Diamond Mines Quotes

No moon, sun, diamond, hands — fingertip, dot, ray, gauze, sea. pine green, pink glass, eye, mine, eraser, mud, mother, I am coming.

It’s the opportunity of a lifetime,” said Ito finally, who had been keeping very quiet
up to this point.
“Indeed. How much will it cost?” asked Brown
“About twenty million Interplanetary Credits,” said Demba. “A modest investment for
a man of your means.”
“Indeed,” said Brown again. That was all the money he had, which started to strike
him as strange, when his thoughts were interrupted.
“We’ll arrange a visit to the mine,” said Ito. “Show you the place itself.”
“Indeed,” said Brown. Or had he said that? The strange waking memory he had fallen
into started to become repetitive. Reality started to flow back in.
Diamonds, thought Brown. All those diamonds in that mine.

The male's diamond eyes locked on Payne, and though she hadn't seen him in forever, she knew who he was. Sure as if she was staring at her own reflection. Tears sprang unbidden to her eyes for last she had known, he breathed no longer. "Vishous," she whispered desperately. "Oh, brother mine...

But for the most part, magic tends to end in explosions, or tears, or with you flat on your back in the middle of nowhere, feeling like a tiny dwarf is mining for diamonds inside your head. Okay, so maybe that last bit was just me.

I can’t help but notice,” Alina said. “The too-clever fox gave up his throne, but still managed to stay a king.” “A prince,” Genya corrected. “Prince consort. Or is he your general?” Zoya didn’t really care what title he took. He was hers, and that was all that mattered. Her eye caught on the blueprints she’d found waiting for her on her desk that morning, designs for an extraordinary structure Nikolai had designed to protect her garden. The plans had been bound with her blue velvet ribbon and accompanied by a note that read, I will always seek to make it summer for you. Zoya had been courted by men of wealth and power, offered jewels, palaces, the deed to a diamond mine. This was a different kind of treasure, one she could not believe she’d been lucky enough to find.

You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

I often meet people in the West who insist that the Holocaust was the worst atrocity in human history, without question. Yes, it was horrific. But I often wonder, with African atrocities like in the Congo, how horrific were they? The thing Africans don’t have that Jewish people do have is documentation. The Nazis kept meticulous records, took pictures, made films. And that’s really what it comes down to. Holocaust victims count because Hitler counted them. Six million people killed. We can all look at that number and rightly be horrified. But when you read through the history of atrocities against Africans, there are no numbers, only guesses. It’s harder to be horrified by a guess. When Portugal and Belgium were plundering Angola and the Congo, they weren’t counting the black people they slaughtered. How many black people died harvesting rubber in the Congo? In the gold and diamond mines of the Transvaal? So in Europe and America, yes, Hitler is the Greatest

I was in Africa in a diamond mine.

Good novels are not written, they are rewritten. Great novels are diamonds mined from layered rewrites.

There are four kinds of readers. The first is like the hourglass; and their reading being as the sand, it runs in and runs out, and leaves not a vestige behind. A second is like the sponge, which imbibes everything, and returns it in nearly the same state, only a little dirtier. A third is like a jelly bag, allowing all that is pure to pass away, and retaining only the refuse and dregs. And the fourth is like the slaves in the diamond mines of Golconda, who, casting aside all that is worthless, retain only pure gems.

As long as I can hear the sweet melody of your words, I need not; The angel’s secret, to be whispered in my ears As long as I can lace your silky fingers round my own, I need not; Pretty diamonds, nor big cash nor gold As long as I can watch the handsome sunshine of your face, I need not; Open skies, nor snowfall, nor the rain As long as I can gaze into the emeralds of your eyes, I need not; New colors, new wings or paradise As long as I can feel the tender tickle of your breath, I need not; The drifting wind, nor its call, nor caress As long as I can feel your soft lips upon mine, I need not; Melted sugar, nor the most expensive of wines As long as I can feel your warm body close to me I need not; A blanket, nor a bonfire's luxury As long as I can see you every morning I wake, I need not; A mirror, nor a cloud, nor shade As long as I can keep you in every petal of memories I need not: Dreams, nor desires, nor fantasies And as long as I can hold you in every moment that I breathe, I need not; Oxygen, nor blood, nor heartbeats.

Good novels are not written, they are rewritten. Great novels are diamonds mined from layered rewrites.

Perhaps the True Self--and the full Christ Mystery (not the same as organized Christianity)--will always live in the backwaters of any empire and the deep mines of any religion.

On the evenings when my parents held parties, the drawing-room mirrors multiplied to infinity the scintillations of a crystal chandelier. Mama would take her seat at the grand piano to accompany a lady dressed in a cloud of tulle who played the violin and a cousin who performed on a cello. I would crack between my teeth the candied shell of an artificial fruit, and a burst of light would illuminate my palate with a taste of blackcurrant or pineapple: all the colours, all the lights were mine, the gauzy scarves, the diamonds, the laces; I held the whole party in my mouth.

I throw my makeshift jai-namaz, my prayer rug, on the floor and I get on my knees, lower my forehead to the ground, my tears soaking through the sheet. I bow to the west. Then I remember I haven’t prayed for over fifteen years. I have long forgotten the words. But it doesn’t matter, I will utter those few words I still remember: La illaha ila Allah, Muhammad u rasul ullah. There’s no God but Allah, and Muhammad is his messenger. I see now that Baba was wrong, there’s a God, there always had been. I see Him here, in the eyes of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him, not the white masjid with its bright diamond lights, and towering minarets. There’s a God, there has to be, and now I will pray, I will pray that He forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need, I pray that He is as merciful, benevolent, and gracious as His book says He is. [...] I hear a whimpering and realize it is mine, my lips are salty with the tears trickling down my face. I feel the eyes of everyone in this corridor on me and still I bow to the west. I pray. I pray that my sins have not caught up with me the way I'd always feared they would.

You can all supply your own favorite, most nauseating examples of the commodification of love. Mine include the wedding industry, TV ads that feature cute young children or the giving of automobiles as Christmas presents, and the particularly grotesque equation of diamond jewelry with everlasting devotion. The message, in each case, is that if you love somebody you should buy stuff. A related phenomenon is the ongoing transformation, courtesy of Facebook, of the verb 'to like' from a state of mind to an action that you perform with your computer mouse: from a feeling to an assertion of consumer choice. And liking, in general, is commercial culture's substitution for loving.

I wish I had [made that song]. No, I don't That would be to take it from somebody else. But it's mine for all that.' 'What makes it yours?' 'I love it so.' 'Does loving a thing make it yours?' 'I think so, Mother -- at least more than anything else can. . . . Love makes the only myness,' said Diamond.

Most people are sitting on their own diamond mines. The surest ways to lose your diamond mine are to get bored, become overambitious, or start thinking that the grass is greener on the other side. Find your core focus, stick to it, and devote your time and resources to excelling at it.

You can lead mankind into the gold mines of the mind and into the diamond fields of the soul, and the secret lies in the words you speak.

Only by much searching and mining are gold and diamonds obtained, and you can find every truth connected with your being, if you will dig deep into the mine of your soul.

