Die Heart Fan Quotes

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Read things you're sure will disagree with your current thinking. If you're a die-hard anti-animal person, read Meat. If you're a die-hard global warming advocate, read Glenn Beck. If you're a Rush Limbaugh fan, read James W. Loewen's Lies My Teachers Told Me. It'll do your mind good and get your heart rate up.
Joel Salatin (Folks, This Ain't Normal: A Farmer's Advice for Happier Hens, Healthier People, and a Better World)
When I wake up in the morning… I don’t think, wow, how can I make her love me more? How can I have my way with her? I, I, I? Not in my vocabulary. In fact, I’m a big fan of the letter u. I eat, I think of you. I drink, I drink to you. I cry, so you don’t have to. I’d die, for you to live. And I’d survive with a broken heart only if it meant mending yours.” - Nixon
Rachel Van Dyken (Elect (Eagle Elite, #2))
To protect my heart, this is what I would have to do with Snow Flower. I couldn't let anyone know I was dying from anguish that she no longer loved me.
Lisa See (Snow Flower and the Secret Fan)
TO HIS HEART, BIIDING IT HAVE NO FEAR Be you still, be you still, trembling heart; Remember the wisdom out of the old days: Him who trembles before the flame and the flood, And the winds that blow through the starry ways, Let the starry winds and the flame and the flood Cover over and hide, for he has no part With the lonely, majestical multitude. THE CAP AND THE BELLS The jester walked in the garden: The garden had fallen still; He bade his soul rise upward And stand on her window-sill. It rose in a straight blue garment, When owls began to call: It had grown wise-tongued by thinking Of a quiet and light footfall; But the young queen would not listen; She rose in her pale night-gown; She drew in the heavy casement And pushed the latches down. He bade his heart go to her, When the owls called out no more; In a red and quivering garment It sang to her through the door. It had grown sweet-tongued by dreaming Of a flutter of flower-like hair; But she took up her fan from the table And waved it off on the air. 'I have cap and bells,' he pondered, 'I will send them to her and die'; And when the morning whitened He left them where she went by. She laid them upon her bosom, Under a cloud of her hair, And her red lips sang them a love-song Till stars grew out of the air. She opened her door and her window, And the heart and the soul came through, To her right hand came the red one, To her left hand came the blue. They set up a noise like crickets, A chattering wise and sweet, And her hair was a folded flower And the quiet of love in her feet.
W.B. Yeats (The Wind Among the Reeds)
She glanced over her shoulder at the house, which was now bathed in a warm tint of yellow from the sun. "Yes, everyone needs to find the one thing that brings out her passion. Its what we do and share with the world that matters. I believe its important that we leave our communities in better shape that we found them. Cecelia Rose," she said, reaching for my hand, "Far too many people die with a heart that's gone flat with indifference, and it surely must be a terrible way to go. Life will offer us amazing opportunities, but we've got to be awake to recognize them." She rested her hands on my shoulders and looked into my eyes. "If there's one thing I'd like most for you, its that you'll find your calling in life. That's where true happiness and purpose lie. Whether its taking care of abandoned animals, saving old houses from the wreckin' ball or reading to the blind, you've got to find your fire, sugar. You'll never be fulfilled if you don't." "But how will I know what my fire is?" "Oh, you'll know. One day you'll do something, see something or get an idea that seems to pop up from nowhere. And you'll feel a kind of stirring- like a warm flicker inside your chest. When that happens, whatever you do, don't ignore it. Open your mind and explore the idea. Fan your flame. And when you do, you'll have found it.
Beth Hoffman (Saving CeeCee Honeycutt)
You are quarter ghost on your mother’s side. Your heart is a flayed peach in a bone box. Your hair comes away in clumps like cheap fabric wet. A reflecting pool gathers around your altar of plywood sub flooring and split wooden slats. You are rag doll prone. You are contort, angle and arc. Here you rot. Here you are a greening abdomen, slipping skin, flesh fly, carrion beetles. This is where bullets take shelter, where scythes find their function, breath loses its place on the page. This is where the page is torn out of every book before chapter’s close, this is slippage, this is a shroud of neglect pulled over the body, this is your chance to escape. Little wraith, bend light around your skin until it colors you clear, disappear like silica in a kiln, become glass and glass beads, become the staggered whir of an exhaust fan: something only noticed when gone. Become an origami swan. Fold yourself smaller than ever before. Become less. More in some ways but less in the way a famine is less. They will forgive you for not being satisfied with fitting in their hands. They will forgive you for dying to be a bird diminutive enough to fit in a mouth and not be crushed.
