Diamonds And Stones Quotes

Better to have a single perfect diamond than a sack of flawed stones.

One day they'll realize they lost a diamond while playing with worthless stones.

My Crown is in my heart, not on my head: Not deck'd with Diamonds, and Indian stones: Nor to be seen: my Crown is call'd Content, A Crown it is, that seldom Kings enjoy.

The first pair Opal and Amber are, Agate sings in B flat, the wolf avatar, A duet-solutio! - with Aquamarine. Mighty Emerald next, with the lovely Citrine. Number Eight is digestio, her stand is Jade fine. E major's the key of the Black Tourmaline, Sapphire sings in F major, and bright is her sheen. Then almost at once comes Diamond alone, Whose sign of the lion as Leo is known. Projectio! Time flows on, both present and past. Ruby red is the first and is also the last.

E major's the key of the Black Tourmaline, Sapphire sings in F major, and bright is her sheen. Then almost at once, comes Diamond alone, Whose sign of the lion as Leo is known. Projectio! Time flows on, both present and past. Ruby red is the first and is also the last.

Flint
 An emerald is as green as grass, A ruby red as blood; A sapphire shines as blue as heaven; A flint lies in the mud. A diamond is a brilliant stone, To catch the world’s desire; An opal holds a fiery spark; But a flint holds fire.

Life keeps throwing me stones. And I keep finding the diamonds...

Have you ever heard of penguin love stones?” “What?” “A penguin love stone. When a male likes a female, he finds a perfect stone and he brings it to her. If she likes it, she puts it in her nest and that’s it. They’re paired for life.” Brian watched Liz taking an order at another table but talked to us. “And your point?” “My point is, the penguin’s not picking her mate because he’s the one who has the best rock. It might look that way, but she’s not. She’s taking the rock because the male she wants the most is offering it. Sometimes what you have to give is enough. Even if it’s a rock instead of a diamond.

The pale pink light of dawn sparkled on branch and leaf and stone. Every blade of grass was carved from emerald, every drip of water turned to diamond. Flowers and mushrooms alike wore coats of glass. Even the mud puddles had a bright brown sheen. Through the shimmering greenery, the black tents of his brothers were encased in a fine glaze of ice. So there is magic beyond the Wall after all.

Stones don't have to be whole to be lovely," he says. "Even cracked ones can be polished and set. Small diamonds, if they are clear and well cut, can be more valuable than big ones with impurities. Listen," he says. Sometimes the brightest stars shine brightest, no?

Then came the most exquisite moment of her whole life passing a stone urn with flowers in it. Sally stopped; picked a flower; kissed her on the lips. The whole world might have turned upside down! The others disappeared; there she was alone with Sally. And she felt that she had been given a present, wrapped up, and told just to keep it, not to look at it — a diamond, something infinitely precious, wrapped up, which, as they walked (up and down, up and down), she uncovered, or the radiance burnt through, the revelation, the religious feeling!

The Anasazi did manage to construct in stone the largest and tallest buildings erected in North America until the Chicago steel girder skyscrapers of the 1880s.

Two people can illustrate crudity to you. The first is the crude man, whom you see perceiving the diamond as a stone. The other is the refined man, who makes clear to you the crudity of the first one.

They see me as a diamond because I have Zade’s love, but they fail to remember that’s what forged me into a stone so unbreakable.

It is wrong to wear diamonds before luncheon, except on one’s marriage rings. Before, after, and during breakfast, luncheon and dinner, it is vulgar to wear a mixture of colored precious stones. It is always a comfort to know that so many things one can’t afford to do anyway are vulgar.

A new doctor had been sent for, Lazzaro of Pavia, who had administered to Lorenzo a pulverized mixture of diamonds and pearls. This hitherto infallible medicine had failed to help.

The Pomegranate The only legend I have ever loved is the story of a daughter lost in hell. And found and rescued there. Love and blackmail are the gist of it. Ceres and Persephone the names. And the best thing about the legend is I can enter it anywhere. And have. As a child in exile in a city of fogs and strange consonants, I read it first and at first I was an exiled child in the crackling dusk of the underworld, the stars blighted. Later I walked out in a summer twilight searching for my daughter at bed-time. When she came running I was ready to make any bargain to keep her. I carried her back past whitebeams and wasps and honey-scented buddleias. But I was Ceres then and I knew winter was in store for every leaf on every tree on that road. Was inescapable for each one we passed. And for me. It is winter and the stars are hidden. I climb the stairs and stand where I can see my child asleep beside her teen magazines, her can of Coke, her plate of uncut fruit. The pomegranate! How did I forget it? She could have come home and been safe and ended the story and all our heart-broken searching but she reached out a hand and plucked a pomegranate. She put out her hand and pulled down the French sound for apple and the noise of stone and the proof that even in the place of death, at the heart of legend, in the midst of rocks full of unshed tears ready to be diamonds by the time the story was told, a child can be hungry. I could warn her. There is still a chance. The rain is cold. The road is flint-coloured. The suburb has cars and cable television. The veiled stars are above ground. It is another world. But what else can a mother give her daughter but such beautiful rifts in time? If I defer the grief I will diminish the gift. The legend will be hers as well as mine. She will enter it. As I have. She will wake up. She will hold the papery flushed skin in her hand. And to her lips. I will say nothing.

