“
I don't want you forgetting how different our circumstaces are. If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life." Peeta says. "I would never be happy again. It's different for you. I'm not saying it wouldn't be hard. But there are other people who'd make your life worth living."
"No one really needs me," he says, and there's no selfpity in his voice. It's true his family doesn't need him. They will mourn him, as will a handfull of friends. But they will get on.... I realise only one person will be damaged beyond repair if Peeta dies. Me.
"I do," I say. "I need you.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
YOU FEAR TO DIE?
"It's not that I don't want... I mean, I've always...it's just that life is a habit that's hard to break...
”
”
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
“
It would’ve been easier to die. It’s not that I want to be dead now. I don’t. I have a lot in my life that I get satisfaction from, that I love. But some days, especially in the beginning, it was so hard. And I couldn’t help but think that it would’ve been so much simpler to go with the rest of them. But you—you asked me to stay. You begged me to stay. You stood over me and you made a promise to me, as sacred as any vow.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
Everyone thinks that courage is about facing death without flinching. But almost anyone can do that. Almost anyone can hold their breath and not scream for as long as it takes to die.
True courage is about facing life without flinching. I don't mean the times when the right path is hard, but glorious at the end. I'm talking about enduring the boredom, the messiness, and the inconvenience of doing what is right.
”
”
Robin Hobb (The Mad Ship (Liveship Traders, #2))
“
Living is too hard right now. Dying is easy. Let me die.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
It isn't hard to let people die when their deaths give life to something else.
”
”
Victoria Aveyard (Glass Sword (Red Queen, #2))
“
Something Vimes had learned as a young guard drifted up from memory. If you have to look along the shaft of an arrow from the wrong end, if a man has you entirely at his mercy, then hope like hell that man is an evil man. Because the evil like power, power over people, and they want to see you in fear. They want you to know you're going to die. So they'll talk. They'll gloat.
They'll watch you squirm. They'll put off the moment of murder like another man will put off a good cigar.
So hope like hell your captor is an evil man. A good man will kill you with hardly a word.
”
”
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
“
Why would I? Seriously, what guy turns down Die Hard? The only thing that could sweeten this deal is if you offered me some booze.”
“I don’t have any.” She stops to think. “But I’ve got a whole bag of gummy bears hidden in my desk drawer.”
“Marry me,” I say instantly.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
You destroy me."
"Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death.
"I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less."
"You-you said you wanted f-friendship-"
"Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-"
"No," I gasp. "Don't-don't s-say that-"
"I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world."
"I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it."
And I drop dead, all over the floor.
"Juliette."
I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again.
He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Its hard to die. Harder to live
”
”
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
“
The truth is, what I learned this year is that life is hard...Good people die for no reason. Little kids get sick. The people that are supposed to love you end up leaving.
”
”
Jennifer Weiner (Certain Girls (Cannie Shapiro, #2))
“
To be reborn one must die, Tenar. It is not so hard as it looks from the other side.
”
”
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
“
She had been both good and wicked and everything in between. She had been both at once, too, until it was hard for her to even tell the difference anymore.
”
”
Danielle Paige (The Wicked Will Rise (Dorothy Must Die, #2))
“
Fire's tears were real now, and there was no helping them, for there was no time. Everything was moving too fast. She crossed the room to him, put her arms around him, clung to him, turning her face to the side, learning all at once that it was awkward to show a person all of one's love when one's nose was broken.
His arms came around her tightly, his breath short and hard against her hair. He held on to the silk of her hair and she pressed herself against him until her panic calmed to something desperate, but bearable.
Yes, she thought to him, understanding now what he'd been about to ask. If you die in the war, I'll keep Hanna in my heart. I promise I won't leave her.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
Normal people bring children into the world; we novelists bring books. We are condemned to put our whole lives into them, even though they hardly ever thank us for it. We are condemned to die in their pages and sometimes even to let our books be the ones who, in the end, will take our lives.
”
”
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
“
When you took me from the witch trial at Cranesmuir--you said then that you would have died with me, you would have gone to the stake with me, had it come to that!"
He grasped my hands, fixing me with a steady blue gaze.
"Aye, I would," he said. "But I wasna carrying your child."
The wind had frozen me; it was the cold that made me shake, I told myself. The cold that took my breath away.
"You can't tell," I said, at last. "It's much too soon to be sure."
He snorted briefly, and a tiny flicker of amusement lit his eyes.
"And me a farmer, too! Sassenach, ye havena been a day late in your courses, in all the time since ye first took me to your bed. Ye havena bled now in forty-six days."
"You bastard!" I said, outraged. "You counted! In the middle of a bloody war, you counted!"
"Didn't you?"
"No!" I hadn't; I had been much too afraid to acknowledge the possibility of the thing I had hoped and prayed for so long, come now so horribly too late.
"Besides," I went on, trying still to deny the possibility, "that doesn't mean anything. Starvation could cause that; it often does."
He lifted one brow, and cupped a broad hand gently beneath my breast.
"Aye, you're thin enough; but scrawny as ye are, your breasts are full--and the nipples of them gone the color of Champagne grapes. You forget," he said, "I've seen ye so before. I have no doubt--and neither have you."
I tried to fight down the waves of nausea--so easily attributable to fright and starvation--but I felt the small heaviness, suddenly burning in my womb. I bit my lip hard, but the sickness washed over me.
Jamie let go of my hands, and stood before me, hands at his sides, stark in silhouette against the fading sky.
"Claire," he said quietly. "Tomorrow I will die. This child...is all that will be left of me--ever. I ask ye, Claire--I beg you--see it safe.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
Loving a warrior is hard. Dying in the line of duty is an honor to them. They would rather take that road than to dishonor their sacred oath
”
”
Ronie Kendig (Hawk (The Quiet Professionals, #2))
“
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his.
...
After a while I rest my head against his shoulder. Feel his hand caress my hair.
"Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again."
I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says.
My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it.
Everithing. That's what Peeta wants me to take from him.
...
"No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me.
"I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.
I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down.
This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Fighting is better than this waiting,” Brienne said. “You don’t feel so helpless when you fight. You have a sword and a horse, sometimes an axe. When you’re armored it’s hard for anyone to hurt you.”
“Knights die in battle,” Catelyn reminded her.
Brienne looked at her with those blue and beautiful eyes. “As ladies die in childbed. No one sings songs about them.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Jaime," I said softly, "are you happy about it? About the baby?" Outlawed in Scotland, barred from his own home, and with only vague prospects in France, he could pardonably have been less than enthused about acquiring an additional obligation.
He was silent for a moment, only hugging me harder, then sighed briefly before answering.
"Aye, Sassenach," His hand stayed downward, gently rubbing my belly. "I'm happy. And proud as a stallion. But I am most awfully afraid too."
"About the birth? I'll be all right." I could hardly blame him for apprehension; his own mother had died in childbirth, and birth and its complications were the leading cause of death for women in these times. Still, I knew a thing or two myself, and I had no intention whatever of exposing myself to what passed for medical care here.
"Aye, that--and everything," he said softly. "I want to protect ye like a cloak and shield you and the child wi' my body." His voice was soft and husky, with a slight catch in it. "I would do anything for ye...and yet...there's nothing I can do. It doesna matter how strong I am, or how willing; I canna go with you where ye must go...nor even help ye at all. And to think of the things that might happen, and me helpless to stop them...aye, I'm afraid, Sassenach.
"And yet"--he turned me toward him, hand closing gently over one breast--"yet when I think of you wi' my child at your breast...then I feel as though I've gone hollow as a soap bubble, and perhaps I shall burst with joy.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
42. Most people will spend their lives doing jobs that they don't particularly enjoy, and will eventually save up enough money to stop doing those jobs just in time to start dying instead. Don't be one of those people. There's a difference between living, and just surviving. Do something that you love, and find someone to love who loves that you love what you do.
It really is that simple.
And that hard.
”
”
John Connolly (The Infernals (Samuel Johnson, #2))
“
I’m only a little ashamed to say I outsprinted the boy. Old habits die hard. It’s good to be faster than what’s chasing you, but really the important thing in running away is to be faster than the slowest of those being pursued. Rule number one: be ahead of the next man. Or child.
”
”
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
“
Ryder, we got a problem,” Ristan called from beyond the other side of the etched-glass shower door.
“Someone had better be dying, Ristan,” Ryder growled when he'd pulled
away from kissing me.
“They might be. You need to come see this.”
“We will be right there,” Ryder called out as I slid down his hard body.
He watched me with a smirk and then placed his hand on my arm to move me from beneath the water, so he could rinse off. I watched him, unable to pull my eyes off of his hands as they roved over his body.He was quicksand,
and I was sinking.
“Did you say we?” Ristan asked.
I blushed from my head to my Paint Your Toron-Toes Rose colored toenails. I opened the shower door and stepped out meeting Ristan's eyes. “Don't ask.”
“How the…did you sift into his shower?” he asked, bubbling with laughter.
“I said don't ask! It wasn't my fault. I was sleeping!” I shouted as both men laughed even harder.
“Real mature, just real fucking mature!
”
”
Amelia Hutchins (Taunting Destiny (The Fae Chronicles, #2))
“
When I was a boy, I went to war searching for glory. I didn't find it.
I came here, thinking I'd find glory if I built a ranching empire or a thriving town.
Instead I discovered that I didn't even know what glory was, not until you smiled at me for the first time with no fear in your eyes...
A hundred years from now, everything I've worked so hard to build will be nothing more than dust blowing in the wind, but if I can spend my life loving you, I'll die a wealthy man, a contented man.
-Dallas to Dee
”
”
Lorraine Heath (Texas Glory (Texas Trilogy, #2))
“
STEALING THE CAR, I WOULDN’T HAVE BEEN SURPRISED IF THEY’D EXPELLED YOU, YOU WAIT TILL I GET HOLD OF YOU, I DON’T SUPPOSE YOU STOPPED TO THINK WHAT YOUR FATHER AND I WENT THROUGH
WHEN WE SAW IT WAS GONE —”
Mrs. Weasley’s yells, a hundred times louder than usual, made the plates and spoons rattle on the table, and echoed deafeningly off the stone walls. People throughout the hall were swiveling around to see who had received the Howler, and Ron sank so low in his chair that only his crimson forehead could be seen.
“— LETTER FROM DUMBLEDORE LAST NIGHT, I THOUGHT YOUR FATHER WOULD DIE OF SHAME, WE DIDN’T BRING YOU UP TO BEHAVE LIKE THIS, YOU AND HARRY COULD BOTH HAVE DIED —”
Harry had been wondering when his name was going to crop up. He tried very hard to look as though he couldn’t hear the voice that was making his eardrums throb.
“— ABSOLUTELY DISGUSTED — YOUR FATHER’S FACING AN INQUIRY AT WORK, IT’S ENTIRELY YOUR FAULT AND IF YOU PUT ANOTHER TOE OUT OF LINE WE’LL BRING YOU STRAIGHT BACK HOME.”
A ringing silence fell.
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Webster lapsed into silence. Started thinking hard. He was a smart enough bureaucrat to know if you can't beat them, you join them. You force yourself to think like they think.
”
”
Lee Child (Die Trying (Jack Reacher, #2))
“
In war," answered the weaver, "the strong make slaves of the weak, and in peace the rich make slaves of the poor. We must work to live, and they give us such mean wages that we die. We toil for them all day long, and they heap up gold in their coffers, and our children fade away before their time, and the faces of those we love become hard and evil. We tread out the grapes, another drinks the wine. We sow the corn, and our own board is empty. We have chains, though no eye beholds them; and are slaves, though men call us free.
