Diamond Art Quotes

Yet the ivory gods, And the ebony gods, And the gods of diamond-jade, Are only silly puppet gods That people themselves Have made.-

The Genius Of The Crowd there is enough treachery, hatred violence absurdity in the average human being to supply any given army on any given day and the best at murder are those who preach against it and the best at hate are those who preach love and the best at war finally are those who preach peace those who preach god, need god those who preach peace do not have peace those who preach peace do not have love beware the preachers beware the knowers beware those who are always reading books beware those who either detest poverty or are proud of it beware those quick to praise for they need praise in return beware those who are quick to censor they are afraid of what they do not know beware those who seek constant crowds for they are nothing alone beware the average man the average woman beware their love, their love is average seeks average but there is genius in their hatred there is enough genius in their hatred to kill you to kill anybody not wanting solitude not understanding solitude they will attempt to destroy anything that differs from their own not being able to create art they will not understand art they will consider their failure as creators only as a failure of the world not being able to love fully they will believe your love incomplete and then they will hate you and their hatred will be perfect like a shining diamond like a knife like a mountain like a tiger like hemlock their finest art

Poetry, like jazz, is one of those dazzling diamonds of creative industry that help human beings make sense out of the comedies and tragedies that contextualize our lives.

Gabriel noticed with satisfaction the way Julia intentionally fingered one of her diamond earrings, as if she understood his revelations and received them gladly. As if she knew he was revealing his love for her through art. His heart swelled.

And Rhys had given me the best gift I’d ever received. He was right—it wasn’t a fancy purse or diamond jewelry, but I would much rather have one sketch from him than a hundred Tiffany diamonds. Anyone could buy a diamond. No one except him could’ve drawn me the way he did, and it didn’t escape my notice this was the first time he’d ever shared his art with me. “It’s all right.” He shrugged. “It’s not all right, it’s beautiful,” I repeated. “Seriously, thank you. I’ll treasure this forever.” I never thought I’d see the day, but Rhys blushed. Actually blushed. I watched in fascination as the red spread across his neck and cheeks, and the desire to trace its path with my tongue gripped me. But of course, I couldn’t do that.

That unknown is a diamond in a universe of dirt. Uncertainty. Unpredictability. It is when you turn your emotions into art. It is BTS and the Sistine Chapel and Rumi's poetry and Ross Geller on the stairs yelling, 'Pivot.' Every creation great and small, they are our diamonds.

Your cruelties and mistakes may look damning to you, but that is not what I see. Every human conversation is more elegant and complex than the entire solar system that contains it. You have no idea how marvelous you are, but I am not only here to protect what you are now, I am here to protect what you will become. I can't tell you what that might be because I don't know. That unknown is a diamond in a universe of dirt. Uncertainty. Unpredictability. It is when you turn your emotions into art. It is BTS and the Sistine Chapel and Rumi's poetry and Ross Geller on the stairs yelling, 'Pivot.' Every creation great and small, they are our diamonds. And what you may be in two hundred years, we can guess with fair accuracy. What you are in two thousand . . . Oh, my friends . . . my best friends, you cannot know.

And sometimes then he sat with us for an hour or so, sharing our limbo, listening while I read. Books from any shelf, opened at any page, in which I would start and finish anywhere, mid-sentence sometimes. Wuthering Heights ran into Emma, which gave way to The Eustace Diamonds, which faded into Hard Times, which ceded to The Woman in White. Fragments. It didn't matter. Art, its completeness, its formedness, its finishedness, had no power to console. Words, on the other hand, were a lifeline.

Her lips like a dew on a red rose Her eyes like a rainbow In every drop of rain walking goddess glistened like a diamond

He deals the cards to find the answer The sacred geometry of chance The hidden law of a probable outcome The numbers lead a dance I know that the spades Are the swords of a soldier I know that the clubs are weapons of war I know that diamonds Mean money for this art But that's not the shape of my heart

Vaporized by the sun! Wasn't that what the universe had in store for all of us? There would come a day when the sun exploded like a red balloon, and everyone on earth would be reduced in less than a camera flash to carbon. Didn't Genesis say as much? For dust thou art, and unto dust shalt thou return. This was far more than dull old theology: It was precise scientific observation! Carbon was the Great Leveler--the Grim Reaper. Diamonds were nothing more than carbon, but carbon in a crystal lattice that made it the hardest known mineral in nature. That was the way we all were headed. I was sure of it. We were destined to be diamonds!

Each time we bow to the feet of anything we find riveting, the mind rises to be surprised with new crowning diamonds of creativity.

Life is a journey. A hopeless cliché. But not its fault. Cliché is the fate of every fully absorbed truth. The stars, for example, do look like diamonds. You just can’t say so.

And Rhys had given me the best gift I’d ever received. He was right—it wasn’t a fancy purse or diamond jewelry, but I would much rather have one sketch from him than a hundred Tiffany diamonds. Anyone could buy a diamond. No one except him could’ve drawn me the way he did, and it didn’t escape my notice this was the first time he’d ever shared his art with me.

Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Simmer down, simmer down They say we're too young now to amount to anything else But look around We work too damn hard for this just to give it up now If you don't swim, you'll drown But don't move, honey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down Your lipstick stain is a work of art I got your name tattooed in an arrow heart And I know now, that I'm so down (hey!) Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Let's get out, let's get out 'Cause this deadbeat town's only here just to keep us down While I was out, I found myself alone just thinking If I showed up with a plane ticket And a shiny diamond ring with your name on it Would you wanna run away too? 'Cause all I really want is you You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down I made a mixtape straight out of '94 I've got your ripped skinny jeans lying on the floor And I know now, that I'm so down Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down Your lipstick stain is a work of art I got your name tattooed in an arrow heart And I know now, that I'm so down Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down (hey) Your lipstick stain is a work of art (hey, hey) I got your name tattooed in an arrow heart (hey, hey) And I know now, that I'm so down (hey, hey) Hey

If we hadn’t our bewitching autumn foliage, we should still have to credit the weather with one feature which compensates for all its bullying vagaries-the ice storm: when a leafless tree is clothed with ice from the bottom to the top – ice that is as bright and clear as crystal; when every bough and twig is strung with ice-beads, frozen dew-drops, and the whole tree sparkles cold and white, like the Shah of Persia’s diamond plume. Then the wind waves the branches and the sun comes out and turns all those myriads of beads and drops to prisms that glow and burn and flash with all manner of colored fires, which change and change again with inconceivable rapidity from blue to red, from red to green, and green to gold-the tree becomes a spraying fountain, a very explosion of dazzling jewels; and it stands there the acme, the climax, the supremest possibility in art or nature, of bewildering, intoxicating, intolerable magnificence. One cannot make the words too strong.