I’ve labored for years to learn my craft. Perhaps the core idea of this novel wasn’t mine, but I’m the one who rescued it, who freed the diamond from the rough.

The Pomegranate The only legend I have ever loved is the story of a daughter lost in hell. And found and rescued there. Love and blackmail are the gist of it. Ceres and Persephone the names. And the best thing about the legend is I can enter it anywhere. And have. As a child in exile in a city of fogs and strange consonants, I read it first and at first I was an exiled child in the crackling dusk of the underworld, the stars blighted. Later I walked out in a summer twilight searching for my daughter at bed-time. When she came running I was ready to make any bargain to keep her. I carried her back past whitebeams and wasps and honey-scented buddleias. But I was Ceres then and I knew winter was in store for every leaf on every tree on that road. Was inescapable for each one we passed. And for me. It is winter and the stars are hidden. I climb the stairs and stand where I can see my child asleep beside her teen magazines, her can of Coke, her plate of uncut fruit. The pomegranate! How did I forget it? She could have come home and been safe and ended the story and all our heart-broken searching but she reached out a hand and plucked a pomegranate. She put out her hand and pulled down the French sound for apple and the noise of stone and the proof that even in the place of death, at the heart of legend, in the midst of rocks full of unshed tears ready to be diamonds by the time the story was told, a child can be hungry. I could warn her. There is still a chance. The rain is cold. The road is flint-coloured. The suburb has cars and cable television. The veiled stars are above ground. It is another world. But what else can a mother give her daughter but such beautiful rifts in time? If I defer the grief I will diminish the gift. The legend will be hers as well as mine. She will enter it. As I have. She will wake up. She will hold the papery flushed skin in her hand. And to her lips. I will say nothing.

Montana would have been better off in the long run if it had never mined copper at all but had just imported it from Chile, leaving the resulting problems to the Chileans! It

You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

Your first crush is allowed to be on a doofus." "Mine won't be. I'll choose a handsome gypsy boy who'll break my heart, or a soft girl with a diamond in her belly button.

Although they probably know that some children were used and some children are used as miners, most adults are ignorant of the chocolate industry’s use of minors.

She was the kind of girl who was always okay. “A survivor,” Darlington had once said, admiration in his voice. “Rough around the edges, but we’ll see if we’ve mined a diamond, won’t we, Pammie?

I watched the shadow of our plane hastening below us across hedges and fences, rows of poplars and canals … Nowhere, however, was a single human being to be seen. No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding. One sees the places where they live and the roads that link them, one sees the smoke rising from their houses and factories, one sees the vehicles in which they sit, but one sees not the people themselves. And yet they are present everywhere upon the face of the earth, extending their dominion by the hour, moving around the honeycombs of towering buildings and tied into networks of a complexity that goes far beyond the power of any one individual to imagine, from the thousands of hoists and winches that once worked the South African diamond mines to the floors of today's stock and commodity exchanges, through which the global tides of information flow without cease. If we view ourselves from a great height, it is frightening to realize how little we know about our species, our purpose and our end, I thought, as we crossed the coastline and flew out over the jelly-green sea.

The wealthiest place in the world is not the gold mines of South America or the oil fields of Iraq or Iran. They are not the diamond mines of South Africa or the banks of the world. The wealthiest place on the planet is just down the road. It is the cemetery. There lie buried companies that were never started, inventions that were never made, bestselling books that were never written, and masterpieces that were never painted. In the cemetery is buried the greatest treasure of untapped potential.

I wrote you, you are mine," it continued, its voice as hard as its diamond eyes. "But I do not write everything you do and think. I do not write every decision you make. Not because I cannot-but because I will not.

I am giving you these to commemorate the fact that I have already given you my heart.” He swallowed thickly as his eyes searched hers. “This is my way of saying that you, Julianne, are the love of my life, and I want something of mine with you always. Don’t you see? These diamonds represent my heart. You can’t refuse them.

David gave me the Hope Diamond gaze. “Will you be mine forever?” The words escaped my lips.

Mobutu’s dictatorial reign between 1965 and 1997 created the violent free-for-all of today’s Congo. It was Mobutu who robbed the country of its wealth, plundering national reserves on a scale economists have still not been able to gauge accurately. When he came to power, the Congo had a thriving mineral industry, reliant on copper from the south-eastern province of Katanga and diamonds from the central province of Kasai. When he was driven from office in May 1997 to die in exile a few months later, the country was broke and the output of the mines a fraction of what it had been fifty years earlier.

Mining might convey an image of industry or technology, but I found this was not the case in the Congo. In the so-called ‘mines’, a brutally primitive process was in place involving what was effectively slave labour clawing minerals from the earth so that they could be shipped to eager cash buyers in the developed world. President Kabila headed what was effectively a cobalt and diamond cartel, while two rival factions (one backed by neighbouring Uganda, the other by Rwanda) divided up the rest of the country’s resources. Crudely, Uganda got gold and timber, and Rwanda got tin and coltan – a mineral used in mobile telephones.

When we finally arrived, the chauffeur escorted my younger sister, Laila, and me up to my father’s suite. As usual, he was hiding behind the door waiting to scare us. We exchanged many hugs and kisses as we could possibly give in one day. My father took a good look at us. Then he sat me down on his lap and said something that I will never forget. He looked me straight in the eyes and said, “Hana, everything that God made valuable in the world is covered and hard to get to. Where do you find diamonds? Deep down in the ground, covered and protected. Where do you find pearls? Deep down at the bottom of the ocean, covered up and protected in a beautiful shell. Where do you find gold? Way down in the mine, covered over with layers and layers of rock. You've got to work hard to get to them.” He looked at me with serious eyes. “Your body is sacred. You’re far more precious than diamonds and pearls, and you should be covered too.

When she spoke, the words were rote, taught to her by her captors, dead and empty, and forced. But her voice was rough, like silk torn by sharp diamonds, and I believed, truly, that she wanted nothing more than to disappear into the Tower and never emerge again. "Please, Saint Sigrid, take me in from the storm and teach me to steer through darkness, for I am lost, and I cannot see the shore." I did not move for a long moment. Then, slowly, I reached out my hand to her and whispered, "Come, Lady, I will cut your hair for you." Her hand slipped into mine, hard and cool.

I cannot tell whether diamonds appeared in his eyes or mine as the shine of adoration became the icon one sees in history, a Byzantine sparkle, Medieval armor against all odds.

Coal mines, like a hard life, have seen the best diamonds of innovation, more than any jewel factory.

Neither gold nor diamonds mine themselves.

To think that she was the girl with the diamond mines, Lavinia commented. "She does look an object.

I need to know that you will be a good girl and not scream. Do you promise?” “I promise,” I said gritting my teeth, arching my back. I heard him laugh quietly as he moved his face back to mine. His mouth was on mine; I could taste the salty sweetness of myself on his lips…

Mind genius, call it formless substance, thought waves filling its canvas. Fluorescent radiance tasting the color you see. Imagination of a giant is what I'm destined to be. Color coded thoughts, pay attention to its silver lining. It's master-minding. I've discovered my minds frequency is like treasure finding, diamond mining, Kings & Majesties at the round table dining.

