Dirt Track Quotes

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I enjoy the wild things, Call me at 3 am and tell me you're waiting at my door. Give me sunsets in different cities and road trips on dirt tracks not sighted on maps. Whiskey for breakfast & cheap thrills for dinner. Give me happiness in a smile and nothing of certainty but the way we make eachother feel. There so much life in living while you're alive & id give absolutely anything to have it all with you.
Nikki Rowe
In Brazil, every road, bridge and viaduct has been given a name, usually that of some long-forgotten personage who was once famous for doing something worthy. Honestly, every one of them; deeper into the country, I’ve even found unsurfaced dirt tracks given names. I’m never likely to have even five minutes of fame, but if I did, I don’t think I’d want to be remembered by a dirt track going from Nowhere Town to Obscure Village.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
Girl like a garden you never volunteered to tend. Dirt all tracked into your front hall.
Trista Mateer (The Dogs I Have Kissed)
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare. He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss. “I’m gonna go downstairs,” Ronan said.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Suddenly, ahead of us, a group of men ran out of the forest and pulled a thick rope across the road. There was no time to look at them properly, but they didn’t look friendly. I still don’t know why, but my reflex reaction was to foot the accelerator and drive straight through – never a good idea on a dirt track, except perhaps for rally drivers. I’m not sure who was more surprised, me or them, but I found myself looking in the rear-view mirror and seeing men lying on the road, I suppose pulled down by the force of the rope.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
A winner, a champion, will accept his fate. He will continue with his wheels in the dirt. He will do his best to maintain his line and gradually get himself back on the track when it is safe to do so. Yes, he loses a few places in the race. Yes, he is at a disadvantage. But he i A winner, a champion, will accept his fate. He will continue with his wheels in the dirt. He will do his best to maintain his line and gradually get himself back on the track when it is safe to do so. Yes, he loses a few places in the race. Yes, he is at a disadvantage. But he is still racing. He is still alive
Garth Stein (The Art of Racing in the Rain)
You only need to lose track of who you are, or who you thought you were supposed to be, so that you end up lying flat on the dirt floor basement of your heart. Do this, Jesus says, and you will live.
Barbara Brown Taylor (Leaving Church: A Memoir of Faith)
I’ll wait. I’ll wait forever. I’ll die waiting, holding your hand and watching you sleep. If that’s all I get, fine, I’m gonna hold the hell out of your hand.
P. Jameson (Racing the Beast (Dirt Track Dogs, #2))
The woman ran down the dirt track as if fleeing demons from Hell.
C.L. Bevill (Black Moon (Moon Trilogy, #1))
A winner, a champion, will accept his fate. He will continue with his wheels in the dirt. He will do his best to maintain his line and gradually get himself back on the track when it is safe to do so. Yes, he loses a few places in the race. Yes, he is at a disadvantage. But he is still racing. He is still alive. The
Garth Stein (The Art of Racing in the Rain)
Movie directors often shoot funerals in the rain. The mourners stand in their dark suits under large black umbrellas, the kind you never have handy in real life, while the rain falls symbolically all around them, on grass and tombstones and the roods of cars, generating atmostphere. What they don't show you is how the legs of your suit caked with grass clippings, cling soaked to your shins, how even under umbrellas the rain still manages to find your scalp, running down your skull and past your collar like wet slugs, so that while you're supposed to be meditating on the deceased, instead you're mentally tracking the trickle of water as it slides down your back. The movies don't convey how the soaked, muddy ground will swallow up the dress shoes of the pallbearers like quicksand, how the water, seeping into the pine coffin, will release the smell of death and decay, how the large mound of dirt meant to fill the grave will be transformed into an oozing pile of sludge that will splater with each stab of the shovel and land on the coffin with an audible splat. And instead of a slow and dignified farewell, everyone just wants to get the deceased into the ground and get the hell back into their cars.
Jonathan Tropper (This is Where I Leave You)
Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
The singing wasn't the hopscotch-jumprope-happy kind. This was the kind of singing that, if you tracked it to its source, you might find a little girl in a moldy old burial dress, her skin pitted & green, with lots of coffin splinters & dirt between her teeth... ...like a mermaid luring idiot sailors...Winny wasn't a sailor, & he wasn't old enough to get all sexed up by some hot siren.
Dean Koontz (77 Shadow Street)
Nector [speaking to Bernadette] could have told her, having drunk down the words of Nanapush, that comfort is not security and money in the hand disappears. He could have told her that only the land matters and never to let go of the papers, the titles, the tracks of the words, all those things that his ancestors never understood how the vital relationship to the dirt and grass under their feet.
Louise Erdrich (The Last Report on the Miracles at Little No Horse)
You can complain about every dropped sock, every dirty dish left behind, every piece of dirt tracked through the house, or you can deal with it and spend that time you would’ve spent complaining giving him a kiss.  Or maybe a tight hug.  Or even jotting down a little note for him to find.  So here’s the truth—marriage sucks because one day it will end.  It’s inevitable.  The beginning is usually a fairy tale; the end hurts more than you could ever comprehend.  It’s what you do with the middle that’s the most important.  Make the most of it.  Now I’m going to walk up front to give Stanley a kiss before I get on the phone with the water company.”  Click.
Rhonda R. Dennis (Yours Always)
He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
far back in the forest. Just when the pavement began to rise again, the headlights caught a sign on the left that announced FIRE ROAD / FORESTRY DEPT ONLY. In the absence of a fire, no one would be using that rough dirt track. Mrs. Fischer parked on it, facing out toward the state route, but in far enough among the trees to avoid being seen by passing traffic, of which we had encountered none since turning off the interstate. She damped the headlights, cut the engine.
Dean Koontz (Deeply Odd (Odd Thomas, #6))
My father taught me how to track, how to read the ground and the trees. He taught me that everything has a language, that if you knew the language, you could make the world talk. The grass and the dirt hold secrets, he’d say. The wind and the water carry stories and warnings.
Victoria E. Schwab (The Near Witch (The Near Witch, #1))
Travelling the dusty highways in the early evenings, just as the light began to fade, I would look out along the perpendicular dirt tracks that joined the road at intervals. They undulated away gently into the distance; slow streams of people in twos and threes and fours walked them, through the haze, talking easily, making their way back from wherever lay beyond. I longed to take every one of these turnings, to step out along every track in the morning, to return at dusk, to see what lay over each of these horizons and to share in the stories of those that returned from them. My trajectory, and that of each one of us, was that of a meteor, shedding millions of tiny sparks of possibility with every passing second, each with the capacity to ignite a flash of experience, but nearly all of which quickly burned up and vanished as it was left behind. The fire that moved forward was the flame of our lives.
Luke F.D. Marsden (Wondering, the Way is Made: A South American Odyssey)
It was at a concert of lovely old music. After two or three notes of the piano the door was opened of a sudden to the other world. I sped through heaven and saw God at work. I suffered holy pains. I dropped all my defences and was afraid of nothing in the world. I accepted all things and to all things I gave up my heart. It did not last very long, a quarter of an hour perhaps; but it returned to me in a dream at night, and since, through all the barren days, I caught a glimpse of it now and then. Sometimes for a minute or two I saw it clearly, threading my life like a divine and golden track. But nearly always it was blurred in dirt and dust. Then again it gleamed out in golden sparks as though never to be lost again and yet was soon quite lost once more.
