Diana Gabaldon Quotes

We've searched our database for all the quotes and captions related to Diana Gabaldon. Here they are! All 100 of them:

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I stood still, vision blurring, and in that moment, I heard my heart break. It was a small, clean sound, like the snapping of a flower's stem.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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For where all love is, the speaking is unnecessary
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Diana Gabaldon (Outlander (Outlander, #1))
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Don't be afraid. There's the two of us now.
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Diana Gabaldon (Outlander (Outlander, #1))
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When the day shall come that we do part," he said softly, and turned to look at me, "if my last words are not 'I love you'-ye'll ken it was because I didna have time.
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Diana Gabaldon
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Ye are Blood of my Blood, and Bone of my Bone, I give ye my Body, that we Two might be One. I give ye my Spirit, 'til our Life shall be Done.
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Diana Gabaldon (Outlander (Outlander, #1))
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I can bear pain myself, he said softly, but I couldna bear yours. That would take more strength than I have.
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Diana Gabaldon (Outlander (Outlander, #1))
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Oh, aye, Sassenach. I am your master . . . and you're mine. Seems I canna possess your soul without losing my own.
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Diana Gabaldon (Outlander (Outlander, #1))
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Ye werena the first lass I kissed," he said softly. "But I swear you'll be the last.
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Diana Gabaldon (Outlander (Outlander, #1))
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Forgiveness is not a single act, but a matter of constant practice.
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Diana Gabaldon (Drums of Autumn (Outlander, #4))
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You are my courage, as I am your conscience," he whispered. "You are my heart---and I your compassion. We are neither of us whole, alone. Do ye not know that, Sassenach?
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Diana Gabaldon (Drums of Autumn (Outlander, #4))
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I talk to you as I talk to my own soul," he said, turning me to face him. He reached up and cupped my cheek, fingers light on my temple. "And Sassenach," he whispered, "Your face is my heart.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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I will find you," he whispered in my ear. "I promise. If I must endure two hundred years of purgatory, two hundred years without you - then that is my punishment, which I have earned for my crimes. For I have lied, and killed, and stolen; betrayed and broken trust. But there is the one thing that shall lie in the balance. When I shall stand before God, I shall have one thing to say, to weigh against the rest." His voice dropped, nearly to a whisper, and his arms tightened around me. Lord, ye gave me a rare woman, and God! I loved her well.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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Blood of my Blood," he whispered, "and bone of my bone. You carry me within ye, Claire, and ye canna leave me now, no matter what happens, You are mine, always, if ye will it or no, if ye want me or nay. Mine, and I wilna let ye go.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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It has always been forever, for me, Sassenach
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Diana Gabaldon (Voyager (Outlander, #3))
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Does it ever stop? The wanting you?" "Even when I've just left ye. I want you so much my chest feels tight and my fingers ache with wanting to touch ye again.
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Diana Gabaldon (Outlander (Outlander, #1))
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You're tearin' my guts out, Claire.
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Diana Gabaldon (Outlander (Outlander, #1))
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You are safe," he said firmly. "You have my name and my family, my clan, and if necessary, the protection of my body as well. The man willna lay hands on ye again, while I live.
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Diana Gabaldon (Outlander (Outlander, #1))
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Where did you learn to kiss like that?” I said, a little breathless. He grinned and pulled me close again. β€œI said I was a virgin, not a monk,” he said, kissing me again. β€œIf I find I need guidance, I’ll ask.
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Diana Gabaldon (Outlander (Outlander, #1))
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D'ye think I don't know?" he asked softly. "It's me that has the easy part now. For if ye feel for me as I do for you-then I'm asking you to tear out your heart and live without it.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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I had one last try. "Does it bother you that I'm not a virgin?" He hesitated a moment before answering. "Well, no," he said slowly, "so long as it doesna bother you that I am." He grinned at my drop-jawed expression, and backed toward the door. "Reckon one of us should know what they're doing," he said. The door closed softly behind him; clearly the courtship was over.
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Diana Gabaldon (Outlander (Outlander, #1))
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If it was a sin for you to choose me . . . then I would go to the Devil himself and bless him for tempting ye to it.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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You are mine, always, if ye will it or no, if ye want me or nay. Mine, and I willna let ye go
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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Oh, Claire, ye do break my heart wi' loving you.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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Do ye not understand?"he said, in near desparation. "I would lay the world at your feet, Claire-and I have nothing to give ye!" He honestly thought it mattered.
