Dirty Girl Quotes

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Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
Gillian Flynn (Gone Girl)
She held up her calloused, grimy fingers. Leo couldn't help thinking there was nothing hotter than a girl who didn't mind getting her hands dirty. But of course, that was just a general comment. Didn't apply to Calypso. Obviously.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Big bad wolf, are you going to eat me?" You're a dirty girl, Calloway. My gaze drops to her mouth. "Until you fucking scream.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
Girl, all you have to do is say the word, and Mr. Lusty McLust a Lot here will be happy to whisper some dirty nothings in your ear.
Wendy Higgins (Sweet Peril (Sweet, #2))
But this girl, she lived in a bubble, and seeing her out at a frat party was like spotting a unicorn.
Ilsa Madden-Mills (Dirty English (English, #1))
If you love your girl? Buy her books.
Kylie Scott (Dirty (Dive Bar, #1))
Caleb is a pretty nice guy."..."Why would he marry a girl like you?
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
She was the kind of girl who loved to stretch out under the sheets, eating chocolate, reading books and fucking on rainy afternoons.
Michael Faudet (Dirty Pretty Things)
I want to yell so loud that Baby Girl can hear me that dirty ain't a color, disease ain't the Negro side a town. I want to stop that moment from coming - and it come in ever white child's life - when they start to think that colored folks ain't as good as whites. ... I pray that wasn't her moment, Pray I still got time.
Kathryn Stockett
Laugh while you can, sweet girl,” I growled against her lips. “I’m going to make you scream all those dirty words you’re too scared to say.
Chelle Bliss (Throttle Me (Men of Inked, #1))
You’re too good for me.” He laughed. “Are we talking about the same person? The selfish fucker who curses and yells, blows up cars and beats up people, because he has a temper he can’t control? You know, the one who drinks like a fish and fries his brain with drugs? That person is too good for you?” She shook her head. “I’m talking about the boy who shared his chocolate bar with me when he probably never shared anything before, who gave me his mama’s favourite book, because he thought I deserved to read. The one who seems to be constantly fixing me up when I get hurt. I’m talking about the boy who treats me like I’m a regular girl, the one who desperately needs his bedroom cleaned and laundry washed but chooses to live in a mess and wear dirty clothes, because he’s too polite to ask the girl he kisses for help.” “Wow,” Carmine said. “I’d like to meet that motherfucker.
J.M. Darhower (Sempre (Sempre, #1))
I love you. You are the object of my affection and the object of my sentence.
Mignon Fogarty (Grammar Girl's Quick and Dirty Tips for Better Writing (Quick & Dirty Tips))
So what's this about a book club? You girls sit around, reading dirty books, fanning each other's vaginas? Because if so, count me in!
Jay McLean (More Than Her (More Than, #2))
Go get dirty, baby girl. And I mean the naked kind.
Kelly Moran (In deinen Armen (Wildflower Summer #1))
You wanted to ride, my nasty girl, so fucking ride,” Sander challenged.
Setta Jay (Searing Ecstasy (The Guardians of the Realms, #7))
Hey, hot cheeks!" A hand smacked my ass and I shrieked. Spinning around, I glared at Dan Ottoman, a blond, pimply, clarinet player from band. He leered back at me and winked. "Never took you for a player, girl," he said, trying to ooze charm but reminding me of a dirty Kermit the Frog. "Come down to band sometime. I've got a flute you can play
Julie Kagawa (The Iron King (The Iron Fey, #1))
It starts to rain. Hard. Because that’s the kind of weather that follows this kind of girl. She’s so slutty and dark she makes the clouds slutty and dark too. Pregnant with this dirty rain that starts to fall hard on both of us.
Mona Awad (Bunny (Bunny, #1))
My best discovery of the night? Olivia is hiding a dirty girl beneath that shy, quietly sexy exterior. And I’m going to set her free.
M. Leighton (Down to You (The Bad Boys, #1))
He must have been handsome when he was alive and was handsome still, although made monstrous by his pallor and her awareness of what he was. His mouth looked soft, his cheekbones as sharp as blades, and his jaw curved, giving him an off-kilter beauty. His black hair a mad forest of dirty curls.
Holly Black (The Coldest Girl in Coldtown)
It's important to be smart, but it's also important to be active with your intelligence. The more you sit around over-thinking things, the more trouble you get into.
Alisa Valdes-Rodriguez (The Dirty Girls Social Club (Dirty Girls, #1))
My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also. You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly. Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.
James Joyce (Selected Letters of James Joyce)
Look at the huge success of Fifty Shades of Grey. The girl in the book lets a rich guy beat her and ritually rape her, and she likes it! She finds it erotic! But imagine if Christian Grey wasn't a billionaire. Imagine if he lived in a dirty old trailer down by the river. Then that story wouldn't be a sexy romance novel, but an episode of CSI.
Oliver Markus Malloy (Why Men And Women Can't Be Friends)
Raffe looks over at the bloody knife in my hand. “If I still had any doubts that it was you, that would do it.” He gestures toward my opponent rolling on the ground with his hands cradling his package. “He should have been polite and just let us by,” I say. “Way to teach him some respect. I always wanted to meet a girl who fights dirty,” says Raffe. “There’s no such thing as dirty fighting in self-defense.” He huffs. “I don’t know whether to make fun of him or to respect you.” “Come on, that one’s easy.” He grins at me. There’s something in his eyes that makes my insides melt a little, like something deep inside us is communicating without me being fully aware of it.
Susan Ee (World After (Penryn & the End of Days, #2))
What’s a girl like you doing in a dirty mind like mine?
J.B. Salsbury (Fighting to Forgive (Fighting, #2))
Maybe I grew up too fast, maybe that's my trouble. I feel so lost out here...hung up between two worlds; half-kid and half-adult, half-boy and half-girl. And sometimes it seems like I get the dirty side of both.
Ann Bannon (Beebo Brinker)
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men — friends, coworkers, strangers — giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them.
Gillian Flynn (Gone Girl)
Do you want to know what I do to naughty girls?” She nods. “Anything I want.
Meghan March (Dirty Billionaire (The Dirty Billionaire Trilogy, #1))
Who are you, Martin Eden? he demanded of himself in the looking- glass, that night when he got back to his room. He gazed at himself long and curiously. Who are you? What are you? Where do you belong? You belong by rights to girls like Lizzie Connolly. You belong with the legions of toil, with all that is low, and vulgar, and unbeautiful. You belong with the oxen and the drudges, in dirty surroundings among smells and stenches. There are the stale vegetables now. Those potatoes are rotting. Smell them, damn you, smell them. And yet you dare to open the books, to listen to beautiful music, to learn to love beautiful paintings, to speak good English, to think thoughts that none of your own kind thinks, to tear yourself away from the oxen and the Lizzie Connollys and to love a pale spirit of a woman who is a million miles beyond you and who lives in the stars! Who are you? and what are you? damn you! And are you going to make good?
Jack London (Martin Eden)
I mean, I ignore plenty of stuff, like school spirit days and the dirty looks I get from the Detentionheads while I try to slink through the halls unnoticed. But there's something about telling other people what to ignore that just doesn't work for me. Especially things we shouldn't be ignoring. Hear that girl in your class is being abused by her stepfather and had to go to the clinic? Hear she's bringing her mother's pills to school and selling them to pay for it? Ignore. Ignore. Ignore. Mind your own business. Don't make waves. Fly under the radar. It's just one of those things, Vera. I'm sorry, but I don't get it. If we're supposed to ignore everything that's wrong in our lives, then I can't see how we'll ever make things right.
A.S. King (Please Ignore Vera Dietz)
Look, I know what you're thinking. You're thinking I said no because the whole thing would just be too Dirty Dancing , right? Summer fling at the resort, only with the roles reversed: you know, the poor working girl and the rich doctor's son, nobody puts Baby in the corner, blah blah blah. That kind of thing.
Meg Cabot (Darkest Hour (The Mediator, #4))
And then Serafina understood something for which the witches had no word: it was the idea of pilgrimage. She understood why these beings would wait for thousands of years and travel vast distances in order to be close to something important, and how they would feel differently for the rest of time, having been briefly in its presence. That was how these creatures looked now, these beautiful pilgrims of rarefied light, standing around the girl with the dirty-face and the tartan skirt and the boy with the wounded hand who was frowning in his sleep.
Philip Pullman (The Golden Compass (His Dark Materials, #1))
Trust me, never mock a romance book,” said Mal with all the zest of a manic street preacher. “You have no idea the amount of good they can do for you between the sheets and on the streets. If you love you girl? Buy her books.
Kylie Scott (Dirty (Dive Bar, #1))
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Dick called, but he just left dirty voice-mail messages. Let's just say if I'm ever in the market for a massage involving canola oil and marabou feathers, I'm covered.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
The fact of the matter is that young men lack skill and experience and are very likely to approach a girl as though she were a sack of wheat. It is the old man—suave, debonair, maturely charming—who knows exactly what to do and how to do it, and is therefore better at it.
Isaac Asimov (The Sensuous Dirty Old Man)
The poor are always rich in children, and in the dirt and ditches of this street there are groups of them from morning to night, hungry, naked and dirty. Children are the living flowers of the earth, but these had the appearance of flowers that have faded prematurely, because they grew in ground where there was no healthy nourishment.
Maxim Gorky (Twenty-Six Men and a Girl and Other Stories)
Children who are victimized through sexual abuse often begin to develop deeply held tenets that shape their sense of self: 'My worth is my sexuality. I'm dirty and shameful. I have no right to my own physical boundaries.' That shapes their ideas about the world around them: 'No one will believe me. Telling the truth results in bad consequences. People can't be trusted.' It doesn't take long for children to being to act in accordance with these belief systems. For girls who have experienced incest, sexual abuse, or rape, the boundaries between love, sex, and pain become blurred. Secrets are normal, and shame is a constant.
Rachel Lloyd (Girls Like Us)
His smile was instinctive. A little bit apology, a little bit politeness. And a little bit of charm because, of all the things he’d expected to come from his trip to the market, meeting a cute girl with messy hair and dirty work gloves had definitely not been one of them.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
I shouted the perfect words to scare him off. It was just the delivery (and only the delivery) that made me sound like a twelve-year-old girl with pee running down her leg. I felt dirty and stupid.
Graham Parke (No Hope for Gomez!)
Okay, gang," I said, "according to blueprints, there's an elevator access panel on the east side of the building. We may get a little dirty, but—" "I thought we'd just go through the doors," Liz said, flashing three beautifully engraved invitations and some wonderfully authentic fake IDs. The tickets were $20,000 each. The Secret Service had been vetting the guest list for weeks, so Bex and I stopped beneath a streetlamp and studied Liz. "Do I even want to know where you got those?" I asked. Liz seemed to ponder it, and then she said, "No.
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
Stephanie Klein (Straight Up and Dirty)
Do I look like a commitment sort of girl to you?” “You look like trouble,” he grinned. “When I was growing up, my mother used to tell me to never trust a redhead.” I frowned. “There are only two reasons she’d say something like that.” Caleb raised his eyebrows. “And they are?” “Your father either slept with one, or she is one.” I buzzed under his crooked smile. It extended all the way to his eyes this time. “I like you,” he said. “That’s swell, Boy Scout. Real swell.
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
I was no Cherokee. I was no warrior. I was nobody special. I was just a girl, scared and angry. When I saw myself in Daddy Glen's eyes, I wanted to die. No, I wanted to be already dead, cold and gone. Everything felt hopeless. He looked at me and I was ashamed of myself. It was like sliding down an endless hole, seeing myself at the bottom, dirty, ragged, poor, stupid.
Dorothy Allison (Bastard Out of Carolina)
Pull yourself together, Detective. You're embarrassing yourself, and more imprtant, you're embarrassing me." "They're going to do it outside. In public." "So the fuck what?" "Public," Peabody said, head still between her knees. "You're being honored by this department and this city for having the integrity, the courage, and the skill to take out a blight on this department and this city. Dirty, murdering, greedy, treacherous cops are sitting in cages right now because you had that integrity, courage, and skill. I don't care if they do this damn thing in Grand Central, you will get on your feet. You will not puke, pass out, cry like a baby, or squeal like a girl. That's a goddamn order." "I had more of a 'Relax, Peabody, this is a proud moment' sort of speech in mind," McNab murmured to Roarke. Roarke shook his head, grinned. "Did you now? You've a bit to learn yet, haven't you?
J.D. Robb (New York to Dallas (In Death, #33))
...passive voice is better than writing out a humongous number and taking the risk that your readers' brains will be numb by the time they get to the verb.
Mignon Fogarty (Grammar Girl's Quick and Dirty Tips for Better Writing (Quick & Dirty Tips))
Their vaginas were just ships passing in the night, stopping to pick up every dirty sailor.
K.F. Germaine (Devious Minds)
Money impresses the lazy girls. Smart girls are rich when they have something they can’t buy.
Vi Keeland (Dirty Letters)
Do not mock my baby." He pulls away and strokes his palm over he seat. "She was my first love." "Well your current ... er ... girl, is getting jealous with all the attention you're paying your first love, and she has orifices you can stick things in without having your boy bits burnt off." He pulls me into him again and his mouth goes to work on my neck. “Fuck I love it when you talk dirty.
