Dip In The Ocean Quotes

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‎I have always been fascinated by the ocean, to dip a limb beneath its surface and know that I'm touching eternity, that it goes on forever until it begins here again.
Lauren DeStefano (Wither (The Chemical Garden, #1))
We can’t jump off bridges anymore because our iPhones will get ruined. We can’t take skinny dips in the ocean because there’s no service on the beach and adventures aren’t real unless they’re on Instagram. Technology has doomed the spontaneity of adventure and we’re helping destroy it every time we Google, check-in, and hashtag.
Jeremy Glass
I know the sky falls down every day. The sun drops into the ocean and splashes browns and reds and yellows and oranges into the world outside my window. A million leaves from a hundred different branches dip in the wind, fluttering with the false promise of flight. The gust catches their withered wings only to force them downward, forgotten, left to be trampled by the soldiers stationed just below.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Things are never as they seem. A person. A Mark. A statement. They are always deeper than we perceive, like walking in the ocean and suddenly dipping under the surface because the bottom has disappeared beneath your feet. The water appears shallow until you are suddenly flailing around beneath the surface, desperately searching for stable ground once again.
Kelseyleigh Reber
Sleep is an under-ocean dipped into each night.
Jim Morrison (The Lords and the New Creatures)
I finally found him sitting on his balcony. He was leaning back against the wall with his eyes closed. Soft music played, and a cool ocean breeze blew back my hair as I stepped on to the balcony and inhaled the scent of the sea. "May I join you?" I asked softly. He didn’t bother opening his eyes. "If you like." The moon in the dark sky looked like a giant white plate dipping its edge into the ocean. We sat quietly for a while. I closed my eyes too and listened to him hum along in harmony with the music. "You haven’t played your guitar in a long time. I miss it," I said when the song was finished. Ren turned away. "I fear there is no music left in me.
Colleen Houck (Tiger's Destiny (The Tiger Saga, #4))
Featherweight by Suzy Kassem One evening, I sat by the ocean and questioned the moon about my destiny. I revealed to it that I was beginning to feel smaller compared to others, Because the more secrets of the universe I would unlock, The smaller in size I became. I didn't understand why I wasn't feeling larger instead of smaller. I thought that seeking Truth was what was required of us all – To show us the way, not to make us feel lost, Up against the odds, In a devilish game partitioned by An invisible wall. Then the next morning, A bird appeared at my window, just as the sun began Spreading its yolk over the horizon. It remained perched for a long time, Gazing at me intently, to make sure I knew I wasn’t dreaming. Then its words gently echoed throughout my mind, Telling me: 'The world you are in – Is the true hell. The journey to Truth itself Is what quickens the heart to become lighter. The lighter the heart, the purer it is. The purer the heart, the closer to light it becomes. And the heavier the heart, The more chained to this hell It will remain.' And just like that, it flew off towards the sun, Leaving behind a tiny feather. So I picked it up, And fastened it to a toothpick, To dip into ink And write my name.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
In my small way, I preserved and catalogued, and dipped into the vast ocean of learning that awaited, knowing all the time that the life of one man was insufficient for even the smallest part of the wonders that lay within. It is cruel that we are granted the desire to know, but denied the time to do so properly. We all die frustrated; it is the greatest lesson we have to learn.
Iain Pears (An Instance of the Fingerpost)
Was it ever . . .” She winced, wished she could muffle the need to ask. “Before, with anyone else—” “No.” He touched his lips to her brow, her nose, the dip in her chin. “It was never, with no one else.” Not for me, either.” She simply breathed him in. “Put your hands on me. I want your hands on me.” “I can do that.” He did, tumbling with her to a spread of floor cushions while the sun died brilliantly in the ocean.
J.D. Robb (Glory in Death (In Death, #2))
The Bible is an ocean of instruction and wisdom. Dip daily into the vast pool to discover its truths. Dust off that Bible. It has the answers you are looking for, and its delights await you.
Elizabeth George
How to be human, it seemed, was an infinite ocean in which Kit had only yet dipped the corner of a toenail.
David Arnold (The Electric Kingdom)
The Bible is an ocean of instruction and wisdom. Dip daily into the vast pool to discover its truths.
Elizabeth George
Dip your toe in every ocean and try everything and anything.
Penelope Douglas (Corrupt (Devil's Night, #1))
I have always been fascinated by the ocean, to dip a limb beneath its surface and know that I'm touching eternity, that it goes on forever until it begins here again.
Lauren DeStefano (Wither (The Chemical Garden, #1))
The sun kept dipping down into the ocean and the lights came on at the harbor, casting sudden shadows on the ground, illuminating the faces that were just a second ago silhouettes. The sky was golden and purple, the ocean a darker shade of violet.
Adi Alsaid (Never Always Sometimes)
That night, Tom took a bottle of whisky, and went to watch the stars from near the cliff. The breeze played on his face as he traced the constellations, and tasted the burn of the liquid. He turned his attention to the rotation of the beam, and gave a bitter laugh at the thought that the dip of the light meant that the island itself was always left in darkness. A lighthouse is for others; powerless to illuminate the space closest to it.
M.L. Stedman (The Light Between Oceans)
He was very fond of flying fish as they were his principal friends on the ocean. He was sorry for the birds, especially the small delicate dark terns that were always flying and looking and almost never finding, and he thought, the birds have a harder life than we do except for the robber birds and the heavy strong ones. Why did they make birds so delicate and fine as those sea swallows when the ocean can be so cruel? She is kind and very beautiful. But she can be so cruel and it comes so suddenly and such birds that fly, dipping and hunting, with their small sad voices are made too delicately for the sea.
Ernest Hemingway (The Old Man and the Sea)
On Friday the 13th of April 2029, an asteroid large enough to fill the Rose Bowl as though it were an egg cup, will fly so close to Earth, that it will dip below the altitude of our communication satellites. We did not name this asteroid Bambi. Instead, it's named Apophis, after the Egyptian god of darkness and death. If the trajectory of Apophis at close approach passes within a narrow range of altitudes called the 'keyhole,' the precise influence of Earth's gravity on its orbit will guarantee that seven years later in 2036, on its next time around, the asteroid will hit Earth directly, slamming in the Pacific Ocean between California and Hawaii. The tsunami it creates will wipe out the entire west coast of North America, bury Hawaii, and devastate all the land masses of the Pacific Rim. If Apophis misses the keyhole in 2029, then, of course, we have nothing to worry about in 2036.
Neil deGrasse Tyson
I find myself at the extremity of a long beach. How gladly does the spirit leap forth, and suddenly enlarge its sense of being to the full extent of the broad, blue, sunny deep! A greeting and a homage to the Sea! I descend over its margin, and dip my hand into the wave that meets me, and bathe my brow. That far-resounding roar is the Ocean's voice of welcome. His salt breath brings a blessing along with it
Nathaniel Hawthorne
I dip my toe into the ocean of Joy and quickly withdraw it, afraid of the sea creatures of the mind.