Jamaal May
On the first day of fifth grade, Liz was sitting on the swing beside Liam's at recess. Falling and flying, her hair fanned out behind her and her eyes were closed, and that was what had caught his attention, her closed eyes. She looked a little bit silly and very much alive, and Liam couldn't stop watching. Liz, on her part, was aware that the boy beside her was watching, but she loved swinging too much to care what he thought. She loved the wind hitting her face and the brief moment of suspension at the top of the arc and the falling sensation that was magnified by the darkness of her eyelids. She imagined that she was a bird, an angel, a wayward star. At the height of the arc, she let go. And she flew. Liam watched with his mouth hanging wide open, expecting her to crumple on the asphalt and die tragically before his eyes. She didn't, and when she walked away, Liam's heart followed.
Amy Zhang
Gentle, honest, heart-to-heart conversations—the deep kind that reach inside your soul to fan at dying embers, making them glow and emit warmth that soothes both flesh and mind—are worth more than the combined wealth of universes.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
...He bade his heart go to her, When the owls called out no more; In a red and quivering garment It sang to her through the door. It had grown sweet-tongued by dreaming Of a flutter of flower-like hair; But she took up her fan from the table And waved it off on the air. 'I have cap and bells,' he pondered, 'I will send them to her and die'; And when the morning whitened He left them where she went by. She laid them upon her bosom, Under a cloud of her hair, And her red lips sang them a love-song Till stars grew out of the air. She opened her door and her window, And the heart and the soul came through, To her right hand came the red one, To her left hand came the blue. They set up a noise like crickets, A chattering wise and sweet, And her hair was a folded flower And the quiet of love in her feet...
W.B. Yeats
As a society we are only now getting close to where Dogen was eight hundred years ago. We are watching all our most basic assumptions about life, the universe, and everything come undone, just like Dogen saw his world fall apart when his parents died. Religions don’t seem to mean much anymore, except maybe to small groups of fanatics. You can hardly get a full-time job, and even if you do, there’s no stability. A college degree means very little. The Internet has leveled things so much that the opinions of the greatest scientists in the world about global climate change are presented as being equal to those of some dude who read part of the Bible and took it literally. The news industry has collapsed so that it’s hard to tell a fake headline from a real one. Money isn’t money anymore; it’s numbers stored in computers. Everything is changing so rapidly that none of us can hope to keep up. All this uncertainty has a lot of us scrambling for something certain to hang on to. But if you think I’m gonna tell you that Dogen provides us with that certainty, think again. He actually gives us something far more useful. Dogen gives us a way to be okay with uncertainty. This isn’t just something Buddhists need; it’s something we all need. We humans can be certainty junkies. We’ll believe in the most ridiculous nonsense to avoid the suffering that comes from not knowing something. It’s like part of our brain is dedicated to compulsive dot-connecting. I think we’re wired to want to be certain. You have to know if that’s a rope or a snake, if the guy with the chains all over his chest is a gangster or a fan of bad seventies movies. Being certain means being safe. The downfall is that we humans think about a lot of stuff that’s not actually real. We crave certainty in areas where there can never be any. That’s when we start in with believing the crazy stuff. Dogen is interesting because he tries to cut right to the heart of this. He gets into what is real and what is not. Probably the main reason he’s so difficult to read is that Dogen is trying to say things that can’t actually be said. So he has to bend language to the point where it almost breaks. He’s often using language itself to show the limitations of language. Even the very first readers of his writings must have found them difficult. Dogen understood both that words always ultimately fail to describe reality and that we human beings must rely on words anyway. So he tried to use words to write about that which is beyond words. This isn’t really a discrepancy. You use words, but you remain aware of their limitations. My teacher used to say, “People like explanations.” We do. They’re comforting. When the explanation is reasonably correct, it’s useful.