The wealth of the imperial countries is our wealth too. On the universal plane this affirmation, you may be sure, should on no account be taken to signify that we feel ourselves affected by the creations of Western arts or techniques. For in a very concrete way Europe has stuffed herself inordinately with the gold and raw materials of the colonial countries: Latin America, China, and Africa. From all these continents, under whose eyes Europe today raises up her tower of opulence, there has flowed out for centuries toward that same Europe diamonds and oil, silk and cotton, wood and exotic products. Europe is literally the creation of the Third World. The wealth which smothers her is that which was stolen from the underdeveloped peoples. The ports of Holland, the docks of Bordeaux and Liverpool were specialized in the Negro slave trade, and owe their renown to millions of deported slaves. So when we hear the head of a European state declare with his hand on his heart that he must come to the aid of the poor underdeveloped peoples, we do not tremble with gratitude. Quite the contrary; we say to ourselves: "It's a just reparation which will be paid to us.

The Genius Of The Crowd there is enough treachery, hatred violence absurdity in the average human being to supply any given army on any given day and the best at murder are those who preach against it and the best at hate are those who preach love and the best at war finally are those who preach peace those who preach god, need god those who preach peace do not have peace those who preach peace do not have love beware the preachers beware the knowers beware those who are always reading books beware those who either detest poverty or are proud of it beware those quick to praise for they need praise in return beware those who are quick to censor they are afraid of what they do not know beware those who seek constant crowds for they are nothing alone beware the average man the average woman beware their love, their love is average seeks average but there is genius in their hatred there is enough genius in their hatred to kill you to kill anybody not wanting solitude not understanding solitude they will attempt to destroy anything that differs from their own not being able to create art they will not understand art they will consider their failure as creators only as a failure of the world not being able to love fully they will believe your love incomplete and then they will hate you and their hatred will be perfect like a shining diamond like a knife like a mountain like a tiger like hemlock their finest art

Painting a picture is as difficult as finding a large or a small diamond. Now, however, whereas everybody recognizes the value of a louis d’or or a pure pearl, those who cherish pictures and believe in them are unfortunately rare. But they exist nonetheless.

Try not to breathe,” I tell Lira. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.” I laugh.

His Consciousness To Glorious Wisdom of Love To the Profound Heart Sound To Great Awareness of the enlightened few To Limitless Space of Compassion To Alertness of Bliss and Emptiness To the Mind riding on the wind of Light To Amitaba and Amideva To Milarepa and Baba Ji To you my Father and Mother Whose Merge brought me here To experience The Diamond Being Within the Primordial Consciousness of One

It is important to note,” he said, “that although diamond is culturally revered as the superior form of carbon, it is in fact incapable of deep expression, and unlike graphite no good art can come from diamond.

A work of art is abundant, spills out, gets drunk, sits up with you all night and forgets to close the curtains, dries your tears, is your friend, offers you a disguise, a difference, a pose. Cut and cut it through and there is still a diamond at the core. Skim the top and it is rich. The inexhaustible energy of art is transfusion for a worn-out world. When I read Virginia Woolf she is to my spirit, waterfall and wine.

They had paused before the table on which the bride’s jewel were displayed, and Lily’s heart gave an envious throb as she caught the refraction of light from their surfaces – the milky gleam of perfectly matched pearls, the flash of rubies relieved against contrasting velvet, the intense blue rays of sapphires kindled into light by surrounding diamonds: all these precious tints enhanced and deepened by the varied art of their setting. The glow of the stones warmed Lily’s veins like wine. More completely than any other expression of wealth they symbolized the life she longed to lead, the life of fastidious aloofness and refinement in which every detail should have the finish of a jewel, and the whole form a harmonious setting to her own jewel-like rareness.

I think I might have something for you today," he says, reaches beneath the counter, and his hand comes back with a book, clothbound cover the color of antique ivory, title and author stamped in faded gold and art deco letters. Best Ghost Stories by Algernon Blackwood, and she lifts it carefully off the countertop, picks it up the way someone else might lift a diamond necklace or a sick kitten, and opens the book to the frontispiece and title page, black-and-white photo of the author in a dapper suit, sadkind eyes and his bow tie just a little crooked.

Good art is becoming hard to find these days. With political correctness, the internet, globalization, and multiculturalism, people are becoming pressured to be the same as everyone else, act the same, and express themselves in the same way. Great art will soon be as rare as gold or diamonds.

A teardrop glittered like a diamond in the ring of her eye. When they're at the bottom, people fill their eyes with beautiful things. The world is full of art, it's just a matter of knowing how to look around you and then surrendering to inexhaustible whisperings, to small details, to longing and desire.

Shiny, perfect things Expensive cars, fancy diamond rings Hardly impress me Rather mundane, shallow, uninspiring Give me rough around the edges any day Dreadlocks and tousled hair are fine by me Body piercings Quirky things Vintage art, old records and books appeal to me Because they have charm, more personality

Poetry distracts me from going deeper over....the edge. it is rough and shiny like black diamonds.it dazzles,it enhances,your everything. Each moment,every memory, you touch.

...and at the foot of my parents' bedroom door, myself moonwalking with Einstein (four of spades, king of hearts, three of diamonds)

Thou [John] art my diamond, and I would rather lose all other diamonds in the world than aught should come to thee. So, if thou doubtest, let me go, or let not any go at all.

I like blank paper. To meet people I find interesting. Writing puts me into a world that has not been written yet. I spend much of my time contemplating love and death. When I am writing a surge of complete happiness takes over. To make readers hear the sound of their own heartbeats, that sound that whispers up to us: you are alive. When I manage to turn pages and pages of crap into a little bit of art, I feel like that girl in the Diamonds Are Forever ad. Writing gives me permission to be a child and to play with words the way that children play with blocks or twigs or mud. Writing makes me a god, each new page enabling me to create and destroy as many worlds as I please. It allows me to spy on my neighbors. It’s the only socially acceptable way to be a compulsive liar. I want to cleanse the past. To discover, to express, to celebrate, to acknowledge, to witness, to remember who I am. I find out what might have been, what should have happened, and what I fear will happen. It’s a means of asking questions, though the answers may be as puzzling as a rune. This question drives me crazy. There is nothing else I want to do more. My soul will not be still until the words are written on paper. Because I can. Because I must. I can’t not. If I don’t I will explode. I want to be good at something and I’ve tried everything else.

A midst deceit I found the truth; there in the rough I found a diamond. And from the moment we met, I think of no one else Today I choose to be, to live and breathe; to dream, to weep, and to sing in free verse. And you, the object of my delight: a like-minded opposite I am myself with, a mind-fuck times six, seven, eight thousand and three. I know that you love me with every inch of your deep.

Natasha’s star artist was Ping Xi, a pubescent-looking twenty-three-year-old from Diamond Bar, California. She thought he was a good investment because he was Asian American and had been kicked out of CalArts for firing a gun in his studio. He would add a certain cachet. “I want the gallery to get more cerebral,” she explained. “The market is moving away from emotion. Now it’s all about process and ideas and branding. Masculinity is hot right now.