Hermann Hesse (Steppenwolf)
covering ten to twenty miles a day. The pregnant women complained desperately. The Georgia-man rode on. After crossing the Potomac, he moved Ball, who was physically the strongest of the men, from the middle of the chain and attached his padlocked collar to the first iron link. With Ball setting a faster pace, the two sets of double lines of people hurried down the high road, a dirt line in the Virginia grain fields that today lies under the track of US Highway 301.
Edward E. Baptist (The Half Has Never Been Told: Slavery and the Making of American Capitalism)
In the morning, a local resident drapes a hose over the garden wall so the migrants can brush their teeth, wet their faces, and fill their canteens. A contingent of older ladies walks the tracks, passing out blessings with homemade bagged sandwiches and pickles. A guard from the hut calls Luca over and passes him a grape lollipop through the chain-link fence.
Jeanine Cummins (American Dirt)
little insurance in case you’re inclined toward a different destination.” In the Jeep, Cork followed No Voice back up the dirt track to the compound. The Arapaho and his grandson still stood in the shade of the outbuilding. Cork waved as he passed to let them know he bore them no ill will. They didn’t respond, just stood watching as the two vehicles kicked up dust on their way out.
William Kent Krueger (Heaven's Keep (Cork O'Connor, #9))
you will never be foreign. i’ve seen too much, gone farther than most. your fingerprints are stamped all over my skin. there is no denying you once trespassed here. your footprints left dirt tracks, and i can’t clean up your mess. even though we will never return to the lovers we once knew, our past will stay a part of us. we could never be strangers. i have not forgotten you, and with that, i hope you still think of me.
Kiana Azizian (Soft)
All the way from Chiapas to Chihuahua, they cling to the tops of the cars. The train has earned the name La Bestia because that journey is a mission of terror in every way imaginable. Violence and kidnapping are endemic along the tracks, and apart from the criminal dangers, migrants are also maimed or killed every day when they fall from the tops of the trains. Only the poorest and most destitute of people attempt to travel this way.
Jeanine Cummins (American Dirt)
way the government clears migrants from the trains in some places, spending millions of pesos and dollars to build those track-fences in Oaxaca and Chiapas and Mexico state, all while turning a blind eye in other locations.
Jeanine Cummins (American Dirt)
The girl is so beautiful she seems almost to glow, more colorful than the landscape in which she sits. The dingy gray of the concrete overpass, the pebble brown of the tracks and the earth, the faded blue of her baggy jeans, the dirty white of her oversized T-shirt, the bleached arc of the sky, it all recedes behind her. Her presence is a vivd throb of color that deflates everything else around her. An accident of biology. A living miracle of splendor. It's a real problem.
Jeanine Cummins (American Dirt)
It’s like I’ve always had a painted musical sound track playing background to my life. I can almost hear colors and smell images when music is played. Mom loves classical. Big, booming Beethoven symphonies blast from her CD player all day long. Those pieces always seem to be bright blue as I listen, and they smell like fresh paint. Dad is partial to jazz, and every chance he gets, he winks at me, takes out Mom’s Mozart disc, then pops in a CD of Miles Davis or Woody Herman. Jazz to me sounds brown and tan, and it smells like wet dirt.
Sharon M. Draper (Out of My Mind (Out of My Mind, #1))
Foreboding” might have been the appropriate word. “Dread.” The PROMISE of fear. It was tangible fear... smellable... the stale odor soaking into the dirt and lingering in the windless jungle of dead branches and train tracks to nowhere; lovelier than angst, kinder than panic.
Jake Vander-Ark (Fallout Dreams)
But Nebraska was not always a bed of roses. When the first settlers arrived, they found a harsh, unforgiving place, a vast treeless expanse of barren, drought-parched soil. And so, summoning up the dynamic pioneer spirit of hope and steely determination, they left. But a few of them remained and built sod houses, which are actually made of dirt. Think about that. You can’t clean a sod house, because it would be gone. The early settlers had a hell of a time getting this through to their children. “You kids stop tracking dirt out of the house!” they’d yell.
Dave Barry
I opened myself up to the kiss and kissed him back with enthusiasm. Putting all my secret emotions and tender feelings into the embrace, I wound my arms around his neck and slid my hands into his hair. Pulling his body that much closer to mine, I embraced him with all the warmth and affection that I wouldn’t allow myself to express verbally. He paused, shocked for a brief instant, and then quickly adjusted his approach, escalating into a passionate frenzy. I shocked myself by matching his energy. I ran my hands up his powerful arms and shoulders and then down his chest. My senses were in turmoil. I felt wild. Eager. I clutched at his shirt. I couldn’t get close enough to him. He even smelled delicious. You’d think that several days of being chased by strange creatures and hiking through a mysterious kingdom would make him smell bad. In fact, I wanted him to smell bad. I’m sure I did. I mean, how can you expect a girl to be fresh as a daisy while traipsing through the jungle and getting chased by monkeys. It’s just not possible. I desperately wanted him to have some fault. Some weakness. Some…imperfection. But Ren smelled amazing-like waterfalls, a warm summer day, and sandalwood trees all wrapped up in a sizzling, hot guy. How could a girl defend herself from a perfect onslaught delivered by a pefect person? I gave up and let Mr. Wonderful take control of my senses. My blood burned, my heart thundered, my need for him quickened, and I lost all track of time in his arms. All I was aware of was Ren. His lips. His body. His soul. I wanted all of him. Eventually, he put his hands on my shoulders and gently separated us. I was surprised that he had the strength of will to stop because I was nowhere near being able to. I blinked my eyes open in a daze. We were both breathing hard. “That was…enlightening,” he breathed. “Thank you, Kelsey.” I blinked. The passion that had dulled my mind dissipated in an instant, and my mind sharply focused on a new feeling. Irritation. “Thank you? Thank you! Of all the-“ I slammed up the steps angrily and then spun around to look down at him. “No! Thank you, Ren!” My hands slashed at the air. “Now you got what you wanted, so leave me alone!” I ran up the stairs quickly to put some distance between us. Enlightening? What was that about? Was he testing me? Giving me a one-to-ten score on my kissing ability? Of all the nerve? I was glad that I was mad. I could shove all the other emotions into the back of my mind and just focus on the anger, the indignation. He leapt up the stairs two at a time. “That’s not all I want, Kelsey. That’s for sure.” “Well, I no longer care about what you want!” He shot me a knowing look and raised an eyebrow. Then, he lifted his foot out of the opening, placed it on the dirt, and instantly changed back into a tiger. I laughed mockingly. “Ha!” I tripped over a stone but quickly found my footing. “Serves you right!” I shouted angrily and stumbled blindly along the dim path. After figuring out where to go, I marched off in a huff. “Come on, Fanindra. Let’s go find Mr. Kadam.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
When white people envision their perfect home, it always has hardwood floors. In fact, most white people would prefer a dirt floor over wall-to-wall carpeting, because to them it would have the same level of cleanliness and probably fewer germs. White people are petrified of germs, and when they look at a carpet all they can see is everything that has ever been spilled, tracked in, or shaken loose into the carpet fibers. But more disgusting to white people is that wall-to-wall carpeting reminds them of suburban homes, motel rooms, and the horrible apartments that they have visited or lived in over the years. It has no soul. Only germs. Hardwood floors, on the other hand, are easily cleaned and give a sense of character to a place, since they are often the original flooring in older buildings. It is a well-known white fantasy to purchase a home or apartment that has disgusting carpet and then to pull it up to reveal a beautiful hardwood floor underneath.
