Diplomacy Is An Art Quotes

The supreme art of war is to subdue the enemy without fighting.

The art of diplomacy is the luck of knowing more of your rival's secrets than he knows of yours.

Diplomacy is the art of telling people to go to hell in such a way that they ask for directions.

diplomacy, n.: The patriotic art of lying for one's country.

Diplomacy is the art of letting someone else have your way.

To say nothing, especially when speaking, is half the art of diplomacy.

Diplomacy,n. The patriotic art of lying for one's country.

A NATION'S GREATNESS DEPENDS ON ITS LEADER To vastly improve your country and truly make it great again, start by choosing a better leader. Do not let the media or the establishment make you pick from the people they choose, but instead choose from those they do not pick. Pick a leader from among the people who is heart-driven, one who identifies with the common man on the street and understands what the country needs on every level. Do not pick a leader who is only money-driven and does not understand or identify with the common man, but only what corporations need on every level. Pick a peacemaker. One who unites, not divides. A cultured leader who supports the arts and true freedom of speech, not censorship. Pick a leader who will not only bail out banks and airlines, but also families from losing their homes -- or jobs due to their companies moving to other countries. Pick a leader who will fund schools, not limit spending on education and allow libraries to close. Pick a leader who chooses diplomacy over war. An honest broker in foreign relations. A leader with integrity, one who says what they mean, keeps their word and does not lie to their people. Pick a leader who is strong and confident, yet humble. Intelligent, but not sly. A leader who encourages diversity, not racism. One who understands the needs of the farmer, the teacher, the doctor, and the environmentalist -- not only the banker, the oil tycoon, the weapons developer, or the insurance and pharmaceutical lobbyist. Pick a leader who will keep jobs in your country by offering companies incentives to hire only within their borders, not one who allows corporations to outsource jobs for cheaper labor when there is a national employment crisis. Choose a leader who will invest in building bridges, not walls. Books, not weapons. Morality, not corruption. Intellectualism and wisdom, not ignorance. Stability, not fear and terror. Peace, not chaos. Love, not hate. Convergence, not segregation. Tolerance, not discrimination. Fairness, not hypocrisy. Substance, not superficiality. Character, not immaturity. Transparency, not secrecy. Justice, not lawlessness. Environmental improvement and preservation, not destruction. Truth, not lies. Most importantly, a great leader must serve the best interests of the people first, not those of multinational corporations. Human life should never be sacrificed for monetary profit. There are no exceptions. In addition, a leader should always be open to criticism, not silencing dissent. Any leader who does not tolerate criticism from the public is afraid of their dirty hands to be revealed under heavy light. And such a leader is dangerous, because they only feel secure in the darkness. Only a leader who is free from corruption welcomes scrutiny; for scrutiny allows a good leader to be an even greater leader. And lastly, pick a leader who will make their citizens proud. One who will stir the hearts of the people, so that the sons and daughters of a given nation strive to emulate their leader's greatness. Only then will a nation be truly great, when a leader inspires and produces citizens worthy of becoming future leaders, honorable decision makers and peacemakers. And in these times, a great leader must be extremely brave. Their leadership must be steered only by their conscience, not a bribe.

Moody had no small genius for the art of diplomacy. As a child he had known instinctively that it was always better to tell a partial truth with a willing aspect than to tell a perfect truth in a defensive way. The appearance of cooperation was worth a great deal, if only because it forced a reciprocity, fair met with fair.

…Policy is the art of the possible, the science of the relative.

Diplomacy is the art of selling a deal you don’t want to people you don’t trust for reasons you won’t admit to.” -Prokopia Lekapene, first and only Hierarch of the League of Free Cities

Diplomacy may very well be the art of manipulating secrets. What would any negotiation come to, were not there secrets to either share or withhold?

Because she was here on a diplomatic mission, she decided to be gentle. She had learned from experience that murder was a terrible way to start a relationship.

The art of diplomacy is finding a reasonable route among imperfect alternatives.

Diplomacy is the art of letting someone else have your way.

DIPLOMACY, n. The patriotic art of lying for one's country.

diplomacy is also the art of postponing decisions until the problems resolve themselves.

Diplomacy is an art of tackling our enemies. Using diplomacy on dear ones, in order to make measurable gains, is just like using a sword in place of a needle. We will be left bare very soon, and visibly so.

Diplomacy is the art of saying "Nice doggie" while looking for a bigger stick.

War is the art of killing each other brutally, diplomacy is the art of killing each other softly.

Diplomacy is the art of letting other people have your way.

