Dramatic Sky Quotes

People with eating disorders tend to be very diametrical thinkers – everything is the end of the world, everything rides on this one thing, and everyone tells you you're very dramatic, very intense, and they see it as an affectation, but it´s actually just how you think. It really seems to you that the sky will fall if you are not personally holding it up. On the one hand, this is sheer arrogance; on the other hand, this is a very real fear. And it isn't that you ignore the potential repercussions of your actions. You don't think there are any. Because you are not even there.

He quivered on the ground his face pressed to the stone and didn’t rise. “Did you… did you just stick yourself to the ground?” Kaladin asked. “Just part of the plan, gon!’ Lopen called back. “If I am to become a delicate cloud upon the sky I must first convince the ground that I am not abandoning her. Like a worried lover, sure, she must be comforted and reassured that I will return following my dramatic and regal ascent to the sky. . . . Nearby, Lopen talked to the ground, against which he was still pressed. “Don’t worry dear one. The Lopen is vast enough to be possessed by many, many forces both terrestrial and celestial! I must soar to the air, for if I were to remain only on the ground, surely my growing magnitude would cause the land to crack and break

Here's to adrenaline. Here's to dramatic abandon of protocol. Here's to treasured pain and purple rain. Here's to chasing our souls, burning across to sky. Here's to drinking the ash as it falls, and not asking why.

A Haiku: Midday Cloud ribbons on wings Dramatic cerulean sky A feast for the eye.

New York. The world's most dramatic city. Like a permanent short circuit, sputtering and sparking up into the night sky all night long. No place like it for living. And probably no place like it for dying. ("New York Blues")

Charity … is the opium of the privileged; from the good citizen who habitually drops ten kobo from his loose change and from a safe height above the bowl of the leper outside the supermarket; to the group of good citizens (like youselfs) who donate water so that some Lazarus in the slums can have a syringe boiled clean as a whistle for his jab and his sores dressed more hygienically than the rest of him; to the Band Aid stars that lit up so dramatically the dark Christmas skies of Ethiopia. While we do our good works let us not forget that the real solution lies in a world in which charity will have become unnecessary.

If I am to become a delicate cloud upon the sky, I must first convince the ground that I am not abandoning her. Like a worried lover, sure, she must be comforted and reassured that I will return following my dramatic and regal ascent to the sky.

But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank

A sweeping vista of Northern sky opens up between the warehouses and hangs motionless above the cobbled streets. It’s a world of unrequited love beneath the smoke stacks and awkward moments in the underpass. A great crashing wave of romantic despair that washes over my dramatic heart, dousing it with a thin grey rinse. I’m James Dean, I’m Albert Camus, I posture in doorways with a lit cigarette dangling from the corner of my mouth. My great iron bedstead, my kitchen sink drama, the grainy black and white days of this life...

Thunderstorms were what death, and dramatic events, generally should be like, but usually were not; the idea that our life’s dramas rarely look as dramatic as they are. Our most cataclysmic moments are typically free of gravitas, of necessary thunder; a person dies, but instead of the sky darkening and lightning striking, the sun continues to shine and the birds to sing.

Perhaps there will be a slight streak of green, a patch that will deepen and then grow. Then another patch on the horizon, like a green searchlight. And then shivering curtains of light can fill the sky, or looping spirals, or flickering flames of green and purple, and candy-apple red. It feels as if they should be accompanied by dramatic sounds, the bangs of fireworks or the roars of rockets. But these are utterly silent, almost solemn in their dancing. And yet they can be comforting in their own way; as if in this remote and frozen wilderness there's something else out there that is alive.

I was half expecting him to pop out of a forested area nearby locked in mortal engagement with a panther, or make a dramatic appearance by falling out of the sky with a parachute. Something death defying.

Our bodies align with these rhythms of life in our footsteps (slow tiptoe or urgent stomp), the sleeping rise-fall breath of your baby on your chest, or a row of oak trees mirrored in a rippling lake. A butterfly’s wings flap every second—flapflapflap—to keep it free-floating through the sky, dipping now and again to kiss sweet flowers. Rhythms benefit from variety too; a gentle spring rainstorm turns dramatic with an unexpected thunderclap.

Of all the possible dramatic entrances that might then have occurred, none would have been more likely to convince most of those assembled that Death itself had come among them than did the abrupt entrance of Jimmy Two Eyes.

Back in Minneapolis, I said I would go to American. I have a remarkable ability to delete all better judgment from my brain when I get my head set on something. Everything is done at all costs. I have no sense of moderation, no sense of caution. I have no sense, pretty much. People with eating disorders tend to be very diametrical thinkers-everything is the end of the world, everything rides on this one thing, and everyone tells you you're very dramatic, very intense, and they see it as an affectation, but it's actually just how you think. It really seems to you that the sky will fall if you are not personally holding it up. On the one hand, this is sheer arrogance; on the other hand, this is a very real fear. And it isn't that you ignore the potential repercussions of your actions. You don't think there are any.

It is early morning; outside, the sky is dark and the trees move dramatically in the wind. Soon a storm will come. I want to live to see it. This is the way of nature: to persuade us around one more bend, to beckon us to behold one more vista.