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Diana Gabaldon (Voyager (Outlander, #3))
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Then let amourous kisses dwell On our lips, begin and tell A Thousand and a Hundred score A Hundred and a Thousand more
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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Catholics don't believe in divorce. We do believe in murder. There's always Confession, after all. --Brianna Fraser to Roger MacKenzie
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Diana Gabaldon (An Echo in the Bone (Outlander, #7))
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I swore an oath before the altar of God to protect this woman. And if you're tellin' me that ye consider your own authority to be greater than that of the Almighty, then I must inform ye that I'm not of that opinion, myself.
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Diana Gabaldon (Outlander (Outlander, #1))
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And I mean to hear ye groan like that again. And to moan and sob, even though you dinna wish to, for ye canna help it. I mean to make you sigh as though your heart would break, and scream with the wanting, and at last to cry out in my arms, and I shall know that I've served ye well.
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Diana Gabaldon (Outlander (Outlander, #1))
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There are things that I canna tell you, at least not yet. And I'll ask nothing of ye that ye canna give me. But what I would ask of ye---when you do tell me something, let it be the truth. And I'll promise ye the same. We have nothing now between us, save---respect, perhaps. And I think that respect has maybe room for secrets, but not for lies. Do ye agree?
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Diana Gabaldon (Outlander (Outlander, #1))
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Your face is my heart Sassenach, and the love of you is my soul
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Diana Gabaldon (Drums of Autumn (Outlander, #4))
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...sitting and waiting is one of the most miserable occupations known to man - not that it usually is known to men; women do it much more often.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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A hedgehog? And just how does a hedgehog make love?" he demanded. No, I thought. I won't. I will not. But I did. "Very carefully," I replied, giggling helplessly. So now we know just how old that one is, I thought.
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Diana Gabaldon (Outlander (Outlander, #1))
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Sometimes our best action result in things that are most regrettable.
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Diana Gabaldon (Outlander (Outlander, #1))
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Lord, ye gave me a rare woman, and God! I loved her well.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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Once you've chosen a man, don't try to change him', I wrote with more confidence. 'It can't be done. More important-don't let him try to change you.
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Diana Gabaldon (Voyager (Outlander, #3))
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And if your life is a suitable exchange for my honor, why is my honor not a suitable exchange for your life?
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Diana Gabaldon (Outlander (Outlander, #1))
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It was a beautiful bright autumn day, with air like cider and a sky so blue you could drown in it.
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Diana Gabaldon (Outlander (Outlander, #1))
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To see the years touch ye gives me joy", he whispered, "for it means that ye live.
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Diana Gabaldon
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I shook so that it was some time before I realized that he was shaking too, and for the same reason. I don't know how long we sat there on the dusty floor, crying in each others arms with the longing of twenty years spilling down our faces.
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Diana Gabaldon (Voyager (Outlander, #3))
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We are bound, you and I, and nothing on this earth shall part me from you.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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I was crying for joy, my Sassenach,' he said softly. He reached out slowly and took my face between his hands. "And thanking God that I have two hands. That I have two hands to hold you with. To serve you with, to love you with. Thanking God that I am a whole man still, because of you.
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Diana Gabaldon (Outlander (Outlander, #1))
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Damn right I begrudge! I grudge every memory of yours that doesna hold me, and every tear ye've shed for another, and every second you've spent in another man's bed!
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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When the day shall come, that we do part," he said softly, and turned to look at me, "if my last words are not 'I love you'β€”ye'll ken it was because I didna have time.
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Diana Gabaldon (The Fiery Cross (Outlander, #5))
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Not for the first time, I reflected that intimacy and romance are not synonymous.
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Diana Gabaldon (Outlander (Outlander, #1))
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You dinna need to understand me, Sassenach," he said quietly. "So long as you love me.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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Why, what's the matter wi' the poor child?" she demanded of Jamie. "Has she had an accident o' some sort?" "No, it's only she's married me," he said, "though if ye care to call it an accident, ye may.
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Diana Gabaldon (Outlander (Outlander, #1))
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For so many years, for so long, I have been so many things, so many different men. But here," he said, so softly I could barely hear him, "here in the dark, with you… I have no name.
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Diana Gabaldon (Voyager (Outlander, #3))
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When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself 'Jamie Fraser, for all ye canna see what she looks like, and for all she weights as much as a good draft horse, this is the woman.