Diplomacy is the art of getting what you want without offending anyone too badly.

Diplomacy is the art of telling people to go to hell in such a way that they ask for directions.” Current

When diplomacy fails, whisper through Art and your message will echo for eternity.

The art of looking at the problem from the other person's point of view, identifying his opportunities and his interests, an art that has traditionally been practiced by diplomats, lawyers, and chess players, is at the center of strategic analysis.

Diplomacy is the art of letting someone else have your way. —Daniele Vare, Italian diplomat We

Ciente de tuas capacidades e limitações, não inicies nenhuma empreitada que não possas levar a cabo.

I knew nothing at all of the art of diplomacy, which I have since diagnosed as the ability to make the nastiest possible comment in the nicest possible way.

I tend to agree with the guy who said diplomacy is the art of saying ‘nice doggie’ until you can find a rock.

Diplomacy is the art of leaving some things unsaid.

Diplomacy is the art of telling people to go to hell in such a way that they ask for directions.

Auch wenn zwei Staaten in Deutschland existieren, sind sie doch füreinander nicht Ausland; ihre Beziehungen zueinander können nur von besonderer Art sein." ("Even though two states in Germany exist, they are not foreign countries to each other—their relations with each other can only be of a special kind.") First Inaugural Address as West German Chancellor, October 28, 1969

The art of diplomacy is the luck of knowing more of your rival’s secrets than he knows of yours. Always deal from a position of power. These were Shrewd’s maxims. And Verity abided by them.

Page 134 Florence Nightengale is speaking to William Monk Of course. If you know the truth, it takes a gentler and perhaps a wiser woman than Purdence Barrymore not to speak it aloud. She did not understand the arts of diplomacy. I fear that perhaps I do not either. The sick cannot wait for flattery and coercion to do their work.

Noah turned to face his younger sister, arching one brow to a fairly smug height. Lenga lifted a brow back at him, giving him a delicate smattering of applause. “And I was afraid you would never learn the art of diplomacy,” she remarked, her lips twitching with her humor. “It merely took you the entire two and a half centuries of my life. Longer, actually. You had a few centuries’ head start.” “Funny how you seem to recall the fact that I am far older than you only when it suits your arguments, my sister,” he taunted her, reaching to tug on her hair as he had been doing since her childhood. “Well, I can say with all honesty that this is the first time I have ever seen you forgo a good argument with Hannah, opting for peace instead. I was beginning to wonder if you were my brother at all. Perhaps some imposter . . .” “Legna, be careful. You are speaking words of treason,” he teased her, tugging her hair once more, making her turn around to swat at his hand. “I don’t know how you convinced the entire Council that you were mature enough to be King, Noah! You are such a child!” She twisted her body so he couldn’t grab at her hair again. “And I swear, if you pull my hair once more like some sort of schoolyard bully, I am going to put you to sleep and shave you bald!” Noah immediately raised his hands in acquiescence, laughing as Legna flushed in exasperation. For all her grace and ladylike ways, Noah’s little sister was quite capable of making good on any threat she made. “I mean really, Noah. You are just about seven hundred years old. One would think you could at least act like it.

He had come to prospect the intentions of Charles towards the French and the Anglo-Austrian coalition, and even if Charles had thrown his jack-boot at his head, it would not have disturbed him from his mission. Marlborough was a slow negotiator. He was never in a hurry to make propositions or ask questions, preferring under cover of a banal conversation to use his extremely acute faculties of observation, and his art of unraveling other men’s motives, as it were, sideways. The ablest diplomat will never boast of understanding a man, but only his intentions.

The Renaissance deepened the influence of medieval development with its striving towards capitalistic economic and social system only in so far as it confirms the rationalism which now dominates the whole intellectual and material life of the time. [...] They are arecreation of the same spirit which makes its way in the organization of labour, in trading methods, the credit system and double-entry book keeping, in methods of government, in diplomacy and warfare. The whole development of art becomes part of the total process of rationalization. The irrational ceases to make any deeper impression. The things that are now felt as 'beautiful' are the logical conformity of the individual parts of a whole, the arithmetically definable harmony of the relationships and the calculable rhythm of a composition, the exclusion of discords in the relation of the figures to the space they occupy and in the mutual relationship of the various parts of the space itself. And just a central perspective is space seen from a mathematical standpoint, and right proportions are only equivalent to the systematic organization of the individual forms in a picture, so in the course of time call criteria of artistic quality are subjected to rational scrutiny and all the laws of art are rationalized.

