Dimensional Travel Quotes

If one wanted to depict the whole thing graphically, every episode, with its climax, would require a three-dimensional, or, rather, no model: every experience is unrepeatable. What makes lovemaking and reading resemble each other most is that within both of them times and spaces open, different from measurable time and space.

One should learn to connect the bridge between the heart and the mind. That’s what crowns you with eternity, and makes you the master of your own life rather than a slave of someone else’s.

It is a well-known established fact throughout the many-dimensional worlds of the multiverse that most really great discoveries are owed to one brief moment of inspiration. There's a lot of spadework first, of course, but what clinches the whole thing is the sight of, say, a falling apple or a boiling kettle or the water slipping over the edge of the bath. Something goes click inside the observer's head and then everything falls into place. The shape of DNA, it is popularly said, owes its discovery to the chance sight of a spiral staircase when the scientist‘s mind was just at the right receptive temperature. Had he used the elevator, the whole science of genetics might have been a good deal different. This is thought of as somehow wonderful. It isn't. It is tragic. Little particles of inspiration sleet through the universe all the time traveling through the densest matter in the same way that a neutrino passes through a candyfloss haystack, and most of them miss. Even worse, most of the ones that hit the exact cerebral target, hit the wrong one. For example, the weird dream about a lead doughnut on a mile-high gantry, which in the right mind would have been the catalyst for the invention of repressed-gravitational electricity generation (a cheap and inexhaustible and totally non-polluting form of power which the world in question had been seeking for centuries, and for the lack of which it was plunged into a terrible and pointless war) was in fact had by a small and bewildered duck. By another stroke of bad luck, the sight of a herd of wild horses galloping through a field of wild hyacinths would have led a struggling composer to write the famous Flying God Suite, bringing succor and balm to the souls of millions, had he not been at home in bed with shingles. The inspiration thereby fell to a nearby frog, who was not in much of a position to make a startling contributing to the field of tone poetry. Many civilizations have recognized this shocking waste and tried various methods to prevent it, most of them involving enjoyable but illegal attempts to tune the mind into the right wavelength by the use of exotic herbage or yeast products. It never works properly.

Tu casa, al ser el lugar donde lees, puede decirnos cuál es el lugar que los libros tienen en tu vida, si son una defensa que tú interpones para mantener alejado al mundo de fuera, un sueño en el que te hundes como en una droga, o bien si son puentes que lanzas hacia el exterior, hacia el mundo que te interesa tanto que quieres multiplicar y dilatar sus dimensiones a través de los libros.

Goldberg claims time travel is easy. “It is simply a matter of using the Fifth Dimensional Travel exercise,” he says, that he presents on his website.

While National Geographic magazine had given me a taste of the world, the three-dimensional details of this moment - the tickle of the rain drops, the suck sound of my feet in the mud, the challenge of getting photographs of the monkeys, my immature urge to make the driver wait even longer because he was annoying - would feed me for years to come.

Music is the voice of God traveling through ten-dimensional hyperspace.

Because both quantum theory and Einstein's theory of gravity are united in ten-dimensional space, we expect that the question of time travel will be settled decisively by the hyperspace theory. As in the case of wormholes and dimensional windows, the final chapter will be written when we incorporate the full power of the hyperspace theory.

Am I but a time-traveler experiencing a bout of cross-dimensional temporary dementia?

Imagine fish swimming in a shallow pond, just below the lily pads, thinking that their “universe” is only two-dimensional. Our three-dimensional world may be beyond their ken. But there is a way in which they can detect the presence of the third dimension. If it rains, they can clearly see the shadows of ripples traveling along the surface of the pond. Similarly, we cannot see the fifth dimension, but ripples in the fifth dimension appear to us as light.

There are people today who speculate that through inter-dimensional travel you can go anywhere in the universe you want. But in the experience of advanced races in the universe, such attempts have proven to be extremely dangerous and unfortunate. Getting around is a lot slower than you might think. Most races that travel in space only do so within local regions. They only travel in local regions because it is extremely dangerous to enter into a territory governed or overseen by others. And if you venture too far from your home planet, you would not be able to sustain yourself over the course of time.

Introducing higher dimensions may be essential for prying loose the secrets of Creation. According to this theory, before the Big Bang, our cosmos was actually a perfect ten-dimensional universe, a world where interdimensional travel was possible. However, this ten-dimensional world was unstable, and eventually it "cracked" in two, creating two separate universes: a four-and a six dimensional universe. The universe in which we live was born in that cosmic cataclysm. Our four-dimensional universe expanded explosively, while our twin six-dimensional universe contracted violently, until it shrank to almost infinitesimal size. This would explain the origin of the Big Bang. If correct, this theory demonstrates that the rapid expansion of the universe was just a rather minor aftershock of a much greater cataclysmic event, the cracking of space and time itself. The energy that drives the observed expansion of the universe is then found in the collapse of ten-dimensional space and time. According to the theory, the distant stars and galaxies are receding from us at astronomical speeds because of the original collapse of ten-dimensional space and time. This theory predicts that our universe still has a dwarf twin, a companion universe that has curled up into a small six-dimensional ball that is too small to be observed. This six-dimensional universe, far from being a useless appendage to our world, may ultimately be our salvation.