The laws of nature are sublime, but there is a moral sublimity before which the highest intelligences must kneel and adore. The laws by which the winds blow, and the tides of the ocean, like a vast clepsydra, measure, with inimitable exactness, the hours of ever-flowing time; the laws by which the planets roll, and the sun vivifies and paints; the laws which preside over the subtle combinations of chemistry, and the amazing velocities of electricity; the laws of germination and production in the vegetable and animal worlds, — all these, radiant with eternal beauty as they are, and exalted above all the objects of sense, still wane and pale before the Moral Glories that apparel the universe in their celestial light. The heart can put on charms which no beauty of known things, nor imagination of the unknown, can aspire to emulate. Virtue shines in native colors, purer and brighter than pearl, or diamond, or prism, can reflect. Arabian gardens in their bloom can exhale no such sweetness as charity diffuses. Beneficence is godlike, and he who does most good to his fellow-man is the Master of Masters, and has learned the Art of Arts. Enrich and embellish the universe as you will, it is only a fit temple for the heart that loves truth with a supreme love. Inanimate vastness excites wonder; knowledge kindles admiration, but love enraptures the soul. Scientific truth is marvellous, but moral truth is divine; and whoever breathes its air and walks by its light, has found the lost paradise. For him, a new heaven and a new earth have already been created. His home is the sanctuary of God, the Holy of Holies.

Old women beat their heads against the walls, moaning men prostrated themselves: it was the art of sorrow, and those who best mimicked grief were much admired. After the funeral everyone went away, satisfied that they’d done a good job.

Remember that successful action is cumulative in its results. Since the desire for more life is inherent in all things, when a man begins to move toward larger life more things attach themselves to him, and the influence of his desire is multiplied.

Your False Self is who you think you are. Your thinking does not make it true. Your False Self is almost entirely a social construct to get you started on your life journey. It is a set of agreements between your childhood and your parents, your family, your neighbors, your school chums, your partner or spouse, and your religion. It is your “container” for your separate self. 4 Jesus would call it your “wineskin,” which he points out usually cannot hold any new wine (Mark 2: 21–22). Your ego container likes to stay “contained” and hates change. Your False Self is how you define yourself outside of love, relationship, or divine union. After you have spent many years laboriously building this separate self, with all its labels and preoccupations, you are very attached to it. And why wouldn’t you be? It’s what you know and all you know. To move beyond it will always feel like losing or dying. Perhaps you have noticed that master teachers like Jesus and the Buddha, St. Francis, all the “Teresas” (Avila, Lisieux, and Calcutta), Hafiz, Kabir, and Rumi talk about dying much more than we are comfortable with. They all know that if you do not learn the art of dying and letting go early, you will hold onto your False Self far too long, until it kills you anyway.

Once you have hundreds of millions of dollars, it’s hard to know where to put it all. Art is transportable, unregulated, glamorous, arcane, beautiful, difficult. It is easier to store than oil, more esoteric than diamonds, more durable than political influence.

For a while I considered dropping out of Barnard to help. It felt unbearably selfish, just downright wrong, to be indulging myself with an education in the liberal arts at a fancy private college while Mom and Dad were on the streets. But Lori convinced me that dropping out was a lamebrained idea. It wouldn’t do any good, she said, and besides, dropping out would break Dad’s heart. He was immensely proud that he had a daughter in college, and an Ivy League college at that. Every time he met someone new, he managed to work it into the first few minutes of conversation. Mom and Dad, Brian pointed out, had options. They could move back to West Virginia or Phoenix. Mom could work. And she was not destitute. She had her collection of antique Indian jewelry, which she kept in a self-storage locker. There was the two-carat diamond ring that Brian and I had found under the rotten lumber back in Welch; she wore it even when sleeping on the street. She still owned property in Phoenix. And she had the land in Texas, the source of her oil-lease royalties.

Living life at 90% means taking control of every aspect of your life that you can control: how you react, how you adapt, and how you take action. You and only you get to control the way you react to all the shit life dumps in your lap. And, again, that’s the trick—taking action.

What courses are people excited about now? I asked a blonde senior in cap and gown. Nuclear physics, maybe? Modern art? Civilizations of Africa? Looking at me as if I were some prehistoric dinosaur, she said: "Girls don't get excited about things like that anymore. We don't want careers. Our parents expect us to go to college, everybody goes. You're a social outcast at home if you don't. But a girl who got serious about anything she studied, like wanting to go on and do research, would be peculiar, unfeminine. I guess everybody wants to graduate with a diamond ring on her finger, that's the important thing.

I was the bitch who sat behind a desk and ignored you when you walked into the gallery, a pouty knockout wearing indecipherably cool avant-garde outfits. I was told to play dumb if anyone asked a question. Evade, evade. Never hand over a price list. Natasha paid me just $22,000 a year. Without my inheritance, I would have been forced to find a job that paid more money. And I would probably have had to live in Brooklyn, with roommates. I was lucky to have my dead parents’ money, I knew, but that was also depressing. Natasha’s star artist was Ping Xi, a pubescent-looking twenty-three-year-old from Diamond Bar, California. She thought he was a good investment because he was Asian American and had been kicked out of CalArts for firing a gun in his studio. He would add a certain cachet. “I want the gallery to get more cerebral,” she explained.

The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could. When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.

Remember, please remember, you do not (you must not!) fear, attack, or hate the False Self. That would only continue a negative and arrogant death energy, and it is delusional and counterproductive anyway. It would be trying to “drive out the devil by the prince of devils,” as Jesus puts it. In the great economy of grace, all is used and transformed, and nothing is wasted. God uses your various False Selves to lead you beyond them. Note that Jesus' clear message to his beloved, Mary Magdalene, is not that she squelch, deny, or destroy her human love for him. He is much more subtle than that. He just says to her, “Do not cling to me” (John 20:17). He is saying, “Don't hold on to your needy False Self. We are all heading for something much bigger and much better, Mary.” This is the spiritual art of detachment, which is not taught much in capitalistic worldview where clinging and possessing are not just the norm but even the goal. You see how trapped we are. Great love is both very attached (“passionate”) and yet very detached at the same time. It is love but not addiction. The soul, the True Self, has everything, and so it does not require any particular thing. When you have all things, you do not have to protect any one thing. True Self can love and let go. The False Self cannot do this. The “do not cling to me” encounter between Jesus and Mary Magdalene is the most painted Easter scene, I am told. The artistic imagination knew that a seeming contradiction was playing out here: intense love and yet appropriate distance. The soul and the spirit tend to love and revel in paradoxes; they operate by resonance and reflection. The ego (False Self) wants to resolve all paradoxes in a most glib way and thinks that it can. It operates in a way that is mechanical and instrumental. This is not always bad, but it is surely limited. The ego would like Mary Magdalene and Jesus to be caught up in a passionate love affair. Of course they are, in the deepest sense of the term, but only the True Self knows how to enjoy and picture “a love of already satisfied desire.” The True Self and False Self see differently; both are necessary, but one is better, bigger, and even eternal.