Did she remember, how we laughed and blushed? 'Pa used to say your face was like the red heart on a playing card--mine, he said, was like the diamond. Do you remember, Helen, how Pa said that?

He caressed the side of her jaw with his fingertips, sending a light shiver down her spine. "I should warn you that if we lose the paper, we'll have to sell the house.” “That’s fine.” “And the furniture.” “I don’t care.” “And—“ “We can pawn, sell, and trade off everything we own… but if you dare say one thing about my diamond, you’ll regret it for the rest of your married life. This ring is mine, and it's not leaving my finger." He grinned at her vehemence. "I wasn’t going to say anything about your ring, honey.” Bending down to kiss her, he left wet handprints on the waist and bodice of her gown, but Lucy was too enthralled by his hearty kiss to protest. "You taste like coffee," she whispered when his lips left hers. "I could do with more." "Coffee or kisses?" "Always more kisses . . .

Must we think of the spirit as something divine that comes from without, that makes us divine? No, it is not that, to me it seems it is not that. The divine is in us, in our own intrinsic humanity, like a diamond in a mine. (La Corriente Infinita)

There were two things about this particular book (The Golden Book of Fairy Tales) that made it vital to the child I was. First, it contained a remarkable number of stories about courageous, active girls; and second, it portrayed the various evils they faced in unflinching terms. Just below their diamond surface, these were stories of great brutality and anguish, many of which had never been originally intended for children at all. (Although Ponsot included tales from the Brothers Grimm and Andersen, the majority of her selections were drawn from the French contes de fées tradition — stories created as part of the vogue for fairy tales in seventeenth century Paris, recounted in literary salons and published for adult readers.) I hungered for a narrative with which to make some sense of my life, but in schoolbooks and on television all I could find was the sugar water of Dick and Jane, Leave it to Beaver and the happy, wholesome Brady Bunch. Mine was not a Brady Bunch family; it was troubled, fractured, persistently violent, and I needed the stronger meat of wolves and witches, poisons and peril. In fairy tales, I had found a mirror held up to the world I knew — where adults were dangerous creatures, and Good and Evil were not abstract concepts. (…) There were in those days no shelves full of “self–help” books for people with pasts like mine. In retrospect, I’m glad it was myth and folklore I turned to instead. Too many books portray child abuse as though it’s an illness from which one must heal, like cancer . . .or malaria . . .or perhaps a broken leg. Eventually, this kind of book promises, the leg will be strong enough to use, despite a limp betraying deeper wounds that might never mend. Through fairy tales, however, I understood my past in different terms: not as an illness or weakness, but as a hero narrative. It was a story, my story, beginning with birth and ending only with death. Difficult challenges and trials, even those that come at a tender young age, can make us wiser, stronger, and braver; they can serve to transform us, rather than sending us limping into the future.

You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

Still I Rise - 1928-2014 You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. Does my sassiness upset you? Why are you beset with gloom? ’Cause I walk like I’ve got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I’ll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don’t you take it awful hard ’Cause I laugh like I’ve got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I’ve got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I’m a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

I stretched my arms towards the sky like blades of tall grass The sun beat between my shoulders like carnival drums I sat still in hopes that it would help my wings grow So then I could really be fly And then she arrived Like day break inside a railway tunnel Like the new moon, like a diamond in the mines Like high noon to a drunkard, sudden She made my heart beat in a now-now time signature Her skinny canvas for ultraviolet brushstrokes She was the sun's painting She was a deep cognac color Her eyes sparkled like lights along the new city She lips pursed as if her breath was too sweet And full for her mouth to hold I said, "You are the beautiful, the stress of mathematics." I said, "For you, I would peel open the clouds like new fruit And give you lightning and thunder as a dowry I would make the sky shed all of it's stars, light and rain And I would clasp the constellations across your waist And I would make the heavens your cape And they would be pleased to cover you They would be pleased to cover you May I please, cover you, please

There is, as every schoolboy knows in this scientific age, a very close chemical relation between coal and diamonds. It is the reason, I believe, why some people allude to coal as "black diamonds." Both these commodities represent wealth; but coal is a much less portable form of property. There is, from that point of view, a deplorable lack of concentration in coal. Now, if a coal-mine could be put into one's waistcoat pocket—but it can't! At the same time, there is a fascination in coal, the supreme commodity of the age in which we are camped like bewildered travellers in a garish, unrestful hotel.

Supposing I were to give you a hundred and fifty diamonds every day, even if you were an enemy of mine, would you not forgive me? Would you not treat me as a friend and give me all the graces that you were able to give? If you want to gain the riches of grace and of glory, salute the Blessed Virgin, honour your good Mother.

Tears could not be equal, if I wept diamonds from the skies,” Jenks whispered, empty and bereft. “My word silent, though I should howl. Muffled by death, my wings can’t lift me high enough to find you. I feel you within. Unaware of my pain. Not knowing why I mourn.” He lifted his eyes to mine, a glimmer of tears showing. “And why I breathe alone.

Next I think about that night on my bed: her head pressed into my pillow, her hair spread out around her face. The memory of it makes me hard, but then I remember how it ended, with Libby seeing me with Priscilla. Impotent rage washes over me, but I'm still hard as a damn diamond. I shift my weight; that makes it worse. Libby's eyes are on mine, thankfully.

Perhaps the core idea of this novel wasn’t mine, but I’m the one who rescued it, who freed the diamond from the rough.

Diamond girl, you sure do shine Glad I found you, glad you're mine

And mines with diamonds in ’em!” said the cook. “No savin’s of mine never goes into no mines--particular diamond ones”--with a side glance at Sara. “We all know somethin’ of them.

Shakespeare opens a mine which contains gold and diamonds in unexhaustible plenty, though clouded by incrustations, debased by impurities, and mingled with a mass of meaner minerales.

Just when I despaired -- she was there, filling me as a melody fills a cottage. I was with her, running beside the Acis when we were a child. I knew the ancient villa moated by a dark lake, the view through the dusty windows of the belvedere, and the secret space in the odd angle between two rooms where we sat at noon to read by candlelight. I knew the life of the Autarch's court, where poison waited in a diamond cup. I learned what it was for one who had never seen a cell or felt a whip to be a prisoner of the torturers, what dying meant, and death. I learned that I had been more to her than I had ever guessed, and at last fell into a sleep in which my dreams were all of her. Not memories merely -- memories I had possessed in plenty before. I held her poor, cold hands in mine, and I no longer wore the rags of an apprentice, nor the fuligin of a journeyman. We were one, naked and happy and clean, and we knew that she was no more and that I still lived, and we struggled against neither of those things, but with woven hair read from a single book and talked and sang of other matters.

