Diane Ackerman Quotes

We've searched our database for all the quotes and captions related to Diane Ackerman. Here they are! All 100 of them:

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I don't want to get to the end of my life and find that I have just lived the length of it. I want to have lived the width of it as well.
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Diane Ackerman
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It began in mystery, and it will end in mystery, but what a savage and beautiful country lies in between.
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Diane Ackerman (A Natural History of the Senses)
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Wonder is the heaviest element on the periodic table. Even a tiny fleck of it stops time.
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Diane Ackerman
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Words are small shapes in the gorgeous chaos of the world.
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Diane Ackerman (A Natural History of the Senses)
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When I set a glass prism on a windowsill and allow the sun to flood through it, a spectrum of colors dances on the floor. What we call "white" is a rainbow of colored rays packed into a small space. The prism sets them free. Love is the white light of emotion.
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Diane Ackerman (A Natural History of Love)
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Look at your feet. You are standing in the sky. When we think of the sky, we tend to look up, but the sky actually begins at the earth. We walk through it, yell into it, rake leaves, wash the dog, and drive cars in it. We breathe it deep within us. With every breath, we inhale millions of molecules of sky, heat them briefly, and then exhale them back into the world.
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Diane Ackerman (A Natural History of the Senses)
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I don’t want to be a passenger in my own life.
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Diane Ackerman
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Who would deduce the dragonfly from the larva, the iris from the bud, the lawyer from the infant? ...We are all shape-shifters and magical reinventors. Life is really a plural noun, a caravan of selves.
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Diane Ackerman
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I watched her face switch among the radio stations of memory
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Diane Ackerman (The Zookeeper's Wife)
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Libraries change lives. They are the soul of a people.
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Diane Ackerman
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Of all the errands life seems to be running, of all the mysteries that enchant us, love is my favorite
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Diane Ackerman (A Natural History of Love)
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Which is crueler, an old man's lost memories of a life lived, or a young man's lost memories of the life he meant to live?
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Diane Ackerman
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I'm an Earth ecstatic, and my creed is simple: All life is sacred, life loves life, and we are capable of improving our behavior toward one another. As basic as that is, for me it's also tonic and deeply spiritual, glorifying the smallest life-form and embracing the most distant stars.
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Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
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There's no place you can go on the prairie that you don't hear the white noise of the wind, steady and rough as surf curling along a non-existant shore.
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Diane Ackerman
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Symbolic of life, hair bolts from our head[s]. Like the earth, it can be harvested, but it will rise again. We can change its color and texture when the mood strikes us, but in time it will return to its original form, just as Nature will in time turn our precisely laid-out cities into a weed-way.
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Diane Ackerman (A Natural History of the Senses)
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I will not dishonor my soul with hatred, but offer myself humbly as a guardian of nature, as a healer of misery, as a messenger of wonder, as an architect of peace. I will honor all life β€”wherever and in whatever form it may dwellβ€”on Earth my home, and in the mansions of the stars.
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Diane Ackerman (I Praise My Destroyer: Poems)
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I don't understand all the fuss. If any creature is in danger, you save it, human or animal.
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Diane Ackerman (The Zookeeper's Wife: A War Story)
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Love seems to be as Essential as Sunlight
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Diane Ackerman
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Because IQ tests favor memory skills and logic, overlooking artistic creativity, insight, resiliency, emotional reserves, sensory gifts, and life experience, they can't really predict success, let alone satisfaction.
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Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
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Why was it, she asked herself, that 'animals can sometimes subdue their predatory ways in only a few months, while humans, despite centuries of refinement, can quickly grow more savage than any beast.
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Diane Ackerman (The Zookeeper's Wife)
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For me, life offers so many complexly appealing moments that two beautiful objects may be equally beautiful for different reasons and at different times. How can one choose?
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Diane Ackerman (A Natural History of the Senses)
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And yet, words are the passkeys to our souls. Without them, we can't really share the enormity of our lives.