Brad Warner (It Came from Beyond Zen!: More Practical Advice from Dogen, Japan's Greatest Zen Master (Treasury of the True Dharma Eye Book 2))
Dr. Morris Netherton, a pioneer in the field of past-life therapy (and my teacher),7 relates the incident of a patient who returned to her previous life as Rita McCullum. Rita was born in 1903 and lived in rural Pennsylvania with her foster parents until they were killed in a car accident in 1916. In the early 1920s she married a man named McCullum and moved to New York, where they had a garment manufacturing company off Seventh Avenue in midtown Manhattan. Life was hard and money short. Her husband died in 1928. In 1929, her son died from polio, and the stock market crashed. Like many others during the Great Depression, Rita succumbed to bankruptcy and depression. On the sunny day of June 11, 1933, she hanged herself from the ceiling fan of her factory. Because this memory featured traceable facts, Netherton and his patient contacted New York City’s Hall of Records. They received a photocopy of a notarized death certificate of a woman named Rita McCullum. Under manner of death, it stated that she died by hanging at an address in the West Thirties, still today the heart of the garment district. The date of death was June 11, 1933.8
Julia Assante (The Last Frontier: Exploring the Afterlife and Transforming Our Fear of Death)
Domestic If, when studying road atlases while taking, as you call it, your morning dump, you shout down to me names like Miami City, Franconia, Cancún, as places for you to take me to from here, can I help it if all I can think is things that are stupid, like he loves me he loves me not? I don’t think so. No more than, some mornings, waking to your hands around me, and remembering these are the fingers, the hands I’ve over and over given myself to, I can stop myself from wondering does that mean they’re the same I’ll grow old with. Yesterday, in the café I keep meaning to show you, I thought this is how I’ll die maybe, alone, somewhere too far away from wherever you are then, my heart racing from espresso and too many cigarettes, my head down on the table’s cool marble, and the ceiling fan turning slowly above me, like fortune, the part of fortune that’s half-wished- for only—it did not seem the worst way. I thought this is another of those things I’m always forgetting to tell you, or don’t choose to tell you, or I tell you but only in the same way, each morning, I keep myself from saying too loud I love you until the moment you flush the toilet, then I say it, when the rumble of water running down through the house could mean anything: flood, your feet descending the stairs any moment; any moment the whole world, all I want of the world, coming down.
Carl Phillips (Cortège)
Mr. Edwards and the Spider" I saw the spiders marching through the air, Swimming from tree to tree that mildewed day In latter August when the hay Came creaking to the barn. But where The wind is westerly, Where gnarled November makes the spiders fly Into the apparitions of the sky, They purpose nothing but their ease and die Urgently beating east to sunrise and the sea; What are we in the hands of the great God? It was in vain you set up thorn and briar In battle array against the fire And treason crackling in your blood; For the wild thorns grow tame And will do nothing to oppose the flame; Your lacerations tell the losing game You play against a sickness past your cure. How will the hands be strong? How will the heart endure? A very little thing, a little worm, Or hourglass-blazoned spider, it is said, Can kill a tiger. Will the dead Hold up his mirror and affirm To the four winds the smell And flash of his authority? It’s well If God who holds you to the pit of hell, Much as one holds a spider, will destroy, Baffle and dissipate your soul. As a small boy On Windsor Marsh, I saw the spider die When thrown into the bowels of fierce fire: There’s no long struggle, no desire To get up on its feet and fly It stretches out its feet And dies. This is the sinner’s last retreat; Yes, and no strength exerted on the heat Then sinews the abolished will, when sick And full of burning, it will whistle on a brick. But who can plumb the sinking of that soul? Josiah Hawley, picture yourself cast Into a brick-kiln where the blast Fans your quick vitals to a coal— If measured by a glass, How long would it seem burning! Let there pass A minute, ten, ten trillion; but the blaze Is infinite, eternal: this is death, To die and know it. This is the Black Widow, death.