”
”
Oscar Wilde (Fairy Tales of Oscar Wilde: The Young King/The Remarkable Rocket (Fairy Tales of Oscar Wilde, #2))
“
Fleas plague you, she says. Swamp skitters can kill you, an a little thorn- so small you hardly notice- it can work it's way unner the skin an bit after bit, yyer hand's infected. Maybe you loose a couple fingers, maybe the whole hand. Maybe yer blood goes bad an you die. Tiny things can cause plenty of trouble.
”
”
Moira Young (Rebel Heart (Dust Lands, #2))
“
Seriously, what guy turns down Die Hard? The only thing that could sweeten this deal is if you offered me some booze.”
“I don’t have any.” She stops to think. “But I’ve got a whole bag of gummy bears hidden in my desk drawer.”
“Marry me,” I say instantly.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
We're going to bash them birds,
Them rat-feathered birds.
Them bad-butt owls ain't never heard
'Bout Gylfie, Soren, Dig, and Twilight
Just let them get to feel my bite
Their li'l ole gizzards gonna turn to pus
And our feathers hardly mussed.
Oh, me. Oh, my. They gonna cry.
One look at Twilight,
They know they're gonna die.
I see fear in their eyes
And that ain't all.
They know that Twilight's got the gall.
Gizzard with gall that makes him great
And every bad owl gonna turn to bait.
”
”
Kathryn Lasky (The Journey (Guardians of Ga'Hoole, #2))
“
Does this mean I get to be part of the team?” She clapped her hands again.
“Yes,” Nate said.
“No,” Gabriel said at the same time.
“Duuuude,” Nate said to Gabriel between his teeth. “I really want to talk to this Mr. Brooks guy.”
“Fine.” Gabriel sighed. “Let her help. I don’t care. But if you die,” Gabriel pointed at Heather, “or get cursed or something, that’s your fault.”
Heather nodded merrily, still clapping. “Yay, I’m part of the team.”
“We’re not a team,” Gabriel said through gritted teeth.
Heather ignored him and looked at Nate. “I think we need a team name.”
“Ooh! Good idea.” Nate pointed a finger into the air. “How about Team Awesome?”
Heather wrinkled her nose. “Too vague. Team Super Secret Fountain Seekers?”
“Too specific.” Nate shook his head. “Team Ash Guy Hunters?”
“Ashman.” Heather shook her head. “Too hard to say.”
Nate scoffed. “And ‘Super Secret Fountain Seekers’ is easy to say?”
Gabriel huffed and started walking toward the door. “You guys can stay here and pick a name and a Team Captain or whatever, but I’m going to find Mr. Brooks.” He opened the door to leave, night falling on the forest around them.
Heather said, “Mr. Brooks doesn’t open his door when it’s dark outside.” She shrugged. “So we’re going to have to wait until tomorrow after school.”
Frustrated, Gabriel closed the cabin door on the setting sun. “Tomorrow then.”
“Perfect.” Nate nodded, shifting his eyes from Scarlet, to Gabriel, and then to Heather.
A moment passed.
“I call dibs on Team Captain,” Nate said.
Gabriel rolled his eyes.
”
”
Chelsea Fine (Awry (The Archers of Avalon, #2))
“
August had never been afraid of dying, for all he thought about it. It bothered him, of course, the idea of being unmade, but his own death was a concept he couldn’t grasp, no matter how hard he tried. But loss—that was a thing that scared him. The loss of those he cared for.
”
”
Victoria E. Schwab (Our Dark Duet (Monsters of Verity, #2))
“
I’ve worked hard, very hard, to get where I am. And you will have to work hard too. But when you do the work, you will see the results.
”
”
Katie Alender (From Bad to Cursed (Bad Girls Don't Die, #2))
“
When in doubt, watch Die Hard.
”
”
Larry Gent (To Money and a TV (The Benedict Forecasts, #2))
“
There must be something in here that can drill through eight miles of
solid rock.”
He considered a hand drill, a tape measure, a corkscrew, and the iron staff we’d almost died retrieving from Geirrod’s fortress. He threw them all to the floor.
“Nothing!” he said in disgust. “Useless junk!”
Perhaps you could use your head, Hearthstone signed. That is very hard.
“Oh, don’t try to console me, Mr. Elf,” said Thor.
”
”
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
“
Somewhere a True Believer is training to kill you. He is training with minimum food or water, in austere conditions, day and night. The only thing clean on him is his weapon, and he made his web gear, He doesn't worry about hat workout to do - his ruck weighs what it weighs, his runs end when the enemy stops chasing him. The True Believer doesn't care how hard it is; he only knows that he wins or he dies. He doesn't go home at 1700; he is home. He knows only the cause.
”
”
Jack Carr (True Believer (Terminal List #2))
“
Even in dying, a Thennanin ship was reputed to be not worth putting out of its misery. In battle they were slow, unmaneuverable—and as hard to disable permanently as a cockroach.
”
”
David Brin (Startide Rising (The Uplift Saga, #2))
“
Dying is easy Senna, living is hard.
”
”
Amber Argyle (Witch Born (Witch Song, #2))
“
A part of them must be relieved they no longer have front-row seats watching as the world breaks you. It’s hard to die. Harder to watch someone else do it, and make no mistake, that’s what you two were doing before now. Dying in plain sight, inch by inch, dream by dream, drip by drip. You’ve given them the gift of letting them look away, and I’m just warning you they might not like you returning that gift for store credit.
”
”
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
“
Thousands of those men and boys died here, and I have recently learned that their inhuman treatment was the intended policy of Himmler. He called his plan Death by Exhaustion, and he implemented it. Work them hard, don't waste valuable foodstuffs on them, and let them die. They could, and would, always be replaced by new slave workers from Europe's Occupied countries.
”
”
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
“
Regrets of the Dying.” She shared the five most common regrets of the people she had come to know: 1. I wish I’d had the courage to live a life true to myself, not the life others expected of me. (“Most people had not honoured even a half of their dreams and had to die knowing that it was due to choices they had made, or not made.”) 2. I wish I hadn’t worked so hard. 3. I wish I’d had the courage to express my feelings. (“Many people suppressed their feelings in order to keep peace with others.”) 4. I wish I had stayed in touch with my friends. 5. I wish that I had let myself be happier. (“Many did not realize until the end that happiness is a choice. They had stayed stuck in old patterns and habits.”)
”
”
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
“
Eve woke, violently aroused. It was Roarke’s hands on her. She knew their texture, their rhythm. Her heart tripped against her ribs, then bounded into her throat as his mouth covered hers. His was greedy, hot, giving her no choice, really no choice at all but to respond in kind. Even as she fumbled for him, those long, clever fingers pierced her, diving into her so that she bowed up into the frenzy of orgasm. His mouth on her breast, sucking, teeth scraping. His elegant hands relentless so that her cries came out in whimpers of shock and gratitude. Another staggering climax to layer thick over the first. Her hands sought purchase in the tangled sheets, but nothing could anchor her. As she flew up again, she gripped him, nails scraping down his back, up to grab handfuls of his hair.
“God!” It was the single coherent word she managed as he plunged into her, so hard, so deep she was amazed she didn’t die from the pleasure of it. Her body bucked helplessly, frantically, continued to shudder even after he’d collapsed on her. He let out a long, satisfied sigh and lazily nuzzled her ear. “Sorry to wake you.
”
”
J.D. Robb (Glory in Death (In Death, #2))
“
You want me to stay the heir while you two go off somewhere? And then I can step down, be de-princed, whatever?”
“Exactly that,” says Cardan.
“Like on a vacation?”
Cardan snorts.
“I don’t understand,” Oak says. “Where are you going?”
“A diplomatic mission,” says Cardan, leaning back on the cushions. “After that last little rescue, Nicasia has demanded we honor our treaty, meet her suitors, and witness the contest for her hand and crown. And so Jude and I are headed to the Undersea, where we will go to a lot of parties and try very hard not to die.
”
”
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
“
Tears and Smiles <3 Mrs. Randolph
Quite the character!!!
"Here’s the thing about life, boy. We meet a lot of people along this journey. Some of them are sonsabitches and some are special. When you find the special ones you don’t take a moment for granted, because you never know when your time with them is gonna be up. I got over fifty years with my Fritz. Fifty wonderful years. When he died, I was lost for a few months. I lost my fire. But then I realized that life’s short and I had a choice to make. I could keep bein’ miserable, or I could go find joy and live again.” She’s squeezing even harder now. “If you only listen to one thing this crazy old lady tells you, I hope it’s this: ain’t nobody gonna stoke your fire but you, boy.” She looks at me hard with her grey, cloudy eyes. “You go make life happen.
”
”
Kim Holden (Gus (Bright Side, #2))
“
Watching someone you love go through difficult times is like being trapped in your own body but paralyzed. You want to yell at them, scream, help them, but your body won’t move, and you know that no matter how hard you try, in the end, the path is theirs to choose. You can’t choose for them. What a terrifying concept, especially considering we hardly see every option when we’re stuck in our own self-defeat.
”
”
Rachel Van Dyken (Toxic (Ruin, #2))
“
They rode for a while in silence, a tiny island in the smoky stream of marching men. Then Lee said slowly, in a strange, soft, slow tone of voice, "Soldiering has one great trap."
Longstreet turned to see his face. Lee was riding slowly ahead, without expression. He spoke in that same slow voice. "To be a good soldier you must love the army. But to be a good officer you must be willing to order the death of the thing you love. This is...a very hard thing to do. No other profession requires it. That is one reason why there are so very few good officers. Although there are many good men."
Lee rarely lectured. Longstreet sensed a message beyond it. He waited. Lee said, "We don't fear our own deaths, you and I." He smiled slightly, then glanced away. "We protect ourselves out of military necessity, not do not protect yourself enough and must give thought to it. I need you. But the point is, we are afraid to die. We are prepared for our own deaths, and for the deaths of comrades. We learn that at the Point. But I have seen this happen: we are not prepared for as many deaths as we have to face, inevitably as the war goes on. There comes a time..."
He paused. He had been gazing straight ahead, away from Longstreet. Now, black-eyed, he turned back, glanced once quickly into Longstreet's eyes, then looked away.
"We are never prepared for so many to die. So you understand? No one is. We expect some chosen few. We expect an occasional empty chair, a toast to dear departed comrades. Victory celebrations for most of us, a hallowed death for a few. But the war goes on. And the men die. The price gets ever higher. Some officers...can pay no longer. We are prepared to lose some of us." He paused again. "But never ALL of us. Surely not all of us. But...that is the trap. You can hold nothing back when you attack. You must commit yourself totally. And yet ,if they all die, a man must ask himself, will it have been worth it?
”
”
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
“
And it came to me that these trees had been hardly smaller when I was yet unborn, and had stood as they stood now when I was a child playing among the cypresses and peaceful tombs of our necropolis, and that they would stand yet, drinking in the light of the dying sun, even as now, when I had been dead as long as those who rested there. I saw how little it weighed on the scale of things whether I lived or died, though my life was precious to me. And of those two thoughts I forged a mood by which I stood ready to grasp each smallest chance to live, yet in which I cared not too much whether I saved myself or not. By that mood, as I think, I did live; it has been so good a friend to me that I have endeavored to wear it ever since, succeeding not always, but often.
”
”
Gene Wolfe (Shadow & Claw (The Book of the New Sun, #1-2))
“
I get it,” I say. “You don’t like anyone tying you down—”
“One person can tie me down,” he cuts me off and then glances at me. “You’re smiling.”
“I’m not.” I sort of was. I unhinge my jaw, ridding whatever expression is causing him to overflow with satisfaction.
His grin has landed in James Franco territory. “I didn’t say that person was you.”
I blink. “You ever hear of that annoying six-foot-three guy with bleach-white hair who died in a Chicago stairwell?”
He laughs. “You mean the guy you have a hard-on for.