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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We would lie on coral sand, below sugary stars, watching Cassiopeia mount her throne and the Great Bear wash its paws in the South. I would say, "I have a secret to tell you." And, folding me in your arms, boyish and sly, you would answer: "Whisper it into my mouth.
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Diane Ackerman (Jaguar of Sweet Laughter: New and Selected Poems)
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Couples are jigsaw puzzles that hang together by touching in just enough points.
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Diane Ackerman
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God may promise not to destroy creation, but it is not a promise humankind made - to our peril.
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Diane Ackerman (The Zookeeper's Wife)
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There was nothing to do but wait. It is always like this for naturalists, and for poets--the long hours of travel and preparation, and then the longer hours of waiting. All for that one electric, pulse-revving vision when the universe suddenly declares itself.
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Diane Ackerman (The Moon by Whale Light and Other Adventures Among Bats, Penguins, Crocodilians and Whales)
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We can't enchant the world, which makes its own magic; but we can enchant ourselves by paying deep attention
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Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
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To begin to understand the gorgeous fever that is consciousness, we must try to understand the senses and what they can tell us about the ravishing world we have the privilege to inhabit.
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Diane Ackerman
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How can love's spaciousness be conveyed in the narrow confines of one syllable?
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Diane Ackerman
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Love is like a batik created from many emotional colors, it is a fabric whose pattern and brightness may vary.
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Diane Ackerman (A Natural History of Love)
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I don't want to get to the end of my life and find that I lived just the length of it. I want to have lived the width of it as well. β€”Diane Ackerman
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HeatherAsh Amara (Warrior Goddess Training: Become the Woman You Are Meant to Be)
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When I go biking, I repeat a mantra of the day's sensations: bright sun, blue sky, warm breeze, blue jay's call, ice melting and so on. This helps me transcend the traffic, ignore the clamorings of work, leave all the mind theaters behind and focus on nature instead. I still must abide by the rules of the road, of biking, of gravity. But I am mentally far away from civilization. The world is breaking someone else's heart.
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Diane Ackerman
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For if I do something, I never do it thoughtlessly.
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Diane Ackerman (The Zookeeper's Wife)
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In our heart we know that life loves life. Yet we feast on some of the other life-forms with which we share our planet; we kill to live. Taste is what carries us across that rocky moral terrain, what makes the horror palatable, and the paradox we could not defend by reason melts into a jungle of sweet temptations.
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Diane Ackerman (A Natural History of the Senses)
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I don't want to get to the end of my life and find that I just lived the lenght of it. I want to have lived the width of it as well.
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Diane Ackerman
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Germany's crime is the greatest crime the world has ever known, because it is not on the scale of History: it is on the scale of Evolution.
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Diane Ackerman (The Zookeeper's Wife)
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Don't think of night as the absence of day; think of it as a kind of freedom. Turned away from our sun, we see the dawning of far flung galaxies. We are no longer sun blinded to the star coated universe we inhabit.
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Diane Ackerman (A Natural History of the Senses)
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No matter how politely one says it, we owe our existence to the farts of blue-green algae.
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Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
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Fear is danger to your body, but disgust is danger to your soul.
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Diane Ackerman (A Slender Thread)
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There is a furnace in our cells, and when we breathe we pass the world through our bodies, brew it lightly, and turn it loose again, gently altered for having known us.
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Diane Ackerman (A Natural History of the Senses)
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We think of it as a sort of traffic accident of the heart. It is an emotion that scares us more than cruelty, more than violence, more than hatred. We allow ourselves to be foiled by the vagueness of the word. After all, love requires the utmost vulnerability. We equip someone with freshly sharpened knives; strip naked; then invite him to stand close. What could be scarier?