Martin Cosgrove
One day, in the deepest oceans - an enlightened century - dipped in blue hope, will be looking for the beads of a thousand truths.
Kristian Goldmund Aumann
When we left, the sun was taking its evening dip, slipping down into the ocean inch by inch like a fat woman afraid of the water.
Budd Schulberg (What Makes Sammy Run?)
But to think there was meaning, a scheme to things, well, that was quite beyond her philosophical reach. She feared as she always had, that all that was ever meant was loneliness, hard work, striving to make a difference when no difference could possibly be made. It was like dipping a stick into the ocean and trying to write something – all the little people of the world spinning out little patterns that lasted no more than a few years, and meant nothing at all.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
I won’t tell you how the mouth will never be honest as its teeth. How this bread, daily broken, dipped in honey- & lifted with exodus tongues, like any other lie- is only true as your trust in hunger.
Ocean Vuong (Night Sky with Exit Wounds)
So Wise Man summ'ned Crow an' say-soed him these words: Fly across the crazed'n'jiffyin' ocean to the Mighty Volcano, an' on it's foresty slopes, find a long stick. Pick up that stick in your beak an' fl into that Mighty Volcano's mouth an' dip it in the lake o' flames what bubble'n'spit in that fiery place. Then bring the burnin' stick back here to Panama so humans'll mem'ry fire once more an' mem'ry back its makin
David Mitchell (Cloud Atlas)
It was there that I wanted, out there somewhere, when I sat elbow-to-elbow with my giggling friends and let my thoughts swirl up and away from the three-mile radius of our small town lives. In my head, I careened out of town and across state lines, until the landscape became strange and unfamiliar. I wanted to see all of it. Everything. The vast expanses of the flat Midwest, miles of horizontal earth with the curving horizon at its end. Strange, stunted trees and driftwood skeletons on the lonely windswept beaches of the farthest coasts. Towering oaks hung thick with the gray lace of Spanish moss, looming like hovering parents over shaded southern dirt. The California sun, dipping and disappearing into the ocean, tipping the waves with orange light.
Kat Rosenfield (Amelia Anne Is Dead and Gone)
About Hollywood. I feel like it’s a big ocean, full of bottom feeders, midlevel fish, the occasional shark, and some wonderful savvy whales, the elders, and the ones who guide you on your way. If you’re lucky enough, you get to be a dolphin and have your waves broken by the passage of these elders before you, but at the same time, you get an occasional shark bite in the tail and maybe one of the bottom feeders comes up and takes a little nibble. But I see myself as cresting a series of waves, dipping down, sometimes, lower than I’d like, but mainly kind of happily staying above. (smiles and takes a long drag of her cigarette) And, of course, I try to avoid the fishnets.
Anjelica Huston
If that’s all you’ve got, I’m not too worried,” he taunted me. I dipped my hand in the wet sand, grabbing a handful. I slowly raised it above his head threatening to release it. Before I even noticed, he caught my wrist and pulled it back down. Holding my eyes, he delicately threaded his fingers through mine, while the wet sand squished out. The gesture was somehow very intimate and a shiver ran down my spine. The wet sand ran down my arm but I didn’t even notice. We stayed like that, hand in hand, facing the ocean for what seemed like hours.
Kristen Day (Forsaken (Daughters of the Sea, #1))
I felt sad because I knew I couldn't hold the ocean's beauty for long enough, nor the sun and the salty wind; and yet, I was happy because I knew I took part of the ocean with me, and the remembrance of the ages with the salt impregnated onto my skin. This is how I felt as the sun was setting, dipping into the ocean, slowly moaning in silence, as the salt and wind eclipsed it, and silence broke free with the night's veil of shadows.
Pablo Andrés Wunderlich Padilla (Despondency: The Story of a Defeated Man)
It's like a nesting doll of imagination! It's like a painting of a painting! It's like the wind catching a chill from the wind, or a wave taking a dip in the ocean. It's like reading a novel that merely describes another novel. It's like music tapping its foot to a tune and saying 'Oh! I love this song!
Michelle Cuevas (Confessions of an Imaginary Friend)
Dip your toe in every ocean and try everything and anything. Learn, explore, take the world on…
Penelope Douglas (Corrupt (Devil's Night, #1))
…I notice that people always make gigantic arrangements for bathing when they are going anywhere near the water, but that they don’t bathe much when they are there. It is the same when you go to the sea-side. I always determine—when thinking over the matter in London—that I’ll get up early every morning, and go and have a dip before breakfast, and I religiously pack up a pair of drawers and a bath towel. I always get red bathing drawers. I rather fancy myself in red drawers. They suit my complexion so. But when I get to the sea I don’t feel somehow that I want that early morning bathe nearly so much as I did when I was in town. On the contrary, I feel more that I want to stop in bed till the last moment, and then come down and have my breakfast. Once or twice virtue has triumphed, and I have got out at six and half-dressed myself, and have taken my drawers and towel, and stumbled dismally off. But I haven’t enjoyed it. They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can’t see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting. One huge wave catches me up and chucks me in a sitting posture, as hard as ever it can, down on to a rock which has been put there for me. And, before I’ve said “Oh! Ugh!” and found out what has gone, the wave comes back and carries me out to mid-ocean. I begin to strike out frantically for the shore, and wonder if I shall ever see home and friends again, and wish I’d been kinder to my little sister when a boy (when I was a boy, I mean). Just when I have given up all hope, a wave retires and leaves me sprawling like a star-fish on the sand, and I get up and look back and find that I’ve been swimming for my life in two feet of water. I hop back and dress, and crawl home, where I have to pretend I liked it.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
Everyone around me was allowed, permitted to fall apart; yet I had to think twice. I couldn't bear to take another dip into an ocean of solitude for another taste of ostracization. I felt I would die.
M.B. Dallocchio (The Desert Warrior)
To me, the Pacific, or at least the part of this Pacific, was my mooring. As far as a I drove, once I saw the ocean rise up in the distance as my car dipped down over the hill, I knew I was minutes from home.
Lea Geller (Trophy Life)
I'll show you worlds you never knew they existed. I'll hug you and you will forever feel protected. I'll kiss you and your wounds shall be mended. Dare you embark with me on a journey of love, for you, I created?