Creed by Abigail Carroll, p.196-197 I believe in the life of the word, the diplomacy of food. I believe in salt-thick ancient seas and the absoluteness of blue. A poem is an ark, a suitcase in which to pack the universe—I believe in the universality of art, of human thirst for a place. I believe in Adam's work of naming breath and weather—all manner of wind and stillness, humidity and heat. I believe in the audacity of light, the patience of cedars, the innocence of weeds. I believe in apologies, soliloquies, speaking in tongues; the underwater operas of whales, the secret prayer rituals of bees. As for miracles— the perfection of cells, the integrity of wings—I believe. Bones know the dust from which they come; all music spins through space on just a breath. I believe in that grand economy of love that counts the tiny death of every fern and white-tailed fox. I believe in the healing ministry of phlox, the holy brokenness of saints, the fortuity of faults—of making and then redeeming mistakes. Who dares brush off the auguries of a storm, disdain the lilting eulogies of the moon? To dance is nothing less than an act of faith in what the prophets sang. I believe in the genius of children and the goodness of sleep, the eternal impulse to create. For love of God and the human race, I believe in the elegance of insects, the imminence of winter, the free enterprise of grace.

Why, exactly, is Marduk handing Hammurabi a one and a zero in this picture?" Hiro asks. "They were emblems of royal power," the Librarian says. "Their origin is obscure." "Enki must have been responsible for that one," Hiro says. "Enki's most important role is as the creator and guardian of the me and the gis-hur, the 'key words' and 'patterns' that rule the universe." "Tell me more about the me." "To quote Kramer and Maier again, '[They believed in] the existence from time primordial of a fundamental, unalterable, comprehensive assortment of powers and duties, norms and standards, rules and regulations, known as me, relating to the cosmos and its components, to gods and humans, to cities and countries, and to the varied aspects of civilized life.'" "Kind of like the Torah." "Yes, but they have a kind of mystical or magical force. And they often deal with banal subjects -- not just religion." "Examples?" "In one myth, the goddess Inanna goes to Eridu and tricks Enki into giving her ninety-four me and brings them back to her home town of Uruk, where they are greeted with much commotion and rejoicing." "Inanna is the person that Juanita's obsessed with." "Yes, sir. She is hailed as a savior because 'she brought the perfect execution of the me.'" "Execution? Like executing a computer program?" "Yes. Apparently, they are like algorithms for carrying out certain activities essential to the society. Some of them have to do with the workings of priesthood and kingship. Some explain how to carry out religious ceremonies. Some relate to the arts of war and diplomacy. Many of them are about the arts and crafts: music, carpentry, smithing, tanning, building, farming, even such simple tasks as lighting fires." "The operating system of society." "I'm sorry?" "When you first turn on a computer, it is an inert collection of circuits that can't really do anything. To start up the machine, you have to infuse those circuits with a collection of rules that tell it how to function. How to be a computer. It sounds as though these me served as the operating system of the society, organizing an inert collection of people into a functioning system." "As you wish. In any case, Enki was the guardian of the me." "So he was a good guy, really." "He was the most beloved of the gods." "He sounds like kind of a hacker.

Diplomacy is the art of saying nice doggy, until you can find a rock.

I’m excited to announce that Book 2 of our series, My Job: More People at Work Around the World, is in production. Having met hundreds of people in fascinating jobs, I faced an enormous challenge in selecting the stories to include in Book 2 . . . but I believe this collection will surprise and delight you. It covers a range of jobs in the following sections: Health and Recovery Education and Finance Agribusiness and Food Processing Arts and Culture Activism and Diplomacy The book allows you to experience what it’s like to be an addiction-recovery counselor trained as a clown in London, an art teacher working with gang members in Chicago, a midwife working in rural villages in Guatemala, or a mobile-banking agent making her first million in Zambia. Book 2 will take you places you’ve never been, from the Appalachian Mountains of West Virginia to a serene beach in Tel Aviv, Israel, and take you deep into the true stories of what it’s like to work at jobs as disparate as teaching a grieving widow to dance, to negotiating with a terrorist. The book will publish in March and is available for preorder at Amazon.

Will you accompany me back to the lion’s den?” “No, I’m tired of quarreling.” Briefly she rested her forehead against his chest, a close and trusting gesture that touched him nearly as much as it surprised him. After parting company with Kathleen, West returned to the library. Devon was outwardly calm as he stood at the table and stared down at the map. However, the pencil had been broken into multiple pieces that were scattered across the carpet. Contemplating Devon’s hard profile, West asked blandly, “Could you try to be a bit more artful in dealing with her? Perhaps use a smidgen of diplomacy? Because even though I happen to agree with your position, you’re being a donkey’s arse about it.” Devon sent him a wrathful glance. “I’ll be damned if I have to win her approval before making decisions about my estate.” “Unlike either of us, she has a conscience.