Not very long after this a very exciting thing happened. Not only Sara, but the entire school, found it exciting, and made it the chief subject of conversation for weeks after it occurred. In one of his letters Captain Crewe told a most interesting story. A friend who had been at school with him when he was a boy had unexpectedly come to see him in India. He was the owner of a large tract of land upon which diamonds had been found, and he was engaged in developing the mines. If all went as was confidently expected, he would become possessed of such wealth as it made one dizzy to think of; and because he was fond of the friend of his school days, he had given him an opportunity to share in this enormous fortune by becoming a partner in his scheme. This, at least, was what Sara gathered from his letters. It is true that any other business scheme, however magnificent, would have had but small attraction for her or for the schoolroom; but "diamond mines" sounded so like the Arabian Nights that no one could be indifferent. Sara thought them enchanting, and painted pictures, for Ermengarde and Lottie, of labyrinthine passages in the bowels of the earth, where sparkling stones studded the walls and roofs and ceilings, and strange, dark men dug them out with heavy picks. Ermengarde delighted in the story, and Lottie insisted on its being retold to her every evening. Lavinia was very spiteful about it, and told Jessie that she didn't believe such things as diamond mines existed.

The ring is simple with a diamond and a plain gold band but it symbolizes our time together. We have been on a roller coaster ride this entire year and I think we deserve some simplicity. That's what this ring is because asking you to marry me is the simplest thing ever. I had an idea forever ago for you to move in with me and it's the best thing that has ever happened to me. I thought I knew all there was to know about life and then you ran into mine. The second I saw you I knew one day you were going to be Mrs. Mitchell. Before I had time to think or breathe all of the pieces were falling together and now we're here. And as simple as taking my next breath I can say that I want you forever. So Isabelle Katherine Clark . . . Will you marry me?

He hadn't wooed her, but had simply claimed her. A gold mine ready to dig. There should have been a period of quiet dinners together, of flowers rather than diamonds, of kisses given after permission to kiss, of a slow awakening that predisposed her to greater intimacies. But no, not the great Alexander Kinross! He had met her, he had married her the next day, and climbed into her bed after one kiss in the church. There to prove himself an animal in her eyes. One mistake after another, that was the story of his relationship with Elizabeth. And Ruby had always meant more.

I kind of was beginning to feel like I was being underutilized [as Teen Ambassador to the UN]. I mean, there were a lot more important issues out there for teens that I could have been bringing international attention to than what kids see out their windows. I mean, instead of sitting in the White House press office for three hours after school every Wednesday, or attending International Festival of the Child concerts, I could have been out there alerting the public to the fact that in some countries, it is still perfectly legal for men to take teen brides -- even multiple teen brides! What was that all about? And what about places like Sierra Leone, where teens and even younger kids routinely get their limbs chopped off as "warnings" against messing with the warring gangs that run groups of diamond traffickers? And hello, what about all those kids in countries with unexploded land mines buried in the fields where they'd like to play soccer, but can't because it's too dangerous? And how about a problem a little closer to home? How about all the teenagers right here in America who are taking guns to school and blowing people away? Where are they getting these guns, and how come they think shooting people is a viable solution to their problems? And why isn't anybody doing anything to alleviate some of the pressures that might lead someone to think bringing a gun to school is a good thing? How come nobody is teaching people like Kris Parks to be more tolerant of others, to stop torturing kids whose mothers make them wear long skirts to school?

Dearest Reece, I know you think it improper, or at the very least imprudent, for us to write to one another, but I don't care.There are too many rules as it is and they would choke me if I let them. Between corsets and lessons and curtsies and etiquette, I am hardly myself, and that is how they want it. They would prefer we all dress and talk and think (or not think) alike, like paper dolls. I do not wish to be a paper doll. Surely you can see that I am stronger than that.I don't give a fig for the scandalbroth or the gossipmongers. Let us remove to Paris, where no one knows us to care and where they dine on scandal with eclairs every morning. You will say again that it is impossible but I refuse to believe it. I know with every touch of your hand on mine, with every stolen kiss, that nothing is impossible. Perhaps love isn't meant to be simple. Perhaps this is merely a test, such as Psyche went through to prove herself to Cupid. Would you have me count lentils, beloved? And as you claim I have the most to lose, I pray you will let me decide for myself what it is I want and need. Which is you. Not silks or lobster soup in crystal bowls or diamonds around my neck. Just you. You say again and again that you love me. Prove it.

That’s all.” Kostia blew out a long breath. “I’m just—I’m not waving you off to war without telling you I love you.” I was shivering with cold and something else. My mouth burned. I reached out, tangling my hand in his shirt again, but unable—for the first time in our partnership—to look my shadow in the eye. “I feel it, too,” I heard myself say, so quietly. “Maybe I’ve felt it for a long time. But I’m still . . . mourning my dead.” All my dead, not just Lyonya. Still fighting my way free. Kostia’s fingers folded over mine. “So am I.” He released my hand, took the canoe by its prow, and began towing it back toward shore.

Still I rise" You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. Does my sassiness upset you? Why are you beset with gloom? ‘Cause I walk like I’ve got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I’ll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don’t you take it awful hard ‘Cause I laugh like I’ve got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I’ve got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I’m a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

Quite a few inventions do conform to this commonsense view of necessity as invention’s mother. In 1942, in the middle of World War II, the U.S. government set up the Manhattan Project with the explicit goal of inventing the technology required to build an atomic bomb before Nazi Germany could do so. That project succeeded in three years, at a cost of $2 billion (equivalent to over $20 billion today). Other instances are Eli Whitney’s 1794 invention of his cotton gin to replace laborious hand cleaning of cotton grown in the U.S. South, and James Watt’s 1769 invention of his steam engine to solve the problem of pumping water out of British coal mines. These familiar examples deceive us into assuming that other major inventions were also responses to perceived needs. In fact, many or most inventions were developed by people driven by curiosity or by a love of tinkering, in the absence of any initial demand for the product they had in mind.

This.” He held the ring between us, its diamonds shimmering in the setting sun. “This is no matter what.” “I’ll hurt you.” My voice came out as small and damned as I felt. “Then hurt me.” Samkiel’s eyes softened, and he stepped closer, his body almost flush with mine. “But don’t leave me.

No institution of learning of Ingersoll's day had courage enough to confer upon him an honorary degree; not only for his own intellectual accomplishments, but also for his influence upon the minds of the learned men and women of his time and generation. Robert G. Ingersoll never received a prize for literature. The same prejudice and bigotry which prevented his getting an honorary college degree, militated against his being recognized as 'the greatest writer of the English language on the face of the earth,' as Henry Ward Beecher characterized him. Aye, in all the history of literature, Robert G. Ingersoll has never been excelled -- except by only one man, and that man was -- William Shakespeare. And yet there are times when Ingersoll even surpassed the immortal Bard. Yes, there are times when Ingersoll excelled even Shakespeare, in expressing human emotions, and in the use of language to express a thought, or to paint a picture. I say this fully conscious of my own admiration for that 'intellectual ocean, whose waves touched all the shores of thought.' Ingersoll was perfection himself. Every word was properly used. Every sentence was perfectly formed. Every noun, every verb and every object was in its proper place. Every punctuation mark, every comma, every semicolon, and every period was expertly placed to separate and balance each sentence. To read Ingersoll, it seems that every idea came properly clothed from his brain. Something rare indeed in the history of man's use of language in the expression of his thoughts. Every thought came from his brain with all the beauty and perfection of the full blown rose, with the velvety petals delicately touching each other. Thoughts of diamonds and pearls, rubies and sapphires rolled off his tongue as if from an inexhaustible mine of precious stones. Just as the cut of the diamond reveals the splendor of its brilliance, so the words and construction of the sentences gave a charm and beauty and eloquence to Ingersoll's thoughts. Ingersoll had everything: The song of the skylark; the tenderness of the dove; the hiss of the snake; the bite of the tiger; the strength of the lion; and perhaps more significant was the fact that he used each of these qualities and attributes, in their proper place, and at their proper time. He knew when to embrace with the tenderness of affection, and to resist and denounce wickedness and tyranny with that power of denunciation which he, and he alone, knew how to express.