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Diana Gabaldon (Outlander (Outlander, #1))
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This is our time. Until that time stops - for one of us, for both – it is our time. Now. Will you waste it, because you are afraid?
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Diana Gabaldon (Drums of Autumn (Outlander, #4))
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Lying on the floor, with the carved panels of the ceiling flickering dimly above, I found myself thinking that I had always heretofore assumed that the tendency of eighΒ­teenth-century ladies to swoon was due to tight stays; now I rather thought it might be due to the idiocy of eighteenth-century men.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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If I die," he whispered in the dark, "dinna follow me. The bairns will need ye. Stay for them. I can wait.
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Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
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Murtagh was right about women. Sassenach, I risked my life for ye, committing theft, arson, assault, and murder into the bargain. In return for which ye call me names, insult my manhood, kick me in the ballocks and claw my face. Then I beat you half to death and tell ye all the most humiliating things have ever happened to me, and ye say ye love me." He laid his head on his knees and laughed some more. Finally he rose and held out a hand to me, wiping his eyes with the other. "You're no verra sensible, Sassenach, but I like ye fine. Let's go.
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Diana Gabaldon (Outlander (Outlander, #1))
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An Englishman thinks a hundred miles is a long way; and American thinks a hundred years is a long time
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Diana Gabaldon (Drums of Autumn (Outlander, #4))
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Character, I think, is the single most important thing in fiction. You might read a book once for its interesting plotβ€”but not twice.
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Diana Gabaldon
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The most irritating thing about cliches, I decided, was how frequently they were true.
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Diana Gabaldon (Voyager (Outlander, #3))
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It wasn't a thing I had consciously missed, but having it now reminded me of the joy of it; that drowsy intimacy in which a man's body is accessible to you as your own, the strange shapes and textures of it like a sudden extension of your own limbs.
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Diana Gabaldon (Voyager (Outlander, #3))
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All right you bloody Scottish bastard, lets see how stubborn you really are.
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Diana Gabaldon (Outlander (Outlander, #1))
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Mo Nighean donn," he whispered," mo chridhe. My brown lass, my heart." Come to me. Cover me. Shelter me. a bhean, heal me. Burn with me, as I burn for you.
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Diana Gabaldon (The Fiery Cross (Outlander, #5))
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Then kiss me, Claire," he whispered, "And know that you are more to me than life, and I have no regret.
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Diana Gabaldon (Voyager (Outlander, #3))
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All I want, is for you to love me. Not because of what I can do or what I look like, or because I love you - just because I am.
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Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
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I prayed all the way up that hill yesterday, he said softly. Not for you to stay; I didna think that would be right. I prayed I'd be strong enough to send ye away. He shook his head, still gazing up the hill, a faraway look in his eyes. I said 'Lord, if I've never had courage in my life before, let me have it now. Let me be brave enough not to fall on my knees and beg her to stay.' He pulled his eyes away from the cottage and smiled briefly at me. Hardest thing I ever did, Sassenach.
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Diana Gabaldon
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That's what marriage is good for; it makes a sacrament out of things ye'd otherwise have to confess. Jamie Fraser
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Diana Gabaldon (Outlander (Outlander, #1))
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Gentle he would be, denied he would not.
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Diana Gabaldon (Outlander (Outlander, #1))
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Overall, the library held a hushed exultation, as though the cherished volumes were all singing soundlessly within their covers.
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Diana Gabaldon (Outlander (Outlander, #1))
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I do know it, my own. Let me tell ye in your sleep how much I love you. For there's no so much I can be saying to ye while ye wake, but the same poor words, again and again. While ye sleep in my arms, I can say things to ye that would be daft and silly waking, and your dreams will know the truth of them. Go back to sleep, mo duinne.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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Aye, I believe ye, Sassenach. But it would ha’ been a good deal easier if you’d only been a witch.
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Diana Gabaldon (Outlander (Outlander, #1))
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We have nothing now between us, save - respect, perhaps. And I think that respect has maybe room for secrets, but not for lies.
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Diana Gabaldon (Outlander (Outlander, #1))
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He gave you to me," she said, so low I could hardly hear her. "Now I have to give you back to him, Mama.
