Diplomacy Picture Quotes

We should take pictures!" Elise said. "Anyone got a camera?" Celeste asked. "I;m a pro at this." "Mason does!" Kross shouted. "Come here for a minute," she said to a maid, waving her over encouragingly. "Hold on," I said, grabbing some paper. "Okay, okay. 'Your Highest of Highnesses, the ladies of the Elite require, immediately, the least fancy of your cameras for. . .'" Kriss giggled, and Celeste shook her head. "Oh! A study in feminine diplomacy," Elise added. "Is that a real thing?" Kross asked. Celeste tossed her hair. "Who cares?" Maybe twenty minutes later, Maxon knocked on the door and pushed it open an inch. "Can I come in?" Kross ran over. "No. We just want the camera." And she snatched it from his hand and closed the door in his face. Celeste fell on the floor, laughing. "What are you doing in there?" he called. But we were all too busy doubling over to answer.

Playing pool with Korean officials one evening in the Koryo Hotel, which has become the nightspot for foreign businessmen and an increasing number of diplomats (to say nothing of the burgeoning number of spies and journalists traveling under second identities), I was handed that day's edition of the Pyongyang Times. At first glance it seemed too laughable for words: endless pictures of the 'Dear Leader'—Little Boy's exalted title—as he was garlanded by adoring schoolchildren and heroic tractor drivers. Yet even in these turgid pages there were nuggets: a telegram congratulating the winner of the Serbian elections; a candid reference to the 'hardship period' through which the country had been passing; an assurance that a certain nuclear power plant would be closed as part of a deal with Washington. Tiny cracks, to be sure. But a complete and rigid edifice cannot afford fissures, however small. There appear to be no hookers, as yet, in Pyongyang. Yet if casinos come, can working girls be far behind? One perhaps ought not to wish for hookers, but there are circumstances when corruption is the only hope.

So many of the professional foreign policy establishment, and so many of their hangers-on among the lumpen academics and journalists, had become worried by the frenzy and paranoia of the Nixonian Vietnam policy that consensus itself was threatened. Ordinary intra-mural and extra-mural leaking, to such duly constituted bodies as Congress, was getting out of hand. It was Kissinger who inaugurated the second front or home front of the war; illegally wiretapping the telephones even of his own staff and of his journalistic clientele. (I still love to picture the face of Henry Brandon when he found out what his hero had done to his telephone.) This war against the enemy within was the genesis of Watergate; a nexus of high crime and misdemeanour for which Kissinger himself, as Isaacson wittily points out, largely evaded blame by taking to his ‘shuttle’ and staying airborne. Incredibly, he contrived to argue in public with some success that if it were not for democratic distempers like the impeachment process his own selfless, necessary statesmanship would have been easier to carry out. This is true, but not in the way that he got newspapers like Rees-Mogg’s Times to accept.

Rolf Ekeus came round to my apartment one day and showed me the name of the Iraqi diplomat who had visited the little West African country of Niger: a statelet famous only for its production of yellowcake uranium. The name was Wissam Zahawi. He was the brother of my louche gay part-Kurdish friend, the by-now late Mazen. He was also, or had been at the time of his trip to Niger, Saddam Hussein's ambassador to the Vatican. I expressed incomprehension. What was an envoy to the Holy See doing in Niger? Obviously he was not taking a vacation. Rolf then explained two things to me. The first was that Wissam Zahawi had, when Rolf was at the United Nations, been one of Saddam Hussein's chief envoys for discussions on nuclear matters (this at a time when the Iraqis had functioning reactors). The second was that, during the period of sanctions that followed the Kuwait war, no Western European country had full diplomatic relations with Baghdad. TheVatican was the sole exception, so it was sent a very senior Iraqi envoy to act as a listening post. And this man, a specialist in nuclear matters, had made a discreet side trip to Niger. This was to suggest exactly what most right-thinking people were convinced was not the case: namely that British intelligence was on to something when it said that Saddam had not ceased seeking nuclear materials in Africa. I published a few columns on this, drawing at one point an angry email from Ambassador Zahawi that very satisfyingly blustered and bluffed on what he'd really been up to. I also received—this is what sometimes makes journalism worthwhile—a letter from a BBC correspondent named Gordon Correa who had been writing a book about A.Q. Khan. This was the Pakistani proprietor of the nuclear black market that had supplied fissile material to Libya, North Korea, very probably to Syria, and was open for business with any member of the 'rogue states' club. (Saddam's people, we already knew for sure, had been meeting North Korean missile salesmen in Damascus until just before the invasion, when Kim Jong Il's mercenary bargainers took fright and went home.) It turned out, said the highly interested Mr. Correa, that his man Khan had also been in Niger, and at about the same time that Zahawi had. The likelihood of the senior Iraqi diplomat in Europe and the senior Pakistani nuclear black-marketeer both choosing an off-season holiday in chic little uranium-rich Niger… well, you have to admit that it makes an affecting picture. But you must be ready to credit something as ridiculous as that if your touching belief is that Saddam Hussein was already 'contained,' and that Mr. Bush and Mr. Blair were acting on panic reports, fabricated in turn by self-interested provocateurs.

The Renaissance deepened the influence of medieval development with its striving towards capitalistic economic and social system only in so far as it confirms the rationalism which now dominates the whole intellectual and material life of the time. [...] They are arecreation of the same spirit which makes its way in the organization of labour, in trading methods, the credit system and double-entry book keeping, in methods of government, in diplomacy and warfare. The whole development of art becomes part of the total process of rationalization. The irrational ceases to make any deeper impression. The things that are now felt as 'beautiful' are the logical conformity of the individual parts of a whole, the arithmetically definable harmony of the relationships and the calculable rhythm of a composition, the exclusion of discords in the relation of the figures to the space they occupy and in the mutual relationship of the various parts of the space itself. And just a central perspective is space seen from a mathematical standpoint, and right proportions are only equivalent to the systematic organization of the individual forms in a picture, so in the course of time call criteria of artistic quality are subjected to rational scrutiny and all the laws of art are rationalized.