The core of our being is drawn like a stone to the quiet depths of each moment where God waits for us with eternal longing. But to those depths the false self will not let us travel. Like stones skipped across the surface of the water we are kept skimming along the peripheral, one-dimensional fringes of life. To sink is to vanish. To sink into the unknown depths of God’s call to union with himself is to lose all that the false self knows and cherishes.

Yet, the cosmic view comes with a hidden cost. When I travel thousands of miles to spend a few moments in the fast-moving shadow of the moon during a total solar eclipse, sometimes I lose sight of Earth. When I pause and reflect on our expanding universe with its galaxies hurdling away from one another, embedded within the ever-stretching four-dimensional fabric of space and time, sometimes I forget that uncounted people walk this Earth without food or shelter, and that children are disproportionally represented among them. When I pour over the data that established the mysterious presence of dark matter and dark energy throughout the universe, sometimes I forget that every day, every 24 hour rotation of Earth, people kill and get killed in the name of someone else's conception of God, and that some people who do not kill in the name of God kill in the name of needs or wants of political dogma. When I track the orbits of asteroids, comets, and planets, each one a pirouetting dancer in a cosmic ballet, choreographed by the forces of gravity, sometimes I forget that too many people act in wanton disregard for the delicate interplay of Earth's atmosphere, oceans, and land, with consequences that our children and our children's children will witness and pay for with their health and wellbeing. And sometimes I forget that powerful people rarely do all they can to help those who cannot help themselves. I occasionally forget these things because however big the world is in our hearts, our minds, and our outsized digital maps, the universe is even bigger. A depressing thought to some, but a liberating thought to me.

We are very used to imagining that we see a three-dimensional world when we look around ourselves. But is this really true? If we keep in mind that what we see is the result of photons impinging on our eyes, it is possible to imagine our view of the world in quite a different way. Look around and imagine that you see each object as a consequence of photons having just travelled from it to you. Each object you see is the result of a process by which information travelled to you in the shape of a collection of photons. The farther away the object is, the longer it took the photons to travel to you. So when you look around you do not see space-instead, you are looking back through the history of the universe. What you are seeing is a slice through the history of the world. Everything you see is a bit of information brought to you by a process which is a small part of that history.

One method that Einstein employed to help people visualize this notion was to begin by imagining two-dimensional explorers on a two-dimensional universe, like a flat surface. These “flatlanders” can wander in any direction on this flat surface, but the concept of going up or down has no meaning to them. Now, imagine this variation: What if these flatlanders’ two dimensions were still on a surface, but this surface was (in a way very subtle to them) gently curved? What if they and their world were still confined to two dimensions, but their flat surface was like the surface of a globe? As Einstein put it, “Let us consider now a two-dimensional existence, but this time on a spherical surface instead of on a plane.” An arrow shot by these flatlanders would still seem to travel in a straight line, but eventually it would curve around and come back—just as a sailor on the surface of our planet heading straight off over the seas would eventually return from the other horizon. The curvature of the flatlanders’ two-dimensional space makes their surface finite, and yet they can find no boundaries. No matter what direction they travel, they reach no end or edge of their universe, but they eventually get back to the same place. As Einstein put it, “The great charm resulting from this consideration lies in the recognition that the universe of these beings is finite and yet has no limits.” And if the flatlanders’ surface was like that of an inflating balloon, their whole universe could be expanding, yet there would still be no boundaries to it.10 By extension, we can try to imagine, as Einstein has us do, how three-dimensional space can be similarly curved to create a closed and finite system that has no edge. It’s not easy for us three-dimensional creatures to visualize, but it is easily described mathematically by the non-Euclidean geometries pioneered by Gauss and Riemann. It can work for four dimensions of spacetime as well. In such a curved universe, a beam of light starting out in any direction could travel what seems to be a straight line and yet still curve back on itself. “This suggestion of a finite but unbounded space is one of the greatest ideas about the nature of the world which has ever been conceived,” the physicist Max Born has declared.

If dimensions are virtual like the particles in quantum foam are virtual then, entanglement is information that is in more than one location (hologram). There are no particles, they may be wave packets but the idea of quantum is, a precise ratio of action in relationship to the environment. Feynman's path integral is not infinite, it is fractal. If you look at a star many light years away, the photon that hits your eye leaves the star precisely when the timing for the journey will end at your eye because the virtual dimension of the journey is zero distance or zero time. Wheeler said that if your eye is not there to receive the photon then it won't leave the star in the distant past. If the dimension in the direction of travel is zero, you have a different relationship then if it is zero time in terms of the property of the virtual dimensions. Is a particle really a wave packet? Could something like a "phase transition" involve dimensions that are more transitory then we imagined. Example; a photon as a two dimensional sheet is absorbed by an electron so that the photon becomes a part of the geometry of the electron in which the electrons dimensions change in some manner. Could "scale" have more variation and influence on space and time that our models currently predict? Could information, scale, and gravity be intimately related?