You are the sun. The sun doesn't move, this is what it does. You are the Earth. The Earth is here for a start, and then the Earth moves around the sun. And now, we'll have an explanation that simple folks like us can also understand, about immortality. All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign. And just imagine, in this infinite sonorous silence, everywhere is an impenetrable darkness. Here, we only experience general motion, and at first, we don't notice the events that we are witnessing. The brilliant light of the sun always sheds its heat and light on that side of the Earth which is just then turned towards it. And we stand here in its brilliance. This is the moon. The moon revolves around the Earth. What is happening? We suddenly see that the disc of the moon, the disc of the moon, on the Sun's flaming sphere, makes an indentation, and this indentation, the dark shadow, grows bigger... and bigger. And as it covers more and more, slowly only a narrow crescent of the sun remains, a dazzling crescent. And at the next moment, the next moment - say that it's around one in the afternoon - a most dramatic turn of event occurs. At that moment the air suddenly turns cold. Can you feel it? The sky darkens, then goes all dark. The dogs howl, rabbits hunch down, the deer run in panic, run, stampede in fright. And in this awful, incomprehensible dusk, even the birds... the birds too are confused and go to roost. And then... Complete Silence. Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don't know. We don't know, for a total eclipse has come upon us... But... but no need to fear. It's not over. For across the sun's glowing sphere, slowly, the Moon swims away. And the sun once again bursts forth, and to the Earth slowly there comes again light, and warmth again floods the Earth. Deep emotion pierces everyone. They have escaped the weight of darkness

There was a muffled cry and the sound of furious flapping of feathers, and then a pair of ravens descended carrying a heavy cloth between them. They set it on the desk, screamed, and flew back up into the star-filled sky in a flurry of black feathers. Even the arrival of dinner was a dramatic production here.

Some Western readers commonly use the Japanese word manga to mean serious comic-book literature. According to one of my Japanese friends, this usage is wrong. The word manga means “idle picture” and is used in Japan to describe collections of trivial comic-book stories. The correct word for serious comic-book literature is gekiga, meaning “dramatic picture.

We either have total victory or we burn up in the sky.' -Fuuko Kurasaki/Sky Raker

As happens in dreams, when a perfectly harmless object inspires us with fear and thereafter is frightening every time we dream of it (and even in real life retains disquieting overtones), so Dreyer's presence became for Franz a refined torture, an implacable menace. [ ... H]e could not help cringing when, with a banging of doors in a dramatic draft, Martha and Dreyer entered simultaneously from two different rooms as if on a too harshly lit stage. Then he snapped to attention and in this attitude felt himself ascending through the ceiling, through the roof, into the black-brown sky, while, in reality, drained and empty, he was shaking hands with Martha, with Dreyer. He dropped back on his feet out of that dark nonexistence, from those unknown and rather silly heights, to land firmly in the middle of the room (safe, safe!) when hearty Dreyer described a circle with his index finger and jabbed him in the navel; Franz mimicked a gasp and giggled; and as usual Martha was coldly radiant. His fear did not pass but only subsided temporarily: one incautious glance, one eloquent smile, and all would be revealed, and a disaster beyond imagination would shatter his career. Thereafter whenever he entered this house, he imagined that the disaster had happened—that Martha had been found out, or had confessed everything in a fit of insanity or religious self-immolation to her husband; and the drawing room chandelier invariably met him with a sinister refulgence.

Furthermore, I refuse to be affected by these cheap theatrics!" She gestured to the boiling sky. "Gor!" Shelton covered his eyes with one hand. Dougal instantly went from mad to furious, and the clouds rumbled to life. Yet in that instant, he realized that this tiny little bit of a woman had just reduced centuries of a dramatic and secretive curse to "cheap theatrics." He didn't know whether to rage or laugh, but somehow, looking up into her amazing blue eyes, laughter was beginning to win. "Furthermore," she continued in high dudgeon, "I won't be cowed by a few damned drops of rain!" Shelton groaned loudly. "Law,here it comes now." But it didn't. Instead, a chuckle rippled through Dougal. Sophia appeared outraged. "Are you laughing at me?" "No,sweetheart. I'm laughing at us. We cannot even ride from the field to the house without racing. We're doomed to challenge each other forever,and if we don't have a care, my temper will try the two of us like sausages over a spit." Her lips quivered in response. "I don't particularly care for that image." "I haven't time for elegance, my love. It is getting ready to rain, so sausages are all you'll get.

THAT FIRST WEEK IN SEPTEMBER had been unquestionably summer. Then a front pushed in over the mountains from the northwest, but not nearly as dramatic as Faro’s story. A couple of gray windy days with falling temperatures, and then the sky cleared to a hard brilliant blue, and it was immediately autumn, as if the aspens on the lower slopes of the mountains began turning yellow at one precise moment.

This careful script, of which he had composed both speaking parts, floated away into the milky sky. For the Countess had been unexpectedly transformed into a malevolent harpy. He fiddled with the fingertips of his black gloves. Sophie grabbed his sleeve, utterly beside herself. The flood of love and trust poured out in the offending letter was clearly undergoing a rapid and dramatic revolution. Now she was screaming, both at Max and the absent Sibyl.