Christian Lander (Stuff White People Like: A Definitive Guide to the Unique Taste of Millions)
I noticed that Halliday had added an old eight-track tape player to the cockpit control panel. There was also a rack of eight-track tapes mounted over my right shoulder. I grabbed one and slapped it into the deck. Dirty Deeds Done Dirt Cheap by AC/DC began to blast out of the robot’s internal and external speakers, so loud it made my chair vibrate.
Ernest Cline (Ready Player One (Ready Player One, #1))
Eye contact with him was all that was needed to stop me in my tracks. The mere sound of his voice blaring through the microphone called me like a siren luring me in. His eyes were blazing, lips talking dirt like he was whispering them straight into my ears. And even though we were both fully clothed and not even in touching range, it felt like filthy, raunchy sex.
Clarissa Wild (Rowdy Boy (Black Mountain Academy))
We rarely know when death will come. Some are warned in sickness - like the track of dirt that runs around the edge of a baseball field, cautioning the outfielders that they are running out of room. The end is near. But others - many others - meet death without any warning at all, in an unforeseen moment that wretches consciousness in two, separating the living from the dead.
Katie Ganshert (Life After)
Carmen kicked at the dirt. She couldn't equate finding the virus at home with good luck. It was powerful, this thing, ruthless, a perfectly honed survivor for who knew how many millennia. Perhaps it was old as life itself, a malevolent offshoot of the first sampling of creation. Yet Leigh and Daintith thought they could track it to its lair and swat it like some bothersome insect.
Patrick Lynch (Carriers)
When I was a kid, summers were the most glorious time of life. Because my parents believed in hands-off, free-range parenting, I’d usually be out the door before ten and wouldn’t return until dinner. There were no cell phones to keep track of me and whenever my mom called a neighbor to ask where I was, the neighbor was often just as clueless as to her own child’s whereabouts. In fact, there was only one rule as far as I could tell: I had to be home at half past five, since my parents liked to eat dinner as a family. I can’t remember exactly how I used to spend those days. I have recollections in snapshot form: building forts or playing king of the hill on the high part of the jungle gym or chasing after a soccer ball while attempting to score. I remember playing in the woods, too. Back then, our home was surrounded by undeveloped land, and my friends and I would have dirt-clod wars or play capture the flag; when we got BB guns, we could spend hours shooting cans and occasionally shooting at each other. I spent hours exploring on my bicycle, and whole weeks would pass where I’d wake every morning with nothing scheduled at all. Of course, there were kids in the neighborhood who didn’t lead that sort of carefree existence. They would head off to camp or participate in summer leagues for various sports, but back then, kids like that were the minority. These days, kids are scheduled from morning to night because parents have demanded it, and London has been no exception. But how did it happen? And why? What changed the outlook of parents in my generation? Peer pressure? Living vicariously through a child’s success? Résumé building for college? Or was it simply fear that if their kids were allowed to discover the world on their own, nothing good would come of it? I don’t know. I am, however, of the opinion that something has been lost in the process: the simple joy of waking in the morning and having nothing whatsoever to do.
Nicholas Sparks (Two By Two)
Dusk settled over our shoulders like a damp purple blanket. The river- the churn and clank of boat traffic, the shush of water, and the tangy smell of catfish and mud- was slowly beaten back by honeysuckle and cicadas and some bird that cooed the same three syllables in a lilting circle. It was all so familiar and so foreign. I pictured a young girl in a blue cotton dress running down this same road on cinnamon-stick legs. Then I pictured another girl, white and square-jawed, running before her. Adelaide. Mother. I would've missed it if I hadn't been looking: a narrow dirt drive crowded on either side by briars and untrimmed boughs. Even once I'd followed the track to its end I was uncertain- who would live in such a huddled, bent-back cabin, half-eaten by ivy and some sort of feral climbing rose? The wooden-shake shingles were green with moss; the barn had collapsed entirely.
Alix E. Harrow (The Ten Thousand Doors of January)
a twenty-year study that tracked six thousand British civil servants found that when their bosses criticized them unfairly, didn’t listen to their problems, and rarely praised them, employees suffered more angina, heart attacks, and deaths from heart disease. You get the idea. It doesn’t matter whether the assholes around you are getting ahead or (more likely) screwing up their lives, careers, and companies. They pose a danger to you and others.
Robert I. Sutton (The Asshole Survival Guide: How to Deal with People Who Treat You Like Dirt)
The organs of respiration have their only protective apparatus, filter, or dust-catcher, in the nostrils. When the breath is taken through the mouth, there is nothing from mouth to lungs to strain the air, or to catch the dust and other foreign matter in the air. From mouth to lungs the dirt or impure substance has a clear track, and the entire respiratory system is unprotected. And, moreover, such incorrect breathing admits cold air to the organs, thereby injuring them.
William Walker Atkinson (The Hindu Yogi Science of Breath)
You’re a trigger finger dug into the starting gun, the smack as it fires, the tense stroke of hooves pressing into a fresh track. You’re the curiosity of a flashbulb nibbling air, tricky camera lens grabbing a mane as it quivers back. I’m a rising overture of thighs. I’m dirt exploding midair —sand fireworks. I’m the impulse to grab hold: the jockey’s knees clenching as he rocks above the heaving saddle. You’re the bit I can’t keep from tasting, and I, the clench of jaws, willing to split in two for the shiver of collision, tooth on tooth. Darling, you’re a wager: the whole wad riding on one last leap, but then you’re abrupt: an ankle’s vomity pop. And I’m the entire crowd grunting to its feet. You’re one blossoming moment of unstoppable collapse: the bracing limbs, the beveling slide, the shriek of submission to gravity, a hard landing. From the stands, I’m a hush: hand to mouth. I’m needles of heat, a gut sinking over a lost life savings. You’re someone else’s carnation wreath, red as a bitemark necklace.
Saara Myrene Raappana
From the Author’s Note: In 2017, a migrant died every twenty-one hours along the United States-Mexico border. That number does not include the many migrants who simply disappear each year. Worldwide in 2017, as I was finishing this novel, a migrant died every ninety minutes, in the Mediterranean, in Central Americ, in the horn of Africa. Every hour and a half. So sixteen migrant deaths for each night I tuck my children into bed. When I first began my research in 2013, these estimates were difficult to find because no one was keeping track. Even now, the International Organization for Migration warns that the available statistics are “likely only a fraction of the real number of deaths” because so many migrants who vanish are never accounted for in the first place. So maybe the number is more like two hundred deaths for each load of laundry I do. There are currently around forty thousand people reported missing across Mexico, and investigators routinely find mass graves containing dozens, sometimes hundreds, of bodies.