Gadgetry will continue to relieve mankind of tedious jobs. Kitchen units will be devised that will prepare ‘automeals,’ heating water and converting it to coffee; toasting bread; frying, poaching or scrambling eggs, grilling bacon, and so on. Breakfasts will be ‘ordered’ the night before to be ready by a specified hour the next morning. Communications will become sight-sound and you will see as well as hear the person you telephone. The screen can be used not only to see the people you call but also for studying documents and photographs and reading passages from books. Synchronous satellites, hovering in space will make it possible for you to direct-dial any spot on earth, including the weather stations in Antarctica. [M]en will continue to withdraw from nature in order to create an environment that will suit them better. By 2014, electroluminescent panels will be in common use. Ceilings and walls will glow softly, and in a variety of colors that will change at the touch of a push button. Robots will neither be common nor very good in 2014, but they will be in existence. The appliances of 2014 will have no electric cords, of course, for they will be powered by long- lived batteries running on radioisotopes. “[H]ighways … in the more advanced sections of the world will have passed their peak in 2014; there will be increasing emphasis on transportation that makes the least possible contact with the surface. There will be aircraft, of course, but even ground travel will increasingly take to the air a foot or two off the ground. [V]ehicles with ‘Robot-brains’ … can be set for particular destinations … that will then proceed there without interference by the slow reflexes of a human driver. [W]all screens will have replaced the ordinary set; but transparent cubes will be making their appearance in which three-dimensional viewing will be possible. [T]he world population will be 6,500,000,000 and the population of the United States will be 350,000,000. All earth will be a single choked Manhattan by A.D. 2450 and society will collapse long before that! There will, therefore, be a worldwide propaganda drive in favor of birth control by rational and humane methods and, by 2014, it will undoubtedly have taken serious effect. Ordinary agriculture will keep up with great difficulty and there will be ‘farms’ turning to the more efficient micro-organisms. Processed yeast and algae products will be available in a variety of flavors. The world of A.D. 2014 will have few routine jobs that cannot be done better by some machine than by any human being. Mankind will therefore have become largely a race of machine tenders. Schools will have to be oriented in this direction…. All the high-school students will be taught the fundamentals of computer technology will become proficient in binary arithmetic and will be trained to perfection in the use of the computer languages that will have developed out of those like the contemporary “Fortran". [M]ankind will suffer badly from the disease of boredom, a disease spreading more widely each year and growing in intensity. This will have serious mental, emotional and sociological consequences, and I dare say that psychiatry will be far and away the most important medical specialty in 2014. [T]he most glorious single word in the vocabulary will have become work! in our a society of enforced leisure.

At last count, eight-hundred and fifty-nine travelers had stepped off Trans-Continental Airlines at Sky Harbor International Airport, Phoenix, Arizona, at high noon in Mid-August without sunglasses. No one has ever done it twice. The desert sun, at high noon in Mid-August, rains down a torrent of silver needles. The sky burns white. The mountains that ring the city - Maricopas, White Tanks, Superstitions - flatten into dusty, two-dimensional mounds. Desert plants turn pale. Crawling, slithering, running creatures surrender to the heat and hide. The air shimmers on the horizon and flows in sluggish currents along the airport tarmac. Tires go soft. The odor of melting tar lies heavy along the ground. Light explodes in tinsel stars from moving glass and chrome. Phoenicians huddle indoors around their air conditioners and wait for the time of long shadows. Sky Harbor International Airport, Phoenix, Arizona, at high noon in mid-August is a white-hot Hell.

Although the collection of known mathematical structures is large and exotic, and even more remain to be discovered, every single mathematical structure can be analyzed to determine its symmetry properties, and many have interesting symmetry. Intriguingly, one of the most important discoveries in physics has been that our physical reality also has symmetries built into it: for example, the laws of physics have rotational symmetry, which means that there's not special direction in our Universe that you can call "up." They also appear to have translation (sideways shifting) symmetry, meaning that there's no special place that we can call the center of space. Many of these spaces just mentioned have beautiful symmetries, some of which match the observed symmetries of our physical world. For example, Euclidean space has both rotational symmetry (meaning that you can't tell the difference if the space gets rotated) and translational symmetry (meaning that you can't tell the difference if the space gets shifted sideways). The four-dimensional Minkowski space has even more symmetry: you can't even tell the difference if you do a type of generalized rotation between the space and time dimensions-and Einstein showed that this explains why time appears to slow down if you travel near the speed of light, as mentioned in the last chapter. Many more subtle symmetries of nature have been discovered in the last century, and these symmetries form the foundations of Einstein's relativity theories, quantum mechanics, and the standard model of particle physics.