”
”
Krista Ritchie (Lovers Like Us (Like Us, #2))
“
He is wretched indeed, who goes up and down in the world, without a God to take care of him, to be his guide and protector, and to bless him in his affairs [. . .] That unconverted men are without God shows that they are liable to all manner of evil [. . .] liable to the power of the devil, to the power of all manner of temptation [. . .] to be deceived and seduced into erroneous opinions [. . .] to embrace damnable doctrines [. . .] to be given up of God to judicial hardness of heart [. . .] to commit all manner of sin, and even the unpardonable sin itself. They cannot be sure they shall not commit that sin. They are liable to build up a false hope of heaven, and so to go hoping to hell [. . .] to die senseless and stupid, as many have died [. . .] to die in such a case as Saul and Judas did, fearless of hell. They have no security from it. They are liable to all manner of mischief, since they are without God. They cannot tell what shall befall them, nor when they are secure from anything. They are not safe one moment. Ten thousand fatal mischiefs may befall them, that may make them miserable forever. They, who have God for their God, are safe from all such evils. It is not possible that they should befall them. God is their covenant God, and they have his faithful promise to be their refuge.
”
”
Jonathan Edwards (The Works of Jonathan Edwards, 2 Volumes)
“
I’ve reached the point where I hardly care whether I live or die. The world will keep on turning without me, and I can’t do anything to change events anyway.” —Anne Frank
”
”
Hourly History (Anne Frank: A Life From Beginning to End (World War 2 Biographies))
“
In my restless dreams, I see that town. Silent Hill. You promised me you'd take me there again someday. But because of me, you were never able to. Well, I'm alone there now…
In our ”“special place.”
Waiting for you…
Waiting for you to come to see me. But you never do. And so I wait, wrapped in my cocoon of pain and loneliness. I know I've done a terrible thing to you. Something you'll never forgive me for. I wish I could change that, but I can't. I feel so pathetic and ugly lying here, waiting for you...
Every day I stare up at the cracks in the ceiling, and all I can think about is how unfair it all is...
The doctor came today. He told me I could go home for a short stay. It's not that I'm getting better. It's just that this may be my last chance...
I think you know what I mean...
Even so, I'm glad to be coming home. I've missed you terribly. But I'm afraid James. I'm afraid you don't really want me to come home.
Whenever you come see me, I can tell how hard it is on you...
I don't know if you hate me or pity me... Or maybe I just disgust you....
I'm sorry about that. When I first learned that I was going to die, I just didn't want to accept it. I was so angry all the time, and I struck out at everyone I loved most. Especially you, James.
That's why I understand if you do hate me. But I want you to know this, James. I'll always love you.
Even though our life together had to end like this, I still wouldn't trade it for the world. We had some wonderful years together.
Well, this letter has gone on too long, so I'll say goodbye. I told the nurse to give this to you after I'm gone. That means that when you read this, I'll already be dead.
I can't tell you to remember me, but I can't bear for you to forget me. These last few years since I became ill...I'm so sorry for what I did to you, did to us...
You've given me so much and I haven't been able to return a single thing. That's why I want you to live for yourself now. Do what's best for you, James.
James...
You made me happy.
“I love you, Mary.”
As the car began to slowly sink to the bottom of the lake, James pulled his wife close and gently held her. Their wish had finally come true. They would be together. And now they had an eternity to enjoy their happiness.
”
”
Sadamu Yamashita (Silent Hill 2: The Novel)
“
My friend Emma, who likes things to add up neatly, claims that this is because my parents died when I was too young to take it in: they were there one day and gone the next, crashing through that fence so hard and fast they left it splintered for good. When I was Lexie Madison for eight months she turned into a real person to me, a sister I lost or left behind on the way; a shadow somewhere inside me, like the shadows of vanishing twins that show up on people's X-rays once in a blue moon. Even before she came back to find me I knew I owed her something, for being the one who lived.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
You weren't out there that long, were you? I can't bear to think that no one found you right away."
Noah shook his head. "No more than a couple of hours, I'd guess."
"A couple of hours!" Jane and Kate exclaimed. They froze, exchanging horrified looks.
"Maybe a little longer. Hard to tell because the clouds were blocking the sun."
"Longer?" Jane asked. Her hands were clenched into fists.
"And I was wet, too. I guess it must have rained on me. Or maybe the sprinklers came on."
"You could have died out there!" Kate cried.
"Oh, it wasn't so bad. A little water never hurt anyone. The worst part was the raccoon when I finally came to. With the way he kept staring at me, I thought he might be rabid. Then he came at me."
"You were attacked by a raccoon?" Jane looked as though she might faint.
"Not really attacked. I fought him off before he could bite me."
"It tried to bite you!" Kate cried.
"Oh, it's no big deal. I've fought off raccoons before."
Kate and Jane stared at each other with shell-shocked expressions, then turned toward their siblings. Appalled silence reigned before Noah finally smiled. He pointed his finger at them and winked. "Gotcha.
”
”
Nicholas Sparks (The Wedding (The Notebook, #2))
“
Jon Shannow, the King of Kings has spoken the words of your death. I am Rhodaeul the Hunter. Do you have anything to say before you die?’ ‘No,’ said Shannow, palming his gun and blasting Rhodaeul from the saddle. The Atlantean hit the ground hard, a hammering pain in his chest; he tried to draw his pistol, but Shannow rode forward and fired a second shot that smashed his skull.
”
”
David Gemmell (The Last Guardian (Jon Shannow Novel Book 2))
“
I am here because of a certain man. I came to retrace his steps. Perhaps to see if there were not some alternate course. What was here to be found was not a thing. Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place. And that is what was to be found here. The corrido. That tale. And like all corridos it ultimately told one story only, for there is only one to tell.
The cats shifted and stirred, the fire creaked in the stove. Outside in the abandoned village the profoundest silence.
What is the story? the boy said.
In the town of Caborca on the Altar River there was a man who lived there who was an old man. He was born in Caborca and in Caborca he died. Yet he lived once in this town, in Huisiachepic.
What does Caborca know of Huisiachepic, Huisiachepic of Caborca? They are different worlds, you must agree. Yet even so there is but one world and everything that is imaginable is necessary to it. For this world also which seems to us a thing of stone and flower and blood is not a thing at all but a tale. And all in it is a tale and each tale the sum of all lesser tales and yet they are the selfsame tale and contain as well all else within them. So everything is necessary. Every least thing. This is a hard lesson. Nothing can be dispensed with. Nothing despised. Because the seems are hid from us, you see. The joinery. The way in which the world is made. We have no way to tell what might stand and what might fall. And those seams that are hid from us are of course in the tale itself and the tale had no abode or place of being except in the telling only and there it lives and makes its home and therefore we can never be done with the telling. Of the telling there is no end. And whether in Caborca or Huisiachepic or in whatever other place by whatever other name or by no name at all I say again all tales are one. Rightly heard all tales are one.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
It’s all so strange. It’s like nothing ever really happened. No, it really happened, only it’s gone. Taking it hard? Nah, I shook my head, things that come out of nowhere go back to nowhere, that’s all. We fell silent again. The thing we had shared was nothing more than a fragment of time that had died long ago. Even so, a faint glimmer of that warm memory still claimed a part of my heart. And when death claimed me, no doubt I would walk along by that faint light in the brief instant before being flung once again into the abyss of nothingness.
”
”
Haruki Murakami (Pinball, 1973 (The Rat, #2))
“
He does not know what caused him to break off from Weston and walk out. Perhaps it was when the boy said 'forty-five or fifty'. As if, past mid-life, there is a second childhood, a new phase of innocence. It touched him, perhaps, the simplicity of it. Or perhaps he just needed air. Let us say you are in a chamber, the windows sealed, you are conscious of the proximity of other bodies, of the declining light. In the room you put cases, you play games, you move your personnel around each other: notional bodies, hard as ivory, black as ebony, pushed on their paths across the squares. Then you say, I can't endure this any more, I must breathe: you burst out of the room amd into a wild garden where the guilty are hanging from trees, no longer ivory, no longer ebony, but flesh; and their wild lamenting tongues proclaim their guilt as they die. In this matter, cause has preceded effect. What you dreamed has enacted itself. You reach for a blade but the blood is already shed. The lambs have butchered and eaten themselves. They have brought knives to the table, carved themselves, and picked their own bones clean.
”
”
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
“
Her name is Queen Theodosia, and if you won’t apologize for disrespecting her, I’ll let her men have you and I’ll describe your last moments to your wife so that she knows how pathetically you died.”
Mattin grunts, eyes dropping away. “I apologize,” he says through gritted teeth.
Søren looks tempted to extract something more sincere out of him, but that would hardly be productive. I clear my throat.
“I accept your apology,” I say coldly. “I hope you come to see that a woman can wield power beyond what’s between her legs—for your daughter’s sake if nothing else.
”
”
Laura Sebastian (Lady Smoke (Ash Princess Trilogy, #2))
“
How lovely!" C-3PO exclaimed. "His daughter is the child of Master Anakin and Senator Amidala," he explained to R2-D2. "I can hardly wait to tell her all about her parents! I'm sure she will be very proud -"
"Oh, and the protocol droid?" Senator Organa said thoughtfully. "Have its mind wiped.
”
”
Matthew Woodring Stover (Star Wars™ - Episode III - Die Rache der Sith: Roman nach dem Drehbuch und der Geschichte von George Lucas)
“
The icy water hit hard as earth. She thrashed on instinct, but Jacks held her tightly. His arms were unyielding, dragging her up through the crashing waves. Salt water snaked up her nose, and the cold filled her veins. She was coughing and sputtering, barely able to take down air as Jacks swam to shore with her in tow. He held her close and carried her from the ocean as if his life depended on it instead of hers.
'I will not let you die.' A single bead of water dripped from Jacks' lashes on to her lips. It was raindrop soft, but the look in his eyes held the force of a storm.
It should have been too dark to his expression, but the crescent moon burned brighter with each second, lining edges of Jacks' cheekbones as he looked at her with too much intensity.
The crashing ocean felt suddenly quiet in contrast to her pounding heart, or maybe it was his heart.
Jacks' chest was heaving, his clothes were soaked, his hair was a mess across his face- yet in that moment, Evangeline knew he would carry her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds. And for one brittle heartbeat, Evangeline understood why so many girls died from his lips. If Jacks hadn't betrayed her, if he hadn't set her up for murder, she might have been a little bewitched by him.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I saw it begin; even so, after battle, Ambrosious' very presence had give the wounded strength and the dying comfort. Whatever it was he had had about him, Arthur had the same; I was to see it often in the future; it seemed that he shed brightness and strength round him where he went, and still had it ever renewed in himself. As he grew older, I knew it would be renewed more hardly and at a cost, but now he was very young, with the flower of manhood still to come. After this, I thought, who could maintain that youth itself made him unfit for kingship? Not Lot, stiffened in his ambition, grimly scheming for a dead king's throne. It was Arthur's very youth which had whistled up today the best that men had in them, as a huntsman calls up the following back, or an enchanter whistles up the wind.
”
”
Mary Stewart (The Hollow Hills (Arthurian Saga, #2))
“
As I went to stand up, I felt a tiny point of pressure on my back.
"Don't move," Kasey whispered.
I stayed bent over.
"Drop the knife," she said.
"Excuse me, I'm using it," I said.
She swallowed hard. "For what?"
"Mom and Dad. You."
The pressure on my back increased. "Drop it, Alexis."
Drop it? Like I was a bad dog running around with a sock in my mouth.
"How long will this take?" I asked, setting the knife on the floor. "I'm in the middle of something."
Get in the bathroom," she said.
The faster I indulged her, the faster it would be over with. So I walked into the bathroom. She followed, kicking the knife toward the end of the hallway and flipping on the bathroom light.
"What's this all about, Kasey?" I asked, turning around. At the sight of my face, she gasped, and the point of the fireplace poker she was holding wavered in her hands. I realized a second too late that I'd missed my chance to grab it and smash it into the side of her head.