Ahmed Ghrib (A Dip in My Ocean)
It’s like swimming in molasses, this kiss, it’s like being dipped in gold, this kiss, it’s like I’m diving into an ocean of emotion and I’m too swept up in the current to realise I’m drowning and nothing even matters anymore.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
The glow lasted through the night, beyond the bar's closing, when there were no cabs on the street. And so Mathilde and Lotto decided to walk home, her arm in his, chatting about nothing, about everything, the unpleasant, hot breath of the subway belching up from the grates. 'Chthonic', he said, booze letting loose the pretension at his core, which she still found sweet, an allowance from the glory. It was so late, there were few other people out, and it felt, just for this moment, that they had the city to themselves. She thought of all the life just underfoot, the teem of it that they were passing over, unknowing. She said, 'Did you know that the total weight of all the ants on Earth is the same as the total weight of all the humans on Earth.' She, who drank to excess, was a little bit drunk, it was true, there was so much relief in the evening. When the curtains closed against the backdrop, an enormous bolder blocking their future had rolled away. 'They'll still be here when we're gone,' he said. He was drinking from a flask. By the time they were home, he'd be sozzeled. 'The ants and the jellyfish and the cockroaches, they will be the kings of the Earth.'... 'They deserve this place more than we do,' she said. 'We've been reckless with our gifts.' He smiled and looked up. There were no stars, there was too much smog for them. 'Did you know,' he said, 'they just found out just a while ago that there are billions of worlds that can support life in our galaxy alone.' ...She felt a sting behind here eyes, but couldn't say why this thought touched her. He saw clear through and understood. He knew her. The things he didn't know about her would sink an ocean liner. He knew her. 'We're lonely down here,' he said, 'it's true, but we're not alone.' In the hazy space after he died, when she lived in a sort of timeless underground grief, she saw on the internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped like spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they draw near, casting off blue sparks, new stars until they spin past each other, and then the long arms of both galaxies will reach longingly out and grasp hands at the last moment and they will come spinning back in the opposite direction, their legs entwined, never hitting, until the second swirl becomes a clutch, a dip, a kiss, and then at the very center of things, when they are at their closest, there will open a supermassive black hole.
Lauren Groff (Fates and Furies)
I was taught to be brave from my father. Dip your toe in every ocean and try everything and anything. Learn, explore, take the world on… And from my mom, I learned self-sufficiency. Of course, she’d taught me by default, but watching her showed me exactly who I didn’t want to be. And from Michael—as well as Damon, Will, and Kai—I learned to breathe fire. I learned to walk as if the path were carved for me and me alone, and to treat the world as if it should know I was coming.
Penelope Douglas (Corrupt (Devil's Night, #1))
You don’t understand the true awesomeness of nature until you watch the sun rise on water that stretches across half the world. Or until you lay back on the board in the pitch black of night and listen to the world sleep. Until you feel the tug of water and know that you are dancing with a partner that could dip you into death should it feel the need. It is intoxicating, the heartbeat of the ocean. It flows through my blood, it sucks at my heart and pumps breath through my lungs
Alessandra Torre (Sex Love Repeat)
He did atrocious things, but it was him I wanted. Always, only him. Troy stopped when we were nose to nose. Toe to toe. I loved watching those eyes from up-close. They were so ocean blue, no wonder they made my head swim. “I love you, Red. I love you determined, tough, innocent, resilient…” His brows furrowed as he drank me in, stroking the curve of my face with his calloused fingertips. “I love you broken, insecure, scared, furious and pissed off…” He let a small smile loose. I actually felt it, even though it was on his lips. “I love every part of you, the good and the bad, the hopeless and the assertive. We don’t just love. We heal each other with every touch and complete each other with ever kiss. And fuck, I know it’s corny as hell, but that’s what I need. You’re what I need.” My eyes fluttered shut, a lone tear hanging from the tip of my eyelash. “We don’t have ordinary words between us. You always set my fucking brain on fire when you talk to me. We don’t even have ordinary moments of silence. I always feel like I’m playing with you or being played by you when you’re around. And I refuse to let you walk out on this, on us.” He cupped my cheeks and I locked his palms in place, tightening my grip. I never wanted him to let go. He dipped his head down, tilting his forehead against mine. I knew he was right. Knew that I’d already forgiven him. Probably before I even knew what he did, when we were still living together. Hell, probably on that dance floor, when I was nine. My capturer. My monster. My savior. “I’m an asshole, was an asshole, and have every intention of staying an asshole. It’s the makeup of my fucking DNA. But I want to be your asshole. To you, I can be good. Maybe even great. For you, I’ll stop the rain from falling and the thunder from cracking and the wind from fucking blowing. And yes, I sure as hell knew you’d come back. You came straight back into my arms, flew back to your nest, lovebird. Now why would you do that if you didn’t love the shit out of me?” My eyes roamed his face. His hands felt delicious on my skin. It was like he was pumping life into me with his fingertips. Like he made me whole before I even knew parts of me were missing.
L.J. Shen (Sparrow (Boston Belles #0.5))
Who hath seen the Phantom Ship, Her lordly rise and lowly dip, Careering o'er the lonesome main, No port shall know her keel again... Ah, woe is in the awful sight, The sailor finds there eternal night, 'Neath the waters he shall ever sleep, And Ocean will the secret keep
Albert Pinkham Ryder
Why did they make birds so delicate and fine as those sea swallows when the ocean can be so cruel? She is kind and very beautiful. But she can be so cruel and it comes so suddenly and such birds that fly, dipping and hunting, with their small sad voices are made too delicately for the sea.
Ernest Hemingway (The Old Man & The Sea)
Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.
Jay Griffiths (A Country Called Childhood: Children and the Exuberant World)
Seems to me," said Cap'n Bill, as he sat beside Trot under the big acacia tree, looking out over the blue ocean, "seems to me, Trot, as how the more we know, the more we find we don't know." "I can't quite make that out, Cap'n Bill," answered the little girl in a serious voice, after a moment's thought, during which her eyes followed those of the old sailor-man across the glassy surface of the sea. "Seems to me that all we learn is jus' so much gained." "I know; it looks that way at first sight," said the sailor, nodding his head; "but those as knows the least have a habit of thinkin' they know all there is to know, while them as knows the most admits what a turr'ble big world this is. It's the knowing ones that realize one lifetime ain't long enough to git more'n a few dips o' the oars of knowledge.
L. Frank Baum (Oz: The Complete Collection (Oz, #1-14))
The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood." He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest. The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?" I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always." Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled. "Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked. "Yes," Rob said. "I will." "You have the rings?" the priest asked Rob. "I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him. Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger. He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you." The priest coughed. "Say the words, my son, and you will marry her." Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.
A.C. Gaughen (Lion Heart (Scarlet, #3))
I remember crawling to the table, how it was now a pile of soot, then dipping my fingers into it. My nails blackening with my country. My country dissolving on my tongue. I remember cupping the ash and writing the words live live live on the foreheads of the three women sitting in the room. How the ash eventually hardened into ink on a blank page. How there's ash on this very page. How there's enough for everyone.
Ocean Vuong (On Earth We're Briefly Gorgeous)
They are not predators, and they are not prey. They exist outside of the food chain. In some ways, they exist outside normal space and time. they live in a realm of large, slow things-tides, storms, and magnetic currents. They often plunge into the inky depths of the ocean, down where the sunlight fails. They inhabit a blue world, away from land, dipping from water to air and back again, sliding between darkness and glow.