They wanted to carry her, but she jumped to the stones of the plaza and strode away from the building, toward her ranks, which parted to make way for her. The streets of Pudong were filled with hungry and terrified refugees, and through them, in simple peasant clothes streaked with the blood of herself and of others, broken shackles dangling from her wrists, followed by her generals and ministers, walked the barbarian Princess with her book and her sword.

She could afford anything, she could give anything, but she could not share a moment of her life with anybody. She was a beautiful and a glamorous diamond with an astronomical price tag, but to a crude reality — she was still a stone, a living stone. Nothing else but a stone in an aesthetic sense.

Your body is made of the same elements that lionesses are built from. Three quarters of you is the same kind of water that beats rocks to rubble, wears stones away. Your DNA translates into the same twenty amino acids that wolf genes code for. When you look in the mirror and feel weak, remember, the air you breathe in fuels forest fires capable of destroying everything they touch. On the days you feel ugly, remember: diamonds are only carbon. You are so much more.

When giving money to the amputated, you must put it directly into their pockets.

Diamonds aren’t forever. Diamond engagement rings have only been a “necessary luxury” for about eighty years. We take the tradition of a diamond engagement ring for granted, as if it were as old as marriage itself. It’s not. In fact, it’s only about as old as the microwave oven.

Some days are diamond. Some days are stone.

If an evil spirit had to hide from God, it would hide in a diamond. If an angel had to hide from the Devil, it would hide in rose quartz.

I designed this and had it made especially for you. The trefoil is the symbol of immortality: a beginning without an end, like our life together. The hearts represent my love for you. Forever love. Unending like the knot they form. I chose opals instead of diamonds, because opals are warm living stones, each color a birth stone, yours being the center of this ring just like you are the center of our family. “I know the inscription isn’t original, but the meaning behind the words is. I wrote those words for the wife I dreamed of. And here you are. With My Last Breath.

People who deal in truth themselves recognize it when they hear it, just as people who deal in diamonds recognize a real stone when they see it.

Unless you Believe in yourself, everybody see you as an ordinary stone, not Diamond.

An ugly diamond is still worth more than a beautiful pebble.

When a rock transforms into a diamond, lesser stones will not speak of its beauty, but speak of its unpolishedness.

Honour'd Sir— Look to your Wife if you do love her as much as she do love you. For she is sore put to by an Enemy in the shape of a Friend. Sir, there is one near her who ought to be Away. A woman should not be try'd beyond her Strength, and continual dropping will wear away a Stone—ay, more—a Diamond.                                              From Two Well-Wishers

I am a diamond in the rut. A diamond to an untrained eye looks like a rock stone. So men will kick it around on the ground. It takes a man with an expert eye for fine Jewelry to notice its worth. Do not feel bad when men treat you like the little boys in Africa who gave away stones in exchange for candy. The hungry boys thought they were getting something better but had exchange wealth for a sugar high. Some men will do that. Exchange a valuable woman for the transient high of another. The boys didn't know better and so do some of these men. They don't know your worth.

We bitch about our difficulties along the rough surface of our path, we curse every sharp stone underneath, until at some point in our maturation, we finally look down to see that they are diamonds.

I met her eyes, and for the first time I perceived that there was something broken behind them, like a tiny crack in a diamond that becomes visible only when viewed through a magnifying lens; normally it is hidden by the brilliance of the stone.

On the evening of her eighteenth birthday, Maddy opened her journal and made a list of the jewels and precious stones she'd held. Gold, diamond, emerald; ruby, turquoise, pearl; amber, jade, marble… There were some she had forgotten. Beneath these she listed what she thought were the most perfect tastes and smells. Coffee, cinnamon, peaches; vanilla, honey, basil; baking bread, fresh bread, toasting bread.

...Her boyfriend gives her a Mercedes, [her friends] say, 'Oh, that's nice.' But her boyfriend gives her a diamond, they say, 'Oh, he's serious.' It's not just the gift of love-it's the gift of commitment. She's not jumping up and down because she got a diamond ring but because she got a guy! There are those who say you don't need diamonds. I say they're right. Just like you don't need sex.

The worst type of friend is a double-minded person with double standards who is unstable. Inevitably, due to his or her instability, it would be shown in the friendship that he/she was a frenemy all of the time. Therefore, there are many stones in life that you may meet, but the true diamonds take time to appear.

Lucille has a dull life, Mr. Marlowe. She's stuck here with me and a PBX. And an itty-bitty diamond ring - so small I was ashamed to give it to her. But what can a man do? If he loves a girl, he'd like it to show on her finger." Lucille held her left hand up and moved it around to get a flash from the little stone. "I hate it," she said. "I hate it like I hate the sunshine and the summer and the bright stars and the full moon. That's how I hate it". I picked up the key and my suitcase and left them. A little more of that and I'd be falling in love with myself. I might even give myself a small unpretentious diamond ring.

As the steamer continued the crossing, Pandora tugged off her left glove to admirer wedding ring, as she'd already done a dozen times that day. Gabriel had chosen a loose sapphire from the collection of Challon family jewels, and had it set in a gold and diamond ring mounting. The Ceylon sapphire, cut and polished into a smooth dome, was a rare stone that gleamed with a twelve-ray star instead of six. To his satisfaction, Pandora seemed inordinately pleased by the ring, and was fascinated by the way the star seemed to move across the surface of the sapphire. The effect, called asterism, was especially noticeable in the sunlight. "What causes the star?" Pandora asked, as she tilted her hand this way and that. Gabriel tucked a kiss behind the soft lobe of her ear. "A few tiny imperfections," he murmured, "that make it all the more beautiful.