Carmen Jenner (Welcome to Sugartown (Sugartown, #1))
They all thought I was a good girl, Michael.” I dragged his lobe through my teeth. “But there’s so many bad things I want to do. Do dirty things to me.
Penelope Douglas (Corrupt (Devil's Night, #1))
I'm not the kind of girl who wants her name tattooed on your arm," she purred. "Think of me as your dirty little secret.
Michael Faudet (Bitter Sweet Love)
I likened her to the slender PSYCHÉ and judged that the perfection of her face ennobled everything unclean around her: The dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her bare feet [...] All this and the pungent air! Ô this night, sweet pungent night! "HÉBÉ" may come but a season. But this girl's season would know a hot spring and an Indian summer.
Roman Payne
The Herdmans were absolutely the worst kids in the history of the world. They lied and stole and smoked cigars (even the girls) and talked dirty and hit little kids and cussed their teachers and took the name of the Lord in vain and set fire to Fred Shoemaker’s old broken-down toolhouse.
Barbara Robinson (The Best Christmas Pageant Ever)
And I know there are plenty of other "colored" things I could do besides telling my stories or going to Shirley Boon's meetings- the mass meetings in town, the marches in Birmingham, the voting rallies upstate. But truth is, I don't care that much about voting. I don't care about eating at a counter with white people. What I care about is, if in ten years, a white lady will call my girls dirty and accuse them of stealing the silver.
Kathryn Stockett (The Help)
Hawk was on the dark side, walking a fine line when his body responded to just how he wanted to ruin the girl.
V. Theia (Dirty Salvation (Renegade Souls MC Romance Saga #1))
Anybody who knows him, even all the girls, will tell you he's a great guy, and they'll do anything for him, right up until they want to kill him.
Jennifer Echols (Dirty Little Secret)
Los caminos de la vida, no son como yo pensaba, no son como imaginaba, no son como yo creia. The roads of life are not how I thought they'd be, are not how I imagined they'd be, are not how I believed they'd be.
Alisa Valdes-Rodriguez (The Dirty Girls Social Club (Dirty Girls, #1))
This was the first time I thought of S— that day. Her music was beautiful, her voice was beautiful, her body was beautiful. Even the dirty little pads of her feet were beautiful. I cursed myself then. For once, heaven had sent me Beauty in its most perfected form and I abandoned it. She might not have been a girl after all but an angel: a force to guide me on this hazardous path of life I hurry down. How can life be hazardous if it can only end in death?
Roman Payne
She was a natural in being careless, haggard, even dirty. that made her look adventurous, flirtatious and even promiscuous. though deep inside her pure virginity was intact and unknowingly she ended glowing under tender virginity that she possessed.
Apurva sharma
Oh, Jesus. Please.” “This is what you needed. My fingers owning this pussy, destroying it, my dirty girl.” On and on he did just that until I was a writhing mess sopping in his hand. “Who does this pussy belong to?” “You.” “Who does this heart belong to?” He covered my chest, his large palm feeling how the heart in question pounded out of control. “My Grayson’s heart.
V. Theia (Manhattan Sugar (From Manhattan #1))
You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together.
J.D. Salinger (The Catcher in the Rye)
A memory: Isola as a toddler, sugarlump teeth, skin still smelling of milk. Hair that curled without use of an iron and sweet dresses that didn’t matter were dirtied. When she was old enough, she demanded the usual suspects at bedtime: The Little Mermaid, Hansel and Gretel, Beauty and the Beast. Even then, Mother’s contempt for non-Pardieu fairytales was obvious. ‘Hmph,’ she snorted derisively, folding up her knees to perch on Isola’s bed. ‘Listen to me, Isola. The original Beauty’s just an encouragement to young women to accept arranged marriages. What it’s really saying to impressionable girls is, “Don’t worry if your new husband is decades older than you, or ugly, or horrid. If you’re sweet and obedient enough, you might just discover he’s a prince in disguise!’’ Mother’s Most Lasting Advice ‘Never be that girl, Isola. Never pick the beast or the wolf on the off-chance he won’t devour you.
Allyse Near (Fairytales for Wilde Girls)
Good, stupid high school boys aren't worth It" She throws an arm over my shoulder. "They're trained to like a certain type of girl, with highlights and pretty nails- the kind who are good at remembering to put on lotion every morning after they shower." She smiles like she's got a dirty secret. "And let's face it..... sluts.
Siobhan Vivian (Same Difference)
Dontcha mean you wanna get your eyes all over your girl, what's it been, an hour since ya seen her? Ah, can’t beat young love, son. Enjoy it while it lasts, then they all turn into my old lady with the nagging. But..I still get a boner every time I see my Helen.
V. Theia (Dirty Salvation (Renegade Souls MC Romance Saga #1))
I'm just so weary, Vivian. But I love this kid so much, sometimes I think it will break me in half. Is that the dirty trick? Is this how they get mothers to ruin their lives for their children? By tricking them into loving them so much? Maybe. It's not a bad strategy.
Elizabeth Gilbert (City of Girls)
Feminism is not a dirty word. It does not mean you hate men, it does not mean you hate girls that have nice legs and a tan, and it does not mean you are a bitch or a dyke. It means you believe in equality.
Kate Nash
We must not be taken in by the myth of youth, the unending propaganda to the effect that young men are younger than old men; that they are better looking; that they are slimmer, stronger and more athletic; that they can hold a girl in more romantic fashion and speak more sweetly.
Isaac Asimov (The Sensuous Dirty Old Man)
We played harmless pranks on each other in high school. Stole liquor one time, got drunk and puked it up. Talked about sex—how it stays hard . . . what you do . . . don’t do . . . dirty names for the girl part.
G.M. Monks (Iola O)
... I felt something and vowed that if I ever got a girl I would treat her right and never be bad or dirty to her or hurt her, ever. I vowed it and had all the confidence in the world that I would keep the vow.
Markus Zusak (Underdog (Wolfe Brothers, #1))
You never think it's gonna happen to you, but all that pollution and dirty fumes and flights and factories and shit we don't need and suddenly there you are, a stupid girl sitting alone on some steps, waiting to see if your family is ever coming back.
Saci Lloyd (The Carbon Diaries 2015 (Carbon Diaries, #1))
People think I’m a good girl, and I am, but my mind is filled with dirty thoughts that I could never share with a mate.
Chelle Bliss (Throttle Me (Men of Inked, #1))
God smiles on those who quietly do his dirty work, my girl.
Laura Bickle (The Hallowed Ones (The Hallowed Ones, #1))
She’s fucking beautiful. A goddess, and yet she’s kneeling at my feet. I don’t deserve this woman, but I won’t hesitate to take every advantage to ensure I can keep her in my life.
Meghan March (Dirty Love (Dirty Girl Duet, #2))
At leat I'm not crazy and out of control. At least I don't feel the need to tell the whole world about every single problem in my life.
Alisa Valdes-Rodriguez (The Dirty Girls Social Club (Dirty Girls, #1))
You know you can't be a nice girl inside if you're a dirty slut outside
George Bernard Shaw (Pygmalion)
Let me tell you what I want. You, screaming my name, telling me how much you love being Daddy's slutty little girl while you beg me to go harder.
Nenia Campbell (Quid Pro Quo (Nick & Jay, #1))
Girls hate it when their clothes get dirty.
Louis Sachar (There's a Boy in the Girls' Bathroom)
Right now I can see her, this other version of myself. I can see her dragging her dirty fingernails against the chambers of my heart, drawing blood. And if I could reach inside myself and rip her out of me with my own two hands, I would. I would snap her little body in half. I would toss her mangled limbs out to sea. I would be rid of her then, fully and truly, bleached forevermore of her stains on my soul. But she refuses to die. She remains within me, an echo. She haunts the halls of my heart and mind and though I'd gladly murder her for a chance at freedom, I cannot.....So I close my eyes and beg myself to be brave. I take deep breaths. I cannot let the broken girl inside of me inhale all that I've become. I will not shatter, not again, in the wake of an emotional earthquake.
Tahereh Mafi (Restore Me (Shatter Me, #4))
What we’re doing is wrong. Making it a one-time deal is wrong. Trying to convince ourselves it was dirty and tawdry and something to be ashamed of is wrong. It was the best damn sex of my life, Aspen. I felt connected to you, like hell, I don’t know. I wasn’t just getting off in some random girl; I was sharing something deep and meaningful…with you. I don’t care how many school policies tell us no. I’m saying yes.
Linda Kage (To Professor, with Love (Forbidden Men, #2))
I fucked that slicked up cock like a dirty girl and he banged me right back until my wetness was slapping and my tits were bouncing. My hands gripped his pecs and I was warbling for sweet Jesus and I thought my head would explode
James Crow (Six (Six, #1))
galatea was a serious girl. she was pale and looked like tears all over. big ed passed his hand through his hair and said hello. she looked at him steadily. "where have you been? why did you do this to me?" and she gave dean a dirty look; she knew the score. dean paid absolutely no attention; what he wanted now was food; he asked jane if there was anything. the confusion began right there.
Jack Kerouac (On the Road)
I fell in love with Wild’s voice in my ear. Now I had her in my arms while she was giving it to me, and I was out of my fucking mind lost for this girl. There was no turning back. I’d be anything she needed. I’d be everything she needed.
J. Daniels (Four Letter Word (Dirty Deeds, #1))
The landings were dirty and the walls were bare. This stairway brought me into the balcony, and I sat there in the dark, thinking that nothing now was going to save me, that no pretty girl with new shoes was going to cross my path in time.
John Cheever (The Stories of John Cheever (Vintage International))
The guys in the saloons shoving free ones across the bar and saying happy new year and many more of them kid you been a good customer have one on the house happy new year and the hell with the prohibitionists some day the bastards are going to give us trouble. The girls from the hash houses and the girls from the hotels and the guys swarming out of dirty little apartment bedrooms and music and dancing and smoke and somebody with the ukulele and have another and the feeling of being lonesome that everybody has inside him and people bouncing against you and off you and have another one and a girl passing out at the bar and a fight and happy new year.
Dalton Trumbo (Johnny Got His Gun)
Punishment? You don’t have any right to punish me. And I can curse. I choose not to most of the time, but don’t think it doesn’t go through my head, asshole. I was trying to give you something. I was trying to give you my body.” “That’s where you fucked up, little girl. I don’t want your body. I want your soul. I want your everything. And I definitely want your orgasms. I want them all. I’ll be a greedy bastard, savoring them and hoarding them all for myself. You wanted to give me your body? I can buy that on a street corner, sweetheart. You’re the one who’s being selfish now.” “How is it selfish to offer to have sex? I don’t understand what you want.” “First off, I want you to stop hiding yourself from me. You’re the one making this tawdry by pretending it’s dirty and not worthy of the light of day.” “I didn’t mean it that way.” “We’re going to do this my way. We tried yours and it didn’t work, so I’m taking control. I should have done it in the first place.
Lexi Blake (A Dom is Forever (Masters and Mercenaries, #3))
We must uncover our rituals for what they are: completely arbitrary things, tied to our bourgeois way of life; it is good-and that is the real theater-to transcend them in the manner of play, by means of games and irony; it is good to be dirty and bearded, to have long hair, to look like a girl when one is a boy (and vice versa); one must put "in play," show up, transform and reverse the systems which quietly order us about.
Michel Foucault
I got you what I like since I wasn’t sure what you liked.” “I’ll eat whatever you feed me.” “In that case…” A dirty grin crossed his face. “Don’t think I won’t hold you down on this couch and feast on you until my entire staff knows you’re a religious girl.
Vi Keeland (Stuck-Up Suit)
Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.
Gillian Flynn (Gone Girl)
Mary Lou wore the ring faithfully. She studied the coy girls the ones who pretended not to get the dirty joke that made Mary Lou stifle a laugh. The ones who practiced the shy downward glance who pretended giggly outrage when a boy made a suggestive remark who waited to be seen and never made the first move. The ones who called other girls sluts and judged with ease. The good girls. Occasionally from the school bus windows she would see other wild girls on the edges of cornfields running without shoes hair unkempt. Their short skirts rode up flashing warning lights of flesh: backs of knees the curve of a calf a smooth plain of thigh. Sometimes it was just a girl waiting for a bus but in her eyes Mary Lou recognized the feral quality. That was a girl who wanted to race trains under a full moon a girl who liked the feel of silk stockings against her skin the whisper promise of a boy's neck under her lips who did not wait for life to choose her but wished to do the choosing herself. It made Mary Lou ache with everything she held back.
Libba Bray (Beauty Queens)
Grandma Estella used to bathe me there when I was younger, working my knees and elbow with a washcloth and Ivory soap. Once, I asked her why she needed to scrub so hard it hurt. "Because we are not dirty people," she had said. Later, when I asked Mama about it, she told me when Grandma Estella was a little girl, her own teachers called her a dirty Mexican and it never left her, the shame of dirt.
Kali Fajardo-Anstine (Sabrina & Corina)
For years, we'd been the thorn of the neighborhood, the dirty little secret that wasn't so secret. The girls who just wouldn't settle.
