“
The Bible is an ocean of instruction and wisdom. Dip daily into the vast pool to discover its truths. Dust off that Bible. It has the answers you are looking for, and its delights await you.
”
”
Elizabeth George
“
There is a dark resource within all of us, a reservoir of hurt and pain and anger upon which we can draw when the need arises. Most of us rarely, if ever, have to delve too deeply into it. That is as it should be, because dipping into it costs and you lose a little of yourself each time, a small part of all that is good and honorable and decent about you. Each time you use it you have to go a little deeper, a little further down into the blackness. Strange creatures move through its depths, illuminated by a burning light from within and fueled only by the desire to survive and to kill. The danger in diving into that pool, in drinking from that dark water, is that one day you may submerge yourself so deeply that you can never find the surface again. Give in to it and you're lost forever.
”
”
John Connolly (The Killing Kind (Charlie Parker, #3))
“
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish.
Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.”
“Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’”
“I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me.
I wasn’t sure where the words came from: “You didn’t fail me, Mal.”
He wiped his damp hand on his thigh. “We both know better.”
“We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.”
“I’m talking to you right now.”
“See? Is this so terrible?”
“It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.”
My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—”
“I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if . . .” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.”
He plunged ahead into the next cave.
I looked down into the glittering pond, the whorls of light in the water still settling after Mal’s brief touch. I could hear the others making their noisy way through the cavern.
“Oncat scratches me all the time,” said Harshaw as he ambled up beside me.
“Oh?” I asked hollowly.
“Funny thing is, she likes to stay close.”
“Are you being profound, Harshaw?”
“Actually, I was wondering, if I ate enough of those fish, would I start to glow?”
I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel.
“Come on, Harshaw,” I called over my shoulder.
Then the first explosion hit.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
I deliberately ignored the sight of lean brown body cutting through the aqua water, glistening powerful arms dipping slow and steady in perfect rhythm with the strong kick of his long tanned legs.
I was going to have to work on my ignoring technique.
- Tim trying to ignore Jack in the swimming pool.
”
”
Josh Lanyon (Cards on the Table)
“
The Bible is an ocean of instruction and wisdom. Dip daily into the vast pool to discover its truths.
”
”
Elizabeth George
“
The tiger leapt, and the swallow dipped her wings in dark pools on the other side of the world.
”
”
Virginia Woolf (The Waves)
“
THE STOLEN CHILD
Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than he can understand.
”
”
W.B. Yeats (Crossways)
“
I wanted to freeze this moment forever, the chimes, the slight splash of the water, the chink of the dogs’ leashes, laughter from the pool, the skritch of my mother’s dip-pen, the smell of the trees, the stillness. I wished I could shut it in a locket to wear around my neck. I wished a sleep would find us, at this absolute second, like sleep over the castle of sleeping beauty.
”
”
Janet Fitch (White Oleander)
“
If she slept, she would do so only lightly, dipping the ladle of sleep into the shallow pool of dreamland
”
”
Yaa Gyasi (Homegoing)
“
When a fat person goes in the water naked, would it still be called skinny-dipping?
”
”
Anthony Liccione
“
Dip yourself into a pool of self-love and you’ll never drown from other people’s judgements about you.
”
”
Vex King (Good Vibes, Good Life: How Self-Love Is the Key to Unlocking Your Greatness: OVER 2 MILLION COPIES SOLD)
“
Dip into the whip and anal bead pool and bathe in it a little. Let’s give our readers wild sex on a silver paddled platter. Let’s dildo up and jump on the gag ball bandwagon.
”
”
Tillie Cole (Thoroughly Whipped)
“
Manticor in Arabia
(The manticors of the montaines
Mighte feed them on thy braines.--Skelton.)
Thick and scented daisies spread
Where with surface dull like lead
Arabian pools of slime invite
Manticors down from neighbouring height
To dip heads, to cool fiery blood
In oozy depths of sucking mud.
Sing then of ringstraked manticor,
Man-visaged tiger who of yore
Held whole Arabian waste in fee
With raging pride from sea to sea,
That every lesser tribe would fly
Those armed feet, that hooded eye;
Till preying on himself at last
Manticor dwindled, sank, was passed
By gryphon flocks he did disdain.
Ay, wyverns and rude dragons reign
In ancient keep of manticor
Agreed old foe can rise no more.
Only here from lakes of slime
Drinks manticor and bides due time:
Six times Fowl Phoenix in yon tree
Must mount his pyre and burn and be
Renewed again, till in such hour
As seventh Phoenix flames to power
And lifts young feathers, overnice
From scented pool of steamy spice
Shall manticor his sway restore
And rule Arabian plains once more.
”
”
Robert Graves
“
Fishing provides time to think, and reason not to. If you have the virtue of patience, an hour or two of casting alone is plenty of time to review all you’ve learned about the grand themes of life. It’s time enough to realize that every generalization stands opposed by a mosaic of exceptions, and that the biggest truths are few indeed. Meanwhile, you feel the wind shift and the temperature change. You might simply decide to be present, and observe a few facts about the drifting clouds…Fishing in a place is a meditation on the rhythm of a tide, a season, the arc of a year, and the seasons of life... I fish to scratch the surface of those mysteries, for nearness to the beautiful, and to reassure myself the world remains. I fish to wash off some of my grief for the peace we so squander. I fish to dip into that great and awesome pool of power that propels these epic migrations. I fish to feel- and steal- a little of that energy.
”
”
Carl Safina (The View from Lazy Point: A Natural Year in an Unnatural World)
“
Lottie, trust me when I say you’re not imposing. I want you in my house, in my room, in my bed. I want you on my couch, holding my hand while watching a show you’ve forced me to reluctantly binge. I want you in my pool, skinny-dipping like you enjoy so much. I want you on my roof, feeling the rain bounce off you during a storm. I want you at my dining room table, eating dinner next to me, giving me a hard time for whatever reason you come up with that day.” He lifts my knuckles to his lips and places a soft kiss to them. “I want you, okay?
”
”
Meghan Quinn (A Not So Meet Cute (Cane Brothers, #1))
“
Water sluices away soap and grime, even some of the shame comes with it. If she were to scrub for a thousand years she would not be clean, but she is too tired to care and she has grown accustomed to scars she cannot scour away. The sweat, the alcohol, the humid salt of semen and degradation, these she can cleanse. It is enough. She is too tired to scrub harder. Too hot and too tired, always.
At the end of her rinsing, she is happy to find a little water left in the bucket. She dips one ladleful and drinks it, gulping. And then in a wasteful, unrestrained gesture, she upends the bucket over her head in one glorious cathartic rush. In that moment, between the touch of the water, and the splash as it pools around her toes, she is clean.
”
”
Paolo Bacigalupi (The Windup Girl)
“
I wasn’t dipping into blue-collar territory, no matter how hot the man was. That just wasn’t my style, not in a city that had millionaires on every corner. But he was certainly nice window dressing. And I might dip my toe into that pool once or twice this summer, just to taste that poison. Just to have it on my skin.
”
”
Alessandra Torre (Love, Chloe)
“
Leaving your dreams and living someone's dreams is like dipping a pole into a pool to catch a weaver bird alive! It doesn't work that way... Pursue what God sent you for!
”
”
Israelmore Ayivor (Daily Drive 365)
“
ate a chip, then went to the fridge for the dip. Everything was better with sour cream and chives.
”
”
Kim Harrison (The Undead Pool (The Hollows, #12))
“
All the people within reach had suspended their business, or their idleness, to run to the spot and drink the wine. The rough, irregular stones of the street, pointing every way, and designed, one might have thought, expressly to lame all living creatures that approached them, had dammed it into little pools; these were surrounded, each by its own jostling group or crowd, according to its size. Some men kneeled down, made scoops of their two hands joined, and sipped, or tried to help women, who bent over their shoulders, to sip, before the wine had all run out between their fingers. Others, men and women, dipped in the puddles with little mugs of mutilated earthenware, or even with handkerchiefs from women’s heads, which were squeezed dry into infants’ mouths; others made small mud-embankments, to stem the wine as it ran; others, directed by lookers-on up at high windows, darted here and there, to cut off little streams of wine that started away in new directions; others devoted themselves to the sodden and lee-dyed pieces of the cask, licking, and even champing the moister wine-rotted fragments with eager relish. There was no drainage to carry off the wine, and not only did it all get taken up, but so much mud got taken up along with it, that there might have been a scavenger in the street, if anybody acquainted with it could have believed in such a miraculous presence.
”
”
Charles Dickens (A Tale of Two Cities (Bantam Classics))
“
Miris dipped her head and inflicted a small, but painful, nip on the stranger's left arm. A startled yelp replaced his laughter. Then, it rang out again. "By all the gods, you even have your lovely mare trained to keep horse thieves in line!
”
”
Cheryl Landmark (Pool of Souls)
“
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish.
Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.”
“Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’”
“I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
He thought of the next Saturday. [...] He thought of the picnic by the dipping pool on the river, where oaks and willows dappled the sun on water the color of tea; and girls in light summer dresses would sit in pools of pale cotton.
And he knew he would not go.