Quoyle experienced moments in all colors, uttered brilliancies, paid attention to the rich sound of waves counting stones, he laughed and wept, noticed sunsets, heard music in rain, said I do. A row of shining hubcaps on sticks appeared in the front yard of the Burkes’ house. A wedding present from the bride’s father. For if Jack Buggit could escape from the pickle jar, if a bird with a broken neck could fly away, what else might be possible? Water may be older than light, diamonds crack in hot goat’s blood, mountaintops give off cold fire, forests appear in mid-ocean, it may happen that a crab is caught with the shadow of a hand on its back, that the wind be imprisoned in a bit of knotted string. And it may be that love sometimes occurs without pain or misery.

At night I told myself a story, wordless, inside my head, one I liked far better than those in my books. The girl in my story was treated cruelly, by fate, by her family, even by the weather. Her feet bled from the stony paths; her hair was plucked from her head by blackbirds. She went from house to house, looking for refuge. Not a single neighbor answered his door, and so one day the girl gave up speaking. She lived on the side of a mountain where every day was snowy. She stood outside without a roof, without shelter; before long she was made of ice—her flesh, her bones, her blood. She looked like a diamond; it was possible to spy her from miles away. She was so beautiful now that everyone wanted her: people came to talk to her, but she wouldn’t answer. Birds lit on her shoulder; she didn’t bother to chase them away. She didn’t have to. If they took a single peck, their beaks would break in two. Nothing could hurt her anymore. After a while, she became invisible, queen of the ice. Silence was her language, and her heart had turned a perfect pale silver color. It was so hard nothing could shatter it. Not even stones.

BALLROOMS OF MARS" "You gonna look fine Be primed for dancing You're gonna trip and glide All on the trembling plane Your diamond hands Will be stacked with roses And wind and cars And people of the past I'll call you thing Just when the moon sings And place your face in stone Upon the hill of stars And gripped in the arms Of the changeless madman We'll dance our lives away In the Ballrooms of Mars You talk about day I'm talking 'bout night time When the monsters call out The names of men Bob Dylan knows And I bet Alan Freed did There are things in night That are better not to behold You dance With your lizard leather boots on And pull the strings That change the faces of men You diamond browed hag You're a gutter-gaunt gangster John Lennon knows your name And I've seen his

She was wearing pink gauze—was that possible? She seemed, anyhow, all light, glowing, like some bird or air ball that has flown in, attached itself for a moment to a bramble... Then came the most exquisite moment of her whole life passing a stone urn with flowers in it. Sally stopped; picked a flower; kissed her on the lips. The whole world might have turned upside down! The others disappeared; there she was alone with Sally. And she felt that she had been given a present, wrapped up, and told just to keep it, not to look at it—a diamond, something infinitely precious, wrapped up, which, as they walked (up and down, up and down) she uncovered, or the radiance burnt through, the revelation, the religious feeling!

She could see why men and women through the ages had become besotted with opals. It was as though an almighty hand had scooped a palmful of emeralds, sapphires, diamonds, and pearls and mixed their radiant hues. Fit for a queen. Such a noble stone.

Neanderthals had brains slightly larger than our own. They were also the first humans to leave behind strong evidence of burying their dead and caring for their sick. Yet their stone tools were still crude by comparison with modern New Guineans’ polished stone axes and were usually not yet made in standardized diverse shapes, each with a clearly recognizable function. The

They had paused before the table on which the bride’s jewel were displayed, and Lily’s heart gave an envious throb as she caught the refraction of light from their surfaces – the milky gleam of perfectly matched pearls, the flash of rubies relieved against contrasting velvet, the intense blue rays of sapphires kindled into light by surrounding diamonds: all these precious tints enhanced and deepened by the varied art of their setting. The glow of the stones warmed Lily’s veins like wine. More completely than any other expression of wealth they symbolized the life she longed to lead, the life of fastidious aloofness and refinement in which every detail should have the finish of a jewel, and the whole form a harmonious setting to her own jewel-like rareness.

At the time thousands of Africans were dying over control of diamonds sold in shopping malls around the world, U.S president Bill Clinton was impeached for perjury, NATO began bombing Yugoslavia, and everyone else was preparing for digital disaster from Y2K

You’re hard sometimes, but you’re genuine and easy to love.  You give people everything you have to give, Silas.  You’re a rough diamond amongst pearls.  You look like a dirty stone amongst the sheen, but your value far exceeds the silky dull shine of a pearl.

We see what we want to see when we look at someone. Like a diamond before it has been cut. We can guess at its brilliance but can't see the faults until the stone has been cut and polished. Only then can we glimpse inside and see the occlusions and the clarity. 

What falls on air yet's lighter than balloon? What betrays time yet folds into a cut? Who flutters at the sight of song then bellows into flight? What height is halved by precipice, what gorge dissolved by trill? Who telling tales upbraids a stump when prattle veils its want? Stone breaks it not, nor diamonds, yet splits with just one word: it's used for casting devils out; still, fools obey it first.

You have shoes to match.” “I do?” “You do, yes, and go with diamonds. Leave the color to the dress.” “Which diamonds? Do you know how many you give me? Why do you do that?” The aggrieved sound of her voice amused him nearly as much as giving her diamonds. “It’s a sickness. I’ll get them for you once you’re dressed.” She said nothing, and stood where she was as he selected a dark suit from his forest of suits, a slate-colored shirt, and a stone-colored tie. “How come you don’t wear color?” “The better to serve as the backdrop for my beautiful wife.” She narrowed her eyes. “You had that one ready.” “The truth is always ready.” She jabbed a finger at him. “That one, too.” “Such a cynic.

