than I ever thought I would have. This girl. This baby girl is my life. Her mother is my life. These girls are both my life. I reach down and pick up her hand. Her tiny fingers reflexively wrap around my pinky and I can’t choke back my tears any longer. “Hey, Julia. It’s me. It’s your daddy.

This is a floral abortion,' Ignatius commented irritably and tapped the vase with his cutlas. 'Dyed flowers are unnatural and perverse and, I suspect, obscene also. I can see that I am going to have my hands full with you people.

I looked at the ornaments on the desk. Everything standard and all copper. A copper lamp, pen set and pencil tray, a glass and copper ashtray with a copper elephant on the rim, a copper letter opener, a copper thermos bottle on a copper tray, copper corners on the blotter holder. There was a spray of almost copper-colored sweet peas in a copper vase. It seemed like a lot of copper.

Julia had a friend, a man named Dennys, who was as a boy a tremendously gifted artist. They had been friends since they were small, and she once showed me some of the drawings he made when he was ten or twelve: little sketches of birds pecking at the ground, of his face, round and blank, of his father, the local veterinarian, his hand smoothing the fur of a grimacing terrier. Dennys’s father didn’t see the point of drawing lessons, however, and so he was never formally schooled. But when they were older, and Julia went to university, Dennys went to art school to learn how to draw. For the first week, he said, they were allowed to draw whatever they wanted, and it was always Dennys’s sketches that the professor selected to pin up on the wall for praise and critique. But then they were made to learn how to draw: to re-draw, in essence. Week two, they only drew ellipses. Wide ellipses, fat ellipses, skinny ellipses. Week three, they drew circles: three-dimensional circles, two-dimensional circles. Then it was a flower. Then a vase. Then a hand. Then a head. Then a body. And with each week of proper training, Dennys got worse and worse. By the time the term had ended, his pictures were never displayed on the wall. He had grown too self-conscious to draw. When he saw a dog now, its long fur whisking the ground beneath it, he saw not a dog but a circle on a box, and when he tried to draw it, he worried about proportion, not about recording its doggy-ness.

Then the wind came in with Bart and blew the vase of roses from the table. I stood and stared down at the crystal pieces and the petals scattered about. Why was the wind always trying to tell me something? Something I didn't want to hear!

Leave me in Granada in the middle of paradise where my soul wells with poetry; Leave me until my time comes and I may intone a fitting song. Yes, I want my memorial stone in this land. Granada! Holy place of the glory of Spain, Your mountains are the white tents of pavilions, Your walls are the circle of a vase of flowers, Your plain a Moorish shawl embroidered with colour, Your towers are palm trees that imprison you

When the Devil was a woman, When Lilith wound Her ebony hair in heavy braids, And framed Her pale features all 'round With Botticelli's tangled thoughts, When she, smiling softly, Ringed all her slim fingers In golden bands with brilliant stones, When she leafed through Villiers And loved Huysmans, When she fathomed Maeterlinck's silence And bathed her Soul In Gabriel d'Annunzio's colors, She even laughed And as she laughed, The little princess of serpents sprang Out of her mouth. Then the most beautiful of she-devils Sought after the serpent, She seized the Queen of Serpents With her ringed finger, So that she wound and hissed Hissed, hissed And spit venom. In a heavy copper vase; Damp earth, Black damp earth She scattered upon it. Lightly her great hands caressed This heavy copper vase All around, Her pale lips lightly sang Her ancient curse. Like a children's rhyme her curses chimed, Soft and languid Languid as the kisses, That the damp earth drank From her mouth, But life arose in the vase, And tempted by her languid kisses, And tempted by those sweet tones, From the black earth slowly there crept, Orchids - When the most beloved Adorns her pale features before the mirror All 'round with Botticelli's adders, There creep sideways from the copper vase, Orchids- Devil's blossoms which the ancient earth, Wed by Lilith's curse To serpent's venom, has borne to the light Orchids- The Devil's blossoms- "The Diary Of An Orange Tree

The people I love the best jump into work head first without dallying in the shallows and swim off with sure strokes almost out of sight. They seem to become natives of that element, the black sleek heads of seals bouncing like half submerged balls. I love people who harness themselves, an ox to a heavy cart, who pull like water buffalo, with massive patience, who strain in the mud and the muck to move things forward, who do what has to be done, again and again. I want to be with people who submerge in the task, who go into the fields to harvest and work in a row and pass the bags along, who stand in the line and haul in their places, who are not parlor generals and field deserters but move in a common rhythm when the food must come in or the fire be put out. The work of the world is common as mud. Botched, it smears the hands, crumbles to dust. But the thing worth doing well done has a shape that satisfies, clean and evident. Greek amphoras for wine or oil, Hopi vases that held corn, are put in museums but you know they were made to be used. The pitcher cries for water to carry and a person for work that is real.