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Diane Ackerman (A Natural History of Love)
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At some point, one asks, "Toward what end is my life lived?" A great freedom comes from being able to answer that question. A sleeper can be decoyed out of bed by the sheer beauty of dawn on the open seas. Part of my job, as I see it, is to allow that to happen. Sleepers like me need at some point to rise and take their turn on morning watch for the sake of the planet, but also for their own sake, for the enrichment of their lives. From the deserts of Namibia to the razor-backed Himalayas, there are wonderful creatures that have roamed the Earth much longer than we, creatures that not only are worthy of our respect but could teach us about ourselves.
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Diane Ackerman (The Rarest of the Rare: Vanishing Animals, Timeless Worlds)
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The daftest logic brings such sweet unrest.
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Diane Ackerman
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How do you retain a spirit of affection and humor in a crazed, homicidal, unpredictable society?
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Diane Ackerman (The Zookeeper's Wife)
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I was moving in a narrow range between busy distractedness and a pervasive sadness whose granules seemed to enter each cell, weighing it down... I ghosted between islands of anxiety... a fatigue that dulled my zest, decanted it. Sorrow felt like a marble coat I couldn’t shed.
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Diane Ackerman (One Hundred Names for Love: A Memoir)
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A good strategy should dictate the right actions. Any action mustn't be impulsive, but analyzed along with all its possible outcomes. A solid plan always includes many backups and alternatives.
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Diane Ackerman (The Zookeeper's Wife)
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All our senses feed the brain, and if it diets mainly on cruelty and suffering, how can it remain healthy? Change that diet, on purpose, train mentally to refocus the mind, and one nourishes the brain.
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Diane Ackerman (The Zookeeper's Wife: A War Story)
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Below us somewhere in the gelatinous phantasmagoria of churning blue, the whales wouldn't be much aware of the storm.
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Diane Ackerman
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Alligators have beautiful undulating skin, which feels dense, spongy, solid, like the best eraser.
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Diane Ackerman (The Moon by Whale Light and Other Adventures Among Bats, Penguins, Crocodilians and Whales)
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Suffering took hold of me like a magic spell abolishing all differences between friends and strangers.
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Diane Ackerman (The Zookeeper's Wife)
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Antonina felt convinced that people needed to connect more with their animal nature, but also that animals long for human company, reach out for human attention.
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Diane Ackerman (The Zookeeper's Wife)
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Devising a vocabulary for gardening is like devising a vocabulary for sex. There are the correct Latin names, but most people invent euphemisms. Those who refer to plants by Latin name are considered more expert, if a little pedantic.
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Diane Ackerman (Cultivating Delight: A Natural History of My Garden)
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Myself, I've always been organized in waves. For months on end, slowly descending into disorder, I drift with the status quo. Then I wake up one morning with a sudden compulsion to color-code my socks or stack them vertically.
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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Much of life becomes background, but it is the province of art to throw buckets of light into the shadows and make life a new again.
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Diane Ackerman (A Natural History of the Senses)
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Everyone admits that love is wonderful and necessary, yet no one agrees on just what it is.
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Diane Ackerman
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It's like having a head full of holes, in which the perfect repository of words have shamed themselves," he lamented.
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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Much more. We're joined at the heart." "Bad luck for you, I'm afraid. My ticker's pretty wonky." "Too much boozing." His eyes twinkled, and he drew me close. "Not enough kissling.
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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As fleeting emotions stalk it, a face can leak fear or the guilt of a forming lie.
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Diane Ackerman (The Zookeeper's Wife)
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It's not enough to do research from a distance. It's by living beside animals that you learn their behavior and psychology.
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Diane Ackerman (The Zookeeper's Wife)
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Words are small shapes in the gorgeous chaos of the world. But they are shapes, they bring the world into focus, they corral ideas, they hone thoughts, they paint watercolors of perception.
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Diane Ackerman (A Natural History of the Senses)
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A life like an intricately woven basket, frayed, worn, broken, unraveled, reworked, reknit from many of its original pieces... Life can survive in the constant shadow of illness, and even rise to moments of rampant joy, but the shadow remains, and one has to make space for it.