Jeanine Cummins (American Dirt)
In Memory of My Feelings" My quietness has a man in it, he is transparent and he carries me quietly, like a gondola, through the streets. He has several likenesses, like stars and years, like numerals. My quietness has a number of naked selves, so many pistols I have borrowed to protect myselves from creatures who too readily recognize my weapons and have murder in their heart! though in winter they are warm as roses, in the desert taste of chilled anisette. At times, withdrawn, I rise into the cool skies and gaze on at the imponderable world with the simple identification of my colleagues, the mountains. Manfred climbs to my nape, speaks, but I do not hear him, I'm too blue. An elephant takes up his trumpet, money flutters from the windows of cries, silk stretching its mirror across shoulder blades. A gun is "fired." One of me rushes to window #13 and one of me raises his whip and one of me flutters up from the center of the track amidst the pink flamingoes, and underneath their hooves as they round the last turn my lips are scarred and brown, brushed by tails, masked in dirt's lust, definition, open mouths gasping for the cries of the bettors for the lungs of earth. So many of my transparencies could not resist the race! Terror in earth, dried mushrooms, pink feathers, tickets, a flaking moon drifting across the muddied teeth, the imperceptible moan of covered breathing, love of the serpent! I am underneath its leaves as the hunter crackles and pants and bursts, as the barrage balloon drifts behind a cloud and animal death whips out its flashlight, whistling and slipping the glove off the trigger hand. The serpent's eyes redden at sight of those thorny fingernails, he is so smooth! My transparent selves flail about like vipers in a pail, writhing and hissing without panic, with a certain justice of response and presently the aquiline serpent comes to resemble the Medusa.
Frank O'Hara (In Memory Of My Feelings)
Damn it, Jacob, I’m freezing my butt off.” “I came as fast as I could, considering I thought it would be wise to walk the last few yards.” Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection. “I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’” “Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?” “Well, I’m fifty percent sure.” “Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.” “As Legna tells it, that’s what you’re supposed to do.” “Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck. “Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.” “This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.” “Jacob!” she gasped, laughing. “Some traditions are not necessarily publicized,” he teased. “You people are outrageous.” “Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?” Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so. “Have I ever said no to you?” “No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled. “How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair. His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet. “If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.” “Okay,” she agreed, her tongue touching his pulse. “Bella . . .” “Jacob, I want to spend the entire night making love to you,” she murmured. Jacob stopped in his tracks, taking a moment to catch his breath. “Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?” “You started it,” she reminded him, laughing softly. “I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.” “I’m sorry, you’re right.” She turned her face away from his neck. Jacob resumed his ritual walk for all of thirty seconds before he stopped again. “Bella . . .” he warned dangerously. “I’m sorry! It just popped into my head!” “What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace. “Well, in about an hour, I hope it will be me.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
And they were so very strange—these people! There were the boys and men who rose at dawn—yet never paused to watch the sun flood the world with light; who stayed in the fields all day—yet never raised their eyes to the big fleecy clouds overhead; who knew birds only as thieves after fruit and grain, and squirrels and rabbits only as creatures to be trapped or shot. The women—they were even more incomprehensible. They spent the long hours behind screened doors and windows, washing the same dishes and sweeping the same floors day after day. They, too, never raised their eyes to the blue sky outside, nor even to the crimson roses that peeped in at the window. They seemed rather to be looking always for dirt, yet not pleased when they found it—especially if it had been tracked in on the heel of a small boy's shoe!
Eleanor H. Porter (Just David)
Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain traveling across the vast dry field toward him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding on the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn't know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew that he had started his entire time at Aglionby certain all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan's first kiss. "I'm gonna go downstairs," Ronan said.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
we neared Liverpool’s Lime Street station, we passed through a culvert with walls that appeared to rise up at least thirty feet, high enough to block out the sun. They were as smooth as Navajo sandstone. This had been bored out in 1836 and had been in continuous use ever since, the conductor told me. “All the more impressive,” he said, “when you consider it was all done by Irish navvies working with wheelbarrows and picks.” I couldn’t place his accent and asked if he himself was Irish, but he gave me a disapproving look and told me he was a native of Liverpool. He had been talking about the ragged class of nineteenth-century laborers, usually illiterate farmhands, known as “navvies”—hard-drinking and risk-taking men who were hired in gangs to smash the right-of-way in a direct line from station to station. Many of them had experienced digging canals and were known by the euphemism “navigators.” They wore the diminutive “navvy” as a term of pride. Polite society shunned them, but these magnificent railways would have been impossible without their contributions of sweat and blood. Their primary task was cleaving the hillsides so that tracks could be laid on a level plain for the weak locomotive engines of the day. Teams of navvies known as “butty gangs” blasted a route with gunpowder and then hauled the dirt out with the same kind of harness that so many children were then using in the coal mines: a man at the back of a full wheelbarrow would buckle a thick belt around his waist, then attach that to a rope dangling from the top of the slope and allow himself to be pulled up by a horse. This was how the Lime Street approach had been dug out, and it was dangerous. One 1827 fatality happened as “the poor fellow was in the act of undermining a heavy head of clay, fourteen or fifteen feet high, when the mass fell upon him and literally crushed his bowels out of his body,” as a Liverpool paper told it. The navvies wrecked old England along with themselves, erecting a bizarre new kingdom of tracks. In a passage from his 1848 novel Dombey and Son, Charles Dickens gives a snapshot of the scene outside London: Everywhere
Tom Zoellner (Train: Riding the Rails That Created the Modern World-from the Trans-Siberian to the Southwest Chief)
That's Branton, Michigan, by the way. Don't try to find it on a map - you'd need a microscope. It's one of a dozen dinky towns north of Lansing, one of the few that doesn't sound like it was named by a French explorer. Branton, Michigan. Population: Not a Lot and Yet Still Too Many I Don't Particularly Care For. We have a shopping mall with a JCPenny and an Asian fusion place that everyone says they are dying to try even though it’s been there for three years now. Most of our other restaurants are attached to gas stations, the kind that serve rubbery purple hot dogs and sodas in buckets. There’s a statue of Francis B. Stockbridge in the center of town. He’s a Michigan state senator from prehistoric times with a beard that belongs on Rapunzel’s twin brother. He wasn’t born in Branton, of course – nobody important was ever born in Branton – but we needed a statue for the front of the courthouse and the name Stockbridge looks good on a copper plate. It’s all for show. Branton’s the kind of place that tries to pretend it’s better than it really is. It’s really the kind of place with more bars than bookstores and more churches than either, not that that’s necessarily a bad thing. It’s a place where teenagers still sometimes take baseball bats to mailboxes and wearing the wrong brand of shoes gets you at least a dirty look. It snows a lot in Branton. Like avalanches dumped from the sky. Like heaps to hills to mountains, the plows carving their paths through our neighborhood, creating alpine ranges nearly tall enough to ski down. Some of the snow mounds are so big you can build houses inside them, complete with entryways and coat closets. Restrooms are down the hall on your right. Just look for the steaming yellow hole. There’s nothing like that first Branton snow, though. Soft as a cat scruff and bleach white, so bright you can almost see your reflection in it. Then the plows come and churn up the earth underneath. The dirt and the boot tracks and the car exhaust mix together to make it all ash gray, almost black, and it sickens your stomach just to look at it. It happens everywhere, not just Branton, but here it’s something you can count on.