Kat Zhang (What's Left of Me (The Hybrid Chronicles, #1))
Don't be carried away by beauty, for the faeces also stays in the rectum of ravishing faces, and their private life is not beautiful as their public life...fear beauty!
Michael Bassey Johnson
I realized how truly inexperienced and foolish I really was, a small-town girl attempting to play in the major leagues with a man who was larger than life itself.
C.L. Parker (A Million Dirty Secrets (Million Dollar Duet, #1))
You clean up quite well." "I wasn't dirty,
Karpov Kinrade (Vampire Girl (Vampire Girl, #1))
You did so good.” I press my lips to her shoulder, drag my nose up her neck, and groan in her ear. “You did so fucking good, sweet girl.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
But I’m certain of one thing. This girl? She is mine. I’m the one who came to her. I’m the one who found her. I’ll be the one to keep her.
J.A. Huss (Come (Dirty, Dark, and Deadly, #1))
Hey, Jesus? Did you send me someone to get over my obsession with Célian Laurent? “Girl, I’m not even talking to you after the last few weeks.
L.J. Shen (Dirty Headlines)
Hey, Sexy Legs, I slapped the shit out of your brother just now,” Alec declared, sinking down on the table in front of us. “Hope ya don’t mind.” My eyes widened. “You did?” “Of course.” He winked. “Lynchy’s on his last warning, so he couldn’t do it. And I couldn’t have Brains doing my favorite girl dirty like that.
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
And so these refined parents rejected their five-year-old girl to all kinds of torture. They beat her, kicked her, flogged her, for no reason that they themselves knew of. The child’s whole body was covered in bruises. Eventually they devised a new refinement. Under the pretext that the child dirtied her bed (as though a five-year-old deep in her angelic sleep could be punished for that), they forced her to eat excrement, smearing it all over her face. And it was the mother that did it! And that woman would lock her daughter up in the outhouse until morning and she did so even on the coldest nights, when it was freezing. Just imagine the woman being able to sleep with the child’s cries coming from that outhouse! Imagine that little creature, unable to even understand what is happening to her, beating her sore little chest with her tiny fist, weeping hot, unresentful, meek tears, and begging ‘gentle Jesus’ to help her… ...let’s assume that you were called upon to build the edifice of human destiny so that men would finally be happy and would find peace and tranquility. If you knew that, only to attain this, you would have to torture just one single creature, let’s say the little girl who beat her chest so desperately in the outhouse, and that on her unavenged tears you could build that edifice, would you agree to do it?
Fyodor Dostoevsky (The Brothers Karamazov)
You ought to go to a boy's school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques.
J.D. Salinger (The Catcher in the Rye)
You want it too, Greer. You want me to tell you what I want from you and make you give it to me.” He steps closer, continuing to speak before I can form words to respond. “You’ve been waiting for someone to come into your life and treat you like the dirty girl we both know you are, haven’t you?
Meghan March (Dirty Girl (Dirty Girl Duet, #1))
When it rains, it pours but that isn’t a bad thing. Take advantage of the rain as it washes away all of the residues that the side effects left behind. As you confront your side effects, walk with pride, do not turn back, face them head-on. Nothing can faze you now because the rain is clearing your path. After the rain has washed away the side effects, their powers are watered down. Therefore, they can no longer interrupt your peace, kill your joy or steal your happiness. The side effects’ time has expired. It is time to put an end once and for all to carrying everyone’s dirty load. Leave them where they lie. Let them figure out their own messes and bad decisions. Take a breather and let it go. I bet the load is so much lighter!
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Rider thought she looked possessed and fucking beautiful. Finally, he understood why she'd needed to do this. Take your power back, baby. His fucking girl. Fuck. Rider might be in awe of her inner strength. She had a gorgeous monster inside of her.
V. Theia (Dirty Salvation (Renegade Souls MC Romance Saga #1))
Y Won’t U B With Me, Kate? Oh, Kate, Y won’t U B with me? Kate, Don’t U know what U mean to me? I look at the dirty dishes piling up in the sink and all I can think is Kate U kept the place so clean Kate, I treated U like a queen Oh, Kate, U mean the world to me Kate, Come home to me Oh, Kate, Y can’t it B Like it used to B Because this world ain’t meant for lovers No, this world ain’t meant for U and me Because the bureaucrats in Washington, they’ll set off the bombs, so what’s the point, Kate? We’re all just going to die, anyway. So, Kate, Y won’t U B with me? —Dale Carter, All Rights Reserved
Meg Cabot (Boy Meets Girl (Boy, #2))
I wasn’t just a fuck to them, any of them probably, is what I’m seeing. For every girl I thought I was uncomplicated sex, it wasn’t. Put it this way: if you can’t see the complication, you’re probably it.
Daniel Handler (All the Dirty Parts)
When getting my nose in a book Cured most things short of school, It was worth ruining my eyes To know I could still keep cool, And deal out the old right hook To dirty dogs twice my size. Later, with inch-thick specs, Evil was just my lark: Me and my coat and fangs Had ripping times in the dark. The women I clubbed with sex! I broke them up like meringues. Don't read much now: the dude Who lets the girl down before The hero arrives, the chap Who's yellow and keeps the store Seem far too familiar. Get stewed: Books are a load of crap. (A Study Of Reading Habits)
Philip Larkin (Collected Poems)
Hey, is this what they call the gay agenda?" Spirit Wire called. "Gay boys indoctrinating two innocent, uber straight girls with dirty same-sex kissing?" "What, are you feeling a little gay yet? No? Okay, let me kiss him some more and see what happens," Calais yelled back. I thought I heard Miss Pyro snort and giggle.
Hayden Thorne (Curse of Arachnaman (Masks #4))
Why have such scores of lovely, gifted girls Married impossible men? Simple self-sacrifice may be ruled out, And missionary endeavour, nine times out of ten. Repeat 'impossible men': not merely rustic, Foul-tempered or depraved (Dramatic foils chosen to show the world How well women behave, and always have behaved). Impossible men: idle, illiterate, Self-pitying, dirty, sly, For whose appearance even in City parks Excuses must be made to casual passers-by. Has God's supply of tolerable husbands Fallen, in fact, so low? Or do I always over-value woman At the expense of man? Do I? It might be so.
Robert Graves
Not one word about proposals, no matter how much she pushes,” I told my friends. “No matter what she says or how loud she cries, don’t try to throw that up as a distraction.” Gabriel’s lips twitched. “I don’t think it’s going to be that bad. It’s one woman against five supernatural creatures... And Zeb.” “You laugh because you haven’t heard my mother’s thirty-minute verbal dissertation on appropriate seasonal flower choices. We’re better off letting her yell at us for being dirty, premarital fornicators.
Molly Harper (Nice Girls Don’t Sign a Lease Without a Wedding Ring (Jane Jameson, #3.5))
We don't need a point, son. We're juvenile, we're dirty, we don't have girls, we have noses full of snot, throats sore as hell, we've got scabs on us, we suffer bouts of acne, we've got no girls ... What more reasons do we need?
Markus Zusak (Underdog (Wolfe Brothers, #1))
It starts to rain. Hard. Because that's the kind of weather that follows this kind of girl. She's so slutty and dark she makes the clouds slutty and dark too. Pregnant with this dirty rain that starts to fall hard on both of us.
Mona Awad (Bunny (Bunny, #1))
International correspondents with their long dictaphones, and dirty jeans, and five hundred words before whiskey, are slouched over the red velvet chairs, in the VIP section in the front, looking for the Story: the Most Macheteing Deathest, Most Treasury Corruptest, Most Entrail-Eating Civil Warest, Most Crocodile-Grinning Dictatorest, MOst Heart-Wrenching and Genociding Pulitzerest, Most Black Big-Eyed Oxfam Child Starvingest, Most Wild African Savages Having AIDS-Ridden Sexest with Genetically Mutilatedest Girls...The Most Authentic Real Black Africanest story they can find...
Binyavanga Wainaina (One Day I Will Write About This Place: A Memoir)
Boys don't make passes at girls who wear glasses.
Jennifer Echols (Dirty Little Secret)
My dirty wife begged for things that would terrify vanilla loving girls. She
Pepper Winters (Je Suis a Toi (Monsters in the Dark, #3.5))
I’m falling in love with her again. It isn’t the second time. Or the third. Or the fourth. With Greer, it seems to happen constantly.
Meghan March (Dirty Love (Dirty Girl Duet, #2))
Open the door, baby girl. Your message came through loud and clear.
Meghan March (Dirty Girl (Dirty Girl Duet, #1))
It was a mess when I got it open. Barely organized. But I took care of that. Color-coded it. You know, red for politicians, blue for dirty cops, green for drug dealers, et cetera.
Tess Sharpe (The Girls I've Been)
There is a pile of clothing on the side of the train tracks. Light-blue cloth—a shirt, perhaps—jumbled up with something dirty white. It’s probably rubbish, part of a load dumped into the scrubby little wood up the bank. It could have been left behind by the engineers who work this part of the track, they’re here often enough. Or it could be something else. My mother used to tell me that I had an overactive imagination; Tom said that, too. I can’t help it, I catch sight of these discarded scraps, a dirty T-shirt or a lonesome shoe, and all I can think of is the other shoe and the feet that fitted into them.
Paula Hawkins (The Girl on the Train)
He thought he could hate her. That little bit of a thing had gotten under his asshole skin a long time ago when he hadn't been decent and wouldn't get the fuck out. He didn't want to feel. He didn't want to feel her. Only he did. In all the filthy ways he could think of to mess that little bit of a girl up.
V. Theia (Dirty Salvation (Renegade Souls MC Romance Saga #1))
GONE TO STATIC it sounds better than it is, this business of surviving, making it through the wrong place at the wrong time and living to tell. when the talk shows and movie credits wear off, it's just me and my dumb luck. this morning I had that dream again: the one where I'm dead. I wake up and nothing's much different. everything's gone sepia, a dirty bourbon glass by the bed, you're still dead. I could stumble to the shower, scrub the luck of breath off my skin but it's futile. the killer always wins. it's just a matter of time. and I have time. I have grief and liquor to fill it. tonight, the liquor and I are talking to you. the liquor says, 'remember' and I fill in the rest, your hands, your smile. all those times. remember. tonight the liquor and I are telling you about our day. we made it out of bed. we miss you. we were surprised by the blood between our legs. we miss you. we made it to the video store, missing you. we stopped at the liquor store hoping the bourbon would stop the missing. there's always more bourbon, more missing tonight, when we got home, there was a stray cat at the door. she came in. she screams to be touched. she screams when I touch her. she's right at home. not me. the whisky is open the vcr is on. I'm running the film backwards and one by one you come back to me, all of you. your pulses stutter to a begin your eyes go from fixed to blink the knives come out of your chests, the chainsaws roar out from your legs your wounds seal over your t-cells multiply, your tumors shrink the maniac killer disappears it's just you and me and the bourbon and the movie flickering together and the air breathes us and I am home, I am lucky I am right before everything goes black
Daphne Gottlieb (Final Girl)
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don't they? She's a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she's hosting the world's biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot.
Gillian Flynn (Gone Girl)
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
Girls like me don't get the fairytales. Because the white knights never want the dirty, damaged girls. They know there's nothing left of us that's salvageable...nothing left of us that hasn't already been taken and destroyed. And saving us? Will only ruin them.
Ashley Jade (Blame It on the Shame Part 1 (Blame It on the Shame #1))
There’s nothing I wouldn’t do to protect you. I loved you then, and I fucking love you now. If you can’t love me knowing that I’d give up everything to keep you safe, including spend the rest of my life in prison, then this is over. There’s nothing here to fight for.
Meghan March (Dirty Love (Dirty Girl Duet, #2))
With romance it’s all the same, boy meets girl, they fall in love, one of them is stupid or does something stupid, they break up only to realize they loved each other all along, and then boom, the end.
Fiona Murphy (His Dirty Promises (Dirty Billionaires, #2))
What were you doing to that cat, boy?” Myrcella asked again, sternly. To her brother she said, “He’s a ragged boy, isn’t he? Look at him.” She giggled. “A ragged dirty smelly boy,” Tommen agreed. They don’t know me, Arya realized. They don’t even know I’m a girl. Small wonder; she was barefoot and dirty, her hair tangled from the long run through the castle, clad in a jerkin ripped by cat claws and brown roughspun pants hacked off above her scabby knees. You don’t wear skirts and silks when you’re catching cats. Quickly she lowered her head and dropped to one knee. Maybe they wouldn’t recognize her. If they did, she would never hear the end of it. Septa Mordane would be mortified, and Sansa would never speak to her again from the shame.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
The vice minister sets down The Principles of Mechanics and pushes it away, then glances at his palms as though it has made them dirty. He says, “The only place your brother is going, little girl, is into the mines. As soon as he turns fifteen. Same as every other boy in this house.
Anthony Doerr (All the Light We Cannot See)
I tried to imagine what it would be like if Constantin were my husband. It would mean getting up at seven and cooking him eggs and bacon and toast and coffee and dawdling about in my nightgown and curlers after he'd left for work to wash up the dirty plates and make the bed, and then when he came home after a lively, fascinating day he'd expect a big dinner, and I'd spend the evening washing up even more dirty plates till I fell into bed, utterly exhausted. This seemed a dreary and wasted life for a girl with fifteen years of straight A's, but I knew that's what marriage was like, because cook and clean and wash was just what Buddy Willard's mother did from morning till night, and she was the wife of a university professor and had been a private school teacher herself.