My mamma has a diamond ring which cost forty pounds,” she said. “And it is not a big one, either. If there were mines full of diamonds, people would be so rich it would be ridiculous.” “Perhaps Sara will be so rich that she will be ridiculous,” giggled Jessie. “She’s ridiculous without being rich,” Lavinia sniffed.

All Through Eternity All through eternity Beauty unveils His exquisite form in the solitude of nothingness; He holds a mirror to His Face and beholds His own beauty. he is the knower and the known, the seer and the seen; No eye but His own has ever looked upon this Universe. His every quality finds an expression: Eternity becomes the verdant field of Time and Space; Love, the life-giving garden of this world. Every branch and leaf and fruit Reveals an aspect of His perfection- They cypress give hint of His majesty, The rose gives tidings of His beauty. Whenever Beauty looks, Love is also there; Whenever beauty shows a rosy cheek Love lights Her fire from that flame. When beauty dwells in the dark folds of night Love comes and finds a heart entangled in tresses. Beauty and Love are as body and soul. Beauty is the mine, Love is the diamond. They have together since the beginning of time- Side by side, step by step

She dances through the night air. With each step, lightning flashes from her eyes like diamonds, and thunder rages like a heart beating in love. Her feet move with an agility and grace that can never be replicated. All things good and beautiful want to feel the warmth of her aura. She's beautiful and I sit back and watch her dance. She's a light I can't touch. Her brilliance blinds my eyes, but I still can't look away. She's a song that I can't remember. The melody slips past my ears before I can memorize the progressions. She's the ending of a book I lost before reaching the final pages. She's everything good that can never be replaced, and I don't think I can stand the feeling that makes me want to love her more and more with each passing moment. She is a goddess. She can't cure me. I dream of her but my dreams are dark and she's always one step out of reach. I want to find her but there are too many trees and I get lost easily. I'm left standing out in the rain, water pooling in my sneakers, as she dances away in a sunlight that shines only over her beautiful hair and face. She is not and can never be mine. My darkness can't ever break through her charms. I must be strong and keep away. I don't want to make her wilt. She is a song written for someone else.

I naively believed that I could divert the Hollywood organism from its goal, the simultaneous lobotomization and pickpocketing of the world’s audiences. The ancillary benefit was strip-mining history, leaving the real history in the tunnels along with the dead, doling out tiny sparkling diamonds for audiences to gasp over.

Look at that sky,” Livvie said. “Uh-huh,” I said. “Ain’t it marvelous?” “Yeah, it’s marvelous.” “No, chile o’ mine, you ain’t understanding what I’m telling you.” Her voice was so soft and loving, it was hard to keep my worries on my mind. “What do ya mean?” “See them stars starting to twinkle? They’s Gawd’s diamonds. You ’eah me? And the night sky turning so blue? That’s He sapphires for us. And see that streak of red across the horizon? They’s a field of rubies. Whenever you feel troubled and poor in the spirit, just go look at the sunset and all Gawd’s riches just be a-waiting for you.” “Yeah, sure, Livvie,” I said. “I ain’t lying to you, chile. I is telling you for true.

You see that God deems it right to take from me any claim to merit for what you call my devotion to you. I have promised to remain forever with you, and now I could not break my promise if I would. The treasure will be no more mine than yours, and neither of us will quit this prison. But my real treasure is not that, my dear friend, which awaits me beneath the somber rocks of Monte Cristo, it is your presence, our living together five or six hours a day, in spite of our jailers; it is the rays of intelligence you have elicited from my brain, the languages you have implanted in my memory, and which have taken root there with all of their philological ramifications. These different sciences that you have made so easy to me by the depth of the knowledge you possess of them, and the clearness of the principles to which you have reduced them – this is my treasure, my beloved friend, and with this you have made me rich and happy. Believe me, and take comfort, this is better for me than tons of gold and cases of diamonds, even were they not as problematical as the clouds we see in the morning floating over the sea, which we take for terra firma, and which evaporate and vanish as we draw near to them. To have you as long as possible near me, to hear your eloquent speech, -- which embellishes my mind, strengthens my soul, and makes my whole frame capable of great and terrible things, if I should ever be free, -- so fills my whole existence, that the despair to which I was just on the point of yielding when I knew you, has no longer any hold over me; this – this is my fortune – not chimerical, but actual. I owe you my real good, my present happiness; and all the sovereigns of the earth, even Caesar Borgia himself, could not deprive me of this.

Will you--tell me--about the diamond mines?” “The diamond mines?” broke out Lavinia. “Nasty, little spoiled thing, I should like to slap her!” Sara got up quickly on her feet. It must be remembered that she had been very deeply absorbed in the book about the Bastille, and she had had to recall several things rapidly when she realized that she must go and take care of her adopted child. She was not an angel, and she was not fond of Lavinia. “Well,” she said, with some fire, “I should like to slap you--but I don’t want to slap you!” restraining herself. “At least I both want to slap you--and I should like to slap you--but I won’t slap you. We are not little gutter children. We are both old enough to know better.

Curiosity is the far nobler sister of novelty. Curiosity invokes study. By definition, it is “interest leading to inquiry.”[1] It does not look for diamonds on blades of grass; it looks for dew. If it’s looking for diamonds, it mines. Curiosity isn’t satisfied to climb a hill and then move on. To borrow words from Deuteronomy, it digs copper from them (Deuteronomy 8:9).

While sculpting me nude completes your Fuck-It List for now, I happened to add a very important item to mine today, one that my life would not be complete without.” I got down on one knee and opened the pouch, taking out the two-carat, pear-shaped halo diamond engagement ring. “Charlotte Darling, will you help me make my ultimate bucket-list wish come true? Will you be my wife?

Black Diamonds Black gemstones pillaged from Mother Earth and mined from Kemet, Crystallized into rare gems under centuries of pressure. Yet, clarity remains pure under the brutal heat of history And the alluvial mining along the coastlines of black beaches. Whitewashing while extracting Nubian gems from sable sands, Twelve million carats separated from the soil of black lands.

Now directly above her, transiting the meridian, was the new crescent moon. No longer a chalky white, it was as silver as a piece of polished jewelry, somehow shining and sparkling despite the fact that it should have been nearly invisible that close to the sun, traveling through his bright day. "Oh, how pret---" Rapunzel started to say, but then she was distracted because her hair began to glow. Just like when she killed the chickens-- but more. Brilliantly, with the white light of the diamonds of her (Flynn's) crown, with the whiteness she imagined the foam of a midnight sea would look like. She picked up a hank of hair and let it hang from her hands; it was like holding molten silver chains or all the distant rivers seen from her tower, gathered up together by some unimaginable fairy-tale giant.