There are only a limited number of sporadic groups, and one of them does indeed have the geometric interpretion with the highest number of dimensions. It's the Monster Group, and the shape it corresponds to can exist only in 196,883 dimensions. This boggles my mind. As you travel up past hundreds of thousands of dimensions, with only a few predictable infinite families of shapes to keep you company, suddenly, out of the blurred monotony, a shape flashes into existence for a single dimensional space. It wasn't there in 196,882D and has gone again by 196,884D. In that one tiny window, a shape beyond any human comprehension exists. It is a real mathematical object, as much as a triangle or a cube. The title of Griess's 1982 paper gives the Monster its other, more affectionate name: the Friendly Giant. We will never be able to picture the Friendly Giant, but we know it exists.

Here, in the realm of three-dimensional wax, the mirror is painted. The only credible reasons are symbolic. Confronting an instance where Art played consciously with Illusion and admitted the vanity of images through the image of an image, the industry of the Absolute Fake didn’t dare venture to copy, because it would have come too close to the revelation of its own falsehood.

Take whatever job you can at one of those companies. Don’t worry too much about the title—focus on the work. If you get a foot in the door at a growing company, you’ll find opportunities to grow, too. Just whatever you do, don’t become a “management consultant” at a behemoth like McKinsey or Bain or one of the other eight consultancies that dominate the industry. They all have thousands upon thousands of employees and work almost exclusively with Fortune 5000 companies. These corporations, typically led by tentative, risk-averse CEOs, call in the management consultants to do a massive audit, find the flaws, and present leadership with a new plan that will magically “fix” everything. What a fairy tale—don’t get me started. But to many new grads, it sounds perfect: you get paid incredibly well to travel around the world, work with powerful companies and executives, and learn exactly how to make a business successful. It’s an alluring promise. Parts of it are even true. Yes, you get a nice paycheck. And yes, you get plenty of practice pitching important clients. But you don’t learn how to build or run a company. Not really. Steve Jobs once said of management consulting, “You do get a broad cut at companies but it’s very thin. It’s like a picture of a banana: you might get a very accurate picture but it’s only two dimensions, and without the experience of actually doing it you never get three dimensional. So you might have a lot of pictures on your walls, you can show it off to your friends—I’ve worked in bananas, I’ve worked in peaches, I’ve worked in grapes—but you never really taste it.” If you do choose to go that route and find yourself at one of the Big Four or the other top six firms, then that is of course your choice. Just know before you go what you want to learn and the experiences you need for your next chapter. Don’t get stuck. Management consulting should never be your endpoint—it should be a way station, a brief pause on your journey to actually doing something. Making something. To do great things, to really learn, you can’t shout suggestions from the rooftop then move on while someone else does the work. You have to get your hands dirty. You have to care about every step, lovingly craft every detail. You have to be there when it falls apart so you can put it back together. You have to actually do the job. You have to love the job.

But traveling faster than light would require infinite energy; it is possible on paper, not in practice. More recently, physicists have theorized other ways that physical travel into the past could be achieved, but they are still exotic and expensive. A technological civilization thousands or more years in advance of our own, one able to harness the energy of its whole galaxy, could create a wormhole linking different points in the fabric of spacetime and send a spaceship through it.8 It is an idea explored widely in science fiction and depicted vividly in Christopher Nolan’s 2014 film Interstellar. But all this is academic for our purposes. For Gleick, what we are really talking about with time travel is a thought experiment about the experiencer—the passenger—in a novel, disjointed relationship to the external world. We can readily perform feats of “mental time travel,” or at least simulate such feats, as well as experience a dissociation between our internal subjective sense of time and the flux of things around us and even our own bodies.9 According to Gleick, part of what suddenly facilitated four-dimensional thinking in both popular writing and the sciences was the changing experience of time in an accelerating society. The Victorian age, with its steam engines and bewildering pace of urban living, increased these experiences of dissociation, and they have only intensified since then. Time travel, Gleick argues, is basically just a metaphor for modernity, and a nifty premise upon which to base literary and cinematic fantasies that repair modernity’s traumas. It also shines a light on how confused we all are about time. The most commonly voiced objection to time travel—and with it, precognition—is that any interaction between the future and past would change the past, and thus create a different future. The familiar term is the grandfather paradox: You can’t go back in time and kill your grandfather because then you wouldn’t have been born to go back in time and kill your grandfather (leaving aside for the moment the assumed inevitability of wanting to kill your grandfather, which is an odd assumption). The technical term for meddling in the past this way is “bilking,” on the analogy of failing to pay a promised debt.10 Whatever you call it, it is the kind of thing that, in Star Trek, would make the Enterprise’s computer start to stutter and smoke and go haywire—the same reaction, in fact, that greets scientific claims of precognition. (As Dean Radin puts it, laboratory precognition results like those cited in the past two chapters “cause faces to turn red and sputtering noises to be issued from upset lips.”11) Information somehow sent backward in time from an event cannot lead to a future that no longer includes that event—and we naturally intuit that it would be very hard not to have such an effect if we meddled in the timeline. Our very presence in the past would change things.