Robert Lowell (Collected Poems)
I stopped struggling, going limp in his arms. He reached around us and shoved the door closed, spinning around and facing us toward the kitchen. “I was trying to make you breakfast.” It took a moment for his words and their meaning to sink in. I stared dumbfounded across the room and past the island. There was smoke billowing up from the stove and the window above the sink was wide open. Bowls and spoons littered the island and there was a carton of eggs sitting out. He was trying to cook. He was really bad at it. I started to laugh. The kind of laugh that shook my shoulders and bubbled up hysterically. My heart rate was still out of control, and I took in a few breaths between laughs to try and calm it down. He said something, but I couldn’t hear him because the fire alarm was still going off. I had no doubt half the neighborhood was now awake from the sound. He didn’t bother to put me down, instead hauling me along with him, where he finally set me down, dragged a chair over near the alarm, and climbed up to remove the battery. The noise cut off and the kitchen fell silent. “Well, shit,” he said, staring at the battery in his hand. A giggle escaped me. “Does this always happen when you cook?” He shrugged. “The only time I ever cook is when it’s my turn at the station.” His forehead creased and a thoughtful look came over his face. “The guys are never around when it’s my night to cook. Now I know why.” He snagged a towel off the counter and began waving away the rest of the lingering smoke. I clicked on the vent fan above the stove. There was a pan with half a melted spatula, something that may or may not have once been eggs, and a muffin tin with half-burned, half-raw muffins (how was that even possible?). “Well, this looks…” My words faltered, trying to come up with something positive to say. “Completely inedible?” he finished. I grinned. “You did all this for me?” “I figured after a week of hospital food, you might like something good. Apparently you aren’t going to find that here.” I had the urge to hug him. I kept my feet planted where they were. “Thank you. No one’s ever ruined a pan for me before.” He grinned. “I have cereal. Even I can’t mess that up.” I watched as he pulled down a bowl and poured me some, adding milk. He looked so cute when he handed me the bowl that I lifted the spoon and took a bite. “Best cereal I ever had.” “Damn straight.” I carried it over to the counter and sat down. “After we eat, would you mind taking me to my car? I hope it’s still drivable.” “What about the keys?” “I have a security deposit box at the bank. I keep my spare there in case I ever need them.” “Pretty smart.” “I have a few good ideas now and then.” “Contrary to the way it looks, I do too.” “Thank you for trying to make me breakfast. And for the cereal.” He walked over to the stove and picked up the ruined pan. “You died with honor,” he said, giving it a mock salute. And then he threw the entire thing into the trashcan. I laughed. “You could have washed it, you know.” He made a face. “No. Then I might be tempted to use it again.
Cambria Hebert (Torch (Take It Off, #1))
Once Mom and Ossie and I spent an afternoon alone together in her hospital room. We were watching the small TV above her head politely, as if the TV were a foreign dignitary giving an unintelligible lecture, and waiting for any news from Dr. Gautman. As if on cue, that lame movie from the sixties started playing, Ladies In Waiting. A quintet of actresses haunt the punch bowl--they are supposed to be spinster sisters or spinster best friends, or maybe just ugly and needy acquaintances--anyhow, these pink chameleons, voiceless in their party chignons, they stand around the back of a ballroom having flashbacks for most of the movie, regretting older events in their minds, ladling cups of glowing punch from a big bowl, and only after the dying violin note of the final song do they at last step away from the wall. "Oh, but we DID want to dance!" the actresses cry at the end of the scene, their faces changing almost totally. All these angry multiplying women. Hopes were like these ladies, Mom told us. Hopes were wallflowers. Hopes hugged the perimeter of a dance floor in your brain, tugging at their party lace, all perfume and hems and doomed expectation. They fanned their dance cards, these guests that pressed against the walls of your heart. Our mom had become agitated as the movie credits rolled: There had never been a chance for them! What STUPID women. That day we watched TV with her until the hospital began to empty, until the lights went white as a screech and the room grew so quiet...
Karen Russell
Despite the promises of utopian hedonism, many youth and middle-aged adults quickly enticed by these did not escape from their addictions easily, if at all. And, to the shock of their fans, the lives of Jimi Hendrix, Janis Joplin, Jim Morrison and numerous other acid trippin' rock musicians also ended quickly like the closing blues beats from one of their most popular songs. Even Max Yasgur himself died just 19 months after the Woodstock Festival of a heart attack at the age of 53.
Philip Alajajian (The 1960's Social Movements - Pathways to the Final Apostasy)
Love is the sacrament of life; it sets Virtue where virtue was not; cleanses men Of all the vile pollutions of this world; It is the fire which purges gold from dross, It is the fan which winnows wheat from chaff, It is the spring which in some wintry soil Makes innocence to blossom like a rose. The days are over when God walked with men, But Love, which is his image, holds his place. When a man loves a woman, then he knows God’s secret, and the secret of the world. There is no house so lowly or so mean, Which, if their hearts be pure who live in it, Love will not enter; but if bloody murder Knock at the Palace gate and is let in, Love like a wounded thing creeps out and dies. This is the punishment God sets on sin. The wicked cannot love.