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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So much in a relationship changes when a partner is seriously ill, helpless yet blameless, and indefatigably needy. I felt old. [p. 99] The animal part of him in pain accepted my caring. But the part of himself watching himself in that pain didn't believe I could ever respect him again. None of this crossed my mind. I couldn't risk knowing it. No one could and continue caregiving. They'd feel so unappreciated and wronged that it would drive them away. [p. 100]
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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The sensory misers will inherit the earth, but first they will make it not worth living on. When you consider something like death, after which we may well go out like a candle flame, then it probably won’t matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly.
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Diane Ackerman (A Natural History of the Senses)
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So often loneliness comes from being out of touch with parts of oneself. We go searching for those parts in other people, but there’s a difference between feeling separate from others and separate from oneself.
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Diane Ackerman
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We carry the ocean within us; our veins mirror the tides.
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Diane Ackerman (A Natural History of the Senses)
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Music, the perfume of hearing, probably began as a religious act, to arouse groups of people.
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Diane Ackerman (A Natural History of the Senses)
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But who can say why two people become a couple, that small principality of mutual protection and regard? Couples are jigsaw puzzles that hang together by touching in just enough points.
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Diane Ackerman
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We tend to think of memories as monuments we once forged and may find intact beneath the weedy growth of years. But, in a real sense, memories are tied to and describe the present. Formed in an idiosyncratic way when they happened, they're also true to the moment of recall, including how you feel, all you've experienced, and new values, passions, and vulnerability. One never steps into the same stream of consciousness twice.
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Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
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Couples are jigsaw puzzles that hang together by touching in just enough points. They're never total fits or misfits. ... We marry children who have grown up and still rejoice in being children .... [p. 15]
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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That evening, as I watched the sunset’s pinwheels of apricot and mauve slowly explode into red ribbons, I thought: The sensory misers will inherit the earth, but first they will make it not worth living on. When you consider something like death, after which (there being no news flash to the contrary) we may well go out like a candle flame, then it probably doesn’t matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly. It probably doesn’t matter if, while trying to be modest and eager watchers of life’s many spectacles, we sometimes look clumsy or get dirty or ask stupid questions or reveal our ignorance or say the wrong thing or light up with wonder like the children we all are. It probably doesn’t matter if a passerby sees us dipping a finger into the moist pouches of dozens of lady’s slippers to find out what bugs tend to fall into them, and thinks us a bit eccentric. Or a neighbor, fetching her mail, sees us standing in the cold with our own letters in one hand and a seismically red autumn leaf in the other its color hitting our sense like a blow from a stun gun, as we stand with a huge grin, too paralyzed by the intricately veined gaudiness of the leaf to move.
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Diane Ackerman (A Natural History of the Senses)
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It began in mystery and it will end in mystery, but what a rare and beautiful country lies in between.
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Diane Ackerman
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Sometimes with a flutter of agitated worry that felt like a beetle was trapped inside my ribs. p. 90
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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Our lives together, our duet, also continues to evolve, and even if we can’t go back to how it was, we’re designing a good life for us, in spite of everything.
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Diane Ackerman (One Hundred Names for Love: A Memoir)
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Insight roams the sea of the unconscious like the Loch Ness monster, a rumor whose wake occasionally becomes visible, but even then it's mystifying and scarcely believed.
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Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
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There is a way of beholding nature that is itself a form of prayer.
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Diane Ackerman (The Moon by Whale Light and Other Adventures Among Bats, Penguins, Crocodilians and Whales)
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Selves will accumulate when one isn’t looking, and they don’t always act wisely or well.