”
”
Stef Penney (The Tenderness of Wolves)
“
I wanted to freeze this moment forever, the chimes, the slight splash of water, the chink of dogs’ leashes, laughter from the pool, the skritch of my mother’s dip-pen, the smell of the tree, the stillness. I wished I could shut it in a locket to wear around my neck. I
”
”
Janet Fitch (White Oleander)
“
Myla is the girl doing cannonballs in the pool on vacation and tossing random items into the deep end so she can impress you by retrieving them within seconds of hitting bottom. She’s not one to lie out by the pool, drink froufrou drinks, and dip her toe in the water momentarily.
”
”
Meghan Quinn (Untying the Knot)
“
A nice girl doesn’t get turned on by a spanking,” he scolded, his fingers dipping into the pool of desire beneath my burning bottom. He dragged one knuckle down over my clit and I jerked in my bonds at the roar of pleasure it released. With one hand still on my center, he spanked me again, pushing
”
”
Giana Darling (The Affair (The Evolution of Sin Trilogy, #1))
“
The age of clear answers was over. So was the age of characters and plots. Despite her journal sketches, she no longer really believed in characters. They were quiant devices that belonged to the nineteenth century. The very concept of character was founded on errors that modern psychology had exposed. Plots too were like rusted machinery whose wheels would no longer turn. A modern novelist could no more write characters and plots than a modern composer could a Mozart symphony. It was thought, perception, sensations that interested her, the conscious mind as a river through time, and how to represent its onward roll, as well as the tributaries that would swell it, and the obstacles that would divert it. If only she could reproduce the clear light of a summer's morning, the sensations of a child standing at a window, the curve and dip of a swallow's flight over a pool of water. The novel of the future would be unlike anything in the past.
”
”
Ian McEwan
“
Early in our two-week quarantine I go out to the banya to find a naked Misha beating on a naked Gennady with birch branches. The first time I saw this scene I was a bit taken aback, but once I experienced the banya myself, followed by a dip in a freezing cold pool of water and a homemade Russian beer, I completely understood the appeal.
”
”
Scott Kelly (Endurance: A Year in Space, A Lifetime of Discovery)
“
I sprinkled a dose of Momma's seasoning into my cupped hand and dipped my tongue into the tiny pool of memories I knew one taste would evoke. Salty, savory, smoky, full of earthy flavors that somehow blessed everything it showered.
As the flavor crystals and bits of dried herbs dissolved in my mouth, I closed my eyes and swallowed the heavenly fusion.
”
”
Michelle Stimpson (Sisters with a Side of Greens)
“
Abraham Ellison dipped his sword in the pool and the red from the blood floated ominously across the water’s surface. He had been waiting all night for his vampire to arise from his 100th death and take his place among the ranks of the mortals. There was no discussion, no words of parting, or speeches of regret, as Ellison held his former superior’s head and made a powerful cut to his new life - a life of solitude as a normal man living on his own terms.
”
”
Phil Wohl (Book of Ariel (Blood Shadow, #5))
“
havng an affair with a man was a plunge into change, shocking irreversible change, like an amputation It was not a dip in a pool, after which one came out and dried the same body with the same hands. And as for the much touted memroes, far from treasuring them, she found them a continuing torment, which she would willingly have burned from her brain cells...Yet for this sex, good or mot so good, she had paid a steep price. Marjorie felt rifled of her own identity.
”
”
Herman Wouk
“
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish.
Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. "They bite."
"Serves you right," I said. "Oh, look, a dark lake full of something shiny. Let me put my hand in it."
"I can't help being delicious," he said, that familiar cocky grin flashing across his face like light over water.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
Connor dipped his head and kissed from her neck to her collarbone, and down her arm as he slipped the sark off her shoulder revealing the satiny skin beneath. When he got to her fingers, he nipped her ring finger and Mackenzie gasped as he drew it into his mouth and sucked. He raised his eyes back to hers and trapped her gaze in his own. Connor slid her sark down her body and Mackenzie was helpless to do anything but stare into the dark blue pools of molten desire his eyes had become. It was a heady feeling to know that she was the reason his eyes were so dark; she had never before felt so powerful. He wanted her and this time she knew what to do.
Mackenzie unwrapped his plaid from the chieftain brooch and pushed it off his shoulder. Connor held perfectly still and let it fall to the floor with Mackenzie’s pile of clothes. Next Mackenzie dragged his shirt over his head; it too joined the growing pile of clothing. Mackenzie couldn’t help but marvel at his hard body with all its scars hinting at the power and danger this man carried. She let her fingers trail down from his chest to the patch of hair on his stomach, and lower still. She could feel his muscles clench and his breath stop as she wrapped her fingers around his erection. She quickly found his rhythm and knelt down to press her lips to his lower abs. Trailing her mouth down to where her hand was, she gently licked the tip. She felt a thrill of satisfaction as his hands gripped her shoulders and as her mouth took him in, his fingers tightened. She used both her hand and her mouth to pleasure Connor. He molded a hand to the nape of her neck, holding her in place. She was becoming bolder with her free hand, exploring what made his muscles quiver and his breath hitch, when Connor pulled her roughly up and to him, crushing her lips with his.
He pressed her back against the cold wall and lifted one of her long legs, hitching it around his hip. She was tall enough that he didn’t have to lift her. He slipped inside her and Mackenzie reveled in the groan wrenched from him. This was how she liked Connor; out of control. He pushed into her again and again until they were both panting, and Mackenzie was moaning with every breath. She couldn’t wait any longer.
“Oh God Connor, I’m so close.”
“Just let go, love.”
With her back pressed against the cold wall and the heat from Connor’s body warming her, Mackenzie shuddered with the force of her orgasm and she melted into Connor’s arms as he spent himself in her.
”
”
Laura Hunsaker (Highland Destiny (Magic of the Highlands, #1))
“
Seeing the God statement
Suppose the statement Blessed
Are the pure in heart, for they shall see
God were placed like a wreath of violets,
Lilies, laurel, and olive, blossoms strung together
Like words in a sentence, a garland
Launched, set out on a flowing creek
Imagine that wreath carried
Down the frothy rapids, tossed, floating
Slipping over water-smooth, moss-colored
Boulders, in and out of slow, dark pools,
Through poplar and willow shadows. It dips,
Sinks momentarily, emerges, travels, maitains
Its ring, its declaration and syntax.
At times it widens in a broad, deep
Current, makes sense as a gift.
The pure becomes inclusive, spatial,
Generous. God and heart are two
Spread wings of one open reading.
And at times it narrows, restricts.
Violets and heart entangle
With God. The blessed braces,
Overlaps lilies and laurel.
Still, at any point you might
reach down yourself, catch that ring
of blossoms, lift it up, wear
its beauty and blooming distinction
across your forehead. Look into a mirror.
See what you can see.
”
”
Pattiann Rogers (Quickening Fields (Penguin Poets))
“
Majnun had said to his Layla. Light the dimness with your glow once the full moon dips and shine in the sun’s stead whilst lazy dawn tarries Your radiance outdoes the brightest sun there be: it can never thieve your smile, steal your pearly mouth The resplendent night, your countenance! tho’ the full moon rise a moon bereft of your breast, of this graceful throat I see Whence would the morning sun ever find a ready kohl-stick to etch for its pale face these languid eyes of yours? What starry siren can mime coy Layla when her form spirals away or her eyes, the winsome startled pools of the sands’ wild mare?
”
”
Jokha Alharthi (Celestial Bodies)
“
My seams gape wide so I'm tossed aside
To rot on a lonely shore,
While the leaves and mould like a shroud unfold,
For the last of my trails are o'er,
But I float in dreams on Northland streams
That never again I'll see,
As I lie on the marge of the old portage
With grief for company.
When the sunset gilds the timbered hills
That guard Timagami,
And the moon beams play on far James Bay
By the brink of the frozen sea,
In phantom guise my spirit flies
As the dream blades dip and swing
Where the waters flow from the Long Ago
In the spell of the beck'ning spring.
Do the cow-moose call on the Montreal
When the first frost bites the air,
And the mists unfold from the red and gold
That the autumn ridges wear?
When the white falls roar as they did of yore
On the Lady Evelyn,
Do the square-tail leap from the black pool deep
Where the pictured rocks begin?
Oh! the fur fleet sings on Temiscaming
As the ashen paddles bend,
And the crews carouse at Rupert's House
At the sullen winter's end;
But my days are done where the lean wolves run,
And I ripple no more the path,
Where the grey geese race 'cross the red moon's face
From the white winds Arctic wrath.
Tho' the death-fraught way from the Saguenay
To the storied Nipigon,
Once knew me well, now a crumbling shell
I watch as the years roll on,
And in memory's haze I live the days
That forever are gone from me,
As I rot on the marge of the old portage
With grief for company.
”
”
George Marsh
“
He was alone in this particular protest. He wrote The Chicago Defender twice, but hadn’t heard back, even when he mentioned the editorial he’d written under another name. It had been two weeks. More distressing than the notion that the newspaper didn’t care about what was going on at Nickel was that they received so many letters like it, so many appeals, that they couldn’t address them all. The country was big, and its appetite for prejudice and depredation limitless, how could they keep up with the host of injustices, big and small. This was just one place. A lunch counter in New Orleans, a public pool in Baltimore that they filled with concrete rather than allow black kids to dip a toe in it. This was one place, but if there was one, there were hundreds, hundreds of Nickels and White Houses scattered across the land like pain factories.
”
”
Colson Whitehead (The Nickel Boys)
“
Would You take it back?' he asked the dark apartment. 'If I were no longer of Your making, You would take this power back, wouldn't You?' Tears glistened in his eyes. 'Wouldn't You?'