Could you try to be a bit more artful in dealing with her? Perhaps use a smidgen of diplomacy? Because even though I happen to agree with your position, you’re being a donkey’s arse about it.” Devon sent him a wrathful glance. “I’ll be damned if I have to win her approval before making decisions about my estate.” “Unlike either of us, she has a conscience.

Cultural Diplomacy—and an Accolade Among Piazzolla’s tasks during his first summer at the Chalet El Casco was the composition of “Le Grand Tango,” a ten-minute piece for cello and piano commissioned by Efraín Paesky, Director of the OAS Division of Arts, and dedicated to Mstislav Rostropovich, to whom Piazzolla sent the score. Rostropovich had not heard of Piazzolla at the time and did not look seriously at the music for several years.7 Written in ternary form, the work bears all Piazzolla’s hallmarks: tight construction, strong accents, harmonic tensions, rhythmic complexity and melodic inspiration, all apparent from the fierce cello scrapes at the beginning. Piazzolla uses intervals not frequently visited on the cello fingerboard. Its largely tender mood, notably on display in the cello’s snaking melodic line in the reflective middle section, becomes more profoundly complex in its emotional range toward the end. With its intricate juxtapositions of driving rhythms and heart-rending tags of tune, it is just about the most exciting music Piazzolla ever wrote, a masterpiece. Piazzolla was eager for Rostropovich to play it, but the chance did not come for eight years. Rostropovich, having looked at the music, and “astounded by the great talent of Astor,” decided he would include it in a concert. He made some changes in the cello part and wanted Piazzolla to hear them before he played the piece. Accordingly, in April 1990, he rehearsed it with Argentine pianist Susana Mendelievich in a room at the Teatro Colón, and Piazzolla gently coached the maestro in tango style—”Yes, tan-go, tan-go, tan-go.” The two men took an instant liking to one another.8 It was, says Mendelievich, “as if Rostropovich had played tangos all his life.” “Le Grand Tango” had its world premiere in New Orleans on April 24, 1990. Sarah Wolfensohn was the pianist. Three days later, they both played this piece again at the Gusman Cultural Center in Miami. [NOTE C] Rostropovich performed “Le Grand Tango” at the Teatro Colón, Buenos Aires, in July 1994; the pianist was Lambert Orkis. More recently, cellist Yo-Yo Ma has described “Le Grand Tango” as one of his “favorite pieces of music,” praising its “inextricable rhythmic sense...total freedom, passion, ecstasy.

Diplomacy, grace, and mercy had their place. So did steel, vengeance, and strength.

Diplomacy is the precursor of globalization, fortified foreign policies, and international relations. Diplomacy is an art, performed with dexterity. It is the art of negotiating important issues concerning governments. International affairs, law, and diplomacy are siblings. The development of international law requires diplomacy. Thereby it is said that international law and diplomacy are interconnected and interdependent. Nations have strengthened their ties with the aid of diplomacy. It aids in advancing foreign policies. Diplomats orchestrate plans and strategies in their prudence to enhance international political relations, thus fortifying concrete international diplomatic ties between nations. Professional diplomats intervene, study, and resolve any conflicting matters that may come to the fore including matters that may relate to trade, commerce, international relations, human rights, etc. Diplomats gather information, study it, represent and further the country's interest, and thereby invariably even contribute towards shaping the thoughts of the country they represent to a certain extent, either politically or economically. However, at times it cannot be denied that diplomacy and international law stand in rivalry and are incompatible. Hollow diplomacy may lead to a domino effect which means with the removal of one card the entire pack of cards collapses, likewise, when one government collapses, the other leaning governments fall as well. Such imprudence must be avoided at all costs, thereby calling for specially qualified diplomats to handle such a role with strategic protocols on behalf of a nation.