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Diane Ackerman
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...he'd know about the role of mirror neurons in the brain, special cells in the premotor cortex that fire right before a person reaches for a rock, steps forward, turns away, begins to smile.Amazingly, the same neurons fire whether we do something or watch someone else do the same thing, and both summon similar feelings. Learning form our own mishaps isn't as safe as learning from someone else's, which helps us decipher the world of intentions, making our social whirl possible. The brain evolved clever ways to spy or eavesdrop on risk, to fathom another's joy or pain quickly, as detailed sensations, without resorting to words. We feel what we see, we experience others as self.
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Diane Ackerman (The Zookeeper's Wife)
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Metaphor isn't just decorative language. If it were, it wouldn't scare us so much. . . . Colorful language threatens some people, who associate it, I think, with a kind of eroticism (playing with language in public = playing with yourself), and with extra expense (having to sense or feel more). I don't share that opinion. Why reduce life to a monotone? Is that truer to the experience of being alive? I don't think so. It robs us of life's many textures. Language provides an abundance of words to keep us company on our travels. But we're losing words at a reckless pace, the national vocabulary is shrinking. Most Americans use only several hundred words or so. Frugality has its place, but not in the larder of language. We rely on words to help us detail how we feel, what we once felt, what we can feel. When the blood drains out of language, one's experience of life weakens and grows pale. It's not simply a dumbing down, but a numbing.
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Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
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Out of the blue, Paul reported feeling bouts of calm euphoria, a mystical sense of all's-right-with-his-life-and-the-universe, a bright future in sight. ... I knew well the state of vigorous calm he meant, a frequent visitor throughout my own life. [p. 290]
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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...for most people in the [Jewish] Ghetto [of Warsaw] nature lived only in memory -- no parks, birds, or greenery existed in the Ghetto -- and they suffered the loss of nature like a phantom-limb pain, an amputation that scrambled the body's rhythms, starved the senses, and made basic ideas about the world impossible for children to fathom.
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Diane Ackerman
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We marry children who have grown up and still rejoice in being children, especially if we're creative. Imaginative people fidget with ideas, including the idea of a relationship. If they're wordsmiths like us, they fidget a lot in words.
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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I do feel responsible. He used to be able to look after himself. Now he can't. That's so different, so strange. The big question is: Is more improvement really possible, or should I stop pushing him?' [p. 153]
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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One job of the unconscious is to act as a workshop for rough-shaping ideas; crafting notions as new parts or tools become available; storing observations until something relevant appears in the landscape -- generally soaking, simmering, and incubating ideas. Gradually, while combing through its inventory, it finds bits and pieces that create a pattern. When it slips knowledge of that pattern to the conscious mind, it's a surprise, like a telegram slid under the door.
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Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
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I believe consciousness is brazenly physical, a raucous mirage the brain creates to help us survive. But I also sense the universe is magical, greater than the sum of its parts, which I don't attribute to a governing god, but simply to the surprising, ecstatic, frightening everyday reality we all know. Ultimately, I find consciousness a fascinating predicament for matter to get into.
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Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
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One morning as I closed the cyclone-fence gate / to begin a slow drift / down to the cookhouse on foot / (because my truck wheels were glued / in deep mud once again), / I walked straight into / the waiting non-arms of a snake, / its tan beaded-bag skin / studded with black diamonds. Up it coiled to speak to me a eye level. / Imagine! that sleek finger / rising out of the land's palm / and coiling faster than a Hindu rope. / The thrill of a bull snake / startled in the morning / when the mesas lie pooled / in a custard of light / kept me bright than ball lightning all day. Praise leapt first to mind / before flight or danger, / praise that knows no half-truth, and pardons all.
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Diane Ackerman (I Praise My Destroyer: Poems)
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In the rain forest, no niche lies unused. No emptiness goes unfilled. No gasp of sunlight goes untrapped. In a million vest pockets, a million life-forms quietly tick. No other place on earth feels so lush. Sometimes we picture it as an echo of the original Garden of Edenβ€”a realm ancient, serene, and fertile, where pythons slither and jaguars lope. But it is mainly a world of cunning and savage trees. Truant plants will not survive. The meek inherit nothing. Light is a thick yellow vitamin they would kill for, and they do. One of the first truths one learns in the rain forest is that there is nothing fainthearted or wimpy about plants.