John David Anderson
PANG LIVED in an obscure district off On Nuch and to reach his house required a long drive down some narrow dirt tracks. Dust rose up from the ground as Nigel was thrown around in the back like a rag doll. Eventually they arrived at a row of painted houses and parked outside one painted blue. Nigel stepped out, tidied his hair in the wing mirror then followed Pang to the house. “That’s a nice shade of blue.” “I like blue,” Pang drawled. Nigel followed Pang to the front door and watched as Pang fiddled with his keys and connected with the lock. Stepping in, Pang flicked off his shoes and waited for Nigel to do something similar. Pang then pointed upstairs. “We better be quiet; Tuk sleeping.” They crept into the house on tip-toes and just as they were reaching the staircase, a light came on. They froze in their steps. A tall Thai lady stood at the top of the stairs looking down. She had short, brown hair, long legs and high, curvy hips. “I can see you.
Simon Palmer (Lost Innocence (Tales From the Land of Smiles))
dirt lane ran behind these old double lots built for beach cottages early in the last century. Back then not every house had flush toilets. A honey wagon came around at nights to maintain the outhouses. Now transients tracked through the old lanes trash-picking and collecting recyclables from the dumpsters.
Mar Preston (On Behalf of the Family (A Detective Dave Mason Mystery Book 3))
The pregnant women complained desperately. The Georgia-man rode on. After crossing the Potomac, he moved Ball, who was physically the strongest of the men, from the middle of the chain and attached his padlocked collar to the first iron link. With Ball setting a faster pace, the two sets of double lines of people hurried down the high road, a dirt line in the Virginia grain fields that today lies under the track of US Highway 301.
Edward E. Baptist (The Half Has Never Been Told: Slavery and the Making of American Capitalism)
Mackenzie scanned the ground. Where she stood was nothing more than packed dirt that gave way to gravel and then tar around the other side of the bins. She was standing on the dirt portion and looking down to the tire tracks that were embedded like ghost prints along the ground. The criss-crossing and jumbled passage of countless tire tracks was going to make it very hard to identify a reliable print. It had been dry and hot lately; the last rainfall had been about a week ago and that had only been a drizzle. Dry ground was going to make this significantly harder.
Blake Pierce (Before He Sees (Mackenzie White #2))
Steve drove the next morning as we made the turn for the Burdekin River. The single-lane dirt road, as small as it was, ended there--but we had another two or three hours of four-wheel driving to go. We navigated through deep ravines carved by the area’s repeated cyclone-fed floods, occasionally balancing on three wheels. “Hang out the window, will you?” Steve shouted as we maneuvered around the edge of a forty-foot drop. “I need to you to help counterbalance the truck.” You’ve got to be kidding me, I thought. But there I was, hanging off the side of the bull bar while Steve threaded his way over the eroding track. As we pounded and slammed our way deep into the bush, Steve talked about the area’s Aborigines. He pointed out a butte where European colonists massacred a host of the Aboriginal population in Victorian times. The landscape was alive to him, not only with human history, but with the complex interrelatedness of plants, animals, and the environment. He pointed out giant 150-year-old eucalypts, habitats for insectivorous bats, parrots, and brush-tailed possums. After hours of bone-jarring terrain, we reached the Burdekin, a beautiful river making its way through the tea trees. It was a breathtaking place. We set up camp--by which I mean Steve did--at a fork in the river, where huge black boulders stood exposed in the middle of the water. I tried to help, but I felt completely out of my depth. He unpacked the boat and the motor, got it tied and moored on the river, rolled out the swags, and lined up containers of fuel, water, and food. Then he started stringing tarps. What a gift Steve had for setting up camp. He had done it countless times before, month in and month out, all by himself, with only Sui for company. I watched him secure ropes, tie knots, and stretch canvas like he was expecting that we’d have to withstand a cyclone. It was hot, more than a hundred degrees Fahrenheit, but Steve didn’t seem to notice. Sui found a little shallow place at the edge of the river and immediately plopped herself in. I saw Steve look over at her as if calculating her chances of being snatched by a croc. Crocodiles are the ultimate camouflage attack predators, striking from the water’s edge. There would never be “down time” for Steve. No time to sit down and unwind. We were off in an instant. We grabbed Sui, jumped in the boat, and headed upstream. White Burdekin ducks startled up in front of our boat, their dark neck-rings revealed as they flew over us. Cormorants dried their feathers on the mid-river boulders, wings fully open. It was magical and unspoiled, as if we were the first people ever to travel there.
Terri Irwin (Steve & Me)
Outside, Ambo slogs through snow ankle-deep, making bloody tracks down the graded yard toward the box truck. Scanning the roundabout below, where the dirt utility road spills from the wood into the clearing. No movement. Nothing on approach. Only the snow that contours the turnabout, shaping itself against the trunks of the surrounding glade. Near the split-rail fence at the end of the back yard, Ambo stops and places the cooler at his feet. He lays the shotgun in a wide drift beside the last stile, working it in with his hands, using the snow to scour off the worst of the gore. The slush reddened like a confection. When he finishes, he puts the cooler under his arm, shoulders the weapon and continues the descent. His hands numb. The truck is ahead, blanketed from nose to tail, the drifts reaching halfway into the wheel wells. When Ambo reaches the cargo bay, he glances back over his shoulder. The red house, a cornice of snow gathered on the eaves. The red tracks—his own footprints—leading away. A red imprint roughed out in the shape of a gun on the side of the path.
Jonathan R. Miller (Delivery)
We got back on the road, heading west. I remember my thoughts as we ventured into the Simpson Desert. There’s nothing out here. The landscape was flat and lifeless. Except for the occasional jump-up--a small mesa that rose twenty or thirty feet above the desert floor-it just looked like dirt, sticks, and dead trees. The Simpson Desert is one of the hottest places on earth. But Steve brought the desert to life, pointing out lizards, echidnas, and all kinds of wildlife. He made it into a fantastic journey. In the middle of this vast landscape were the two of us, the only people for miles. Steve had become adept at eluding the film crew from time to time so we could be alone. There was a local cattle station about an hour-and-a-half drive from where we were filming, a small homestead in the middle of nowhere. The owners invited the whole crew over for a home-cooked meal. Steve and I stayed in the bush, and Bob and Lyn headed to one of their favorite camping spots. After having dinner, the crew couldn’t locate us. They searched in the desert for a while before deciding to sleep in the car. What was an uncomfortable night for them turned out to be a brilliant night for us! Steve made it romantic without being traditional. His idea of a beautiful evening was building a roaring campfire, watching a spectacular sunset, and cooking a curry dinner for me in a camp oven. Then we headed out spotlighting, looking for wildlife for hours on end. It was fantastic, like the ultimate Easter egg hunt. I never knew what we’d find. When Steve did discover something that night--the tracks of a huge goanna, or a tiny gecko hiding under a bush--he reveled in his discovery. His excitement was contagious, and I couldn’t help but become excited too. The best times in my life were out in the bush with Steve.