A diamond may be forever, but terrorism, promiscuously funded, will be too. Let's make the connection clearly by tracing the path of the diamond. Diamonds start out in the earth, and eventually that earth is part of a country, like Sierra Leone, Angola, or the Democratic Republic of Congo. In those countries, desperate battles for control have been going on for decades, and the armies that fight the battles finance their ambitions with diamonds. Villagers are forced to mine the diamonds by ruthless rebels who maintain order through terror: by raping women and hacking off the limbs of the children, something, by the way, you never see in the De Beers ads. The rebels then smuggle the diamonds into neighboring dictatorships in exchange for guns and cash. There the diamonds are sold to the highest bidder--whether they be terrorists or "legitimate" dealers--and finally they're laundered in Europe, shipped to America, and end up in jewelry stores where they're purchased by men and given to women in exchange for oral sex. In the feminized world we live in, it's practically national policy that women are more evolved that men--but if that's so, how come they're still so impressed by shiny objects?

Still I Rise You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

My mamma has a diamond ring which cost forty pounds,” she said. “And it is not a big one, either. If there were mines full of diamonds, people would be so rich it would be ridiculous.” “Perhaps Sara will be so rich that she will be ridiculous,” giggled Jessie. “She’s ridiculous without being rich,” Lavinia sniffed. “I believe you hate her,” said Jessie. “No, I don’t,” snapped Lavinia. “But I don’t believe in mines full of diamonds.” “Well, people have to get them from somewhere,” said Jessie.

Diamond mines spell ruin oftener than they spell wealth,” said Mr. Barrow. “When a man is in the hands of a very dear friend and is not a businessman himself, he had better steer clear of the dear friend’s diamond mines, or gold mines, or any other kind of mines dear friends want his money to put into. The late Captain Crewe--” Here Miss Minchin stopped him with a gasp. “The late Captain Crewe!” she cried out. “The late! You don’t come to tell me that Captain Crewe is--” “He’s dead, ma’am,” Mr. Barrow answered with jerky brusqueness. “Died of jungle fever and business troubles combined. The jungle fever might not have killed him if he had not been driven mad by the business troubles, and the business troubles might not have put an end to him if the jungle fever had not assisted. Captain Crewe is dead!” Miss Minchin dropped into her chair again. The words he had spoken filled her with alarm. “What were his business troubles?” she said. “What were they?” “Diamond mines,” answered Mr. Barrow, “and dear friends--and ruin.

His interest lay in researching and piecing together the Empire’s somewhat tangled history. Nothing excited him like reaching into the morass of legend and myth that made up so much of the past and producing one indisputable new fact, clear and sharp as a diamond in a coal mine. And if he’d learned one thing from all the histories he’d read and the tales he’d investigated, it was that most of the time there was no glory and damn all honor to be found on the battlefield. Only blood and mud and the endless bitterness of lost hopes.

My aunts were elegant American women, dressed in silk and fur, with diamond rings and charm bracelets and other bracelets as heavy as chains. Their moving hands were jangling, they were playing a symphony in gold. The style of these people was so different from mine. They were as strange to me as I must have looked to them. That fall of 1947, women's fashions had changed entirely. While I left Bucharest, went through Europe for a month, a new `look' was launched in Paris by Christian Dior. Skirts were long, coats big and long, a sloppy style, a `new look', the Dior style.

For you, I would bring down the stars, wreath their fire around your neck like diamonds, and watch them pulse to the beat of your heart For you, I would capture the candlelight in the palm of my hand Give my breath to give it life A whisper, 'My love' So that it may grow Bright and hot And burn me For you, I would drink the salted oceans Until their depths Were swallowed into the depth of me How deep it is, this life This love, for you I cannot touch bottom I never will For you, I would mine the stony earth Until it relinquished The secrets of time Cracks in the stone wrinkles of the Earth As she turns her face to another new day And so I wish to live Every one of mine With you For you, I would be myself At long last I would live in my skin And breathe my words in my own voice Tinged with the accent Of a child calling to a car that will never stop And in the fading echo Nothing remains but the truth of me that is the love of you I have loved you with both Hands tied behind my back Bound with pen and ink Paper and words Sealed with someone else's name until this moment in which I am nothing but a man who loves a woman. There is nothing left to say Except to give all of my heart For you

Still I Rise You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

Within us there is an inner, natural dignity. (You often see it in older folks.) An inherent worthiness that already knows and enjoys. (You see it in children.) It is an immortal diamond waiting to be mined and is never discovered undesired. It is a reverence humming within you that must be honored. Call it the soul, the unconscious, deep consciousness, or the indwelling Holy Spirit. Call it nothing. It does not need the right name or right religion to show itself. It does not even need to be understood. It is usually wordless. It just is, and shows itself best when we are silent, or in love, or both. I will call it the True Self here.

This is determined by a wide range of circumstances; it is determined amongst other things by the workers’ average degree of skill, the level of development of science and its technological application, the social organization of the process of production, the extent and effectiveness of the means of production, and the conditions found in the natural environment. For example, the same quantity of labour is present in eight bushels of corn in favourable seasons and in only four bushels in unfavourable seasons. The same quantity of labour provides more metal in rich mines than in poor. Diamonds are of very rare occurrence on the earth’s surface, and hence their discovery costs, on an average, a great deal of labour-time.

Hush little baby, don’t you cry, Mama’s gonna sing you a lullaby, and if that mockingbird don’t sing, Papa’s gonna buy you a diamond ring. Mama, Dada, uh-oh, ball. Good night tree, good night stars, good night moon, good night nobody. Potato stamps, paper chains, invisible ink, a cake shaped like a flower, a cake shaped like a horse, a cake shaped like a cake, inside voice, outside voice. If you see a bad dog, stand still as a tree. Conch shells, sea glass, high tide, undertow, ice cream, fireworks, watermelon seeds, swallowed gum, gum trees, shoes and ships and sealing wax, cabbages and kings, double dares, alphabet soup, A my name is Alice and my boyfriend’s name is Andy, we come from Alabama and we like apples, A my name is Alice and I want to play the game of looooove. Lightning bugs, falling stars, sea horses, goldfish, gerbils eat their young, please, no peanut butter, parental signature required, #1 Mom, show-and-tell, truth or dare, hide-and-seek, red light, green light, please put your own mask on before assisting, ashes, ashes, we all fall down, how to keep the home fires burning, date night, family night, night-night, May came home with a smooth round stone as small as the world and as big as alone. Stop, Drop, Roll. Salutations, Wilbur’s heart brimmed with happiness. Paper valentines, rubber cement, please be mine, chicken 100 ways, the sky is falling. Monopoly, Monopoly, Monopoly, you be the thimble, Mama, I’ll be the car.

I didn’t want a fancy engagement ring or a gaudy wedding band; for me, a plain wedding ring was a perfect symbol. I like simple, especially in a wedding ring: it reminds you that love is about love, nothing else--not money, not appearances, not showing off. But it seemed almost impossible to convince anyone of that. Including Chris. He kept asking me what I wanted, and wouldn’t take “simple” for an answer. Then my mother got into the act. My grandmother had left her a diamond from a ring that she had had. Mom suggested that I use it as the centerpiece of an engagement ring. I told her thanks, but no thanks. “I don’t care whether you wear it as an engagement ring or a belly button ring,” she insisted after we went around a bit. “But I’m sending it.” She did. It was lovely. Chris and I ended up taking it to a local jewelry store. We found a wonderful setting we both loved and had the jeweler set the diamond in it. We got our wedding rings the same day, adding an engraving on the inside. “All of me,” Chris wrote on mine. “My love, my life,” I said on his.

