Dining Hall Quotes

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All around the dining hall, you can feel the rejuvenating effect that a good meal can bring on. The way it can make people kinder, funnier, more optimistic, and remind them it's not a mistake to go on living. It's better than any medicine.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Sometimes when I’m walking through the dining hall, just saying hello to people, she’ll drag me by my sleeve to hurry me up. “You have too many friends,” she’ll say. “I’m pretty sure that’s not possible. And, anyway, I wouldn’t call them all ‘friends.’” “There are only so many hours in the day, Simon. Two, three people—that’s all any of us have time for.” “There are more people than that in your immediate family, Penny.” “I know. It’s a struggle.
Rainbow Rowell (Carry On (Simon Snow, #1))
Then Drew shuffles into the dining hall. I drop my toast, and my mouth drifts open. Calling him “bruised” would be an understatement. His face is swollen and purple. He has a split lip and a cut running through his eyebrow. He keeps his eyes down on the way to his table, not even lifting them to look at me. I glance across the room at Four. He wears the satisfied smile I wish I had on.
Veronica Roth (Divergent (Divergent, #1))
There was once an invisible man, the monster continued, though Conor kept his eyes firmly on Harry, who had grown tired of being unseen. Conor set himself into a walk. A walk after Harry. It was not that he was actually invisible, the monster said, following Conor, the room volume dropping as they passed. It was that the people had become used to not seeing him. "Hey!" Conor called. Harry didn't turn around. Neither did Sully nor Anton, though thet were still sniggering as Conor picked up his pace. And if no one sees you, the monster said, picking up its pace, too, are you really there at all? "HEY!" Conor called loudly. The dining hall had fallen silent now, as Conor and the monster moved faster after Harry. Harry who had still not turned around. Conor reached him and grabbed him by the shoulder, twisting him round. Harry pretended to question what had happened, looking hard at Sully, acting like he was the one who'd done it. "Quit messing about," Harry said and turned away again. Turned away from Conor. And then one day the invisible man decided, the monster said, its voice ringing in Conor's ears, I will make them see me. "How?" Conor asked, breathing heavily again, not turning back to see the monster standing there, not looking at the reaction of the room to the huge monster now in the midst, though he was aware of nervous murmurs and a strange anticipation in the air. "How did the man do it?" Conor could feel the monster close behind him, knew that it was kneeling, knew that it was putting its face up to his ear to whisper into in, to tell him the rest of the story. He called, it said for a monster.
Patrick Ness (A Monster Calls)
I reached down and picked up a baseball bat at my feet and I flung it as hard as it could. It circled and arced high in the air until it slammed against the side of the dining hall with a crack and fell. I sat down in the dirt. Then I lay down in the dirt. Because not only was there no trail to follow, there was no evidence he’d ever been here. There was no evidence any of them had been here.
Laura Anderson Kurk (Perfect Glass)
You're still looking.' ... 'You make it hard to look away.' ... 'I'm over here keeping my hands and memories to myself because you asked me to, and you're fucking me with your eyes. That's not playing fair.' ... 'Told you to stop staring.' ... 'If you'd just man up and admit there's something between us, I would strip down to my skin so you could see every single inch of me. And once I had you begging, I'd drop down to my knees, undo those flight leathers you're wearing, and wrap my lips around-' Xaden chokes. Every head in the dining hall turns his way, and Garrick pounds on his back until Xaden waves him off, taking a drink of his water. I grin, which earns me about six looks of confusion from our table and one set of rolled eyes from Liam. 'You're going to be the death of me.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
You must be Sara." Lucas extended his hand. Sara slipped her hand into Lucas's. "That's me. And you are?" "Lucas Parker, Kylie's boyfriend." Boyfriend? Kylie's breath caught. The water slipping down her throat went down the wrong pipe. She started coughing so hard, the sound bounced around the high beams of the dining hall. If that wasn't bad enough, her mom, who'd been sipping on a diet soda, did the same thing. Crap! If there was one person in the dining hall who hadn't already stared at them, they did now.
C.C. Hunter (Taken at Dusk (Shadow Falls, #3))
It's unnecessarily grandiose to use an Open Sesame on the doors, but I do it anyway because I know everyone will be in the dining hall, and I may as well make an entrance.
Rainbow Rowell
In AP Bio, I learned that the cells in our body are replaced every seven years, which means that one day, I'll have a body full of cells that were never sick. But it also means that parts of me that knew and loved Sadie will disappear. I'll still remember loving her, but it'll be a different me who loved her. And maybe this is how we move on. We grow new cells to replace the grieving ones, diluting our pain until it loses potency. The percentage of my skin that touched hers will lessen until one day my lips won't be the same lips that kissed hers, and all I'll have are the memories. Memories of cottages in the woods, arranged in a half-moon. Of the tall metal tray return in the dining hall. Of the study tables in the library. The rock where we kissed. The sunken boat in Latham's lake, Sadie, snapping a photograph, laughing the lunch line, lying next to me at the movie night in her green dress, her voice on the phone, her apple-flavored lips on mine. And it's so unfair. All of it.
Robyn Schneider (Extraordinary Means)
As we stand to leave, I look across the dining hall and through the glass at Lilly. She is smiling at me and the smile hurts.
James Frey (A Million Little Pieces)
He smells safe, too, like sunlit walks in the orchard and silent breakfasts in the dining hall. And in the moments before I drift off to sleep, I almost forget about our war-torn city and all the conflict that will come to find us soon, if we don’t find it first.
Veronica Roth (Insurgent (Divergent, #2))
Knight, proud in victory, proud in death. Let your name evermore be a light to those who loved you. Let white flowers grow upon this place that you rest. Yours was a life well lived, and now you dine in the halls of the Elders at their eternal feast.
Jeff Zentner (The Serpent King)
The next day, the cycle starts again. We’re set out like decorative plates in this cavernous architecture, and such a craggy dining hall it is. Not exactly a Claude Monet cottage, more of a Medieval bastion—a vestige of Roman conquests. It still moans with the rickety sounds of age. I can almost hear the grumblings of ancient inhabitants.
Michael Ben Zehabe
It's unnecessarily grandiose to use an 'open sesame' on the door, but I do it anyway because I know everyone will be in the dining hall, and I may as well make an entrance.
Rainbow Rowell, Carry On
I didn’t live in a palace. I lived in a dollhouse of my father’s making, a living graveyard. Despite the fact that Ilith’s lair was the size of the dining hall, I felt I was being crushed by the weight of the surrounding stone. If he knew, why let me continue? Was this all some sort of test? And if the sickness hadn’t come from Bayan, where had I gotten it from?
Andrea Stewart (The Bone Shard Daughter (The Drowning Empire, #1))
That kiss you gave me was the hottest kiss i've ever had. I pulled away because i was afraid i wouldn't be able to stop myself from ripping off your clothes. And that didn't seem like the right way to end a first date. I didn't want you to think that was all i was interested in." She stared at him. There was silence again, but this time she didn't worry about how long it went on. "Why didn't you tell me?" She said finally. "I tried to, but every time i saw you afterward you disappeared. I got the feeling you were avoiding me." "i didn't want things to be awkward." "Yeah, there was nothing awkward about you hiding behind a plant when i came into the dining hall at lunch on wednesday." "I wasn't hiding. I was, um, breathing. You know, oxygen. From the plant. Very oxygenated, that air is." "Of course. I should have thought of that." "It's a healthy thing. Not many people know about it.
Michele Jaffe (Prom Nights from Hell)
I’m surprised that the next speaker is Boggs, who I think of as a muscular robot that does Coin’s bidding. “When she sang the song. While the little girl died.” Somewhere in my head an image surfaces of Boggs with a young boy perched up on his hip. In the dining hall, I think. Maybe he’s not a robot after all.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Our first night in the house, my wife and I were lying in bed. I was thanking God for my blessings. Thanking God for not having to pull aside a dining room curain to have my children near—that they were right down the hall, asleep in their Superman underwear, their little chests rising and falling to the pulse of their dreams. I thought how some blessings are fickle guests. Just when we think they're here to stay, they pack their bags and move. When we're in the midst of blessing, we think it's our due—that blessing lasts forever. Next thing you know we're sitting helpless beside a hospital bed. All we're left with is a name on a wall, a toy in a desk, and memories that haunt our sleep. Sometimes we come to gratitute too late. It's only after blessing has passed on that we realize what we had.
Philip Gulley (Home to Harmony (Harmony, #1))
Firstly, I’m not always naked! Most people have never seen me naked and they never will.” Kind of a lie—a lot of people had seen me in some state of undress. In fact, most of the dining hall that morning had seen my nipples. “Secondly, none of you can tell me what to do with my body. If I want to be naked all the time, I’ll damn well be naked all the time.
Jaymin Eve (Persuasion (Curse of the Gods, #2))
the dining halls were strangely quiet without that great braying hee-haw of his echoing in its customary place by the milk machine.
Donna Tartt (The Secret History)
I made my way to one of the giant pillows that lined the walls of the dining hall—couches for humans, elves, and gnomes. I would watch the crowd while I dined. The silverware was too big. I looked around to see how others were managing. Some struggled with knives and forks the size of axes and shovels, some stared at their meal in perplexity. And some dug in with bare hands.
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
The scholarships offer five years of paid tuition, free accommodation on campus, and meals in the Dining Hall every evening with the other scholars. For Marianne, who doesn’t pay her own rent or tuition and has no real concept of how much these things cost, it’s just a matter of reputation. She would like her superior intellect to be affirmed in public by the transfer of large amounts of money.