He cut deep, carving a line from elbow to wrist, wincing as blood welled and spilled instantly, dropping to the floor. 'You'd let me die.' He switched hands and carved a matching line down his other arm, but before he'd reached his wrist the wounds were closing, leaving only smooth skin, and a small pool of blood.
'Wouldn't You?' He cut deeper, through to bone, over and over, until the floor was red. Until he'd given his life to God a hundred times, and a hundred times had it given back. Until the fear and the doubt had all been bled out of him. And then he set the knife aside with shaking hands. Eli dipped his fingertips in the slick of red, crossed himself, and got back to his feet.
”
”
Victoria E. Schwab
“
There is a good deal of the Nietzschean standpoint in this verse. It is the evolutionary and natural view. Of what use is it to perpetuate the misery of tuberculosis, and such diseases, as we now do? Nature's way is to weed out the weak. This is the most merciful way, too. At present all the strong are being damaged, and their progress hindered by the dead weight of the weak limbs and the missing limbs, the diseased limbs and the atrophied limbs. The Christians to the Lions!
Our humanitarianism, which is the syphilis of the mind, acts on the basis of the lie that the King must die. The King is beyond death; it is merely a pool where he dips for refreshment. We must therefore go back to Spartan ideas of education; and the worst enemies of humanity are those who wish, under the pretext of compassion, to continue its ills through the generations. The Christians to the Lions!
Let weak and wry productions go back into the melting-pot, as is done with flawed steel castings. Death will purge, reincarnation make whole, these errors and abortions. Nature herself may be trusted to do this, if only we will leave her alone. But what of those who, physically fitted to live, are tainted with rottenness of soul, cancerous with the sin-complex? For the third time I answer: The Christians to the Lions!
Hadit calls himself the Star, the Star being the Unit of the Macrocosm; and the Snake, the Snake being the symbol of Going or Love, the Dwarf-Soul, the Spermatozoon of all Life, as one may phrase it. The Sun, etc., are the external manifestations or Vestures of this Soul, as a Man is the Garment of an actual Spermatozoon, the Tree sprung of that Seed, with power to multiply and to perpetuate that particular Nature, though without necessary consciousness of what is happening.
(―New Comment on Liber AL vel Legis III:48)
”
”
Aleister Crowley (Magical and Philosophical Commentaries on The Book of the Law)
“
It is over. The long Occupation that created Israeli generations born in Israel and not knowing another ‘homeland’ created at the same time generations of Palestinians strange to Palestine; born in exile and knowing nothing of the homeland except stories and news. Generations who posses an intimate knowledge of the streets of faraway exiles, but not of their own country. Generations that never planted or built or made their small human mistakes in their own country. Generations that never saw our grandmothers quarter in front of the ovens to present us with a loaf of bread to dip in olive oil, never saw the village preacher in his headdress and Azhari piety hiding in a cave to spy on the girls and the women of the village when they took of their clothes and bathed, naked, in the pool of ‘Ein al-Deir.
The Occupation has created generations without a place whose colours, smell, and sounds they can remember; a first place that belongs to them, that they can return to in their memories in their cobbled-together exiles. There is no childhood bed for them to remember, a bed on which they forgot a soft cloth doll, or whose white pillows - once the adults had gone out of an evening were their weapons in a battle that had them shirking with delight. This is it. The Occupation has created generations of us that have to adore an unknown beloved; distant, difficult, surrounded by guards, by walls, by nuclear missiles, by sheer terror.
The long Occupation has succeeded in changing us from children of Palestine to children of the idea of Palestine.
I have always believed that it is in the interests of an occupation, any occupation, that the homeland should be transformed in the memory of its people into a bouquet of ’symbols’. Merely symbols, they will not allow us to develop our village so that it shares features with the city, or to move without city into a contemporary space.
The Occupation forced us to remain with the old. That is its crime. It did not deprive us of the clay ovens of yesterday, but of the mystery of what we could invent tomorrow.
”
”
Mourid Barghouti (رأيت رام الله)
“
But Hock Seng doesn’t contest the foreigner’s words. He’ll put out the bounty, regardless. If the cats are allowed to stay, the workers will start rumors that Phii Oun the cheshire trickster spirit has caused the calamity. The devil cats flicker closer. Calico and ginger, black as night—all of them fading in and out of view as their bodies take on the colors of their surroundings. They shade red as they dip into the blood pool. Hock Seng has heard that cheshires were supposedly created by a calorie executive—some PurCal or AgriGen man, most likely—for a daughter’s birthday. A party favor for when the little princess turned as old as Lewis Carroll’s Alice. The child guests took their new pets home where they mated with natural felines, and within twenty years, the devil cats were on every continent and Felis domesticus was gone from the face of the world, replaced by a genetic string that bred true ninety-eight percent of the time. The Green Headbands in Malaya hated Chinese people and cheshires equally, but as far as Hock Seng knows, the devil cats still thrive there.
”
”
Paolo Bacigalupi (The Windup Girl)
“
The same thing happened with large civic clients. He and Calvert Vaux had built and refined Central Park from 1858 through 1876, but forever afterward Olmsted found himself defending the park against attempts to tinker with its grounds in ways he considered tantamount to vandalism. It wasn’t just Central Park, however. Every park seemed subject to such abuse. “Suppose,” he wrote to architect Henry Van Brunt, “that you had been commissioned to build a really grand opera house; that after the construction work had been nearly completed and your scheme of decoration fully designed you should be instructed that the building was to be used on Sundays as a Baptist Tabernacle, and that suitable place must be made for a huge organ, a pulpit and a dipping pool. Then at intervals afterwards, you should be advised that it must be so refitted and furnished that parts of it could be used for a court room, a jail, a concert hall, hotel, skating rink, for surgical cliniques, for a circus, dog show, drill room, ball room, railway station and shot tower?” That, he wrote, “is what is nearly always going on with public parks. Pardon me if I overwhelm you; it is a matter of chronic anger with me.
”
”
Erik Larson (The Devil in the White City)
“
He leaned over the rail and stared down into the Pool with interest. It was certainly not much of a place, the water dark and rather slimy, the steps slippery-looking too. Grandfather must be right, and it formed part of the city drain. The man who had been lame for thirty-eight years was lucky when Jesus came along and healed him instantly, rather than waiting for someone to lift him into the Pool. Perhaps Jesus realized the water was bad. There they go, he said to himself, as the father, ignoring the child’s terrified screams, slowly descended the steps. Freeing one hand, he dipped it in the Pool and sloshed the water three times over his daughter, wetting her face, her neck, her arms. Then, smiling in triumph at the curious watchers above, he ascended the steps to safety, his wife smiling with him, mopping the child’s face with a towel. The child herself, bewildered, distraught, rolled her frightened eyes over the heads of the crowd. Robin waited to see if the father would put her down, cured. Nothing happened, though. She began screaming again, and the father, making soothing sounds, bore her away from the top of the steps and was lost in the crowd. Robin turned to the Rev. Babcock. “No luck, I’m afraid. There
”
”
Daphne du Maurier (Don't Look Now and Other Stories)
“
In front of me girls were entering and exiting the showers. The flashes of nakedness were like shouts going off. A year or so earlier these same girls had been porcelain figurines, gingerly dipping their toes into the disinfectant basin at the public pool. Now they were magnificent creatures. Moving through the humid air, I felt like a snorkeler. On I came, kicking my heavy, padded legs and gaping through the goalie mask at the fantastic underwater life all around me. Sea anemones sprouted from between my classmates’ legs. They came in all colors, black, brown, electric yellow, vivid red. Higher up, their breasts bobbed like jellyfish, softly pulsing, tipped with stinging pink. Everything was waving in the current, feeding on microscopic plankton, growing bigger by the minute. The shy, plump girls were like sea lions, lurking in the depths.
The surface of the sea is a mirror, reflecting divergent evolutionary paths. Up above, the creatures of air; down below, those of water. One planet, containing two worlds. My classmates were as unastonished by their extravagant traits as a blowfish is by its quills. They seemed to be a different species. It was as if they had scent glands or marsupial pouches, adaptations for fecundity, for procreating in the wild, which had nothing to do with skinny, hairless, domesticated me.
”
”
Jeffrey Eugenides (Middlesex)
“
"Listen," he said, reaching for her wrist distractedly, eyes on the page of the book as he pulled her closer. Holding the Dark, the title read. By a poet named Melanie Cameron. Emeline leaned back against the shelves, watching him.
" 'I didn't know it would go like this,' " he recited. " 'I didn't know I would find you in the dark...' "
Emeline stared at his mouth, captivated by the cadence of his voice. His expression was hungry as he read on, as if he'd discovered some delicious secret and wanted to feed it to her. Like a ripe red strawberry dipped in chocolate.
"When I lie against you with my eyes closed,
I bring your body with me,
into the darkness,
I bring your whole body inside me.
And in that darkness I know you
so much better than hands and mouth can know,
I know you,
as though you were the darkness inside me."
He glanced up from the page, fixing her in place with that same hungry gaze. Warmth pooled in her belly.
"It's nice," she murmured.
He raised an eyebrow. "Nice?" The corner of his mouth turned up as he lifted his hand, bracing it against the shelf beside her.
She wrinkled her nose at him. "Pretty, then."
"How about tender. And..." His eyes dropped to her mouth. "Intimate."