You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? ’Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don't you take it awful hard ’Cause I laugh like I've got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

The secret—to being you, to being Happy?” “Just keep on smiling. Even when you’re sad. Keep on smiling.” Not the most profound advice, admittedly. But Happy is wise, for only a fool or a philosopher would make sweeping generalizations about the nature of happiness. I am no philosopher, so here goes: Money matters, but less than we think and not in the way that we think. Family is important. So are friends. Envy is toxic. So is excessive thinking. Beaches are optional. Trust is not. Neither is gratitude. To venture any further, though, is to enter treacherous waters. A slippery seal, happiness is. On the road, I encountered bushels of inconsistencies. The Swiss are uptight and happy. The Thais are laid-back and happy. Icelanders find joy in their binge drinking, Moldovans only misery. Maybe an Indian mind can digest these contradictions, but mine can’t. Exasperated, I call one of the leading happiness researchers, John Helliwell. Perhaps he has some answers. “It’s simple,” he says. “There’s more than one path to happiness.” Of course. How could I have missed it? Tolstoy turned on his head. All miserable countries are alike; happy ones are happy in their own ways. It’s worth considering carbon. We wouldn’t be here without it. Carbon is the basis of all life, happy and otherwise. Carbon is also a chameleon atom. Assemble it one way—in tight, interlocking rows—and you have a diamond. Assemble it another way—a disorganized jumble—and you have a handful of soot. The arranging makes all the difference. Places are the same. It’s not the elements that matter so much as how they’re arranged and in which proportions. Arrange them one way, and you have Switzerland. Arrange them another way, and you have Moldova. Getting the balance right is important. Qatar has too much money and not enough culture. It has no way of absorbing all that cash. And then there is Iceland: a country that has no right to be happy yet is. Iceland gets the balance right. A small country but a cosmopolitan one. Dark and light. Efficient and laid-back. American gumption married to European social responsibility. A perfect, happy arrangement. The glue that holds the entire enterprise together is culture. It makes all the difference. I have some nagging doubts about my journey. I didn’t make it everywhere. Yet my doubts extend beyond matters of itinerary. I wonder if happiness is really the highest good, as Aristotle believed. Maybe Guru-ji, Sri Sri Ravi Shankar, is right. Maybe love is more important than happiness. Certainly, there are times when happiness seems beside the point. Ask a single, working mother if she is happy, and she’s likely to reply, “You’re not asking the right question.” Yes, we want to be happy but for the right reasons, and,

Man is always the master, even in his weaker and most abandoned state; but in his weakness and degradation he is the foolish master who misgoverns his "household." When he begins to reflect upon his condition, and to search diligently for the Law upon which his being is established, he then becomes the wise master, directing his energies with intelligence, and fashioning his thoughts to fruitful issues. Such is the conscious master, and man can only thus become by discovering within himself the laws of thought; which discovery is totally a matter of application, self analysis, and experience. Only by much searching and mining, are gold and diamonds obtained, and man can find every truth connected with his being, if he will dig deep into the mine of his soul; and that he is the maker of his character, the moulder of his life, and the builder of his destiny, he may unerringly prove, if he will watch, control, and alter his thoughts, tracing their effects upon himself, upon others, and upon his life and circumstances, linking cause and effect by patient practice and investigation, and utilizing his every experience, even to the most trivial, everyday occurrence, as a means of obtaining that knowledge of himself which is Understanding, Wisdom, Power. In this direction, as in no other, is the law absolute that "He that seeketh findeth; and to him that knocketh it shall be opened;" for only by patience, practice, and ceaseless importunity can a man enter the Door of the Temple of Knowledge.

Someone shakes my shoulder. I jerk awake, my eyes wide and searching, and I see Tobias kneeling over me. He wears a Dauntless traitor jacket, and one side of his head is coated with blood. The blood streams from a wound on his ear--the top of his hear is gone. I wince. “What happened?” I say. “Get up. We have to run.” “It’s too soon. It hasn’t been two weeks.” “I don’t have time to explain. Come on.” “Oh God. Tobias.” I sit up and wrap my arms around him, pressing my face into his neck. His arms tighten around me and squeeze. Warmth courses through me, and comfort. If he is here, that means I’m safe. My tears make his skin slippery. He stands and pulls me to my feet, which makes my wounded shoulder throb. “Reinforcements will be here soon. Come on.” I let him lead me out of the room. We make it down the first hallway without difficulty, but in the second hallway, we encounter two Dauntless guards, one a young man and one a middle-aged woman. Tobias fires twice in a matter of seconds, both hits, one in the head and one in the chest. The woman, who was hit in the chest, slumps against the wall but doesn’t die. We keep moving. One hallway, then another, all of them look the same. Tobias’s grip on my hand never falters. I know that if he can throw a knife so that it hits just the tip of my ear, he can fire accurately at the Dauntless soldiers who ambush us. We step over fallen bodies--the people Tobias killed in the way in, probably--and finally reach a fire exit. Tobias lets go of my hand to open the door, and the fire alarm screeches in my ears, but we keep running. I am gasping for air but I don’t care, not when I’m finally escaping, not when this nightmare is finally over. My vision starts to go black at the edges, so I grab Tobias’s arm and hold on tight, trusting him to lead me safely to the bottom of the stairs. I run out of steps to run down, and I open my eyes. Tobias is about to open the exit door, but I hold him back. “Got to…catch my breath…” He pauses, and I put my hands on my knees, leaning over. My shoulder still throbs. I frown, and look up at him. “Come on, let’s get out of here,” he says insistently. My stomach sinks. I stare into his eyes. They are dark blue, with a patch of light blue on his right iris. I take his chin in hand and pull his lips down to mine, kissing him slowly, sighing as I pull back. “We can’t get out of here,” I say. “Because this is a simulation.” He pulled me to my feet with my right hand. The real Tobias would have remembered the wound in my shoulder. “What?” He scowls at me. “Don’t you think I would know if I was under a simulation?” “You aren’t under a simulation. You are the simulation.” I look up and say in a loud voice, “You’ll have to do better than that, Jeanine.” All I have to do now is wake up, and I know how--I have done it before, in my fear landscape, when I broke a glass tank just by touching my palm to it, or when I made a gun appear in the grass to shoot descending birds. I take a knife from my pocket--a knife that wasn’t there a moment ago--and will my leg to be hard as diamond. I thrust the knife toward my thigh, and the blade bends.