You know how diamonds—how all crystals—grow, Laurette? By adding microscopic layers, a few thousand atoms every month, each atop the next. Millennia after millennia. That’s how stories accumulate too. All the old stones accumulate stories. That little rock you’re so curious about may have seen Alaric sack Rome; it may have glittered in the eyes of Pharaohs. Scythian queens might have danced all night wearing it. Wars might have been fought over it.

They say I am a brave girl I'm a hailstorm for the rain I'm a volcano for the mountain I'm a diamond for the stone And I wonder if I can be real me. I see the crowd I hear the noise I keep my patience. But inside I want to scream Yes I want to scream like hell. And when she call me on phone, I wonder how she knows it. I wonder how she hears those silent words.. How she sees those forbidden tears... I wonder how she knows I am missing somewhere...

I promise you that the discovery of your True Self will feel like a thousand pounds of weight have fallen from your back. You will no longer have to build, protect, or promote any idealized self image. Living in the True Self is quite simply a much happier existence, even though we never live there a full twenty-four hours a day. But you henceforth have it as a place to always go back to. You have finally discovered the alternative to your False Self. You are like Jacob awakening from sleep and joining the chorus of mystics in every age. “You were here all along, and I never knew it!” he says (Genesis 28:16). He anoints the stone pillow where this happened and names it Bethel, or “the house of God and gate of heaven” (28:17–18).4 Jacob then carries the presence with him wherever he goes. What was first only there is soon everywhere. The gate of heaven is first of all in one concrete place, better if carried with you, and best when found everywhere. That is the progression of the spiritual life.

In the words of P.J. O'Rourke, war is a great asshole magnet

Character is the diamond that scratches every other stone.

Sisyphus would be an ideal man if, instead of a regular stone, he rolled a diamond stone.

There are more imperfect diamonds than flawless stones. So, what the hell? I'll give it a try, and do my best to keep moving forward.

There are more imperfect diamonds than flawless stones.

Dream of the diamonds but then dont shatter them by stones . 

Yes, you’re a fucking diamond,” Heather laughs. “Or maybe cubic zirconia . . .” “And fuck you, I’m every stone there is because we’re all perfect.

The stone technology of the Tasmanians, when first encountered by European explorers in A.D. 1642, was simpler than that prevalent in parts of Upper Paleolithic Europe tens of thousands of years earlier.

Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says. A girl says, “But what’s through there?” “Behind this door is another locked door, slightly smaller.” “And what’s behind that?” “A third locked door, smaller yet.” “What’s behind that?” “A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.” The children lean forward. “And then?” “Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.” Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?” The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision. The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?” They nod. He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.” “Stabbed in the heart?” “Is this true?” A boy says, “Hush.” “The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone. “The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.” “Are you sure this is true?” asks a girl. “Hush,” says the boy. “The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east. "The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.

As a traveller in some far wilderness might by chance pick up a handful of stones from the ground, examine them idly and then, with mounting excitement, first surmise, next think it probable and finally feel certain that they must be diamonds; or as a sea-captain, voyaging in distant waters, might round an unknown cape, busy himself for an hour with the handling of the ship and only then, and gradually, realize that he - he himself - must have sailed into none other than that undiscovered, fabled ocean known to his forbears by nothing but legend and rumour; so now, little by little, there stole upon this hunter the stupefying, all-but-incredible knowledge of what it must be that he had seen.

You know how diamonds–how all crystals–grow, Laurette? By adding microscopic layers, a few thousand atoms each month, each atop the next. Millennia after millennia. That’s how stories accumulate too. All the old stones accumulate stories.

You know how diamond—show all crystals—grow, Laurette? By adding microscopic layers, a few thousand atoms every month, each atop the next. Millennia after millennia. That's how stories accumulate too. All the old stones accumulate stories.

I’m not a person who does well with idle time.” “Seriously? I never would have guessed.” His teasing didn’t bother her, especially when she looked at her ring again. Smaller diamonds surrounded the impressive princess-cut stone, making it glint brightly in the sunlight. “It is so perfect.” “If it’s not, we can exchange it—” She snatched the ring up close to her chest. “Never.” Trace gave a slow, sexy grin. “So, Priscilla Patterson, since you approve of my job, my home, my friends and my ring, will you try another new experience—and marry me?” Joy bubbled up, but she didn’t want to shout just yet. “When you go off to—” She glanced at Matt “—work, will you at least tell me what’s going on?” “Yes. As much as I can.” “Will you be honest about the danger involved?” “I’ll be honest with you about everything.” “Okay.” She peeked at him, and winced in dread. “Did you want a big wedding?” Trace frowned at the continued line of questioning. “I want whatever you want.” That almost made her cry, too. “Another first,” she whispered, because before now, what she wanted hadn’t really mattered. She kept smoothing her hands over his chest, as always drawn by his physique. “You should enter a wet T-shirt contest. You’d win.” Chris snorted, but Matt agreed.

Boccio, author of Mindfulness Yoga, to think about as he leaves the session: “We bitch about our difficulties along the rough surface of our path, we curse every sharp stone underneath, until at some point in our maturation, we finally look down to see that they are diamonds.