Preparation - Poem by Malay Roy Choudhury Who claims I'm ruined? Because I'm without fangs and claws? Are they necessary? How do you forget the knife plunged in abdomen up to the hilt? Green cardamom leaves for the buck, art of hatred and anger and of war, gagged and tied Santhal women, pink of lungs shattered by a restless dagger? Pride of sword pulled back from heart? I don't have songs or music. Only shrieks, when mouth is opened wordless odour of the jungle; corner of kin & sin-sanyas; Didn't pray for a tongue to take back the groans power to gnash and bear it. Fearless gunpowder bleats: stupidity is the sole faith-maimed generosity- I leap on the gambling table, knife in my teeth Encircle me rush in from tea and coffee plateaux in your gumboots of pleasant wages The way Jarasandha's genital is bisected and diamond glow Skill of beating up is the only wisdom in misery I play the burgler's stick like a flute brittle affection of thev wax-skin apple She-ants undress their wings before copulating I thump my thighs with alternate shrieks: VACATE THE UNIVERSE get out you omnicompetent conchshell in scratching monkeyhand lotus and mace and discuss-blade Let there be salt-rebellion of your own saline sweat along the gunpowder let the flint run towards explosion Marketeers of words daubed in darkness in the midnight filled with young dog's grief in the sicknoon of a grasshopper sunk in insecticide I reappear to exhibit the charm of the stiletto. (Translation of Bengali poem 'Prostuti')

The Master Hand looked at the jewel that glittered on Ged's palm, bright as the prize of a dragon's hoard. The old Master murmured one word, "Tolk," and there lay the pebble, no jewel but a rough grey bit of rock. The Master took it and held it out on his own hand. "This is a rock; tolk in the True Speech," he said, looking mildly up at Ged now. "A bit of the stone of which Roke Isle is made, a little bit of the dry land on which men live. It is itself. It is part of the world. By the Illusion-Change you can make it look like a diamond – or a flower or a fly or an eye or a flame – " The rock flickered from shape to shape as he named them, and returned to rock. "But that is mere seeming. Illusion fools the beholder's senses; it makes him see and hear and feel that the thing is changed. But it does not change the thing. To change this rock into a jewel, you must change its true name. And to do that, my son, even to so small a scrap of the world, is to change the world. It can be done. Indeed it can be done. It is the art of the Master Changer, and you will learn it, when you are ready to learn it. But you must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard's power of Changing and of Summoning can shake the balance of the world. It is dangerous, that power. It is most perilous. It must follow knowledge, and serve need. To light a candle is to cast a shadow..." He looked down at the pebble again. "A rock is a good thing, too, you know," he said, speaking less gravely. "If the Isles of Eartbsea were all made of diamond, we'd lead a hard life here. Enjoy illusions, lad, and let the rocks be rocks.

Favorite painting...?" "Painting? Odalisque," I said. "Really.His non-nude nude. Interesting." It was,to me. Edward's most famous painting of Diana is Troie, where he painted her as Helen of Troy: naked except for the diamond bracelet and the occasional tendril of auburn hair. It had caused quite a stir at its exhibition. Apparently, Millicent Carnegie Biddle fainted on seeing it. It wasn't quite what she was used to viewing when she sat across from Mrs. Edward Willing every few weeks, sipping tea from Wedgewood china cups. Odalisque was more daring in its way, and infinitely more interesting to me. Most of the Post-Impressionist painters did an odalisque, or harem girl, reclining on a sofa or carpet, promising with their eyes that whatever it was that they did to men, they did it well. An odalisque was almost compulsory material.But unlike any of them,Edward had painted his subject-Diana-covered from neck to ankle in shimmery gauze.Covered,but still the ultimate object of desire. "Why that one?" Dr. Rothaus asked. "I don't know-" "Oh,please.Don't go all stupid teenager on me now.You know exactly why you like the painting.Humor me and articulate it." I felt myself beginning the ubiquitos shoulder dip. "Okay. Everyone is covering up something. I guess I think there's an interesting question there." "'What are they hiding?'" I shook my head. "'Does it make a difference?'" "Ah." One sharp corner of her mouth lifted. I would hesitate to call it a smile. "That is interesting.But your favorite Willing piece isn't a painting." "How-" "You hesitated when I asked. Let me guess...Ravaged Man?" "How-" "You're a young woman. And-" Dr. Rothaus levered herself off the desk-"you went through the 1899 file. I know the archive.

The overhead lights hit the Serch Bythol sculpture on the utmost tier, the sugar crystals shimmering and dancing like a cascade of diamonds. The planes of the cake beneath were clean and crisp, and the sugar-stained glass panels caught every light on the ceiling, throwing back shimmering rainbow rays. Sylvie was most proud of the silhouette that circled the middle stained-glass tiers--the skylines of London and Johnny's family estate in Lancashire. Only when viewed at close range did a second, hidden skyline emerge from within the reflective depths---the fantasy lands of I, Slayer, complete with a tiny, flying dragon. It was a work of art---and even now, she was taken aback by the level of harmony they had achieved, twinning together two very different styles. In honor of the union of two very different people, whose lives would hopefully interlock just as successfully.

A Book of Glass On the table, a book of glass. In the book only a few pages with no words But scratched in a diamond-point pencil to pieces in diagonal Spirals, light triangles; and a French curve fractures lines to elisions. The last pages are simplest. They can be read backwards and thoroughly. Each page bends a bit like ludicrous plastic. He who wrote it was very ambitious, fed up, and finished. He had been teaching the insides and outsides of things To children, teaching the art of Rembrandt to them. His two wives were beautiful and Death begins As a beggar beside them. What is an abstract persona? A painter visits but he prefers to look at perfume in vials. And I see a book in glass—the words go off In wild loops without words. I should Wake and render them! In bed, Mother says each child Will receive the book of etchings, but the book will be incomplete, after all. But I will make the book of glass.

Laurel stood on stage. She was very still. Her lovely blue eyes were lowered modestly. Her silver blonde hair fell in disheveled curls around her face, white roses and strands of pearls woven artfully throughout. A necklace of what looked like diamonds clasped her slender throat while white kid gloves were drawn up to her elbow. She held a fan of frosted silver in one hand, dangling at her side. Her dress was a shimmering sapphire blue, and it fit her exquisitely, molding to her form, hugging her small bosom and lifting her breasts until they appeared ready to spill from the satin bodice. A silver braided sash cinched her waist, emphasizing its narrowness. And then, she lifted her head, raised the hand that held the fan, then the other one and, tipping her head back, opened her eyes. They were haunting and luminous, soft in the candlelight. Her skin was pale and smooth. The crowd was utterly quiet, watching her. And then, she began to sing. If Dare had thought Laurel Spencer beautiful before, now she became goddess-like to him in an instant as a melody so heart-wrenching and lovely spilled forth from her lips.