Can I tell my daughter that I loved her father? This was the man who rubbed my feet at night. He praised the food that I cooked. He cried honestly when I brought out trinkets I had saved for the right day, the day he gave me my daughter, a tiger girl. How could I not love this man? But it was a love of a ghost. Arms that encircled but did not touch. A bowl full of rice but without my appetite to eat it. No hunger. No fullness. Now Saint is a ghost. He and I can now love equally. He knows the things I have been hiding all these years. Now I must tell my daughter everything. That she is a daughter of a ghost. She has no chi . This is my greatest shame. How can I leave this world without leaving her my spirit? So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. The pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and give her my spirit, because this is a way a mother loves her daughter. I hear my daughter speaking to her husband downstairs. They say words that mean nothing. They sit in a room with no life in it. I know a thing before it happens. She will hear the table and vase crashing on the floor. She will come upstairs and into my room. Her eyes will see nothing in the darkness, where I am waiting between the trees.

To a Vase "How do I break thee? Let me count the ways. I break thee if thou art at any height My paw can reach, when, smarting from some slight, I sulk, or have one of my crazy days. I break thee with an accidental graze Or twitch of tail, if I should take a fright. I break thee out of pure and simple spite The way I broke the jar of mayonnaise. I break thee if a bug upon thee sits. I break thee if I'm in a playful mood, And then I wrestle with the shiny bits. I break thee if I do not like my food. And if someone they shards together fits, I'll break thee once again when thou art glued.

Dreamt I stood in a china shop so crowded from floor to far-off ceiling with shelves of porcelain antiques, etc. that moving a muscle would cause several to fall and smash to bits. Exactly what happened but instead of a crashing noise, an august chord rang out, half cello, half celeste, D major (?), held for four beats. My wrist knocked a Ming vase affair off its pedestal-E flat. Whole string section, glorious, transcendant, angels wept. Deliberately now, smashed a figurine of an ox for the next note, then a milkmaid, then Saturday's Child-orgy of shrapnel filled the air, divine harmonies my head.

My mother was, for the most part, delighted with my brother and regarded him with the bemused curiosity of a brood hen discovering she has hatched a completely different species. 'I think it was very nice of Paul to give me this vase,' she once said, arranging a bouquet of wildflowers into the skull-shaped bong my brother had left on the kitchen table. 'It's nontraditional, but that's the Rooster's way. He's a free spirit, and we're lucky to have him.

She tried to persuade them to confine their tributes to flowers and sweets, which had at least the merit of mortality; but she was never successful, and the house was gradually filled with a collection of foot-warmers, cushions, clocks, screens, barometers and vases, a constant repetition and a boundless incongruity of useless but indestructible objects.

He has reverted, in other words, back into a pure balls-to-the-wall nerdism rivaled only by his early game-coding days back in Seattle. The sheer depth and involution of the current nerdism binge would be hard to convey to anyone. Intellectually, he is juggling half a dozen lit torches, Ming vases, live puppies, and running chainsaws. In this frame of mind he cannot bring himself to give a shit about the fact that this incredibly powerful billionaire has gone to a lot of trouble to come and F2F with him.

I learned that life can change in an instant. It can flip over like a box of Styrofoam peanuts, and you're left scrambling to gather enough insulation to survive, before it all blows away. After that, you sink down into what's left, like a fragile glass vase with a crack in it, trying to avoid further damage. One bold year is worth a dozen timid ones....

Stars are attributed w/ intelligence they don't have, beauty they haven't worked for, loyaly & love they are incapable of reciprocating, and strength they do not possess. They are treated like a beautiful vase of cut flowers. When wilted, simply replaced w/ new blooms.

It is too simple to pet a stray dog then watch it run under a car and say it wasn't mine It is too simple to admire a rose then pick it and forget to put water in the vase It is too simple to use a person for loving without love then leave him standing alone and say I don't know him anymore It is too simple to know one's flaws then live them at great cost to others and say that's just the way I am It is too simple the way we sometimes live our lives for after all life simply is a serious matter

In a room as big as loneliness my heart which is as big as love looks at the simple pretexts of its happiness at the beautiful decay of flowers in the vase at the saplings you planted in our garden and the song of canaries which sing to the size of a window. Ah…this is my lot this is my lot my lot is a sky that is taken away at the drop of a curtain my lot is going down a flight of disused stairs to regain something amid putrefaction and nostalgia my lot is a sad promenade in the garden of memories and dying in the grief of a voice which tells me I love your hands.