Absent all speculation, the contemplation on everything known and unknown, there’s always an invitation to listen. We could even cease the meaning-making and surrender to the mystery. Be willing to feel the grief, not just for our own losses but for the big losses throughout time. We could exhale heartbreak for the death of mothers and children, grandparents and lovers, tribes and democracies. The crack of falling redwoods and splitting glaciers, the disappearance of the monarchs and the mourning of the giant tortoise. The landslides, the floods, the fires. We could feel the destruction of mountains, comets, galaxies. All the losses without redemption. All that has been broken. And in that silence between breaths we could pause. We could acknowledge… absence. In the liminal space we could feel the emptiness. Behold the big, spacious silence behind all noise. And there, right there, at the edges or perhaps smack in the middle of our awareness we might feel a fullness. The nearness of something sacred, the quiet presence which can’t be captured in words—only felt. That which is deeply personal and undeniably universal, that which is me and yet everything not-me, that nearness some people call Source, God, the Great Mother, the Great Perfection, that which can’t be named. And as we inhale, we can breathe in all of it, the richness of seas, the quiet dignity of deserts, the opalescent sheen of babies just born. The melody of a downpour and the clarion birdsong as the earth begins to dry. The warm symphonies of stars and the roar of everyone laughing at once. All the beauty beyond description. The truth that everything terrible exists alongside everything miraculous, that loss gives way for finding, and through it all, only love keeps us fighting for what’s right.

Thrasher" They were hiding behind hay bales, They were planting in the full moon They had given all they had for something new But the light of day was on them, They could see the thrashers coming And the water shone like diamonds in the dew. And I was just getting up, hit the road before it's light Trying to catch an hour on the sun When I saw those thrashers rolling by, Looking more than two lanes wide I was feelin' like my day had just begun. Where the eagle glides ascending There's an ancient river bending Down the timeless gorge of changes Where sleeplessness awaits I searched out my companions, Who were lost in crystal canyons When the aimless blade of science Slashed the pearly gates. It was then I knew I'd had enough, Burned my credit card for fuel Headed out to where the pavement turns to sand With a one-way ticket to the land of truth And my suitcase in my hand How I lost my friends I still don't understand. They had the best selection, They were poisoned with protection There was nothing that they needed, Nothing left to find They were lost in rock formations Or became park bench mutations On the sidewalks and in the stations They were waiting, waiting. So I got bored and left them there, They were just deadweight to me Better down the road without that load Brings back the time when I was eight or nine I was watchin' my mama's T.V., It was that great Grand Canyon rescue episode. Where the vulture glides descending On an asphalt highway bending Thru libraries and museums, galaxies and stars Down the windy halls of friendship To the rose clipped by the bullwhip The motel of lost companions Waits with heated pool and bar. But me I'm not stopping there, Got my own row left to hoe Just another line in the field of time When the thrasher comes, I'll be stuck in the sun Like the dinosaurs in shrines But I'll know the time has come To give what's mine. Neil Young, Rust Never Sleeps (1979)

8:00am The sun is shining, the cows are mooing, and I am ready for the mines. I hope I find something awesome today. Steve has told me about some pretty crazy things I had no idea existed. According to him, I must find empty tombs in the desert. That’s where the real treasures are. For today, I will stick to regular mining. Who knows, maybe I will come across an abandoned mine shaft; could be my lucky day.   12:30pm I was forced to come home for lunch today because I had too much stuff to carry. I was getting low on my iron ore, gold, and lapis lazuli stocks before this mine trip. It’s amazing how quick lapis goes when you are busy enchanting everything but the kitchen sink. I’d enchant that too if I had one. I wonder what an enchanted kitchen sink would do. Would it do my dishes for me? That would be so cool.   I have plenty of both now. I can make some new armor and enchant it! I love mining.   Steve decided to join me for lunch and we ate a couple of pork chops and some cake. I love cake! We ate until no more food could fill us up. Then, Steve had the guts to brag about how, when he mines, he takes a horse with extra storage so he can stay down there all day long. Well fancy you, Steve.   He also went on to tell me about how well the crops are doing these days. He thinks it’s because he is looking after them half of the time. What he doesn’t know is I throw bone marrow on them when I am working. Makes my job faster and gives me more free time so whatever you need to tell yourself, Steve.   Life may be easier switching every day between mines and farming, but it still doesn’t make me his biggest fan. I just don’t think he needs to fall in a hole, either. At least… Not right now. I would consider us to be frienemies; Friendly enemies. Yes. At times we pretend to get along, but most of the time, we are happiest doing our own thing.   6:00pm Mining this afternoon was super fun… Not! I got attacked by a partially hidden skeleton guy. I couldn’t see him enough to strike back until half of my life hearts were gone. I must not have made the space bright enough. Those guys are nasty. They are hard to kill too. If you don’t have a bow and arrow you might as well surrender. Plus, they kind of smell like death. Yuck.   Note to self: Bring more torches on the next mining day.   On the other hand, I came back with an overshare of Redstone, too much iron for my own good, and oddly, quite a few diamonds. I won’t be sharing the diamonds with anyone. They are far too precious. They will go to some new diamond pickaxes, and maybe some armor. Hmm, I could enchant those too! The iron and Redstone though, I am thinking a trip to the village may be in order. See what those up-tight weirdos are willing to trade me.   For now, it’s bedtime.   6:10pm You can only sleep at night. You can only sleep at night. You can only sleep at night.   6:11pm That stupid rule gets me every time. Why can’t I decide when it’s bed time?   First, I will go eat a cookie, then I will go to sleep. Day Thirty-Three   3:00am I just dreamt that our world was made of cookies.

He removed his hand from his worn, pleasantly snug jeans…and it held something small. Holy Lord, I said to myself. What in the name of kingdom come is going on here? His face wore a sweet, sweet smile. I stood there completely frozen. “Um…what?” I asked. I could formulate no words but these. He didn’t respond immediately. Instead he took my left hand in his, opened up my fingers, and placed a diamond ring onto my palm, which was, by now, beginning to sweat. “I said,” he closed my hand tightly around the ring. “I want you to marry me.” He paused for a moment. “If you need time to think about it, I’ll understand.” His hands were still wrapped around my knuckles. He touched his forehead to mine, and the ligaments of my knees turned to spaghetti. Marry you? My mind raced a mile a minute. Ten miles a second. I had three million thoughts all at once, and my heart thumped wildly in my chest. Marry you? But then I’d have to cut my hair short. Married women have short hair, and they get it fixed at the beauty shop. Marry you? But then I’d have to make casseroles. Marry you? But then I’d have to wear yellow rubber gloves to do the dishes. Marry you? As in, move out to the country and actually live with you? In your house? In the country? But I…I…I don’t live in the country. I don’t know how. I can’t ride a horse. I’m scared of spiders. I forced myself to speak again. “Um…what?” I repeated, a touch of frantic urgency to my voice. “You heard me,” Marlboro Man said, still smiling. He knew this would catch me by surprise. Just then my brother Mike laid on the horn again. He leaned out of the window and yelled at the top of his lungs, “C’mon! I am gonna b-b-be late for lunch!” Mike didn’t like being late. Marlboro Man laughed. “Be right there, Mike!” I would have laughed, too, at the hilarious scene playing out before my eyes. A ring. A proposal. My developmentally disabled and highly impatient brother Mike, waiting for Marlboro Man to drive him to the mall. The horn of the diesel pickup. Normally, I would have laughed. But this time I was way, way too stunned. “I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.