These are the stones that become diamonds, the plans that don’t pan out but become something else, something better. Eventually they stack up and form a season—a season just like this one—and then before you know it those seasons pile up to become a life, and one worth remembering.

I have a gift for you.” “Is it the firebird?” “Was that what you wanted? Should have told me sooner.” He reached into his pocket and placed something atop the wall. Light glinted off an emerald ring. The lush green stone at its center was bigger than my thumbnail and surrounded by stars of tiny diamonds. “Understatement is overrated,” I said on a shaky breath. “I love it when you quote me.” Nikolai tapped the ring. “Console yourself knowing that, should you ever punch me while wearing it, you’ll probably take my eye out. And I’d very much like you to. Wear it, that is. Not punch me.” “Where did you get this thing?” “My mother gave it to me before she left. It’s the Lantsov emerald. She was wearing it at my birthday dinner the night we were attacked. Curiously enough, that was not the worst birthday I’ve had.” “No?” “When I was ten, my parents hired a clown.

Some friends and I once walked the ancient pilgrimage route of the Ōmine Yamabushi (mountain ascetics) in Nara prefecture from Yoshino to Kumano. In doing so we crossed the traditional center of the “Diamond-Realm Mandala” at the summit of Mt. Ōmine (close to six thousand feet) and four hiking days later descended to the center of the “Womb-Realm Mandala” at the Kumano (“Bear Field”) Shrine, deep in a valley. It was the late-June rainy season, flowery and misty. There were little stone shrines the whole distance — miles of ridges — to which we sincerely bowed each time we came on them.

Of course, those technological and political differences as of A.D. 1500 were the immediate cause of the modern world’s inequalities. Empires with steel weapons were able to conquer or exterminate tribes with weapons of stone and wood. How, though, did the world get to be the way it was in A.D. 1500?

In this long history of accelerating development, one can single out two especially significant jumps. The first, occurring between 100,000 and 50,000 years ago, probably was made possible by genetic changes in our bodies: namely, by evolution of the modern anatomy permitting modern speech or modern brain function, or both. That jump led to bone tools, single-purpose stone tools, and compound tools. The second jump resulted from our adoption of a sedentary lifestyle, which happened at different times in different parts of the world, as early as 13,000 years ago in some areas and not even today in others.

It all must have cost a fortune, guessed Lucy, who had lost track of the actual total sometime around December 18. Oh, sure, it had been great fun for the hour or two it took to open all the presents, but those credit card balances would linger for months. And what was she going to do about the letter? It was from the financial aid office at Chamberlain College advising her that they had reviewed the family’s finances and had cut Elizabeth’s aid package by ten thousand dollars. That meant they had to come up with the money or Elizabeth would have to leave school. She guiltily fingered the diamond studs Bill had surprised her with, saying they were a reward for all the Christmases he was only able to give her a handmade coupon book of promises after they finished buying presents for the kids. It was a lovely gesture, but she knew they couldn’t really afford it. She wasn’t even sure he had work lined up for the winter.

No institution of learning of Ingersoll's day had courage enough to confer upon him an honorary degree; not only for his own intellectual accomplishments, but also for his influence upon the minds of the learned men and women of his time and generation. Robert G. Ingersoll never received a prize for literature. The same prejudice and bigotry which prevented his getting an honorary college degree, militated against his being recognized as 'the greatest writer of the English language on the face of the earth,' as Henry Ward Beecher characterized him. Aye, in all the history of literature, Robert G. Ingersoll has never been excelled -- except by only one man, and that man was -- William Shakespeare. And yet there are times when Ingersoll even surpassed the immortal Bard. Yes, there are times when Ingersoll excelled even Shakespeare, in expressing human emotions, and in the use of language to express a thought, or to paint a picture. I say this fully conscious of my own admiration for that 'intellectual ocean, whose waves touched all the shores of thought.' Ingersoll was perfection himself. Every word was properly used. Every sentence was perfectly formed. Every noun, every verb and every object was in its proper place. Every punctuation mark, every comma, every semicolon, and every period was expertly placed to separate and balance each sentence. To read Ingersoll, it seems that every idea came properly clothed from his brain. Something rare indeed in the history of man's use of language in the expression of his thoughts. Every thought came from his brain with all the beauty and perfection of the full blown rose, with the velvety petals delicately touching each other. Thoughts of diamonds and pearls, rubies and sapphires rolled off his tongue as if from an inexhaustible mine of precious stones. Just as the cut of the diamond reveals the splendor of its brilliance, so the words and construction of the sentences gave a charm and beauty and eloquence to Ingersoll's thoughts. Ingersoll had everything: The song of the skylark; the tenderness of the dove; the hiss of the snake; the bite of the tiger; the strength of the lion; and perhaps more significant was the fact that he used each of these qualities and attributes, in their proper place, and at their proper time. He knew when to embrace with the tenderness of affection, and to resist and denounce wickedness and tyranny with that power of denunciation which he, and he alone, knew how to express.