Katherine is the master of anger; she dominates anger. She takes anger in her hands and twists its neck, ripping its head off. She throws anger against the wall and stomps it to death. Her voice rises, it changes, it conjures up ghosts and cusses in a spitting Irish brogue. Then, when she's tapped out empty, she picked anger up between her a thumb and a forefinger and carries it outside and drops it in the trash. On her way back, she scoops up forgiveness like a bouquet, sniffs it deep and arranges it in a vase. She sets forgiveness down, shining in the middle of everything.

The Death of Allegory I am wondering what became of all those tall abstractions that used to pose, robed and statuesque, in paintings and parade about on the pages of the Renaissance displaying their capital letters like license plates. Truth cantering on a powerful horse, Chastity, eyes downcast, fluttering with veils. Each one was marble come to life, a thought in a coat, Courtesy bowing with one hand always extended, Villainy sharpening an instrument behind a wall, Reason with her crown and Constancy alert behind a helm. They are all retired now, consigned to a Florida for tropes. Justice is there standing by an open refrigerator. Valor lies in bed listening to the rain. Even Death has nothing to do but mend his cloak and hood, and all their props are locked away in a warehouse, hourglasses, globes, blindfolds and shackles. Even if you called them back, there are no places left for them to go, no Garden of Mirth or Bower of Bliss. The Valley of Forgiveness is lined with condominiums and chain saws are howling in the Forest of Despair. Here on the table near the window is a vase of peonies and next to it black binoculars and a money clip, exactly the kind of thing we now prefer, objects that sit quietly on a line in lower case, themselves and nothing more, a wheelbarrow, an empty mailbox, a razor blade resting in a glass ashtray. As for the others, the great ideas on horseback and the long-haired virtues in embroidered gowns, it looks as though they have traveled down that road you see on the final page of storybooks, the one that winds up a green hillside and disappears into an unseen valley where everyone must be fast asleep.

I'm sorry, but -I'm sorry!' I yelped and skipped backward as Gorg advanced on me. 'You were given bad information. Probably some human's fault.' I AM PRINCIPAL ANGER COORDINATOR ASSOCIATE-OF-THE-MONTH GORG FOUR-GORG! HUMANS WILL GIVE ME BAD INFORMATION AT THEIR PERIL!' He didn't look like a principal. He looked like something Hercules ought to be wrestling on the side of a vase.

At the time I attended a private Catholic school called Maryville College. I was the champion of the Maryville sports day every single year and my mother won the mom's trophy every single year. Why? Because she was always chasing me to kick my ass and I was always running not to get my ass kicked. Nobody ran like me and my mom. She wasn't one of those "Come over here and get your hiding [beating]" type of moms. She delivered to you free of charge. She was a thrower too. Whatever was next to her was coming at you. If it was something breakable, I had to catch it and put it down. If it broke, that would be my fault too and the ass-kicking would be that much worse. If she threw a vase at me, I'd had to catch it, put it down and then run. In a split-second I'd have to think "Is it valuable? Yes. Is it breakable? Yes. Catch it, put it down. Now run!" We had a very Tom and Jerry relationship, me and my mom. She was the strict disciplinarian, I was naughty as shit.

Immortal strength—more a curse than a gift. I’d dented and folded every piece of silverware I’d touched for three days upon returning here, had tripped over my longer, faster legs so often that Alis had removed any irreplaceable valuables from my rooms (she’d been particularly grumpy about me knocking over a table with an eight-hundred-year-old vase), and had shattered not one, not two, but five glass doors merely by accidentally closing them too hard. Sighing

The shock caused by the fall of a careless word displaces that against which it strikes. At times it happens, without our knowing why, that because we have received an almost imperceptible blow from a chance word, the heart insensibly empties itself of love. He who loves, perceives a decline in his happiness. There is nothing more to be dreaded than this slow exudation from the fissure in the vase.

An hour is not merely an hour, it is a vase filled with perfumes, with sounds, with projects, with climates. What we call reality is a relation between those sensations and those memories which simultaneously encircle us … that unique relation which the writer must discover in order that he may link two different states of being together forever in a phase.

When You Return Fallen leaves will climb back into trees. Shards of the shattered vase will rise and reassemble on the table. Plastic raincoats will refold into their flat envelopes. The egg, bald yolk and its transparent halo, slide back in the thin, calcium shell. Curses will pour back into mouths, letters un-write themselves, words siphoned up into the pen. My gray hair will darken and become the feathers of a black swan. Bullets will snap back into their chambers, the powder tamped tight in brass casings. Borders will disappear from maps. Rust revert to oxygen and time. The fire return to the log, the log to the tree, the white root curled up in the un-split seed. Birdsong will fly into the lark’s lungs, answers become questions again. When you return, sweaters will unravel and wool grow on the sheep. Rock will go home to mountain, gold to vein. Wine crushed into the grape, oil pressed into the olive. Silk reeled in to the spider’s belly. Night moths tucked close into cocoons, ink drained from the indigo tattoo. Diamonds will be returned to coal, coal to rotting ferns, rain to clouds, light to stars sucked back and back into one timeless point, the way it was before the world was born, that fresh, that whole, nothing broken, nothing torn apart.