Skaidon was a genius. At age six he took one of the old-style IQ tests and was rated at 180. After he was congratulated, it is reported that he said, ‘If you like I’ll do a test to 190, now I know how they work.’ Throughout his life Skaidon mocked those he called, ‘Hard-wired lead-asses.’ Should you wish to know more about this, I direct you to one of his numerous biographies. This book is about runcibles. Today we are aware of the dangers of directly interfacing a human mind with a computer (not to be confused with the less direct methods of auging or gridlinking). Skaidon was the first to do this and he died of it, leaving a legacy to humanity that is awesome. It took him twenty-three minutes. In those minutes, he and the Craystein computer became the most brilliant mind humankind has ever known. He gave us Skaidon technology, from which has come instantaneous travel, antigravity and much of our field technology. The Craystein computer, in its super-cooled vault under the city of London on Earth, contains the math and blueprints for the runcible (for reasons not adequately explained, Skaidon loved the nonsense poem by Edward Lear and used its wording in his formulae to stand for those particles and states of existence we until then had no words for, hence: runcible – the device; spoon – the five-dimensional field that breaks into nil-space; pea-green is a particle now tentatively identified as the tachyon) and to begin to understand some of this math let us first deal with that nil-space shibboleth wrongly described as quantum planing . . . An Introduction to Skaidon Formulae by Ashanta Gorian

How can a four-dimensional and a five-(or ten-)dimensional theory have the same physical implications? What is the analog of an object traveling through the fifth dimension, for example? The answer is that an object moving through the fifth dimension would appear in the dual four-dimensional theory as an object that grows or shrinks.

A traveler cannot present himself within two streams of consciousness simultaneously in a three-dimensional world. It’s a basic principle of dimension slips, just as identical fermions cannot occupy the same quantum state at the same time. The human mind requires the faculty to discern multiverses, manifold scales of overlapping particles, in order for synchronic subsistence to be possible . . . In layman’s terms: No ménage-a-trois for journeymen.

Since so much of the physical universe, from brain waves to quantum waves, relies upon travelling waves we appreciate the key role played by the dimensionality of our space in rendering its contents intelligible to us.

You can say Einstein discovered that the universe is a four-dimensional space-time continuum. But it’s better to say, more modestly, Einstein discovered that we can describe the universe as a four-dimensional space-time continuum and that such a model enables physicists to calculate almost everything, with astounding exactitude, in certain limited domains

is a result of environment. Our cognitions—our idea of reality—are shaped by what we can perceive, by the limitations of our senses. We think we’re seeing the world as it really is, but you of all people know…it’s all just shadows on the cave’s wall. We’re just as blinkered as our water-dwelling ancestors, the boundaries of our brains just as much an accident of evolution. And like them, by definition, we can’t see what we’re missing. Or…we couldn’t, until now.” Helena remembers Slade’s mysterious smile that night at dinner, so many months ago. “Piercing the veil of perception,” she says. “Exactly. To a two-dimensional being, traveling along a third dimension wouldn’t just be impossible, it’d be something they couldn’t conceive of. Just as our brains fail us here. Imagine if you could see the world through the eyes of more advanced beings—in four dimensions. You could experience events in your life in any order. Relive any memory you want.” “But that’s…it’s…ridiculous. And it breaks cause and effect.” Slade smiles that superior smile again. Still one step ahead. “Quantum physics is on my side here, I’m afraid. We already know that on the particle level, the arrow of time isn’t as simple as humans think it is.” “You really believe time is an illusion?” “More like our perception of it is so flawed that it may as well be an illusion. Every moment is equally real and happening now, but the nature of our consciousness only gives us access to one slice at a time. Think of our life like a book. Each page a distinct moment. But in the same way we read a book, we can only perceive one moment, one page, at a time. Our flawed perception shuts off access to all the others. Until now.” “But how?” “You once told me that memory is our only true access to reality. I think you were right. Some other moment, an old memory, is just as much now as this sentence I’m speaking, just as accessible as walking into the room next door. We just needed a way to convince our brains of that. To short-circuit our evolutionary limitations and expand our consciousness beyond our sensory volume.” Her head is spinning.

now forces us to confront the circular-spiral nature of time, in which we find that we are simply an interim version of these extraterrestrial beings, related by blood (genetics). They once occupied the segment of history where we are now. They have gone ahead through thousands of years of micro-evolutionary incremental changes to become this type of creature—brilliant, capable of inter-dimensional travel, telepathic communication, and of technology far beyond our cur-rent understanding, yet tragically flawed.

The Simulation Singularity is the axis point in time where subjective dimensionality steps up one dimension. Think about it: If you could make multiple copies of yourself and set them out on different adventures in ultra-realistic virtual worlds and merge them later in order to have memories of all those adventures, if you could travel to artificially-recreated pasts or imaginary futures, if you could incorporate others’ high-definition memories into your own, wouldn’t that give you expanded dimensionality?