There was the oddest feeling in Emeline's chest. Like a million tiny stars on the cusp of bursting. Sparks crackled in the air between them.
”
”
Kristen Ciccarelli (Edgewood)
“
After lunch we went to have our feet nibbled by hundreds of tiny fish. Then, after that- just kidding, I'll explain. The onsen offers a skin treatment where you dip your feet into a shallow pool stocked with Garra rufa, also known as doctor fish, which perform primitive exfoliation by slurping dead skin off your feet with their tiny jaws. This is illegal in most U.S. states, where health authorities believe that sharing fish between customers is as sanitary as sharing unsterilized tattoo needles. I find this reasoning persuasive. Naturally, we all went and joined a random stranger at the fish pool.
I'd heard of this fish treatment before, probably from a "hey, you've got to see this" link passed around online, and somehow I had the idea that it involved the occasional wayward fish sidling up to your foot. Try dozens, hundreds, all gnawing simultaneously. You can feel the little bites. At first it provoked a deep-seated piranha fear which I quelled by sitting still, taking deep breaths, and telling myself I had nothing to worry about other than blood-borne diseases. After that, it proved quite relaxing, although I did give up before my allotted fifteen minutes and went back to the painful reflexology pool where you walk around barefoot on jagged rocks. My feet are still baby soft, but when I need my next treatment, I'll post to Craigslist. Need feet nibbled. Will pay.
”
”
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
“
I want you to figure to yourselves a girl sitting with a pen in her hand, which for minutes, and indeed for hours, she never dips into the inkpot. The image that comes to my mind when I think of this girl is the image of a fisherman lying sunk in dreams on the verge of a deep lake with a rod held out over the water. She was letting her imagination sweep unchecked round every rock and cranny of the world that lies submerged in the depths of our unconscious being. Now came the experience, the experience that I believe to be far commoner with women writers than with men. The line raced through the girl’s fingers. Her imagination had rushed away. It had sought the pools, the depths, the dark places where the largest fish slumber. And then there was a smash. There was an explosion. There was foam and confusion. The imagination had dashed itself against something hard. The girl was roused from her dream. She was indeed in a state of the most acute and difficult distress. To speak without figure she had thought of something, something about the body, about the passions which it was unfitting for her as a woman to say. Men, her reason told her, would be shocked. The consciousness of — what men will say of a woman who speaks the truth about her passions had roused her from her artist’s state of unconsciousness. She could write no more. The trance was over. Her imagination could work no longer. This I believe to be a very common experience with women writers — they are impeded by the extreme conventionality of the other sex.
”
”
Virginia Woolf (Profissões para mulheres e outros artigos feministas)
“
A soup dumpling is a little marvel of engineering. Called xiao long bao in Chinese, shōronpō in Japanese, and "soupies" by Iris, soup dumplings consist of silky dough wrapped around a minced pork or crab filling. The filling is mixed with chilled gelatinous broth which turns back into soup when the dumplings are steamed. Eating a soup dumpling requires practice. Pop the whole thing in your mouth and fry your tongue; bite it in the wrong place and watch the soup dribble onto your lap.
The reason I thought about chocolate baklava is because Mago-chan pan-fries its soup dumplings. A steamed soup dumpling is perfect just the way it is. Must we pan-fry everything?
Based on the available evidence, the answer is yes. Pan-fried soup dumplings are bigger and heartier than the steamed variety and more plump with hot soup. No, that's too understated. I'm exploding with love and soup and I have to tell the world: pan-fried soupies are amazing.
The dumplings are served in groups of four, just enough for lunch for one adult or a growing eight-year-old. They're topped with a sprinkle of sesame and scallion. You can mix up a dipping sauce from the dispensers of soy sauce, black vinegar, and chile oil at the table, but I found it unnecessary. Like a slice of pizza, a pan-fried soup dumpling is a complete experience wrapped in dough. Lift a dumpling with your spoon, poke it with a chopstick, press your lips to the puncture wound, and slurp out the soup. (This will come in handy if I'm ever bitten by a soup snake.) No matter how much you extract, there always seems to be a little more broth pooling within as you eat your way through the meaty filling and crispy underside. Then you get to start again, until, too soon, your dumplings are gone.
”
”
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
“
Good-bye," he muttered harshly. "Good-bye! Good-bye, mamma!" A wild, strange cry, like that of a beast in pain, was torn from his throat. His eyes were blind with tears; he tried to speak, to get into a word, a phrase, all the pain, the beauty, and the wonder of their lives—every step of that terrible voyage which his incredible memory and intuition took back to the dwelling of her womb. But no word came, no word could come; he kept crying hoarsely again and again, "Good-bye, good-bye." She understood, she knew all he felt and wanted to say, her small weak eyes were wet as his with tears, her face was twisted in the painful grimace of sorrow, and she kept saying:
"Poor child! Poor child! Poor child!" Then she whispered huskily, faintly: "We must try to love one another." The terrible and beautiful sentence, the last, the final wisdom that the earth can give, is remembered at the end, is spoken too late, wearily. It stands there, awful and untraduced, above the dusty racket of our lives. No forgetting, no forgiving, no denying, no explaining, no hating. O mortal and perishing love, born with this flesh and dying with this brain, your memory will haunt the earth forever. And now the voyage out. Where? XL The Square lay under blazing moonlight. The fountain pulsed with a steady breezeless jet: the water fell upon the pool with a punctual slap. No one came into the Square.
The chimes of the bank's clock struck the quarter after three as Eugene entered from the northern edge, by Academy Street.
He came slowly over past the fire department and the City Hall. On Gant's corner, the Square dipped sharply down toward Niggertown, as if it had been bent at the edge.
Eugene saw his father's name, faded, on the old brick in moonlight. On the stone porch of the shop, the angels held their marble posture. They seemed to have frozen, in the moonlight.
”
”
Thomas Wolfe (Look Homeward, Angel)
“
She picked through the bits of jewelry, the stud earrings and ruby ring that belonged to their mother, Shirin. There was something almost meditative about this ritual of hers, combing through the photos and small keepsakes, even if she touched on some painful memories. It was as if her fingers were actually tracing the milestones each piece represented.
Her hand closed on a smooth, round object, something resembling a marble egg. It was a miniature bar of lotus soap, still in its wrapper, bought on their last trip to the 'hammam'. The public bathhouse had been a favorite spot of theirs, a place the three of them liked to go to on Thursdays, the day before the Iranian weekend.
Marjan held the soap to her nose. She took a deep breath, inhaling the downy scent of mornings spent washing and scrubbing with rosewater and lotus products. All at once she heard the laughter once again, the giggles of women making the bathing ritual a party more than anything else. The 'hammam' they had attended those last years in Iran was situated near their apartment in central Tehran. Although not as palatial as the turquoise and golden-domed bathhouse of their childhood, it was still a grand building of hot pools and steamy balconies, a place of gossip and laughter.
The women of the neighborhood would gather there weekly to untangle their long hair with tortoiseshell combs and lotus powder, a silky conditioner that left locks gleaming like onyx uncovered. For pocket change, a 'dalak' could be hired by the hour. These bathhouse attendants, matronly and humorous for all their years spent whispering local chatter, would scrub at tired limbs with loofahs and mitts of woven Caspian seaweed. Massages and palm readings accompanied platters of watermelon and hot jasmine tea, the afternoons whiled away with naps and dips in the perfumed aqueducts regulated according to their hot and cold properties.
”
”
Marsha Mehran (Rosewater and Soda Bread (Babylon Café #2))
“
I looked around and realized we were headed down a different road than Marlboro Man would normally take. “I have to give you your wedding present,” Marlboro Man said before I could ask where we were going. “I can’t wait a month before I give it to you.”
Butterflies fluttered in my stomach. “But…,” I stammered. “I haven’t gotten yours yet.”
Marlboro Man clasped my hand, continuing to look forward at the road. “Yes you have,” he said, bringing my hand to his lips and turning me to a pool of melted butter right in his big Ford truck.
We wound through several curves in the road, and I tried to discern whether I’d been there before. My sense of direction was lousy; everything looked the same to me. Finally, just as the sun was dipping below the horizon, we came upon an old barn. Marlboro Man pulled up beside it and parked.
Confused, I looked around. He got me a barn? “What…what are we doing here?” I asked.
Marlboro Man didn’t answer. Instead, he just turned off the pickup, turned to me…and smiled.
“What is it?” I asked as Marlboro Man and I exited the pickup and walked toward the barn.
“You’ll see,” he replied. He definitely had something up his sleeve.
I was nervous. I always hated opening gifts in front of the person who gave them to me. It made me uncomfortable, as if I were sitting in a dark room with a huge spotlight shining on my head. I squirmed with discomfort. I wanted to turn and run away. Hide in his pickup. Hide in the pasture. Lie low for a few weeks. I didn’t want a wedding present. I was weird that way.
“But…but…,” I said, trying to back out. “But I don’t have your wedding present yet.” As if anything would have derailed him at that point.
“Don’t worry about that,” Marlboro Man replied, hugging me around the waist as we walked. He smelled so good, and I inhaled deeply. “Besides, we can share this one.”
That’s strange, I thought. Any fleeting ideas I’d had that he’d be giving me a shiny bracelet or sparkly necklace or other bauble suddenly seemed far-fetched. How could he and I share the same tennis bracelet? Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me.