You think too much of your "toilette", Adele; but you may have a flower." I took a rose from a vase and fastened it in her sash. She sighed a sign of ineffable satisfaction, as if her cup of happiness were now full. I turned my face away to conceal a smile I could not suppress; there was something ludicrous as well as painful in the little Parisienne's earnest and innate devotion to matters of dress.

The instant before something comes into focus is more exciting than any sharp certainty. Photography, child, is about the passing of time. Capturing is the goal of literature. Timelessness is the task of music and painting. But a good photograph holds time just as a vase holds water. The water will evaporate and the vase becomes a memorial to it. What separates a snapshot from a masterpiece is that the latter is a metaphor of patience...

Now he reduced his progress to the rhythm of his boots -- he walked across the land until he came to the sea. Everything that impeded him had to be outweighed, even if only by a fraction, by all that drove him on. In one pan of the scales, his wound, thirst, the blister, tiredness, the heat, the aching in his feet and legs, the Stukas, the distance, the Channel; in the other, I'll wait for you, and the memory of when she had said it, which he had come to treat like a sacred site. Also, the fear of capture. His most sensual memories -- their few minutes in the library, the kiss in Whitehall -- was bleached colorless through overuse. He knew by heart certain passages from her letters, he had revisited their tussle with the vase by the fountain, he remembered the warmth from her arm at the dinner when the twins went missing. These memories sustained him, but not so easily. Too often they reminded him of where he was when he last summoned them. They lay on the far side of a great divide in time, as significant as B.C. and A.D. Before prison, before war, before the sight of a corpse became a banality. But these heresies died when he read her last letter. He touched his breast pocket. It was a kind of genuflection. Still there. Here was something new on the scales. That he could be cleared had all the simplicity of love. Merely tasting the possibility reminded him of how much had narrowed and died. His taste for life, no less, all the old ambitions and pleasures. The prospect was of rebirth, a triumphant return.

The moment I fell, my wings wilted like roses left too long in the vase. The misery of the bare back is to live after flight, to be the low that will never again rise. “To live on land is to live in a dimming station, but to fly above, everything sparkles, everything is endlessly crystal. Even the dry dirt improves to jewel when you can be the wings over it. “To be removed from flight is to be removed from the comet lines, the star-soaked song. How can I go on from that? How can I be something of value when I’ve lost my most valuable me? Land is my forever now, my thoroughly ended heaven. No sky will have me, no God either. “I am the warning to all little children before bedtime. Say your prayers, be done with sin, lest you become the devil, the one too sunk, no save will have him.” Dad

Hallo, Bertie." "Hallo, old turnip. Where have you been all this while?" "Oh, here and there! Ripping weather we're having, Bertie." "Not bad." "I see the Bank Rate is down again." "No, really?" "Disturbing news from Lower Silesia, what?" "Oh, dashed!" He pottered about the room for a bit, babbling at intervals. The boy seemed cuckoo. "Oh, I say, Bertie!" he said suddenly, dropping a vase which he had picked off the mantelpiece and was fiddling with. "I know what it was I wanted to tell you. I'm married.

I'll go see what it was," said Cinder, slipping into the hallway and darting down the stairs. Jacin was siting at the bottom, hunched over something and working intently. "That was Thorne," he said, without glancing up at her. "What did he do? Knock down a wall?" Cinder stepped past Jacin, but hesitated when she saw the vase of white flowers on the floor at his feet. He was meticulously pulling the flowers out of the water, one by one, and wiring their stems together. His brow was knotted in concentration. "Are you making a bouquet?" she asked incredulously. "Shut up." He held the cluster in one hand and turned it a few different directions, before plucking out a white hydrangea and adding it to the mix.

Mungojerrie and Rumpleteazer were a very notorious couple of cats. As knockabout clowns, quick-change comedians, Tight-rope walkers and acrobats They had an extensive reputation. [...] When the family assembled for Sunday dinner, With their minds made up that they wouldn’t get thinner On Argentine joint, potatoes and greens, And the cook would appear from behind the scenes And say in a voice that was broken with sorrow "I'm afraid you must wait and have dinner tomorrow! For the joint has gone from the oven like that!" Then the family would say: "It's that horrible cat! It was Mungojerrie – or Rumpleteazer!" - And most of the time they left it at that. Mungojerrie and Rumpleteazer had a wonderful way of working together. And some of the time you would say it was luck And some of the time you would say it was weather. They would go through the house like a hurricane, And no sober person could take his oath Was it Mungojerrie – or Rumpleteazer? Or could you have sworn that it mightn't be both? And when you heard a dining room smash Or up from the pantry there came a loud crash Or down from the library came a loud ping From a vase which was commonly said to be Ming Then the family would say: "Now which was which cat? It was Mungojerrie! And Rumpleteazer!" And there's nothing at all to be done about that!