Sylvia Plath
I had not been exposed to these kinds of situations, so this event was not trivial to me. Instead it was horrifying. It was also shameful: when a shameful thing is done to you, the shamefulness rubs off on you. You feel dirtied.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
She’s still calling you her best friend, you slut! There are rules. There are rules to being someone’s best, and you chose the dirty hippie over a girl who has your picture framed on her dresser! You’re not a friend! You’re a whore!
Brittainy C. Cherry (Loving Mr. Daniels)
Got a kick for a dog Beggin' for Love I gotta have my suffering So that I can have my cross I know a cat named Easter He says will you ever learn You're just an empty cage girl If you kill the bird I've been looking for a savior in these dirty streets looking for a savior beneath these dirty sheets I've been raising up my hands Drive another nail in Got enough guilt to start my own religion
Tori Amos
She’d kiss the tips of her fingers and press them against my heart " "He scowled. “The fuck you doing, Brooklyn girl?” “Kissing your pain away,” I whispered, not wondering,even for a second, how he knew where I lived, “Manhattan prince.
L.J. Shen (Dirty Headlines)
I’m with the dirty mouth girls. The ones with bare feet, brilliant minds, messy hair, wild hearts, and feisty spirits. The ones who aren’t afraid to speak up and who live for doing what they’ve been told is impossible.” ~ Brooke Hampton
~ Brooke Hampton
Mortimer had maxed three credit cards stocking the cave with canned goods and medical supplies and tools and everything a man needed to live through the end of the world. There were more than a thousand books along shelves in the driest part of the cave. There used to be several boxes of pornography until Mortimer realized that he'd spent nearly ten days in a row sitting in the cave masturbating. He burned the dirty magazines to keep from doing some terrible whacking injury to himself.
Victor Gischler (Go-Go Girls of the Apocalypse)
She had a woman’s swagger at twelve-and-a-half. Hair: strawberry-blonde, and I vaguely recall a daisy in the crook of her ear. She was an inch taller than me, two with the ponytail; smooth cheeks and darling brown eyes that marbled in luscious contrast with her magnolia skin; cream, melting to peach, melting to pink. She beamed like a cherub without the baby fat; a tender neck; pristine lips that would never part for a dirty word. Her body--of no interest to me at the time--was wrapped from neck to toes with home-made footie pajamas, the kind they make for toddlers, but I didn’t laugh; the girl filled that silly one-piece ensemble as if it were couture.
Jake Vander-Ark (The Accidental Siren)
It’s a tale as old as time. You know, girl with no memory offers herself to boy as a hooker hoping for safety. Boy rejects girl, then kidnaps girl. Then, girl runs away; then boy decides to keep girl. Boy and girl fall in love and have dirty sex and get tattoos.
T.M. Frazier (King of the Causeway (King, #9.5))
Sex with me is a dirty, savage affair. Utterly uncivilized.
Annika Martin (The Billionaire’s Wake-up-call Girl (Billionaires of Manhattan, #2))
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?" "It's a terrific bore." "I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean." "Well, I don't exactly hate it. You always have to--" "Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--" "Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting. "Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--" "I don't know what you're even talking about," old Sally said. "You jump from one--" "You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically." "You're sweet," she said. But you could tell she wanted me to change the damn subject. "You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--" "Now, listen," old Sally said. "Lots of boys get more out of school that that." "I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape." "You certainly are.
J.D. Salinger (The Catcher in the Rye)
KENNA ROWAN’S PLAYLIST 1) “Raise Your Glass”—P!nk 2) “Dynamite”—BTS 3) “Happy”—Pharrell Williams 4) “Particle Man”—They Might Be Giants 5) “I’m Good”—The Mowgli’s 6) “Yellow Submarine”—The Beatles 7) “I’m Too Sexy”—Right Said Fred 8) “Can’t Stop the Feeling!”—Justin Timberlake 9) “Thunder”—Imagine Dragons 10) “Run the World (Girls)”—Beyoncé 11) “U Can’t Touch This”—MC Hammer 12) “Forgot About Dre”—Dr. Dre featuring Eminem 13) “Vacation”—Dirty Heads 14) “The Load Out”—Jackson Browne 15) “Stay”—Jackson Browne 16) “The King of Bedside Manor”—Barenaked Ladies 17) “Empire State of Mind”—JAY-Z 18) “Party in the U.S.A.”—Miley Cyrus 19) “Fucking Best Song Everrr”—Wallpaper. 20) “Shake It Off”—Taylor Swift 21) “Bang!”—AJR
Colleen Hoover (Reminders of Him)
You have done well, Katie,” Frau Gerlach said. “You would make a fine midwife someday, if you ever wished to learn.” I cast my eyes down, exhausted and shy and afraid and proud all at once. “All I have managed so far is to be a midwife to the puppies.” She reached out to pat my cheek with a bloody hand. “God smiles on those who quietly do his dirty work, my girl.
Laura Bickle (The Hallowed Ones (The Hallowed Ones, #1))
Despite what film and music would have women believe, the guys are all hopeless when it comes to the female orgasm. They learn sex from watching porn, where giving the camera a good view is the goal and no one really cares if it works for the girl, because she'll pretend it's awesome regardless. Sex happens up close, and inside, not at camera's length. Guys seem to forget that.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
For a fleeting moment, I think of the romance I wanted when I was a little girl with a pillowcase on her head like a veil, dreaming of her wedding day – the fairytale ending. And I think of the romance I’ve had: dirty, gritty, bare, laced through with danger and wildness. If we’re going to die on this houseboat, I’ll die knowing I lived a love story far better than any I could have dreamed up.
Beth O'Leary (Swept Away)
A girl is there. Dressed in a dirty rag of a dress, turning to look at him with the large, gold eyes that have studied everything from the rafters. Her hair in the overhead light appears dark for an instant, then when she shifts, fair. She is there in vivid detail, down to a mustache of beaded water above her generous mouth. A dead girl, looking more real and more alive than anyone he has ever seen. She is not the girl—Oisin knows this with an instant, wrenching disappointment—whom he has been waiting for.
Lisa Carey (In the Country of the Young: A Haunting Story Where a Ghost Comforts an Artist Chained by Grief on a Maine Island)
What? Don't you want a girl who can talk dirty to you?" His look only hardens. "No, Lucy. I'm serious. I won't tolerate that from you." He doesn't look away and I feel that heat in the pit of my stomach, spreading down again. "Well...I've heard you curse before..." I swallow loudly, but keep his gaze. "I'm a man.
Willow Madison (True Nature (True, #1))
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.' The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston. The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums. After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies? She looked at the nurse... She thought the nurse might say something like: Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.' A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise. When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up. My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice. I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
Betty Smith (A Tree Grows in Brooklyn)
It's because you weren't in love," Mary said. "When you're in love it's beautiful. When you're not it's just dirty filthy sex. Loveless sex has no true spiritual meaning deep inside your soul. But love makes everything totally cool. Love is God's special gift to horny teenage girls and boys. It makes them feel less guilty.
Christopher Pike (Execution of Innocence)
When a girl is sexually abused, layers of secrecy and shame are added to her self-blame. The incestuous aggressor always projects the guilt for his crime onto the child he is molesting. The girl then learns to see herself as dirty and worthless. Having accepted humiliation, and exploitation as the conditions of survival during childhood, the girl is likely to reenact that same abuser/victim relationship with men in her adult life.
Susan Forward (Men Who Hate Women and the Women Who Love Them: When Loving Hurts and You Don't Know Why)
Unwillingly Miranda wakes, Feels the sun with terror, One unwilling step she takes, Shuddering to the mirror. Miranda in Miranda's sight Is old and gray and dirty; Twenty-nine she was last night; This morning she is thirty. Shining like the morning star, Like the twilight shining, Haunted by a calendar, Miranda is a-pining. Silly girl, silver girl, Draw the mirror toward you; Time who makes the years to whirl Adorned as he adored you. Time is timelessness for you; Calendars for the human; What's a year, or thirty, to Loveliness made woman? Oh, Night will not see thirty again, Yet soft her wing, Miranda; Pick up your glass and tell me, then-- How old is Spring, Miranda?
Ogden Nash
Lucanos nodded [...] 'She's the girl who sees with her heart.' Aranae rolled all eight of her eyes. She chittered again, in a scolding tone this time. When she finished, she crossed two of her legs and gave Belle a dirty look. Belle shrank under her disapproving glare, 'What did she say?' she asked timidly. 'She said your heart needs glasses.
Jennifer Donnelly (Beauty and the Beast: Lost in a Book)
I tell me: Let these words be footsteps, because I have a long way to travel. Let the words walk the dirty streets. Let them make their way across the crying grass. Let them stand and breathe and pant smoke in winter evenings. And when they're tired and have fallen down, let them buckle to their feet ad arc around me, watchful. I want these words to be actions. Give them flesh and bones, I say to me, and eyes of hunger and desire, so they can write and fight me through the night.
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
Grandma traded at Connie’s because she had never learned to drive a car, but she held a grudge against Big Boy, who had said to her one day in front of a whole storeful of customers, “What’ll it be, tootsie?” When I moved in, she was only too happy to make me her errand girl. Daily, she folded money into my palm and sent me down the street for Tums or cornstarch or prune juice. As I headed out the door, she never failed to remind me to steer clear of both Big Boy and the dirty-magazine aisle.
Wally Lamb (She's Come Undone)
The world is a dangerous place for little girls. Besides, little girls are more fragile, more delicate, more brittle than little boys. ‘Watch out, be careful, watch.’ ‘Don’t climb trees, don’t dirty your dress, don’t accept lifts from strange men. Listen but don’t learn, you won’t need it.’ And so the snail’s antennae grow, watching for this, looking for that, the underneath of things. The threat. And so she wastes so much of her energy, seeking to break those circuits, to push up the millions of tiny thumbs that have tried to quelch energy and creativity and strength and self-confidence; that have so effectively caused her to build fences against possibility, daring; that have so effectively kept her imprisoned inside her notions of self-worthlessness. And
Robyn Davidson (Tracks: One Woman's Journey Across 1,700 Miles of Australian Outback)
Hypercritical, Shaming Parents Hypercritical and shaming parents send the same message to their children as perfectionistic parents do - that they are never good enough. Parents often deliberately shame their children into minding them without realizing the disruptive impact shame can have on a child's sense of self. Statements such as "You should be ashamed of yourself" or "Shame on you" are obvious examples. Yet these types of overtly shaming statements are actually easier for the child to defend against than are more subtle forms of shaming, such as contempt, humiliation, and public shaming. There are many ways that parents shame their children. These include belittling, blaming, contempt, humiliation, and disabling expectations. -BELITTLING. Comments such as "You're too old to want to be held" or "You're just a cry-baby" are horribly humiliating to a child. When a parent makes a negative comparison between his or her child and another, such as "Why can't you act like Jenny? See how she sits quietly while her mother is talking," it is not only humiliating but teaches a child to always compare himself or herself with peers and find himself or herself deficient by comparison. -BLAMING. When a child makes a mistake, such as breaking a vase while rough-housing, he or she needs to take responsibility. But many parents go way beyond teaching a lesson by blaming and berating the child: "You stupid idiot! Do you think money grows on trees? I don't have money to buy new vases!" The only thing this accomplishes is shaming the child to such an extent that he or she cannot find a way to walk away from the situation with his or her head held high. -CONTEMPT. Expressions of disgust or contempt communicate absolute rejection. The look of contempt (often a sneer or a raised upper lip), especially from someone who is significant to a child, can make him or her feel disgusting or offensive. When I was a child, my mother had an extremely negative attitude toward me. Much of the time she either looked at me with the kind of expectant expression that said, "What are you up to now?" or with a look of disapproval or disgust over what I had already done. These looks were extremely shaming to me, causing me to feel that there was something terribly wrong with me. -HUMILIATION. There are many ways a parent can humiliate a child, such as making him or her wear clothes that have become dirty. But as Gershen Kaufman stated in his book Shame: The Power of Caring, "There is no more humiliating experience than to have another person who is clearly the stronger and more powerful take advantage of that power and give us a beating." I can personally attest to this. In addition to shaming me with her contemptuous looks, my mother often punished me by hitting me with the branch of a tree, and she often did this outside, in front of the neighbors. The humiliation I felt was like a deep wound to my soul. -DISABLING EXPECTATIONS. Parents who have an inordinate need to have their child excel at a particular activity or skill are likely to behave in ways that pressure the child to do more and more. According to Kaufman, when a child becomes aware of the real possibility of failing to meet parental expectations, he or she often experiences a binding self-consciousness. This self-consciousness - the painful watching of oneself - is very disabling. When something is expected of us in this way, attaining the goal is made harder, if not impossible. Yet another way that parents induce shame in their children is by communicating to them that they are a disappointment to them. Such messages as "I can't believe you could do such a thing" or "I am deeply disappointed in you" accompanied by a disapproving tone of voice and facial expression can crush a child's spirit.