Flower of life: A figure composed of evenly-spaced, overlapping circles creating a flower-like pattern. Images of the Platonic solids and other sacred geometrical figures can be discerned within its pattern. FIGURE 3.14 FLOWER OF LIFE The Platonic solids: Five three-dimensional solid shapes, each containing all congruent angles and sides. If circumscribed with a sphere, all vertices would touch the edge of that sphere. Linked by Plato to the four primary elements and heaven. FIGURE 3.15 PENTACHORON The applications of these shapes to music are important to sound healing theory. The ancients have always professed a belief in the “music of the spheres,” a vibrational ordering to the universe. Pythagorus is famous for interconnecting geometry and math to music. He determined that stopping a string halfway along its length created an octave; a ratio of three to two resulted in a fifth; and a ratio of four to three produced a fourth. These ratios were seen as forming harmonics that could restore a disharmonic body—or heal. Hans Jenny furthered this work through the study of cymatics, discussed later in this chapter, and the contemporary sound healer and author Jonathan Goldman considers the proportions of the body to relate to the golden mean, with ratios in relation to the major sixth (3:5) and the minor sixth (5:8).100 Geometry also seems to serve as an “interdimensional glue,” according to a relatively new theory called causal dynamical triangulation (CDT), which portrays the walls of time—and of the different dimensions—as triangulated. According to CDT, time-space is divided into tiny triangulated pieces, with the building block being a pentachoron. A pentachoron is made of five tetrahedral cells and a triangle combined with a tetrahedron. Each simple, triangulated piece is geometrically flat, but they are “glued together” to create curved time-spaces. This theory allows the transfer of energy from one dimension to another, but unlike many other time-space theories, this one makes certain that a cause precedes an event and also showcases the geometric nature of reality.101 The creation of geometry figures at macro- and microlevels can perhaps be explained by the notion called spin, first introduced in Chapter 1. Everything spins, the term spin describing the rotation of an object or particle around its own axis. Orbital spin references the spinning of an object around another object, such as the moon around the earth. Both types of spin are measured by angular momentum, a combination of mass, the distance from the center of travel, and speed. Spinning particles create forms where they “touch” in space.

After selecting a brush, she moistened the cakes of watercolor in her traveling palette with some of the water from her cup and, with careful strokes, began to record the almond flowers in painstaking detail. Her father had successfully cultivated them at Trebithick, but she had never seen them growing in the wild before. More often than not, Elizabeth would collect plant samples to study carefully indoors, and would sketch them out before taking up her brush, spending hours ensuring she captured each detail precisely. But recently she had begun to experiment with a more free-form style of painting. It wasn't strictly the style of illustration she had learned, nor did she think her father would approve, but she loved the immediacy of it. The trick was to get the lighting just right--- a strong source helped to create shade and give the work a three-dimensional effect. The afternoon light was perfect, and she also used a dry brush, rubbed over the paint cakes, to add detail and depth to the watercolors. Daisy wandered off to the shade of a wide-spreading tree a few yards away. 'It's a canela tree, I think," Elizabeth called out, pausing for a moment from her work. 'False cinnamon,' she explained. 'I can smell it,' replied Daisy, sniffing appreciatively. 'Like Cook's apple pie.

We are the only commercial dimensional travel provider who has never been convicted of a major dimensional legal code violation(see disclaimer 3)…disclaimer 3 frugal wizarding incorporated(registered trademark) has never been convicted of a major dimensional legal code violation in Canada.

The great breakthrough of Einstein’s work is his assertion that gravitational attraction comes not as an external law imposed on the universe but from the objects themselves. Though the mathematical equations are complex, the interpretation is straightforward. Space is imagined as malleable, and matter is pictured as having the power to bend, dent, and curve space. A two-dimensional analogy would be a vast plain made of a rubbery material upon which various objects like stars and galaxies rested. A single star would make a dent in the rubber surface, a single galaxy would make a deeper dent, and a cluster of galaxies would make an even deeper dent in this imagined surface. In this way each of these objects was a creator of gravity. Einstein’s theory asserts that objects move along geodesic pathways that are determined by the curvature of this rubbery surface. If a rolling marble happens upon a dent in the surface, it will roll downhill toward whatever is causing the dent. If the marble happens to be moving quickly, it will slide toward the bottom of the dent but will have enough speed to carry it up and out of the indentation. Applied to my situation there at the lip of the Fraser River in British Columbia, my rock was sliding down to Earth because of the dent Earth made in the rubbery fabric of four-dimensional space-time. This cosmological dynamic received a succinct summary by John Archibald Wheeler, one of the main developers of Einstein’s theory, who said, “Matter tells space-time how to curve and curved space-time tells matter how to move.” The precision of prediction is astonishing. By plugging into Einstein’s field equations the values for the mass of my rock and of Earth, one can predict with highest accuracy the pathway the rock travels when released. Einstein’s work holds not only for the movements of rocks dropped on Earth, but for planets revolving around the Sun, for the Sun revolving around the Milky Way galaxy, for the Milky Way pinwheeling about Andromeda, and for the Virgo supercluster of galaxies soaring through

Are UAPs (Unexplained Aerial Phenomena, the more precise name for what was erstwhile called UFOs) to be blamed on a technological-advanced interstellar society? Time travelers? Dimensional visitors? The fae folk in shiny metal suits?