Then again, we were walking toward a barn.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
It was much nicer sitting in his lap. She was surrounded by him, cocooned by the hard lap beneath her and the warm chest and arms around her. Relaxing against the arm at her back, she slid her own arms around his neck again, careful to avoid the sore spot on the back of his head as she kissed him enthusiastically. Evelinde shuddered and pressed against him as his hands slid over her back, and then gasped and arched as his hand moved around to find and clasp one breast through her damp chemise. Clutching at the cloth of his plaid, Evelinde groaned into his mouth and held on for dear life as he kneaded the round orb, and was inundated by a whole new swell of sensations.
When his thumb brushed over the excited nipple through the cloth, it sent shocks of pleasure through her, and she couldn't keep from wiggling in his lap. Her hips moved off their own volition as they ground her bottom down against the hardness under her.
This seemed to have an electrifying effect on the Duncan, his kiss immediately became more demanding. The hand at her back shifted to her head to tilt her one way, then the other as the fingers at her breast tightened and began to pluck at her nipple through the quickly drying cloth.
This time Evelinde turned her head to give him better access when his mouth moved to her ear once more. His attention there soon had her gasping and moaning. Other than to dig her fingers more firmly into his shoulders, she hardly noticed when he leaned her back against his arm so his mouth could travel down her neck. His hand was still doing delightful things to first one breast, then the other, and that, combined with his lips nibbling over the flesh of her throat, had her giving one long, seemingly unending moan. By the time he reached the shockingly sensitive area of her collarbone, she was a mass of excitement, wiggling in his lap in response to the liquid heat now pooling in her lower belly.
So distracted was she, Evelinde didn't realize he had tugged aside the top of her chemise, revealing one breast, until his lips suddenly left her collarbone and dipped to close over the naked nipple.
She cried out then with both shock and excitement and tugged frantically at his plaid as he suckled and drew on the nipple, his tongue flicking over it repeatedly.
Evelinde knew she shouldn't be allowing this. She was betrothed to someone else. Even if she hadn't been, however, as an unmarried lady, she shouldn't be allowing it... but it felt so good.
”
”
Lynsay Sands (Devil of the Highlands (Devil of the Highlands, #1))
“
But…but that’s tragic! To go through life without color? Unable to appreciate art, or beauty?”
He laughed. “Now, sweet-hold your brush before you paint me a martyr’s halo. It’s not as though I’m blind. I have a great appreciation for art, as I believe we’ve discussed. And as for beauty…I don’t need to know whether your eyes are blue or green or lavender to know that they’re uncommonly lovely.”
“No one has lavender eyes.”
“Don’t they?” His gaze caught hers and refused to let go. Leaning forward, he continued, “Did that tutor of yours ever tell you this? That your eyes are ringed with a perfect circle a few shades darker than the rest of the…don’t they call it the iris?”
Sophia nodded.
“The iris.” He propped his elbow on the table and leaned forward, his gaze searching hers intently. “An apt term it is, too. There are these lighter rays that fan out from the center, like petals. And when your pupils widen-like that, right there-your eyes are like two flowers just coming into bloom. Fresh. Innocent.”
She bowed her head, mixing a touch of lead white into the sea-green paint on her palette. He leaned closer still, his voice a hypnotic whisper. “But when you take delight in teasing me, looking up through those thick lashes, so saucy and self-satisfied…” She gave him a sharp look.
He snapped his fingers. “There! Just like that. Oh, sweet-then those eyes are like two opera dancers smiling from behind big, feathered fans. Coy. Beckoning.”
Sophia felt a hot blush spreading from her bosom to her throat.
He smiled and reclined in his chair. “I don’t need to know the color of your hair to see that it’s smooth and shiny as silk. I don’t need to know whether it’s yellow or orange or red to spend an inordinate amount of time wondering how it would feel brushing against my bare skin.”
Opening his book to the marked page, he continued, “And don’t get me started on your lips, sweet. If I endeavored to discover the precise shade of red or pink or violet they are, I might never muster the concentration for anything else.”
He turned a leaf of his book, then fell silent.
Sophia stared at her canvas. Her pulse pounded in her ears. A bead of sweat trickled down the back of her neck, channeling down between her shoulder blades, and a hot, itchy longing pooled at the cleft of her legs.
Drat him. He’d known she was taunting him with her stories. And now he sat there in an attitude of near-boredom, making love to her with his teasing, colorless words in a blatant attempt to fluster her. It was as though they were playing a game of cards, and he’d just raised the stakes.
Sophia smiled. She always won at cards.
“Balderdash,” she said calmly.
He looked up at her, eyebrow raised.
“No one has violet lips.”
“Don’t they?”
She laid aside her palette and crossed her arms on the table. “The slope of your nose is quite distinctive.”
His lips quirked in a lopsided grin. “Really.”
“Yes.” She leaned forward, allowing her bosom to spill against her stacked arms. His gaze dipped, but quickly returned to hers. “The way you have that little bump at the ridge…It’s proving quite a challenge.”
“Is that so?” He bent his head and studied his book. Sophie stared at him, waiting one…two…three beats before he raised his hand to rub the bridge of his nose. Quite satisfactory progress, that. Definite beginnings of fluster.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
This is extremely significant. Knowing something of when the Pentateuch came to be, even generally, affects our understanding of why it was produced in the first place—which is the entire reason why we are dipping our toes into this otherwise esoteric pool of Old Testament studies. The final form of the creation story in Genesis (along with the rest of the Pentateuch) reflects the concerns of the community that produced it: postexilic Israelites who had experienced God’s rejection in Babylon. The Genesis creation narrative we have in our Bibles today, although surely rooted in much older material, was shaped as a theological response to Israel’s national crisis of exile. These stories were not written to speak of “origins” as we might think of them today (in a natural-science sense). They were written to say something of God and Israel’s place in the world as God’s chosen people.
”
”
Peter Enns (The Evolution of Adam: What the Bible Does and Doesn't Say about Human Origins)
“
Logan's been one of Marietta's most eligible bachelors for too long. Ever since divorcing that useless ditz of a wife, we've all been watching waiting for him to dip his toes into the dating pool again. Nothing. Then, you show up and what happens? He dives straight into the deep end, without taking off his shoes." - Aunt Mabel to Samara
”
”
Roxanne Snopek (Finding Home)
“
We’ll have a dip in the spa pool, and a massage and lunch. We can use it after that horrible cave and bats in our hair.”
“They don’t really get in your hair, you know,” Liv said quietly. “Bats have echolocation. They never hit anything.”
“Well, it feels like they’re in your hair,” Dayna shivered.
”
”
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
“
Nemienne, who had never been able to summon fire into the peculiar heavy darkness of these caverns, found in her heart an understanding of shadows and darkness and black water that had never known the sun. She held in her mind the heavy smothering darkness, knelt on the stone, dipped a finger into the black pool, and drew quickly on the white stone the rune for summoning that she had seen on the hearthstone of Leilis’s fireplace. What she summoned was the patient darkness that lay beyond the reach of any light, the endless heavy shadows that could smother any fire.
”
”
Rachel Neumeier (House of Shadows (House of Shadows #1))
“
This ethereal weirdo abounds in movies, but nowhere else. If she were from real life, people would think she was a homeless woman and would cross the street to avoid her, but she is essential to the male fantasy that even if a guy is boring, he deserves a woman who will find him fascinating and pull him out of himself by forcing him to go skinny-dipping in a stranger’s pool. THE
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
could have sworn that she saw the tip of Douglas’s tail wag. She left Bomber to his odious sister and tripped downstairs into the bright afternoon sunshine. The last thing she heard as she closed the door behind her was from Portia, in an altogether changed, but still unpleasant, wheedling tone: ‘Now, darling, when are you going to publish my book?’ At the corner of Great Russell Street she stopped for a moment, remembering the man she had smiled at. She hoped that the person he was meeting hadn’t left him waiting for too long. Just then, in amongst the dust and dirt at her feet, the glint of gold and glass caught her eye. She stooped down, rescued the small, round object from the gutter and slipped it safely into her pocket. Chapter 4 It was always the same. Looking down and never turning his face to the sky, he searched the pavements and gutters. His back burned and his eyes watered, full of grit and tears. And then he fell; back through the black into the damp and twisted sheets of his own bed. The dream was always the same. Endlessly searching and never finding the one thing that would finally bring him peace. The house was filled with the deep, soft darkness of a summer night. Anthony swung his weary legs out of bed and sat shrugging the stubborn scraps of dream from his head. He would have to get up. Sleep would not return tonight. He padded down the stairs, their creaking wood echoing his aching bones. No light was needed until he reached the kitchen. He made a pot of tea, finding more comfort in the making than the drinking, and took it through to the study. Pale moonlight skimmed across the edges of the shelves and pooled in the centre of the mahogany table. High on a shelf in the corner, the gold lid of the biscuit tin winked at him as he crossed the room. He took it down carefully and set it in the shimmering circle of light on the table. Of all the things that he had ever found, this troubled him the most. Because it was not a ‘something’ but a ‘someone’; of that he was unreasonably sure. Once again, he removed the lid and inspected the contents, as he had done every day for the past week since bringing it home. He had already repositioned the tin in the study several times, placing it higher up or hidden from sight, but its draw remained irresistible. He couldn’t leave it alone. He dipped his hand into the tin and gently rolled the coarse, grey grains across his fingertips. The memory swept through him, snatching his breath and winding him as surely as any punch to the gut. Once again, he was holding death in his hands. The life they could have had together was a self-harming fantasy in which Anthony rarely indulged. They might have been grandparents by now. Therese had never spoken about wanting children, but then they had both assumed that they had
”
”
Ruth Hogan (The Keeper of Lost Things)
“
From my readings, I had learned of a vast pool of human knowledge that both included books and went far beyond them in content and reach. The humans, of course, having only the faintest of intimations of quenging, use a different though related metaphor for the noosphere in which they like to dip their feet. Instead of seeing the truth of all things as a single, superluminal substance that everywhere flows like water, they conceive of it as a collection of things, and they content themselves with fashioning nets with their minds in the hope of casting them out in order to capture here a prettier pebble and there a smoother shell. Hence their name for the Oceanic wisdom that should flow among all beings: the worldwide Net.