Deep in stone and mineral and lime Waiting for pressure and sufficient time Are diamonds and emeralds and sapphires; So in our fragile hearts and minds Waiting for affection of different kinds Are virtues the goddess admires; But do not passively wait to thrive, For this very moment you may strive To whatever your will aspires. —

Hollis looked to see, but saw nothing. There were only the great diamonds and sapphires and emerald mists and velvet inks of space, with God’s voice mingling among the crystal fires. There was a kind of wonder and imagination in the thought of Stone going off in the meteor swarm, out past Mars for years and coming in toward Earth every five years, passing in and out of the planet’s ken for the next million centuries, Stone and the Myrmidone cluster eternal and unending, shifting and shaping like the kaleidoscope colors when you were a child and held the long tube to the sun and gave it a twirl. “So long, Hollis.” Stone’s voice, very faint now. “So long.

the roof of Pluto’s shrine, which was covered with bones and diamonds. As far as Hazel knew, the bones had always been there. The diamonds were her fault. If she sat anywhere too long, or just got anxious, they started popping up all around her like mushrooms after a rain. Several million dollars’ worth of stones glittered on the roof,

The aesthetes of Des Esseintes' generation found diamonds common, rubies and emeralds depreciated, and turquoises vulgar. The old poetry was dead, though echoes of it lived on in the names of such gems as chrysoberyl and peridot and olivines and almandines and cymophanes and aquamarines. Beauty which has departed from things may live on in words.

Riding the Copernican wave over the last four hundred years, economists have gradually attempted to elevate their craft to the level of pure science, focusing on the behavior of markets involving prices and flows of money which are easily measured. All values are reduced to market values and market prices. Air, water, and essentials of life provided freely by nature are valueless unless scarcity sets in. Gold, diamonds, and other precious metals, and stones which are relatively useless in sustaining life, are valued highly. The value of a human life is determined by calculating a person's lifetime earning potential. Thus, it has been said that economists know the price of everything and the value of nothing.

Down the rushing mere-wash Of Kíl’f’s welling blood, We ride the twisting timbers, For hearth, clan, and honor. Under the ernes’ sky-vat, Through the ice-wolves’ forest bowls, We ride the gory wood, For iron, gold, and diamond. Let hand-ringer and bearded gaper fill my grip And battle-leaf guard my stone As I leave the halls of my fathers For the empty land beyond.

An Ax was raised into the smoke filled sky while the surrounding soldiers pinned him down and stood on his hands. It took more than a dozen blows to sever each arm just below the elbows. The strangest sensation, he said, was that one minute he could feel his knuckles being ground into the asphalt by the soldier's boot and in the next he watched the man kick his arm away and he felt nothing.

I saw her kiss him,’ said Susan. ‘I looked between the leaves and saw her. She danced in flecked with diamonds light as dust. And I am squat, Bernard, I am short. I have eyes that look close to the ground and see insects in the grass. The yellow warmth in my side turned to stone when I saw Jinny kiss Louis. I shall eat grass and die in a ditch in the brown water where dead leaves have rotted.

In this long history of accelerating development, one can single out two especially significant jumps. The first, occurring between 100,000 and 50,000 years ago, probably was made possible by genetic changes in our bodies: namely, by evolution of the modern anatomy permitting modern speech or modern brain function, or both. That jump led to bone tools, single-purpose stone tools, and compound tools.

He discovered wonderful stories, also, about jewels. In Alphonso's Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes 'with collars of real emeralds growing on their backs.' There was a gem in the brain of the dragon, Philostratus told us, and 'by the exhibition of golden letters and a scarlet robe' the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her color. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspirates, that, according to Democritus, kept the wearer from any danger by fire.

They say I am a brave girl I'm a hailstorm for the rain I'm a volcano for the mountain I'm a diamond for the stone And I wonder if I can be real me. I see the crowd I hear the noice I keep my patience. But inside I want to scream Yes I want to scream like hell. And when she call me on phone, I wonder how she knows it. I wonder how she hears those silent words.. How she sees those forbidden tears... I wonder how she knows I am missing somewhere...

We both saw on the cruise how one of the very diamonds they brag about tore your parents apart. It brought the end of love, and forever has no end. But I think of our love, Bella, and our love is unbreakable. Our love is stronger than the hardest stones and more beautiful than the greatest jewels. Our love is worth more than infinite wealth and more precious than the rarest gemstones. Our love is superior to diamonds, the greatest treasure known to man.

Not very long after this a very exciting thing happened. Not only Sara, but the entire school, found it exciting, and made it the chief subject of conversation for weeks after it occurred. In one of his letters Captain Crewe told a most interesting story. A friend who had been at school with him when he was a boy had unexpectedly come to see him in India. He was the owner of a large tract of land upon which diamonds had been found, and he was engaged in developing the mines. If all went as was confidently expected, he would become possessed of such wealth as it made one dizzy to think of; and because he was fond of the friend of his school days, he had given him an opportunity to share in this enormous fortune by becoming a partner in his scheme. This, at least, was what Sara gathered from his letters. It is true that any other business scheme, however magnificent, would have had but small attraction for her or for the schoolroom; but "diamond mines" sounded so like the Arabian Nights that no one could be indifferent. Sara thought them enchanting, and painted pictures, for Ermengarde and Lottie, of labyrinthine passages in the bowels of the earth, where sparkling stones studded the walls and roofs and ceilings, and strange, dark men dug them out with heavy picks. Ermengarde delighted in the story, and Lottie insisted on its being retold to her every evening. Lavinia was very spiteful about it, and told Jessie that she didn't believe such things as diamond mines existed.