Diplomacy is the art of saying "Nice doggie" whilst you find a rock. - Attributed to Talleyrand

Though wildly different in both character and tastes, Jane and Mary shared a common bond aside from the royal blood which flowed in their veins: their religious devotion was unswerving, and the dominant factor in both of their lives. For Mary, the situation was heartbreaking. Jane's mother, Frances, had been a close childhood companion. Frances, like her husband and her daughter, was a Protestant, though perhaps not as fervent in her faith as her husband and eldest daughter. Despite the fact that she and Mary were on opposing sides of the religious fence, to all appearances their differing beliefs had never driven a wedge between the cousins. Frances was a seasoned courtier, and as such she was well skilled in the art of diplomacy. It seems likely, therefore, that when she was in the company of her childhood friend, the two women tactfully avoided conversing on the subject of religion. After all, there were many at court who managed to maintain friendships with people who held differing religious beliefs, and Mary had also been friendly with Jane's step-grandmother, Katherine Willoughby. But it was quite different with jane, for though Mary had tried her best with the teenager, and had done her utmost to be affectionate, the relationship was not a harmonious one. The age gap between them meant that to Jane, Mary was probably more like an aunt than a cousin. Mary may have been twenty years Jane's senior, but it was not age that lay at the heart of the matter; the reason for the distance between the two cousins was perfectly simple: religion.

He made ‘a new art of multilateral diplomacy,’ adds Urquhart, by his skill, stamina, and resourcefulness: ‘He gave a fresh dimension to the task of international service by the qualities of his mind and of his compassionate nature.

The art of diplomacy is often to tell someone you want to be their best friend, but failing that, you might have to destroy them. It’s kind of like Christianity. Congressman Lance Boyd.

[...] So large was the universe of things called Oriental: roots, rugs, religions, noodles, hairstyles, hordes, healing arts, herbs and spices, fabrics, medicines, modes of war, types of astronomy, spheres of the globe, schools of philosophical thought, and salads. It applied to me, women, gum, dances, eyes, body types, chicken dishes, societies, civilizations, styles of diplomacy, codes of behaviour, fighting arts, sexual proclivities, and a particular kind of mind. Apparently, the Orient produced people with a singular way of thinking. There was no way, wrote Jack London, for a Westerner to plumb the Oriental mind - it was cut from different cloth, functioned in an alien way.

Germany made an early start in adapting its educational system to the practical needs of modern industry, grounded on exact science. In particular, it developed technical high schools which served as a training ground for industrial technicians of high calibre. These schools were not mere adjuncts to the educational system at the secondary level, providing a sort of apprenticeship training in arts and crafts. They were thoroughly integrated in an educational process which culminated in the great German universities.

If diplomacy is the art of persuading others to act as we would wish, effective foreign policy requires that we comprehend why others act as they do

Will Rogers said, ‘Diplomacy is the art of saying “nice doggie,” until you can find a rock.

Negotiation is less about winning arguments and more about finding the wisdom in every perspective." "In negotiation, the smallest gestures of respect can pave the way for the greatest agreements." "The strength of a negotiator lies in their ability to turn conflict into collaboration." "Every negotiation should aim to build bridges that outlast the deals made upon them." "A skilled negotiator knows when to be firm and when to yield, understanding both are part of progress." "Negotiation thrives on curiosity—it's the willingness to explore options beyond the obvious." "To negotiate well is to understand that compromise is not about losing, but about mutual gain." "The true art of negotiation is finding a path where everyone’s needs are met, even if the routes are different." "Negotiation is a dance of give and take, where rhythm matters as much as the steps." "The most effective negotiators are those who see through positions to the interests that lie beneath.

In international affairs, true strength is found in the pursuit of peace, not power." "Diplomacy is the art of finding common ground in the vast diversity of our global landscape." "Global progress depends on leaders who see beyond borders and build bridges of understanding." "The world’s greatest challenges are solved not by isolation, but by the unity of nations working together." "International affairs demand a balance of vision and pragmatism, of ideals and realities." "In the global arena, dialogue is the most powerful weapon for resolving conflicts and fostering peace." "True global leadership embraces the diversity of voices, recognizing that every culture adds value to our shared future." "The key to a stable world lies in our ability to collaborate across borders and find solutions that benefit all." "To navigate international affairs is to dance in the delicate balance between national interests and global responsibility." "Sustainable development is a collective commitment that transcends borders, cultures, and politics.

He is dispatched on foreign missions, lends a hand in ‘extra-legal measures’, euphemism for assassination. Before he becomes too sullied he is recalled to Moscow to be instructed in the gentler arts of fake diplomacy.

Citizens associate the art of diplomacy with peace, without considering that there is as much cruelty in diplomacy as on the battlefield.

Isabella did not lack for occupation, and had plenty of projects between the embellishment of her art collection and, during Francesca’s absences, the running of Mantua. The worsening situation as Cesare Borgia greedily took the weaker Romagnal states, as well as there being two French invasions, had left Isabella as regent of her husband’s small but important state for much of her married life. During that critical period, which required supreme diplomacy, she feared that her husband, a creature not gifted with the necessary slippery talents, could cause real harm to the couple and their state with one of his ill-tempered and overly frank outbursts.