"What's happening to you?" she whispered.
I glanced in the mirror. The darkness had begun to spread from my mouth and eyes. It leached out in inky puddles with thin tendrils of black snaking out in delicate feathery patterns.
What's happening to me? What was she talking about?
"So you have a pointy stick," I said. "Big deal. get out of my way."
"What are you going to do?" I sneered.
"Poke me?"
'I'll hit you, Lexi." Her face was stony. "As hard as I have to."
Whatever. I'm really not in the mood.
"Can we talk about this in the morning?" I asked. After I kill you?
"No," her eyes hardened. "Get your toothbrush."
"What?"
"Pick up your toothbrush, and stick it down your throat."
"Kasey-"
"Do it," she said.
"Ugh, fine. You're sick, you know that?"
"Get in the tub."
"Happy?"
I stuck the toothbrush into my throat. Instantly, I gagged and doubled over.
"Do it again," she said.
"God Kasey," I cried. Stabbing people was one thing. But making them barf- that was just disturbing.
”
”
Katie Alender (From Bad to Cursed (Bad Girls Don't Die, #2))
“
I love you, Ginesse. Don't you see? You are my Zerzura. You are my undiscovered country, both my heart's destination and journey. Gold and temples, jewels and gems don't hold one bit of your enticement. You are my Solomon's mine, my uncharted empire. You are the only home I need to know, the only journey I want to take, the only treasure I would die to claim. You are exotic and familiar, opiate and tonic, hard conscience and sweet temptation. And now I have no more words to give you, Ginesse. I only have my heart, and you already own that.
”
”
Connie Brockway (The Other Guy's Bride (Braxton, #2))
“
-i was "far and away"-riding my motorcycle along an american back road, skiing through the snowy Quebec woods, or lying awake in a backwater motel. the theme i was grappling with was nothing less than the Meaning of Life, and i was pretty sure i had defined it: love and respect.
love and respect, love and respect-i have been carrying those words around with me for two years, daring to consider that perhaps they convey the real meaning of life. beyond basic survival needs, everybody wants to be loved and respected. and neither is any good without the other. love without respect can be as cold as pity; respect without love can be as grim as fear.
love and respect are the values in life that most contribute to "the pursuit of happiness"-and after, they are the greatest legacy we can leave behind. it's an elegy you'd like to hear with your own ears: "you were loved and respected."
if even one person can say that about you, it's a worthy achievement, and if you can multiply that many times-well, that is true success.
among materialists, a certain bumper sticker is emblematic: "he who dies with the most toys wins!"
well, no-he or she who dies with the most love and respect wins...
then there's love and respect for oneself-equally hard to achieve and maintain. most of us, deep down, are not as proud of ourselves as we might pretend, and the goal of bettering ourselves-at least partly by earning the love and respect of others-is a lifelong struggle.
Philo of Alexandria gave us that generous principle that we have somehow succeeded in mostly ignoring for 2,000 years: "Be kind, for everyone you meet is fighting a hard battle.
”
”
Neil Peart (Far and Away: A Prize Every Time)
“
I know it must sound harsh to you, but if I try to take you with me, it will slow me down and may well kill you."
The crow and the serving girl regarded me with sharp, bright eyes. The Fool was breathing hard through his nose, as if he'd just climbed a towerful of stairs. His hands gripped the edge of the table. "You mean it," he said in a shaking voice. "You're leaving me here. I hear it in your voice."
I drew a deep breath. "If I could, Fool, I would-"
"But you can. You can! Take the risk! Take all the risks! So we die in a stone, or on a ship, or at Clerres. So we die, and it ends. We die together.
”
”
Robin Hobb (Fool's Quest (The Fitz and the Fool, #2))
“
What makes my bed seem hard seeing it is soft?
Or why slips downe the Coverlet so oft?
Although the nights be long, I sleepe not tho,
My sides are sore with tumbling to and fro.
Were Love the cause, it's like I shoulde descry him,
Or lies he close, and shoots where none can spie him?
T'was so, he stroke me with a slender dart,
Tis cruell love turmoyles my captive hart.
Yeelding or striving doe we give him might,
Lets yeeld, a burden easly borne is light.
I saw a brandisht fire increase in strength,
Which being not shakt, I saw it die at length.
Yong oxen newly yokt are beaten more,
Then oxen which have drawne the plow before.
And rough jades mouths with stubburn bits are tome,
But managde horses heads are lightly borne,
Unwilling Lovers, love doth more torment,
Then such as in their bondage feele content.
Loe I confesse, I am thy captive I,
And hold my conquered hands for thee to tie.
What needes thou warre, I sue to thee for grace,
With armes to conquer armlesse men is base,
Yoke VenusDoves, put Mirtle on thy haire,
Vulcan will give thee Chariots rich and faire.
The people thee applauding thou shalte stand,
Guiding the harmelesse Pigeons with thy hand.
Yong men and women, shalt thou lead as thrall,
So will thy triumph seeme magnificall.
I lately cought, will have a new made wound,
And captive like be manacled and bound.
Good meaning, shame, and such as seeke loves wrack
Shall follow thee, their hands tied at their backe.
Thee all shall feare and worship as a King,
Jo, triumphing shall thy people sing.
Smooth speeches, feare and rage shall by thee ride,
Which troopes hath alwayes bin on Cupids side:
Thou with these souldiers conquerest gods and men,
Take these away, where is thy honor then?
Thy mother shall from heaven applaud this show,
And on their faces heapes of Roses strow.
With beautie of thy wings, thy faire haire guilded,
Ride golden Love in Chariots richly builded.
Unlesse I erre, full many shalt thou burne,
And give woundes infinite at everie turne.
In spite of thee, forth will thy arrowes flie,
A scorching flame burnes all the standers by.
So having conquerd Inde, was Bacchus hew,
Thee Pompous birds and him two tygres drew.
Then seeing I grace thy show in following thee,
Forbeare to hurt thy selfe in spoyling mee.
Beholde thy kinsmans Caesars prosperous bandes,
Who gardes the conquered with his conquering hands.
-- ELEGIA 2 (Quodprimo Amore correptus, in triumphum duci se a Cupidine patiatur)
”
”
Christopher Marlowe
“
Are u at the airport yet? Yep. They pushed my flight back to 3 so I’m going to be sitting here awhile. That sux. What r u gonna do? Gonna hit the food court. Gonna hit it so hard it CRIES. Mom got the bike going. She’s out riding around. She wearing her helmet? Yes. I made her. Coat too. Good for you. That coat adds +5 to all armor rolls. LOL. I love u. Have a safe flight. If I die in a plane crash remember to always bag and board your comics. Love you too.
”
”
Joe Hill (NOS4A2)
“
Once upon a time there was a young apprentice apothecary who lived on a red-brick farm with a golden thatch roof, surrounded by green fields. She had a father who called her a “clever girl” and gave her a herb garden all of her own, and a mother who was whole and kind. She had a brother who knew how to smile and laugh.
But then one day her father had an accident and, despite her efforts to save him, he died. And so did all of her hopes and dreams. The farm – the family’s home for generations – was sold. Her mother’s brown hair greyed, her spirit dulled as she drifted towards Almwyk like a wraith, uncomplaining, unfeeling. And her brother, once impulsive and joyful, became cold and hard, his eyes turned east with malice.
”
”
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
“
Gary Robinson died hungry.
He wanted fried chicken, the three-piece box for $2.19. Drunk, loud, and obnoxious, he pushed ahead of seven customers on line at a fast-food chicken outlet. The counter girl told him that his behavior was impolite. She calmed him down with sweet talk, and he agreed to step to the end of the line. His turn came just before closing time, just after the fried chicken ran out.
He punched the counter girl so hard her ears rang, and a security guard shot him—three times.
”
”
Edna Buchanan (The Corpse Had a Familiar Face: Covering Miami, America's Hottest Beat)
“
Probably nothing is more true of sinners today than that they think they are free. They see Christianity as some kind of bondage. It is all about rights: “No one is going to infringe on my rights. I can be what I want to be. I’m free to be myself.” You hear that inane statement again and again. Such people are not free. The Bible defines them as prisoners. Sin has indebted them to God, and it’s a debt they cannot pay. They are in bondage, and they are awaiting eternal death. According to Hebrews 2:15, Satan wields the power of death and holds captive “those who through fear of death [are] all their lifetime subject to bondage.” They are the children of wrath; Ephesians 2:2 calls them “sons of disobedience” who are under the power of, and in bondage to, their own sin. The divine sentence on them is incarceration for eternity in hell, where they will never die. The real Sovereign over them, the real Judge who has imprisoned them, called them guilty, and sentenced them to death, is God Himself. It is God who destroys both soul and body in hell. The sinner is a prisoner of Satan and sin, but more than that, he’s a prisoner of God, the eternal Executioner, who is holding him accountable and has him awaiting a horrific, unending death.
”
”
John F. MacArthur Jr. (Hard to Believe: The High Cost and Infinite Value of Following Jesus)
“
Feathertail gazed into the young prey-hunter’s eyes. She knew Brook believed what she was saying, but she couldn’t forget how Stormfur had thought that this cat was his friend. Stormfur didn’t make friends easily—a legacy of being half-Clan, always feeling as if he had more to prove than other warriors, as if he could never fight hard enough or catch enough prey. Feathertail had watched this she-cat win her brother’s trust, but now she had betrayed him, and would probably see him die in a battle with Sharptooth for the sake of her Tribe.
”
”
Erin Hunter (Moonrise (Warriors: The New Prophecy, #2))
“
Damn you," said Bond. "You…"
She put her hand over his mouth.
“‘Allumeuse’ is the nice word for it,” she said. “It is fun for me to be able to tease such a strong silent man. You burn with such an angry flame. It is the only game I have to play with you and I shan’t be able to play it for long. How many days until your hand is well again?”
Bond bit hard into the soft hand over his mouth. She gave a little scream.
"Not many," said Bond. "And then one day when you’re playing your little game you’ll suddenly find yourself pinned down like a butterfly.
”
”
Ian Fleming (Live and Let Die (James Bond, #2))
“
Let, then, thy soul by faith be exercised with such thoughts and apprehensions as these: “I am a poor, weak creature; unstable as water, I cannot excel. This corruption is too hard for me, and is at the very door of ruining my soul; and what to do I know not. My soul is become as parched ground, and an habitation of dragons. I have made promises and broken them; vows and engagements have been as a thing of nought. Many persuasions have I had that I had got the victory and should be delivered, but I am deceived; so that I plainly see, that without some eminent succour and assistance, I am lost, and shall be prevailed on to an utter relinquishment of God. But yet, though this be my state and condition, let the hands that hang down be lifted up, and the feeble knees be strengthened. Behold, 32the Lord Christ, that hath all fulness of grace in his heart, all fulness of power in his hand, he is able to slay all these his enemies. There is sufficient provision in him for my relief and assistance. He can take my drooping, dying soul and make me more than a conqueror.33 ‘Why sayest thou, O my soul, My way is hid from the Lord, and my judgment is passed over from my God? Hast thou not known, hast thou not heard, that the everlasting God, the Lord, the Creator of the ends of the earth, fainteth not, neither is weary? there is no searching of his understanding. He giveth power to the faint; and to them that have no might he increaseth strength. Even the youths shall faint and be weary, and the young men shall utterly fall: but they that wait upon the Lord shall renew their strength; they shall mount up with wings as eagles; they shall run, and not be weary; they shall walk, and not faint,’ Isa. xl. 27–31. He can make the ‘dry, parched ground of my soul to become a pool, and my thirsty, barren heart as springs of water;’ yea, he can make this ‘habitation of dragons,’ this heart, so full of abominable lusts and fiery temptations, to be a place for ‘grass’ and fruit to himself,” Isa. xxxv. 7. So God staid Paul, under his temptation, with the consideration of the sufficiency of his grace: “My grace is sufficient for thee,” 2 Cor. xii. 9. Though he were not immediately so far made partaker of it as to be freed from his temptation, yet the sufficiency of it in God, for that end and purpose, was enough to stay his spirit. I say, then, by faith, be much in the consideration of that supply and the fulness of it that is in Jesus Christ, and how he can at any time give thee strength and deliverance. Now, if hereby thou dost not find success to a conquest, yet thou wilt be staid in the chariot, that thou shalt not fly out of the field until the battle be ended; thou wilt be kept from an utter despondency and a lying down under thy unbelief, or a turning aside to false means and remedies, that in the issue will not relieve thee. The efficacy of this consideration will be found only in the practice.