”
”
David Zindell (The Idiot Gods)
“
Thank you for bringing me home. My heart will sing a song of friendship when I think of you, Hunter--for always into the horizon.”
He gestured toward the stallion. “You will take him. He is strong and swift. He will carry you back to Comanche land, eh?”
“Oh, no! I couldn’t. He’s yours!”
“He walks a new way now. You are his good friend.”
Tears sprang to her eyes. “I will never return to Comancheria, Hunter. Please, keep your horse.”
“You keep. He is my gift to you, Blue Eyes.”
Words eluded Loretta. Before she thought it through, she rose on her tiptoes and pressed her lips against his in what she intended to be a quick kiss of farewell.
Hunter had heard of this strange tosi tivo custom called kissing. The thought of two people pressing their open mouths together had always disgusted him. Loretta was a different matter, however. Before she could pull away, he captured her face between his hands and tipped her head back to nibble lightly at her mouth. To learn the taste of her. And to remember.
As inexpert as he was, when his mouth touched hers, a wave of heat zigzagged through him, pooling like fire low in his belly. Her lips were soft and full, as sweet as warm penende, honey. She gasped, and when she did, he dipped his tongue past her teeth to taste her moistness, which was even sweeter and made him think of other sweet places he would like to taste. Hunter at last understood why the tosi tivo liked kissing.
She clutched his wrists and leaned away from him. He drew back and smiled, his palms still framing her face. Her large eyes shone as blue as the sky above them, startled and wary, just as they had so many times those first few days. She was like his mother’s beadwork, beautiful on the outside, a confusing tangle on the inside. Would he never understand her?
“Good-bye, Hunter.”
Reluctantly he released her and watched her lead the horse down the hill. At the base of the slope she turned and looked back. Their gazes met and held. Then she turned toward home and broke into a trot, the horse trailing behind her. Hunter shook his head. Only a White Eyes would walk when she had a perfectly good horse to ride.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Before she thought it through, she rose on her tiptoes and pressed her lips against his in what she intended to be a quick kiss of farewell.
Hunter had heard of this strange tosi tivo custom called kissing. The thought of two people pressing their open mouths together had always disgusted him. Loretta was a different matter, however. Before she could pull away, he captured her face between his hands and tipped her head back to nibble lightly at her mouth. To learn the taste of her. And to remember.
As inexpert as he was, when his mouth touched hers, a wave of heat zigzagged through him, pooling like fire low in his belly. Her lips were soft and full, as sweet as warm penende, honey. She gasped, and when she did, he dipped his tongue past her teeth to taste her moistness, which was even sweeter and made him think of other sweet places he would like to taste. Hunter at last understood why the tosi tivo liked kissing.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
She went with the Red Hats over to Tunica early this morning. I think my mom has developed a gambling problem since her trip to Vegas.”
“Yeah, so you’re alone, then?”
“No, smartass. I’m sitting with the pool boy. We’re getting ready to go skinny-dipping.”
“Lucky pool boy. Does he know you like to be tied up?”
“Jaime, don’t start that.”
“Pepper, I love when you get all defensive like that. Makes me think of bad things to do to you.”
“I’m going to hang up now.”
“Don’t you want to know what kind of bad things?”
“I know your idea of bad. You like to dominate me.
”
”
Mercy Celeste (Wicked Game)
“
At such times, I could almost hear creativity talking to me while I spun off into fear and doubt. Stay with me, it would say. Come back to me. Trust me. I decided to trust it. My single greatest expression of stubborn gladness has been the endurance of that trust. A particularly elegant commentary on this instinct came from the Nobel laureate Seamus Heaney, who said that—when one is learning how to write poetry—one should not expect it to be immediately good. The aspiring poet is constantly lowering a bucket only halfway down a well, coming up time and again with nothing but empty air. The frustration is immense. But you must keep doing it, anyway. After many years of practice, Heaney explained, “the chain draws unexpectedly tight and you have dipped into waters that will continue to entice you back. You’ll have broken the skin on the pool of yourself.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
It’s a gigantic risk to be this familiar. We are dipping our toes into a very deep and irresistible pool of memories—some real, some imagined—without knowing how much either of us is willing to swim.
”
”
Bridget Morrissey (A Thousand Miles)
“
I wish I could join them,but this carefree joy they revel in is distant and foreign to me.My happiness has always come at a price;it has never felt unburdened,as theirs seems to be.I can imagine it,though,the version of myself that would jump to her feet and dance and laugh and sing.She shimmers in my mind,a vision just being my gasp.Like Tantalus trapped in the Underworld, forever reaching for that pool of water,its silky surface always dipping just out of reach,mocking the thirst he will never quench.
”
”
Rosie Hewlett (Medea)
“
I wanted to freeze this moment forever, the chimes, the slight splash of water, the chink of dogs’ leashes, laughter from the pool, the skritch of my mother’s dip-pen, the smell of the tree, the stillness. I wished I could shut it in a locket to wear around my neck.
”
”
Janet Fitch
“
He kissed with a practiced ease that threatened to completely unmake me, one broad palm finding the small of my back as he tugged me closer. I went willingly, unthinkingly, my arms wrapping around his neck when he tilted his head and traced the seam of my lips with the tip of his tongue.
It wasn't supposed to be like this. My body was not supposed to react to his proximity, his touch, his kiss. This wasn't real. But for my body, this kiss was real as it got. My breath quickened as the seconds slipped past, as Reggie briefly dipped his tongue into my mouth before withdrawing again. His taste was peculiar, like metal and salt, like that time I'd accidentally bitten my tongue while eating too fast and blood pooled in my mouth. It did nothing to dispel the moment, or to distract me from the very real sensations coursing through me. I clutched at the ends of his shirt collar, thinking of only bringing him closer, not even realizing I was doing it until he returned the favor by bunching up the fabric at the front of my dress in his fist.
"Amelia," he whispered against my lips.
And then, it was over. Reggie pulled back by degrees, giving me a sheepish grin.
I was warm and flushed all over. I had no doubt that my face was as red as the strawberries I'd eaten for dessert. When I looked into his eyes, the blacks of his pupils had nearly swallowed up the brilliant blue irises, but he seemed otherwise unaffected by what we'd just done.
”
”
Jenna Levine (My Vampire Plus-One (My Vampires, #2))
“
I told you, babe, we’re going to teach you how to live. Before I take you to the murky water of a lake, I’m letting you do this in a clean pool.”
“Do what, exactly?”
I grin. “Skinny dipping, of course. I want to make sure you know all your parts are safe when they’re in contact with water.”
“All my parts?” Her voice is a tad pitchy.
“Like your… cute little cunt, baby.
”
”
Kendall Hale (About That One Night (Happily Ever Mishaps Book, #3))
“
I, Zoe Isabella Harper, am going skinny dipping in a pool atop a very swanky apartment building in the middle of the city. Who am I, and what have I done with the real Zoe?
”
”
Kendall Hale (About That One Night (Happily Ever Mishaps Book, #3))
“
I had seen small-scale electric fishing near Beijing, where workers from local restaurants wandered the streams and pools in rubber waders with giant batteries strapped to their backs connected to a pole in each hand that they dipped into the water, electrocuting everything in between. This was by no means the worst form of indiscriminate fishing in China. I had read and heard numerous reports of fishing with explosives.
”
”
Jonathan S. Watts (When A Billion Chinese Jump: How China Will Save Mankind -- Or Destroy It)
“
Today was the first day of summer, she realized, her spirits lifting like a kite. She loved milestones of any sort: birthdays, anniversaries, holidays, checks on the calendar, notches on a growth chart. Today would be special, brand new. She felt it deep inside. Summer was here with sunny days and balmy nights, the informality of barbecues and dips in the swimming pool. She was so relieved to have the grind of the school year finished. She missed playing with her children.
”
”
Mary Alice Monroe (The Book Club)
“
It smells like a duffel bag full of dead cats dipped in a dirty grease-trap and dragged through a pool of piss
”
”
T.W. Brown (Midnight Movie Creature Feature)
“
It seemed to be a requirement that the women who wore an "X" on their costumes would eventually take a dip in the crazy pool at least once. Power intoxicated these women and made them cruel, maniacal menaces who cast aside loyalties to friends and lovers. Even when possessed by an evil entity, the implication was that a suppressed part of the heroine's soul was reveling in the rush of deviltry.
”
”
Mike Madrid (The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines)
“
Meditation is the process of entering into a receptive state and letting the goodness of the universe fill you. It is dipping your toe into a pool of infinite stillness.