The best I can suggest is that when the Absolute manifested itself in the world evil was the natural correlation of good. You could never have had the stupendous beauty of the Himalayas without the unimaginable horror of a convulsion of the earth's crust. The Chinese craftsman who makes a vase in what they call eggshell porcelain can give it a lovely shape, ornament it with a beautiful design, stain it a ravishing colour and give it a perfect glaze, but from its very nature he can't make it anything but fragile. If you drop in on the floor it will break into a dozen fragments. Isn't possible in the same way that the values we cherish in the world can only exist in combination with evil?

The various objects for the decoration of a room should be so selected that no colour or design shall be repeated. If you have a living flower, a painting of flowers is not allowable. If you are using a round kettle, the water pitcher should be angular. A cup with a black glaze should not be associated with a tea-caddy of black lacquer. In placing a vase of an incense burner on the tokonoma, care should be taken not to put it in the exact centre, lest it divide the space into equal halves. The pillar of the tokonoma should be of a different kind of wood from the other pillars, in order to break any suggestion of monotony in the room.

When she had packed all the artifacts that made up their personal history into liquor store boxes, the house became strictly a feminine place. She stood with her hands on her hips, stoically accepting the absence of old Boston Celtics coasters and the tangle of fishing poles, the old dartboard from a Scots pub, the toolbox and downhill skis, the silky patterned ties which sat in the base of one box like a writing mass of snakes. Without these things, one tended to notice the bright eyelet curtains, the vase filled with yawning crocuses, a needlepoint pillow ... Overall, the house looked much like her apartment had eight years ago, before she had met him.

Why do religions have edges?” asked Teresa. Sophie felt those edges now. She went into the Mission chapel. It was a small whitewashed room with deal pews, a strip of blue carpet, a carved lectern, and an altar; on the altar were brass vases filled with holly, and, between them, a brass cross. It was a little refuge of holiness and quiet in the press and hurry and alarms of the hospital. “God is here,” said the printed text on the wall. “Yes,” said Sophie. “But,” she asked, “isn’t He everywhere? Then why do they make Him little?” And she thought of those edges, pressing against each other, hurting, jarring, offending, barring one human being from another, shutting away their understanding and their souls. Yet if you have no edges, thought Sophie, how lonely, how drifting, you must consent to be.

Cică sunt antisocială. Nu mă integrez. E foarte bizar. De fapt, sunt o fiinţă foarte sociabilă. Totul depinde de ceea ce înţelegi prin sociabil, nu? Pentru mine sociabil înseamnă să discut cu tine despre astfel de lucruri. Sau să vorbesc despre cât de ciudată este lumea. E plăcut să fii cu oameni. Dar nu cred că sociabil înseamnă să aduni la un loc un grup de persoane şi să nu le dai voie să vorbească, n-am dreptate? O oră de televiziune, o oră de baschet,baseball sau alergări, altă oră de istoria transcrierii sau de pictură, iarăşi sport, însă niciodată nu punem întrebări, adică cei mai mulţi dintre noi nu întreabă; pur şi simplu, ni se indică răspunsurile, pac, pac, pac, şi noi stăm acolo încă patru ore de film. Mie nu mi se pare deloc că asta înseamnă să fii sociabil. Ce fel de sociabilitate e asta? E ca și cum ai lua niște vase cu fundul spart și-ai turna apă-n ele printr-o mulțime de pâlnii și-ai pretinde apoi că e vin (..) N-am nici un prieten. Asta ar trebui să fie o dovadă că sunt anormală. Dar toţi cei pe care-i cunosc urlă şi dansează ca nişte apucaţi sau se încaieră între ei. Ai remarcat cât de brutali au devenit oamenii unii cu alții?