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Diana Gabaldon (Voyager (Outlander, #3))
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For if you feel for me as i do for you - then I am asking you to tear out your heart and live without it.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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No wonder he was so good with horses, I thought blearily, feeling his fingers rubbing gently behind my ears, listening to the soothing, incomprehensible speech. If I were a horse, I’d let him ride me anywhere.
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Diana Gabaldon (Outlander (Outlander, #1))
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Could I but lay my head in your lap, lass. Feel your hand on me, and sleep wi' the scent of you in my bed. Christ, Sassenach. I need ye.
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Diana Gabaldon (The Scottish Prisoner (Lord John Grey, #3))
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Do ye want me?" he whispered. "Sassenach, will ye take me - and risk the man that I am, for the sake of the man ye knew?
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Diana Gabaldon (Voyager (Outlander, #3))
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I meant it, Claire,' he said quietly. 'My life is yours. And it's yours to decide what we shall do, where we go next. To France, to Italy, even back to Scotland. My heart has been yours since first I saw ye, and you've held my soul and body between your two hands here, and kept them safe. We shall go as ye say.
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Diana Gabaldon (Outlander (Outlander, #1))
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You'll lie wi' me now," he said quietly. "And I shall use ye as I must. And if you'll have your revenge for it, then take it and welcome, for my soul is yours, in all the black corners of it.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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While the Lord might insist that vengeance was His, no male Highlander of my acquaintance had ever thought it right that the Lord should be left to handle such things without assistance.
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Diana Gabaldon (The Fiery Cross (Outlander, #5))
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Aye, well, he'll be wed a long time," he said callously. "Do him no harm to keep his breeches on for one night. And they do say that abstinence makes the heart grow firmer, no?" "Absence," I said, dodging the spoon for a moment. "AND fonder. If anything's growing firmer from abstinence, it wouldn't be his heart.
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Diana Gabaldon (Voyager (Outlander, #3))
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I dinna know what's a sadist. And if I forgive you for this afternoon, I reckon you'll forgive me, too, as soon as ye can sit down again." "As for my pleasure..." His lip twitched. "I said I would have to punish you. I did not say I wasna going to enjoy it." He crooked a finger at me. "Come here.
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Diana Gabaldon (Outlander (Outlander, #1))
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Only you," he said, so softly I could barely hear him. "To worship ye with my body, give ye all the service of my hands. To give ye my name, and all my heart and soul with it. Only you. Because ye will not let me lie--and yet ye love me.
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Diana Gabaldon (Voyager (Outlander, #3))
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Do you really think we'll ever--" "I do," he said with certainty, not letting me finish. He leaned over and kissed my forehead. "I know it, Sassenach, and so do you. You were meant to be a mother, and I surely dinna intend to let anyone else father your children.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly. I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'" I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'" He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..." He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?" I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house. "You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath. "Have I not...just been...saying so?
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Diana Gabaldon (Outlander (Outlander, #1))
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There were moments, of course. Those small spaces in time, too soon gone, when everything seems to stand still, and existence is balanced on a perfect point, like the moment of change between the dark and the light, and when both and neither surround you.
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Diana Gabaldon (Outlander (Outlander, #1))
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I wept bitterly, surrendering momentarily to my fear and heartbroken confusion, but slowly I began to quiet a bit, as Jamie stroked my neck and back, offering me the comfort of his broad, warm chest. My sobs lessened and I began to calm myself, leaning tiredly into the curve of his shoulder. No wonder he was so good with horses, I thought blearily, feeling his fingers rubbing gently behind my ears, listening to the soothing, incomprehensible speech. If I were a horse, I'd let him ride me anywhere.
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Diana Gabaldon (Outlander (Outlander, #1))
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But just then, for that fraction of time, it seems as though all things are possible. You can look across the limitations of your own life, and see that they are really nothing. In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before. And it's as though knowing that everything is possible, suddenly nothing is necessary.
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Diana Gabaldon (Outlander (Outlander, #1))
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I gave you justice, it said, as I was taught it. And I gave you mercy , too, so far as I could. While I could not spare you pain and humiliation, I make you a gift of my own pains and humiliations, that yours might be easier to bear.
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Diana Gabaldon (Outlander (Outlander, #1))
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For I had come back, and I dreamed once more in the cool air of the Highlands. And the voice of my dream still echoed through ears and heart, repeated with the sound of Brianna's sleeping breath. "You are mine," it had said. "Mine. And I will not let you go.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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I want to hold you hard to me and kiss you, and never let you go. I want to take you to my bed and use you like a whore, 'til I forget that I exist. And I want to put my head in your lap and weep like a child." The mouth turned up at one corner, and a blue eye opened slitwise. "Unfortunately," he said, "I can't do any but the last of those without fainting or being sick again.