Terri Irwin (Steve & Me)
way. Nova turned left, down a dirt track and past some trees
Claire C. Riley (Odium III (The Dead Saga #3))
The main thing spring preload adjustments really do is change the ride height. A change in ride height affects what percentage of suspension travel is available for absorbing bumps and for extending into holes or dips in the road surface.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
The size of the stiction zone is an excellent indicator of the condition of the suspension.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Testing has shown the proper top-out spring can drastically affect traction particularly when leaned over in the turns.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Damping forces depend on oil viscosity, orifice sizes, piston size, valving, shim configuration, and most of all, velocity.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
three main forces in suspension components: spring forces, damping forces, and frictional forces. That’s it. That’s all there is.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Too much rebound damping looks like this: you push down on the seat and you can see the suspension move upward slowly. As it slowly reaches the top of the rebound stroke it stops all movement.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Here is what a good starting point for rebound damping looks like: after the suspension is compressed, it will rebound. When the suspension reaches the top of its stroke, it will barely overshoot and settle down to its free sag point (a very small, single bounce).
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Damping is viscous friction. It turns kinetic energy into heat and is sensitive only to damper velocity and not suspension stroke position.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
All forms of damping accomplish one thing: they slow down the movement of the suspension.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Oil viscosity is a measure of a fluid’s resistance to flow.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Length One (L1) is the first measurement. To obtain L1, the rear wheel must be off the ground. If the bike has a centerstand, this task is simple; if not it may help to have a few, friends around to lift the bike. If you’re measuring a road race bike, don’t use a swingarm stand—even though the tire will be off the ground, the weight of the motorcycle will still be pushing down on the suspension, causing it to compress.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Now lift the sprung mass of the motorcycle up about 25mm and very slowly let it sink back down until it stops. Where it stops is L3. Again, if there were no friction, it would drop a bit more. The midpoint between L2 and L3 is where it would be without friction. Next average L2 and L3 and subtract that result from L1 to find static sag. Static Sag = L1 - ((L2 + L3)/2)
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
The L2 measurement is next. Put the motorcycle back on the ground and place the rider on board. Have the rider grab onto something to balance or use a wheel chock, like the Condor Pit-Stop, while the rider is in position. Now push down on the suspension about 25mm (about an inch) and very slowly let the suspension rise back up and stop. If there were no friction in the suspension, it would continue to come up further. Where the suspension stops is the L2 measurement (measure between the same two points as L1).
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Good numbers for rear suspension are much lower—2mm is considered good and more than 6mm indicates something’s wrong.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain traveling across the vast dry field toward him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding on the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felts as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn't know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew that he had started his entire time at Aglionby certain all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan's first kiss. "I'm gonna go downstairs," Ronan said.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I looked at the trail and the dirt and the moss. The woods were their own show, with mushrooms for jokes. Mushrooms like orange ears that looked like they’d glow in the dark. I was delirious, given the no fuel in my tank, other than painkillers. But I felt some things. The deer family that left their tracks in the muddy trail. As much venison as I’d eaten in my life, I felt I was some percentage of deer. I felt the kindliness of the moss, which is all over everywhere once you get out of the made world. God’s flooring. All the kinds, pillowy, pin-cushiony, shag carpet. Gray sticks of moss with red heads like matchsticks. Some tiny dead part of me woke up to the moss and said, Man. Where you been. This is the fucking wonderful world of color.
Barbara Kingsolver (Demon Copperhead)
The map in the study conjured images of some grand labour, a boulevard hewn from the forest. The reality is little more than a wide dirt track, wretched with potholes and fallen branches. The forest hasn’t been tamed so much as bartered with, the Hardcastles winning the barest of concessions from their neighbour.
Stuart Turton (The Seven Deaths of Evelyn Hardcastle)
Lautoka, only a street away, was a town, but Namoli was a village. The roads here had no names and the houses had no numbers, but everyone knew where everyone else lived, coconut trees lined the dirt tracks, and the bushes were weighed down with hibiscus flowers.
Suzanne Heywood (Wavewalker: Breaking Free)
I’d always thought she had pretty eyes. Now, with that silver illuminated by the Nightfire, they are sky-shattering. And yet it’s not her power, beautiful as it is, that stuns me. It’s the single tear that slides down her cheek, tracking a path of dirt and blood with it. No more walls. No more harsh words. No more lies. I feel the exhausted remnants of her fear, her anger, her relief, in the bond that we share. I feel it in my own heart.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Dannon was there, thirty feet away, pinned by the dazzling light like a frog on a tenth-grader’s dissection tray. Unlike those frogs . . . Jenkins shouted, “Freeze, freeze or we’ll shoot.” . . . Unlike those frogs, Dannon leaped sideways back into the swamp reeds and then, scrambling on his hands and knees, still clinging to his pistol, began running mindlessly through the brush. The cops all turned on their lights and played them through the brush, and caught flashes of Dannon, the movement of the swamp weeds and brush as he tore through them, and Lucas shouted, “Jenkins, Shrake, Del, go after him, take care, take care . . .” Lucas turned and in the light of his own flash, ran back up the dirt track toward the gravel road, pulled his handset and said, “Sarah, Jane, he’s coming right at you. Watch out, watch out, he’s on foot, I think he’s coming for the road. . . .” •   •   • NOTHING AT ALL WENT through Dannon’s head. He’d had some escape and evasion classes, and one of the basics was simply to put distance between yourself and your pursuer. Distance was always good; distance gave you options. He didn’t think about it, though, he just ran, fast and as hard as he could, and he was in good shape. Good shape or not, he fell three or four times—he wasn’t counting—and the small shrub and grasses tore at him and tried to catch his feet; he went knee-deep into a watery hole, pulled free, and ran on, looking back once. He was out of the light, now, he was gaining on them, he was almost there . . . And he broke free into the road. He couldn’t see it, except as a kind of dark channel in front of him. The lights were now a hundred yards back, but still coming, and he ran down the dark channel. When he got far enough out front, he’d cut across country again, and then maybe turn down toward the river. . . . He ran a hundred yards down the channel, heedless of the sounds of his footfalls, breathing hard. . . . •   •   • LUCAS WAS ON THE ROAD, moving faster than Dannon, but at the wrong angle—Dannon, though in the swamp, was cutting diagonally across the right angle of the gravel road and the dirt track. Lucas could tell more or less where he was because of the brilliant lights of the cops behind him, and the sound of Dannon’s thrashing in the brush. Then the thrashing stopped, and Lucas stopped, trying to figure out where he’d gone.
John Sandford (Silken Prey (Lucas Davenport #23))
No one lives on Hobe's Hill today. Only a few abandoned shacks remain. The land has greatly changed. When Walker Evans took his pictures, it was a grand, open place, full of cotton. Now forest has reclaimed the land. There is still some field, planted in soybeans, and this provides some sense of how things once were. These soybeans, as well as those down by the main highway, were planted by Joe Bridges and his son Huey. Amid the soybeans, the ground is stony, and the water-starved beans grow with more courage than success. This same dust was breathed by Fred Ricketts as he plowed behind the seat rump of a mule fifty years ago. He and his children stared at this ground as they chopped weeds and, later, hunched over the long rows to pick. They knew this same sun, this silence, the awful loneliness of this red plateau. The heat dulls the senses. Even sulfur butterflies, those neurotic field strutters, are slothful. The whole South seems under a hot Augustan pause--all the highways blurry beneath the burden of hear, be they four-lane marchers, two-lane winders, single-track dirt poems. From this hill, it's hard to imagine life going on in this hear anywhere across the six hundred miles of the South, in any of those terrible little towns...