Sally Rooney (Normal People)
Vanessa was deprived of her hormones in prison and thus retained several male characteristics that would have been less evident otherwise, most notably her voice. While she spoke in a high, little-girl voice most of the time, she could switch at will to a booming, masculine Richard-voice. She loved to sneak up behind people and scare the crap out of them this way, and she was very effective at quieting a noisy dining hall, roaring, "Y'all hush up!" Best of all were her Richardian encouragements on the softball field, where she was a sought-after teammate. That bitch could hit.
Piper Kerman (Orange Is the New Black)
Those first few weeks are a delirious blur of memories: a welcome dinner for new members in Statuary Hall, where Eve and I were seated with Dick Gephardt and his wife, Jane, laughing about how Adam and Eve were dining with Dick and Jane
Adam Schiff (Midnight in Washington: How We Almost Lost Our Democracy and Still Could)
Neil tried stuffing Exy into every scrap of free time he had. He brought SUA tactics and line-ups to class with him to hide under his textbooks, and he met Kevin at the dining hall for lunch to argue plays. Despite the active effort he made to focus on Friday's game, his thoughts kept derailing without warning. Whenever Andrew crossed the room, Neil's gaze followed. Every time Neil took his keys out of his pocket and saw the newest addition to his set he remembered Andrew's kiss.
Nora Sakavic (The King's Men (All for the Game, #3))
All through that winter and into the spring, when our Tuesday and Thursday-night dinner shifts were done, Matt and I would sit at the long table near the salad bar and plan his end-of-the-year party, our voices echoing importantly in the cavernous wood-panelled dining hall.
Tom Perrotta (Joe College)
My sisters had been living in the House of Wind since they’d arrived in Velaris. They did not leave the palace built into the upper parts of a flat-topped mountain overlooking the city. They did not ask for anything, or anyone. So I would go to them. Lucien was waiting in the sitting room when Rhys and I came downstairs at last, my mate having given the silent order for them to return. Unsurprisingly, Cassian and Azriel were casually seated in the dining room across the hall, eating lunch and marking every single breath Lucien emitted. Cassian smirked at me, brows flicking up. I shot him a warning glare that dared him to comment. Azriel, thankfully, just kicked Cassian under the table. Cassian gawked at Azriel as if to declare I wasn’t going to say anything while I approached the open archway into the sitting room, Lucien rising to his feet.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Gideon had never had the opportunity to study Camilla’s two short swords before: they were more like very long daggers, slightly curved at each end, wholly utilitarian. They glittered clean and hot beneath the soggy light of the kitchen; she marched back toward the door to the dining hall.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
He fell in love with a skinny stray cat that would skulk around the dining hall during meals. Every day, Jake would offer it sausage or egg from breakfast and pepperoni or hamburger from lunch. Every day, it ran away from him. But Jake didn’t give up. Even when he had the stomach flu, he snuck out of the infirmary to try to feed it. He was not going to let it down. He would watch it from classroom windows. He even made up a poem about it that he sent home to his mother in a letter. Three months later, the little cat was finally hungry enough to trust him. It never occurred to Jake that the cat...
Sarah Addison Allen (The Sugar Queen)
I turn and I walk my tray to the conveyor and I drop it on the belt and I start to walk out of the Dining Hall. As I head through the Glass Corridor separating the men and women, I see Lilly sitting alone at a table. She looks up at me and she smiles and our eyes meet and I smile back. She looks down and I stop walking and I stare at her. She looks up and she smiles again. She is as beautiful a girl as I have ever seen. Her eyes, her lips, her teeth, her hair, her skin. The black circles beneath her eyes, the scars I can see on her wrists, the ridiculous clothes she wears that are ten sizes too big, the sense of sadness and pain she wears that is even bigger. I stand and I stare at her, just stare stare stare. Men walk past me and other women look at me and LIlly doesn’t understand what I’m doing or why I’m doing it and she’s blushing and it’s beautiful. I stand there and I stare. I stare because I know where I am going I’m not going to see any beauty. They don’t sell crack in Mansions or fancy Department Stores and you don’t go to luxury Hotels or Country Clubs to smoke it. Strong, cheap liquor isn’t served in five-star Restaurants or Champagne Bars and it isn’t sold in gourmet Groceries or boutique Liquor stores. I’m going to go to a horrible place in a horrible neighborhood run by horrible people providing product for the worst Society has to offer. There will be no beauty there, nothing even resembling beauty. There will be Dealers and Addicts and Criminals and Whores and Pimps and Killers and Slaves. There will be drugs and liquor and pipes and bottles and smoke and vomit and blood and human rot and human decay and human disintegration. I have spent much of my life in these places. When I leave here I will fond one of the and I will stay there until I die. Before I do, however, I want one last look at something beautiful. I want one last look so that I have something to hold in my mind while I’m dying, so that when I take my last breath I will be able to think of something that will make me smile, so that in the midst of the horror I can hold on to some shred of humanity.
James Frey
Once she started, she couldn’t stop, the edges of her memories sawing at her as she sat at her lessons, as she did her homework and ran pitifully around the hockey field and ate her tasteless meals in the dining hall. The memories weren’t the overwhelming ones she’d had that had made her sick. These were like a violin bow grinding along the edge of a single string, shrill, waiting for some kind of resolution to make it stop. The only thing that worked was writing.
Simone St. James (The Broken Girls)
In the dining hall of the home, Stella had seen so much death, that one Saturday morning she’d been compelled to sink down onto the linoleum floor, overwhelmed not so much by the sorrow of it all, but by the human dignity, the almost supernatural ability to face the abyss and still order scrambled eggs and toast for breakfast.
Alice Hoffman (The Probable Future)
Madison and her friends were the first generation of “digital natives”—kids who’d never known anything but connectivity. That connection, at its most basic level, meant that instead of calling your parents once a week from the dorm hallway, you could call and text them all day long, even seeking their approval for your most mundane choices, like what to eat at the dining hall. Constant communication may seem reassuring, the closing of physical distance, but it quickly becomes inhibiting. Digital life, and social media at its most complex, is an interweaving of public and private personas, a blending and splintering of identities unlike anything other generations
Kate Fagan (What Made Maddy Run: The Secret Struggles and Tragic Death of an All-American Teen)
he, "how many beds do you think this hall alone would hold?" "Monseigneur's dining-room?" exclaimed
Victor Hugo (Les Misérables)
The dining hall in our section of campus was like something out of an Ayn Rand novel: big, utilitarian, and impersonal.
Kirstie Collins Brote (Beware of Love in Technicolor)
Oh, didn’t I tell you?” she said. “I’m going to move to Wallingford and rent a house off campus. I already got a job working in the Choate dining hall.
Maria Semple (Where'd You Go, Bernadette)
He smells safe, too, like sunlit walks in the orchard and silent breakfasts in the dining hall. And in the moments before I drift off to sleep, I almost forget
Veronica Roth (Insurgent (Divergent, #2))
returned to sow the valley. In the communal dining hall, they sing joyfully. They dance through the night, into the light of dawn.
Ari Shavit (My Promised Land: The Triumph and Tragedy of Israel)
The longer people extend their colonnades, the higher they build their towers, the wider they stretch their walks, the deeper they dig their summer grottoes, the more massively they raise the roofs of their dining-halls, so much the more will there be to cut off the sight of heaven.
Seneca (On the Shortness of Life)
I could use the practice to notice the trees as I walked to class, taste my food in the dining hall, and connect more intimately with my friends. I could watch thoughts and feelings come and go
Ronald D. Siegel (The Mindfulness Solution: Everyday Practices for Everyday Problems)
Back in Cambridge, the bank clock read 8:40. We went to Ivan’s dining hall. The dining halls were open late for exam period. At a table near the door, two students were slumped over their books, either asleep or murdered.
Elif Batuman (The Idiot)
A ‘library’ turned out to be a room where books were read. The fact that people used to have so many books that they needed a whole separate room just to store them, much less a word for the room, said everything Lan guessed she needed to know about the way the world used to be. In Norwood, loose pictures and salvaged magazines were locked up like other valuables. The mayor had a few books, including the town ledger where Lan’s own name had been written on the day of her birth and presumably crossed out along with her mother’s the day she’d left, but all of them together could have fit on one shelf. Here was a room the size of the dining hall, two stories tall and lined in bookshelves, with ladders on runners along every wall so that no shelf was out of reach. These were books that could not be measured in hundreds or even thousands, but in some greater number that had no name. If only she knew how to read.
R. Lee Smith (Land of the Beautiful Dead)
Now she sat in their dining hall, a book in her lap but unread while she stared blankly across the room.Bercelak’s kin kept themselves busy by sharpening weapons, reading, talking, or setting things on fire with small bursts of flame.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
Marianne is neither admired nor reviled anymore. People have forgotten about her. She's a normal person now. She walks by and no one looks up. She swims in the college pool, eats in the Dining Hall with damp hair, walks around the cricket pitch in the evening.
Sally Rooney (Normal People)
If women are Republicans, they’ve been brainwashed—the men have brainwashed them,” Nana said. The nurses at River Bend reported that my grandmother was always saying this. There were residents at River Bend who refused to sit with Nana in the dining hall; probably they were Republicans.
John Irving (The Last Chairlift)
Having lost the battle, I resolved to win the war. So the next time I saw Ari Sullivan at the studio dining hall, I dropped my purse in front of him and “accidentally” gave him an eyeful as I bent down to pick it up. He made eye contact with me, and then I walked away, as if I wanted nothing from him, as if I had no idea who he was
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
It will never happen for them, but somehow he's content in knowing that in some other place and time it would have. He holds her for ten seconds, twenty. Thirty. Then she slips away, and he returns to the dining hall. In a few minutes he hears her playing, the strains of her music pouring forth, filling Happy Jack with the upbeat, pulse-pounding sound track of the damned.