Oscar Wilde (Oscar Wilde: The Truly Complete Collection (Holly Classics))
She stepped forward, until the distance between them evanesced and he could see the freckles fanning across her nose. Jack drew in a sharp breath, because there was fire in her eyes, and he was captivated by it, as well as slightly fearful of such heat. Especially when she raised a fist at him. “You foolish”— she shoved him once with her hands— “insufferable “— then nudged him again, just over his pounding heart— infuriating bard!” She pushed him a third time, forcing Jack to take a step back. Fury spun from fear, he realized as he saw tears well up in her eyes. And he would gladly let her pound her fists on his chest if she needed to. She could call him whatever she felt like, because he was with her and that was all that mattered to him. He was breathing the same air as her, standing in the same moment with her. Jack waited for her to shove him again, welcoming her to do so with his eyes and his hands, held palms up at his sides. Yes, let it all go, Adaira, he thought, waiting. Let yourself unravel with me. “I almost watched you die!” she shouted at him, and this time her fist pounded her own chest. Once, twice. A third time. As if she needed to command her own heart to keep beating.
Rebecca Ross (A Fire Endless (Elements of Cadence, #2))
She stepped forward, until the distance between them evanesced and he could see the freckles fanning across her nose. Jack drew in a sharp breath, because there was fire in her eyes, and he was captivated by it, as well as slightly fearful of such heat. Especially when she raised a fist at him. “You foolish”— she shoved him once with her hands— “insufferable “— then nudged him again, just over his pounding heart— infuriating bard!” She pushed him a third time, forcing Jack to take a step back. Fury spun from fear, he realized as he saw tears well up in her eyes. And he would gladly let her pound her fists on his chest if she needed to. She could call him whatever she felt like, because he was with her and that was all that mattered to him. He was breathing the same air as her, standing in the same moment with her. Jack waited for her to shove him again, welcoming her to do so with his eyes and his hands, held palms up at his sides. Yes, let it all go, Adaira, he thought, waiting. Let yourself unravel with me. “I almost watched you die!” she shouted at him, and this time her fist pounded her own chest. Once, twice. A third time. As if she needed to command her own heart to keep beating
Rebecca Ross (A Fire Endless (Elements of Cadence, #2))
There is passion in us—and that is a spark of the divine. I do not care what the passion be, love or hate, or jealousy or anger, if it be hot and red and consuming so that it melts and burns all that opposes it, that fiery passion is of God and will live, live on for ever, in the central heart and furnace, which is God. When you and I die, Glory! and are sucked into the great fiery whirlpool, we shall not be burnt up altogether, but intensified. If I love you with fiery passion here I shall love you with fiery passion ten thousand times hotter hereafter; my passion will turn to glaring white heat, and never go out for all everlasting, for it will be burning, blazing in God who is eternal. If you hate me, you will be whirled in, and your fury fanned and raked into a fiery phrenzy which will rage on for ages on ages, and cannot go out, for it will be burning in the everlasting furnace of God. If I love, and you hate with infinite intensity for an infinity of time—that is Hell. But if you love and I love, our love grows hotter and blazes and roars and spurts into one tongue, cloven like the tongues at Pentecost, twain yet one, and that is Heaven. My love eating into yours and encircling it, and yours into mine, and neither containing nor consuming the other, but going on in growing intensity of fiery fury of love from everlasting to everlasting, that is Heaven of Heavens.