Abby Geni (The Lightkeepers)
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
Rupert Thomson (The Five Gates of Hell)
It was a long head. It was a wedge, a sliver, a grotesque slice in which it seemed the features had been forced to stake their claims, and it appeared that they had done so in a great hurry and with no attempt to form any kind of symmetrical pattern for their mutual advantage. The nose had evidently been first upon the scene and had spread itself down the entire length of the wedge, beginning among the grey stubble of the hair and ending among the grey stubble of the beard, and spreading on both sides with a ruthless disregard for the eyes and mouth which found precarious purchase. The mouth was forced by the lie of the terrain left to it, to slant at an angle which gave to its right-hand side an expression of grim amusement and to its left, which dipped downwards across the chin, a remorseless twist. It was forced by not only the unfriendly monopoly of the nose, but also by the tapering character of the head to be a short mouth; but it obvious by its very nature that, under normal conditions, it would have covered twice the area. The eyes in whose expression might be read the unending grudge they bore against the nose were as small as marbles and peered out between the grey grass of the hair. This head, set at a long incline upon a neck as wry as a turtle's cut across the narrow vertical black strip of the window. Steerpike watched it turn upon the neck slowly. It would not have surprised him if it had dropped off, so toylike was its angle. As he watched, fascinated, the mouth opened and a voice as strange and deep as the echo of a lugubrious ocean stole out into the morning. Never was a face so belied by its voice. The accent was of so weird a lilt that at first Steerpike could not recognize more than one sentence in three, but he had quickly attuned himself to the original cadence and as the words fell into place Steerpike realised he was staring at a poet.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Daniel's wings were concealed, but he must have sensed her eyeing the place where they unfurled from his shoulders. "When everything is in order, we'll fly wherever we have to go to stop Lucifer. Until then it's better to stay low to the ground." "Okay," Luce said. "Race you to the other side?" Her breath frosted the air. "You know I'd beat you." "True." He slipped an arm around her waist, warming her. "Maybe we'd better take the boat, then. Protect my famous pride." She watched him unmoor a small metal rowboat from a boat slip. The soft light on the water made her think back to the day they'd raced across the secret lake at Sword & Cross. His skin had glistened as they had pulled themselves up to the flat rock in the center to catch their breath, then had lain on the sun-warmed stone, letting the day's heat dry their bodies. She'd barely known Daniel then-she hadn't known he was an angel-and already she'd been dangerously in love with him. "We used to swim together in my lifetime in Tahiti, didn't we?" she asked, surprised to remember another time she'd seen Daniel's hair glisten with water. Daniel stared at her and she knew how much it meant to him finally to be able to share some of his memories of their past. He looked so moved that Luce thought he might cry. Instead he kissed her forehead tenderly and said, "You beat me all those times, too, Lulu." They didn't talk much as Daniel rowed. It was enough for Luce to watch the way his muscles strained and flexed each time he dragged back, hearing the oars dip into and out of the cold water, breathing in the brine of the ocean.
Lauren Kate (Rapture (Fallen, #4))
As the winter twilight glowered on the tangle of gloomy waves, Samuel Dodsworth was aware of the domination of the sea, of the insignificance of the great ship and all mankind. He felt lost in the round of ocean, one universal gray except for a golden gash on the western horizon. His only voyaging had been on lakes, or on the New York ferries. He felt uneasy as he stood at the after rail and saw how the rearing mass of the sea loomed over the ship and threatened it when the stern dipped--down, unbelievably down, as though she were sinking.
Sinclair Lewis (Dodsworth)
You, my love, are like a storm, drowning the land with sorrow, shattering ships with your broken waves. Still, you look into the eye of the storm and see nothing but beauty.” He pulls my head to the side and dips down so his lips are against my ear. “Let me drown in your ocean and feel your rage. Let me feel your waves crash against my skin, pulling me deeper into your depths so you will never be alone again.” His thumb grazes my lip before he claims me completely with a kiss. “You are the sunrise after the storm. The new beginning and the dawn. You, my flower, are beauty personified.” “I
Avina St. Graves (Death's Obsession)
In desperate hope I go and search for her in all the corners of my room; I find her not. My house is small and what once has gone from it can never be regained. But infinite is thy mansion, my lord, and seeking her I have to come to thy door. I stand under the golden canopy of thine evening sky and I lift my eager eyes to thy face. I have come to the brink of eternity from which nothing can vanish---no hope, no happiness, no vision of a face seen through tears. Oh, dip my emptied life into that ocean, plunge it into the deepest fullness. Let me for once feel that lost sweet touch in the allness of the universe
Rabindranath Tagore (Gitanjali)
Flower Beds by Maisie Aletha Smikle Flower beds in a row Like tic toc toe Spread the mulch Pluck the weeds and mow Water the flower beds And flowers will bud Colorful blooms All season long Welcome the sunshine From heaven’s furnace Anchored far up in the sky Gentle rays beam from up above A round ball of fire way up in the sky Always suspended in the anchored sky Shines its radiant beams from way up high Warming the sprouting flower beds Sunlight Moonlight Starlight Warm gentle and bright Make the flower beds bright Glowing softly in the night Thanks for the moon Thanks for the stars Thanks for the sun Thanks for the soft radiant beams of light That make the flower beds beautiful and bright In colorful shades of red Yellow orange black pink Purple green and white In the blooming flower bed Sat a rabbit called Skip Watching the horizon as the circle of fire slowly dip Diving slowly into the ocean deep
Maisie Aletha Smikle
Preparing a Mirror for Magic It’s best to perform some type of short ritual before using any mirror for magical purposes. Since mirrors are ruled by the element of water, we’ll use water to purify them. The process is simple. Do this ritual at night. You’ll need a vessel of some kind that’s larger than the mirror (a bucket, a large bowl, a bathtub, even a pond, river, or the ocean). Dip the mirror into the water. As you do this, say: What was here . . . Lift the mirror from the water. Say: I wash away. Do this thirteen times, each time completely submersing the mirror, then completely removing it from the water. If the moon is visible in the sky, hold the mirror up to receive its rays for a few moments. Dry the mirror. Holding it in your hands, say these or similar words: You are now a tool of magic. Assist me in my rites! Next, wrap the mirror in blue or white cloth and store in some special place until you have need of it.