The chief advantage which these fictions have over real life is, that their authors are at liberty, though not to invent, yet to select objects, and to cull from the mass of mankind, those individuals upon which the attention ought most to be employed; as a diamond, though it cannot be made, may be polished by art, and placed in such a situation, as to display that luster which before was buried among common stones.

Bergé’s yelling had attracted the attention of everyone in the Kibati hall: champagne flutes stopped halfway to heavily painted lips, eyes widened, massive diamonds groaned scornfully in their settings. It was a stationary riot.

never complain as long as Christ is thy friend; he is an enriching pearl, a sparkling diamond; the infinite lustre of his merits makes us shine in God's eyes. (Ep. 1. 7)

Religion is the manifestation of one’s own Real or Divine Self and it takes place automatically in a man and it makes him God. Universalism starts. The human race will see him within and they shall announce “Thou art God”. This is religion or in the language of the Philosophers, it is evolution of the life-power and its proof is borne by thousands.

The kingdom of poetry" This is like light. This is light, Useful as light, as charming And enchanting… …Poetry is certainly More interesting, more valuable, and certainly more charming Than Niagara Falls, the Grand Canyon, the Atlantic Ocean And other much admired natural phenomena. It is useful as light, and as beautiful It is preposterous Precisely, making it possible to say One cannot carry a mountain, but a poem can be carried all over. It is monstrous. Pleasantly, for poetry can say, seriously or in play: “Poetry is better than hope, “For poetry is patience of hope, and all hope’s vivid pictures, “Poetry is better than excitement, it is far more delightful, “Poetry is superior to success, and victory, it endures in serene blessedness “Long after the most fabulous feat like fireworks has mounted and fallen. “Poetry is far more powerful and far more enchanting animal “Than any wood, jungle, ark, circus or zoo possesses.” For poetry magnifies and heighten reality: Poetry says of reality that if it is magnificent, it is also stupid: For poetry is, in a way, omnipotent; For reality is various and rich, powerful and vivid, but it is not enough Because it is disorderly and stupid or only at times, and erratically, intelligent: For without poetry, reality is speechless or incoherent: It is inchoate, like the pomp and the bombast of thunder: Its peroration verge upon the ceaseless oration of the ocean: For reality glows and glory, without poetry, Fake, like the red operas of sunset The blue rivers and the windows of morning. The arts of poetry makes it possible to say: Pandemonium. For poetry is gay and exact. It says: “The sunset resembles a bull-fight. “A sleeping arm feels like soda, fizzing.” Poetry resurrect the past from the sepulchre, like Lazarus. It transforms a lion into a sphinx and a girl. It gives a girl the splendor of Latin. It transforms the water into wine at each marriage in Cana of Galilee. For it is true that poetry invented the unicorn, the centaur and the phoenix. Hence it is true that poetry is an everlasting Ark. An omnibus containing, bearing and begetting all the mind’s animals. Whence it is that poetry gave and gives tongue to forgiveness Therefore a history of poetry would be a history of joy, and a history of the mystery of love For poetry provides spontaneously, abundantly and freely The petnames and the diminutives which love requires and without which the mystery of love cannot be mastered. For poetry is like light, and it is light. It shines over all, like the blue sky, with the same blue justice. For poetry is the sunlight of consciousness: It is also the soil of the fruits of knowledge In the orchards of being: It shows us the pleasures of the city. It lights up the structures of reality. It is a cause of knowledge and laughter: It sharpens the whistles of the witty: It is like morning and the flutes of morning, chanting and enchanted. It is the birth and the rebirth of the first morning forever. Poetry is quick as tigers, clever as cats, vivid as oranges, Nevertheless, it is deathless: it is evergreen and in blossom; long after the Pharaohs and the Caesars have fallen, It shines and endures more than diamonds, It is because poetry is the actuality of possibility, it is The reality of the imagination, The throat of exaltation, The processions of possessions, The motion of meaning and The meaning of morning and The mastery of meaning. The praise of poetry is like the clarity of the heights of the mountains. The heights of poetry are like the exaltation of the mountains. It is the consummation of consciousness in the country of the morning!

UM was the school for me because I was interested in their school of arts and sciences. I wanted to be a psychologist.

In the Diamond Sutra the meditator is urged to throw away, to release, four notions in order to understand our own true nature and the true nature of reality: the notion of “self,” the notion of “human being,” the notion of “living beings,” and the notion of “life span.

At all these studies Ged was apt, and within a month was bettering lads who had been a year at Roke before him. Especially the tricks of illusion came to him so easily that it seemed he had been born knowing them and needed only to be reminded. The Master Hand was a gentle and lighthearted old man, who had endless delight in the wit and beauty of the crafts he taught; Ged soon felt no awe of him, but asked him for this spell and that spell, and always the Master smiled and showed him what he wanted. But one day, having it in mind to put Jasper to shame at last, Ged said to the Master Hand in the Court of Seeming, 'Sir, all these charms are much the same; knowing one, you know them all. And as soon as the spell-weaving ceases, the illusion vanishes. Now if I make a pebble into a diamond-' and he did so with a word and a flick of his wrist 'what must I do to make that diamond remain diamond? How is the changing-spell locked, and made to last?' The Master Hand looked at the jewel that glittered on Ged's palm, bright as the prize of a dragon's hoard. The old Master murmured one word, 'Tolk,' and there lay the pebble, no jewel but a rough grey bit of rock. The Master took it and held it out on his own hand. 'This is a rock; tolk in the True Speech,' he said, looking mildly up at Ged now. 'A bit of the stone of which Roke Isle is made, a little bit of the dry land on which men live. It is itself. It is part of the world. By the Illusion-Change you can make it look like a diamond -or a flower or a fly or an eye or a flame-' The rock flickered from shape to shape as he named them, and returned to rock. 'But that is mere seeming. Illusion fools the beholder's senses; it makes him see and hear and feel that the thing is changed. But it does not change the thing. To change this rock into a jewel, you must change its true name. And to do that, my son, even to so small a scrap of the world, is to change the world. It can be done. Indeed it can be done. It is the art of the Master Changer, and you will learn it, when you are ready to learn it. But you must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard's power of Changing and of Summoning can shake the balance of the world. It is dangerous, that power. It is most perilous. It must follow knowledge, and serve need. To light a candle is to cast a shadow...' He looked down at the pebble again. 'A rock is a good thing, too, you know,' he said, speaking less gravely. 'If the Isles of Earthsea were all made of diamond, we'd lead a hard life here. Enjoy illusions, lad, and let the rocks be rocks.' He smiled, but Ged left dissatisfied.