Sometimes, she said, she could recognize a place just by the quality of the light. In Lisbon, the light at the end of spring leans madly over the houses, white and humid, and just a little bit salty. In Rio de Janeiro, in the season that the locals instinctively call ‘autumn’, and that the Europeans insist disdainfully is just a figment of their imagination, the light becomes gentler, like a shimmer of silk, sometimes accompanied by a humid grayness, which hangs over the streets, and then sinks down gently into the squares and gardens. In the drenched land of the Pantanal in Mato Grosso, really early in the morning, the blue parrots cross the sky and they shake a clear, slow light from their wings, a light that little by little settles on the waters, grows and spreads and seems to sing. In the forests of Taman Negara in Malaysia, the light is like a liquid, which sticks to your skin, and has a taste and a smell. It’s noisy in Goa, and harsh. In Berlin the sun is always laughing, at least during those moments when it manages to break through the clouds, like in those ecological stickers against nuclear power. Even in the most unlikely skies, Ângela Lúcia is able to discern shines that mustn’t be forgotten; until she visited Scandinavia she’d believed that in that part of the world during the winter months light was nothing but the figment of people’s imagination. But no, the clouds would occasionally light up with great flashes of hope. She said this, and stood up, adopting a dramatic pose: ‘And Egypt? In Cairo? Have you ever been to Cairo?… To the pyramids of Giza?…’ She lifted her hands and declaimed: ‘The light, majestic, falls; so potent, so alive, that it seems to settle on everything like a sort of luminous mist.

Even in Africa, I had never seen such a profusion of stars as I saw on these clear nights on Pacific isles - not only big beaming planets and small single pinpricks... but also glittering clouds of them - the whole dome of the sky crowded with thick shapes formed from stars, overlaid with more shapes, a brilliant density, like a storm of light over a black depthless sea, made brighter still by twisting auroras composed of tiny star grains - points of light so fine and numerous they seemed like luminous vapor, the entire sky hung with veils of light like dazzling smoke... they made night in Oceania as vast and dramatic as day.

Most Ballinacroagh natives, though, welcomed the dramatic change in climate, and the exuberant pronouncement of sunshine and flora that came with it. Unnamed buds appeared overnight along ivy-covered walls; plain cottages awoke to bursts of magenta, sienna, and lilac flowers that had been slumbering far too long under moss-ridden stones. The soggy grass of surrounding glens rippled with tones of gold, baking in the sun, while the sky over Ballinacroagh took on a shade of untouched blue that previously had been seen only in the cobalt of Pompeii murals. Not surprisingly, this unexpected homage to her Italian homeland gave Estelle Delmonico much reason to rejoice.

Mind Wanting More Only a beige slat of sun above the horizon, like a shade pulled not quite down. Otherwise, clouds. Sea rippled here and there. Birds reluctant to fly. The mind wants a shaft of sun to stir the grey porridge of clouds, an osprey to stitch sea to sky with its barred wings, some dramatic music: a symphony, perhaps a Chinese gong. But the mind always wants more than it has -- one more bright day of sun, one more clear night in bed with the moon; one more hour to get the words right; one more chance for the heart in hiding to emerge from its thicket in dried grasses -- as if this quiet day with its tentative light weren't enough, as if joy weren't strewn all around.

There was another inspiring moment: a rough, choppy, moonlit night on the water, and the Dreadnaught's manager looked out the window suddenly to spy thousands of tiny baitfish breaking the surface, rushing frantically toward shore. He knew what that meant, as did everyone else in town with a boat, a gaff and a loaf of Wonder bread to use as bait: the stripers were running! Thousands of the highly prized, relatively expensive striped bass were, in a rare feeding frenzy, suddenly there for the taking. You had literally only to throw bread on the water, bash the tasty fish on the head with a gaff and then haul them in. They were taking them by the hundreds of pounds. Every restaurant in town was loading up on them, their parking lots, like ours, suddenly a Coleman-lit staging area for scaling, gutting and wrapping operations. The Dreadnaught lot, like every other lot in town, was suddenly filled with gore-covered cooks and dishwashers, laboring under flickering gaslamps and naked bulbs to clean, wrap and freeze the valuable white meat. We worked for hours with our knives, our hair sparkling with snowflake-like fish scales, scraping, tearing, filleting. At the end of the night's work, I took home a 35-pound monster, still twisted with rigor. My room-mates were smoking weed when I got back to our little place on the beach and, as often happens on such occasions, were hungry. We had only the bass, some butter and a lemon to work with, but we cooked that sucker up under the tiny home broiler and served it on aluminum foil, tearing at it with our fingers. It was a bright, moonlit sky now, a mean high tide was lapping at the edges of our house, and as the windows began to shake in their frames, a smell of white spindrift and salt saturated the air as we ate. It was the freshest piece of fish I'd ever eaten, and I don't know if it was due to the dramatic quality the weather was beginning to take on, but it hit me right in the brainpan, a meal that made me feel better about things, made me better for eating it, somehow even smarter, somehow . . . It was a protein rush to the cortex, a clean, three-ingredient ingredient high, eaten with the hands. Could anything be better than that?