Scott Cunningham (Earth, Air, Fire & Water: More Techniques of Natural Magic (Llewellyn's Practical Magick Series))
Voyages from Montreal to the Frozen and Pacific Ocean had been written by a Scottish fur trader, from Stornoway in the Scottish Outer Hebrides, named Alexander Mackenzie. Or more accurately, Sir Alexander Mackenzie—since King George III had awarded him a knighthood for becoming the first white man ever to cross the entirety of North America. Mackenzie had completed his voyage almost nine years earlier. He suspected that his seven-month overland journey to the Pacific was probably of historic moment, and so he had left a memorial. He had created what he hoped would be a lasting inscription on a tiny sea-washed rock near the present-day British Columbia fishing village of Bella Coola: “Alex. MacKenzie, from Canada by land. 22nd July, 1793.” He had inscribed the message with his finger, using an old trappers’ trick for long-duration messages, dipping it into a poultice made of bear grease mixed with vermilion powder and smearing out words that he hoped would survive the cold and lashing rains for which the Pacific coast is notorious.
Simon Winchester (The Men Who United the States: America's Explorers, Inventors, Eccentrics and Mavericks, and the Creation of One Nation, Indivisible)
It was a sight full of quick wonder and awe! The vast swells of the omnipotent sea; the surging, hollow roar they made, as they rolled along the eight gunwales, like gigantic bowls in a boundless bowling-green; the brief suspended agony of the boat, as it would tip for an instant on the knife-like edge of the sharper waves, that almost seemed threatening to cut it in two; the sudden profound dip into the watery glens and hollows; the keen spurring and goadings to gain the top of the opposite hill; the headlong, sled-like slide down its other side;--all these, with the cries of the headsmen and harpooners, and the shuddering gasps of the oarsmen, with the wondrous sight of the ivory Pequod bearing down upon her boats with outstretched sails, like a wild hen after her screaming brood;--all this was thrilling. Not the raw recruit, marching from the bosom of his wife into the fever heat of his first battle; not the dead man's ghost encountering the first unknown phantom in the other world;--neither of these can feel stranger and stronger emotions than that man does, who for the first time finds himself pulling into the charmed, churned circle of the hunted sperm whale.
Herman Melville (Moby Dick)
I know you're a chocolate lover. I can always tell. I'm about to temper the chocolate. I have my own method; want to watch?" "Could I?" Inside my head, a little voice was reminding me that I had to get back to the office, but it was drowned out by the scent of chocolate, which flooded all my senses with a heady froth of cocoa and coffee, passion fruit, cinnamon and clove. I closed my eyes, and for one moment I was back in Aunt Melba's kitchen with Genie. I opened them to find Kim dancing with a molten river of chocolate. I stood hypnotized by the scent and the grace of her motions, which were more beautiful than any ballet. Moving constantly, she caressed the chocolate like a lover, folding it over and over on a slab of white marble, working it to get the texture right. She stopped to feed me a chocolate sprinkled with salt, which had the fierce flavor of the ocean, and another with the resonant intensity of toasted saffron. One chocolate tasted like rain, another of the desert. I tried tracking the flavors, pulling them apart to see how she had done it, but, like a magician, she had hidden her tricks. Each time I followed the trail, it vanished, and after a while I just gave up and allowed the flavors to seduce me. Now the scent changed as Kim began to dip fruit into the chocolate: raspberries, blackberries, tiny strawberries that smelled like violets. She put a chocolate-and-caramel-covered slice of peach into my mouth, and the taste of summer was so intense that I felt the room grow warmer. I lost all sense of time.
Ruth Reichl (Delicious!)
She canted her wings and soared toward the top of it, where she could see a never-ending line of trees tossing violently in the wind. The hurricane made one more effort to throw her back into the sea, but she fought with her last reserves until she felt earth beneath her talons. She collapsed forward, clutching the wet soil for a moment, grateful to be alive. Keep going. They’re not safe yet. Clearsight pushed herself up and faced the trees. They were coming. The first two dragons she would meet in this strange new world. What would it be like to face unfamiliar tribes, completely different from the ones she knew? There wouldn’t be any NightWings like her here. No sand dragons, no sea dragons, no ice dragons. She’d glimpsed what these new dragons would look like, but she didn’t know anything yet about their tribes . . . or whether they would trust her. They stepped out of the trees, eyeing her with wary curiosity. Oh, they’re beautiful, she thought. One was dark forest green, the color of the trees all around them. His wings curved gracefully like long leaves on either side of him, and mahogany-brown underscales glinted from his chest. But it was the other who took Clearsight’s breath away. His scales were iridescent gold layered over metallic rose and blue, shimmering through the rain. He outshone even the RainWings she’d occasionally seen in the marketplace, and those were the most beautiful dragons in Pyrrhia. Not only that, but his wings were startlingly weird. There were four of them instead of two; a second pair at the back overlapped the front ones, tilting and dipping at slightly different angles from the first pair to give the dragon extra agility in the air. Like dragonflies, she realized, remembering the delicate insects darting across the ponds in the mountain meadows. Or butterflies, or beetles. She sat up and spread her front talons to show that she was harmless. “Hello,” she said in her very least threatening voice. The green one circled her slowly. The iridescent one sat down and gave her a small smile. She smiled back, although her heart was pounding. She knew she had to wait for them to make the first move. “Leefromichou?” said the green dragon finally, in a deep, calm voice. “Wayroot?” Take a breath. You knew it would be like this at first. “My name is Clearsight,” she said, touching her forehead. “I am from far over the sea.” She pointed at the churning ocean stretching way off to the east behind her. “Anyone speak Dragon?
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better." "Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with." He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands." She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X." "Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest." "The dangerous singing forest?" she whispers. He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs." "I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch. His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.
Diana Abu-Jaber (Crescent)
It might seem strange that on an island fifty miles wide, in a village under cliffs that stare out forever on the sea, a child may grow to manhood never having stepped in a boat or dipped his finger in salt water, but so it is. Farmer, goatherd, cattleherd, hunter or artisan, the landsman looks at the ocean as a salt unsteady realm that has nothing to do with him at all. The village two days' walk from his village is a foreign land, and the island a day's sail from his island is a mere rumor, misty hills seen across water, not solid ground like that he walks on.
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
She’d been so brutally stung by box jellyfish on her third attempt that she almost died. Her arms, legs, back, and neck were lashed by the fiery tentacles of box jellies, which caused her to feel as if her entire body was dipped in hot oil. Over the phone, Diana told me about the incident: “If you are going to go out in the open ocean, all kinds of things are going to be out there, known and unknown, and you are just going to have to accept that as part of the sport and the adventure that you’re a part of. But I must say, when I was stung by those box jellyfish. . . . I wouldn’t ever wish that on my worst enemy. It was the stuff of science fiction.
Juli Berwald (Spineless: The Science of Jellyfish and the Art of Growing a Backbone)
Seriously, you’re swimming in an ocean of testosterone over there, darling, dip your vadge in that beautiful sea!” I say drily, “I think the saying is ‘Dip your toe.’” He scoffs. “Toe, vadge, whatever. Get it
J.T. Geissinger (Ache for You (Slow Burn, #3))
From my readings, I had learned of a vast pool of human knowledge that both included books and went far beyond them in content and reach. The humans, of course, having only the faintest of intimations of quenging, use a different though related metaphor for the noosphere in which they like to dip their feet. Instead of seeing the truth of all things as a single, superluminal substance that everywhere flows like water, they conceive of it as a collection of things, and they content themselves with fashioning nets with their minds in the hope of casting them out in order to capture here a prettier pebble and there a smoother shell. Hence their name for the Oceanic wisdom that should flow among all beings: the worldwide Net.