Sabine Baring-Gould (Mehalah: A story of the salt marshes (The Landmark library))
Do you like this series?” “Eh…yeah. I love it…” “Do you? So what are your feelings on the holy knight’s valet?” “You mean Edgar? Eh…well, I totally love him?!? ‘To put others before oneself.’ He’s a fine man who’s not afraid of getting hurt while protecting others! Gosh, I mean I completely understand why the readers would love him, he’s my favo—” “Tch…!” “Tch…!?” “…Ohh, I see. Hate to tell you…but I…utterly despise that piece of shit known as Edgar…!! He talks so self righteously, it pisses me off.” “Eh…” “Self-sacrifice makes me wanna puke.” “No way…!” “Why the hell’s a guy like him so popular? I mean, it’s obnoxious that even in the story, the other characters love him so blindly!” “Hey…how could you!? After I told you I liked him..!” “This is how I feel, so I can’t help it. Most of all, I can’t stomach his final moments. He laid down his life to protect his master…and went and died alone while praying for the happiness of those dear to him…just what part of a guy like that’s so great-!!?” “EH!? Edgar…dies…” “? He did…right? Around the middle of volume sixteen, I think it was…” “Uwaaaaaaah!! That is such a spoiler—!!” “Huuh!? Not my problem!! Any real fan would have read it already! Hey don’t get all up in my face!!” “Shut you’re trap! I got ten years o’catching up ta do, darnit! Ahhhh, all the motivation I had to read it is gone! Gonnne just like that—! Anyway the point is…protecting his master to the death is just wonderful. It’s just like Edgar!” “Hah!? All that amounts to is satisfying his own ego, you idiot!!” “This guy..” “This jerk…” “Really pisses me off…!!” “Ahh, you two there. Would you mind keeping it down a little?” “Leo!” “Josephine is in trouble right now. Nnn…I never would have thought Jackie would be the culprit. What a surprise. Besides, I’d say Elliot was at fault just now.” “Huuuh!? What did I do—” “You asked someone for his own opinion…but tried to force your opinions on him when you didn’t like what you heard.
Jun Mochizuki (Pandora Hearts, Volume 6)
through. A professor had met his wife years before at a Dresden Dolls concert, and now she was in a coma following a car crash; he sent me a necklace of hers as a keepsake. These were “real” people with “real” jobs, making society work. And there were a lot of them. I would take in all these stories, and one by one, ten, a hundred, a thousand stories later…I had to believe it. I would hold these people in my arms and I would feel the whole synchronicity of life and death and music envelop us. And one day I turned around and it had just happened without my realizing it. I believed I was real. I had just finished a gig in Perth and was driving to a fan’s house, to crash with the Australian crew, when Neil called me from New York. He said, My dad just died. What? He died. My dad just died. He was in a business meeting, something happened with his heart, and he fell over, and he’s dead. Oh my god, Neil. What could I do? I was about as physically far away from him as I could possibly be. We had only been dating for about three months, but it was long enough to have started falling in love. Do you want me to come to you right now? I’ll get the first flight out, I offered. I’ll just get on a plane and come be with you. No, darling. He sounded like a zombie. Stay there. Finish your tour. Go to Tasmania. No. I’ll come. Really. I want to. No, don’t. I’m asking you
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
That’s the problem when someone dies: there are no right answers. Every option is the wrong one.
Tom Ellen (The Lifeline: The uplifting, heart-warming and life-affirming rom-com love story new for 2024, perfect for fans of David Nicholls!)
Sing me alive.” He glances toward my mother. “I saw you. Heard you. I know you can. D-don’t…let me die here. We can’t…let them…win. Sing me alive.” He watches me, a helpless plea hidden inside the fine lines fanning from the corners of his eyes. He’s the last person I should save, but he still carries the breath of life, and I’m surrounded by death, and I just want someone else to be with me when the sun rises. But this isn’t someone else. He’s the Witch Collector. And so, with a heart that feels hard as stone, I stand and turn to go.
Charissa Weaks (The Witch Collector (Witch Walker #1))
The Need for Justice and the Problem of Evil The search for justice runs through all storytelling. We watch some nefarious villain executing his evil ploy and we hang on the edge of our seats hoping our hero will be victorious. There’s something fundamental in the human spirit that wants to see good triumph. This desire for justice is what attracts us to the adventure quest, like Peter Jackson’s adaptation of J.R.R. Tolkien’s The Lord of the Rings. There, Frodo Baggins is given a ring that holds the power of the evil Sauron, who seeks to wield it and rule Middle Earth. Because he bears this ring, Frodo assumes the dangerous responsibility of finding the path to destroy it. Frodo never asked for this assignment; circumstances thrust it upon him. Yet, he knows the quest is vital even if he may lose his life in the process. In one poignant scene, Frodo is feeling the weight of his choice and laments to Gandalf about the evil Gollum, who is threatening their quest: Frodo: It’s a pity Bilbo didn’t kill him when he had the chance! Gandalf: Pity? It was pity that stayed Bilbo’s hand. Many that live deserve death, and some that die deserve life. Can you give it to them, Frodo? Do not be too eager to deal out death in judgment. Even the very wise cannot see all ends. My heart tells me that Gollum has some part to play yet, for good or ill before this is over. The pity of Bilbo may rule the fate of many. Frodo: I wish the Ring had never come to me. I wish none of this had happened. Gandalf: So do all who live to see such times, but that is not for them to decide. All we have to decide is what to do with the time that is given to us. There are other forces at work in this world, Frodo, besides the will of evil. Bilbo was meant to find the Ring, in which case you also were meant to have it. And that is an encouraging thought. In Frodo’s complaint, we see a particular instance of the problem of evil. You may have heard someone complain about how a loving God could allow so much evil in the world. Frodo believes the world would be better if Gollum had been killed. It’s easy to make the charge that there’s too much evil in the world, but we don’t know how the story of this world plays out. However, fans know that Gandalf is right. Gollum’s existence does figure into the ultimate salvation of Middle Earth. Evil Gollum must exist in order for Frodo’s quest to succeed and a greater evil vanquished. The Roman executioner’s cruelty must also exist for the sacrifice of Jesus to succeed. It isn’t a contradiction to say God exists and is in control even if evil hasn’t been eliminated. We just haven’t gotten to the end of the story.