Diplomacy is the art of letting someone else have your way.

The people as our art’ means our societies become what we make them—we, specifically, who are in a position of senior power. ‘Our art’ means specifically us, without any Council. That’s all about declaring who is in control here, and it’s us two. He recognizes that we have something in common in workable diplomacy— All negotiation eventually comes down to two people.

A rather old view of diplomacy defines it as the art of getting what one wants without a fight (and all the attendant risks.) A rather more cynical view defines it as the art of patriotically lying for one’s country. As we shall see, both views have a great deal of validity. -Professor Leo Caesius. Diplomacy: The Lessons of the Past.

The purpose of foreign policy is to influence the policies and actions of other nations in a way that serves your interests and values. The tools available include everything from kind words to cruise missiles. Mixing them properly and with sufficient patience is the art of diplomacy.

I lacked diplomacy and would not compromise. To survive in the future I would have to learn the complex art of ass-kissing, that honorable American custom that makes the world go ’round. Survival is the most important thing. As a bona fide ass-kisser, I might lose a measure of self-respect, but I could be teaching and helping kids. As it is, I have enough self-respect to fertilize Yankee Stadium, but I am not doing a thing for anybody. I could probably still be with the Yamacraw kids had I conquered my ego.

Diplomacy is the art of letting someone else have your way. —Daniele Vare, Italian diplomat

That was diplomacy. The art of telling someone to go to hell and having them enjoy the journey.

Thus he who would enter the profession of diplomacy must examine himself to see whether he was born with the qualities necessary for success. These qualities are an observant mind, a spirit of application which refuses to be distracted by pleasures or frivolous amusements, a sound judgement which takes the measure of things as they are, and which goes straight to its goal by the shortest and most natural paths without wandering into useless refinements and subtleties which as a rule only succeed in repelling those with whom one is dealing. The negotiator must further possess that penetration which enables him to discover the thoughts of men and to know by the least movement of their countenances what passions are stirring within, for such movements are often betrayed even by the most practised negotiator.

But indeed there is another fault of which the negotiator must beware: he must not fall into the error of supposing that an air of mystery, in which secrets are made out of nothing and in which the merest bagatelle is exalted into a great matter of state, is anything but a mark of smallness of mind and betokens an incapacity to take the true measure either of men or of things. […] he must remember that open dealing is the foundation of confidence and that everything which he is not compelled by duty to withhold ought to be freely shared with those around him.

Deceit indeed is but a measure of the smallness of mind of him who employs it, and simply shows that his intelligence is too meagrely equipped to enable him to arrive at his ends by just and reasonable methods. No doubt the art of lying has ben practised with success in diplomacy; but unlike that honesty which here as elsewhere is the best policy, a lie always leaves a drop of poison behind, and even the most dazzling diplomatic success gained by dishonesty stands on an insecure foundation, for it awakes in the defeated party a sense of aggravation, a desire for vengeance, and a hatred which must always be a menace to his foe.

256 I’ve always felt an almost physical loathing for secret things – intrigues, diplomacy, secret societies, occult sciences. What especially irks me are these last two things – the pretension certain men have that, through their understandings with Gods or Masters or Demiurges, they and they alone know the great secrets on which the world is founded. I can’t believe their claims, though I can believe someone else might. But is there any reason why all these people might not be crazy or deluded? The fact there are a lot of them proves nothing, for there are collective hallucinations. What really shocks me is how these wizards and masters of the invisible, when they write to communicate or intimate their mysteries, all write abominably. It offends my intelligence that a man can master the Devil without being able to master the Portuguese language. Why should dealing with demons be easier than dealing with grammar? If through long exercises of concentration and willpower one can have so-called astral visions, why can’t the same person – applying considerably less concentration and willpower – have a vision of syntax? What is there in the teachings and rituals of the Magic Arts that prevents their adherents from writing – I won’t say with clarity, since obscurity may be part of the occult law – but at least with elegance and fluency, which can exist in the sphere of the abstruse? Why should all the soul’s energy be spent studying the language of the Gods, without a pittance left over to study the colour and rhythm of the language of men? I don’t trust masters who can’t be down-to-earth. For me they’re like those eccentric poets who can’t write like everybody else. I accept that they’re eccentric, but I’d like them to show me that it’s because they’re superior to the norm rather than incapable of it. There are supposedly great mathematicians who make errors in simple addition, but what I’m talking about here is ignorance, not error. I accept that a great mathematician can add two and two and get five: it can happen to anyone in a moment of distraction. What I don’t accept is that he not know what addition is or how it’s done. And this is the case of the overwhelming majority of occult masters.