There is enough treachery, hatred, violence, Absurdity in the average human being To supply any given army on any given day. AND The Best At Murder Are Those Who Preach Against It. AND The Best At Hate Are Those Who Preach LOVE AND THE BEST AT WAR —FINALLY—ARE THOSE WHO PREACH PEACE Those Who Preach GOD NEED God Those Who Preach PEACE Do Not Have Peace. THOSE WHO PREACH LOVE DO NOT HAVE LOVE BEWARE THE PREACHERS Beware The Knowers. Beware Those Who Are ALWAYS READING BOOKS Beware Those Who Either Detest Poverty Or Are Proud Of It BEWARE Those Quick To Praise For They Need PRAISE In Return BEWARE Those Quick To Censure: They Are Afraid Of What They Do Not Know Beware Those Who Seek Constant Crowds; They Are Nothing Alone Beware The Average Man The Average Woman BEWARE Their Love Their Love Is Average, Seeks Average But There Is Genius In Their Hatred There Is Enough Genius In Their Hatred To Kill You, To Kill Anybody. Not Wanting Solitude Not Understanding Solitude They Will Attempt To Destroy Anything That Differs From Their Own Not Being Able To Create Art They Will Not Understand Art They Will Consider Their Failure As Creators Only As A Failure Of The World Not Being Able To Love Fully They Will BELIEVE Your Love Incomplete AND THEN THEY WILL HATE YOU And Their Hatred Will Be Perfect Like A Shining Diamond Like A Knife Like A Mountain LIKE A TIGER LIKE Hemlock Their Finest ART

Animal a spiritual being made to.be an alloy of all the metals that have no value of diamonds or rubies. Man are taught to be malleable not brittle. My father told me never entertain a whore while drinking wine, always entertain your wife after a round of Pinot noir. If you have to buy a slice of flesh don't eat the stake, look for a boney meat. Never smoke thus ungentle and uncouth you are pleasing capitalism of unethics and destroying your lungs. After drinking whiskey, and always drink Scottish, if you are poor enough try Canadian. If you want to be a sage Japanese taste crazy but it makes you a man. Boys are not made but they are roasted in fires of bellies and they stay in barrels for maturity. Spend hours reading Greek philosophy, African methodologies and read the holy Bible. In doing business always despise free lunch and never drink brandy, sometimes act like a Vatican and be an integrity vulture. Stoicism is the ultimate master. Avoid to step on great man shoe and always be water.

Was the Neolithic Revolution good or bad for humanity? In what American political scientist and anthropologist James Scott calls the “standard civilizational narrative”—which is advocated by everyone from Thomas Hobbes to Marx—the adoption of settled agriculture is assumed to be an “epoch-making leap in mankind’s well-being: more leisure, better nutrition, longer life expectancy, and, at long last, a settled life that promoted the household arts and the development of civilization.”[14] The alternative to the standard civilizational narrative sees prehistoric hunter-gatherers as the real-world equivalent of Adam and Eve in the Garden of Eden.[15] Humans lived in a milieu of happy abundance until we decided to take up farming. This may have had the benefit of allowing us to produce more food, but it also led to the emergence of despotism, inequality, poverty and back-breaking, mind-numbing work. Jean-Jacques Rousseau is perhaps the most notable champion of the “Fall of Man” theory, and more recently Jared Diamond argued that the adoption of settled agriculture was the “worst mistake in the history of the human race.”[16] Graeber and Wengrow argue that both of these grand theories oversimplify the argument. They assume that the adoption of settled agriculture—in particular cereal-farming and grain storage—led to the emergence of hierarchies and states. In the standard civilizational narrative this is the best thing that ever happened to our species; for Rousseau and Diamond it is the worst. But the link between farming and civilization is far from straightforward. The earliest examples of complex states don’t appear until six millennia after the Neolithic Revolution first began in the Middle East, and they didn’t develop at all in some places where farming emerged. “To say that cereal-farming was responsible for the rise of such states is a little like saying that the development of calculus in medieval Persia is responsible for the invention of the atom bomb.

Dangling from a silver chain was an intricate pendant of the Eiffel Tower. It wasn’t something fancy with jewels, but it was far more precious than any diamonds would have been. Nico knew how much I loved the art world and how desperately I yearned to go to Paris to see its famous artworks in person. “Someday, I’m going to show you the world, and this is my promise to you. We’ll see it all, Ladybug—Paris, Rome, Valencia—I’ll take you to every museum in the world if I can.” His words were so earnest and heartfelt, they brought tears to my eyes.

Art, like the diamond net of Indra, reflects the whole chain in every link. It exists at no period in any final mould.

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These New World practices (enslavement and genocide) formed another secret link with the anti-human animus of mechanical industry after the sixteenth century, when the workers were no longer protected either by feudal custom or by the self-governing guild. The degradations undergone by child laborers or women during the early nineteenth century in England's 'satanic mills' and mines only reflected those that took place during the territorial expansion of Western man. In Tasmania, for example, British colonists organized 'hunting parties' for pleasure, to slaughter the surviving natives: a people more primitive, scholars believe, than the Australian natives, who should have been preserved, so to say, under glass, for the benefit of later anthropologists. So commonplace were these practices, so plainly were the aborigines regarded as predestined victims, that even the benign and morally sensitive Emerson could say resignedly in an early poem, 1827: "Alas red men are few, red men are feeble, They are few and feeble and must pass away." As a result Western man not merely blighted in some degree every culture that he touched, whether 'primitive' or advanced, but he also robbed his own descendants of countless gifts of art and craftsmanship, as well as precious knowledge passed on only by word of mouth that disappeared with the dying languages of dying peoples. With this extirpation of earlier cultures went a vast loss of botanical and medical lore, representing many thousands of years of watchful observation and empirical experiment whose extraordinary discoveries-such as the American Indian's use of snakeroot (reserpine) as a tranquilizer in mental illness-modern medicine has now, all too belatedly, begun to appreciate. For the better part of four centuries the cultural riches of the entire world lay at the feet of Western man; and to his shame, and likewise to his gross self-deprivation and impoverishment, his main concern was to appropriate only the gold and silver and diamonds, the lumber and pelts, and such new foods (maize and potatoes) as would enable him to feed larger populations.

Boy please, you still didn't know who you wanted when I left a few weeks ago. Now I come back and you're practically married."   "Do you take medication?" Trent asked. Lotus laughed. "A simple thank you would suffice.

Jordan looked from one to the other. Not again, he thought to himself. Was everyone having illegitimate children in his neighborhood?

There was that aloneness on the screen: that implacable, solitary blankness on Henry's sweat-streaked face as he backhanded a ball and fired it into the glove of his pudgy first baseman. Not that Henry withdrew from his teammates; in fact, he was more animated on the diamond than anywhere else. But no matter how much he chattered or cheered or bounced around, there was always something frighteningly aloof in his eyes, like a soloist so at one with the music he can't be reached. You can't follow me here, those blues eyes seemed to say. You'll never know what this is like.

What is the tragic part of the religious world? Nobody had the ideas what is God. If they knew it then there would not be any temple, mosque or church. Only the great Vedic Rishis (sages) conceived it. They understood that man becomes God and so they have not stopped after saying “Tatwamasi Svetoketo” (svetoketo, ‘That art Thou’. Thereafter they said,”you are born to be universal’ (Twam jato bhabasi Viswotamukhah).