”
”
John Owen (Of the Mortification of Sin in Believers)
“
Most churches do not grow beyond the spiritual health of their leadership. Many churches have a pastor who is trying to lead people to a Savior he has yet to personally encounter. If spiritual gifting is no proof of authentic faith, then certainly a job title isn't either.
You must have a clear sense of calling before you enter ministry. Being a called man is a lonely job, and many times you feel like God has abandoned you in your ministry. Ministry is more than hard. Ministry is impossible. And unless we have a fire inside our bones compelling us, we simply will not survive. Pastoral ministry is a calling, not a career. It is not a job you pursue.
If you don’t think demons are real, try planting a church! You won’t get very far in advancing God’s kingdom without feeling resistance from the enemy.
If I fail to spend two hours in prayer each morning, the devil gets the victory through the day. Once a month I get away for the day, once a quarter I try to get out for two days, and once a year I try to get away for a week. The purpose of these times is rest, relaxation, and solitude with God.
A pastor must always be fearless before his critics and fearful before his God. Let us tremble at the thought of neglecting the sheep. Remember that when Christ judges us, he will judge us with a special degree of strictness.
The only way you will endure in ministry is if you determine to do so through the prevailing power of the Holy Spirit. The unsexy reality of the pastorate is that it involves hard work—the heavy-lifting, curse-ridden, unyielding employment of your whole person for the sake of the church. Pastoral ministry requires dogged, unyielding determination, and determination can only come from one source—God himself.
Passive staff members must be motivated. Erring elders and deacons must be confronted. Divisive church members must be rebuked. Nobody enjoys doing such things (if you do, you should be not be a pastor!), but they are necessary in order to have a healthy church over the long haul. If you allow passivity, laziness, and sin to fester, you will soon despise the church you pastor.
From the beginning of sacred Scripture (Gen. 2:17) to the end (Rev. 21:8), the penalty for sin is death. Therefore, if we sin, we should die. But it is Jesus, the sinless one, who dies in our place for our sins. The good news of the gospel is that Jesus died to take to himself the penalty of our sin.
The Bible is not Christ-centered because it is generally about Jesus. It is Christ-centered because the Bible’s primary purpose, from beginning to end, is to point us toward the life, death, and resurrection of Jesus for the salvation and sanctification of sinners.
Christ-centered preaching goes much further than merely providing suggestions for how to live; it points us to the very source of life and wisdom and explains how and why we have access to him. Felt needs are set into the context of the gospel, so that the Christian message is not reduced to making us feel better about ourselves.
If you do not know how sinful you are, you feel no need of salvation. Sin-exposing preaching helps people come face-to-face with their sin and their great need for a Savior.
We can worship in heaven, and we can talk to God in heaven, and we can read our Bibles in heaven, but we can’t share the gospel with our lost friends in heaven.
“Would your city weep if your church did not exist?”
It was crystal-clear for me. Somehow, through fear or insecurity, I had let my dreams for our church shrink. I had stopped thinking about the limitless things God could do and had been distracted by my own limitations. I prayed right there that God would forgive me of my small-mindedness. I asked God to forgive my lack of faith that God could use a man like me to bring the message of the gospel through our missionary church to our lost city. I begged God to renew my heart and mind with a vision for our city that was more like Christ's.
”
”
Darrin Patrick (Church Planter: The Man, The Message, The Mission)
“
You were a hero,” Joan said. “Not just a hero. You were a legend. Like King Arthur.”
Nick went to laugh, but the uncertain amusement died on his face when he saw that Joan wasn’t laughing with him. “You can’t be serious,” he said.
“My grandmother used to tell me bedtime stories about you,” Joan said.
“People aren’t afraid of heroes.”
It wasn’t funny, but Joan heard her breath come out hard.
For a moment, he looked confused, and then understanding. put a shadow in his eyes. “Monsters are.”
“You were a hero,” Joan said, needing him to understand. “You were more than just a hero. You were the hero. People told stories about you. Made art depicting you.
”
”
Vanessa Len (Never a Hero (Monsters, #2))
“
We all die young. He was around your age then. I had just turned 18 and met Evelyn. We fell hard for each other. Any moment I could find, I was with her, which in turn led to her getting pregnant with Neal. My plan was for us to take my inheritance and live on some remote island somewhere. But, when my brother died, I had to step forward. I hated the life with a passion."
"And now you can't let go."
He was good at what he did. The stories of young Sedric were the things that nightmares were made of.
"It's like a possession," he whispered. "It crawls into your soul and takes root. You have no control over it. You allow it to grow, because it helps. It's the reason you can let blood flow across the floor like fine wine and not flinch. It helps you become the monster you need to be. The only side effect is that it's always there. No amount of holy water can wash it off. So there's no letting go. I will forever be who I allowed myself to be, and the person I allowed myself to be enjoys the chaos."
Truer words were never spoken.
”
”
J.J. McAvoy (The Untouchables (Ruthless People, #2))
“
The Healing spells on his chest were certainly earning their keep tonight. Sullivan got to his feet. The lack of noise from the courtyard indicated that his team had gotten all the mechanical men. “Thanks.”
Toru just grunted a noncommittal response as he lifted the feed tray to check the condition of his borrowed machine gun. They didn’t see the final robot inside until it turned on its eye and illuminated the Iron Guard in blue light.
Sullivan’s Spike reversed gravity, and the gigantic machine fell upward to hit the steel beams in the ceiling. Sullivan cut his Power and the robot dropped. It crashed hard into the floor where it lay twitching and kicking. The two of them riddled the mechanical man with bullets until the light died and it lay still in a spreading puddle of oil.
“Normally, this would be the part where you thank me for returning the favor and saving your life.”
“Yes. Normally… If we were court ladies instead of warriors,” Toru answered. “Shall we continue onward or do you wish to stop and discuss your feelings over tea?”
Sullivan looked forward to the day that the two of them would be able to finish their fight. “Let’s go.
”
”
Larry Correia (Spellbound (Grimnoir Chronicles, #2))
“
Not one of those worlds will be identical to Earth. A few will be hospitable; most will appear hostile. Many will be achingly beautiful. In some worlds there will be many suns in the daytime sky, many moons in the heavens at night, or great particle ring systems soaring from horizon to horizon. Some moons will be so close that their planet will loom high in the heavens, covering half the sky. And some worlds will look out onto a vast gaseous nebula, the remains of an ordinary star that once was and is no longer. In all those skies, rich in distant and exotic constellations, there will be a faint yellow star—perhaps barely seen by the naked eye, perhaps visible only through the telescope—the home star of the fleet of interstellar transports exploring this tiny region of the great Milky Way Galaxy. The themes of space and time are, as we have seen, intertwined. Worlds and stars, like people, are born, live and die. The lifetime of a human being is measured in decades; the lifetime of the Sun is a hundred million times longer. Compared to a star, we are like mayflies, fleeting ephemeral creatures who live out their whole lives in the course of a single day. From the point of view of a mayfly, human beings are stolid, boring, almost entirely immovable, offering hardly a hint that they ever do anything. From the point of view of a star, a human being is a tiny flash, one of billions of brief lives flickering tenuously on the surface of a strangely cold, anomalously solid, exotically remote sphere of silicate and iron. In all those other worlds in space there are events in progress, occurrences that will determine their futures. And on our small planet, this moment in history is a historical branch point as profound as the confrontation of the Ionian scientists with the mystics 2,500 years ago. What we do with our world in this time will propagate down through the centuries and powerfully determine the destiny of our descendants and their fate, if any, among the stars.
”
”
Carl Sagan (Cosmos)
“
behavior is always changing, all the time. Our planet is a dynamic, active environment. Weather is changing. The land is changing. Continents drift. Oceans rise and fall. Mountains thrust up and erode away. All the organisms on the planet are constantly adapting to those changes. The best organisms are the ones that can adapt most rapidly. That’s why it’s hard to see how a catastrophe that produces a large change could cause extinction, since so much change is occurring all the time, anyway.” “In that case,” Thorne said, “what causes extinction?” “Certainly not rapid change alone,” Malcolm said. “The facts tell us that clearly.” “What facts?” “After every major environmental change, a wave of extinctions has usually followed—but not right away. Extinctions only occur thousands, or millions of years later. Take the last glaciation in North America. The glaciers descended, the climate changed severely, but animals didn’t die. Only after the glaciers receded, when you’d think things would go back to normal, did lots of species become extinct. That’s when giraffes and tigers and mammoths vanished on this continent. And that’s the usual pattern. It’s almost as if species are weakened by the major change, but die off later. It’s a well-recognized phenomenon.
”
”
Michael Crichton (The Lost World (Jurassic Park, #2))
“
All I ever wanted to do was live my own life. And I’m having damn little success at that.”
She laughed low. “Only because you keep standing back from it. And turning aside from it. And avoiding it.” She shook her head. “Trell, Trell. Open your eyes. This horrible mess is your life. There is no sense in waiting for it to get better. Stop putting it off and live it.” She laughed again. Her voice seemed to go afar. “Everyone thinks that courage is about facing death without flinching. But almost anyone can do that. Almost anyone can hold their breath and not scream for as long as it takes to die. True courage is facing life without flinching. I don’t mean the times when the right path is hard, but glorious at the end. I’m talking about enduring boredom, and the messiness, and the inconvenience of doing what is right.”
p. 250: Brashen Trell and Amber
”
”
Robin Hobb (The Mad Ship (Liveship Traders, #2))
“
His hand caressed her back. “You know what saved me through my years in the battalion and in prison?” he said. “You. I thought, if you could get out of Russia, through Finland, through the war, pregnant, with a dying doctor, with nothing but yourself, I could survive this. If you could get through Leningrad, as you every single morning got up and slid down the ice on the stairs to get your family water and their daily bread, I thought, I could get through this. If you survived that I could survive this.” “You don’t even know how badly I did the first years. You wouldn’t believe it if I told you.” “You had my son. I had nothing else but you, and how you walked with me through Leningrad, across the Neva and Lake Ladoga and held my open back together and clotted my wounds, and washed my burns, and healed me, and saved me. I was hungry and you fed me. I had nothing but Lazarevo.” Alexander’s voice broke. “And your immortal blood. Tatiana, you were my only life force. You have no idea how hard I tried to get to you again. I gave myself up to the enemy, to the Germans for you. I got shot at for you and beaten for you and betrayed for you and convicted for you. All I wanted was to see you again. That you came back for me, it’s everything, Tatia. Don’t you understand? The rest is nothing to me. Germany, Kolyma, Dimitri, Nikolai Ouspensky, the Soviet Union, all of it, nothing. Forget them all, let them all go. You hear?” “I hear,” Tatiana said. We walk alone through this world, but if we’re lucky, we have a moment of belonging to something, to someone, that sustains us through a lifetime of loneliness. For an evening minute I touched him again and grew red wings and was young again in the Summer Garden, and had hope and eternal life.