Neal Shusterman (Unwind (Unwind, #1))
It will never happen for them, but somehow he's content in knowing that in some other place and time it would have. He holds her for ten seconds, twenty. Thirty. Then she slips away, and he returns to the dining hall. In a few minutes he hears her playing, the strains of her music pouring forth, filling Happy Jack with the upbeat, pulse-pounding sound track of the damned.
Neal Shusterman (Unwind (Unwind, #1))
ALEXANDRA To be natural and clean, like the water we drink, love must be free and mutual. But men demand obedience and deny pleasure. Without a new morality, without a radical shift in daily life, there will be no real emancipation. If the revolution is not to be a lie, it must abolish in law and in custom men’s right of property over women and the rigid social norms that are the enemies of diversity. Give or take a word, this is what Alexandra Kollontai, the only woman in Lenin’s cabinet, demanded. Thanks to her, homosexuality and abortion were no longer crimes, marriage was no longer a life sentence, women had the right to vote and to equal pay, and there were free child care centers, communal dining halls, and collective laundries. Years
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
It was nine-thirty on Christmas Eve. As I crossed the long entrance hall of Monk’s Piece on my way from the dining room, where we had just enjoyed the first of the happy, festive meals, toward the drawing room and the fire around which my family were now assembled, I paused and then, as I often do in the course of an evening, went to the front door, opened it and stepped outside.
Susan Hill (The Woman in Black)
When Leonardo was painting The Last Supper (fig. 74), spectators would visit and sit quietly just so they could watch him work. The creation of art, like the discussion of science, had become at times a public event. According to the account of a priest, Leonardo would “come here in the early hours of the morning and mount the scaffolding,” and then “remain there brush in hand from sunrise to sunset, forgetting to eat or drink, painting continually.” On other days, however, nothing would be painted. “He would remain in front of it for one or two hours and contemplate it in solitude, examining and criticizing to himself the figures he had created.” Then there were dramatic days that combined his obsessiveness and his penchant for procrastination. As if caught by whim or passion, he would arrive suddenly in the middle of the day, “climb the scaffolding, seize a brush, apply a brush stroke or two to one of the figures, and suddenly depart.”1 Leonardo’s quirky work habits may have fascinated the public, but they eventually began to worry Ludovico Sforza. Upon the death of his nephew, he had become the official Duke of Milan in early 1494, and he set about enhancing his stature in a time-honored way, through art patronage and public commissions. He also wanted to create a holy mausoleum for himself and his family, choosing a small but elegant church and monastery in the heart of Milan, Santa Maria delle Grazie, which he had Leonardo’s friend Donato Bramante reconstruct. For the north wall of the new dining hall, or refectory, he had commissioned Leonardo to paint a Last Supper, one of the most popular scenes in religious art. At first Leonardo’s procrastination led to amusing tales, such as the time the church prior became frustrated and complained to Ludovico. “He wanted him never to lay down his brush, as if he were a laborer hoeing the Prior’s garden,” Vasari wrote. When Leonardo was summoned by the duke, they ended up having a discussion of how creativity occurs. Sometimes it requires going slowly, pausing, even procrastinating. That allows ideas to marinate, Leonardo explained. Intuition needs nurturing. “Men of lofty genius sometimes accomplish the most when they work least,” he told the duke, “for their minds are occupied with their ideas and the perfection of their conceptions, to which they afterwards give form.
Walter Isaacson (Leonardo Da Vinci)
Laurie piped up again. 'At State, everybody calls diversity dispersity. What happens is, everybody has their own clubs, their own signs, their own sections where they all sit in the dining hall--all the African Americans are over there? . . . and all the Asians sit over't these other tables? -- except for the Koreans? -- because they don't get along with the Japanese so they sit way over there? Everybody's dispersed into their own little groups -- and everybody's told to distrust everybody else? Everybody's told that everybody else is trying to screw them over--oops!' -- Laurie pulled a face and put her fingertips over her lips -- 'I'm sorry!' She rolled eyes and smiled. 'Anyway, the idea is, every other group is like prejudiced against your group, and no matter what they say, they're only out to take advantage of you, and you should have nothing to do with them -- unless your white, in which case all the others are not prejudiced against you, they're like totally right, because you really are a racist and everything, even if you don't know it? Everybody ends up dispersed into their own like turtle shells, suspicious of everybody else and being careful not to fraternize with them. Is it like that at Dupont?
Tom Wolfe (I Am Charlotte Simmons)
The girls walked into the long, empty hall, which sent out hollow echoes when the visitors spoke. From there Mr. March led them to the music room. The only furniture in it was an old-fashioned piano with yellowed keys and a thread-bare chair in front of it. Several other rooms on the first floor were empty and dismal. Heavy silken draperies, once beautiful, but now faded and worn, hung at some of the windows. The dining room still had its walnut table, chairs, and buffet, but a built-in corner cupboard was bare. “I sold the fine old glass and china that used to be in there,” Mr. March said to Nancy in a strained voice.
Carolyn Keene (The Secret in the Old Attic (Nancy Drew, #21))
All of us believe you belong here,” I’d said to the Elizabeth Garrett Anderson girls as they sat, many of them looking a little awestruck, in the Gothic old-world dining hall at Oxford, surrounded by university professors and students who’d come out for the day to mentor them. I said something similar anytime we had kids visit the White House—teens we invited from the Standing Rock Sioux Reservation; children from local schools who showed up to work in the garden; high schoolers who came for our career days and workshops in fashion, music, and poetry; even kids I only got to give a quick but emphatic hug to in a rope line. The message was always the same. You belong. You matter. I think highly of you. An economist from a British university would later put out a study that looked at the test performances of Elizabeth Garrett Anderson students, finding that their overall scores jumped significantly after I’d started connecting with them—the equivalent of moving from a C average to an A. Any credit for improvement really belonged to the girls, their teachers, and the daily work they did together, but it also affirmed the idea that kids will invest more when they feel they’re being invested in. I understood that there was power in showing children my regard.
Michelle Obama (Becoming)
Remembering his creative exposition on the subject of purple-spotted dingy-dippers, Lillian gave a little huff of amusement. She had always considered Westcliff an utterly humorless man…and in that, she had misjudged him. “I thought you never lied,” she said. His lips twitched. “Given the options of seeing you become ill at the dinner table, or lying to get you out of there quickly, I chose the lesser of two evils. Do you feel better now?” “Better…yes.” Lillian realized that she was resting in the crook of his arm, her skirts draped partially over one of his thighs. His body was solid and warm, perfectly matched to hers. Glancing downward, she saw that the fabric of his trousers had molded firmly around his muscular thighs. Unladylike curiosity awakened inside her, and she clenched her fingers against the urge to slide her palm over his leg. “The part about the dingy-dipper was clever,” she said, dragging her gaze up to his face. “But inventing a Latin name for it was positively inspired.” Westcliff grinned. “I always hoped my Latin would be good for something.” Shifting her a little, he reached into the pocket of his waistcoat and glanced at his watch. “We’ll return to the dining hall in approximately a quarter hour. By that time the calves’ heads should be removed.” Lillian made a face. “I hate English food,” she exclaimed. “All those jellies and blobs, and wiggly puddings, and the game that is aged until by the time it’s served, it is older than I am, and—” She felt a tremor of amusement run through him, and she turned in the half circle of his arm. “What is so amusing?” “You’re making me afraid to go back to my own dinner table.” “You should be!” she replied emphatically, and he could no longer restrain a deep laugh.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Teller would pay dearly for what he had said. Later that summer, on a visit to Los Alamos, Teller spotted an old friend, Bob Christy, in the dining hall. Walking over to greet him with outstretched hand, Teller was stunned when Christy refused to shake hands and abruptly turned his back. Standing close by was a furious Rabi, who said, “I won’t shake your hand, either, Edward.” Stunned, Teller went back to his hotel room and packed his bags.
Kai Bird (American Prometheus)
Apparently Rafe was a shamer. Shamers felt guilty after having sex, sometimes even apologizing for it, the same way they’d apologize for bumping into you with a dining hall tray. 'Sorry. I didn’t mean to do that. I’ll try not to be so clumsy next time.' It didn’t matter that they were sincere, because shame flowed in both directions. If a shamer had impulsive sex, which he considered a misdeed, then by definition he thought I’d done something wrong, too.
Sarina Bowen (The Shameless Hour (The Ivy Years, #4))
She finished getting ready with plenty of time to eat breakfast but didn't feel up to braving the dining hall; she still didn't know where it was or how it worked.... In new situations, all the trickiest rules are the ones nobody bothers to explain to you. (And the ones you can't Google.) Like, where does the line start? What food can you take? Where are you supposed to stand, then where are you supposed to sit? Where do you go when you're done, why is everyone watching you?... Bah.
Rainbow Rowell (Fangirl)
By whiteman’s standards, Leaphorn thought, Bowlegs had a net worth of maybe one hundred dollars. The white world’s measure of his life. And what would the Navajo measure be? The Dinee made a harder demand—that man find his place in the harmony of things.