Loftus grew up with a cold father who taught her nothing about love but everything about angles. A mathematician, he showed her the beauty of the triangle's strong tip, the circumference of the circle, the rigorous mission of calculus. Her mother was softer, more dramatic, prone to deep depressions. Loftus tells all this to me with little feeling "I have no feelings about this right now," she says, "but when I'm in the right space I could cry." I somehow don't believe her; she seems so far from real tears, from the original griefs, so immersed in the immersed in the operas of others. Loftus recalls her father asking her out to see a play, and in the car, coming home at night, the moon hanging above them like a stopwatch, tick tick, her father saying to her, "You know, there's something wrong with your mother. She'll never be well again. Her father was right. When Loftus was fourteen, her mother drowned in the family swimming pool. She was found floating face down in the deep end, in the summer. The sun was just coming up, the sky a mess of reds and bruise. Loftus recalls the shock, the siren, an oxygen mask clamped over her mouth as she screamed, "Mother mother mother," hysteria. That is a kind of drowning. "I loved her," Loftus says. "Was it suicide?" I ask. She says, "My father thinks so. Every year when I go home for Christmas, my brothers and I think about it, but we'll never know," she says. Then she says, "It doesn't matter." "What doesn't matter?" I ask. "Whether it was or it wasn't," she says. "It doesn't matter because it's all going to be okay." Then I hear nothing on the line but some static. on the line but some static. "You there?" I say. "Oh I'm here," she says. "Tomorrow I'm going to Chicago, some guy on death row, I'm gonna save him. I gotta go testify. Thank God I have my work," she says. "You've always had your work," I say. "Without it," she says, "Where would I be?

We had only the bass, some butter and a lemon to work with, but we cooked that sucker up under the tiny home broiler and served it on aluminum foil, tearing at it with our fingers. It was a bright, moonlit sky now, a mean high tide was lapping at the edges of our house, and as the windows began to shake in their frames, a smell of white spindrift and salt saturated the air as we ate. It was the freshest piece of fish I'd ever eaten, and I don't know if it was due “to the dramatic quality the weather was beginning to take on, but it hit me right in the brainpan, a meal that made me feel better about things, made me better for eating it, somehow even smarter, somehow . . . It was a protein rush to the cortex, a clean, three-ingredient ingredient high, eaten with the hands. Could anything be better than that?

Zedd leaned forward eagerly, cutting him off. “Can you command the wind?” Richard leaned back a little. “Of course I can,” he said, playing along. He held both hands up to the sky. “Come to me, brother wind! Gather about! Blow a gale for me!” He spread his arms dramatically. Kahlan wrapped her cloak around herself expectantly. Zedd looked about. Nothing happened. The two of them seemed a little disappointed.

Things have improved dramatically, but we still have a ways to go. And never underestimate the ability of human beings to take things for granted, and find ways to be miserable. The truth is, even though we live in the best of times, most of us believe the opposite. That poverty, and literacy, and so on have gotten worse, even though they’ve gotten considerably better. This is actually a fairly recent phenomenon. Just in the last thirty years or so.” “Why would that be?” asked Otto. Boyd frowned. “Turns out that in our day we’re drowning in news,” he explained. “Every second, every day, a weight of news that is almost inconceivable. And those providing this news know that only the most dramatic will stand out. So we’re told the sky is falling a hundred times a day. And rather than discuss how far we’ve come, the dire problems we thought our way out of, we amplify every problem, every behavior that is less than perfect, into crisis proportions. Pessimism sells far better than optimism.

Zedd leaned forward eagerly, cutting him off. “Can you command the wind?” Richard leaned back a little. “Of course I can,” he said, playing along. He held both hands up to the sky. “Come to me, brother wind! Gather about! Blow a gale for me!” He spread his arms dramatically. Kahlan wrapped her cloak around herself expectantly. Zedd looked about. Nothing happened. The two of them seemed a little disappointed. “What’s the matter with the two of you?” Richard scowled. “Did you eat some bad berries?” Zedd turned to her. “He must learn that later.

In the Palacolithic period, for example, when agriculture was developing, the cult the Mother Goddess expressed a sense that the fertility which was transforming human life was actually sacred.Artists carved those statues depicting her as a naked pregnant woman which archaeologists have found all over Europe, the Middle East and India.The Great Mother remained imaginatively important for centuries.Like the old Sky God, she was absorbed into later pantheons and took her place alongside the older deities.She was usually of powerful of the gods, certainly more powerful than the Sky God, who remained a rather shadowy figure.She was called Inana in ancient Sumeria, Ishtar in Babylon, Anat in Canaan, Isis in Egypt and Aphrodite in Greece, and remarkably similar stories were devised in all these cultures to express her role in the spiritual lives of the people.These myths were not intended to be taken literally but were metaphorical attempts to describe a reality that was too complex and elusive to express in any other way.These dramatic and evocative stories of gods and goddesses helped people to articulate their sense of powerful but forces that surrounded them.

Oh yes, and compulsory ferret-legging down the pub on Tuesday evenings, for the tourist trade tha’ knows.” “Ferret-legging?” Rachel looked at him incredulously. “Yup. You tie your kilt up around your knees with duct tape—as you probably know, no Yorkshireman would be seen dead wearing anything under his sporran—and take a ferret by the scruff of his neck. A ferret, that’s like, uh, a bit like a mink. Only less friendly. It’s a young man’s initiation rite; you stick the ferret where the sun doesn’t shine and dance the furry dance to the tune of a balalaika. Last man standing and all that, kind of like the ancient Boer aardvark-kissing competition.” Martin shuddered dramatically. “I hate ferrets. The bloody things bite like a cask-strength single malt without the nice after-effects.