Her dream began with winter darkness. Out of this darkness came a great hand, fisted. It was a man's hand, powerful and hollowed by shadows in the wells between the bones and tendons. The fist opened and in the long plain of the palm lay three small pieces of coal. Slowly the hand closed, causing within the fist a tremendous pressure. The pressure began to generate a white heat and still it increased. There was a sense of weighing, crushing time. She seemed to feel the suffering of the coal with her own body, almost beyond the point of being borne. At last she cried out to the hand, Stop it! Will you never end it! Even a stone cannot bear this limit...even a stone...! After what seemed like too long a time for anything molecular to endure, the torments in the fist relaxed. The fist turned slowly and very slowly opened. Diamonds, three of them. Three clear and brilliant diamonds, shot with light, lay in the good palm. A deep voice called to her, Deborah! and then gently, Deborah this will be you.

Song This is the love I bring, Absolute and nothing: A tree but with no roots, A cloud heavy with fruit, A wide stone stair That leads nowhere But to empty sky, Ambiguous majesty. This is the love I bear: It is light as air, Yet weighs like an earth; It is water flowing, Yet adamant as fire. It is coming from going. It is dying and growing. A love so rare and hard It cuts a diamond word Upon the windowpane, "Never, never again, Never upon my breast," Having no time to bring, Having no place to rest, Absolute and nothing.

Then came the most exquisite moment of her whole life passing a stone urn with flowers in it. Sally stopped; picked a flower; kissed her on the lips. The whole world might have turned upside down! The others disappeared; there she was alone with Sally. And she felt that she had been given a present, wrapped up, and told just to keep it, not to look at it—a diamond, something infinitely precious, wrapped up, which, as they walked (up and down, up and down), she uncovered, or the radiance burnt through, the revelation, the religious feeling!

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

I stepped to the tank's edge, leaned in, and concentrated on keeping my eyes open. Which fish would be the shooter? The fish were all facing me, but one in particular seemed to be staring directly at my left eye, like a hunter targeting his prey. Wham! The water hit my pupil with such force that I jerked back …. Laughing, I wiped my left eye but stayed by the tank, my left hand resting on its edge. Another fish quickly seized the opportunity to blast the diamond in my engagement ring, while a third targeted the red carnelian stone in my earring, and yet another shot my right eye.

Hush little baby, don’t you cry, Mama’s gonna sing you a lullaby, and if that mockingbird don’t sing, Papa’s gonna buy you a diamond ring. Mama, Dada, uh-oh, ball. Good night tree, good night stars, good night moon, good night nobody. Potato stamps, paper chains, invisible ink, a cake shaped like a flower, a cake shaped like a horse, a cake shaped like a cake, inside voice, outside voice. If you see a bad dog, stand still as a tree. Conch shells, sea glass, high tide, undertow, ice cream, fireworks, watermelon seeds, swallowed gum, gum trees, shoes and ships and sealing wax, cabbages and kings, double dares, alphabet soup, A my name is Alice and my boyfriend’s name is Andy, we come from Alabama and we like apples, A my name is Alice and I want to play the game of looooove. Lightning bugs, falling stars, sea horses, goldfish, gerbils eat their young, please, no peanut butter, parental signature required, #1 Mom, show-and-tell, truth or dare, hide-and-seek, red light, green light, please put your own mask on before assisting, ashes, ashes, we all fall down, how to keep the home fires burning, date night, family night, night-night, May came home with a smooth round stone as small as the world and as big as alone. Stop, Drop, Roll. Salutations, Wilbur’s heart brimmed with happiness. Paper valentines, rubber cement, please be mine, chicken 100 ways, the sky is falling. Monopoly, Monopoly, Monopoly, you be the thimble, Mama, I’ll be the car.

They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.

THE NINTH KEY The Ninth Enochian Key warns of the use of substances, devices or pharmaceuticals which might lead to the delusion and subsequent enslavement of the master. A protection against false values. ... THE NINTH KEY (English) A mighty guard of fire with two-edged swords flaming (which contain the vials of delusion, whose whings are of wormwood of the marrow of salt), have set their feet in the West, and are measured with their ministers. These gather up the moss of the Earth, as the rich man doth his treasure. Cursed are they whose iniquities they are! In their eyes are millstones greater than the Earth, and from their mouths run seas of blood. Their brains are covered with diamonds, and upon their heads are marble stones. Happy is he on whom they frown not. For Why? The Lord of Righteousness rejoiceth in them! Come away, and leave your vials, for the time is such as reqireth comfort!

She opened the satchel. And honestly, fate couldn't have provided a better prize at the end of a scavenger hunt. She pulled out a beautiful, sparkling crown. Her large green eyes grew even larger. Despite the hour and lack of sunlight, its jewels still managed to shimmer and twinkle in a magical, expensive way. Rapunzel might not have had much experience with royal gems or any kind of precious stone, but it was very clear that these were those. The thing was straight out of a fairy tale, what a princess would be wearing when she was turned back from a swan. The giant diamonds were even shaped like swans' eggs. Under each was a round pink ruby, and threading between them was a strand of perfectly round pearls. She turned it over in her hands, tracing the tiny, intricately wound gold wire that held it all together. And there, in a small flat patch of smooth metal, was the artist's mark-- and a multi-rayed sun symbol. The same one on her bracelet clasp. The same one that she constantly painted and dreamed of. The one that meant life and happiness and energy in the personal vocabulary of Rapunzel's soul.