David Zindell (The Idiot Gods)
You go on a trip knowing that you’re going to see a certain sight, and then you’re going to come home and most likely never see it again. You know as you stare out across a desert or dip your toes in an ocean that this is the last time for this specific experience, at least for a long time, and that you need to soak it up and treasure it and remember everything about it for later. So you pause and make sure to properly take it in.
Suzy Krause (Valencia and Valentine)
You, my love, are like a storm, drowning the land with sorrow, shattering ships with your broken waves. Still, you look into the eye of the storm and see nothing but beauty.” He pulls my head to the side and dips down so his lips are against my ear. “Let me drown in your ocean and feel your rage. Let me feel your waves crash against my skin, pulling me deeper into your depths so you will never be alone again.” His thumb grazes my lip before he claims me completely with a kiss. “You are the sunrise after the storm. The new beginning and the dawn. You, my flower, are beauty personified.
Avina St. Graves (Death's Obsession)
It’s hard to describe depression to someone who’s never experienced it. Now I would say it’s like you’re in a boat on the ocean with no land in sight, and the ocean is made of pain. You don’t want to dip your oar in the water, because you’ll splash yourself and be in even more agony than you are already. So you sit and do nothing. And then the boat starts to leak.
Daniel Bergner (The Mind and the Moon: My Brother's Story, the Science of Our Brains, and the Search for Our Psyches)
That’s when I spot him. Maximillian McCallister. The guy I want to have, can’t have, but maybe I will. He threatened to torture me with his tongue one of these nights—preferably on the beach, right by the ocean. And he’s hoping to take me skinny dipping too.
Kendall Hale (About That One Night (Happily Ever Mishaps Book, #3))
We sit and watch the sun set, his eyes catching every curl and dip of each wave, like the ocean is a long-lost friend he misses.
Erin L. Schneider (Summer of Sloane)
Wire man, electric cell in which the family energy from the naming of a man is converted directly to electrical water flaps in a continuous person. The efficiency of conversion from name to water in a wire man is between Ocean (Gary%) and River (Lewis%), nearly twice that of the usual dry method of switching, in which wires are used to whip steam to turn a man connected to an electric family of waters. The earliest father, in which a Gary and Lewis were mixed to form Michael%, was constructed in the Age of Wire and String by the English. In the Ocean and River wire man, Garies and Lewises are bubbled into separate rooms connected by a porous cell, through which a wire can freely move. Inert, unnamed men, mixed with a collection of unrelated waters, are dipped into each room. When Gary and Lewis are connected by a wire, the combination of flap, wire, and name form a complete family, and an emotion takes place in the cell: The inert men are covered with the flap to form a home surrounded by water; relatives are liberated by this process and flow through the wire to other rooms; and the fathers themselves sail outward on the back of the wire, carrying a succession of cells and water, which they distribute as names to the new children who are floating in their homes.
Ben Marcus (The Age of Wire and String)
January 2013 Continuation of Andy’s Message (part two)   …It was great to skinny dip in such a beautiful environment. It was difficult not to fall prey to these two attractive, brown-skinned boys with their enticing brown eyes, exotic smiles and seductive charms. In turn, they found my masculinity irresistible. That evening we frolicked under the silvery moon.               Amidst the gentle rolling waves, we lay on the shoreline. I was in heaven when they enveloped me in a dizzying spell of unbridled resignation. Both of them took turns lapping at the fiber of my existence, teasing and caressing my engorgement with agile dexterity. I could no longer hold off my essence and sprayed on their faces. We shared my dripping rivulets in a passionate three-way kiss. When they continued suckling my penis, I was steered back to life. I had to possess their tenderness. I took turns pleasuring their puckering fissures as they begged for my stiffness with irrepressible gusto. Boy, did they love my proclivity! The louder their groans, the harder I pounded. When I withdrew from one, the other was poised for insertion. They couldn’t get enough of my onslaught. I was in ecstasy as I whisked back and forth between these two insatiable accomplices.               The more acute my plundering, the more uncontrollable their hardness throbbed. Anak, no longer able to withhold his enthusiasm, spewed into Taer’s throat while I plucked away at his friend’s rucking furrow. Taer’s twitching tightness had me deposit my fill into his receiving orifice. Anak wasted no time in devouring the oozing drippage around my pulsating phallus, still enshrouded within his buddy’s tunnel.               To pleasure himself, the unquenchable Taer wanted my bobbing organ down his throat. I obliged. In a trancelike delirium, the Filipino released jets of potent effusions onto his slender abdomen. Our tongues swirled in erotic kisses as we shared our libations in frantic elation.               Unwilling to relinquish this enchanted evening, we dove into the shimmering ocean, only to emerge rejuvenated, ready to resume the sequel of our sexcapade.
Young (Turpitude (A Harem Boy's Saga Book 4))
I know the sky falls down every day. The sun drops into the ocean and splashes browns and reds and yellows and oranges into the world outside my window. A million leaves from a hundred different branches dip in the wind, fluttering with the false promise of flight. The gust catches their withered wings only to force them downward, forgotten, left to be trampled by the soldiers stationed just below.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
THIRTEEN PAIRS OF EYES scanned the ocean as the lifeboat glided slowly eastward. Only the four men rowing the skiff did not peer intently across the gently rolling sea—they concentrated on dipping the oars into the water as smoothly and quietly as possible.
Scott Prussing (Anomaly)
Oh, dip my emptied life into that ocean, plunge it into the deepest fullness. Let me for once feel that lost sweet touch in the allness of the universe.
Rabindranath Tagore (Gitanjali)
Our lives,our happiness,our dreams are all but part of Karma for it will fuck us all oneday. . . one great winged bird "which is not born, nor dies, '' "When the world is a mere mirage & you are but just another viewer" ''And PARTY begins in Mum-bye'' "Behind a successful man there,s always a horny PATHAN" "When you are nothing but a product of your surrounding" ''The world full of deceit,surprises & shit.........is life worth wastin' for purpose & not livin' to its fullest like the unravellin' of a mystery to its climax and thn the dip into that ocean of thoughts back to the shit where you begin with' ''RISE'' ''RISE'' ''RISE'' ''COMRADES
Farhan
If I put you underwater and anchor you to the ocean floor, you would still find a way to pull me from the sky, and dip me into the depths with you. That's just how you do. You row like an oar through the veins of my soul, and maybe that's where you're supposed to be. Tearing through me.