It came about because Kepler wrote one of the first works of science fiction, intended to explain and popularize science. It was called the Somnium, “The Dream.” He imagined a journey to the Moon, the space travelers standing on the lunar surface and observing the lovely planet Earth rotating slowly in the sky above them. By changing our perspective we can figure out how worlds work. In Kepler’s time one of the chief objections to the idea that the Earth turns was the fact that people do not feel the motion. In the Somnium he tried to make the rotation of the Earth plausible, dramatic, comprehensible: “As long as the multitude does not err,… I want to be on the side of the many. Therefore, I take great pains to explain to as many people as possible.” (On another occasion he wrote in a letter, “Do not sentence me completely to the treadmill of mathematical calculations—leave me time for philosophical speculations, my sole delight.

Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.

She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black. After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two. Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way. Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core. "If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil. But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home. "My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really." In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart. "I do wish I had done this before," she breathed. Maybe if she had, then things wouldn't have come to this...

Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.

Almost every kid asks, “Why is the sky blue?” That’s only one of the 40,000 questions that the typical child asks between the ages of two and five. After that age, the number of questions that children ask drops off dramatically as they grow older.

It had pale golden sands and clear cloudless blue skies. Rich quantities of palm trees and exotic flowers in dramatic red and fuchsia pink and bright yellow colors enhanced the islands beauty. The gardens were decorated with white Balinese furniture and the Japanese rock gardens with mythical dragons, lions, dinosaurs, elephants, nymphs, and man beasts (half men and half beast) in concrete large statutes and red bridges over goldfish ponds. A large loch housed swans and pink flamingos.

Geographically the island had dramatic coastline of secret coves and forests. It was surrounded by water of turquoise color and reef. It had rich, fertile lands and a very hot temperature all year round. All year the temperature averaged 105 degrees. It got a bit cooler at night but people could still sleep under the stars and sky. It had very little rainfall and no snow or frost. Temperatures dropped a little in the winter”.

The first words I encountered in the North were made not through symbols but by rock, sky, and water — and, later, by the profound animals who possessed potent languages of their own. In the dramatic gallery of ice that cracked and floated off the Sermeq Kujalleq glacier into Disko Bay I began to perceive speech and language that proved other than human: to translate it I’d need to understand my own mind and body in a new way.

You can’t take away people’s homes and sense of security in such an immediate, dramatic way, and expect them to consider extended chains of culpability before they get angry about it.

Turns out that in our day we’re drowning in news,” he explained. “Every second, every day, a weight of news that is almost inconceivable. And those providing this news know that only the most dramatic will stand out. So we’re told the sky is falling a hundred times a day. And rather than discuss how far we’ve come, the dire problems we thought our way out of, we amplify every problem, every behavior that is less than perfect, into crisis proportions. Pessimism sells far better than optimism.

Boyd frowned. “Turns out that in our day we’re drowning in news,” he explained. “Every second, every day, a weight of news that is almost inconceivable. And those providing this news know that only the most dramatic will stand out. So we’re told the sky is falling a hundred times a day. And rather than discuss how far we’ve come, the dire problems we thought our way out of, we amplify every problem, every behavior that is less than perfect, into crisis proportions. Pessimism sells far better than optimism.

Life begins with a single breath. The moment we’re born and leave the womb of our mother, we start the lifelong process of inhale-exhale that continues until the moment we die. Nothing is more basic, more vital to our lives, than breathing. Yet rarely do we give it a thought. A zen teacher once made that point dramatically before an assembled group of monks. The teacher asked, “What’s the most important thing in life?” “Food,” said one. “Work,” said another. “The pursuit of truth,” said a third. The teacher signaled for a monk to step forward. Grabbing the monk’s head, he dunked it in a tub of water and held it down until the monk came up gasping for breath. The assembly got the message: We can live days without food, years without work, or a lifetime without truth, but we cannot go more than minutes without a breath. When you awake in the morning, stretch your arms to the sky and breathe deeply. Fill your insides with the emptiness around you. Breathe easy. You’re alive.

Aldous Huxley once wrote that 'it is not how we cope with success that makes us strong, but how we cope with failure.' That's what my Spitfire pilot Rob had to learn in my WW 2 novel. .

I seem to recall that's the standard length for a quest in the old tales. Sounds more dramatic than just 'next year'. The point being that if I'm going to live every day as if it were my last, it seems rather unfair to hand some poor suitor only the last page of my book." "Not if it's pure poetry," Marie said.

We walk out of the bathroom, and Mellie grins up at me and hugs my leg, just below my knee. She sits down on my foot, and I take a few steps wearing her like a boot, her clinging to me like Velcro. She thinks it’s hilarious, and the other girls want to take a turn, too. After everyone gets a ride and I make sure they all have snacks, I walk out into the hallway. Emily is standing there, and she looks me up and down and nods. “What?” I ask. “Nothing,” she sings, grinning like a fool. “Say it,” I prompt. She shrugs. But then she looks up into my face. “You’re going to be the best dad ever, Matt,” she says. My heart swells. “Well, at least I don’t have to worry about them turning out like me.” I scratch my belly. “Being this handsome is quite a burden to bear.” She laughs and punches me in the gut. I bend in the middle, clutching my stomach, and that’s when Sky walks around the corner. She looks toward Hayley’s room. “I was just going to check on the girls,” she says. “I just did,” I tell her. Her brow furrows, and she looks so damn pretty that I want to kiss her. “Don’t tell anyone, but Mellie’s pants peed on her,” I whisper dramatically. She turns toward her bag. “Oh, I better get some clothes,” she says. “Already took care of it,” I say, and I wrap my arms around Sky. She hugs me back. “You took care of it?” She lays her face against my chest and nuzzles against me. I could stand here like this all day long. “Of course,” I say. She mumbles something against my chest that sounds like, “You’re really sexy when you take care of children.” “Hey,” I cry. “You should see me when I vacuum. And do dishes. You won’t be able to stand the sexy.