For you, I would bring down the stars, wreath their fire around your neck like diamonds, and watch them pulse to the beat of your heart For you, I would capture the candlelight in the palm of my hand Give my breath to give it life A whisper, 'My love' So that it may grow Bright and hot And burn me For you, I would drink the salted oceans Until their depths Were swallowed into the depth of me How deep it is, this life This love, for you I cannot touch bottom I never will For you, I would mine the stony earth Until it relinquished The secrets of time Cracks in the stone wrinkles of the Earth As she turns her face to another new day And so I wish to live Every one of mine With you For you, I would be myself At long last I would live in my skin And breathe my words in my own voice Tinged with the accent Of a child calling to a car that will never stop And in the fading echo Nothing remains but the truth of me that is the love of you I have loved you with both Hands tied behind my back Bound with pen and ink Paper and words Sealed with someone else's name until this moment in which I am nothing but a man who loves a woman. There is nothing left to say Except to give all of my heart For you

Large-leafed plants at the edge of the jungle reflected the sun rather than soaking it up, their dark green surfaces sparkling white in the sunlight. Some of the smaller ones had literally low-hanging fruit, like jewels from a fairy tale. Behind them was an extremely inviting path into the jungle with giant white shells for stepping-stones. And rather than the muggy, disease-filled forests of books that seemed to kill so many explorers, here the air was cool and pleasant and not too moist- although Wendy could hear the distant tinkle of water splashing from a height. "Oh! Is that the Tonal Spring? Or Diamond Falls?" Wendy withered breathlessly. "Luna, let's go see!" She made herself not race ahead down the path, but moved at a leisurely, measured pace. Like an adventuress sure of herself but wary of her surroundings. (And yet, as she wouldn't realize until later, she hadn't thought to grab her stockings or shoes. Those got left in her hut without even a simple goodbye.) Everywhere she looked, Wendy found another wonder of Never Land, from the slow camosnails to the gently nodding heads of the fritillary lilies. She smiled, imagining John as he peered over his glasses and the snail faded away into the background in fear- or Michael getting his nose covered in honey-scented lily pollen as he enthusiastically sniffed the pretty flowers. The path continued, winding around a boulder into a delightful little clearing, sandy but padded here and there with tuffets of emerald green grass and clumps of purple orchids. It was like a desert island vacation of a perfect English meadow.

Like A Rolling Stone" Once upon a time you dressed so fine You threw the bums a dime in your prime, didn't you? People'd call, say, "Beware doll, you're bound to fall" You thought they were all kiddin' you You used to laugh about Everybody that was hangin' out Now you don't talk so loud Now you don't seem so proud About having to be scrounging for your next meal How does it feel? How does it feel To be without a home Like a complete unknown Like a rolling stone? You've gone to the finest school all right, Miss Lonely But you know you only used to get juiced in it And nobody's ever taught you how to live out on the street And now you're gonna have to get used to it You said you'd never compromise With the mystery tramp, but now you realize He's not selling any alibis As you stare into the vacuum of his eyes And say do you want to make a deal? How does it feel? How does it feel To be on your own With no direction home A complete unknown Like a rolling stone? You never turned around to see the frowns on the jugglers and the clowns When they all did tricks for you You never understood that it ain't no good You shouldn't let other people get your kicks for you You used to ride on the chrome horse with your diplomat Who carried on his shoulder a Siamese cat Ain't it hard when you discover that He really wasn't where it's at After he took from you everything he could steal How does it feel? How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone? Princess on the steeple and all the pretty people They're all drinkin', thinkin' that they got it made Exchanging all precious gifts But you'd better take your diamond ring, you'd better pawn it babe You used to be so amused At Napoleon in rags and the language that he used Go to him now, he calls you, you can't refuse When you ain't got nothing, you got nothing to lose You're invisible now, you got no secrets to conceal How does it feel How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone? Bob Dylan, Highway 61 Revisited (1965)

I continued my explorations in a cobbled yard overlooked by broken doors and cracked windows. Pushing open a swollen door into a storeroom, I found a stream running across paving stones and a carpet of slippery green moss. My explorations took me beneath a gateway surmounted by a clock face, standing with hands fixed permanently at eleven o'clock. Beyond stood derelict stables; then the park opened up in an undulating vista, reaching all the way to a swathe of deep forest on the horizon. In the distance was the twinkle of the river that I realized must border my own land at Whitelow. The grass was knee-high and speckled with late buttercups, but I was transported by that first sight of the Delafosse estate. In its situation alone, the Croxons had chosen our new home well. I dreamed for a moment of myself and Michael making a great fortune, and no longer renting Delafosse Hall but owning every inch of it, my inheritance spinning gold from cotton. Turning back to view the Hall I took a sharp breath; it was as massive and ancient as a child's dream of a castle, the bulk of its walls carpeted in greenery, the diamond-leaded windows sparkling in picturesque stone mullions. True, the barley-twist chimneys leaned askew, and the roofs sagged beneath the weight of years, but the shell of it was magnificent. It cast a strange possessive mood upon me. I remembered Michael's irritation at the house the previous night, and his eagerness to leave. Somehow I had to entice Michael into this shared dream of a happy life here, beside me. Determined to explore the park, I followed the nearest path. After walking through a deep wood for a good while I emerged into the sunlight by a round hill surmounted by a two-story tower. A hunting lodge, Mrs. Croxon had called it, but I thought it more a folly. It had a fantastical quality, with four miniature turrets, each topped with a verdigris-tarnished dome. Above the doorway stood a sundial drawn upon a disc representing a blazing sun. It was embellished with a script I thought might be Latin: FERREA VIRGA EST, UMBRATILIS MOTUS. I wondered whether Michael might know the meaning, or Anne's husband perhaps. As for the sundial's accuracy, the morning light was too weak to cast a line of shadow.