”
”
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
“
She walked through the underpass at the Elephant and Castle, enjoying the sense that nothing really mattered, not the truth about the past, nor whether they believed her, not Winnie’s drinking or Vik’s ultimatum. It was the perfect place to escape from a painful past. She could waste years at home trying to make sense of a random series of events. There was no meaning, no lessons to be learned, no moral—none of it meant anything. She could spend her entire life trying to weave meaning into it, like compulsive gamblers and their secret schema. Nothing mattered, really, because an anonymous city is the moral equivalent of a darkened room. She understood why Ann had come here and stayed here and died here. It wouldn’t be hard. All she had to do was let go of home. She would phone Leslie and Liam sometimes, say she was fine, fine, let the calls get farther apart, make up a life for herself and they’d finally forget.
”
”
Denise Mina (Exile (Gartnethill, #2))
“
I don’t know how I didn’t see it for so many years of Bible reading, but I didn’t. Paul didn’t teach the Gentiles not to follow the law, he didn’t teach people not to have their sons circumcised (in fact he himself had Timothy circumcised in Acts 16:3). And Paul himself kept the law. Otherwise, James would have been telling Paul to lie about what he was doing. So we traded Christmas for Sukkot, the true birth of Messiah during the Feast of Tabernacles, which is a shadow picture of Him coming back to reign for a thousand years. When we keep that feast, we are making a declaration that we believe He was, is, and is coming. We keep Yom Kippur, which is a declaration that we believe that Yeshua is the salvation of the nation of Israel as a whole, that “all Israel shall be saved.” We keep Yom Teruah, the day of Trumpets, which occurs on “the day and hour that no man knows” at the sighting of the first sliver of the new moon during the 7th biblical month of Tishri. We traded Pentecost for Shavuot, the prophetic shadow picture of the spirit being poured out on the assembly, as we see in the book of Acts, just as the law was given at Mt Sinai to the assembly, which according to Stephen was the true birth of the church (Acts 7:38) – not in Jerusalem, but at Sinai. We also traded Easter for Passover, the shadow picture of Messiah coming to die to restore us to right standing with God, in order to obey Him when He said, “from now on, do this in remembrance of Me.” We traded Resurrection Sunday for First Fruits, the feast which served as a shadow of Messiah rising up out of the earth and ascending to be presented as a holy offering to the Father. In Leviticus 23, these are called the Feasts of the LORD, and were to be celebrated by His people Israel forever, not just the Jews, but all those who are in covenant with Him. Just like at Mt Sinai, the descendants of Jacob plus the mixed multitude who came out of Egypt. We learned from I John 3:4 that sin is defined as transgression of the law. I John 1:10 says that if we claim we do not sin we are liars, so sin still exists, and that was written long after the death of the other apostles, including Paul. I read what Peter said about Paul in 2 Peter 3:15-16 – that his writings were hard to understand and easily twisted. And I began to see that Peter was right because the more I understood what everyone besides Paul was saying, the more I realized that the only way I could justify what I had been doing was with Paul’s writings. I couldn’t use Yeshua (Jesus), Moses, John, Peter or any of the others to back up any of the doctrines I was taught – I had to ignore Yeshua almost entirely, or take Him out of context. I decided that Yeshua, and not Paul, died for me, so I had to
”
”
Tyler Dawn Rosenquist (The Bridge: Crossing Over Into the Fullness of Covenant Life)
“
They told me the drugs would take away the pain.
They told me the drugs would help me sleep.
They are wrong. The pain of losing Damien hasn't gone away. And I hardly ever sleep.
There's a part of me that wishes I could close my eyes and shut out the world, but I can't. I can't because I know behind my eyelids, I'll see him. He'll be there looking so fresh and alive. His skin will be vibrant with color, his blue blue eyes sparkling. He'll flash me his radiant smile and for a few minutes, I'll actually believe that he didn't die.
I'll believe it and then I wake up to discover that my mind is torturing me with what could have been and I lose control of my emotions.
I scream.
Sob.
Hug my knees to my chest.
Rock back and forth.
Tug at my hair.
I pace the length of my shoebox room and throw myself into the padded white walls. I pray for someone or something to come along and take the pain away. I pray for someone or something to erase my memory so that I'll never have to think of Damien again. And so that I'll never have to live with the painful reminder that I am the reason he died.
Damien died for me.
And for love.
And I'm not quite sure what else.
Maybe to prove a point.
”
”
Lauren Hammond (White Walls (Asylum, #2))
“
And what about your brother, Agus? Will he be entertaining us with his pipes?”
“Agg,” Shanks rasped, wrinkling his nose. “I didn’t tell you? He ain’t with us no more.” A heavy fist slammed on the arm of the Viidun’s chair as he growled, “The idiot went off and got himself killed!”
“What?” Derian and Eena replied in unison, both horrified by the news.
“You heard me!” Shanks bellowed. “The crazy fool should’ve known when to duck. He died in a bloody challenge with some brainless Deramptium! A downright disgraceful way to die! I’m ashamed to say he was my brother!”
“That’s a little harsh, isn’t it?” Eena muttered, mostly speaking to Derian.
“What was that?” the Viidun demanded.
Derian whispered a hush to Eena. Addressing Shanks, he expressed their condolences. “We are truly sorry for your loss. Your brother will be sorely missed. On the other hand, we look forward to welcoming you and your crew aboard the Kemeniroc.” Derian held up his right hand, extending his thumb and two adjoining fingers. “Strength, truth, and honor, friend,” he said, ending their conversation.
“Strength, truth, and honor,” Shanks repeated.
The screen went black. The captain turned to Eena who was still in shock.
“You have to understand,” he explained, “the Viiduns are a fiercely competitive people with proud, warring ways. Their culture doesn’t call for much sympathy, especially when it appears one of their own has failed to live up to expectations.”
Eena was still disturbed by the lack of compassion. “But that was his brother.”
“I know. I can hardly believe it myself. Shanks and Agus were very close. They traveled everywhere together. All I can figure is it’s easier for Shanks to express his anger than his anguish.”
“After all that, I’m not sure I want to meet him in person. He scares me,” she admitted.
Derian laughed. “He scares everyone. That’s why you want to keep him as an ally and not make him an enemy.
”
”
Richelle E. Goodrich (Eena, The Return of a Queen (The Harrowbethian Saga #2))
“
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go.
Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up.
Impact tremors.
Boom.
Boom.
Boom, boom, boom.
Baba Yaga was coming.
Baba Yaga was hunting him.
Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down.
Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide.
Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.”
He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong?
Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit.
Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now.
“Who knows?” Jack panted. “Maybe she got annoyed and turned around.”
An earth-shattering roar rocked the very walls of the cavern.
Jack paled.
Boom, boom, boom, boom!
Boom, boom, boom, boomboomboomboom—
Mother of God.
The dragon had broken into a run.
Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
”
”
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
“
Sacrifice is a notoriously hard concept to understand. Indeed, it is not a univocal concept, but is a name used for a variety of actions that attempt communication between the human and the divine or transcendent spheres.7 Contemplation of the abyss reveals the enormity and complexity of the evil that has been perpetrated upon a society. What would it take to overcome it? The images of cross and blood figure prominently in the Pauline language of reconciliation (cf. Rom 5:9; Col 1:20; Eph 2:13-16). Both cross and blood have paradoxical meanings that allow them to bridge the distance between the divine and human worlds, between life and death. The cross was the ultimate sign of Roman power over a conquered and colonized people. To be crucified was the most dishonorable and humiliating of ways to die. The cross stood as a sign of reassertion of Roman power and the capacity to reject and exclude utterly. Yet it was through the crucified Christ that God chose to reconcile the world. The apparent triumph of worldly power is turned against itself and becomes “Christ the power of God and the wisdom of God” (1 Cor 1:24). For John, the cross is at once instrument of humiliation and Christ's throne of glory (Jn 12:32). Similarly, blood is a sign of the divine life that God has breathed into every living being, and its shedding is a sign of death. The blood of the cross (Col 1:20) becomes the means of reconciling all things to God. In its being shed, the symbol of violence and death becomes the symbol of reconciliation and peace. To understand sacrifice, one must be prepared to inhabit the space within these paradoxes. Sacrifice understood in this way is not about the abuse of power, but about a transformation of power. A spirituality of reconciliation can be deepened by a meditation on the stories of the women and the tomb. These stories invite us to place inside them our experience of marginalization, of being incapable of imagining a way out of a traumatic past, of dealing with the kinds of absence that traumas create. They invite us to let the light of the resurrection—a light that even the abyss cannot extinguish—penetrate those absences.
”
”
Robert J. Schreiter (Ministry of Reconciliation: Spirituality & Strategies: Strategies and Spirituality)
“
The Dying Man"
in memoriam W.B. Yeats
1. His words
I heard a dying man
Say to his gathered kin,
“My soul’s hung out to dry,
Like a fresh salted skin;
I doubt I’ll use it again.
“What’s done is yet to come;
The flesh deserts the bone,
But a kiss widens the rose
I know, as the dying know
Eternity is Now.
“A man sees, as he dies,
Death’s possibilities;
My heart sways with the world.
I am that final thing,
A man learning to sing.
2. What Now?
Caught in the dying light,
I thought myself reborn.
My hand turn into hooves.
I wear the leaden weight
Of what I did not do.
Places great with their dead,
The mire, the sodden wood,
Remind me to stay alive.
I am the clumsy man
The instant ages on.
I burned the flesh away,
In love, in lively May.
I turn my look upon
Another shape than hers
Now, as the casement blurs.
In the worst night of my will,
I dared to question all,
And would the same again.
What’s beating at the gate?
Who’s come can wait.
3. The Wall
A ghost comes out of the unconscious mind
To grope my sill: It moans to be reborn!
The figure at my back is not my friend;
The hand upon my shoulder turns to horn.
I found my father when I did my work,
Only to lose myself in this small dark.
Though it reject dry borders of the seen,
What sensual eye can keep and image pure,
Leaning across a sill to greet the dawn?
A slow growth is a hard thing to endure.
When figures our of obscure shadow rave,
All sensual love’s but dancing on a grave.
The wall has entered: I must love the wall,
A madman staring at perpetual night,
A spirit raging at the visible.
I breathe alone until my dark is bright.
Dawn’s where the white is. Who would know the dawn
When there’s a dazzling dark behind the sun.
4. The Exulting
Once I delighted in a single tree;
The loose air sent me running like a child–
I love the world; I want more than the world,
Or after image of the inner eye.
Flesh cries to flesh, and bone cries out to bone;
I die into this life, alone yet not alone.
Was it a god his suffering renewed?–
I saw my father shrinking in his skin;
He turned his face: there was another man,
Walking the edge, loquacious, unafraid.
He quivered like a bird in birdless air,
Yet dared to fix his vision anywhere.
Fish feed on fish, according to their need:
My enemies renew me, and my blood
Beats slower in my careless solitude.
I bare a wound, and dare myself to bleed.
I think a bird, and it begins to fly.
By dying daily, I have come to be.
All exultation is a dangerous thing.
I see you, love, I see you in a dream;
I hear a noise of bees, a trellis hum,
And that slow humming rises into song.
A breath is but a breath: I have the earth;
I shall undo all dying with my death.
5. They Sing, They Sing
All women loved dance in a dying light–
The moon’s my mother: how I love the moon!
Out of her place she comes, a dolphin one,
Then settles back to shade and the long night.
A beast cries out as if its flesh were torn,
And that cry takes me back where I was born.
Who thought love but a motion in the mind?
Am I but nothing, leaning towards a thing?
I scare myself with sighing, or I’ll sing;
Descend O gentlest light, descend, descend.
I sweet field far ahead, I hear your birds,
They sing, they sing, but still in minor thirds.
I’ve the lark’s word for it, who sings alone:
What’s seen recededs; Forever’s what we know!–
Eternity defined, and strewn with straw,
The fury of the slug beneath the stone.