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Diane Ackerman (The Rarest of the Rare: Vanishing Animals, Timeless Worlds)
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Studies show that the IQ range of most creative people is surprisingly narrow, around 120 to 130. Higher IQs can perform certain kinds of tasks better--logic, feats of memory, and so on. But if the IQ is much higher or lower than that, the window of creativity closes. Nonetheless, for some reason we believe more is better, so people yearn for tip-top IQs, and that calls for bigger memories. A fast, retentive memory is handy, but no skeleton key for survival.
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Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
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Five weeks in the hospital fled as if down a sinkhole into the middle of the earth. ... Can waiting by definition slow, flash by? ... Time becomes even more elastic than usual--minutes can stretch for ages and days suddenly snap together. [p. 97]
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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<...> [Rainer Maria Rilke] speaks of absorbing Earth's phenomena with the full frenzy of human relish and insight as our destiny: "It is our task to imprint this temporary, perishable earth into ourselves so deeply, so painfully and passionately, that its essence can rise again... We are the bees of the invisible... [Our work is] the continual conversion of the beloved visible and tangible world into the invisible vibrations and agitation of our own nature.
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Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
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I'd suffered many losses in recent years after my father mother uncle aunt and cousin had all passed away. In her final years my mother often lamented that there was no one alive who had known her as a girl and I was starting to understand how spooked she'd felt. I wasn't sure I could take any more abandonments. One succumbs so easily to mind spasms, worry spasms. [p. 95]
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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If there are words for all the pastels in a hueβ€”the lavenders, mauves, fushsias, plums, and lilacsβ€”who will name the tones and tints of a smell? It's as if we were hypnotized en masse and told to selectively forget. It may be, too, that smells move us so profoundly, in part, because we cannot utter their names. In a world sayable and lush, where marvels offer themselves up readily for verbal dissection, smells are often right on the tip of our tonguesβ€”but no closerβ€”and it gives them a kind of magical distance, a mystery, a power without a name, a sacredness.
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Diane Ackerman (A Natural History of the Senses)
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School Prayer' In the name of daybreak And the eyelids of morning And the wayfaring moon And the night when it departs, I swear I will not dishonor My soul with hatred, But offer myself humbly As a guardian of nature, As a healer of misery, As a messenger of wonder, As an architect of peace. In the name of the sun and its mirrors . . . And the uttermost night . . . And the crowning seasons Of the firefly and the apple, I will honor all life ---wherever and in whatever form It may dwell---on Earth my home, and in the mansions of the stars.
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Diane Ackerman
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Love is the great intangible. In our nightmares, we can create beasts out of pure emotion. Hate stalks the streets with dripping fangs, fear flies down narrow alleyways on leather wings, and jealousy spins sticky webs across the sky. In daydreams, we can maneuver with poise, foiling an opponent, scoring high on fields of glory while crowds cheer, cutting fast to the heart of an adventure. But what dream state is love? Frantic and serene, vigilant and calm, wrung-out and fortified, explosive and sedate –love commands a vast army of moods. Hoping for victory, limping from the latest skirmish, lovers enter the arena once again. Sitting still, we are as daring as gladiators.
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Diane Ackerman (A Natural History of Love)
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Must be I find you tough and lusty as the life, all toil and tempo, finesse and plain fight, with values so old they startle me. Must be I think of you as I do the rugged flowers that prove themselves over and over in the spring, that elsewhere might perish, but here master the earth, bloom into gangly lives of high color, and inhale the sun, knowing the land better than the land does. Hardy, savvy, they will outlive us all.