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Diana Gabaldon (Outlander (Outlander, #1))
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…but Sassenachβ€”I am the true home of your heart, and I know that.” He lifted my hands to his mouth and kissed my upturned palms, one and then the other, his breath warm and his beard-stubble soft on my fingers. β€œI have loved others, and I do love many, Sassenachβ€”but you alone hold all my heart, whole in your hands,” he said softly. β€œAnd you know that.
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Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
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Time does not really exist for mothers, with regard to their children. It does not matter greatly how old the child is-in the blink of an eye, a mother can see the child again as they were when they were born, when they learned how to walk, as they were at any age-at any time, even when the child is fully grown or a parent themselves.
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Diana Gabaldon
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Do you know,' he said again softly, addressing his hands, 'what it is to love someone, and never - never! - be able to give them peace, or joy, or happiness?' He looked up then, eyes filled with pain. 'To know that you cannot give them happiness, not through any fault of yours or theirs, but only because you were not born the right person for them?
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Diana Gabaldon (Voyager (Outlander, #3))
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And when my body shall cease, my soul will still be yours, Claire? I swear by my hope of heaven, I will not be parted from you." The wind stirred the leaves of the chestnut trees nearby, and the scents of late summer rose up rich around us; pine and grass and strawberries, sun-warmed stone and cool water, and the sharp, musky smell of his body next to mine. "Nothing is lost, Sassenach; only changed." "That's the first law of thermodynamics," I said, wiping my nose. "No," he said. "That's faith.
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Diana Gabaldon (Drums of Autumn (Outlander, #4))
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Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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Time is a lot of the things people say that God is. There's always preexisting, and having no end. There's the notion of being all powerful-because nothing can stand against time, can it? Not mountains, not armies. And time is, of course, all-healing. Give anything enough time, and everything is taken care of: all pain encompassed, all hardship erased, all loss subsumed. Ashes to ashes, dust to dust. Remember, man, that thou art dust; and unto dust thou shalt return. And if time is anything akin to God, I suppose that memory must be the devil.
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Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
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Sassenach, I've been stabbed, bitten, slapped, and whipped since supper - which I didna get to finish. I dinna like to scare children an I dinna like to flog men, and I've had to do both. I've two hundred English camped three miles away, and no idea what to do about them. I'm tired, I'm hungry, and I'm sore. If you've anything like womanly sympathy about ye, I could use a bit!
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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Jamie," I said, "how, exactly, do you decide whether you're drunk?" Aroused by my voice, he swayed alarmingly to one side, but caught himself on the edge of the mantelpiece. His eyes drifted around the room, then fixed on my face. For an instant, they blazed clear and pellucid with intelligence. "och, easy, Sassenach, If ye can stand up, you're not drunk." He let go of the mantelpiece, took a step toward me, and crumpled slowly onto the hearth, eyes blank, and a wide, sweet smile on his dreaming face.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
β€œ
You’re mine, mo duinne,” he said softly, pressing himself into my depths. β€œMine alone, now and forever. Mine, whether ye will it or no.” I pulled against his grip, and sucked in my breath with a faint β€œah” as he pressed even deeper. β€œAye, I mean to use ye hard, my Sassenach,” he whispered. β€œI want to own you, to possess you, body and soul.” I struggled slightly and he pressed me down, hammering me, a solid, inexorable pounding that reached my womb with each stroke. β€œI mean to make ye call me β€˜Master,’ Sassenach.” His soft voice was a threat of revenge for the agonies of the last minutes. β€œI mean to make you mine.
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Diana Gabaldon (Outlander (Outlander, #1))
β€œ
Look back, hold a torch to light the recesses of the dark. Listen to the footsteps that echo behind, when you walk alone. All the time the ghosts flit past and through us, hiding in the future. We look in the mirror and see the shades of other faces looking back through the years; we see the shape of memory, standing solid in an empty doorway. By blood and by choice, we make our ghosts; we haunt ourselves. Each ghost comes unbidden from the misty grounds of dream and silence. Our rational minds say, "No, it isn't." But another part, an older part, echoes always softly in the dark, "Yes, but it could be.