Diplomacy is the art of recognizing all colors and knowing how to mix them up and bring them back as they were first.

Theater is like the leopards, Clem told Diggs. It disrupts the status quo, she tried. Until its ideas bring about lasting change by getting incorporated in society. Maybe. Diggs lubricated her skepticism with diplomacy. She’s good at that. But if we’re talking expedience, law has it all over art, bambina.

I know police work and death, I understand the intricacies of diplomacy and the strange sharp angles where performance art and outlaws, tattoos and high society meet and mingle. I also knew what she didn’t: that stalking a professional killer is not a game, not a hobby you can learn on the weekend. Not when the stakes are your life.

The art of diplomacy is the luck of knowing more of your rival’s secrets than he knows of yours. Always deal from a position of power.

...diplomacy, as well as being the art of waiting, was also the art of keeping up a facade of normality whatever the circumstances.... The ambassador praised his son's determination, drew the conversation to a close with a smile, and decided to give him another month; after all, diplomacy is also the art of postponing decisions until the problems resolve themselves.

Diplomacy, deceit: Diplomacy is "to lie and deny." — Attributed to Talleyrand Diplomacy, defensive: "Diplomacy must be judged by what it prevents, not only by what it achieves." — Abba Eban, 1983 Diplomacy, defined: "Diplomacy is to speak French, to speak nothing, and to speak falsehood." — Ludwig Boerne Diplomacy, defined: "Diplomacy is the art of saying 'Nice doggie' till you can find a rock." — Wynn Catlin Diplomacy, defined: "All diplomacy is continuation of war by other means." — Zhou Enlai, 1954 Diplomacy, fairness in: "The best diplomacy is that which gets its own way, but leaves the other side reasonably satisfied. It is often good diplomacy to resist a score." — Anthony Eden

Diplomacy, defined: "Diplomacy is letting someone else have your way." — Lester B. Pearson, 1965 Diplomacy, mystery of: Diplomacy is "an obscure art, which hides itself in the folds of deceit, which fears to let itself be seen, and believes that it can exist only in the darkness of mystery." — Le Trône, 1777 Diplomacy, nasty things said nicely: "Diplomacy is to do and say the nastiest thing in the nicest way." — Proverb Diplomacy, pleasure of: "Diplomacy is a first-class stall seat at the theatre of life." — Bernhard von Bülow

Good faith: "It is the task ... of the diplomat to make up for political misunderstanding, cultural ignorance, economic unequality in order to create the conditions of dignity, fairness, mutual understanding, sometimes even connivance, which are ... needed between people of different cultures, races or continents. International good faith requires permanent information and reflection on others and also a patient and constant effort to give a good impression of one's attitude, in order to be credible and to put others at ease. In a world in which growing economic, technical and cultural integration has to be developed, responsible leaders and public opinion will no longer accept negligence, delusion, disloyalty, irresponsibility and incoherence in diplomacy. Of course, fair play is not silliness or lack of foresight; transparency (glasnost) and sincerity are neither levity nor imprudence; treaties do not exempt states from precautions, guarantees and adaptation. Herein lies the art of diplomacy." — Alain Plantey, 1989

International organizations, as police: "The paradox is that men of liberal mind, who would be offended by the idea that the police are the most important factor in assuring social cohesion, do not hesitate to become fierce police ethusiasts when they discuss the international system. The zealots of world community and collective security might have spared themselves these anomalies if they had been less despairing about the wide field of cooperation that lies open to international organizations, once the fantasy of coercion is laid aside. If there is not much to be done by law and enforcement, there are still the alternatives of politics and adjustment. The tragedies of our age should not blind us to the achievements of noncoercive diplomacy. Indeed, unrealistic dreams about enforcement may have led statesmen and diplomats to underestimate the promise and dignity of their task as conciliators. Even in our unsatisfactory world clashes of national interest are usually settled without the threat or use of force. Most of them are resolved by routine processes of diplomacy and conference. If coercion is abandoned, only persuasion remains; and in a world of sovereign nation-states, each devoted to its particular national interest, there is no substitute for persuasion. In the final resort, the prevention of war, like the prevention of civil strife within society, does not depend on legal procedures or policy coercion, but on the art of adjustment." — Abba Eban, 1983