The vision moves, and yet remains the same.
In heaven’s praise, I dread the thing I am.
The edges of the summit still appall
When we brood on the dead or the beloved;
Nor can imagination do it all
In this last place of light: he dares to live
Who stops being a bird, yet beats his wings
Against the immense immeasurable emptiness of things.
”
”
Theodore Roethke (The Collected Poems)
“
Little Sleep's-Head Sprouting Hair
in the Moonlight
1
You scream, waking from a nightmare.
When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.
2
I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,
I would blow the flame out of your silver cup,
I would suck the rot from your fingernail,
I would brush your sprouting hair of the dying light,
I would scrape the rust off your ivory bones,
I would help death escape through the little ribs of your body,
I would alchemize the ashes of your cradle back into wood,
I would let nothing of you go, ever,
until washerwomen
feel the clothes fall asleep in their hands,
and hens scratch their spell across hatchet blades,
and rats walk away from the culture of the plague,
and iron twists weapons toward truth north,
and grease refuse to slide in the machinery of progress,
and men feel as free on earth as fleas on the bodies of men,
and the widow still whispers to the presence no longer beside her
in the dark.
And yet perhaps this is the reason you cry,
this the nightmare you wake screaming from:
being forever
in the pre-trembling of a house that falls.
3
In a restaurant once, everyone
quietly eating, you clambered up
on my lap: to all
the mouthfuls rising toward
all the mouths, at the top of your voice
you cried
your one word, caca! caca! caca!
and each spoonful
stopped, a moment, in midair, in its withering
steam.
Yes,
you cling because
I, like you, only sooner
than you, will go down
the path of vanished alphabets,
the roadlessness
to the other side of the darkness,
your arms
like the shoes left behind,
like the adjectives in the halting speech
of old folk,
which once could call up the lost nouns.
4
And you yourself,
some impossible Tuesday
in the year Two Thousand and Nine, will walk out
among the black stones
of the field, in the rain,
and the stones saying
over their one word, ci-gît, ci-gît, ci-gît,
and the raindrops
hitting you on the fontanel
over and over, and you standing there
unable to let them in.
5
If one day it happens
you find yourself with someone you love
in a café at one end
of the Pont Mirabeau, at the zinc bar
where wine takes the shapes of upward opening glasses,
and if you commit then, as we did, the error
of thinking,
one day all this will only be memory,
learn to reach deeper
into the sorrows
to come—to touch
the almost imaginary bones
under the face, to hear under the laughter
the wind crying across the black stones. Kiss
the mouth
that tells you, here,
here is the world. This mouth. This laughter. These temple bones.
The still undanced cadence of vanishing.
6
In the light the moon
sends back, I can see in your eyes
the hand that waved once
in my father's eyes, a tiny kite
wobbling far up in the twilight of his last look:
and the angel
of all mortal things lets go the string.
7
Back you go, into your crib.
The last blackbird lights up his gold wings: farewell.
Your eyes close inside your head,
in sleep. Already
in your dreams the hours begin to sing.
Little sleep's-head sprouting hair in the moonlight,
when I come back
we will go out together,
we will walk out together among
the ten thousand things,
each scratched in time with such knowledge, the wages
of dying is love.
”
”
Galway Kinnell
“
As a society we are only now getting close to where Dogen was eight hundred years ago. We are watching all our most basic assumptions about life, the universe, and everything come undone, just like Dogen saw his world fall apart when his parents died. Religions don’t seem to mean much anymore, except maybe to small groups of fanatics. You can hardly get a full-time job, and even if you do, there’s no stability. A college degree means very little. The Internet has leveled things so much that the opinions of the greatest scientists in the world about global climate change are presented as being equal to those of some dude who read part of the Bible and took it literally. The news industry has collapsed so that it’s hard to tell a fake headline from a real one. Money isn’t money anymore; it’s numbers stored in computers. Everything is changing so rapidly that none of us can hope to keep up. All this uncertainty has a lot of us scrambling for something certain to hang on to. But if you think I’m gonna tell you that Dogen provides us with that certainty, think again. He actually gives us something far more useful. Dogen gives us a way to be okay with uncertainty. This isn’t just something Buddhists need; it’s something we all need. We humans can be certainty junkies. We’ll believe in the most ridiculous nonsense to avoid the suffering that comes from not knowing something. It’s like part of our brain is dedicated to compulsive dot-connecting. I think we’re wired to want to be certain. You have to know if that’s a rope or a snake, if the guy with the chains all over his chest is a gangster or a fan of bad seventies movies. Being certain means being safe. The downfall is that we humans think about a lot of stuff that’s not actually real. We crave certainty in areas where there can never be any. That’s when we start in with believing the crazy stuff. Dogen is interesting because he tries to cut right to the heart of this. He gets into what is real and what is not. Probably the main reason he’s so difficult to read is that Dogen is trying to say things that can’t actually be said. So he has to bend language to the point where it almost breaks. He’s often using language itself to show the limitations of language. Even the very first readers of his writings must have found them difficult. Dogen understood both that words always ultimately fail to describe reality and that we human beings must rely on words anyway. So he tried to use words to write about that which is beyond words. This isn’t really a discrepancy. You use words, but you remain aware of their limitations. My teacher used to say, “People like explanations.” We do. They’re comforting. When the explanation is reasonably correct, it’s useful.
”
”
Brad Warner (It Came from Beyond Zen!: More Practical Advice from Dogen, Japan's Greatest Zen Master (Treasury of the True Dharma Eye Book 2))
“
Before I leave the bathroom, I pinch my cheeks hard to bring blood to the surface of my skin. It’s stupid, but I don’t want to look weak and exhausted in front of everyone.
When I walk back into Tobias’s room, Uriah is sprawled across the bed facedown; Christina is holding the blue sculpture above Tobias’s desk, examining it; and Lynn is poised above Uriah with a pillow, a wicked grin creeping across her face.
Lynn smacks Uriah hard in the back of the head, Christina says, “Hey Tris!” and Uriah cries, “Ow! How on earth do you make a pillow hurt, Lynn?”
“My exceptional strength,” she says. “Did you get smacked, Tris? One of your cheeks is bright red.”
I must not have pinched the other one hard enough. “No, it’s just…my morning glow.”
I try the joke out on my tongue like it’s a new language. Christina laughs, maybe a little harder than my comment warrants, but I appreciate the effort. Uriah bounces on the bed a few times when he moves to the edge.
“So, the thing we’re all not talking about,” he says. He gestures to me. “You almost died, a sadistic pansycake saved you, and now we’re all waging some serious war with the factionless as allies.”
“Pansycake?” says Christina.
“Dauntless slang.” Lynn smirks. “Supposed to be a huge insult, only no one uses it anymore.”
“Because it’s so offensive,” says Uriah, noddng.
“No. Because it’s so stupid no Dauntless with any sense would speak it, let alone think it. Pansycake. What are you, twelve?”
“And a half,” he says.
I get the feeling their banter is for my benefit, so that I don’t have to say anything; I can just laugh. And I do, enough to warm the stone that has formed in my stomach.
“There’s food downstairs,” says Christina. “Tobias made scrambled eggs, which, as it turns out, is a disgusting food.”
“Hey,” I say. “I like scrambled eggs.”
“Must be a Stiff breakfast, then.” She grabs my arm. “C’mon.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
From the start the proportion of asocials in the camp was about one-third of the total population, and throughout the first years prostitutes, homeless and ‘work-shy’ women continued to pour in through the gates. Overcrowding in the asocial blocks increased fast, order collapsed, and then followed squalor and disease.
Although we learn a lot about what the political prisoners thought of the asocials, we learn nothing of what the asocials thought of them. Unlike the political women, they left no memoirs. Speaking out after the war would mean revealing the reason for imprisonment in the first place, and incurring more shame. Had compensation been available they might have seen a reason to come forward, but none was offered.
The German associations set up after the war to help camp survivors were dominated by political prisoners. And whether they were based in the communist East or in the West, these bodies saw no reason to help ‘asocial’ survivors. Such prisoners had not been arrested as ‘fighters’ against the fascists, so whatever their suffering none of them qualified for financial or any other kind of help. Nor were the Western Allies interested in their fate. Although thousands of asocials died at Ravensbrück, not a single black- or green-triangle survivor was called upon to give evidence for the Hamburg War Crimes trials, or at any later trials.
As a result these women simply disappeared: the red-light districts they came from had been flattened by Allied bombs, so nobody knew where they went. For many decades, Holocaust researchers also considered the asocials’ stories irrelevant; they barely rate mention in camp histories. Finding survivors amongst this group was doubly hard because they formed no associations, nor veterans’ groups. Today, door-knocking down the Düsseldorf Bahndamm, one of the few pre-war red-light districts not destroyed, brings only angry shouts of ‘Get off my patch'.
”
”
Sarah Helm (Ravensbrück: Life and Death in Hitler's Concentration Camp for Women)
“
Today we place lots of emphasis on increasing racial diversity in our churches. That’s a good thing. It’s needed. But there’s more to having a genuinely mosaic church than just racial and socioeconomic diversity. We also have to learn to work through the passionate and mutually exclusive opinions that we have in the realms of politics, theology, and ministry priorities. The world is watching to see if our modern-day Simon the Zealots and Matthew the tax collectors can learn to get along for the sake of the Lord Jesus. If not, we shouldn’t be surprised if it no longer listens to us. Jesus warned us that people would have a hard time believing that he was the Son of God and that we were his followers if we couldn’t get along. Whenever we fail to play nice in the sandbox, we give people on the outside good reason to write us off, shake their heads in disgust, and ask, “What kind of Father would have a family like that?”1 BEARING WITH ONE ANOTHER To create and maintain the kind of unity that exalts Jesus as Lord of all, we have to learn what it means to genuinely bear with one another. I fear that for lots of Christians today, bearing with one another is nothing more than a cliché, a verse to be memorized but not a command to obey.2 By definition, bearing with one another is an act of selfless obedience. It means dying to self and overlooking things I’d rather not overlook. It means working out real and deep differences and disagreements. It means offering to others the same grace, mercy, and patience when they are dead wrong as Jesus offers to me when I’m dead wrong. As I’ve said before, I’m not talking about overlooking heresy, embracing a different gospel, or ignoring high-handed sin. But I am talking about agreeing to disagree on matters of substance and things we feel passionate about. If we overlook only the little stuff, we aren’t bearing with one another. We’re just showing common courtesy.
”
”
Larry Osborne (Accidental Pharisees: Avoiding Pride, Exclusivity, and the Other Dangers of Overzealous Faith)
“
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing.
A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback?
The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at.
I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting.
It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.”
“Emma, run!” Mom yells.
Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing.
Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.”
Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another.
I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that.
Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs.
He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack.
Mom has never been girlie.
Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.”
Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
New Rule: Conservatives have to stop complaining about Hollywood values. It's Oscar time again, which means two things: (1) I've got to get waxed, and (2) talk-radio hosts and conservative columnists will trot out their annual complaints about Hollywood: We're too liberal; we're out of touch with the Heartland; our facial muscles have been deadened with chicken botulism; and we make them feel fat. To these people, I say: Shut up and eat your popcorn. And stop bitching about one of the few American products--movies---that people all over the world still want to buy.
Last year, Hollywood set a new box-office record: $16 billion worldwide. Not bad for a bunch of socialists. You never see Hollywood begging Washington for a handout, like corn farmers, or the auto industry, or the entire state of Alaska.
What makes it even more inappropriate for conservatives to slam Hollywood is that they more than anybody lose their shit over any D-lister who leans right to the point that they actually run them for office. Sony Bono? Fred Thompson? And let'snot forget that the modern conservative messiah is a guy who costarred with a chimp. That's right, Dick Cheney.