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
so we went up the hill. then we got into my room and I looked at them both. my pure and beautiful slim and magic little girl glorious fuck with the hair dangling down to the asshole, and next to her the tragedy of the ages: slime and horror, the machine gone wrong, frogs tortured by little boys and head-on car collisions and the spider taking in the ball-less buzzing fly and the landscape brain of Primo Carnera going down under the dull playboy guns of cocksure Maxie Baer — new heavyweight champ of America — I, I rushed at the Tragedy of the Ages — that fat slob of accumulated shit.
Charles Bukowski (Notes of a Dirty Old Man)
I’m going to go out on a limb here and guess we’re going to a party.”Her mood suddenly lifts and she grins impishly. “What gave it away?”I eye her outfit and count down on my fingers.“Four things: leather shorts, pink highheels,knee high socks,and a sparkling top. ”She sticks out her hip and pops up her foot, striking a pose. “Come on, admit it,I look hot.”“You look like a—”She tosses a pillow at me.“Watch that dirty mouth of yours, Death Girl.
Jessica Sorensen
Well it seems to me that there are books that tell stories, and then there are books that tell truths...," I began. "Go on," she said "The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy ending and all that. Like Sense and Sensibility or Persuasion. But the second kind, they show you life more like it is. Like in Huckleberry Finn where Huck's pa is a no-good drunk and Jim suffers so. The first kind makes you cheerful and contented, but the second kind shakes you up." "People like happy ending, Mattie. They don't want to be shaken up." "I guess not, ma'am. It's just that there are no Captain Wentworths, are there? But there are plenty of Pap Finns. And things go well for Anne Elliot in the end, but they don't go well for most people." My voice trembled as I spoke, as it did whenever I was angry. "I feel let down sometimes. The people in the books-the heroes- they're always so...heroic. And I try to be, but..." "...you're not," Lou said, licking deviled ham off her fingers. "...no, I'm not. People in books are good and noble and unselfish, and people aren't that way... and I feel, well... hornswoggled sometimes. By Jane Austen and Charles Dickens and Louisa May Alcott. Why do writers make things sugary when life isn't that way?" I asked too loudly. "Why don't they tell the truth? Why don't they tell how a pigpen looks after the sow's eaten her children? Or how it is for a girl when her baby won't come out? Or that cancer has a smell to it? All those books, Miss Wilcox," I said, pointing at a pile of them," and I bet not one of them will tell you what cancer smells like. I can, though. It stinks. Like meat gone bad and dirty clothes and bog water all mixed together. Why doesn't anyone tell you that?" No one spoke for a few seconds. I could hear the clock ticking and the sound of my own breathing. Then Lou quietly said, "Cripes, Mattie. You oughtn't to talk like that." I realized then that Miss Wilcox had stopped smiling. Her eyes were fixed om me, and I was certain she'd decided I was morbid and dispiriting like Miss Parrish had said and that I should leave then and there. "I'm sorry, Miss Wilcox," I said, looking at the floor. "I don't mean to be coarse. I just... I don't know why I should care what happens to people in a drawing room in London or Paris or anywhere else when no one in those places cares what happens to people in Eagle Bay." Miss Wilcox's eyes were still fixed on me, only now they were shiny. Like they were the day I got my letter from Barnard. "Make them care, Mattie," she said softly. "And don't you ever be sorry.
Jennifer Donnelly (A Northern Light)
What are you saying?” “I want to try.” He wanted clarification on that. “You want to try what?” There it was, that deep flush. “You know.” Yes, he knew, but he wasn’t going to let her off the hook so easily. She was going to be his. For a brief time, she would belong to him and he would have everything he wanted, and he wanted her to start talking dirty. Yes. He wanted to teach her, to train her to accept pleasure so she would expect it. “No, I don’t know. You’ll have to be plain.” Avery blushed a little. “I want to be intimate with you.” So sweet. So polite. So not happening. “That sounds like you want me to get into my pajamas and exchange secrets with you. I’m not your girlfriend, Avery. Tell me what you want. That’s lesson number one. Communication and honesty are the keys to the relationship I want. I need to hear you say plainly what you want.” She hesitated, but only for a moment. He wasn’t surprised. Deep in her heart, she was a brave girl. She’d faced so much and still was open with her heart. Damn, but he didn’t understand that. “I would like for us to sleep together.” “I’m not very sleepy.” He wasn’t going to let her get away with anything. She groaned a little in obvious frustration. “You know that’s not what I’m talking about.” “Yes. I do. So say what you want.” “I want to have sex.” “So clinical. I’ll have to think about that.” “I want to make love.” “Sweet, but not what I’m looking for.” Her face crinkled into the cutest pout. “Damn it, Lee. I want to fuck.” Just like that he was primed and ready. She’d said fuck with such a sweet little heat, her eyebrows forming a V over her face as though the entire incident had offended her polite sensibilities. She would learn there wasn’t room for politeness between them. He growled just a little. “I want to fuck, too, baby. I want to fuck all night long.
Lexi Blake (A Dom is Forever (Masters and Mercenaries, #3))
The girl's arms jutted out at awkward angles, not quite hands on the hips belligerent but not relaxed either, as if they weren't all the way under the girl's control. "I came to find you." "I didn't know. If I'd known..." "It doesn't matter now." The girl's attention was unwavering. "This is where you are." "It is at that." The girl looked sad. Her soil-dark eyes were clouded over by tears she hadn't been able to shed. "I came here to find you." "I couldn't have known." Maylene reached out and plucked a leaf from the girl's hair. "Doesn't matter." She lifted a dirty hand, fingernails flashing chipped red polish, but she didn't seem to know what to do with her outstretched fingers. Little girl fears warred with teenage bravado. Bravado won. "I'm here now." "All right, then." Maylene walked down the path toward one of the gates. She pulled the key from her handbag, twisted it in the lock, and pushed open the gate.
Melissa Marr (Graveminder (Graveminder, #1))
She had spent her entire life being what everyone wanted her to be. The perfect daughter, the budding artist, the best friend, the first love. She had been so busy meeting everyone’s expectations, in fact, that it had taken her years to remember exactly why it was all one big farce. She was not perfect, far from it, and what you saw on the outside was not what you really were getting. Deep down, she was dirty, and this was the kind of thing that happened to girls like her.
Jodi Picoult (The Pact)
But you’re supposed to play music, obviously,” said Victoria. Lawrence looked at her in surprise. “You mean it? I thought you hated it.” “I do mean it,” said Victoria. She felt pretty shocked herself. “It’s annoying sometimes—well, a lot of the time, really—but it’s obviously the thing you’re best at, so why shouldn’t you do it?” Embarrassed at how happy Lawrence looked, she tried to smooth the wrinkles out of her dirty pajamas. “I mean, it’s only logical, isn’t it?” “If you weren’t, well, you—I’d want to kiss you right now.” It was fortunate that the room was so dark. Victoria’s cheeks turned bright red. “Well,” she said. “Well.
Claire Legrand (The Cavendish Home for Boys and Girls)
The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.
Shailja Patel (Migritude)
My vagina was green water, soft pink fields, cow mooing sun resting sweet boyfriend touching lightly with soft piece of blond straw. There is something between my legs. I do not know what it is. I do not know where it is. I do not touch. Not now. Not anymore. Not since. My vagina was chatty, can't wait, so much, so much saying, words talking, can't quit trying, can't quit saying, oh yes, oh yes. Not since I dream there's a dead animal sewn in down there with thick black fishing line. And the bad dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses. My vagina singing all girl songs, all goat bells ringing songs, all wild autumn field songs, vagina songs, vagina home songs. Not since the soldiers put a long thick rifle inside me. So cold, the steel rod canceling my heart. Don't know whether they're going to fire it or shove it through my spinning brain. Six of them, monstrous doctors with black masks shoving bottles up me too. There were sticks, and the end of a broom. My vagina swimming river water, clean spilling water over sun-baked stones over stone clit, clit stones over and over. Not since I heard the skin tear and made lemon screeching sounds, not since a piece of my vagina came off in my hand, a part of the lip, now one side of the lip is completely gone. My vagina. A live wet water village. My vagina my hometown. Not since they took turns for seven days smelling like feces and smoked meat, they left their dirty sperm inside me. I became a river of poison and pus and all the crops died, and the fish. My vagina a live wet water village. They invaded it. Butchered it and burned it down. I do not touch now. Do not visit. I live someplace else now. I don't know where that is.
V (formerly Eve Ensler) (The Vagina Monologues)
I could always make you.” The way he says it sounds dark and dirty and infinitely pleasurable. All I can think of is what I’d like for him to make me do. There’s an unsavory term for that—a guy forcing a girl to do sexual things. But what is it they say? You can’t rape the willing. And I’d be willing. Oh, how I’d be willing.
M. Leighton (Down to You (The Bad Boys, #1))
Maybe he used to like me, but I doubt he does anymore, now that I’ve insulted his bird fetish.” Peter smiled.   “He’s not going to stop liking you over one little argument.   I don’t think he’s the type to just fall for someone and then hate them the next day.   We don’t live in that kind of world anymore, anyway.” “What do you mean?”   “Well, when there were thousands of possible mates to choose from, it was like being a huge candy store with a billion types of sugary things to choose from.   You could sample one of everything and not worry about whether you’d like it much or whatever, because there was always another jar of candy nearby.   But now, there’s no candy store.   There’s a single jawbreaker that you found in the gutter.   And there are no more jawbreaker factories.   No more candy stores.   No more refined sugar.   That one jawbreaker you found could be the only one you’ll ever have again.   You aren’t going to just eat it and say goodbye.” His analogy wasn’t perfect but I saw where he was going with it.   “So I’m like a jawbreaker.   A dirty one you find in the gutter.” “Yeah.   And he likes that candy.   It’s his favorite.   So he doesn’t care that it has smelly feet.” I scowled at him.   “How do you know he likes jawbreakers so much?” “I just know.   I can tell a good match when I see one.   He needs someone spunky and tough, someone different than other girls.   That’s you.” I smiled, liking how Peter had described me.   “But what if he just decides to eat it real quick and then move on?   I mean, there are other jawbreakers out there.   They’re just more rare.” “That’s not how he is.   He’s methodical.   A thinking person.   He’s not rash. And he knows his odds of finding a jawbreaker of this flavor?   Are pretty slim.” “I’ve seen him do some stupid, rash things … like going after the candy at the Cracker Barrel.” “That was all a very carefully-crafted way of making sure he had a good grip on his jawbreaker.   He wants to keep the candy happy.   Keep it sweet.” I rolled my eyes.   “Ugh.   Your analogy is making me want to eye gouge you right now.
Elle Casey (Kahayatle (Apocalypsis, #1))
A cold coming we had of it, Just the worst time of the year For a journey, and such a long journey: The ways deep and the weather sharp, The very dead of winter. And the camels galled, sore-footed, refractory, Lying down in the melting snow. There were times we regretted The summer palaces on slopes, the terraces, And the silken girls bringing sherbet. Then the camel men cursing and grumbling And running away, and wanting their liquor and women, And the night fires going out, and the lack of shelters, And the cities hostile and the towns unfriendly And the villages dirty and charging high prices: A hard time we had of it. At the end we preferred to travel all night, Sleeping in snatches, With the voices singing in our ears, saying That this was all folly. Then at dawn we came down to a temperate valley, Wet, below the snow line, smelling of vegetation; With a running stream and a water-mill beating the darkness, And three trees on the low sky, And an old white horse galloped away in the meadow. Then we came to a tavern with vine-leaves over the lintel, Six hands at an open door dicing for pieces of silver, And feet kicking the empty wine-skins, But there was no information, and so we continued And arrived at evening, not a moment too soon Finding the place; it was (you may say) satisfactory. All this was a long time ago, I remember, And I would do it again, but set down This set down This: were we led all that way for Birth or Death? There was a Birth, certainly, We had evidence and no doubt. I had seen birth and death, But had thought they were different; this Birth was Hard and bitter agony for us, like Death, our death. We returned to our places, these Kingdoms, But no longer at ease here, in the old dispensation, With an alien people clutching their gods. I should be glad of another death.
T.S. Eliot
So, what do you go for in a girl?” He crows, lifting a lager to his lips Gestures where his mate sits Downs his glass “He prefers tits I prefer ass. What do you go for in a girl?” I don’t feel comfortable The air left the room a long time ago All eyes are on me Well, if you must know I want a girl who reads Yeah. Reads. I’m not trying to call you a chauvinist Cos I know you’re not alone in this but… I want a girl who reads Who needs the written word & uses the added vocabulary She gleans from novels and poetry To hold lively conversation In a range of social situations I want a girl who reads Who’s heart bleeds at the words of Graham Greene Or even Heat magazine Who’ll tie back her hair while reading Jane Eyre And goes cover to cover with each water stones three for two offer but I want a girl who doesn’t stop there I want a girl who reads Who feeds her addiction for fiction With unusual poems and plays That she hunts out in crooked bookshops for days and days and days She’ll sit addicted at breakfast, soaking up the back of the cornflakes box And the information she gets from what she reads makes her a total fox Cos she’s interesting & unique & her theories make me go weak at the knees I want a girl who reads A girl who’s eyes will analyze The menu over dinner Who’ll use what she learns to kick my ass in arguments so she always ends the winner But she’ll still be sweet and she’ll still be flirty Cos she loves the classics and the classics are dirty So late at night she’d always have me in a stupor As she paraphrases the raunchier moments from the works of Jilly Cooper See, some guys prefer asses Some prefer tits And I’m not saying that I don’t like those bits But what’s more important What supersedes Is a girl with passion, wit and dreams So I’d like a girl who reads.