Hypercritical, Shaming Parents Hypercritical and shaming parents send the same message to their children as perfectionistic parents do - that they are never good enough. Parents often deliberately shame their children into minding them without realizing the disruptive impact shame can have on a child's sense of self. Statements such as "You should be ashamed of yourself" or "Shame on you" are obvious examples. Yet these types of overtly shaming statements are actually easier for the child to defend against than are more subtle forms of shaming, such as contempt, humiliation, and public shaming. There are many ways that parents shame their children. These include belittling, blaming, contempt, humiliation, and disabling expectations. -BELITTLING. Comments such as "You're too old to want to be held" or "You're just a cry-baby" are horribly humiliating to a child. When a parent makes a negative comparison between his or her child and another, such as "Why can't you act like Jenny? See how she sits quietly while her mother is talking," it is not only humiliating but teaches a child to always compare himself or herself with peers and find himself or herself deficient by comparison. -BLAMING. When a child makes a mistake, such as breaking a vase while rough-housing, he or she needs to take responsibility. But many parents go way beyond teaching a lesson by blaming and berating the child: "You stupid idiot! Do you think money grows on trees? I don't have money to buy new vases!" The only thing this accomplishes is shaming the child to such an extent that he or she cannot find a way to walk away from the situation with his or her head held high. -CONTEMPT. Expressions of disgust or contempt communicate absolute rejection. The look of contempt (often a sneer or a raised upper lip), especially from someone who is significant to a child, can make him or her feel disgusting or offensive. When I was a child, my mother had an extremely negative attitude toward me. Much of the time she either looked at me with the kind of expectant expression that said, "What are you up to now?" or with a look of disapproval or disgust over what I had already done. These looks were extremely shaming to me, causing me to feel that there was something terribly wrong with me. -HUMILIATION. There are many ways a parent can humiliate a child, such as making him or her wear clothes that have become dirty. But as Gershen Kaufman stated in his book Shame: The Power of Caring, "There is no more humiliating experience than to have another person who is clearly the stronger and more powerful take advantage of that power and give us a beating." I can personally attest to this. In addition to shaming me with her contemptuous looks, my mother often punished me by hitting me with the branch of a tree, and she often did this outside, in front of the neighbors. The humiliation I felt was like a deep wound to my soul. -DISABLING EXPECTATIONS. Parents who have an inordinate need to have their child excel at a particular activity or skill are likely to behave in ways that pressure the child to do more and more. According to Kaufman, when a child becomes aware of the real possibility of failing to meet parental expectations, he or she often experiences a binding self-consciousness. This self-consciousness - the painful watching of oneself - is very disabling. When something is expected of us in this way, attaining the goal is made harder, if not impossible. Yet another way that parents induce shame in their children is by communicating to them that they are a disappointment to them. Such messages as "I can't believe you could do such a thing" or "I am deeply disappointed in you" accompanied by a disapproving tone of voice and facial expression can crush a child's spirit.

At the center of the bouquet is a monstrous peony, probably purchased on sale at the supermarket. By Tuesday its curling petals had begun to collect at the bottom of the vase, infusing the room with the faint but unmistakable sweet odor of corruption and imminent death. ... In Tick's opinion there was something extravagantly excessive about the peony from the start, as if God had intended so suggest with this particular bloom that you could have too much of a good thing. The swiftness with which the fallen petals bean to stink drove the point home in case anybody missed it. As a rule, Tick leans toward believing that there is no God, but she isn't so sure at times like this, when pockets of meaning emerge so clearly that they feel like divine communication.

Qu'une goutee de vin tombe dans un verre d'eau; quelle que soit la loi du movement interne du liquide, nous verrons bientôt se colorer d'une teinte rose uniforme et à partir de ce moment on aura beau agiter le vase, le vin et l'eau ne partaîtront plus pouvoir se séparer. Tout cela, Maxwell et Boltzmann l'ont expliqué, mais celui qui l'a vu plus nettement, dans un livre trop peu lu parce qu'il est difficile à lire, c'est Gibbs dans ses principes de la Mécanique Statistique. Let a drop of wine fall into a glass of water; whatever be the law that governs the internal movement of the liquid, we will soon see it tint itself uniformly pink and from that moment on, however we may agitate the vessel, it appears that the wine and water can separate no more. All this, Maxwell and Boltzmann have explained, but the one who saw it in the cleanest way, in a book that is too little read because it is difficult to read, is Gibbs, in his Principles of Statistical Mechanics.

What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.