Dale Maharidge (And Their Children After Them: The Legacy of Let Us Now Praise Famous Men: James Agee, Walker Evans, and the Rise and Fall of Cotton in the South)
brushed with the first crimson of sunrise. On the oval track the comb marks of the rakes in the dirt showed no footsteps; Saul always ran better on fresh earth. He stripped and tossed
James Cannon (Apostle Paul: A Novel)
Jares" or The Plain of Jars. We still refer to it by the French acronym as the "PDJ." Only two roads, an east-west dirt road and another north-south unpaved track traverse the PDJ. The roads meet and cross near the geographic center. There are no substantial villages or towns on the PDJ, just a few scattered hamlets along with the encampments of competing armies and a bumpy dirt airstrip or two. The hills surrounding the plain are controlled for the most part by Hmong tribesmen. The Hmong are ethnically, culturally, linguistically, and temperamentally distinct from the lowland Laotians. The Hmong are fiercely independent, fiercely proud, and just plain fierce. They are on our side in the war, which is a good thing for us if not for them. The Hmong have little use for their Laotian countrymen and have even less tolerance for Vietnamese people, from either the North or the South.
Ed Cobleigh (War For the Hell of It: A Fighter Pilot's View of Vietnam)
Without a single boat to patrol the district’s myriad waterways, his agents effectively went nowhere; the municipality’s entire network of roads petered out in rutted dirt tracks just beyond town. Relatively
Scott Wallace (The Unconquered: In Search of the Amazon's Last Uncontacted Tribes)
The U.S. collected information superbly and everywhere, from space to dirt. They tracked all kinds of events and things and people. For long-lead-time matters, like the order of battle for the Chinese fleet, that sufficed. For short-fuse needs, it got much, much more excruciating. Of the mass of data gathered, only a small percentage (50 percent? 10 percent? 5 percent?) ever got analyzed. Only a tiny fraction of that produced the specificity to allow action.
Daniel P. Bolger (Why We Lost: A General's Inside Account of the Iraq and Afghanistan Wars)
Your brother's car has been found," he told Jay Marriot. "It's on a little road almost directly across from Sookie's driveway." ... Eric had told me that that little road, a dirt track leading back to a deer camp, was where Debbie Pelt had hidden her car when she'd come to kill me. Might as well put up a sign: PARKING FOR SOOKIE STACKHOUSE NIGHTTIME ATTACKS.
Charlaine Harris
His mate was so gorgeous, and he wasn’t a fool. Not once did he imagine she was untouched. Just like him.
P. Jameson (Racing Home (Dirt Track Dogs, #3))
But this is no ordinary village. Every now and then, a shiny four-wheel drive bounces down the dirt track that leads to a refuge center of an organization whose name in French is Agir Pour Les Femmes en Situation Précaire, or AFESIP. (Rough translation: Helping Women in Danger.) Inside the vehicle you may spot a powerful government official, a heavyweight journalist or even an American movie star. They all come to meet with AFESIP's president and co-founder, Somaly Mam, and support her courageous work fighting sex traffickers.
Anonymous
Can you get Pete some ice for his eye?” Dad asks my mom. Her brow arches at me, and she shoots me a glare that would drop a full-grown man in his tracks. She starts to fill a zipper bag with ice. “And just why does Pete need ice for his eye?” she asks flippantly. Dad points to me. “Your daughter hit him in the face.” Mom gasps. “Reagan!” Mom crosses to stand close to Pete. She looks him over, pressing on the bone beneath his eye with her thumb. He hisses in a breath. One side of his face is dirty, probably from where Dad rolled him into the dirt. Mom passes him a damp cloth, and he wipes gingerly at his face. When it’s clean, Mom presses his eye socket with the pad of her thumb. He winces and jerks his head back. “I think Reagan did enough damage,” Dad warns. “Stop torturing the boy.” He glares at me, too. I want to hide my face in shame. Suddenly, I notice the way that Pete is holding his left wrist in his hand. My gaze shoots up to meet his, and I don’t see anything but curiosity. He should be fuming mad. He has every right to be. “Is your arm hurt?” I ask quietly. The corners of Pete’s lips tilt in a small smile. “It’s fine.” “It’s not fine,” Dad gripes. “It might be broken.” “Oh shit,” I breathe. “Reagan,” Mom warns. “Oh shit,” Link parrots. Shit again. Now Link’s repeating me. “Oh shit,” Link says again. I bury my face in my hands. My parents are going to kill me when they get me alone.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Leave your running for the track, T. Leave your past where it belongs . . . in the dirt. If you’re gonna run, run to me, to your future, to being happy.
Rachel Blaufeld (Vérité (Love at Center Court, #1))
Crazy thing about dirt roads. Get very much rain and they’d pack down like tracks of clay, sticking to tires and caking to the wheel wells. Have a drought, though, and the dust would puff up for what seemed like a mile following a car’s path, turning the sky into a dingy haze. Dirt-colored smoke. Maybe Holly had lived there long enough that her heart mirrored the roads. It had been one heck of a dry season, but she’d seen a few showers lately. If she could just learn hang onto those downpours a little longer, maybe the dry days wouldn’t cause such a deep ache.
Christina Coryell (Written in the Dust (Backroads #2))
settling down. Suddenly as we came around a bend in the road, a Heinie tank loomed up in front of us. This one was what was called a Panther tank. Fortunately it was facing the other way and in a moment we realized it was done for, for dead Germans were lying beside it. As we came closer to examine it more carefully we noticed that a short distance off to the left facing down a narrow, dirt lane were four American half-tracks, the vehicles which carry the armored infantry of an armored division. They were all perfectly spaced at regular intervals, but they were all stopped. There was a deathly stillness about everything but the half-tracks looked as though they were at least partially filled with soldiers. I was curious and got out of my jeep and started
Brenton G. Wallace (Patton And His Third Army)
Enzo.” I glare at him. “Suzette invited us for dinner! We need to be there in fifteen minutes. Remember?” He looks at me blankly. I am amazed by his ability to forget any sort of social engagement, although he seems to be very good at keeping track of his work obligations. “Oh,” he says. “Was it in the family calendar?” Enzo always tells me to put things in the family calendar on our phones, but as far as I can tell, he does not check that—ever. “Yes, it was.” “Oh.” He scratches his neck with his dirt-encrusted hand. “I guess… I shower now then.” Honestly, sometimes it’s like having a third child.