”
”
Amy Leigh Mercree (A Little Bit of Meditation: An Introduction to Focus (Little Bit Series) (Volume 7))
“
indoor heated pool, there is a beach on the lakefront with lifeguards and diving boards in the summertime. Note: Green Lake has frequent algae blooms when the weather turns warm, which means the lake will be closed to swimmers, so check for informational signs before you go for a dip. See p
”
”
Donald Olson (Frommer's Seattle day by day)
“
I could have written the entire incident off, but any time three people report a scream, they’re calling not about a sound but about a memory that lives in the collective unconscious, one that goes back to the cave. When we are alarmed to the degree that we have to tell others about it, we’re dipping into a primal knowledge about the darker potential of the gene pool. Or at least this has always been my belief.
”
”
James Lee Burke (The New Iberia Blues (Dave Robicheaux #22))
“
He sat down on the edge of the pool and dipped his feet into the water, still wearing tattered designer dress shoes like a goddamn psychopath, and sighed.
”
”
Tom B. Night (Circadian Algorithms)
“
If too much time is spent up above, we become uncharacteristically curt with our colleagues, we slip up on our programs, we are rude to waiters, even though one of us (lane seven, little black Speedo, enormous flipper like feet), is a waiter himself. We cease to delight our mates... and even though we resist the urge to descent, it will pass, we tell ourselves. We can feel our panic beginning to rise, as though we were somehow missing out on our own lives. Just a quick dip and everything will be alright. And when we can stand it no longer, we politely excuse ourselves from whatever it is we're doing: discussing this month's book with our book club, celebrating an office birthday, ending an affair, wandering aimlessly up and down the florescent lit aisles of the local Safeway, trying to remember what it is was we came in to buy, (Mallomars, Lorna Doones), and go down for a swim, because there's no place on earth we'd rather be than the pool. Its wide roped off lanes, clearly numbered 1 through 8, its deep, well-designed gutters, its cheerful yellow buoys spaced at pleasingly predictable intervals, its separate, but equal entrances for women and men, the warm ambient glow of its recessed, overhead lights, all provide us with a sense of comfort and order that's missing from our above ground lives.
”
”
Julie Otsuka (The Swimmers)
“
All thought flew from my mind when he pulled the shirt from over his head, revealing the elegant sweep of his back, the hard-packed muscles rippling under smooth skin. Arms, chiseled like a god's, reached down and...
"Oh, sweet baby Jesus," I murmured fervently.
He pushed his jeans off and bared an ass that was, frankly, spectacular. Those tight globes flexed as he kicked the jeans away with one long leg.
Turn away. Get out of here.
I shouldn't look. I coveted my privacy, and I was blatantly watching Lucian strip naked. He deserved his privacy too. But I couldn't blink. I couldn't move. He was...glorious. My fingers gripped the railing, holding on tight.
The light of the pool gave his skin an unworldly greenish cast. He rolled his shoulders...unf...and then dove in. The water rippled outward in his wake. I actually shivered with lust as I tracked him along the bottom of the pool, a pale arrow of flesh darting through the turquoise glow.
Silently, he surfaced on the far side of the pool, then neatly turned to do laps. Perfect form. Long strong arms. Clean, steady strokes.
Édith Piaf kept singing as Lucian set a steady but brutal pace. He went at it lap after lap. I grew fairly dizzy with rude thoughts about his stamina. The night was cool, but my flesh was hot. God, that water looked so good. I could practically feel it running over my fevered skin.
”
”
Kristen Callihan (Make It Sweet)
“
Then he planted his big hands on the side of the pool and, with an effortless push, thrust himself up and out of the water.
"Sweet mercy..." My knees went weak, and I gripped the rail to keep from falling over. Oh, Édith, I don't regret anything either.
His body was a Bernini sculpture come to life---Triton looking down on mere mortals. Water sluiced over rippling planes of muscles, trickled down dips and cut grooves, heading straight toward...
His dick. Even from far away, it was impressive. Long and thick with a wide head and plump balls. My lips parted, heat flushing my cheeks, and my nipples tightened.
”
”
Kristen Callihan (Make It Sweet)
“
His eyes, pale as the glowing pool, pinned me to the spot. So much heat in them. Heat and need and a shadow of frustration, as though he didn't want to want me. His voice lowered, thick as hot cream. "Em, if you're naked in front of me, there's going to be touching."
Yes, please. Now would be good.
"Pretty presumptuous of you, honey pie."
Lucian, the rat bastard, smiled, those hot eyes intent on my face. "Who said it had to be you I'm touching?"
"What?" I could barely think. His nearness was making me light headed.
"I'm not above taking matters into my own hand, if that's the only option."
I pictured him handling all that... girth. The bottom dropped out of me.
"Oh, well played----"
Water ripped, and he was there, big body surrounding me, his mouth inches from mine. "To be clear," he murmured, "if you're naked in front of me, I'd rather touch you."
He was so close, vividly present. Deliciously beautiful. My lids lowered, my lips parting with the need to feel his. I wanted. I wanted.
Our legs brushed under the water, and a shiver danced up my thighs. Lucian grabbed the edge of the pool to brace himself, his arms bracketing me, which made it worse. Water droplets glinted on the dips and swells along his shoulders and arms, drawing my attention to the sheer strength of his body and how good it would feel to touch him.
”
”
Kristen Callihan (Make It Sweet)
“
Starting a train journey without stopping at a ubiquitous A H Wheeler stall was out of question. Pooling in our resources including dipping into the freshly received envelopes, we would pick out magazines, comics and ‘story books’. Fewer joys came close to the joy of being snugly tucked in an upper berth, reading against a night light or listening to a story being read out as the train gently rocked you to sleep. With the curtains drawn and the lights other than the reading or night lights out, the compartment would become quite cosy and slumber set in effortlessly. Dawn
”
”
Supriya Newar (Kalkatta Chronicles)
“
I watched the light play over the surface of his flesh, and I was fucking jealous of it - jealous of the way it got to pool in the crevices and dips, the way it kissed the raised texture of his scars, the way it shuddered over dark hair at his chest and below his navel, disappearing beneath the low-slung waistband of his trousers.
”
”
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
“
Several pills and a hot shower later, I felt well enough to go back to the party. To my surprise, the three girls were skinny-dipping in the rooftop swimming pool, while Johnny, wearing nothing but an apron, served them wine from a silver platter. “Ze white is a 1968 Chassagne-Montrachet,” he said in a cheesy accent plucked from the Mighty Carson Art Players, “and ze rhedd is a 1966 Pétrus.” I was impressed; that Pétrus went for $3,000 a bottle. “Come on, Henry,” Johnny shouted. “Take off your clothes! Join the fun!” Well, I
”
”
Henry Bushkin (Johnny Carson: A Taut Portrait of a Complex Man Revealing the True Johnny Carson)
“
Another bead of sweat dripped off Wren's nose and pooled in the hollow in her collarbone. She felt suddenly as if she was in a heat-addled dream. She dipped her hands in the water and splashed some on her chest.
”
”
Catherine Doyle (Twin Crowns (Twin Crowns, #1))
“
They called it heartbreak, But my whole body ached for you when you left. I didn’t cry puddles of tears — I cried enough to fill rivers That became a swimming pool I would dip into From time to time When I saw old photos, That I would sink in to When the reality that you were gone Hit me like a tornado, Shook my world like an earthquake. They called it heartbreak, But my tongue stung from the times I bit it so hard, I tasted blood To stop myself from telling our story. My head ached from the screaming, Chanting, repeating I pushed myself to do To force myself to get over you — He’s gone, he doesn’t love you; He’s gone, silly girl, move on. They called it heartbreak, But despite the pain I felt In every inch of my body, It was my legs that ached the most, Because every step forward without you Was the worst pain I had ever felt.
”
”
Shai Kara (Hellfire: A Poetry Collection)
“
And she said it in her essay “On Keeping a Notebook”—which has obvious appeal as a how-to primer for any aspiring writer who likes to eavesdrop but which also delivers an unexpected meditation on identity and place. I was in the right place until it was the wrong place, she says of herself. Or to me: There is nothing wrong with you; you are just in the wrong place. This idea that there is a right place and time for each of us, and you can vacate it by mistake and return to it only at great expense, fills much of her work with a kind of anticipatory nostalgia—looking backward even as she projects into the future. It’s an example of what Shakespeare called the “preposterous,” which as his scholars love to point out literally describes a condition where “before” follows “after” or “pre” follows “post”—a state of chronological, and often psychological, confusion. Remember the scene in “On Keeping a Notebook” when Didion sees a blonde in a Pucci bathing suit at the Beverly Hills Hotel surrounded by fat men? The blonde does the one thing that a blonde in a Pucci bathing suit was born to do: she “arches one foot and dips it into the pool.”2 There, she’s in her element. Right time, right place. It has a cinematic or photographic quality, like Henri Cartier-Bresson’s decisive moment.