Mark Grist
I tried to imagine what it would be like if Constantin were my husband. It would mean getting up at seven and cooking him eggs and bacon and toast and coffee and dawdling about in my nightgown and curlers after he’d left for work to wash up the dirty plates and make the bed, and then when he came home after a lively, fascinating day he’d expect a big dinner, and I’d spend the evening washing up even more dirty plates till I fell into bed, utterly exhausted. This seemed a dreary and wasted life for a girl with fifteen years of straight A’s, but I knew that’s what marriage was like, because cook and clean and wash was just what Buddy Willard’s mother did from morning till night, and she was the wife of a university professor and had been a private school teacher herself. Once when I visited Buddy I found Mrs Willard braiding a rug out of strips of wool from Mr Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the Five and Ten. And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs Willard’s kitchen mat.
Sylvia Plath (The Bell Jar)
She swung her fist at Nicolae’s head. He raised an arm to block the blow, and she delivered a killing stab with her wooden dagger. Nicolae laughed, staggering dramatically to the ground. “Dead, again, at the hands of the ugliest girl in creation.” He stuck out his tongue, face contorted in a grimace. Lada kicked him in the stomach. “I am no girl. Who is next?” The other Janissaries, gathered in a loose circle around Lada and Nicolae, shuffled their feet and avoided eye contact. Nicolae pushed himself up on an elbow. “Really? Cowards!” “I still have bruises from the last time.” “I cannot sit without pain.” “She fights dirty.” Ivan did not even respond, having never forgiven Lada for besting him when they were introduced. He refused to fight her and rarely acknowledged her presence. Lada laughed, showing all her sharp teeth. “Because when you are on the battlefield, honor will mean so much. You will die with a blade between your ribs, secure in the knowledge that you fought with manners.” She picked up her dull practice sword, abandoned on the edge of the circle, and swung it through the air, sweeping it across the line of the Janissaries’ collective throats.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
The girl beside the window looked up. She had straggly, waist-length, dirty blonde hair, very pale eyebrows and protuberant eyes that gave her a permanently surprised look. Harry knew at once why Neville had chosen to pass this compartment by. The girl gave off an aura of distinct dottiness. Perhaps it was the fact that she had stuck her wand behind her left ear for safekeeping, or that she had chosen to wear a necklace of Butterbeer corks, or that she was reading a magazine upside-down. Her eyes ranged over Neville and came to rest on Harry. She nodded. ‘Thanks,’ said Ginny, smiling at her. Harry and Neville stowed the three trunks and Hedwig’s cage in the luggage rack and sat down. Luna watched them over her upside-down magazine, which was called The Quibbler. She did not seem to need to blink as much as normal humans. She stared and stared at Harry, who had taken the seat opposite her and now wished he hadn’t. ‘Had a good summer, Luna?’ Ginny asked. ‘Yes,’ said Luna dreamily, without taking her eyes off Harry. ‘Yes, it was quite enjoyable, you know. You’re Harry Potter,’ she added. ‘I know I am,’ said Harry. Neville chuckled. Luna turned her pale eyes on him instead. ‘And I don’t know who you are.’ ‘I’m nobody,’ said Neville hurriedly. ‘No you’re not,’ said Ginny sharply. ‘Neville Longbottom – Luna Lovegood. Luna’s in my year, but in Ravenclaw.’ ‘Wit beyond measure is man’s greatest treasure,’ said Luna in a singsong voice. She raised her upside-down magazine high enough to hide her face and fell silent. Harry and Neville looked at each other with their eyebrows raised. Ginny suppressed a giggle.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Stella was one of Mr Bullock’s ‘chorus girls’ and confessed (readily) to being a ‘striptease artiste’ but Mr Armitage the opera singer said, “We’re all artistes here, darling.” “What a bloody fairy that man is,” Mr Bullock muttered, “put him in the army, that would sort him out.” “I doubt it,” Miss Woolf said. (And it did rather beg the question why the strapping Mr Bullock himself had not been called up for active service.) “So,” Mr Bullock concluded, “we’ve got a Yid, a pansy and a tart, sounds like a dirty music-hall joke.” “It is intolerance that has brought us to this pass, Mr Bullock,” Miss Woolf reproved him midly.
Kate Atkinson (Life After Life (Todd Family, #1))
I want to fight, Becky. Can you understand that? I want struggle, I want danger. You know, Sally said something to me once: we were talking about happiness and what that might mean. She said she didn't want to be /happy/, that was a weak, passive sort of thing; she wanted to be alive and active. She wanted /work/. That's the spirit I like. That's what I want; and my work is a rough dirty dangerous kind of work. Oh, I want other things too. I want to write a play and see Henry Irving perform in it. I want to swank about town smoking Havanas and have supper with pretty girls in the Cafe Royal. I want to play poker on a Mississippi riverboat. I want to see Dan Goldberg get into Parliament. I want to see you go to university and get a first-class degree. Sally. . . Sally can do anything we wants, by me. There's a whole world I want, Becky.
Philip Pullman
I tend to be a boy at heart, ditching classic shoes for white sneakers with a snake embossed design on the side. “They let you wear shoes like that?” Her voice rasps. “I copied the look from a girl who preferred sneakers with dresses over heels and gowns.” I lean on the railing and stare at her. She laughs as she pulls up the hem of her long gown to reveal a pair of white leather sneakers with embroidered stars. Fuck me.
Lauren Asher (Collided (Dirty Air, #2))
My sweet naughty girl I got your hot letter tonight and have been trying to picture you frigging your cunt in the closet. How do you do it? Do you stand against the wall with your hand tickling up under your clothes or do you squat down on the hole with your skirts up and your hand hard at work in through the slit of your drawers? Does it give you the horn now to shit? I wonder how you can do it. Do you come in the act of shitting or do you frig yourself off first and then shit? It must be a fearfully lecherous thing to see a girl with her clothes up frigging furiously at her cunt, to see her pretty white drawers pulled open behind and her bum sticking out and a fat brown thing stuck half-way out of her hole. You say you will shit your drawers, dear, and let me fuck you then. I would like to hear you shit them, dear, first and then fuck you. Some night when we are somewhere in the dark and talking dirty and you feel your shite ready to fall put your arms round my neck in shame and shit it down softly. The sound will madden me and when I pull up your dress.
James Joyce
He looks again towards the door, expecting Mum to walk in and remind him of something he's forgotten. He smiles awkwardly. 'Is that it, Dad? I've got to go.' 'Your Mum said I should mention ... um ... satisfaction.' 'What!' 'She said young men should know things, should be told things so that the girl won't be ...' his eyes plead for understanding, '... disappointed.' [...] 'No worries, Dad. My biology teacher said I was a natural.' Dad looks confused. 'I'm kidding, Dad.' [...] Poor bloke, having to do the dirty work while Mum's off with her gang. 'Dad? What did Grandpa tell you about sex?' 'He said if I got a girl pregnant, he'd kill me.
Steven Herrick (Slice)
While Alpha Males are often gifted with superior physical attributes—size, strength, speed, good looks—selected by evolution over the eons by the strongest surviving and, essentially, getting all the girls, the Beta Male gene has survived not by meeting and overcoming adversity, but by anticipating and avoiding it. That is, when the Alpha Males were out charging after mastodons, the Beta Males could imagine in advance that attacking what was essentially an angry, woolly bulldozer with a pointy stick might be a losing proposition, so they hung back at camp to console the grieving widows. When Alpha Males set out to conquer neighboring tribes, to count coups and take heads, Beta Males could see in advance that in the event of a victory, the influx of female slaves was going to leave a surplus of mateless women cast out for younger trophy models, with nothing to do but salt down the heads and file the uncounted coups, and some would find solace in the arms of any Beta Male smart enough to survive. In the case of defeat, well, there was that widows thing again. The Beta Male is seldom the strongest or the fastest, but because he can anticipate danger, he far outnumbers his Alpha Male competition. The world is led by Alpha Males, but the machinery of the world turns on the bearings of the Beta Male.
Christopher Moore (A Dirty Job (Grim Reaper, #1))
?-: Yes, I must say, that part distressed me a bit. I had no idea girls could do that... (JUNE and RUTH look at him.) RUTH: Do what, exactly? ?-: Be nude. I thought they just spontaneously combusted or something if they even tried taking off their sweaters. JUNE: But, how did you think we bathed? ?-: I just assumed you just never got dirty, with the exception of your hair. You know, cause girls are always washing their hair... JUNE: But this is ridiculous. How did you think sex happened? ?-: To be honest, I’d never really thought about sex. Oh, dear... Am I going to have to do that someday? Are we? I need to read up on this. (He takes out a memorandum and begins scribbling.)
Benjamin R. Smith (June Cleaver Sexual Deviant)
Be a man. Not any old man, not mankind, but manhood. To do this you don’t need to play pro football and grow hair on your chest and seduce every third woman you meet long as she’s female. All you have to do is hunt, fish (or talk sense about ’em as if you had) and go bug-eyed when the girls go by. If a sunset moves you so much you have to express yourself, do it with a grunt and a dirty word. Or you say, ‘That Beethoven, he blows a cool symphony.’ Never champion a real underdog unless it’s a popular type, like a baseball team. Always treat other men as if you were sore at something and will wipe it off on them if they give you the slightest excuse. I mean sore, Louis, not vexed or in a snit. And stay away from women. They have an intuition that’ll find you nine times out of ten. The tenth time she falls for you, and there’s nothing funnier.” “I think,” Loolyo said after a time, “that you hate human beings.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume IX: And Now the News...)
Dear . . . God,” she blurted as she recoiled. The hallway beyond was filled with the males of the house, the Brothers and other fighters and Manny sitting on the floor with their backs to the bare walls, their legs stretched out, propped up, crossed at the knees or crossed at the ankles. Apparently there had been quite a bit of drinking going on, empty bottles of vodka and whiskey littered around them, glasses in hands or on thighs. “This is not as pathetic as it looks,” her Butch pointed out. “Liar,” V muttered. “It so fucking is. I think I’m going to start knitting for reals.” As the females emerged with her, each one of them registered shock, disbelief, and then a wry amusement. “Is it me,” one of the males groused, “or did we just perform our own mass castration out here?” “I think that just about sums this shit up,” somebody agreed. “I’m wearing panties under my leathers from now on. Anyone joining me?” “Lassiter already does,” V said as he got to his feet and went to Jane. “Hey.” And then it was group-reunion time. While the other pairs found one another, Butch smiled as Marissa came over to him and put out her hand to help him off the floor. As they embraced, he kissed her on the side of the neck. “Are you out of love with me now?” he murmured. “’ Cuz I’m pussy-whipped?” She leaned back in his arms. “Why? Because you pined after me while I was watching a dirty movie with my girls that wasn’t all that dirty? I think it’s actually— and brace yourself— really pretty cute.” “I’m still all man.” As she rolled her body against him, she let out a mmmm as she felt his erection. “Yes, I can tell.
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
A man is always a little shamefaced on his wedding day, like a fox caught in a baited trap, ensnared because his greed overcame his better judgment. The menfolk laughed at Charlie that spring day, and said he was caught for sure now. As the bride, I was praised and fussed over, as if I had won a prize or done something marvelous that no one ever did before, and I could not help feeling pleased and clever that I had managed to turn myself from an ordinary girl into a shining bride. Now I think it is a dirty lie. The man is the one who is winning the game that day, though they always pretend they are not, and the poor girl bride is led into a trap of hard work and harsh words, the ripping of childbirth and the drubbing of her man's fists. It is the end of being young, but no one tells her so. Instead they make over her, and tell her how lucky she is. I wonder do slaves get dressed up in finery on the day they are sold.
Sharyn McCrumb (The Ballad of Frankie Silver (Ballad, #5))
I love your body 'cause I've lost my mind If you want someone to talk to, you're wasting your time If you want someone to share your life, you need someone who's alive And if every relationship is a two-way street, I have been screwing in the back whilst you drive I never said I was deep, but I am profoundly shallow My lack of knowledge is vast, and my horizons are narrow I never said I was big, I never said that I was clever And if you're waiting to find what's going on in my mind, you could be waiting forever Forever and ever I can dance you to the end of the night 'cause I'm afraid of the dark I have to confess: I'm out of my depth You're going over my head and straight through my heart Some girls like to play it dirty, some girls want to be your mum Me, I disrespected you whilst we were waiting for the taxi to come My morality is shabby, my behaviour unacceptable No, I'm not looking for a relationship, just a willing receptacle I never said I was... I never said I was... I never said I was... I never said I was deep, but I am profoundly shallow My lack of knowledge is vast, and my horizons are narrow Oh, yeah. I never said I was big, I never said that I was clever And if you're waiting to find what's going on in my mind, you could be waiting forever Forever and ever
Jarvis Cocker
Some desperate emotion flashed across Alex’s face, and guilt settled like a stone in Gideon’s gut. Alex’s hands dropped to his sides. “People like Rune don’t end up with people like you.” The guilt evaporated. Gideon knew precisely what Alex meant. People like him were damaged. Dirty. People like him didn’t belong in the ballrooms of people like Alex and Rune. His fists coiled. “That so?” “Yes.” Alex’s golden eyes flashed like electricity. “Enlighten me. What type of people do girls like Rune end up with? Men like you?” Gideon raised his fists. “Men who stand on the sidelines, pining in the shadows, too afraid to go after what they want? Have you gotten so used to being handed everything in life that you think she’ll hand herself over to you, too?” Alex slugged him. Pain exploded in Gideon’s jaw.