Hayley Stumbo (One Hundred Breaths Later)
Overhead, the skin of the ocean writhes like dim mercury. It tilts and dips and scrolls past in an endless succession of crests and troughs, twisting a cool orb glowing on the other side, tying it into playful dancing knots. A few moments later they break through the surface and look onto a world of sea and moonlit sky.
Peter Watts (Behemoth: B-Max: Rifters Trilogy, Book 3 Part I)
His arms tighten around me slightly, and my breath catches in my throat. He’s still sitting on his tall barstool, and I’m standing between his legs. Our bodies are fitted together so tightly I can feel every rise and fall of his chest like the rolling waves of an ocean. His thumb strokes the dip of my waist—a small, seemingly unconscious gesture—and my heartbeat accelerates like a rocket. What am I doing?
Angie Hockman (Dream On)
The adjective heard most often is magical. The pure magic of living light harkens back to childhood fantasies of secret grottos, wizards’ caves and unicorn haunts, where the mushrooms in fairy rings glow with cold green fire and a wave of the hand sends multicolored sparks streaming from fingertips. Real-world encounters with some enchantments manifest as children chasing fireflies on warm summer nights, lovers strolling a beach hand in hand with the Milky Way overhead while sprinklings of sea sparkle gild their footprints in the sand, and kayakers on a moonless night creating luminous blue explosions and sprays of liquid light with each dip and arc of their paddles.
Dr Edith Widder
The sea! The sea! How many years had it been since I’d stepped onto the shoreline, dipped my toes into the water, sunken head-first into the waves? I had dreamt of it often. This exact moment. Walking here, with the soft sensation of sand underfoot and the bright sun overhead, the chirping of seagulls and that endless expanse of coastline. Lost from the world. From time. From all of it.
Joshua Krook (Black Friday 2050: The powerful psychological thriller set in a terrifying high-tech future)
She feared as she always had, that all that was ever meant was loneliness, hard work, striving to make a difference when no difference could possibly be made. It was like dipping a stick into the ocean and trying to write something—all the little people of the world spinning out little patterns that lasted no more than a few years, and meant nothing at all.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
I wanted to get wet and let the tide wash over me without dipping a toe in the ocean. I wanted what was forbidden, and wrong, and fucking crazy. I wanted my partner’s daughter, who was nearly half my age.
L.J. Shen (Scandalous (Sinners of Saint, #3))
Life is like the ocean. It dips and dives. You can have a general course of navigation but you can't stop the tide from where it takes you.
Isabella Poretsis
The wind tousled his hair, and Dain’s chest loosed a little as his gaze broke from the wooden maid to follow a breeze-blown gull toward the horizon. The distant salmon skies dipped over the rim of the sea, and for the first time since boarding, he wondered where the waves might take him.
Micheline Ryckman (The Maiden Ship (The Maiden Ship, #1))
She was winter. The cold, cool stretch of emptiness that you think will consume you. The frigid bite you think won’t ever leave your bones, the one you try to pretend isn’t there, but can’t keep out of your head. She was fall and the scent of a fire, the crackle of heat, the coming of change you try to pretend won’t come, but does anyway, that you wait for the whole year, that you wish away when it finally comes. She was summer and the scorching warmth of sun and sin, the slick feel of lotion and the spray of ocean water, the salt of that taste on your tongue and the cool, crisp relief that comes over you when you dip inside the bottomless water. She was spring, the fresh sweet smell of jasmine and the honeysuckle temptation of light and love and beautiful rebirth that cannot be ignored. Willow was the phantom spark of all those things I loved and hated. The things that tested me. The things that healed, all wrapped up in that tempting silhouette, in the sweet surrender of her body pressed against mine and the whisper of a tease in every syllable that formed my name from her full, thick lips.
Eden Butler (Infinite Us)
From Alan Thein Duening: Picture North America from space. Look at the upper left and start an imaginary line on the rugged coast of southern Alaska. Climb the ridges that encircle Prince William Sound. Cross the snowy teeth of the Chugach Mountains and descend through kettle-pond country to the feet of the towering Alaska Range. Rise again to the bitter heights and turning southeast along the crest, clip the corner of the Yukon Territory. Enter British Columbia and veer east through its folding north. Turn your line south when you reach the Continental Divide in the Rocky Mountains. Follow the divide down the thousand-mile spine of British Columbia, across Montana, along the buttressed ridges of the Idaho border and into Wyoming as far as Jackson Hole. There, leave the divide and turn westward toward the coast. Following the swells and benches that limit the Columbia Basin, dip southward into Utah and Nevada, then northward again around the high desert of central Oregon. When you approach the Cascade Mountains, veer southwest through the tangled topography of northern California to the crest of the Coast Range. Just north of San Francisco Bay, descend to the shores of the Pacific. The line you have drawn is an unfamiliar one. You won’t find it on maps. But it shows a geographical unit more real, in ecological sense, than any of the lines governments draw. You have drawn a biological region, a bioregion. Specifically, you have outlines the watersheds of rivers flowing into the Pacific Ocean through North America’s temperate rain forest zone with a fifteen-hundred-mile belt of rain forests along the coast. The unity of this diverse bioregion is the movement of its water; every ounce of moisture that the ocean throws into the sky and the sky hurls down on the land inside this region’s borders tumbles toward the rain forest coast. If it does not evaporate or get trapped in underground aquifers along the way, water will reach that dripping shoreline through one of several hundred swift, cold rivers. Most likely, it will travel through the Columbia or the Fraser rivers, home to the Earth’s greatest population of migrating salmon. This place, defined by water running to woodlands, has no perfect name. You can call it Rain Forest Province, the North Pacific Slope, or Cascadia… Natural units of place such as this have always mattered more to people than has humanity in general or the planet in its entirety. Indeed, history is unequivocal; people will sacrifice for villages, homelands, or nations, even giving their lives. But humans seem unwilling to sacrifice for their planet, despite the fact that it is now suffering proportionately greater losses from social decay and environmental destruction than most countries at war.
David Landis Barnhill (At Home on the Earth: Becoming Native to Our Place: A Multicultural Anthology)
In a time when people try to eschew the real in favor of the fake, opt for the false in detriment of the right, do not lose faith, do not falter do not walk away, let nothing hinder your venturous walk down your righteous path for eventually, all will make sense and all the pieces will fall into place.
Ahmed Ghrib (A Dip in My Ocean)
He has always loved to read aloud, to hear words float about a room, to swim in stories and breathe in poetry. And he has a powerful voice, a beautiful voice, as deep, thick and rich as melted chocolate. Characters seem to come alive when he speaks, sliding off the page to stalk the bookshop aisles and relive their fictional lives in 3-D and Technicolor. At night, after Walt flips over the "closed" sign on the front door, he sits back behind the counter and opens doors to other worlds: bookshelves transmute into swamp trees, floors into muddy marshes, the ceiling into a purple sky cracked with lightning as he floats down the Mississippi with Huck Finn. When he meets Robinson Crusoe, the trees become heavy with coconuts, the floorboards a barren desert of sand dunes whipped by screeching winds. When he fights pirates off the coasts of Treasure Island, the floors dip and heave, the salty splash of ocean waves stings his eyes and clouds of gunpowder stain the air. As a rule Walt sticks with adventures and leaves romances untouched, preferring to escape his own aching heart rather than being reminded of it.