Freida McFadden (The Housemaid Is Watching (The Housemaid, #3))
TRAIL DESCRIPTION The Colorado Trail begins across the road from the parking lot on Waterton Canyon Road at mile 0.0 (5,522 feet) Continue past the interpretive display and through another parking area that is closed to the public. Bear right at a fork in the road at mile 0.4 (5,522), staying on the main dirt road for the next 6.2 miles. There is no camping permitted along this stretch of trail and dogs are not allowed. At mile 6.2 (5,786), there is a turnoff on the right for Strontia Springs Dam, worthy of a photo, plus vault toilet and water. The CT bears to the left. Go straight at the intersection with a side road on the left that is also Roxborough Trail at mile 6.4 (5,889). Dogs can join the CT at this point. At mile 6.6 (5,931), where the main road curves sharply to the right, leave the main road and go left onto a smaller road. At mile 6.7 (6,024), there is an intersection. Bear to the left and follow the single-track trail. The trail begins to climb more steeply from here.
Colorado Trail Foundation (The Colorado Trail)
They couldn’t be that dumb, could they?   Eamon had stopped moving and was giving the burrows an assessing glance. He looked over his shoulder and tilted his head at the dark hole.   Yep, they could be that dumb. Shea mouthed a curse.   That’s why Buck was so all fired curious about the damn things. He thought their people might be in them.   He backed out of the latest one and shook his head at Eamon.   To those unfamiliar with the shadow beetle, it would have made sense to seek shelter in one of the smaller tunnels. The shadow beetle was too big to follow. It would seem like the safest place if you didn’t know about the hundreds, possibly thousands, of eggs filled with ravenous baby shadow beetles, just waiting to hatch.   Buck straightened and pointed at the tunnel he just checked, making the sign for tracks. It was no bigger than waist high and only about two feet across. He’d found several footprints in the dirt in front of it.   They shared looks of equal distaste.   None of them wanted to head down into the dark. Eamon rolled his eyes up to the sky as if to say ‘why me?’ while Buck rested one arm against the stone and covered his eyes.   Eamon crouched to the side and cupped his hands around his mouth whispering as loud as he could into the dark, “Vale? Anyone? Are you alive down there?
T.A. White (Pathfinder's Way (The Broken Lands, #1))
if the rider can get used to a little looser feeling, the gains in traction will improve lap times and tire life, and his “ideal feel peak” would be closer to the traction peak.
Paul Thede (Race Tech's Motorcycle Suspension Bible: Dirt, Street and Track (Motorbooks Workshop))
I know. I’m super nice. Now, start complimenting me on all my hard work at cleaning the cabin. I was scrubbing the place all day, you know.” They look away, as if trying to spot the tracks of dirt I scrubbed away. “Looks good,” they say at the same time. I narrow my eyes. “You can’t even tell the difference, can you?” “No.” “You’re jerks.” “I can tell the difference,” Sylred insists. Evert rolls his eyes. “Liar.” “No, I can,” Sylred says. “The floor is less...dirty. And the table looks...cleaner.
Raven Kennedy (Signs of Cupidity (Heart Hassle, #1))
down their road, each way, wid a flag,” directed O’Brien to Casey, “and thin tear up their track. Cut off the rails six inches inside the highway line. Don’t ye get off the road on to the company’s ground, av ye value yer life. Get the thrack out av the way, an’ thin start the plows an’ scrapers. Dump the dirt in a long pile in the middle av the sthreet; don’t cover up anny av the Dubskys or Polowskys, but kape the dirt movin’.
Wallace D. Wattles (Wallace D. Wattles Master Collection: 84 Rare Books and Articles by Wallace D. Wattles, Author of The Science of Getting Rich)
I had made my own calculations as the years had passed since boyhood, understanding the grim expectations of my sex. It was equally a relief and a surprise to have found myself spared by the giant tread of fate’s jackboot as it had marched towering above me, the monstrous, insensible colossus, leaving those born in my inglorious decade cowering in its path, relieved though somewhat ashamed on a bubble of untrammelled dirt. While all around us men slightly older, and mere months younger, were squashed face first, bones snapped, into the puddled trenches of its staggering tracks. Then, what an extraordinary gift from God, to see little Robert and those of his age spared too, supposing this war ended quickly and the next came late enough.
A.J. West (The Spirit Engineer)
something kicked in and whatever it was that had shut him down released him. He collected his thoughts. ‘Bury them,’ said Mitchell. ‘Bury them? Bury them?’ Maillé snorted. ‘We don’t have time for that! And with what? Our bare hands?’ ‘Down the track,’ said Mitchell. ‘We take them down to the sheds.’ ‘We can’t carry all these men, Pascal,’ said Bucard reasonably. ‘I know. Down at the shed, there’s a …’ he struggled to find the word he wanted, ‘A… handcar,’ he said in English, then remembered. ‘Voiture de chemin de fer.’ ‘And then?’ said Laforge. ‘Just do as I say,’ said Mitchell. * Hours later Waffen SS-Sturmbannführer Ahren Brünner pulled the goggles off his dirt-streaked face and stepped down from his open-top vehicle. He examined the area around the torn rail track – there was no other sign of damage. Behind him his motorized company stayed alert; some scanned the hills and trees in case of ambush. Men and vehicles were spread out tactically as his men searched the area. He took a good look around but the damage seemed minimal. ‘Major?’ one of his men called. He turned towards the soldier, who pointed to a group of his men halfway down the embankment in the trees where they had pulled aside the cut branches that had camouflaged the overturned
David Gilman (Night Flight to Paris)
And that’s courage for the next time. And the next time. And inch by inch, you drag yourself back. Mend the knife-marks until they’re silver scars. Mop the floors until the tiles are not longer stained, and you do that once a fortnight now, because their shitty off-whiteness that collects far too much dirt and dust won’t beat you. You fix the small bits, one at a time. When you look back, you see the trail of black, oozing sick that you’ve tracked from the pit, all the way to here. It’s been a long, brutal journey. And yet, looking around, you’re shoulder to shoulder with your people, who have the same tools and same luck as you. You beat the odds, inch by inch. You haven’t won, not really, there’s no such thing, but you’re alive. You get to keep going.
D.C. McNeill (Palerunner: A collection of essays about world building, CRPG’s, love, loss and many other kinds of literary vulnerability)
Racers ride special motocross bikes, also called dirt bikes. They race on rugged tracks that are closed to normal traffic.
Aline Alexander Newman (Animal Superstars: And More True Stories of Amazing Animal Talents (National Geographic Kids Chapters))
caring about her = putting glass in the dishwasher. Caring about her = keeping your laundry off the floor. Caring about her = thoughtfully not tracking dirt or whatever on the floor she worked hard to clean. Caring about her = taking care of kid-related things so she can just chill out for a little bit and worry about one less thing.
Matthew Fray (This Is How Your Marriage Ends: A Hopeful Approach to Saving Relationships)
caring about her = putting glass in the dishwasher. Caring about her = keeping your laundry off the floor. Caring about her = thoughtfully not tracking dirt or whatever on the floor she worked hard to clean. Caring about her = taking care of kid-related things so she can just chill out for a little bit and worry about one less thing. Caring about her = “Hey babe. Is there anything I can do today or pick up on my way home that will make your day better?” Caring about her = a million little things that say “I love you” more than speaking the words ever could.
Matthew Fray (This Is How Your Marriage Ends: A Hopeful Approach to Saving Relationships)