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Diana Gabaldon (Drums of Autumn (Outlander, #4))
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For a long time," he said at last, "when I was small, I pretended to myself that I was the bastard of some great man. All orphans do this, I think," he added dispassionately."It makes life easier to bear, to pretend that it will not always be as it is, that someone will come and restore you to your rightful place in the world." He shrugged. "Then I grew older, and knew that this was not true. No one would come to rescue me. But then-" he turned his head and gave Jamie a smile of surpassing sweetness. "Then I grew older still, and discovered that after all, it was true. I am the son of a great man." The hook touched Jamie's hand, hard and capable. "I wish for nothing more.
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Diana Gabaldon (An Echo in the Bone (Outlander, #7))
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I prayed all the way up that hill yesterday,” he said softly. β€œNot for you to stay; I didna think that would be right. I prayed I’d be strong enough to send ye away.” He shook his head, still gazing up the hill, a faraway look in his eyes. β€œI said β€˜Lord, if I’ve never had courage in my life before, let me have it now. Let me be brave enough not to fall on my knees and beg her to stay. He pulled his eyes away from the cottage and smiled briefly at me. "Hardest thing I ever did, Sassenach.” He turned in the saddle, and reined the horse’s head toward the east. It was a rare bright morning, and the early sun gilded everything, drawing a thin line of fire along the edge of the reins, the curve of the horse’s neck, and the broad planes of Jamie’s face and shoulders.
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Diana Gabaldon (Outlander (Outlander, #1))
β€œ
When you took me from the witch trial at Cranesmuir--you said then that you would have died with me, you would have gone to the stake with me, had it come to that!" He grasped my hands, fixing me with a steady blue gaze. "Aye, I would," he said. "But I wasna carrying your child." The wind had frozen me; it was the cold that made me shake, I told myself. The cold that took my breath away. "You can't tell," I said, at last. "It's much too soon to be sure." He snorted briefly, and a tiny flicker of amusement lit his eyes. "And me a farmer, too! Sassenach, ye havena been a day late in your courses, in all the time since ye first took me to your bed. Ye havena bled now in forty-six days." "You bastard!" I said, outraged. "You counted! In the middle of a bloody war, you counted!" "Didn't you?" "No!" I hadn't; I had been much too afraid to acknowledge the possibility of the thing I had hoped and prayed for so long, come now so horribly too late. "Besides," I went on, trying still to deny the possibility, "that doesn't mean anything. Starvation could cause that; it often does." He lifted one brow, and cupped a broad hand gently beneath my breast. "Aye, you're thin enough; but scrawny as ye are, your breasts are full--and the nipples of them gone the color of Champagne grapes. You forget," he said, "I've seen ye so before. I have no doubt--and neither have you." I tried to fight down the waves of nausea--so easily attributable to fright and starvation--but I felt the small heaviness, suddenly burning in my womb. I bit my lip hard, but the sickness washed over me. Jamie let go of my hands, and stood before me, hands at his sides, stark in silhouette against the fading sky. "Claire," he said quietly. "Tomorrow I will die. This child...is all that will be left of me--ever. I ask ye, Claire--I beg you--see it safe.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
β€œ
Jaime," I said softly, "are you happy about it? About the baby?" Outlawed in Scotland, barred from his own home, and with only vague prospects in France, he could pardonably have been less than enthused about acquiring an additional obligation. He was silent for a moment, only hugging me harder, then sighed briefly before answering. "Aye, Sassenach," His hand stayed downward, gently rubbing my belly. "I'm happy. And proud as a stallion. But I am most awfully afraid too." "About the birth? I'll be all right." I could hardly blame him for apprehension; his own mother had died in childbirth, and birth and its complications were the leading cause of death for women in these times. Still, I knew a thing or two myself, and I had no intention whatever of exposing myself to what passed for medical care here. "Aye, that--and everything," he said softly. "I want to protect ye like a cloak and shield you and the child wi' my body." His voice was soft and husky, with a slight catch in it. "I would do anything for ye...and yet...there's nothing I can do. It doesna matter how strong I am, or how willing; I canna go with you where ye must go...nor even help ye at all. And to think of the things that might happen, and me helpless to stop them...aye, I'm afraid, Sassenach. "And yet"--he turned me toward him, hand closing gently over one breast--"yet when I think of you wi' my child at your breast...then I feel as though I've gone hollow as a soap bubble, and perhaps I shall burst with joy.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))