Why, exactly, is Marduk handing Hammurabi a one and a zero in this picture?" Hiro asks. "They were emblems of royal power," the Librarian says. "Their origin is obscure." "Enki must have been responsible for that one," Hiro says. "Enki's most important role is as the creator and guardian of the me and the gis-hur, the 'key words' and 'patterns' that rule the universe." "Tell me more about the me." "To quote Kramer and Maier again, '[They believed in] the existence from time primordial of a fundamental, unalterable, comprehensive assortment of powers and duties, norms and standards, rules and regulations, known as me, relating to the cosmos and its components, to gods and humans, to cities and countries, and to the varied aspects of civilized life.'" "Kind of like the Torah." "Yes, but they have a kind of mystical or magical force. And they often deal with banal subjects -- not just religion." "Examples?" "In one myth, the goddess Inanna goes to Eridu and tricks Enki into giving her ninety-four me and brings them back to her home town of Uruk, where they are greeted with much commotion and rejoicing." "Inanna is the person that Juanita's obsessed with." "Yes, sir. She is hailed as a savior because 'she brought the perfect execution of the me.'" "Execution? Like executing a computer program?" "Yes. Apparently, they are like algorithms for carrying out certain activities essential to the society. Some of them have to do with the workings of priesthood and kingship. Some explain how to carry out religious ceremonies. Some relate to the arts of war and diplomacy. Many of them are about the arts and crafts: music, carpentry, smithing, tanning, building, farming, even such simple tasks as lighting fires." "The operating system of society." "I'm sorry?" "When you first turn on a computer, it is an inert collection of circuits that can't really do anything. To start up the machine, you have to infuse those circuits with a collection of rules that tell it how to function. How to be a computer. It sounds as though these me served as the operating system of the society, organizing an inert collection of people into a functioning system." "As you wish. In any case, Enki was the guardian of the me." "So he was a good guy, really." "He was the most beloved of the gods." "He sounds like kind of a hacker.

Primer of Love [Lesson 53] The truth is not always what we want to hear. ~ Yiddish Proverb Lesson 53) I solemnly promise to tell the truth, the partial truth, anything but the truth -- whatever preserves the relationship. "There is a time for everything, and a season for every activity under heaven."There's a time for candor and a time for white lies, depending whether you want touproot or you want to plant goodwill. There's a time for brutal honesty and a time for diplomacy, depending whether you want to tear down or to build egos. There's a time to talk and a time to refrain from talking, depending if you want to spill the beans on yourself and you want the perfect accompiment for your hot dog. "Does my ass look fat in this dress?" Fuck the truth, there is only one answer: "No, sweetheart, your ass looks great!" Get the picture? "There's a time to love and a time to hate, a time for war and a time for peace." Keep the love, keep the peace! Amen.

Most of us carry a faded old picture in our heads of what a great captain looks like. It’s usually an attractive person who possesses an abundance of strength, skill, wisdom, charisma, diplomacy, and unflappable calm. These people are not supposed to be difficult to spot. In our imaginations they’re talkative and articulate, charismatic but firm, tough but gracious, and respectful of authority. We expect leaders, especially in sports, to pursue their goals with gusto but to never wander from the principles of sportsmanship and fair play. We believe, as the Stanford social psychologist Deborah Gruenfeld put it, that power is reserved for the kind of person “who possesses some combination of superior charm and ruthless ambition that the rest of us don’t.

That dialogue pictures Julius arriving at the gates of heaven on a great military charger and being rejected by St. Peter, who cannot be made to understand how the vicar of Christ could have turned from humility, service, and devoted spiritual life to warfare and diplomacy.

But the epitaph for which he has ever since been remembered was written by Erasmus, in the witty but savage dialogue “Julius Exclusus.” That dialogue pictures Julius arriving at the gates of heaven on a great military charger and being rejected by St. Peter, who cannot be made to understand how the vicar of Christ could have turned from humility, service, and devoted spiritual life to warfare and diplomacy.

Mother tries to catch Warren’s eyes in the rearview, saying, Warren, you’ve gotta come to Texas and see the pictures, of your wife. Do you think I look bad? You got in the back so quick I couldn’t see you, he says. His eyes are fixed on the lights of Boston. Master of diplomacy, I say.

An image-based culture communicates through narratives, pictures, and pseudo-drama. Scandalous affairs, hurricanes, untimely deaths, train wrecks—these events play well on computer screens and television. International diplomacy, labor union negotiations, and convoluted bailout packages do not yield exciting personal narratives or stimulating images … Reality is complicated. Reality is boring. We are incapable or unwilling to handle its confusion … We become trapped in the linguistic prison of incessant repetition.

Overwhelming praise with insight executes one's vision and knowledge; otherwise, it pictures only the motives of diplomacy, not the reality.

My own background as a diplomat well into a fifth decade biases me in favour of presenting a clinical picture of the global landscape, its challenges and complications as well as of the implications for India and a suggested course of action. This is what I have done for a living all these years. It is not that we avoid personalities and relationships or underplay their importance. On the contrary, so much of diplomacy is about chemistry and credibility that the human factor is always central to an accurate judgement. But what usually happens is that a vast number of objective and subjective elements are distilled into an integrated picture, which acquires a relatively dispassionate character.