Kristen Ciccarelli (Heartless Hunter (Crimson Moth, #1))
That’s right, I am the unenthusiastic girl people avoid making eye contact with when they buy their spank mags and twelve-inch rubber cocks. I’m the one in full HAZMAT gear cleaning up the “accidental” shot spots they leave behind in one of our twenty-five cent porn booths. For what it’s worth, there’s a reason I don’t fill in the glory holes, they all think they’re so sneaky, getting their dick sucked by some anonymous stranger on the other side. I see it as less clean up, let the cock sucking stranger slurp up their spunk. It saves me running a disinfectant wipe along the wall, hoping that none of it touches any part of me. So keep up the good work anonymous strangers, keep gobbling cock and making my life easier. If you want, leave your address at the store and I’ll add you to my fucking Christmas card list.
Jaden Wilkes (Dirty Little Freaks)
On either side of them the essence of honky tonk beach resort had now enclosed them: gas stations, fried clam stands, Dairy Treets, motels painted in feverish pastel colors, mini golf. Larry was drawn two painful ways by these things. Part of him clamored at their sad and blatant ugliness and at the ugliness of the minds that had turned this section of a magnificent, savage coastline into one long highway amusement park for families in station wagons. But there was a more subtle, deeper part of him that whispered of the people who had filled these places and this road during other summers. Ladies in sunhats and shorts too tight for their large behinds. College boys in red and black striped rugby shirts. Girls in beach shifts and thong sandals. Small screaming children with ice cream spread over their faces. They were American people, and there was a kind of dirty, compelling romance about them whenever they were in groups never mind if the group was in an Aspen ski lodge or performing their prosaic/ arcane rites of summer along Route 1 in Maine. And now all these Americans were gone.
Stephen King (The Stand)
[From Sid Vicious's letter to Nancy Spungen's mother Deborah] P.S. Thank you, Debbie, for understanding that I have to die. Everyone else just thinks that I'm being weak. All I can say is that they never loved anyone as passionately as I love Nancy. I always felt unworthy to be loved by someone so beautiful as her. Everything we did was beautiful. At the climax of our lovemaking, I just used to break down and cry. It was so beautiful it was almost unbearable. It makes me mad when people say you must have really loved her.' So they think that I don't still love her? At least when I die, we will be together again. I feel like a lost child, so alone. The nights are the worst. I used to hold Nancy close to me all night so that she wouldn't have nightmares and I just can't sleep without my my beautiful baby in my arms. So warm and gentle and vulnerable. No one should expect me to live without her. She was a part of me. My heart. Debbie, please come and see me. You are the only person who knows what I am going through. If you don’t want to, could you please phone me again, and write. I love you. I was staggered by Sid's letter. The depth of his emotion, his sensitivity and intelligence were far greater than I could have imagined. Here he was, her accused murderer, and he was reaching out to me, professing his love for me. His anguish was my anguish. He was feeling my loss, my pain - so much so that he was evidently contemplating suicide. He felt that I would understand that. Why had he said that? I fought my sympathetic reaction to his letter. I could not respond to it, could not be drawn into his life. He had told the police he had murdered my daughter. Maybe he had loved her. Maybe she had loved him. I couldn't become involved with him. I was in too much pain. I couldn't share his pain. I hadn't enough strength. I began to stuff the letter back in its envelope when I came upon a separate sheet of paper. I unfolded it. It was the poem he'd written about Nancy. NANCY You were my little baby girl And I shared all your fears. Such joy to hold you in my arms And kiss away your tears. But now you’re gone there’s only pain And nothing I can do. And I don’t want to live this life If I can’t live for you. To my beautiful baby girl. Our love will never die. I felt my throat tighten. My eyes burned, and I began to weep on the inside. I was so confused. Here, in a few verses, were the last twenty years of my life. I could have written that poem. The feelings, the pain, were mine. But I hadn't written it. Sid Vicious had written it, the punk monster, the man who had told the police he was 'a dog, a dirty dog.' The man I feared. The man I should have hated, but somehow couldn't.
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
Must we believe those who tell us that a hand foul with the filth of a shameful life is the only one a young girl cares to be caressed by? That is the teaching that is bawled out day by day from between those yellow covers. Do they ever pause to think, I wonder, those devil's lady-helps, what mischief they are doing crawling about God's garden, and telling childish Eves and silly Adams that sin is sweet, and that decency is ridiculous and vulgar? How many an innocent girl do they not degrade into an evil-minded woman? To how many a weak lad do they not point out the dirty by-path as the shortest cut to a maiden's heart? It is not as if they wrote of life as it really is. Speak truth, and right will take care of itself. But their pictures are coarse daubs painted from the sickly fancies of their own diseased imaginations. We want to think of women not--as their own sex would show them--as Loreleis luring us to destruction, but as good angels beckoning us upward. They have more power for good or evil than they dream of. It is just at the very age when a man's character is forming that he tumbles into love, and then the lass he loves has the making or marring of him. Unconsciously he molds himself to what she would have him, good or bad. I am sorry to have to be ungallant enough to say that I do not think they always use their influence for the best. . . . And yet, women, you could make us so much better, if you only would. It rests with you more than with all the preachers, to roll this world a little nearer heaven. Chivalry is not dead; it only sleeps for want of work to do. It is you who must wake it to noble deeds. You must be worthy of knightly worship. You must be higher than ourselves. [1886]
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
Gillian Flynn (Gone Girl)
She looked at him. She was feeling reckless, emotional, out of sorts, and she was tired of his constant hints. “I found the experience so unpleasant with Wilfred that I kicked him out lest he want to repeat the whole thing.” She shuddered. “I was expecting someone younger and healthier than Sir Thomas would convince me that lovemaking was worth the trouble. It isn’t. It’s nasty and ugly and dirty.” He stared at her for a long moment. And then he spoke. “Dear girl,” he said softly, “don’t you know that any reasonable man would take that as a challenge?” She jerked her head up to look at him, into those very dark green eyes. “Don’t be absurd. Why would anyone bother when there are so many willing females around? I’m too much trouble. And besides, I don’t consider you a reasonable man.” His smile was fleeting. “I’m an eminently reasonable man.” And before she realized what he was doing she was back in his arms and he was kissing her, openmouthed and hot and wet, no teasing approach, just raw, sexual demand that should have filled her with disgust and dismay. He didn’t like mysteries, any more than he liked emotions, weaknesses or unsatisfied lust.
Anne Stuart (Shameless (The House of Rohan, #4))
Go faster,” I urged Steven, poking him in the shoulder. “Let’s pass that kid on the bike.” Steven shrugged me off. “Never touch the driver,” he said. “And take your dirty feet off my dashboard.” I wiggled my toes back and forth. They looked pretty clean to me. “It’s not your dashboard. It’s gonna be my car soon, you know.” “If you ever get your license,” he scoffed. “People like you shouldn’t even be allowed to drive.” “Hey, look,” I said, pointing out the window. “That guy in a wheelchair just lapped us!” Steven ignored me, and so I started to fiddle with the radio. One of my favorite things about going to the beach was the radio stations. I was as familiar with them as I was with the ones back home, and listening to Q94 made me just really know inside that I was there, at the beach. I found my favorite station, the one that played everything from pop to oldies to hip-hop. Tom Petty was singing “Free Fallin’.” I sang right along with him. “She’s a good girl, crazy ‘bout Elvis. Loves horses and her boyfriend too.” Steven reached over to switch stations, and I slapped his hand away. “Belly, your voice makes me want to run this car into the ocean.” He pretended to swerve right. I sang even louder, which woke up my mother, and she started to sing too. We both had terrible voices, and Steven shook his head in his disgusted Steven way. He hated being outnumbered.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
There is nothing that the media could say to me that would justify the way they’ve acted. You can hound me. You can follow me, but in no way should you frighten those around me. To harm my wife and potentially harm my daughter—there is no excuse that could put any of you on the right side of morality. I met Rose when I was fifteen and she was fourteen, and through what she would call fate and I’d call circumstance of our hobbies, we’d cross paths dozens of times over the course of a decade. At seventeen, I attended the same national Model UN conference as Rose, and a delegate for Greenland locked us in a janitorial closet. He also stole our phones. He had to beat us dishonorably because he couldn’t beat us any other way. Rose said being locked in a confined space with me was the worst two hours of her life" They look bemused, brows furrowing. I can’t help but smile. “You’re confused because you don’t know whether she was exaggerating or whether she was being truthful. But the truth is that we are complex people with the ability to love to hate and to hate to love, and I wouldn’t trade her for any other person. So that day, stuck beside mops and dirtied towels, I could’ve picked the lock five minutes in and let her go. Instead, I purposefully spent two hours with a girl who wore passion like a dress made of diamonds and hair made of flames. Every day of my life, I am enamored. Every day of my life, I am bewitched. And every day of my life, I spend it with her.” My chest swells with more power, lifting me higher. “I’ve slept with many different kinds of people, and yes, the three that spoke to the press are among them. Rose is the only person I’ve ever loved, and through that love, we married and started a family. There is no other meaning behind this, and for you to conjure one is nothing less than a malicious attack against my marriage and my child. Anything else has no relevance. I can’t be what you need me to be. So you’ll have to accept this version or waste your time questioning something that has no answer. I know acceptance isn’t easy when you’re unsure of what you’re accepting, but all I can say is that you’re accepting me as me. I leave them with a quote from Sylvia Plath. “‘I took a deep breath and listened to the old brag of my heart.’” My lips pull higher, into a livelier smile. “‘I am, I am, I am.’” With this, I step away from the podium, and I exit to a cacophony of journalists shouting and asking me to clarify. Adapt to me. I’m satisfied, more than I even predicted. Some people will rewind this conference on their television, to listen closely and try to understand me. I don’t need their understanding, but my daughter will—and I hope the minds of her peers are wide open with vibrant hues of passion. I hope they all paint the world with color.
Krista Ritchie (Fuel the Fire (Calloway Sisters #3))
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
The girl noticed her eyes. They seemed kind to her, despite the woman's rough look. Out of nowhere, she wanted the woman to hold her. It had been so long since she had smelled a woman's skin that even a dirty woman's embrace would have been welcome. She was still disturbed by the sight of the dead young nuns near the hospital and she wanted a woman to hold her and tell her that the whole world didn't yet belong to Death, masculine Death with his hourglass and his holes for eyes. Death with his bony arms that only embraced to take you away, like a lamb from the market. Like the pig on La Bucherie. How did Heaven come into all of this? Heaven was life, not death. Heaven was a woman holding your head in the crook of her arm and looking down at you. Heaven was a warm hand on your cheek and the smell of soup with garlic on the fire. How could people enjoy anything in heaven with their noses rotted off and their ears full of mud and worms, and no cheeks, and no hands to lay on cheeks?
Christopher Buehlman (Between Two Fires)
There are these Precious Moments figurines, they’re like porcelain, little kids with giant eyes handing each other a heart that says LOVE on it, or rolling around with a puppy? Maria stumbles into a whole aisle of them. Tears start welling up in her eyes, again, which is totally not tough and totally not punk but which also you totally can’t lie about. Like, they’re depictions of this idealized childhood innocence, right? This idea that little kids have the potential for sadness in their giant eyes, but really they just know these pure emotions: love, happiness, whatever. It’s totally hokey and stupid and obviously a construction. Real little kids are as dirty, impure, and complicated as the adults they’re going to grow up and be. But this sort of thing gets her all melodramatic and choked up specifically because of how fucked up she was convinced she was when she was little. She didn’t know she was trans, she couldn’t put into words that she was a little girl, but she did know that something was horribly wrong and she blamed herself for it. Other kids could stomp around and punch eachother and sleep at night, but she was this self-conscious mess who liked books a lot because sometimes people in books seemed as bewildered by the world and themselves as she was. She was never a little kid who could get a puppy and be happy about it. If you’d given her a puppy, she would immediately have started worrying about what if she trained it wrong, what if it ran away. She would already be sad that it would die.