MAY 10, THE day that Roosevelt issued his nonresponse to Churchill’s plea for U.S. belligerency, German bombers returned to London. As devastating as the previous raids had been, none came close to the savagery and destructiveness of this new firestorm. By the next morning, more than two thousand fires were raging out of control across the city, from Hammersmith in the west to Romford in the east, some twenty miles away. The damage to London’s landmarks was catastrophic. Queen’s Hall, the city’s premier concert venue, lay in ruins, while more than a quarter of a million books were incinerated and a number of galleries destroyed at the British Museum. Bombs smashed into St. James’s Palace, Westminster Abbey, Big Ben, and Parliament. The medieval Westminster Hall, though badly damaged, was saved, but not so the House of Commons chamber, the scene of some of the most dramatic events in modern British history. Completely gutted by fire, the little hall, with its vaulted, timbered ceiling, was nothing but a mound of debris, gaping open to the sky. Every major railroad station but one was put out of action for weeks, as were many Underground stations and lines. A third of the streets in greater London were impassable, and almost a million people were without gas, water, and electricity. The death toll was even more calamitous: never in London’s history had so many of its residents—1,436—died in a single night.

The sky seemed abruptly to have had enough of my dithering and dramatically lightened up around the glowing moon, which retreated like an aging sovereign before the rising sun.

No, after all this effort, all this trouble, jumping the man in a dark alley and strangling him to death would be vulgar. When he went home to write the story in his dead-book, it wouldn’t be a chapter to be proud of. Honestly, after all they’d been through together, he owed Felix a more dramatic death. It was the professional thing to do. As the miles limped by and the powerless sun crested in a cloudless sky, Simon wove together the threads of a plan.

We do not have to wait for others to come to our aid. We are not victims. We are not helpless. Letting go of faulty thinking means we realize there are no knights on white horses, no magical grandmothers in the sky watching, waiting to rescue us. Teachers may come our way, but they will not rescue. They will teach. People who care will come, but they will not rescue. They will care. Help will come, but help is not rescuing. We are our own rescuers. Our relationships will improve dramatically when we stop rescuing others and stop expecting them to rescue us.

Just as Greystone swung, however, she ducked low and rolled in the other direction. Greystone's blade struck the window, and it exploded in a shower of glass. The shards flew in all directions, and a great gust of wind from the storm sent him stumbling back. As soon as Anne was back on her feet, she raised her gauntlet-hand. "Activate GPS!" Jeffery appeared in a burst of light. He was still a bit faded, but at least he was there. Anne nearly collapsed with relief. "You're cutting it close, you know," said Jeffery. "Although I do like a dramatic entrance." As if to emphasize the point, a bolt of lightning lit up the sky.

Painted oxide red, tall against the expansive fields of summer crops or winter snow, silhouetted against colored skies of a setting sun, the barns were a dramatic, strong architectural presence, primordial in intent yet graceful in presentation.

At that moment, across the city, the sky exploded with fireworks. Ari groaned. “Speak of the devil.” “He’s shooting fireworks off in the city?” She yelled, hitting the elevator button. “He can’t help it,” Ari said. “Dramatic soul.

Put up a soul, put up a soul. Prepare me a body, an I will go an meet Justice on Calvary’s brow!” He was so dramatic. In describing the crucifixion he said: “I see the sun when she turned herself black. I see the stars a fallin from the sky, and them old Herods comin out of their graves and goin about the city, an they knew ‘twas the Lord of Glory.

Biscuit?” I offered, unwrapping the packet. “So romantic.” “I know, right.” It kinda was though. The big sky, smudged shades of blues and purples, the ocean all vast and dramatic, and the beach with just us on it. It really was perfect. No way was I ruining it by asking him why he’d had us both hurtling toward tomorrow as though it was our last day alive.

But being short something where your loss is unlimited is quite different than being long something that you’ve already paid for. And it’s tempting. You see way more stocks that are dramatically overvalued in your career than you will see stocks that are dramatically undervalued. I mean there — it’s the nature of securities markets to occasionally promote various things to the sky, so that securities will frequently sell for 5 or 10 times what they’re worth, and they will very, very seldom sell for 20 percent or 10 percent of what they’re worth. So, therefore, you see these much greater discrepancies between price and value on the overvaluation side. So you might think it’s easier to make money on short selling. And all I can say is, it hasn’t been for me. I don’t think it’s been for Charlie. It is a very, very tough business because of the fact that you face unlimited losses, and because of the fact that people that have overvalued stocks — very overvalued stocks — are frequently on some scale between promoter and crook. And that’s why they get there. And once there — And they also know how to use that very valuation to bootstrap value into the business, because if you have a stock that’s selling at 100 that’s worth 10, obviously it’s to your interest to go out and issue a whole lot of shares. And if you do that, when you get all through, the value can be 50. In fact, there’s a lot of chain letter-type stock promotions that are sort of based on the implicit assumption that the management will keep doing that. And if they do it once and build it to 50 by issuing a lot of shares at 100 when it’s worth 10, now the value is 50 and people say, “Well, these guys are so good at that. Let’s pay 200 for it or 300,” and then they could do it again and so on. It’s not usually that — quite that clear in their minds. But that’s the basic principle underlying a lot of stock promotions. And if you get caught up in one of those that is successful, you know, you can run out of money before the promoter runs out of ideas. In the end, they almost always work. I mean, I would say that, of the things that we have felt like shorting over the years, the batting average is very high in terms of eventual — that they would work out very well eventually if you held them through. But it is very painful and it’s — in my experience, it was a whole lot easier to make money on the long side.