”
”
Steffie Nelson (Slouching Towards Los Angeles: Living and Writing by Joan Didion’s Light)
“
A particularly elegant commentary on this instinct came from the Nobel laureate Seamus Heaney, who said that—when one is learning how to write poetry—one should not expect it to be immediately good. The aspiring poet is constantly lowering a bucket only halfway down a well, coming up time and again with nothing but empty air. The frustration is immense. But you must keep doing it, anyway. After many years of practice, Heaney explained, “the chain draws unexpectedly tight and you have dipped into waters that will continue to entice you back. You’ll have broken the skin on the pool of yourself.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
Ashley sat in the bar of the boutique hotel, admiring the gorgeous tiled light fixtures hanging from the high ceiling above, the colorful Mexican plates displayed on shelves, the framed chalkboard on the wall indicating live music later that night. Being in Tulum made her feel so far away from her five-bedroom mid-century modern house in Santa Monica, with its floor-to-ceiling windows facing west, and sleek but slightly uncomfortable gray furniture. With its closets full of more shoes than she could ever wear—the garage boasting designer cars and every toy and gadget her two daughters could ever want—its backyard home to a pool and hot tub she hadn’t so much as dipped a toe in for months.
”
”
Liz Fenton (Girls' Night Out)
“
Gina set her notepad and pen on the hospital nightstand, then pulled the warm garlic bread from the parchment paper package meant to keep the pooling butter from escaping, but it really provided the perfect dipping spot. She bit into the crusty edge, crunchy on the outside and soft on the inside, and sprinkled with the exact right amount of garlic salt. Mama Mia's garlic bread, the ultimate comfort food- all carbs and fat. After dropping May off at home on her way back to the hospital, she'd swung by for the necessary comfort-food fix. Now that she thought about it, their iconic bread would make an amazing grilled cheese sandwich.
”
”
Amy E. Reichert (The Optimist's Guide to Letting Go)
“
The boy was just another wanderer amongst us who'd desired to fit in and asked for nothing more of this world than that simple wish to bear his fruit. He was a vagabond, a soul freed from heaven and tarnished, dipped in this earthly pool and rusted like iron, the scars shown upon his heart like Adam when he'd eaten the apple.
”
”
Edward A. Farmer (Pale)
“
It was the time of the change… no longer a little one, the time when, I was starting to see things happening, to me that I did not want to see. Like- passion pink braces on my unperfected overbite teeth along with ‘Pimples, periods, hips and boobs- oh my… I just want to cry or die.’
Moreover, I was utterly feeling all kinds of things that I didn’t want to feel. I was feeling too old for toys and wanted to feel up one of the older boys. I was an 8th grader, Yes, I was at that stage of my life… it feels strangely good and yet very weird too. ‘Oh yes- Live's through middle school all over again.’ All the days off. All the days on… all the days- I was turned off, to all of them.
And yes, all the days, I was turned on!
Yet, really can anyone stand to relive that day… I mean really! Let’s not forget I had to spend time with the family, on the brakes, then to come home and do all the pointless homework like advanced mathematics. When I got most of that crap done sitting in long study halls not able to move or say a sound, with period cramps, yeah- I know fun right!
Kissing with open mouths, like breath sucking and tugs brushing Frenching.
As well as thinking about what boy, I want to have sizzling, exhilarating, desiring sex with is all I thought about! Plus- when, where, and how! Yes, I have had some really bad kisses, make-outs, and hookups… who hasn’t? So much so, I barely survived through them the primary time it happened. Just like the world keeps going around, this was not my first go-around either.
Frankly, I thought I would not have minded living through all that again. What I thought were the ultimate times of all. Like the time I made out with a girl in the hallway slammed upon her locker, she was touching me in all the right places, let us just say. Anyways her name is Jenny Stevenson. She is the type of girl that is a friend to try things with. Yes, I have been with a girl too. Mostly, I just wanted to see what being in a lesbian world feels like. It was okay, it feels just as good. Though, I knew boys were my thing. However, I am the type, I will try anything once, even sex-wise!
Though I thought, my paramount triumphs were with Ray Raymond, and like when we first hooked up underneath the football stadium bleachers. I knew everyone could see us doing it with his pants down, and my bare butt sticking out and up, as the game was going on. Still, we were in the moment, we did not care.
The PDA was half the fun of doing it, it was all about getting some.
I remember being wasted too, with my friends like Jenny, Kenneth, and Madeline. Yet we just called her Maddie. Like- I said we got so drunk and high, that we went skinny dipping in like old man’s pool weather thirdly two degrees, and then made messed up looking snowman, and running around the street somewhat ass naked flashing whomever we would get to look at us.
”
”
Marcel Ray Duriez (Nevaeh Falling too You)
“
Her hand closed on a smooth, round object, something resembling a marble egg. It was a miniature bar of lotus soap, still in its wrapper, bought on their last trip to the 'hammam'. The public bathhouse had been a favorite spot of theirs, a place the three of them liked to go to on Thursdays, the day before the Iranian weekend.
Marian held the soap to her nose. She took a deep breath, inhaling the downy scent of mornings spent washing and scrubbing with rosewater and lotus products. All at once she heard the laughter once again, the giggles of women making the bathing ritual a party more than anything else. The 'hammam' they had attended those last years in Iran was situated near their apartment in central Tehran. Although not as palatial as the turquoise and golden-domed bathhouse of their childhood, it was still a grand building of hot pools and steamy balconies, a place of gossip and laughter.
The women of the neighborhood would gather there weekly to untangle their long hair with tortoiseshell combs and lotus powder, a silky conditioner that left locks gleaming like onyx uncovered. For pocket change, a 'dalak' could be hired by the hour. These bathhouse attendants, matronly and humorous for all their years spent whispering local chatter, would scrub at tired limbs with loofahs and mitts of woven Caspian seaweed. Massages and palm readings accompanied platters of watermelon and hot jasmine tea, the afternoons whiled away with naps and dips in the perfumed aqueducts regulated according to their hot and cold properties.
”
”
Marsha Mehran (Rosewater and Soda Bread (Babylon Café #2))
“
Sheridan’s eyes fell to the watery gateway as he begrudgingly donned the novel wetsuit and pulled on the crown of arc lamps. Following Kunchen’s lead, he cinched it tightly around his waist, feet, and neck. And all the while his eyes returned to the teeming portal.
Kunchen took notice.
“This whirlpool is like the mighty river of life.” Kunchen said.
Sheridan watched as Kunchen dipped his right hand into a shallow pool of ice-crusted water, scooping up the pristine liquid in his cupped fingers. He submitted the handful of water to Sheridan. With the gentle tilt of his right hand he poured it out, watching it trickle into his left hand.
With unerring kindness in his eyes, Kunchen became the teacher and Sheridan the pupil: “Observe the water. It is soft, easily bending and transforming to its circumstance.”
He poured the water from his left hand. It fell into the writhing water and disappeared in an instant.
“But when it joins with the force of the whirlpool it becomes powerful and unstoppable. You must be flexible like the water, feeling the flow of life, tapping into its current. This is the only way.
”
”
Phillip R. White
“
When he emerged from prison and met Addie, who dipped her hand into the pool of injury and hurt that was his heart and drained it of every evil and refilled it with love and purpose, he became sure of it. She cleansed him. And he’d lose it all now. He didn’t want to lose it, but he knew it was gone.
”
”
James McBride (The Heaven & Earth Grocery Store)
“
At the beginning of the cycle, a girl searches for the perfect mate. But the kicker is because it’s her time, she might not find the perfect man. Maybe she’ll just find a man willing to settle down and help her create the DNA-induced image in her head. And then one day, five, ten, fifteen years down the road, she wakes up and realizes that she married the wrong man. And the man wakes up next to her, realizing the woman he married is completely different from the one he proposed to. And that right there is the reason for the ever-present adolescent man because they want a 2.0 version of the woman they proposed to, the sexually creative, vivacious, zest for life fuck buddy they thought they were investing in. And so it goes, the woman sets off to find herself, while the husband—ex or not—begins dipping lower and lower into the pool until they’re practically dating an infant so that they can have that girl back. But the jokes on them because eventually, the 2.0 version is going to hit the same part of the cycle, too. It’s a hamster wheel.
”
”
Kate Stewart (The Plight Before Christmas (Holiday Hijinx Series #1))
“
different from the one he proposed to. And that right there is the reason for the ever-present adolescent man because they want a 2.0 version of the woman they proposed to, the sexually creative, vivacious, zest for life fuck buddy they thought they were investing in. And so it goes, the woman sets off to find herself, while the husband—ex or not—begins dipping lower and lower into the pool until they’re practically dating an infant so that they can have that girl back. But the jokes on them because eventually, the 2.0 version is going to hit
”
”
Kate Stewart (The Plight Before Christmas (Holiday Hijinx Series #1))
“
I want to shut my eyes. I want to close her out and pretend she’s not right here beside me—because this moment, it’s going to set me back again. Just the sight of her rips open old wounds that I felt would never heal in the first place. I’m having flashbacks of Nora poking me in the cheek to get me to smile. Nora’s nervous wide eyes as she sneaks with me into our college rec center after hours to skinny dip in the pool. Nora’s soft smile as she sits beside me in class frantically writing notes and I draw an invisible heart over and over on the top of her thigh.
”
”
Sarah Adams (The Rule Book)
“
In the morning, I woke up clean from my dip in the jungle pool the night before, and feeling totally refreshed! Leaping to my feet and shaking out my feathers, I looked over at my master, who was doing sword drills in the pink rays of the rising sun. Sir Zebulon moved through his techniques slowly and smoothly, as if dancing with his iron blade. The sword glinted in the morning sunlight.
”
”
Skeleton Steve (Diary of a Chicken Battle Steed Box Set (Diary of a Chicken Battle Steed, #1-4))