The doorway was filled with a very big man in a very nice suit. He wore no tie and the top three buttons of his shirt were undone. A diamond pinkie ring glittered on the little finger of his left hand. His hair was wavy and artfully mussed. He looked to be in his forties, and time had not been kind to his nose. A scar ran across his right eyebrow and another down one side of his chin, but the overall impression was not disfigurement so much as decoration. He looked at us all with a cheerful grin and bright, empty blue eyes, pausing in the doorway for a dramatic moment before he looked to the head of the table and said, “Captain Matthews?” The captain was a reasonably large man and masculine in a very well-kept way, but he looked small and even effeminate compared to the man in the doorway, and I believe he felt it. Still, he clenched his manly jaw and said, “That's right.

Anyone who knew the recipe of the alchemists could make gold, but only the artisans of Murano could make glass so fine, one could nearly touch one's fingers together on either side; cristallo without an imperfection or blemish, clear as the sky, with a sparkle to rival that of diamonds.

Geez, where's the fire? Something happen at school? Another failed run-in with Baseball Stud?" Peyton choked and sputtered beside me, but Faith continued despite her distress. "I already told you what you have to do. Find out whichever locker is his, stake it out, and when that Diamond Doll floozie leaves his side, offer to be his bat girl instead." She giggled as she said it, wiggling her eyebrows for innuendo, and Peyton's face blazed five shades of red. I couldn't wipe the smile from my face if someone paid me to. As Peyton's mouth opened and closed like a fish, I leaned close to her ear, inhaling the intoxicating scent of sunflowers, and murmured, "I'd love it if you did that.

Rare and powerful harmonies exist, Shaping both scent and contour in a flower. Thus brilliance lies unseen by us until, Beneath the chisel, it blazes in the diamond. And thus do images of fleeting vision, Drifting above like cloud-forms in the sky, Once turned to stone live on from age to age, Held always in a faultless, polished phrase. ("A Sonnet To Form")

Nell realized that it was precisely their emotional repression that made the Victorians the richest and most powerful people in the world. Their ability to submerge their feelings, far from pathological, was rather a kind of mystical art that gave them nearly magical power over Nature and over the more intuitive tribes. Such was also the strength of the Nipponese.

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Religion is the manifestation of one’s own Real or Divine Self and it takes place automatically in a man and it makes him God. Universalism starts. The human race will see Him within and they shall announce “Thou art God”. This is religion or in the language of the philosophers, the evolution of the Life Power and thousands bear its proof.

A Christmas Truce What would I like for Christmas? A close friend wants to know. Perfume? A clock? A spa day? Some tickets for a show? ‘I need ideas by Monday,’ She huffs, as if I’m not Sufficiently respectful Of her present-buying slot, Which will expire by Tuesday, Her harried tone implies. Art books? Posh wine? New teapot? Brainstorm! Prioritise! What do I want for Christmas? I want you not to ask. I’d rather get no gifts at all Than be assigned the task Of emailing a wish list (One I must first create) To all my friends and family Before a certain date. Can I propose a Christmas truce To make my dreams come true? Create no work for me and I’ll Create no work for you. I’ve got enough possessions – Shoes, coats, a diamond ring – I want not to be asked to do A time-consuming thing. Yes, that’s a proper present – Abstract, but no less real. What do you mean it seems as if I don’t care how you feel? ALL RIGHT! I’ll have a teapot. What? Then wrap it in a fleece. Yes, I will ring to say it got here Safely, in one piece.

Roommates ...the door opened and the most improbable trio walked in: a tiny dark-haired man, a very tall and big-nosed guy with long hair like a rock star, and a girl in a white nightgown with a toilet seat around her neck. They were Edmondo Zanolini, Michael Laub, and a fifteen-year-old girl named Brigitte—an Italian, a Belgian, and a Swede— and they were the performance-art trio who called themselves Maniac Productions. They gave themselves this name because, among other things, they would enlist people from their own families to do strange things. For instance, Edmondo’s grandfather was a pyromaniac. And since he was also a bit senile, he was very dangerous—he had set his house on fire a number of times. His family was very careful to keep matches out of his reach at all times, except when Maniac Productions was performing. Then Edmondo would invite his grandfather to the theater and give him a big box of matches; the grandfather would wander around the theater lighting fires while the group performed and pretended not to notice him. This was his maniac thing. It was very original theater, and very satisfying to Edmondo’s grandfather. He didn’t care if the audience was looking at him or not, because he had his box of matches. Edmondo and Brigitte moved into our flat. Michael came from a family of diamond merchants in Brussels and stayed in five-star hotels. Another tenant was Piotr from Poland. Piotr had a book of logic—I think it was Wittgenstein translated into Polish—and for reasons best known to himself, he kept it in the freezer. This book was his favorite thing in the world. And every morning he would wake up with this imbecilic smile on his face, take his book out of the freezer, wait patiently until the page he wanted to read unfroze, read to us from it in Polish, then turn the page and put the book back in the freezer for the next day. Brigitte’s father had started the pornography industry in Sweden—a very big deal; the porn revolution really began there—and she hated her father; she hated everybody. She was a deeply depressed person: she literally never spoke a word. All of us in the flat ate all our meals together, and she would just sit there, completely silent. Then in the middle of the night one night, Edmondo knocked on our door. I opened it and said, “What’s wrong?” “She talks, she talks!” he said. “What did she say?” I asked. “She said, ‘Boo,’ ” he said. “That’s not much,” I said. The next morning, she packed and left. (...) “I’m so happy,” Michael told us one day, about his pair of girlfriends. “The two of them complement each other perfectly.” Marinka and Ulla knew (and liked) each other, and knew (but didn’t like) the arrangement. Then Ulla got pregnant—not only pregnant, but pregnant with twins. When Michael told Marinka about it, she moved to Australia. And Piotr followed her there, and committed suicide on her birthday.

The tragedy lies in the fact that for so long nobody knew what is God. If that was so, there would be no temple, mosque, or church. Only long, long years ago the Vedic sages conceived and realized that this human being becomes God. Therefore, they not only stopped by saying, ’Svetoketo, That art thou’ you are the Knowledge (Brahma), you are the world’, but announced, ‘You are born to become universal’.

The tragedy lies in the fact that for so long nobody knew what is God. If that were so then there would be no temple, mosque, or church. Only long, long years ago the Vedic sages conceived and realized that this human being becomes God, and therefore, they not only stopped by saying, ’Svetoketo, That art thou’ you are the Knowledge (Brahma), you are the world’, but announced, ‘You are born to become universal’.