Tony Hillerman (Dance Hall of the Dead (Leaphorn & Chee, #2))
Sweet are the oases in Sahara; charming the isle-groves of August prairies; delectable pure faith amidst a thousand perfidies; but sweeter, still more charming, most delectable, the dreamy Paradise of Bachelors, found in the stony heart of stunning London. In mild meditation pace the cloisters; take your pleasure, sip your leisure, in the garden waterward; go linger in the ancient library; go worship in the scultured chapel; but little have you seen, just nothing do you know, not the sweet kernel have you tasted, till you dine among the banded Bachelors, and see their convivial eyes and glasses sparkle. Not dine in bustling commons, during term time, in the hall; but tranquilly, by private hint, at a private table; some fine Templar's hospitably invited guest.
Herman Melville
But before I go, I want to tell you a little story. “A certain shopkeeper sent his son to learn about the secret of happiness from the wisest man in the world. The lad wandered through the desert for forty days, and finally came upon a beautiful castle, high atop a mountain. It was there that the wise man lived. “Rather than finding a saintly man, though, our hero, on entering the main room of the castle, saw a hive of activity: tradesmen came and went, people were conversing in the corners, a small orchestra was playing soft music, and there was a table covered with platters of the most delicious food in that part of the world. The wise man conversed with everyone, and the boy had to wait for two hours before it was his turn to be given the man’s attention. “The wise man listened attentively to the boy’s explanation of why he had come, but told him that he didn’t have time just then to explain the secret of happiness. He suggested that the boy look around the palace and return in two hours. “‘Meanwhile, I want to ask you to do something,’ said the wise man, handing the boy a teaspoon that held two drops of oil. ‘As you wander around, carry this spoon with you without allowing the oil to spill.’ “The boy began climbing and descending the many stairways of the palace, keeping his eyes fixed on the spoon. After two hours, he returned to the room where the wise man was. “‘Well,’ asked the wise man, ‘did you see the Persian tapestries that are hanging in my dining hall? Did you see the garden that it took the master gardener ten years to create? Did you notice the beautiful parchments in my library?’ “The boy was embarrassed, and confessed that he had observed nothing. His only concern had been not to spill the oil that the wise man had entrusted to him. “‘Then go back and observe the marvels of my world,’ said the wise man. ‘You cannot trust a man if you don’t know his house.’ “Relieved, the boy picked up the spoon and returned to his exploration of the palace, this time observing all of the works of art on the ceilings and the walls. He saw the gardens, the mountains all around him, the beauty of the flowers, and the taste with which everything had been selected. Upon returning to the wise man, he related in detail everything he had seen. “‘But where are the drops of oil I entrusted to you?’ asked the wise man. “Looking down at the spoon he held, the boy saw that the oil was gone. “‘Well, there is only one piece of advice I can give you,’ said the wisest of wise men. ‘The secret of happiness is to see all the marvels of the world, and never to forget the drops of oil on the spoon.
Paulo Coelho (The Alchemist)
What old illusion of hope is not here forever repeated! Says the soul of the toiler to itself, "I shall soon be free. I shall be in the ways and the hosts of the merry. The streets, the lamp, the lighted chamber set for dining are for me. The theatres, the halls, the parties, the ways of rest and the paths of song—these are mine in the night." Though all humanity be still enclosed in the shops, the thrill runs abroad. It is in the air. The dullest feel something which they may not always express or describe. It is the lifting of the burden of toil.
Theodore Dreiser (Sister Carrie)
Now we are going to be late for lunch. By the time we get there there will be nothing but salad left,’ he said plaintively. ‘I think you can stand to miss one lunch, Franz,’ Nigel sighed, ‘or we could always get someone to wheel us down to the dining hall and spoon-feed us, I suppose.’ Franz’s eyes lit up at the suggestion. ‘This is being an excellent idea. Otto, you and Wing could help us, ja?’ The hope was evident in his tone. ‘Erm, we’d love to help, guys, but we’ve got to . . . erm . . .’ Otto looked at Wing desperately. He doubted that either of them would be strong enough to wheel Franz all the way to the dining hall – there was an awful lot of hardened foam encasing his ample frame. ‘We have to go to the library,’ Wing stepped in, ‘we have . . . erm . . .’ ‘Chess club, yes, that’s it, chess club,’ Otto said suddenly, backing away towards the exit. ‘Otherwise, you know we would be happy to help,’ Wing smiled. Otto and Wing walked quickly towards the door. ‘I was not knowing that Otto and Wing were interested in chess,’ Franz said as the other two boys beat a hasty retreat. Nigel just sighed.
Mark Walden (The Overlord Protocol (H.I.V.E., #2))
In 1970, nine years after he wrote ‘Patriotism’, Mishima died committing seppuku in a patriotic act of grieving for the fate of his nation. I was twenty-one years old at the time, watching the surrounding events on television in the university dining hall and wondering what I was seeing. Even after it finally dawned on me what this was about, I was unable to discover any urgent ‘meaning’ in Mishima’s act. If it taught me anything, it was that there existed a huge gulf between bringing an idea to a literary apotheosis and doing it as an act in the real world.
Jay Rubin (The Penguin Book of Japanese Short Stories)
Opening the door quietly, I slipped in without switching on the light. From the entrance hall, I could see the dining room at the end of the corridor, the table still decked out for the party. The cake was there, untouched, and the crockery still waited for the meal. I could make out the motionless silhouette of my father in his armchair, as he observed the scene from the window. He was awake and still wearing his best suit. Wreaths of smoke rose lazily from a cigarette he held between his index and ring fingers, as if it were a pen. I hadn't seen my father smoke for years.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
There you are.” Roshar beamed. “I need your help, Arin.” “For the preparation of meat?” “It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.” “Because of meat.” “It’s for his tiger,” said the cook. Arin palmed his face, eyes squeezed shut. “Your tiger.” “He’s very particular,” said Roshar. “You can’t bring the tiger to the banquet.” “Little Arin has missed me. I will not be parted from him.” “Would you consider changing his name?” “No.” “What if I begged?” “Not a chance.” “Roshar, the tiger has grown.” “And what a sweet big boy he is.” “You can’t bring him into a dining hall filled with hundreds of people.” “He’ll behave. He has the mien and manners of a prince.” “Oh, like you?” “I resent your tone.” “I’m not sure you can control him.” “Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--” “Gods, Roshar, shut up.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
In the midst of so many brown heads her fairness alone was arresting. It was an autumn evening, misty and cold, and the room was not too well lighted. I had the impression that what light there was in the dining hall clustered around her, reviving and renewing itself as it played upon her fair hair. In looking back I think that she must have been beautiful; yet the detailed picture of her obstinately eludes me, I can recall only an impression of a face unique, neither gay nor melancholy, but endued with a peculiar quality of apartness, the look of a person dedicated to some accepted destiny.
Anna Kavan (Asylum Piece)
There is a story that Simonides was dining at the house of a wealthy nobleman named Scopas at Crannon in Thessaly, and chanted a lyric poem which he had composed in honor of his host, in which he followed the custom of the poets by including for decorative purposes a long passage referring to Castor and Pollux; whereupon Scopas with excessive meanness told him he would pay him half the fee agreed on for the poem, and if he liked he might apply for the balance to his sons of Tyndaraus, as they had gone halves in the panegyric. The story runs that a little later a message was brought to Simonides to go outside, as two young men were standing at the door who earnestly requested him to come out; so he rose from his seat and went out, and could not see anybody; but in the interval of his absence the roof of the hall where Scopas was giving the banquet fell in, crushing Scopas himself and his relations underneath the ruins and killing them; and when their friends wanted to bury them but were altogether unable to know them apart as they had been completely crushed, the story goes that Simonides was enabled by his recollection of the place in which each of them had been reclining at table to identify them for separate interment; and that this circumstance suggested to him the discovery of the truth that the best aid to clearness of memory consists in orderly arrangement. He inferred that persons desiring to train this faculty must select localities and form mental images of the facts they wish to remember and store those images in the localities, with the result that the arrangement of the localities will preserve the order of the facts, and the images of the facts will designate the facts themselves, and we shall employ the localities and images respectively as a wax writing tablet and the letters written on it.
Marcus Tullius Cicero
exploded behind them as they sprinted from the burning building. Paul’s quick decision to destroy the rifle shack and all of the artillery inside turned out to be a great idea. It evened the territory, or at least prevented it from getting worse. With only one handgun, the convicts were limited in their scope and threat. Colin was out of the picture, at least for a while, locked away in his ditch jail until someone came along to roll the tractor off Charlie’s homemade trap. That meant two of the cons would be searching for them since Dewey would probably stay in the dining hall to oversee the other counselors. Ritch knew Dewey would not
Ben Sharpton (Camp Fear)
Looking back into childhood is like turning a telescope the wrong way around. Everything appears in miniature, but with a clarity it probably does not deserve; moreover it has become concentrated and stylized, taking shape in symbolism. Thus it is that I sometimes see my infant self as having been set down before a blank slate on which to construct a map or schema of the external world, and as hesitantly beginning to sketch it, with many false starts and much rubbing-out, the anatomy of my universe. Happiness and sorrow, love and friendship, hostility, a sense of guilt and more abstract concepts still, must all find a place somewhere, much as an architect lays out the plan of a house he is designing - hall, dining-room and bedrooms - but must not forget the bathroom. In a child’s map, too, some of the rooms are connected by a serving-hatch, while others are sealed off behind baize doors. How can the fragments possibly be combined to make sense? Yet this map or finished diagram, constructed in the course of ten or twelve years’ puzzling, refuses to be ignored, and for some time to come will make itself felt as bones through flesh, to emerge as the complex organism which adults think of as their philosophy of life. Presumably it has its origins in both heredity and enviorment. So with heredity I shall begin.