Look in it,' he said, smiling slightly, as you do when you have given someone a present which you know will please him and he is unwrapping it before your eyes. I opened it. In the folder I found four 8×10 glossy photos, obviously professionally done; they looked like the kind of stills that the publicity departments of movie studios put out. The photos showed a Greek vase, on it a painting of a male figure who we recognized as Hermes. Twined around the vase the double helix confronted us, done in red glaze against a black background. The DNA molecule. There could be no mistake. 'Twenty-three or -four hundred years ago,' Fat said. 'Not the picture but the krater, the pottery.' 'A pot,' I said. 'I saw it in a museum in Athens. It's authentic. Thats not a matter of my own opinion; I'm not qualified to judge such matters; it's authenticity has been established by the museum authorities. I talked with one of them. He hadn't realized what the design shows; he was very interested when I discussed it with him. This form of vase, the krater, was the shape later used as the baptismal font. That was one of the Greek words that came into my head in March 1974, the word “krater”. I heard it connected with another Greek word: “poros”. The words “poros krater” essentially mean “limestone font”. ' There could be no doubt; the design, predating Christianity, was Crick and Watson's double helix model at which they had arrived after so many wrong guesses, so much trial-and-error work. Here it was, faithfully reproduced. 'Well?' I said. 'The so-called intertwined snakes of the caduceus. Originally the caduceus, which is still the symbol of medicine was the staff of- not Hermes-but-' Fat paused, his eyes bright. 'Of Asklepios. It has a very specific meaning, besides that of wisdom, which the snakes allude to; it shows that the bearer is a sacred person and not to be molested...which is why Hermes the messenger of the gods, carried it.' None of us said anything for a time. Kevin started to utter something sarcastic, something in his dry, witty way, but he did not; he only sat without speaking. Examining the 8×10 glossies, Ginger said, 'How lovely!' 'The greatest physician in all human history,' Fat said to her. 'Asklepios, the founder of Greek medicine. The Roman Emperor Julian-known to us as Julian the Apostate because he renounced Christianity-conside​red Asklepios as God or a god; Julian worshipped him. If that worship had continued, the entire history of the Western world would have basically changed

The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened. "Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes. "What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy. "I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds." "Oh, my god." I groaned and pulled the covers over my head. "You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time." "A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you." "Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him. "What about you, Princess?" Loki's gaze cut to me as he filled another glass. "I'm not hungry." I sighed and sat up. "Oh, really?" Loki arched an eyebrow. "Does that mean that last night-" "It means that last night is none of your business," I snapped. I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before. "Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen." "Oh, I have plenty you haven't seen," I said and pulled the robe around me. "You should get married more often," Loki teased. "It makes you feisty." I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself. "What are you doing?" I asked. "Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas." "Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed. "He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care." In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life. "So, how did everyone sleep last night?" Loki asked. There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding. "Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly. "Finn?" I asked, stunned. Finn looked appalled and pointed at Loki. "What are you doing here?" "I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?" "What is he doing here?" Finn asked, turning his attention to me. "Never mind him." I waved it off. "What's going on?" "See, Finn, you should've told me when I asked," Loki said between sips of his drink.

You don’t know,” Anthony said, his voice low and nearly shaking with rage. “You don’t know what he has done.” “No more than what you have done, I’m sure,” Violet said slyly. “Precisely!” Anthony roared. “Good God, I know exactly what is going on in his brain right now, and it has nothing to do with poetry and roses.” Simon pictured laying Daphne down on a bed of rose petals. “Well, maybe roses,” he murmured. “I’m going to kill him,” Anthony announced. “These are tulips, anyway,” Violet said primly, “from Holland. And Anthony, you really must summon control of your emotions. This is most unseemly.” “He is not fit to lick Daphne’s boots.” Simon’s head filled with more erotic images, this time of himself licking her toes. He decided not to comment. Besides, he had already decided that he wasn’t going to allow his thoughts to wander in such directions. Daphne was Anthony’s sister, for God’s sake. He couldn’t seduce her. “I refuse to listen to another disparaging word about his grace,” Violet stated emphatically, “and that is the end of the subject.” “But—” “I don’t like your tone, Anthony Bridgerton!” Simon thought he heard Daphne choke on a chuckle, and he wondered what that was all about. “If it would please Your Motherhood,” Anthony said in excruciatingly even tones, “I would like a private word with his grace.” “This time I’m really going to get that vase,” Daphne announced, and dashed from the room. Violet crossed her arms, and said to Anthony, “I will not have you mistreat a guest in my home.” “I shan’t lay so much as a hand on him,” Anthony replied. “I give you my word.” Having never had a mother, Simon was finding this exchange fascinating. Bridgerton House was, after all, technically Anthony’s house, not his mother’s, and Simon was impressed that Anthony had refrained from pointing this out. “It’s quite all right, Lady Bridgerton,” he interjected. “I’m sure Anthony and I have much to discuss.” Anthony’s eyes narrowed. “Much.