Sean McDowell (A New Kind of Apologist: *Adopting Fresh Strategies *Addressing the Latest Issues *Engaging the Culture)
I decided, that Walt Disney magic that only Vince has, and when he dies it’ll be gone forever. Hunter was smart enough to hire half the indies and take Instagram selfies with them, but he ain’t got the magic. Shane would probably stick an M80 up his ass and light it if he thought that’s what fans wanted to see, but he ain’t got it either. Fortunately, though, when Vince is gone, that magic will live on in the hearts and minds of the fans forever.
Jon Moxley (MOX)
Columnists and bloggers openly mocked Solo for saying the situation was beyond the public’s comprehension. But there was more to the situation than fans and media knew at the time. The fact that Solo’s father had died three months earlier of a heart attack wasn’t widely known. A couple of months before that, Solo’s longtime best friend had been struck and killed by a car while jogging. Even before she was benched in the most important game of her life and watched her World Cup dreams slip away, Hope Solo’s world was already in turmoil. Some players say they had noticed how those recent tragedies affected her.
Caitlin Murray (The National Team: The Inside Story of the Women who Changed Soccer)
Very well—what is this love we have for the invert, boy or girl? It was they who were spoken of in every romance that we ever read. The girl lost, what is she but the Prince found? The Prince on the white horse that we have always been seeking. And the pretty lad who is a girl, what but the prince-princess in point lace—neither one and half the other, the painting on the fan! We love them for that reason. We were impaled in our childhood upon them as they rode through our primers, the sweetest lie of all, now come to be in boy or girl, for in the girl it is the prince, and in the boy it is the girl that makes a prince a prince—and not a man. They go far back in our lost distance where what we never had stands waiting; it was inevitable that we should come upon them, for our miscalculated longing has created them. They are our answer to what our grandmothers were told love was, and what it never came to be; they, the living lie of our centuries. When a long lie comes up, sometimes it is a beauty; when it drops into dissolution, into drugs and drink, into disease and death, it has at once a singular and terrible attraction. A man can resent and avoid evil on his own plane, but when it is the thin blown edge of his reverie, he takes it to his heart, as one takes to one's heart the dark misery of the close nightmare, born and slain of the particular mind; so that if one of them were dying of the pox, one would will to die of it too, with two feelings, terror and joy, welded somewhere back again into a formless sea where a swan (would it be ourselves, or her or him, or a mystery of all) sinks crying.
Djuna Barnes (Nightwood)
After the funeral, they went to a private club in Chelsea, where they drank and jammed the night away together—greats and nobodies alike. The slightly acrimonious, sardonic Mickey, a fan of folk and world music, would have been pleased. [...] Yurik played, too, his own composition, which he had been working on for the entire year. In memory of Mickey. For it was Mickey, who had lived so easily, so lightly, and had died so painfully, who had instilled in Yurik the consciousness that, in the highest sense, music had no authorship. It was a gift, and an ability to read the divine book, to transpose a universal sound that needed no notation into the language of paltry musical instruments, invented for the convenience and purpose of transmitting supremely important messages—messages that could not be conveyed in any other way ... And the best ears, the best hearts and souls of this spiritual dimension called music, listened to Yurik's song that evening. And heard it.
Lyudmila Ulitskaya (Лестница Якова)