Frances Partridge (Love in Bloomsbury: Memories)
Hey, Tripp,” she said easily. “You got a minute?” He turned her way. “You want to ask me to prom, Stern?” “Depends. Gonna be a good little slut for me and put out?” Tripp’s friends whooped and one of them let out a long Ohhhh shit. Now they were looking at her. “I need to talk to you about that problem set.” Tripp’s cheeks pinked, but then his shoulders squared and he rose. “Sure.” “Bring him home early,” said one of his buddies. “Why?” she asked. “You want seconds?” They whooped again and clapped their hands as if she’d landed an impressive put. “You’re kinda nasty, Stern,” Tripp said over his shoulder as she trailed him out of the dining hall. “I like it.
Leigh Bardugo (Ninth House (Alex Stern, #1))
During his illness he had spent every minute of consciousness calling upon God, every second of every minute. Ya Allah whose servant lies bleeding do not abandon me now after watching oven me so long. Ya Allah show me some sign, some small mark of your favour, that I may find in myself the strength to cure my ills. O God most beneficent most merciful, be with me in this my time of need, my most grievous need. Then it occurred to him that he was being punished, and for a time that made it possible to suffer the pain, but after a time he got angry. Enough, God, his unspoken words demanded, why must I die when I have not killed, are you vengeance or are you love? The anger with God carried him through another day, but then it faded, and in its place there came a terrible emptiness, an isolation, as he realized he was talking to _thin air_, that there was nobody there at all, and then he felt more foolish than ever in his life, and he began to plead into the emptiness, ya Allah, just be there, damn it, just be. But he felt nothing, nothing nothing, and then one day he found that he no longer needed there to be anything to feel. On that day of metamorphosis the illness changed and his recovery began. And to prove to himself the non-existence of God, he now stood in the dining-hall of the city's most famous hotel, with pigs falling out of his face.
Salman Rushdie (The Satanic Verses)
I have built a world-spanning financial empire from the ground up. I have bought and sold corporations that between them controlled the livelihoods of tens of thousands of people. I have dined with presidents and prime ministers. But nothing has made feel as powerful, or given me such pride, as your trust, your passion, and your surrender.
Alexis Hall (How to Blow It with a Billionaire (Arden St. Ives, #2))
The June roses over the porch were awake bright and early on that morning, rejoicing with all their hearts in the cloudless sunshine, like friendly little neighbors, as they were. Quite flushed with excitement were their ruddy faces, as they swung in the wind, whispering to one another what they had seen, for some peeped in at the dining room windows where the feast was spread, some climbed up to nod and smile at the sisters as they dressed the bride, others waved a welcome to those who came and went on various errands in garden, porch, and hall, and all, from the rosiest full-blown flower to the palest baby bud, offered their tribute of beauty and fragrance to the gentle mistress who had loved and tended them so long.
Louisa May Alcott (Little Women (Little Women #1))
Bet you didn't know that when you agreed to be 'betrothed' to me, huh? Husband-eviscerating apparently runs in my family." Still no reaction, and I felt shame curl in my belly. "Of course, you also didn't know you were getting a damon bride," I added in a softer tone. Very few people knew what my dad really was. I'd always assumed Cal had found out the same night I did. That's why I was really surprised when he raised his head and said, "I knew." "What?" "I knew what you were then, Sophie. Your dad told me before the betrothal. And he told me about your grandmother, and what happened to your grandfather." I shook my head. "Then,why?" Cal took his time before answering. "For one thing, I like your dad. He's done good things for Prodigium. And it-" He broke off with a long exhale. "It felt like some kind of honor, you know? Being asked to be the head of the Council's son-in-law. Plus, your dad, he,uh,told me a lot about you." My voice was barely above a whisper. "What did he say?" "That you were smart, and strong. Funny. That you had trouble using your powers, but you were always trying to use them to help people." He shrugged. "I thought we'd be a good match." The vast dining room suddenly felt very small, like it consisted only of this table and me and Cal. "Look, Sophie," he started to say. But before he could finish, Jenna walked in. "I am so glad I still get to eat human food, because that bacon smells insane..." she said, and then froze. "Oh!" she exclaimed, her ealier bounciness draining out of her. "Sorry! I didn't mean to interrupt...whatever. I c-can...leave?" She gestured with her thumb over her shoulder. "And then come back,uh, later?" But the moment was broken. Cal sat back, and I pushed my hair behind my ears. "No,it's fine," I said quickly, concentrating harder on my eggs than I had on my SAT.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Tell me something else instead. Tell me what you’re looking forward to most about going to school here.” “You go first. What are you most excited about?” Right away, Peter says, “That’s easy. Streaking the lawn with you.” “That’s what you’re looking forward to more than anything? Running around naked?” Hastily I add, “I’m never doing that, by the way.” He laughs. “It’s a UVA tradition. I thought you were all about UVA traditions.” “Peter!” “I’m just kidding.” He leans forward and puts his arms around my shoulders, rubbing his nose in my neck the way he likes to do. “Your turn.” I let myself dream about it for a minute. If I get in, what am I most looking forward to? There are so many things, I can hardly name them all. I’m looking forward to eating waffles every day with Peter in the dining hall. To us sledding down O-Hill when it snows. To picnics when it’s warm. To staying up all night talking and then waking up and talking some more. To late-night laundry and last-minute road trips. To…everything. Finally I say, “I don’t want to jinx it.” “Come on!” “Okay, okay…I guess I’m most looking forward to…to going to the McGregor Room whenever I want.” People call it the Harry Potter room, because of the rugs and chandeliers and leather chairs and the portraits on the wall. The bookshelves go from the floor to the ceiling, and all of the books are behind metal grates, protected like the precious objects they are. It’s a room from a different time. It’s very hushed--reverential, even. There was this one summer--I must have been five or six, because it was before Kitty was born--my mom took a class at UVA, and she used to study in the McGregor Room. Margot and I would color, or read. My mom called it the magic library, because Margot and I never fought inside of it. We were both quiet as church mice; we were so in awe of all the books, and of the older kids studying. Peter looks disappointed. I’m sure it’s because he thought I would name something having to do with him. With us. But for some reason, I want to keep those hopes just for me for now. “You can come with me to the McGregor Room,” I say. “But you have to promise to be quiet.” Affectionately Peter says, “Lara Jean, only you would look forward to hanging out in a library.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
And suddenly I knew, as I touched the damp, grainy surface of the seawall, that I would always remember this night, that in years to come I would remember sitting here, swept with confused longing as I listened to the water lapping the giant boulders beneath the promenade and watched the children head toward the shore in a winding, lambent procession. I wanted to come back tomorrow night, and the night after, and the one after that as well, sensing that what made leaving so fiercely painful was the knowledge that there would never be another night like this, that I would never eat soggy cakes along the coast road in the evening, not this year or any other year, nor feel the baffling, sudden beauty of that moment when, if only for an instant, I had caught myself longing for a city I never knew I loved. Exactly a year from now, I vowed, I would sit outside at night wherever I was, somewhere in Europe, or in America, and turn my face to Egypt, as Moslems do when they pray and face Mecca, and remember this very night, and how I had thought these things and made this vow. You're beginning to sound like Elsa and her silly seders, I said to myself, mimicking my father's humour. On my way home I thought of what the others were doing. I wanted to walk in, find the smaller living room still lit, the Beethoven still playing, with Abdou still cleaning the dining room, and, on closing the front door, suddenly hear someone say, "We were just waiting for you, we're thinking of going to the Royal." "But we've already seen that film," I would say. "What difference does it make. We'll see it again." And before we had time to argue, we would all rush downstairs, where my father would be waiting in a car that was no longer really ours, and, feeling the slight chill of a late April night, would huddle together with the windows shut, bicker as usual about who got to sit where, rub our hands, turn the radio to a French broadcast, and then speed to the Corniche, thinking that all this was as it always was, that nothing ever really changed, that the people enjoying their first stroll on the Corniche after fasting, or the woman selling tickets at the Royal, or the man who would watch our car in the side alley outside the theatre, or our neighbours across the hall, or the drizzle that was sure to greet us after the movie at midnight would never, ever know, nor even guess, that this was our last night in Alexandria.
André Aciman (Out of Egypt: A Memoir)
Yeah," I said. "I think you're jealous." "Of what?" "That I can pass and you can't." He opened his mouth and emotions flowed over his face like water; anger, humor, denial. He finally settled on a smile, but it wasn't a happy one. "You really are a bitch, aren't you?" I nodded. "You don't pull on my chain and I won't pull on yours." "Deal," he said. The smile flashed wider. "Now, allow me to escort your lily white ass to the dining room." I shook my head. "Lead on, tall, dark, and studly, as long as I get to watch your ass while we walk down the hall." "Only if you promise to tell me how you like the view." I widened my eyes. "You mean give you a critique on your butt?" He nodded and the smile looked happy now. "Are you this big an egotist or just trying to embarrass me?" "Guess." "Both," I said. The smile spread to a grin. "You are as smart as you look.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
And I have begun thinking of that life as miraculous and lucky. How could a man I had dreaded as my commandant and who tried twice to get me kicked out of college become the subject of the first book I would write? [...] Who could have foreseen the day I would deliver his eulogy at the Summerall Chapel, or that I would give a speech on the night they named the dining room in the new Alumni Hall after him? Not me. Not once. Not ever.