Once let down, I never fully recovered. I could never forget, and the break never mended. Like a glass vase that you place on the edge of a table, once broken, the pieces never quite fit again. However the problem wasn’t with the vase, or even that the vases kept breaking. The problem was that I kept putting them on the edge of tables. Through my attachments, I was dependent on my relationships to fulfill my needs. I allowed those relationships to define my happiness or my sadness, my fulfillment or my emptiness, my security, and even my self-worth. And so, like the vase placed where it will inevitably fall, through those dependencies I set myself up for disappointment. I set myself up to be broken. And that’s exactly what I found: one disappointment, one break after another. Yet the people who broke me were not to blame any more than gravity can be blamed for breaking the vase. We can’t blame the laws of physics when a twig snaps because we leaned on it for support. The twig was never created to carry us. Our weight was only meant to be carried by God. We are told in the Qur’an: "…whoever rejects evil and believes in God hath grasped the most trustworthy hand-hold that never breaks. And God hears and knows all things." (Qur’an, 2: 256) There is a crucial lesson in this verse: that there is only one hand-hold that never breaks. There is only one place where we can lay our dependencies. There is only one relationship that should define our self-worth and only one source from which to seek our ultimate happiness, fulfillment, and security. That place is God. However,

What would you like for your own life, Kate, if you could choose?” “Anything?” “Of course anything.” “That’s really easy, Aunty Ivy.” “Go on then.” “A straw hat...with a bright scarlet ribbon tied around the top and a bow at the back. A tea-dress like girls used to wear, with big red poppies all over the fabric. A pair of flat, white pumps, comfortable but really pretty. A bicycle with a basket on the front. In the basket is a loaf of fresh bread, cheese, fruit oh...and a bottle of sparkly wine, you know, like posh people drink. “I’m cycling down a lane. There are no lorries or cars or bicycles. No people – just me. The sun is shining through the trees, making patterns on the ground. At the end of the lane is a gate, sort of hidden between the bushes and trees. I stop at the gate, get off the bike and wheel it into the garden. “In the garden there are flowers of all kinds, especially roses. They’re my favourite. I walk down the little path to a cottage. It’s not big, just big enough. The front door needs painting and has a little stained glass window at the top. I take the food out of the basket and go through the door. “Inside, everything is clean, pretty and bright. There are vases of flowers on every surface and it smells sweet, like lemon cake. At the end of the room are French windows. They need painting too, but it doesn’t matter. I go through the French windows into a beautiful garden. Even more flowers there...and a veranda. On the veranda is an old rocking chair with patchwork cushions and next to it a little table that has an oriental tablecloth with gold tassels. I put the food on the table and pour the wine into a glass. I’d sit in the rocking chair and close my eyes and think to myself... this is my place.” From A DISH OF STONES

Eh bien, c'est l'histoire d'un petit ourson qui s'appelle… Arthur. Et y'a une fée, un jour, qui vient voir le petit ourson et qui lui dit : Arthur tu vas partir à la recherche du Vase Magique. Et elle lui donne une épée hmm… magique (ouais, parce qu'y a plein de trucs magiques dans l'histoire, bref) alors le petit ourson il se dit : "Heu, chercher le Vase Magique ça doit être drôlement difficile, alors il faut que je parte dans la forêt pour trouver des amis pour m'aider." Alors il va voir son ami Lancelot… le cerf (parce que le cerf c'est majestueux comme ça), heu, Bohort le faisan et puis Léodagan… heu… l'ours, ouais c'est un ours aussi, c'est pas tout à fait le même ours mais bon. Donc Léodagan qui est le père de la femme du petit ourson, qui s'appelle Guenièvre la truite… non, non, parce que c'est la fille de… non c'est un ours aussi puisque c'est la fille de l'autre ours, non parce qu'après ça fait des machins mixtes, en fait un ours et une truite… non en fait ça va pas. Bref, sinon y'a Gauvain le neveu du petit ourson qui est le fils de sa sœur Anna, qui est restée à Tintagel avec sa mère Igerne la… bah non, ouais du coup je suis obligé de foutre des ours de partout sinon on pige plus rien dans la famille… Donc c'est des ours, en gros, enfin bref… Ils sont tous là et donc Petit Ourson il part avec sa troupe à la recherche du Vase Magique. Mais il le trouve pas, il le trouve pas parce qu'en fait pour la plupart d'entre eux c'est… c'est des nazes : ils sont hyper mous, ils sont bêtes, en plus y'en a qu'ont la trouille. Donc il décide de les faire bruler dans une grange pour s'en débarrasser… Donc la fée revient pour lui dire : "Attention petit ourson, il faut être gentil avec ses amis de la forêt" quand même c'est vrai, et du coup Petit Ourson il lui met un taquet dans la tête à la fée, comme ça : "BAH !". Alors la fée elle est comme ça et elle s'en va… et voilà et en fait il trouve pas le vase. En fait il est… il trouve pas… et Petit Ourson il fait de la dépression et tous les jours il se demande s'il va se tuer ou… pas…

It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled. So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale. So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.