Because there is a growing belief among the community of thinking beings that by 2050 men and women will be marrying human like robots. At that point, how Craig Raine will describe his experiences will be fascinating to know. And in my imagination I have already travelled with the Green Man into the future called 2075 and witnessed How humans will experience love in 2075. Because this science fiction novel navigates through the possibility of men and women falling in love with machines, without knowing they are robots imitating human emotions. Will you still dare to fall in love in 2075 or will you strive to tell the difference between a human lover and a robotic lover? Now it is your turn to join the Green Man on this exciting journey into 2075, where he will reveal to you what the world would look like in 2075, and take you on an excitingly epic journey with the protagonist, Saabir, who criss crosses the highways and all by ways of emotional trajectory in the midst of synthetic emotions and feelings that engulf him. To know more, travel with the Green Man via the science fiction titled, They Loved in 2075. With this anticipation I shall dream of you tonight and hope that you will be able to unlock the alien imagination within you, to realise the part of you that is from Heaven. If you have any doubts, here is the poem by ​​Craig Raine to make you a dreamer who while asleep is always awake in his/her subconscious state too. Because he/she has learned the art of having a rendezvous with the light that radiates through the universe, to eventually settle in a dreamer's eyes who dares to dream beyond the ordinary and the 3 dimensional reality. "A Martian Sends A Postcard Home” Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut. Dedicated to you, the Green Man and Saabir who hails from 2075 and dares to love a real woman in 2075 because he loves her a lot!

When you travel, the world comes real and three-dimensional, impossibly vivid

Does time travel in a straight line? Most of us say yes, but there are some who say that time is not at all a straight line. Many quantum physicists agree that time is not linear and is actually a three-dimensional force that wanders and meanders around the universe following a pattern that we have not figured out yet. We classify time as a straight line because that’s the only way our brains can comprehend it, but think about this— do you see any straight lines in nature? Rivers flow down the path of least resistance and trees grow in various directions to maximize their exposure to sunlight. Time could be the same. Einstein theorized that time is another dimension, woven together with space to form a fabric that is distorted by matter, which makes it anything but a straight line.

Even at the cutting edge of modern physics, partial differential equations still provide the mathematical infrastructure. Consider Einstein’s general theory of relativity. It reimagines gravity as a manifestation of curvature in the four-dimensional fabric of space-time. The standard metaphor invites us to picture space-time as a stretchy, deformable fabric, like the surface of a trampoline. Normally the fabric is pulled taut, but it can curve under the weight of something heavy placed on it, say a massive bowling ball sitting at its center. In much the same way, a massive celestial body like the sun can curve the fabric of space-time around it. Now imagine something much smaller, say a tiny marble (which represents a planet), rolling on the trampoline’s curved surface. Because the surface sags under the bowling ball’s weight, it deflects the marble’s trajectory. Instead of traveling in a straight line, the marble follows the contours of the curved surface and orbits around the bowling ball repeatedly. That, says Einstein, is why the planets go around the sun. They’re not feeling a force; they’re just following the paths of least resistance in the curved fabric of space-time.

Where does scale come from? Scale is nature repeating the same step over and over. Complexity increases over time. The more complexity, the more information. The idea of virtual dimensions is that action, in relation to it's source, chooses a direction and depending on the action, creates the path it travels through, there is no empty stage that was there before the action. When a photon takes off in some particular direction a two dimensional virtual sheet is created for the wave to travel through. An interruption can create a one dimensional time-like line perpendicular to the sheet (the collapse of the wave function) to occur. The motion is transferred from these various virtual dimensions in discrete or quantum-like ratios. All of the relationships are discrete but not necessarily the scale. The curvature of space and time are variations of scale.

These waves, then, on which I sit, coming out of nothing, travelling through a non-medium in multi-dimensional non-space, are the ultimate answer modern physics has to offer to man's question after the nature of reality. The waves that seem to constitute matter are interpreted by some physicists as completely immaterial 'waves of probability' marking out 'disturbed areas' where an electron is likely to 'occur'. They are as immaterial as the waves of depression, loyalty, suicide, and so on, that sweep over a country ' From here there is only one step to calling them abstract, mental, or brain waves in the Universal Mind - without irony.