Pat Conroy (A Lowcountry Heart: Reflections on a Writing Life)
Don't look at me like that." "Like what?" I arch an eyebrow. His gaze flashes to mine. "Like you're thinking about the sparring gym last night." "Well, now that you mention it." My tongue flicks over my lower lip, remembering how his hips pinned mine to the mat after everyone had left for the night. How close we both came to giving in to the pulsing need between us. His jaw flexes, and his grip tightens on his fork. "Seriously. I can't think when you look at me like that." "You're the one with the ridiculous rule about not falling for each other," I remind him. "You're still looking." He forces his attention back to his plate. "You make it hard to look away." I miss his mouth on my skin, the feel of his body pressed against mine. I miss the look on his face when he watched me come undone. But I miss the feeling of him curled around me in sleep more. "I'm over here keeping my hands and memories to myself because you asked me to, and you're fucking me with your eyes. That's not playing fair." "Told you to stop staring." There's laughter in his voice, but his face is as expressionless as ever. I tap my fork on my plate in pure frustration. You know what. Fuck this. Two can play at this game. "If you'd just man up and admit there's something between us, I would strip down to my skin so you could see every single inch of me. And once I had you begging, I'd drop down to my knees, undo those flight leathers you're wearing, and wrap my lips around—" Xaden chokes. Every head in the dining hall turns his way, and Garrick pounds on his back until Xaden waves him off, taking a drink of his water. I grin, which earns me about six looks of confusion from our table and one set of rolled eyes from Liam. "You're going to be the death of me
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Though my mother and I hadn't parted on good terms, once a month, huge boxes would arrive, reminders I was never far from her mind. Sweet honey-puffed rice, twenty-four packs of individually wrapped seasoned seaweed, microwavable rice, shrimp crackers, boxes of Pepero, and cups of Shin ramen I would subsist on for weeks on end in an effort to avoid the dining hall. She sent clothing steamers, lint rollers, BB creams, packages of socks. A new "this is nice brand" skirt she'd found on sale at T.J. Maxx. The cowboy boots arrived in one of these packages after my parents had vacationed in Mexico. When I slipped them on I discovered they'd already been broken in. My mother had worn them around the house for a week, smoothing the hard edges in two pairs of socks for an hour every day, molding the flat sole with the bottom of her feet, wearing in the stiffness, breaking the tough leather to spare me all discomfort.
Michelle Zauner (Crying in H Mart)
I took a step toward her, but she turned from me and stomped back to her car. I watched her drive off. After a moment, I walked up the limestone steps and through the phantom oak-and-glass front doors of the house where I grew up. I paced the hall, entered the long rectangle of dining room, rested a hand on the carved cherrywood mantel, then passed into the kitchen. The house was so real around me that I could smell the musty linen in the cedar closet, the gas from the leaky burner on the stove, the sharp tang of geraniums that I had planted in clay pots. I lay down on the exact place where the living room couch had been pushed tight under the leaded-glass windows. I closed my eyes and it was all around me again. The stuffed bookshelves, the paneling, the soft slap of my mother's cards on the table. I could see from the house of my dark mind the alley, from the alley the street leading to the end of town, its farthest boundary the lucid silence of the dead. Between the graves my path, and along that path her back door, her face, her timeless bed, and the lost architecture of her bones. I turned over and made myself comfortable in the crush of wild burdock. A bee or two hummed in the drowsy air. The swarm had left the rubble and built their houses beneath the earth. They were busy in the graveyard right now, filling the skulls with white combs and the coffins with sweet black honey.
Louise Erdrich (The Plague of Doves)
Epistle to Miss Blount, On Her Leaving the Town, After the Coronation" As some fond virgin, whom her mother’s care Drags from the town to wholesome country air, Just when she learns to roll a melting eye, And hear a spark, yet think no danger nigh; From the dear man unwillingly she must sever, Yet takes one kiss before she parts for ever: Thus from the world fair Zephalinda flew, Saw others happy, and with sighs withdrew; Not that their pleasures caused her discontent, She sighed not that They stayed, but that She went. She went, to plain-work, and to purling brooks, Old-fashioned halls, dull aunts, and croaking rooks, She went from Opera, park, assembly, play, To morning walks, and prayers three hours a day; To pass her time ‘twixt reading and Bohea, To muse, and spill her solitary tea, Or o’er cold coffee trifle with the spoon, Count the slow clock, and dine exact at noon; Divert her eyes with pictures in the fire, Hum half a tune, tell stories to the squire; Up to her godly garret after seven, There starve and pray, for that’s the way to heaven. Some Squire, perhaps, you take a delight to rack; Whose game is Whisk, whose treat a toast in sack, Who visits with a gun, presents you birds, Then gives a smacking buss, and cries – No words! Or with his hound comes hollowing from the stable, Makes love with nods, and knees beneath a table; Whose laughs are hearty, tho’ his jests are coarse, And loves you best of all things – but his horse. In some fair evening, on your elbow laid, Your dream of triumphs in the rural shade; In pensive thought recall the fancied scene, See Coronations rise on every green; Before you pass th’ imaginary sights Of Lords, and Earls, and Dukes, and gartered Knights; While the spread fan o’ershades your closing eyes; Then give one flirt, and all the vision flies. Thus vanish scepters, coronets, and balls, And leave you in lone woods, or empty walls. So when your slave, at some dear, idle time, (Not plagued with headaches, or the want of rhyme) Stands in the streets, abstracted from the crew, And while he seems to study, thinks of you: Just when his fancy points your sprightly eyes, Or sees the blush of soft Parthenia rise, Gay pats my shoulder, and you vanish quite; Streets, chairs, and coxcombs rush upon my sight; Vexed to be still in town, I knit my brow, Look sour, and hum a tune – as you may now.
Alexander Pope
Stopping before them, St. Vincent confided, “I would have found you sooner, but I was attacked by a swarm of dingy-dippers.” His voice lowered with conspiratorial furtiveness. “And I don’t wish to alarm either of you, but I had to warn you…they’re planning to serve kidney pudding in the fifth course.” “I can manage that,” Lillian said ruefully. “It is only animals served in their natural state that I seem to have difficulty with.” “Of course you do, darling. We’re barbarians, the lot of us, and you were perfectly right to be appalled by the calves’ heads. I don’t like them either. In fact, I rarely consume beef in any form.” “Are you a vegetarian, then?” Lillian asked, having heard the word frequently of late. Many discussions had centered on the topic of the vegetable system of diet that was being promoted by a hospital society in Ramsgate. St. Vincent responded with a dazzling smile. “No, sweet, I’m a cannibal.” “St. Vincent,” Westcliff growled in warning, seeing Lillian’s confusion. The viscount grinned unrepentantly. “It’s a good thing I happened along, Miss Bowman. You’re not safe alone with Westcliff, you know.” “I’m not?” Lillian parried, tensing inwardly as she reflected that he never would have made the glib comment had he known of the intimate encounters between her and the earl. She didn’t dare look at Westcliff, but she apprehended the immediate stillness of the masculine form so close to hers. “No, indeed,” St. Vincent assured her. “It’s the morally upright ones who do the worst things in private. Whereas with an obvious reprobate such as myself, you couldn’t be in safer hands. Here, you had better return to the dining hall under my protection. God knows what sort of lascivious scheme is lurking in the earl’s mind.” Giggling, Lillian stood from the bench, enjoying the sight of Westcliff being teased. He regarded his friend with a slight scowl as he too rose to his feet.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Has anyone had a look at Merripen's shoulder?" Amelia asked, glancing at Win. "It's probably time for the dressing to be changed." "I'll do it," Win said at once. "And I'll take up a supper tray." "Beatrix will accompany you," Amelia advised. "I can manage the tray," Win protested. "It's not that... I meant it's not proper for you to be alone with Merripen in his room." Win looked surprised, and made a face. "I don't need Beatrix to come. It's only Merripen, after all." After Win left the dining hall, Poppy looked at Amelia. "Do you think that Win really doesn't know how he-" "I have no idea. And I've never dared to broach the subject, because I don't want to put ideas into her head." "I hope she doesn't know," Beatrix ventured. "It would be dreadfully sad if she did." Amelia and Poppy both glanced at their younger sister quizzically. "Do you know what we're talking about, Bea?" Amelia asked. "Yes, of course. Merripen's in love with her. I knew it a long time ago, from the way he washed her window." "Washed her window?" both older sisters asked at the same time. "Yes, when we lived in the cottage at Primrose Place. Win's room had a casement window that looked out onto the big maple tree- do you remember? After the scarlet fever, when Win couldn't get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds' nest on one of the other tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look so grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?" "No," Amelia said with difficulty, her eyes stinging. "I didn't know he did that." "Merripen said the sky should always be blue for her," Beatrix said. "And that was when I knew he... are you crying, Poppy?" Poppy used a napkin to dab at the corners of her eyes. "No, I just inh-haled some pepper." "So did I," Amelia said, blowing her nose.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
But that was where his excitement began to melt into cold anxiety. His dad had been the Gryffindor Seeker, the youngest one in Hogwarts history. The best he, James, could hope for was to match that record. That’s what everyone would expect of him, the first-born son of the famous hero. He remembered the story, told to him dozens of times (although never by his own dad) of how the young Harry Potter had won his first Golden Snitch by virtually jumping off his broom, catching the golden ball in his mouth and nearly swallowing it. The tellers of the tale would always laugh uproariously, delightedly, and if Dad was there, he’d smile sheepishly as they clapped him on the back. When James was four, he found that famed Snitch in a shoe box in the bottom of the dining room hutch. His mum told him it’d been a gift to Dad from the old school headmaster. The tiny wings no longer worked, and the golden ball had a thin coat of dust and tarnish on it, but James was mesmerized by it. It was the first Snitch he had ever seen close up. It seemed both smaller and larger than he’d imagined, and the weight of it in his small hand was surprising. This is the famous Snitch, James thought reverently, the one from the story, the one caught by my dad. He asked his dad if he could keep it, stored in the shoebox when he wasn’t playing with it, in his room. His dad agreed easily, happily, and James moved the shoebox from the bottom of the hutch to a spot under the head of his bed, next to his toy broom. He pretended the dark corner under his headboard was his Quidditch locker. He spent many an hour pretending to zoom and bank over the Quidditch green, chasing the fabled Snitch, in the end, always catching it in a fantastic diving crash, jumping up, producing his dad’s tarnished Snitch for the approval of roaring imaginary crowds.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
It was normal, then, that he should be missed, even mourned—for it’s a hard thing when someone dies at a school like Hampden, where we were all so isolated, and thrown so much together. But I was surprised at the wanton display of grief which spewed forth once his death became official. It seemed not only gratuitous, but rather shameful given the circumstances. No one had seemed very torn up by his disappearance, even in those grim final days when it seemed that the news when it came must certainly be bad; nor, in the public eye, had the search seemed much besides a massive inconvenience. But now, at news of his death, people were strangely frantic. Everyone, suddenly, had known him; everyone was deranged with grief; everyone was just going to have to try and get on as well as they could without him. “He would have wanted it that way.” That was a phrase I heard many times that week on the lips of people who had absolutely no idea what Bunny wanted; college officials, anonymous weepers, strangers who clutched and sobbed outside the dining halls; from the Board of Trustees, who, in a defensive and carefully worded statement, said that “in harmony with the unique spirit of Bunny Corcoran, as well as the humane and progressive ideals of Hampden College,” a large gift was being made in his name to the American Civil Liberties Union—an organization Bunny would certainly have abhorred, had he been aware of its existence.