We watch together as the sky continues to transform every few seconds, an unreal canvas changing constantly in front of us. It makes me feel like a little girl again, and instead of imagining a castle in the sky, I’m living in it; truly the only thing we can see all around us is this dramatic, painted sky.

The sun was rising over the beautiful mountaintop, creating the most dramatic sunrise Polly had seen in a long time. There were a few clouds dispersed in the sky that were glowing in a radiant red color.

You’ve never seen the island as it looks now, tipping over into autumn. There are no bright colours out here to signal departure, they are simply erased, a withered tangle of greys and browns, the island shrinks and is somehow absorbed into the rain and sea and the evenings are dramatic with their desolate sunsets and banks of cloud. The darkness on an island such as this is like standing at the end of the world and all the night sounds are intensified, giving an impression of utter solitude – nature no longer frames one’s existence, but hurls it to the periphery and imposes its sovereign domination. Suddenly it’s just the sea and vast, dramatic autumn skies. Oddly enough I feel less and less inclined to leave, the less benign my surroundings grow – the security of town is more menacing.

The day you take me up on an offer, I’ll be looking to the skies,” she said while lifting her arms dramatically toward the heavens. “The skies?” “Yep,” she said. “Flying pigs would leave considerably more shit behind than any bird ever could when flying over you.

They're kidding themselves, of course. Our sky can go from lapis to tin in the blink of an eye. Blink again and your latte's diluted. And that's just fine with me. I thrive here on the certainty that no matter how parched my glands, how anhydrous the creek beds, how withered the weeds in the lawn, it's only a matter of time before the rains come home. The rains will steal down from the Sasquatch slopes. They will rise with the geese from the marshes and sloughs. Rain will fall in sweeps, it will fall in drones, it will fall in cascades of cheap Zen jewelry. And it will rain a fever. And it will rain a sacrifice. And it will rain sorceries and saturnine eyes of the totem. Rain will primitivize the cities, slowing every wheel, animating every gutter, diffusing commercial neon into smeary blooms of esoteric calligraphy. Rain will dramatize the countryside, sewing pearls into every web, winding silk around every stump, redrawing the horizon line with a badly frayed brush dipped in tea and quicksilver. And it will rain an omen. And it will rain a trance. And it will rain a seizure. And it will rain dangers and pale eggs of the beast. Rain will pour for days unceasing. Flooding will occur. Wells will fill with drowned ants, basements with fossils. Mossy-haired lunatics will roam the dripping peninsulas. Moisture will gleam on the beak of the Raven. Ancient shamans, rained from their rest in dead tree trunks, will clack their clamshell teeth in the submerged doorways of video parlors. Rivers will swell, sloughs will ferment. Vapors will billow from the troll-infested ditches, challenging windshield wipers, disgusing intentions and golden arches. Water will stream off eaves and umbrellas. It will take on the colors of beer signs and headlamps. It will glisten on the claws of nighttime animals. And it will rain a screaming. And it will rain a rawness. And it will rain a disorder, and hair-raising hisses from the oldest snake in the world. Rain will hiss on the freeways. It will hiss around the prows of fishing boats. It will hiss in the electrical substations, on the tips of lit cigarettes, and in the trash fires of the dispossessed. Legends will wash from desecrated burial grounds, graffiti will run down alley walls. Rain will eat the old warpaths, spill the huckleberries, cause toadstools to rise like loaves. It will make poets drunk and winos sober, and polish the horns of the slugs. And it will rain a miracle. And it will rain a comfort. And it will rain a sense of salvation from the philistinic graspings of the world. Yes, I am here for the weather. And when I am lowered at last into a pit of marvelous mud, a pillow of fern and skunk cabbage beneath my skull, I want my epitaph to read, IT RAINED ON HIS PARADE, AND HE WAS GLAD!