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Pop art from the sixties lingered on as a movement, mutating and becoming more ironic as it drifted further from its origins. Compared to some of the dour work of the conceptualists and minimalists, one felt that at least these artists had a sense of fun. Warhol, Rauschenberg, Rosenquist, Lichtenstein, and their kin were about embracing, in a peculiar, ironic way, a world with which we were familiar. They accepted that pop culture was the water in which we all swam. I think I can speak for a lot of the musicians in New York at that time and say that we genuinely liked a lot of pop culture, and that we appreciated workmanlike song craft. Talking Heads did covers of 1910 Fruitgum Company and the Troggs, and Patti Smith famously reworked the über-primitive song “Gloria” as well as the soul song “Land of 1,000 Dances.” Of course, our cover tunes were very different from those we would have been expected to play if we had been a bar band that played covers. That would have meant Fleetwood Mac, Rod Stewart, Donny & Marie, Heart, ELO, or Bob Seger. Don’t get me wrong, some of them had some great songs, but they sure weren’t singing about the world as we were experiencing it. The earlier, more primitive pop hits we’d first heard on the radio as suburban children now seemed like diamonds in the rough to us. To cover those songs was to establish a link between one’s earliest experience of pop music and one’s present ambitions—to revive that innocent excitement and meaning.

There are three things extremely hard: steel, a diamond, and to know one’s self. —Benjamin Franklin

Excuse: I’m not a morning person, and I have a very busy schedule. Truth: Are you nuts? I’m not getting the hell out of my warm bed a half-hour early to work out! I’d rather pretend that I’ll do it later in the day, but later in the day I’ll decide that I’m too tired. Excuse: I’ve always had a sweet tooth. Truth: Keep your F’n hands off my donuts! Excuse: I hate change. Always have and always will. Truth: I’m afraid to take a chance because I might fail, or even worse, I might succeed.

To get what you’ve never had before, you must be willing to do what you have never done before. Whatever it is that you decide you want, it’s something

Excuse: I’ve never been able to stick with an exercise program. Truth: I give up as soon as it gets a little difficult, and okay, I admit it— I’m a lazy son of a bitch.

Repetition is the mother of learning.

life is 10% about what happens to you and 90% about how you react to it.

owning my life starts with not listening to the people around me when they say things that could stop me from believing in myself—when people bring you down with what I call “emotional gravity.

Contentment is the true philosopher’s stone, which turns everything to gold. It is the mysterious enamel and embroidery of the heart, which makes the Church, the bride of Christ, “all glorious in her chamber.”1 Every Christian should long to wear such a sparkling diamond!

Your drawings are brilliant, Miss Makepeace. You're quite talented." "My drawings are brilliant?" What about my smile? What about my eyes? "Yes," he said. "Detailed, accurate, yet still singular and strangely..." he looked upward for a moment, seeking a clean slate for his thought, then returned his eyes to her. "... passionate." He all but purred that last word, his eyes dancing with mirth, and for the life of her, she didn't know what to say. Susannah studied him warily instead, since his face was the one part of his body she hadn't yet sketched in vivid detail. His features were too strong, perhaps, to be considered classically handsome; his face was a bit too long and angular, like a diamond, his nose slightly arched. Light brows, light lashes, and those disconcerting eyes. But in the midst of all those angles, his mouth was a work of art; wide, sensitively curved, indisputably masculine. And of course, the rest of him was beautifully made, too. Almost overwhelmingly so. God help her, she could feel color setting fresh fire to her cheeks at the memory.

Her silence didn't seem to bother him. "Your drawings are brilliant, Miss Makepeace. You're quite talented." "My drawings are brilliant?" What about my smile? What about my eyes? "Yes," he said. "Detailed, accurate, yet still singular and strangely..." he looked upward for a moment, seeking a clean slate for his thought, then returned his eyes to her. "... passionate." He all but purred that last word, his eyes dancing with mirth, and for the life of her, she didn't know what to say. Susannah studied him warily instead, since his face was the one part of his body she hadn't yet sketched in vivid detail. His features were too strong, perhaps, to be considered classically handsome; his face was a bit too long and angular, like a diamond, his nose slightly arched. Light brows, light lashes, and those disconcerting eyes. But in the midst of all those angles, his mouth was a work of art; wide, sensitively curved, indisputably masculine. And of course, the rest of him was beautifully made, too. Almost overwhelmingly so. God help her, she could feel color setting fresh fire to her cheeks at the memory.

Cutting and polishing an opal is a great skill. The outer casing has to be removed with a diamond saw and then it is shaped. The Romans mastered the art thousands of years ago." Della ran her finger over the stone. "Where did the name opal come from?" "From the Sanskrit meaning 'precious stone,' and later the Greek derivative opallios, meaning 'a change of color'.

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Eve taught me to look at the overall picture, to read the cards as art and intuition as much as a science. Women were more in touch with that innate sense than men. Women resonated with the cards. Rather than read the cards in order, I let the entire pattern seep in. I understood the 8 of Clubs and the Ace of Spades. The Queen of Diamonds, I sensed, would be a real person to provide the essentials of life. Then my heart sank when I saw the two Jacks, the Pretenders, the Liars who would upset my balance on the one hand, and try to exert power over me on the other. They framed the 2 of hearts. The Jacks would jeopardize my love life. I’d have to be wary in that domain. It had been quite a while since I had taken a lover. With this news, I would wait. I’d return to New York City, and meet two people who would be my Ace and my Queen. I took the calendar from the wall near the telephone, and sat down on Nestor’s chair. I stared at it, unbelieving; it had been six months since Nestor’s passing. I had spent half a year sorting through Nestor’s things, working, making no new friends, and taking no lovers. I had performed my duties, including marking the calendar mechanically. I operated in a daze. Several people had asked me if they could help. I didn’t understand, but now I knew. I had lost all sense of time and of myself, and I needed to rejoin life. My nineteenth birthday was just six months away. I would stay in Key West until then. In the interim, I would decide what I wanted to keep from Nestor’s legacy and, as he wished, place the rest.

The November Road Playlist “Don’t Think Twice, It’s All Right”—Bob Dylan “’Round Midnight”—Billy Taylor Trio “Will You Love Me Tomorrow?”—The Shirelles “Follow the Yellow Brick Road” from The Wizard of Oz—Judy Garland “How Can You Lose”—Art Pepper “Night and Day”—Ella Fitzgerald “I Saw Her Standing There”—The Beatles “Jack O’Diamonds”—Ruth Brown “Ring of Fire”—Johnny Cash “Somebody Have Mercy”—Sam Cooke “Something Cool”—June Christy “Prisoner of Love”—James Brown “It’s My Party”—Lesley Gore “Blowin’ in the Wind”—Peter, Paul and Mary “I’m Walkin’”—Fats Domino “You’re Getting to Be a Habit with Me”—Frank Sinatra “’Round Midnight”—Thelonious Monk

Cordy grins as all eyes turn to her. “The original cover art of David Bowie’s Diamond Dogs had a dog whose...manliness,” Cordy winks, “was clearly visible. A few hundred copies of the cover were run before the record label noticed and told them to airbrush the dog’s nuts. Those albums were supposed to be destroyed, but some were smuggled out. The last time one came on the market a few years ago, it sold for five grand. But since Bowie’s death, they’re supposed to be worth even more.” “And you have one?” I ask. “I think so. Somewhere in there.