Donna Tartt (The Secret History)
The June roses over the porch were awake bright and early on that morning, rejoicing with all their hearts in the cloudless sunshine, like friendly little neighbors, as they were. Quite flushed with excitement were their ruddy faces, as they swung in the wind, whispering to one another what they had seen; for some peeped in at the dining-room windows, where the feast was spread, some climbed up to nod and smile at the sisters as they dressed the bride, others waved a welcome to those who came and went on various errands in garden, porch, and hall, and all, from the rosiest full-blown flower to the palest baby-bud, offered their tribute of beauty and fragrance to the gentle mistress who had loved and tended them for so long.
Louisa May Alcott (Little Women)
Even Jonas (the family cat) was fretful-- he was running up a storm, our mother used to say—and could not sleep quietly; all during those days when the change was coming Jonas stayed restless. From a deep sleep he would start suddenly, lifting his head as though listening, and then, on his feet and moving in one quick ripple, he ran up the stairs and across the beds and through the doors in and out and then down the stairs and across the hall and over the chair in the dining room and around the table and through the kitchen and out into the garden where he would slow, sauntering, and then pause to lick a paw and flick an ear and take a look at the day. At night we could hear him running, feel him cross our feet as we lay in bed, running up a storm.
Shirley Jackson (We Have Always Lived in the Castle)
Help,’ Jo moaned. ‘I think I’m in a coma.’ It was seven o’clock. The library walls were scrubbed clean and Allie’s neck and shoulders ached whenever she even thought about raising her arms as she sat on the dust sheet next to Jo. ‘Do your arms hurt?’ Allie asked, rubbing her shoulders. ‘God yes.’ ‘Then you’re not in a coma.’ Gingerly Allie stretched out her legs. ‘Jesus. What have I got myself into? Rachel has a swimming pool and horses. Horses, Jo. I could be floating in a pool and petting soft pony noses if I were still at her house.’ ‘Here.’ Jo turned to face her. ‘My nose is soft. You can pet it.’ Allie stroked her nose tiredly. ‘Wow. This is just like being at Rachel’s. Where’s the pool?’ ‘No pool,’ Jo said. ‘Showers.’ ‘Sucks.’ ‘Totally.’ ‘Are you two just going to lie there complaining? Or are you coming to dinner?’ Allie looked up to see Carter standing above them, studying them doubtfully. ‘Jo’s in a coma,’ Allie informed him. ‘She no longer needs food.’ ‘Wait. Did you say food? I think I’m actually awake.’ Jo scrambled to her feet. ‘My God,’ Allie said mildly. ‘It’s a miracle.’ ‘You’ve only been doing this one day, Sheridan.’ Carter reached down to pull her up. ‘You can’t be tired already.’ ‘Everything hurts,’ she said. ‘Shoulders, arms, back …’ ‘Legs, feet, head …’ Jo offered helpfully. ‘Ankles. Shins. Name a body part,’ Allie said. ‘It hurts.’ Carter didn’t look impressed. ‘Food will ease your pain.’ He steered them towards the dining hall. ‘He’s very wise,’ Allie told Jo. ‘Clearly,’ Jo replied.
C.J. Daugherty (Legacy (Night School, #2))
wide open falsehood the clandestine truths rival till the end in a series of duels pardon the drapery language I choose Waltz in Vienna has taught me to use every tall room a fiction leatherbound treasure books up to the ceiling gold spine upon spine the guile and the treason the faith and allegiance wide open falsehood the clandestine truths rival till the end in a series of duels pardon the drapery language I choose the author grew fat to imagine his lead pen careening gave voice to the scheming an Aryan cabale to dethrone the guile and the treason the faith and allegiance to the empire unknown the baron and his mistress dine in a fine banquet hall as rebel insurgents plot in the attic space crawl the guile and the treason the faith and allegiance now lie in my hand
Natalie Merchant
On Monday morning, she called me into her bedroom. Her dark hair was tousled, her light robe very feminine against the soft blue of her bed. Her eyes were full of mischief. “Oh, Mr. West,” she whispered in her beguiling child’s voice. “I’ve gotten myself into something. Can you help me get out of it?” “What can I do?” I asked, wondering who was next in line to be fired. “I’ve invited someone to stay here,” she said, “but now we’ve changed our minds.” She cast a glance in the direction of the President’s bedroom. “Could you help us cook up something so we can get out of having her as a houseguest?” Without waiting for a reply, she rushed on, her request becoming a command in mid-breath. “Would you fix up the Queen’s Room and the Lincoln Room so that it looks like we’re still decorating them, and I’ll show her that our guest rooms are not available.” Her eyes twinkled, imagining the elaborate deception. “The guest rooms will be redecorated immediately,” I said, and almost clicked my heels. I called Bonner Arrington in the carpenter’s shop. “Bring drop-cloths up to the Queen’s Room and Lincoln Bedroom. Roll up the rugs and cover the draperies and chandeliers, and all the furniture,” I instructed. “Oh yes, and bring a stepladder.” I called the paint shop. “I need six paint buckets each for the Queen’s Room and the Lincoln Room. Two of the buckets in each room should be empty—off-white—and I need four or five dirty brushes.” I met the crews on the second floor. “Now proceed to make these two rooms look as if they’re being redecorated,” I directed. “You mean you don’t want us to paint?” said the painters. “No,” I said. “Just make it look as if you are.” The crew had a good time, even though they didn’t know what it was all about. As I brought in the finishing touches, ashtrays filled with cigarette butts, Bonner shook his head. “Mr. West, all I can say is that this place has finally got to you,” he said. That evening the President and Mrs. Kennedy entertained a Princess for dinner upstairs in the President’s Dining Room. Before dinner, though, President Kennedy strolled down to the East Hall with his wife’s guest. He pointed out the bedraped Queen’s Room. “… And you see, this is where you would have spent the night if Jackie hadn’t been redecorating again,” he told the unsuspecting lady. The next morning, Mrs. Kennedy phoned me. “Mr. West, you outdid yourself,” she exclaimed. “The President almost broke up when he saw those ashtrays.
J.B. West (Upstairs at the White House: My Life with the First Ladies)
As soon as Devon left his room, he was overwhelmed by a surplus of unwanted attention. Not one but two footmen accompanied him down the stairs, eagerly pointing out dangers such as the edge of a particular step that wasn’t quite smooth, or a section of the curved balustrade that might be slippery from a recent polishing. After negotiating the apparent perils of the staircase, Devon continued through the main hall and was obligated to stop along the way as a row of housemaids curtsied and uttered a chorus of “Happy Christmas” and “God bless you, milord,” and offered abundant wishes for his good health. Abashed by the role he seemed to have been cast in, Devon smiled and thanked them. He made his painstaking way to the dining room, which was filled with lavish arrangements of Christmas flowers, and hung with evergreen garlands twined with gold ribbon. Kathleen, West and the twins were all seated, laughing and chatting with relaxed good humor. “We knew you were approaching,” Pandora said to Devon, “from all the happy voices we could hear in the entrance hall.” “He’s not accustomed to people exclaiming happily when he arrives,” West said gravely. “Usually they do it when he leaves.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
You might think lunchtime at Willing would be different from other high schools. That everyone would be welcome at any table, united by the knowledge that we, at Willing, are the Elite, the Chosen, stellar across the board. Um.No.Of course not.High school is high school, regardless of how much it costs or how many kids springboard into the Ivies. And nowhere is social status more evident than in the dining room (freshman and sophomores at noon; upperclassmen at one). Because, of course, Willing doesn't have a cafeteria, or even a lunch hall. It has a dining room, complete with oak tables and paneled walls that are covered with plaques going all the way back to 1869, the year Edith Willing Castoe (Edward's aunt) founded the school to "prepare Philadelphia's finest young ladies for Marriage,for Leadership, and for Service to the World." Really. Until the sixties, the school's boastful slogan was "She's a Willing Girl." Almost 150 years, three first ladies, and one attorney general-not to mention the arrival of boys-later, female members of the student body are still called Willing Girls. You'd think someone in the seventies would have objected to that and changed it. But Willing has survived the seventies of two different centuries. They'll probably still be calling us Willing Girls in 2075. It's a school that believes in Tradition, sometimes regardless of how stupid that Tradition is.