I'm not trying to say that when celebrities are conservative they're almost always lame, but if Stephen Baldwin killed himself and Bo Derrick with a car bomb, the headline the next day would be "Two Die in Car Bombing."
The truth is that the vast majority of Hollywood talent is liberal, because most stars adhere to an ideology that jibes with their core principles of taking drugs and getting laid. The liebral stars that the right is always demonizing--Sean Penn and Michael Moore, Barbra Streisand and Alec Baldwin and Tim Robbins, and all the other members of my biweekly cocaine orgy--they're just people with opinions. None of them hold elective office, and liberals aren't begging them to run. Because we live in the real world, where actors do acting, and politicians do...nothing.
We progressives love our stars, but we know better than to elect them. We make the movies here, so we know a well-kept trade secret: The people on that screen are only pretending to be geniuses, astronauts, and cowboys.
So please don't hat eon us. And please don't ruin the Oscars. Because honestly, we're just like you: We work hard all year long, and the Oscars are really just our prom night. The tuxedos are scratchy, the limousines are rented, and we go home with eighteen-year-old girls.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Have you ever noticed how when someone you admire goes out and does something phenomenal, you’re happy for her or him, but you’re not surprised—of course they did something phenomenal, they’re a phenomenal person! But to get yourself to see how amazing you are is like pushing a giant marshmallow up a hill. Yes, there we go, we are up, we are awesome! Ooop! We’re sagging—we are sagging on the left! Push it up. There we go. We are all good! Wait, now we’re sagging on the right . . . We run around, taking one step forward and fourteen steps back when it’s so unnecessary. Instead, try seeing yourself through the eyes of someone who admires you. They get it. They believe in you leaps and bounds. They aren’t connected to your insecurities and negative beliefs about yourself. All they see is your true glory and potential. Become one of your own die-hard fans, look at yourself from the outside, where all your self doubts can’t crawl all over you, and behold what shines through. You get to choose how you perceive your reality. So why, when it comes to perceiving yourself, would you choose to see anything other than a super huge rock star of a creature? You are a badass. You were one when you came screaming onto this planet and you are one now. The Universe wouldn’t have bothered with you otherwise. You can’t screw up so majorly that your badassery disappears. It is who you are. It’s who you always will be. It’s not up for negotiation. You are loved. Massively. Ferociously. Unconditionally. The Universe is totally freaking out about how awesome you are. It’s got you wrapped in a warm gorilla hug of adoration. It wants to give you everything you desire. It wants you to be happy. It wants you to see what it sees in you. You are perfect. To think anything less is as pointless as a river thinking that it’s got too many curves or that it moves too slowly or that its rapids are too rapid. Says who? You’re on a journey with no defined beginning, middle or end. There are no wrong twists and turns. There is just being. And your job is to be as you as you can be. This is why you’re here. To shy away from who you truly are would leave the world you-less. You are the only you there is and ever will be. I repeat, you are the only you there is and ever will be. Do not deny the world its one and only chance to bask in your brilliance. We are all perfect in our own, magnificent, fucked-up ways. Laugh at yourself. Love yourself and others. Rejoice in the cosmic ridiculousness. PART 2: HOW
”
”
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
Oskar Schell: My father died at 9-11. After he died I wouldn't go into his room for a year because it was too hard and it made me want to cry. But one day, I put on heavy boots and went in his room anyway. I miss doing taekwondo with him because it always made me laugh. When I went into his closet, where his clothes and stuff were, I reached up to get his old camera. It spun around and dropped about a hundred stairs, and I broke a blue vase! Inside was a key in an envelope with black written on it and I knew that dad left something somewhere for me that the key opened and I had to find. So I take it to Walt, the locksmith. I give it to Stan, the doorman, who tells me keys can open anything. He gave me the phone book for all the five boroughs. I count there are 472 people with the last name black. There are 216 addresses. Some of the blacks live together, obviously. I calculated that if I go to 2 every Saturday plus holidays, minus my hamlet school plays, my minerals, coins, and comic convention, it's going to take me 3 years to go through all of them. But that's what I'm going to do! Go to every single person named black and find out what the key fits and see what dad needed me to find. I made the very best possible plan but using the last four digits of each phone number, I divide the people by zones. I had to tell my mother another lie, because she wouldn't understand how I need to go out and find what the key fits and help me make sense of things that don't even make sense like him being killed in the building by people that didn't even know him at all! And I see some people who don't speak English, who are hiding, one black said that she spoke to God. If she spoke to god how come she didn't tell him not to kill her son or not to let people fly planes into buildings and maybe she spoke to a different god than them! And I met a man who was a woman who a man who was a woman all at the same time and he didn't want to get hurt because he/she was scared that she/he was so different. And I still wonder if she/he ever beat up himself, but what does it matter?
Thomas Schell: What would this place be if everyone had the same haircut?
Oskar Schell: And I see Mr. Black who hasn't heard a sound in 24 years which I can understand because I miss dad's voice that much. Like when he would say, "are you up yet?" or...
Thomas Schell: Let's go do something.
Oskar Schell: And I see the twin brothers who paint together and there's a shed that has to be clue, but it's just a shed! Another black drew the same drawing of the same person over and over and over again! Forest black, the doorman, was a school teacher in Russia but now says his brain is dying! Seamus black who has a coin collection, but doesn't have enough money to eat everyday! You see olive black was a gate guard but didn't have the key to it which makes him feel like he's looking at a brick wall. And I feel like I'm looking at a brick wall because I tried the key in 148 different places, but the key didn't fit. And open anything it hasn't that dad needed me to find so I know that without him everything is going to be alright.
Thomas Schell: Let's leave it there then.
Oskar Schell: And I still feel scared every time I go into a strange place. I'm so scared I have to hold myself around my waist or I think I'll just break all apart! But I never forget what I heard him tell mom about the sixth borough. That if things were easy to find...
Thomas Schell: ...they wouldn't be worth finding.
Oskar Schell: And I'm so scared every time I leave home. Every time I hear a door open. And I don't know a single thing that I didn't know when I started! It's these times I miss my dad more than ever even if this whole thing is to stop missing him at all! It hurts too much. Sometimes I'm afraid I'll do something very bad.
”
”
Eric Roth
“
I’ll tell you what,” she said, prepared to make a deal. “Let’s see how your ‘diplomacy’ would profit us. If you can give me a decent solution to a pretend situation, I’ll agree to have you accompany me instead of Shanks. Although, I don’t know how wise it is to leave a Viidun captain on the Kemeniroc in your absence.”
Derian agreed to the test. “Okay, what’s your question?”
She thought hard for a moment; her eyes scrunching in concentration, lips pulled down to one side. Then, as a crooked grin spread across her lips, she set up an imagined scenario.
“Pretend we’re down on the planet with this King Wennergren when he graciously offers to walk us through his cherished garden. While we’re there he begs me to touch his favorite, award-winning flower, hoping my powers will make it thrive and blossom. But for some strange reason it doesn’t respond to me the way plants do on our world. Instead of thriving, the flower withers and dies right before his shocked and furious eyes. Now pretend he’s easily offended and has a horrible temper…”
Derian cut it. “You have no idea what his temperament is like.”
“I know. That’s not the point.” Her eyes scolded him for interrupting. “Just pretend that he becomes outraged by my actions, assuming that I purposefully destroyed his prized plant. The angry king orders both of us to be seized and thrown into his deep, dark, inescapable dungeon. But, somehow we manage to dodge his line of soldiers and run into a nearby congested jungle, hiding beneath the foliage from our determined pursuers.
“Finally, pretend that we trudge along for hours, so deep within the trees that we begin to hear howling in the distance from dangerous, hungry beasts. They seem to sound off all around us. Every now and then we hear weapon’s fire as King Wennergren’s men fend off these wild animals. This only reminds us that the soldiers are still in pursuit. Far, far buried within the dark jungle we spot a clearing and head for it. Unfortunately, once we reach it we come across an entire pack of ferocious animals who begin to stalk us. So we turn around, only to face a line of soldiers from behind, pointing their weapons our direction. We’re surrounded by danger on both sides, Derian! Now, what do you do?”
She looked at him, wide-eyed and expectant.
“Eena, you have a terribly overactive imagination,” he said flatly.
She rolled her eyes, then impatiently asked him again, “Well? What would you do?”
“I’d stop pretending."
She fell back in her chair, groaning. “You’re still not going.”
“Try and stop me,” he dared.
“You know I can,” she reminded him.
He glared at her. “When the time comes, we’ll see.
”
”
Richelle E. Goodrich (Eena, The Return of a Queen (The Harrowbethian Saga #2))
“
Someone shakes my shoulder. I jerk awake, my eyes wide and searching, and I see Tobias kneeling over me. He wears a Dauntless traitor jacket, and one side of his head is coated with blood. The blood streams from a wound on his ear--the top of his hear is gone. I wince.
“What happened?” I say.
“Get up. We have to run.”
“It’s too soon. It hasn’t been two weeks.”
“I don’t have time to explain. Come on.”
“Oh God. Tobias.”
I sit up and wrap my arms around him, pressing my face into his neck. His arms tighten around me and squeeze. Warmth courses through me, and comfort. If he is here, that means I’m safe. My tears make his skin slippery.
He stands and pulls me to my feet, which makes my wounded shoulder throb.
“Reinforcements will be here soon. Come on.”
I let him lead me out of the room. We make it down the first hallway without difficulty, but in the second hallway, we encounter two Dauntless guards, one a young man and one a middle-aged woman. Tobias fires twice in a matter of seconds, both hits, one in the head and one in the chest. The woman, who was hit in the chest, slumps against the wall but doesn’t die.
We keep moving. One hallway, then another, all of them look the same. Tobias’s grip on my hand never falters. I know that if he can throw a knife so that it hits just the tip of my ear, he can fire accurately at the Dauntless soldiers who ambush us. We step over fallen bodies--the people Tobias killed in the way in, probably--and finally reach a fire exit.
Tobias lets go of my hand to open the door, and the fire alarm screeches in my ears, but we keep running. I am gasping for air but I don’t care, not when I’m finally escaping, not when this nightmare is finally over. My vision starts to go black at the edges, so I grab Tobias’s arm and hold on tight, trusting him to lead me safely to the bottom of the stairs.
I run out of steps to run down, and I open my eyes. Tobias is about to open the exit door, but I hold him back. “Got to…catch my breath…”
He pauses, and I put my hands on my knees, leaning over. My shoulder still throbs. I frown, and look up at him.
“Come on, let’s get out of here,” he says insistently.
My stomach sinks. I stare into his eyes. They are dark blue, with a patch of light blue on his right iris.
I take his chin in hand and pull his lips down to mine, kissing him slowly, sighing as I pull back.
“We can’t get out of here,” I say. “Because this is a simulation.”
He pulled me to my feet with my right hand. The real Tobias would have remembered the wound in my shoulder.
“What?” He scowls at me. “Don’t you think I would know if I was under a simulation?”
“You aren’t under a simulation. You are the simulation.” I look up and say in a loud voice, “You’ll have to do better than that, Jeanine.”
All I have to do now is wake up, and I know how--I have done it before, in my fear landscape, when I broke a glass tank just by touching my palm to it, or when I made a gun appear in the grass to shoot descending birds. I take a knife from my pocket--a knife that wasn’t there a moment ago--and will my leg to be hard as diamond.
I thrust the knife toward my thigh, and the blade bends.
”
”
Veronica Roth (Insurgent (Divergent, #2))
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You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that??
'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back.
'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up
for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.'
'He only wins if you let him.' 'What can I do about it?' she asked.
'From listening to your podcast, sounds to me like there's not much you can't do.'
'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -'
'Do you care?' Charlie asked. 'Do you care what people
think, if you know you're right?'
She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true.
And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life.
'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that."
'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might
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Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))