After being together with someone for a few years, their attractions stand to become grievously familiar. We will ignore them and become experts on their most trying dimensions. But we are never without a chance to reverse the process. It might be that we watch them when they are with friends. We pick up again on their shy smile, their sympathetic look, or the purposeful way they push back the sleeves of their pullover. Or perhaps we hear that a casual acquaintance thinks that they are fascinating and elegant and – mixed in with a dose of jealous irritation – via this potential rival’s eye, we see again all that we could conceivably lose. We are adaptable creatures. Disenchantment is not a one-way street. We are capable of a second, more accurate look. We can turn to art for hints on how to perform the manoeuvre of re-enchantment. Many works of art look with particular focus at what has been ignored and taken for granted. In the 18th century, the French painter Chardin didn’t paint the grand things that other painters of the period went in for: heroic battles, majestic landscapes or dramatic scenes from history. Instead he looked around him and portrayed the quiet, ordinary objects of everyday life: kitchen utensils, a basket of fruit, a teacup. He brought to these objects a deeply loving regard. Normally you might not have given them a moment’s thought. But, encouraged by Chardin, we start to see their allure. He’s not pretending; he’s showing us their real but easily missed virtues. He isolates them, he concentrates attention, he carefully notes what is worthy of respect. He re-enchants our perception. In the 19th century, the English painter John Constable did something similar for clouds. Nothing, perhaps, sounds duller. Maybe as children we liked to watch the grey banks of cloud drift and scud across the arc of the sky. We had favourites among them; we saw how they merged and separated; how they were layered; how a blue patch could be revealed and then swiftly covered. Clouds are lovely things, we once knew. Then we forgot. Constable’s many cloud paintings remind us of the ethereal poetry unfolding above our heads at all moments, ready to delight us when we have the imagination to look up. Imagine meeting your partner through the lens of art. You would find again the allure of things about them that – through familiarity and haste – had been neglected. We could study once more the magic of a palm that we once longed to caress; we could attend again to a way of tilting the head that once seemed so suggestive. In the early days, we knew how to see. Now as artists of our lives – in our own fashion – we can rediscover, we can select, refocus, appreciate. We can become the explorers of lost continents filled with one another’s overlooked qualities.

It was already an age of scientific wonders that promised to reshape economies and boost productivity. From the first steam engine that James Watt built in Great Britain in the 1760s to the hot-air balloons that floated across French skies in the 1780s to Eli Whitney’s invention of the cotton gin and the use of interchangeable parts in the 1790s, it was a time of technological marvels. No industry was being transformed more dramatically than British textiles. Sir Richard Arkwright had devised a machine called the water frame that used the power of rushing water to spin many threads simultaneously. By the time Hamilton was sworn in as treasury secretary, Arkwright’s mills on the Clyde in Scotland employed more than 1,300 hands.

It was on the second Tuesday in January - WI night - that winter became a serious and dramatic matter, a cold, tiring, but exhilarating time, at least for the young, and a companionable time for all, when we were stranded, snowbound and sealed off in place and, it seemed, in time too, for the usual pattern of the day’s coming and going was halted. We had been in the town all day, and I had scarcely noticed the weather. But, by the time I put the car up the last, steep bit of hill, past Cuckoo Farm and Foxley Spinney, towards the village, the sky had gathered like a boil, and had an odd, sulphurous yellow gleam over iron grey. It was achingly cold, the wind coming north-east off the Fen made us cry. We ran down the steps and indoors, switched on the lamps and opened up the stove, made tea, shut out the weather, though we could still hear it; the wind made a thin, steely noise under doors and through all the cracks and crevices of the old house. But by six o’clock there had been one of those sudden changes. I opened the door to let in Hastings, the tabby cat, and sensed it at once. The wind dropped and died, everything was still and dark as coal, no moonlight, not a star showed through the cloud cover, and it was just a degree wamer. I could smell the approching snow. Everything waited.

During the past 70 years, the Earth has been hotter than at any other time in the last millennium, and the warming has accelerated dramatically in just the past few decades. No doubt everyone has at least one older relative who is constantly harking back –through a rose-tinted haze –to a time when summers were hotter and the skies bluer. Meteorological records show, however, that this is simply a case of selective memory, and in fact 19 of the hottest years on record have occurred since 1980, with the late 1990s seeing the warmest years of all across the planet as a whole. The Earth is now warmer than it has been for over 90 per cent of its 4.6 billion year history, and by the end of the twenty-first century our planet may see higher temperatures than at any time for the last 150,000 years.

The demo flight changed dramatically when, seemingly out of nowhere, another T-2 jumped us from behind and we were suddenly a participant in a dog fight. I had no idea at the time that this was strictly against regulations. It was ACM (air combat maneuvers) that was taught and practiced, but to do it spontaneously like this, without a thorough briefing on the ground, was against the rules for obvious reasons. From that point on, the previous maneuvers we had been doing seemed mild. My pilot was trying to outmaneuver our pursuer to get him off our tail and turn the fight around so that he was our prey, we were on his tail, and we were in kill-shot position had this been real combat. The maneuvers were violent. I kept my knees wide apart to prevent the control stick from bruising my legs as it slammed back and forth to its full limits. My helmet clanked against the left side of the canopy and then the right side. Looking directly ahead out the windshield, I was staring straight up at the sky and the clouds, and the next moment I was looking straight down at the Gulf of Mexico. The horizon and the instruments were spinning around one direction and then the other direction. The altimeter needles were whirling around as the gauge indicated a higher and higher altitude as we climbed, and then indicated a smaller and smaller number as we plummeted toward the water below. I was spatially disoriented much of the time. There were moments when the airplane seemed completely out of control; it probably was. I could hear my pilot breathing heavily in his oxygen mask through his hot mic and cursing the other plane and its pilot. I could only see the other aircraft in a small combat rearview mirror. (Page 57)

Michael outstretched his great big wings, which covered the surrounding area with a plethora of feathers. Then with a single swoop he leapt masterfully into the sky. Soon he was above the buildings, crossing the city as if he were a part of the wind itself.

New York. The world’s most dramatic city. Like a permanent short circuit, sputtering and sparking up into the night sky all night long. No place like it for living. And probably no place like it for dying.