Deceit: "Although deceit is detestable in all other things, yet in the conduct of war it is laudable and honorable; and a commander who vanquishes an enemy by strategem is equally praised with one who gains victory by force." — Niccolò Machiavelli Deceit: "The ruler of the state are the only ones who should have the priviledge of lying, either at home or abroad; they may be allowed to lie for the good of the state." — Plato, c. 390 B.C. [cf. The Republic Book 5 Section 459c-d: “This,” said I, “that they will have to employ many of those drugs of which we were speaking. We thought that an inferior physician sufficed for bodies that do not need drugs but yield to diet and regimen. But when it is necessary to prescribe drugs we know that a more enterprising and venturesome physician is required.” “True; but what is the pertinency?” “This,” said I: “it seems likely that our rulers will have to make considerable use of falsehood and deception (ψεύδει) for the benefit of their subjects. We said, I believe, that the use of that sort of thing was in the category of medicine.” See also, Ibid Book 3 Section 389b-c] Deceit: "Whatever the qualification of a modern diplomat, the art of deceit is certainly not one of them." — Charles W. Thayer Deceit: "The frequent resort to deceit is self-defeating because a state which is careless about what credence is placed in the word of its diplomats on individual occasions will soon find that its word is not believed in any context. When that happens and its credibility is debased, a state finds it difficult to make agreements with any but fickle partners. There is no substitute for trust in diplomacy." — Adam Watson, 1983 Deceit, the "Eleventh Commandment": "Thou shalt not be found out." — Palmerston

Diplomacy is the art of telling people to go to hell in such a way that they ask for directions.

Diplomacy is the art of letting someone else have your way.

Irish diplomacy, unlike regular diplomacy, was pretty much the art of telling a person to go to hell in such a way that they look forward to taking the trip.

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Might: "Might is above right; right proceeds from might. ... Right is in the hands of the strong. ... Everything is pure that comes from the strong. ... When thou findest thyself in a low state, try to lift thyself up, resorting to pious as well as to cruel actions. Before practicing morality wait until thou art strong. ... If men think thee soft, they will despise thee." — The Mahabharata Military strategy, diplomacy and: "That the soldier is but the servant of the statesman, as war is but an instrument of diplomacy, no educated soldier will deny. Politics must always exercise an extreme influence on strategy; but it cannot be gainsaid that interference with the commanders in the field is fraught with the gravest danger." — G. F. R. Henderson, 1898

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Occupation: "One can do everything with bayonets except sit on them." — Talleyrand Old diplomacy: "The old-world diplomacy of Europe was largely carried on in drawing rooms, and, to a great extent, of necessity still is so. Nations touch at their summits." — Walter Bagehot, 1867 New diplomacy: "New diplomacy, old diplomacy are words that correspond to nothing real. What tends to change is the exterior, the attire of diplomacy, if you will. But the substance will always be the same because human nature does not change, nations will continue to have but one way to resolve their differences, and the word of an honest man will ever be the best tool available to a government to defend its point of view." — Jules Cambon, 1926 New diplomacy: "The new diplomacy is an old art practiced under new conditions. ... The new diplomacy deals formally with governments but actually with the peoples that control governments." — Charles Evans Hughes, 1925

Latin was the language of science, technology, medicine and law, apart from, of course, classical literature. It was also the language in Europe of international communication, scholarship and diplomacy. Since some of those countries which speak languages derived from Latin and value it as an ancient and classical language and the repository of much wisdom, were also ruthless colonisers, does that make Latin only a language of exploitation? Are the Vatican and the Pope only ‘colonisers’, since Latin is still the official language of the Holy See? It is a moot point whether Sheldon Pollock would agree to see Latin only from such a narrow perspective. Why then does he not have the same approach to Sanskrit? Rajiv Malhotra makes a spirited critique of these kinds of double standards, and confuses it with a new Orientalism in some sections of American Indology. He accepts that Sanskrit was more a preserve of the elite and that some sections of its corpus do contain prescriptions for social and gender exclusion. But, it is essential that, as with other classical languages, a narrow dismissal is tempered with the right balance and judicious appraisal. Sanskrit, Rajiv Malhotra strongly argues, was also the ‘repository of philosophy, art, architecture, popular song, classical music, dance, theatre, sculpture, painting, literature, pilgrimage, ritual and religious narratives. It also incorporates all branches of natural science and technology—medicine, botany, mathematics, engineering, dietetics etc.’25 More than anything else, it was the vehicle of the great spiritual, philosophical and creative wisdoms distilled over millennia. Malhotra adds that it was not just a communication tool, but also a vehicle for ‘enduring sacredness, aesthetic powers, metaphysical acuity, and ability to generate knowledge in many domains’.