Menna Van Praag (The Dress Shop of Dreams)
You know as you stare out across a desert or dip your toes in an ocean that this is the last time for this specific experience, at least for a long time, and that you need to soak it up and treasure it and remember everything about it for later. So you pause and make sure to properly take it in.” Then she sits down again, fixing her gaze firmly on Anna, and smiles, breathing heavily. “But in real life you go around thinking that everything good is going to last forever, and it takes you by surprise when it doesn’t. And when you suddenly realize that it has happened for the last time, it’s too late.
Suzy Krause (Valencia and Valentine)
a woman is fully capable of taking a dip in the ocean and emerging invigorated—and, most important, alive.
Haley Shapley (Strong Like Her: A Celebration of Rule Breakers, History Makers, and Unstoppable Athletes)
In the depths of the ocean; Dipped in love without expectations, We have stripped off our masks.
Kristian Goldmund Aumann (Love Poems: Love Conquers All)
Dipping my leg into the ocean displaces water and raises the level slightly in all parts of the world.
Dr. Richard Schmidt
I exist through you! An existence like a fluid, Where everything assumes the shape of desires, The heart keeps beating and thoughts keep arising, While passions do not settle and rage like wildfires, Dreams float in an ocean of fluid imaginations, Mountains gaze at the stars tirelessly, Hoping they would fall somehow and tumble over its edges, And in hope of the stars, and the mountain peaks, I climb the mountains of my life relentlessly, The moonlight shines over the summit, But in a while the summit vanishes and the mountain is gone, In this fluid world only your thoughts have a reliable permanence, Desires in the ocean of imagination take dips of hope all alone, To retrieve the wet feelings of your kiss and those wet moments of romance, The sky sometimes looks at me and feels sad and develops an unknown urge, Maybe, it is just a false impression of my mind, But it is true in your absence the ocean of fluid desires tends to get deeper and feels like a dirge, And over its ripples, waves, and million whirling cones they try to unwind, But then fluidity comes with inherent uncertainty, And a desire that exists as a memory of summer or anything that is not bound to you Irma, eventually tends to fuse with your memories too, And in this vast and deep ocean of fluidity, Then you and your memories spread everywhere, They now govern the principles of fluid desires in the ocean of fluid wishes, Where every desire begins with you only to end with you, And as waves of my fluid existence cascade through the unknown plains of life where everything perishes, My mountains of desires and your memories Irma, always remind them of you, Those wet feelings, our feelings, that sank to the bottom of this ocean, Raise its volume of sentiment and emotional viscosity, Then the fluid motion somehow stops to move and everything gets stranded in this still state of the ocean, But I get carried to the middle of this world of our desires, our wishes, our kisses and they engulf me in their enormity, And I gradually spread my arms wide, To let this fluid world of existence circle me, The moon disappears, the stars turn fainter and the night turns dark in this still ocean wide, As these wet kisses, wet desires stir again, they flow through me, And I become a fluid entity myself in this fluid world of desires, Then the mountains fall, stars tumble and the sky collapses too, Because now it is just you and only you, in this world of fluid desires, Where I exist, but now only through you! The ocean of fluid imaginations finally enters into a restive state, As my fluid existence bonds with your wet kisses and wet desires, The wet kisses splash over me in this tempest of fluid desires and now neither you nor I am a desire innate!
Javid Ahmad Tak (They Loved in 2075!)
I exist through you! An existence like a fluid, Where everything assumes the shape of desires, The heart keeps beating and thoughts keep arising, While passions do not settle and rage like wildfires, Dreams float in an ocean of fluid imaginations, Mountains gaze at the stars tirelessly, Hoping they would fall somehow and tumble over its edges, And in hope of the stars, and the mountain peaks, I climb the mountains of my life relentlessly, The moonlight shines over the summit, But in a while the summit vanishes and the mountain is gone, In this fluid world only your thoughts have a reliable permanence, Desires in the ocean of imagination take dips of hope, To retrieve the wet feelings of your kiss and those wet moments of romance, The sky sometimes looks at me and feels sad, Maybe, it is just a false impression of my mind, But it is true in your absence the ocean of fluid desires tends to get deeper, And over its ripples, waves, and million whirling cones they try to unwind, But then fluidity comes with inherent uncertainty, And a desire that exists as a memory of summer or anything that is not bound to you, eventually tends to fuse with your memories too, And in this vast and deep ocean of fluidity, Then you and your memories spread everywhere, They now govern the principles of fluid desires in the ocean of fluid wishes, Where every desire begins with you only to end with you, And as waves of my fluid existence cascade through the unknown plains of life, My mountains of desires and your memories always remind them of you, Those wet feelings, our feelings, that sink to the bottom of this ocean, Raise its volume of sentiment and emotional viscosity, Then the fluid motion somehow stops to move, And I get carried to the middle of this world of our desires, our wishes, our kisses that engulf me in their enormity, And I gradually spread my arms wide, To let this fluid world of existence circle me, The moon disappears, the stars turn fainter and the night turns dark, As these wet kisses, wet desires riding the waves of fluid imaginations flow through me, And I become a fluid entity myself in this fluid world of desires, Then the mountains fall, stars tumble and the sky collapses too, Because now it is just you and only you, in this world of fluid desires, Where I exist, but now only through you!
Javid Ahmad Tak (They Loved in 2075!)
I’m going to tell you a story,” she whispered. “There once was a beautiful woman named Amber, who lived alone in a far away land between the sea and the sky. Anyone that passed by knew that Amber was special. But there was one who adored her most of all.” She paused and smiled down at me. “Whenever Amber went down to the ocean and bathed her body, whenever she dipped her long fingers into the waves, the mermaid that lived in the deep water beyond the reef would swim close and watch her. Each day the mermaid came a little closer until finally, she emerged from the water and said hello.” “Just like you did,” I whispered. “Shhh.” She held her finger to my lips. “When Amber saw the mermaid, she was very curious. More curious perhaps, than she’d ever been about anyone. The mermaid was even more curious about Amber. No other woman had ever seemed so perfect and so pure. Every time the mermaid looked at Amber her desire grew like wildfire. Amber hadn’t yet learned all the slippery ways of the world,” She said softly as she dipped her thumb between my lips. I sighed as she pressed into me. “The mermaid could tell that Amber was still afraid. So the mermaid decided to take a chance. She gave Amber a single kiss and hoped that Amber would see her for who she really was.
Giselle Fox (Rare and Beautiful Things)