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Diane Ackerman
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Invisible prose only!" rules out the sparkling style of [writers]. . . For [whom] vivid prose, and the visionary mind it evinces, rich with speculation, insight, and subjectivity, is the craft and offers a unique caliber of truth. Is there any other art form one would praise by saying it's "invisible"? By definition, art transcends the ordinary, calls attention to itself, and offers virtuosity as its calling card. One that makes it possible to do what metaphor does so well: illuminate what can't be wholly understood.
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Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
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The idea of safety had shrunk into particles - one snug moment, then the next. Meanwhile, the brain piped fugues of worry and staged mind-theaters full of tragedies and triumphs, because unfortunately, the fear of death does wonders to focus the mind, inspire creativity, and heightens the senses. Trusting one's hunches only seems gamble if one has time for seem; otherwise the brain goes on autopilot and trades the elite craft of analysis for the best rapid insights that float up from its danger files and ancient bag of tricks.
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Diane Ackerman (The Zookeeper's Wife)
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Our days flowed around well-charted, often traveled courses, and yet, the underlying sense of falling out of time, out of the trajectory of one's life, not by choice, but by subtraction, was frequent and disquieting. Then I grieved for him, for the lost and previous Paul. He grieved for that man too. Both our griefs were mainly private, internal, unuttered. Return was impossible, and there was only one direction open ; and so we kept our compass pointed forward. [p. 286]
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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When you consider something like death, after which (there being no news flash to the contrary) we may well go out like a candle flame, then it probably doesn’t matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly. It probably doesn’t matter if, while trying to be modest and eager watchers of life’s many spectacles, we sometimes look clumsy or get dirty or ask stupid questions or reveal our ignorance or say the wrong thing or light up with wonder like the children we all are.
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Diane Ackerman (A Natural History of the Senses)
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A caregiver is changed by the culture of illness, just as one is changed by the dynamic era in which one lives. For one thing, I don't have as much time in conversation with myself, and I feel the loss. Certainly I worry more about his death, and mine too, since I;m so much a part of the evolving saga of his health, which I have to monitor every day. But I've grown stronger in every aspect of my life. In small ways: speaking more directly with people. In large ways: discovering I can handle adversity and potential loss and yet keep going. I've a better idea of my strength. I feel like I've been tested, like a willow whipped around violently in a hurricane, but still stranding, its roots strong enough to hold. [p. 301]
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Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
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Anticipating their calamity and fright when deportation day came (August 6, 1942) he [Henryk Goldszmit, pen name: Janusz Korczak] joined them aboard the train bound for Treblinka, because, he said, he knew his presence would calm themβ€”β€œYou do not leave a sick child in the night, and you do not leave children at a time like this.” A photograph taken at the Umschlagplatz (Transshipment Square) shows him marching, hatless, in military boots, hand in hand with several children, while 192 other children and ten staff members follow, four abreast, escorted by German soldiers. Korczak and the children boarded red boxcars not much larger than chicken coops, usually stuffed with seventy-five vertical adults, though all the children easily fit. In Joshua Perle’s eyewitness account in The Destruction of the Warsaw Ghetto, he describes the scene: β€œA miracle occurred, two hundred pure souls, condemned to death, did not weep. Not one of them ran away. None tried to hide. Like stricken swallows they clung to their teacher and mentor, to their father and brother, Janusz Korczak.” In 1971, the Russians named a newly discovered asteroid after him, 2163 Korczak, but maybe they should have named it Ro, the planet he dreamed of. The Poles claim Korczak as a martyr, and the Israelis revere him as one of the Thirty-Six Just Men, whose pure souls make possible the world’s salvation. According to Jewish legend, these few, through their good hearts and good deeds, keep the too-wicked world from being destroyed. For their sake alone, all of humanity is spared. The legend tells that they are ordinary people, not flawless or magical, and that most of them remain unrecognized throughout their lives, while they choose to perpetuate goodness, even in the midst of inferno.
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Diane Ackerman