To enter a future is to have created it. And while technically we’re always travelling into the future, tomorrow is only an idea- or an agreed-upon imaginary place. The closer it becomes, the further it actually is. In transposition, the past is a fixed dimension. We know the when, where, and why. It’s very targeted. The margin for error is narrowed by the sheer precision. What we know as a ‘future’, is actually billions if not trillions of possible outcomes. There are too many variables. Too many versions to isolate one and arrive successfully. Time is not linear; it's a dimensional map spread out across the dark space we know as the void. Our choices define futures- there’s no way of cheating the process.

The cold not only bears down on human bodies, but also bends sound. The forest sits under an inversion, chilled air pooling under a warmer cap. The colder air is like molasses for sound waves, slowing them as they pass, causing them to lag sound travelling in higher, warmer air. The difference in speed turns the temperature gradient into a sound lens. Waves curve down. Sound energy , instead of dissipating in a three dimensional dome, is forced to spread in two dimensions, spilling across the ground, focusing its vigor on the surface. What would have been muffled, distant sounds leap closer, magnified by the jeweler’s icy loupe. The aggressive whine of the snowmobile mingles with the churr and chip of red squirrels and chickadees. Here are modern and ancient sunlight, manifest in the boreal soundscape. Squirrels nipping the buds of fir trees, chickadee poking for hidden seeds and insects, all powered by last summer’s photosynthesis; diesel and gasoline, sunlight squeezed and fermented for tens or hundreds of millions of years, now finally freed in an exultant engine roar. Nuclear fusion pounds its energy into my eardrums, courtesy of life’s irrepressible urge to turn sunlight into song.

If you ask me, I think the first multi-dimensional-space-time traveling device man invented was centuries ago. And they called this device a Book.

Before there was the universe, before the endless cities, the ships, or the Dread, before the Alliances and higher dimensional parties, there was only sleep. I was pretty happy just sleeping.

A traveler cannot present himself within two streams of consciousness simultaneously in a three-dimensional world. It’s a basic principle of dimension slips, just as identical fermions cannot occupy the same quantum state at the same time. The human mind requires the faculty to discern multiverses, manifold scales of overlapping particles, in order for synchronic subsistence to be possible . . . In layman’s terms: No ménage-a-trois for journeymen.

Rather than show contrition and resolve to finally address racism in their ranks, those appointed to serve and protect our communities engaged in further violence against Black Americans over the ensuing months, as well as nightly displays of unapologetic—indeed deliberate, performatively cruel—brutality against Black Lives Matter protesters. Cruelty and injustice are nothing new. It has always been easy to export violence and suffering to the rest of the world when we don’t imagine that the victims are real people leading real lives that matter. Weirdly, the very technologies that made the world a smaller place, that were supposed to create a global village, have only made it easier to dehumanize—to unmatter—poor people in the more remote corners of that village. Soldiers launch drone assassinations halfway around the globe from the comfort and safety of video-game consoles on American military bases.*55 Pixelated videos of innocents blown to bits in mistaken air strikes elicit yawns by those who pull the trigger and tough-minded excuses by the generals who consider such collateral murders necessary sacrifices in the ever-more-nebulous War on Terror. There’s a common theme in all this. The unmattering of Black, or brown, or transgender, or Muslim lives reveals an ever-more-defiant and deliberate refusal to imagine or care. It is a cancerous empathy deficit that could destroy our species if it is not confronted with some antidote, and a vaccine to halt its further spread. This empathy deficit may be as urgent an existential threat as the climate crisis, even if it is harder to perceive and define. I think it is what really lies at the root of that ecological catastrophe. I see the Long Self Revolution as a revolution of imagination and care, of empathy and anti-cruelty. When you directly experience your own self as a vast and sublime and unique four-dimensional formation in the block universe, you realize that every fellow traveler on this planet is similarly vast and sublime and unique—like threads in a tapestry, both irreducibly individual and completely interdependent. Precognitive dreamwork (and lifework) makes it impossible to ignore or deny the worth, value, and real reality of other, embodied lives—including lives very distant and different from ours.*56 Our planet is a splendid, multicolored tapestry woven from the intertwining of Long Selves. (Probably our universe is too, in ways we will discover in a few thousand years.) Caring for the future of the earth first requires imagining that each of its inhabitants has a future. That’s what a Long Self is: someone with a future. Thus the Long Self Revolution is incompatible both with cruelty and with the resentful apocalypticism of those who deny that our planet and our species are going somewhere, and going somewhere better.6 In a way, it recruits the future to save the present.

One spends years with people, and they remain only shadows... and then someone you may not have known suddenly has clear outlines, is three dimensional, real. So we must travel, travel to seek out the reality of our lives, to complete the journey of the soul. Or die, (...) waiting to travel, perhaps in another life. Nature intended us to be nomads.

One spends years with people, and they remain only shadows... and then someone you may not have known suddenly has clear outlines, is three dimensional, real. So we must travel, travel to seek out the reality of our lives, to complete the journey of the soul. Or die, (...) waiting to travel, perhaps in another life. Nature intended us to be nomads.

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