Imogen Binnie (Nevada)
My God,” she says. “I feel like I’ve gone through a car wash.” I laugh, or force myself to, because it’s not something I’d normally laugh at. “What about you?” she says to Scottie. “How did you make out?” “I’m a boy,” Scottie says. “Look at me.” Sand has gotten into the bottom of her suit, creating a huge bulge. She scratches at the bulge. “I’m going to go to work now,” she says. I think she’s impersonating me and that Mrs. Speer is getting an unrealistic, humiliating glimpse. “Scottie,” I say. “Take that out.” “It must be fun to have girls,” Mrs. Speer says. She looks at the ocean, and I see that she’s looking at Alex sunbathing on the floating raft. Sid leans over Alex and puts his mouth to hers. She raises a hand to his head, and for a moment I forget it’s my daughter out there and think of how long it has been since I’ve been kissed or kissed like that. “Or maybe you have your hands full,” Mrs. Speer says. “No, no,” I say. “It’s great,” and it is, I suppose, though I feel like I’ve just acquired them and don’t know yet. “They’ve been together for ages.” I gesture to Alex and Sid. I don’t understand if they’re a couple or if this is how all kids in high school act these days. Mrs. Speer looks at me curiously, as if she’s about to say something, but she doesn’t. “And boys.” I gesture to her little dorks. “They must keep you busy.” “They’re a handful. But they’re at such a fun age. It’s such a joy.” She gazes out at her boys. Her expression does little to convince me that they’re such a joy. I wonder how many times parents have these dull conversations with one another and how much they must hide. They’re so goddamn hyper, I’d do anything to inject them with a horse tranquilizer. They keep insisting that I watch what they can do, but I truly don’t give a fuck. How hard is it to jump off a diving board? My girls are messed up, I want to say. One talks dirty to her own reflection. Did you do that when you were growing up? “Your girls seem great, too,” she says. “How old are they?” “Ten and eighteen. And yours?” “Ten and twelve.” “Oh,” I say. “Great.” “Your younger one sure is funny,” she says. “I mean, not funny. I meant entertaining.” “Oh, yeah. That’s Scottie. She’s a riot.
Kaui Hart Hemmings (The Descendants)
I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome. And look at that—someone left the keys in the ignition. Stealthily, I sidle up to Sarah. “Have you ever driven in a convertible?” She looks up sharply, like she didn’t see me approach. “Of course I have.” My hands slide into my pockets and I lean back on my heels. “Have you ever been in a convertible driven by a prince?” Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles. “No.” I nod. “Perfect. We do this in three.” Now she looks nervous. “Do what?” I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time. “Three . . .” “I don’t know what you mean.” “Two . . .” “Henry . . .” “One.” “I . . .” “Go, go, go!” “Go where?” she asks, loud enough to draw attention. So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side. “Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods. “The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl. “I know a shortcut. Buckle up.” We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good. “Duck.” “What?” I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree. After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me. I smirk. “If you wanted me to push your head down, love, you could’ve just said so.” “You’re insane!” I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?” We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.
Emma Chase (Royally Matched (Royally, #2))
if they label you soft, feather weight and white-livered, if the locker room tosses back its sweaty head, and laughs at how quiet your hands stay, if they come to trample the dandelions roaring in your throat, you tell them that you were forged inside of a woman who had to survive fifteen different species of disaster to bring you here, and you didn’t come to piss on trees. you ain’t nobody’s thick-necked pitbull boy, don’t need to prove yourself worthy of this inheritance of street-corner logic, this blood legend, this index of catcalls, “three hundred ways to turn a woman into a three course meal”, this legacy of shame, and man, and pillage, and man, and rape, and man. you boy. you won’t be some girl’s slit wrists dazzling the bathtub, won’t be some girl’s, “i didn’t ask for it but he gave it to me anyway”, the torn skirt panting behind the bedroom door, some father’s excuse to polish his gun. if they say, “take what you want”, you tell them you already have everything you need; you come from scabbed knuckles and women who never stopped swinging, you come men who drank away their life savings, and men who raised daughters alone. you come from love you gotta put your back into, elbow-grease loving like slow-dancing on dirty linoleum, you come from that house of worship. boy, i dare you to hold something like that. love whatever feels most like your grandmother’s cooking. love whatever music looks best on your feet. whatever woman beckons your blood to the boiling point, you treat her like she is the god of your pulse, you treat her like you would want your father to treat me: i dare you to be that much man one day. that you would give up your seat on the train to the invisible women, juggling babies and groceries. that you would hold doors, and say thank-you, and understand that women know they are beautiful without you having to yell it at them from across the street. the day i hear you call a woman a “bitch” is the day i dig my own grave. see how you feel writing that eulogy. and if you are ever left with your love’s skin trembling under your nails, if there is ever a powder-blue heart left for dead on your doorstep, and too many places in this city that remind you of her tears, be gentle when you drape the remains of your lives in burial cloth. don’t think yourself mighty enough to turn her into a poem, or a song, or some other sweetness to soften the blow, boy, i dare you to break like that. you look too much like your mother not t
Eboni Hogan
He peered up at the house. “I know you’re finished in there, Blake. May as well come out.” I breathed a silent sigh. Blake strolled onto the deck wearing low-slung skater shorts and flip-flops. Being shirtless must’ve been mandatory in California. I kind of wished they’d get dressed so I could focus properly when I told them about the prophecy. Blake joined us beside the pool. “So . . . ,” said Blake, rocking back on his heels. “Lover’s quarrel over?” “We’re not lovers,” Kaidan and I said together. “What’s stopping you?” Blake smiled. “What’s stopping you and Ginger?” Kaidan asked. “An ocean, man. Fu—” He glanced at me. “Uh . . . eff you.” “Eff me?” Kaidan asked, grinning. “No, eff you, mate.” Blake put a fist over his mouth when he caught what must have been a seething look on my face, and he laughed, punching Kaidan in the arm. “Told you, man! She’s pissed about the cursing thing! Ginger was right.” I shook my head. I wouldn’t look at them. I was too humiliated to deny it. “Girl, all you have to do is say the word, and Mr. Lusty McLust a Lot here will be happy to whisper some dirty nothings in your ear.” Kaidan half grinned, sexuality rolling off him as wild as the Pacific below us. I took a shaky breath. “I don’t appreciate when people are fake with me.” I pointed this statement at Kaidan. Okay, calling him a fake was overboard, especially if he was just being respectful. But my feelings were bruised and battered. If Kai wasn’t going to forgive me or be willing to talk, I couldn’t hang around and deal with his bad attitude. It hurt too much, and the unfairness frustrated me to no end. “If you guys will sit down and shut up for a minute, I’ll tell you what I came here to say, and then I’m out of here. You two can find someone else to make fun of.” They both wiped the smiles from their faces. I pulled a padded lawn chair over and sat. They moved a couple of chairs closer, giving me their attention. 
Wendy Higgins (Sweet Peril (Sweet, #2))
the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: ‘I like strong women.’ If he says that to you, he will at some point fuck someone else. Because ‘I like strong women’ is code for ‘I hate strong women.’)
Gillian Flynn (Gone Girl)
So,” Cole says. “Did you decide on a name yet?” Before I can answer, everyone starts speaking at once. “You should name him Jace after your favorite brother.” Cole shoots Jace a dirty look. “You should name him Cole after your good-looking brother.” Dylan gives me a rueful grin. “Dylan is a great boy’s name, too. Just saying.” Sawyer nudges her in the ribs. “So is Sawyer.” Oakley and I exchange a humorous glance. “Okay,” Oakley declares, rubbing his hands together. “The bidding starts at fifty dollars.” After pulling out his wallet, Jace slaps some money on the tray table. “I got a hundred for Jace, right here.” Cole shoves some bills into Oakley’s hands. “I got two hundred for Cole.” Wayne reaches inside his pocket. “Do you take credit?” “Sorry, Pops. Cash only.” Fanning the money in his hand, Oakley looks around the room. “Any more takers?” Dylan pulls some money out of her bra. “Yup. Four hundred for Dylan.” “Well, I didn’t bring my checkbook with me.” Smiling smugly, Sawyer pats her stomach. “But we are having a girl and a boy. Perhaps we can work out an exchange.” Jace glowers. “That’s not fair.” “It’s called bartering, bro.” Reaching over, Cole high-fives his wife. “And that right there is just one reason I love you so much, Bible Thumper. You’re so fucking smart.” Oakley’s shoveling the money into his wallet when a nurse waltzes in. “Hi, Bianca. I’m the lactation nurse. Do you think you’re ready to try breastfeeding yet?” Jace makes a face. “And that’s my cue to leave.” Cole shakes his head. “Not me. I’m not leaving until I know my nephew’s name is Cole.” I’m shifting to get into a more comfortable position when I notice the blue, green, orange, and purple butterflies scattered across the nurse’s scrubs. My chest swells and I look over at Oakley who’s smiling. There’s only one name that feels right. “Liam,” we whisper at the same time.
Ashley Jade (Broken Kingdom (Royal Hearts Academy, #4))
She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
Sarah Echavarre Smith (The Boy With the Bookstore)
He sweeps his fingers over her folds, teasing her entrance. "So nice and wet for me," he hums. "I'm going to make you feel so fucking good, sweetheart. Would you like that? Want me to fill you up?" Eden shivers, electricity arcing from nerve to nerve. "Y-yes. Yes, Shang, I do." He rubs the head of his cock against her clit, torturously teasing. "I don't know. What do good girls say if they want my cock?" "Please," Eden shouts. "Please, I want---" "Use your words. Come on, sweetheart. I know you can do it." "I want your cock in me," she whines. "Fuck me like you own me---" A loud moan rips itself from her throat as Shang presses into her. Splits her open. Stretched her to the fullest. It feels so good, it's almost blinding. All she can focus on is the way he thrusts in and out of her, makes her take his full length just to pull back and do it all over again. The sound of wet skin on skin drives her up the wall, but nothing makes her lose it quite like the way Shang grunts with each snap of his hips. Feral. An animal. A man on a mission. "'Like you own me,'" he growls. "You really know how to drive me fucking crazy, Eden." "Shang---" "What is it, sweetheart? Don't tell me I'm too much for you." "No, never. I want---" "What? You want what? You close already?" Eden both loves and hates the pride in his voice. "Cocky bastard," she murmurs, too dizzy to see straight. He grins. "Yep, that's me. This cocky bastard owns you and your tight little pussy. Look how well you take me, sweetheart. Like you were made for me." "Fuck---" It's a whine. It's a whimper. It's desperate and choked off and needy. He grips her waist and fucks her hard against the shower wall. "You sound so fucking hot, Eden. Come on. Take it. Fucking take it." Her back arches as she climaxes, drags her nails across his back, waves of pleasure washing over her so hard and fast, she thinks she might collapse. Shang doesn't let her, though. He holds her steady through her orgasm, still pumping his cock into her in pursuit of his own pleasure.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
The traditional reluctance in this country to confront the real nature of racism is once again illustrated by the manner in which the majority of American whites interpreted what the Kerner Commission had to say about white racism. It seems that they have taken the Kerner Report as a call merely to examine their individual attitudes. The examination of individual attitudes is, of course, an indispensable requirement if the influence of racism is to be neutralized, but it is neither the only nor the basic requirement. The Kerner Report took great pains to make a distinction between racist attitudes and racist behavior. In doing so, it was trying to point out that the fundamental problem lies in the racist behavior of American institutions toward Negroes, and that the behavior of these institutions is influenced more by overt racist actions of people than by their private attitudes. If so, then the basic requirement is for white Americans, while not ignoring the necessity for a revision of their private beliefs, to concentrate on actions that can lead to the ultimate democratization of American institutions. By focusing upon private attitudes alone, white Americans may come to rely on token individual gestures as a way of absolving themselves personally of racism, while ignoring the work that needs to be done within public institutions to eradicate social and economic problems and redistribute wealth and opportunity. I mean by this that there are many whites sitting around in drawing rooms and board rooms discussing their consciences and even donating a few dollars to honor the memory of Dr. King. But they are not prepared to fight politically for the kind of liberal Congress the country needs to eradicate some of the evils of racism, or for the massive programs needed for the social and economic reconstruction of the black and white poor, or for a revision of the tax structure whereby the real burden will be lifted from the shoulders of those who don't have it and placed on the shoulders of those who can afford it. Our time offers enough evidence to show that racism and intolerance are not unique American phenomena. The relationship between the upper and lower classes in India is in some ways more brutal than the operation of racism in America. And in Nigeria black tribes have recently been killing other black tribes in behalf of social and political privilege. But it is the nature of the society which determines whether such conflicts will last, whether racism and intolerance will remain as proper issues to be socially and politically organized. If the society is a just society, if it is one which places a premium on social justice and human rights, then racism and intolerance cannot survive —will, at least, be reduced to a minimum. While working with the NAACP some years ago to integrate the University of Texas, I was assailed with a battery of arguments as to why Negroes should not be let in. They would be raping white girls as soon as they came in; they were dirty and did not wash; they were dumb and could not learn; they were uncouth and ate with their fingers. These attitudes were not destroyed because the NAACP psychoanalyzed white students or held seminars to teach them about black people. They were destroyed because Thurgood Marshall got the Supreme Court to rule against and destroy the institution of segregated education. At that point, the private views of white students became irrelevant. So while there can be no argument that progress depends both on the revision of private attitudes and a change in institutions, the onus must be placed on institutional change. If the institutions of this society are altered to work for black people, to respond to their needs and legitimate aspirations, then it will ultimately be a matter of supreme indifference to them whether white people like them, or what white people whisper about them in the privacy of their drawing rooms.
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)