Melissa Jensen (The Fine Art of Truth or Dare)
It works far better,” Jane went on, apparently still intent on berating him, “when you trust those people with the truth. When you give them all the facts.” Her tone put him on the defensive. “You mean, the way you did when you told me about Nancy’s disappearance?” Jane paled. “Well…that was different.” “How so?” He approached her with a scowl. “You left out the important fact that she might be pregnant. If I’d known, we would all have left for York as soon as Tristan could join us, and we wouldn’t have wasted so much time.” Her throat moved convulsively. “You can’t blame me for that. I was protecting Nancy.” “And all those years ago, I was protecting you,” he said fiercely. He took another step toward her. “I know you resent how I manipulated you into jilting me, but my damned brother had just torn my family apart, and I wasn’t sure what lay ahead of me. I couldn’t bear to watch your love for me die in the slums of London.” “So you killed it instead?” she choked out. His heart faltered. “Did I?” Alarm spread over her face. Then she turned, as if to flee. He grabbed her arm to tug her up close to him. She wouldn’t look at him, which only inflamed him more. “I answered your questions,” he rasped. “Now answer mine.” He could feel her tremble, see uncertainty flash over her face in profile. Utter silence reigned in the room. Even the servants had apparently finished in the dining room across the hall, for no sound penetrated their private little sanctuary. “I can’t,” she whispered at last. “I don’t know the answer.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Kate turned on her heel and walked out. Before she was halfway across the hall, though, Bunny had jumped up from the couch and come after her. “Are you saying we can’t see each other anymore?” she asked. “He’s just visiting me at my house! We’re not going out on dates or anything.” “The guy must be twenty years old,” Kate told her. “You don’t find anything wrong with that?” “So? I’m fifteen years old. A very mature fifteen.” “Don’t make me laugh,” Kate told her. “You’re just jealous,” Bunny said. She was following Kate through the dining room now. “Just because you have to settle for Pyoder—” “His name is Pyotr,” Kate said through her teeth. “You might as well learn to pronounce it right.” “Well, la-di-da to you, Miss Frilling-Your-rs. At least I didn’t have to rely on my father to find me a boyfriend.” By the time she was saying this, they had reached the kitchen. The two men glanced over at them, surprised. “Your daughter is a jerk,” Bunny told their father. “I beg your pardon?” “She is a snoopy, jealous, meddlesome jerk, and I refuse to—and now look!” Her attention had been snagged by something outside the window. The rest of them turned to see Edward slinking past with his shoulders hunched, veering beneath the redbud tree to cross to his own house. “I hope you’re satisfied,” Bunny told Kate. “Why is it,” Dr. Battista asked Pyotr, “that whenever I’m around women for any length of time, I end up asking, ‘What just happened here?’ ” “That is extremely sexist of you,” Pyotr said sternly. “Don’t blame me,” Dr. Battista said. “I base the observation purely on empirical evidence.
Anne Tyler (Vinegar Girl)
I raised my chin and stared back at him. I had no reason to feel embarrassed. After all, he was the one who said Akaran was just as much mine as it was his. The door had been open. And yet, a flush still crept up the back of my neck. “I was taking a walk,” I said weakly. “Where’s Gupta?” “The dining room,” I said before adding defensively, “I only walked a little down the halls.” His jaw tightened. “I told you that the kingdom’s location makes it dangerous.” “Gupta told me that anyplace that might hold danger would be locked up,” I retorted. “The door to this room was not locked.” “Even so,” said Amar. “They might sing through their bindings. It’s better to have an escort.” “As you can see, I am unscathed from my walk from one hall to the next.” “Today,” cut in Amar tightly. “Today you are unscathed. Tomorrow is unknown. As is the next day and the day after that. Never make light of your life.” “I never do.” The vial of mandrake poison flashed in my mind. Life led me here. Life and the desire to live it. Gupta burst into the room. “Oh, good!” he breathed, hands pushing against his knees. He looked like he’d just run from one side of a country to the next. Guilt heated my face. He turned to Amar. “I apologize. I lost track with the riddles.” “You can leave, my friend,” said Amar. “She is safe with me.” Gupta looked between us, started to say something and thought better of it. There was a touch of pity in his expression as he looked at the winking lights around us. With one last glance at the garden, Gupta left. Amar loosed a breath. “I understand, you know.” I looked up. “The forced silence…the voices of this palace.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
Suetonius (The Twelve Caesars)
Sylphid was beginning to play professionally, and she was subbing as second harpist in the orchestra at Radio City Music Hall. She was called pretty regularly, once or twice a week, and she’d also got a job playing at a fancy restaurant in the East Sixties on Friday night. Ira would drive her from the Village up to the restaurant with her harp and then go and pick her and the harp up when she finished. He had the station wagon, and he’d pull up in front of the house and go inside and have to carry it down the stairs. The harp is in its felt cover, and Ira puts one hand on the column and one hand in the sound hole at the back and he lifts it up, lays the harp on a mattress they keep in the station wagon, and drives Sylphid and the harp uptown to the restaurant. At the restaurant he takes the harp out of the car and, big radio star that he is, he carries it inside. At ten-thirty, when the restaurant is finished serving dinner and Sylphid’s ready to come back to the Village, he goes around to pick her up and the whole operation is repeated. Every Friday. He hated the physical imposition that it was—those things weigh about eighty pounds—but he did it. I remember that in the hospital, when he had cracked up, he said to me, ‘She married me to carry her daughter’s harp! That’s why the woman married me! To haul that fucking harp!’ “On those Friday night trips, Ira found he could talk to Sylphid in ways he couldn’t when Eve was around. He’d ask her about being a movie star’s child. He’d say to her, ‘When you were a little girl, when did it dawn on you that something was up, that this wasn’t the way everyone grew up?’ She told him it was when the tour buses went up and down their street in Beverly Hills. She said she never saw her parents’ movies until she was a teenager. Her parents were trying to keep her normal and so they downplayed those movies around the house. Even the rich kid’s life in Beverly Hills with the other movie stars’ kids seemed normal enough until the tour buses stopped in front of her house and she could hear the tour guide saying, ‘This is Carlton Pennington’s house, where he lives with his wife, Eve Frame.’ “She told him about the production that birthday parties were for the movie stars’ kids—clowns, magicians, ponies, puppet shows, and every child attended by a nanny in a white nurse’s uniform. At the dining table, behind every child would be a nanny. The Penningtons had their own screening room and they ran movies. Kids would come over. Fifteen, twenty kids.
Philip Roth (I Married a Communist (The American Trilogy, #2))
Outside the room they found his family standing in the Great Hall, discussing something in heated whispers as Freddy nervously paced the other end. Oliver cleared his throat, and they all jumped. “My fiancée has made it clear that she doesn’t appreciate my attempt at a joke.” “Oliver enjoys shocking people,” Maria said calmly. When he looked at her, surprised that she had noticed, she arched one eyebrow at him. “I’m sure you know that about him by now. I find it a great flaw in his character.” She seemed to consider many things as flaws in his character. Not that he could blame her. Gran glanced from Maria to him. “So the two of you didn’t meet in a brothel?” “We did,” he said, “but only because poor Freddy got lost and wandered into one by mistake. I was trying to determine what he was looking for when Maria rushed in, mad with worry over where he might have gone off to. With two such Americans lost in the wicked city, hopelessly innocent of its dangers, I felt compelled to help them. I’ve been squiring them about town the last week. Isn’t that right, sweetheart?” She cast him a sugary and thoroughly false smile. “Oh, yes, dearest. And you were a very informative guide, too.” Jarret arched one eyebrow. “Astonishing that after finding you in a brothel, Oliver, Miss Butterfield wasn’t put off of marrying you.” “I ought to have been,” Maria said. “But he swore those days were behind him when he pledged his undying love to me on bended knee.” When Gabriel and Jarret barely managed to stifle their laughter, Oliver gritted his teeth. Bended knee, indeed. She was determined to prick his pride at every opportunity. She probably felt he deserved it. He could only pray that Gran backed down from the right before he had to bring the chit around any of his friends, or Maria would have them taunting him unmercifully for the next decade. “I’m afraid, my dear,” he said tersely, “that my brothers have trouble envisioning me bending a knee to anyone.” She affected a look of wide-eyed shock. “Have they no idea what a romantic you are? I’ll have to show them the sonnets you wrote praising my beauty. I believe I left them in my redingote pocket.” The teasing wench actually looked back toward the entrance. “I could go fetch them if you like.” “Not now,” he said, torn between a powerful urge to laugh and an equally powerful urge to strangle her. “It’s time for dinner, and I’m starved.” “So am I,” Freddy put in. At a frown from Maria, he mumbled, “Not that it matters, mind you.” “Of course it matters,” Gran said graciously. “We don’t like our guests to be uncomfortable. Come along then, Mr. Dunse. You may take me in to dinner, since my grandson is otherwise occupied.” As they trooped toward the dining room, Oliver bent his head to whisper, “I see you’re enjoying making me out to be a besotted idiot.” A minxish smile tipped up her fetching lips. “Oh, yes. It’s great fun.” “Then my explanation of how you ended up in a brothel met with your approval?” “It’ll do for now.” She cast him a glance from beneath her long lashes. “You’re by no means out of the woods yet, sir.” But I will be by the time the night is over. No matter what it took, he would get her to stay and do this, so help him God.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))