Dexter Sad Quotes

Sylvie's sort of pregnant. Well not sort of. She is. Pregnant. Actually pregnant with a baby.' 'Oh Dexter! Do you know the father? I'm kidding! Congratulations, Dex. God, aren't you meant to space your bombshells out a bit. Not just drop them all at once?' She held his face in both hands, looked at it. 'You're getting married?-' 'Yes' -'And you're going to be a father?' 'I know! Fuck me a father!' 'Is that allowed? I mean will they let you?' 'Apparently' 'I think it's wonderful. Fucking hell, Dexter, I turn my back for one minute...!' She hugged him once again her arms high round his neck. She felt drunk, full of affection and a certain sadness too, as if something was coming to an end. She wanted to say something along these lines, but thought it best to do this through a joke. 'Of course you've destroyed any chance I had of future happiness, but I'm delighted for you, really.

The students we saw were all bright, attractive, and polite, and the teachers all seemed to be smart and dedicated, and I began to appreciate the benefits of a private school education. If only I'd had the opportunity to attend a place like this, who knows what I might have become? Perhaps instead of a mere blood-spatter analyst who slunk away at night to kill without conscience, I could have become a doctor, or a physicist, or even a senator who slunk away at night to kill without conscience. It was terribly sad to think of all my wasted potential.

The machines of this place are failing, and the woman and I are here all alone. The perpetual motion engine, as brilliant and beautiful as it is, is running down—nothing lasts forever. But before this little world falls out of the sky there still might be time enough for redemption. There is still time for me to say the words that I should have had the courage to say at the beginning. There is still time, perhaps, for one more miracle. Hello, Miranda.

But space shrinks when you get old, and things lose their wonder, and the wisest thing to do then is to try your best to sleep.

With failing bravado, Dexter tried to laugh. "You sound like you're dumping me!" She smiled sadly. "I suppose I am in a way. You're not who you used to be, Dex, I really, really liked the old one. I'd like him back, but in the meantime, I'm sorry, but I don't think you should phone me anymore." She turned and, a little unsteadily, began to walk off down the side alley in the direction of Leicester Square. For a moment, Dexter had a fleeting but perfectly clear memory of himself at his mother's funeral, curled up on the bathroom floor while Emma held onto him and stroked his hair.Yet somehow he had managed to treat this as nothing, to throw it all away for dross. He followed a little way behind her. "Come on, Em, we're still friends aren't we? I know I've been a little weird, it's just..." She stopped for a moment, but didn't turn round, and he knew that she was crying. "Emma?" Then very quickly she turned, walked up to him and pulled his face to hers, her cheek warm and wet against his, speaking quickly and quietly in his ear, and for one bright moment he thought he was to be forgiven. "Dexter, I love you so much. So, so much, and I probably always will." Her lips touched his cheek. "I just don't like you anymore. I'm sorry." And then she was gone, and he found himself on the street, standing alone in this back alley trying to imagine what he would possibly do next.

Like the North Star, you’ve been the constant in my life. You’ve been my companion in good and bad, my support in happy and sad, while distance fulfilled its role with utmost dexterity… the role of strengthening our foundation for seven years of a long-distance affair! I could always see your face, deep in the cove by the clamouring sea of distance… every time I closed my eyes.

And as Sean climbs into bed and closes his eyes, Mother comes, riding astride a lion the size of a house, blowing a clarion from a horn made out of a hollowed-out elephant's tusk. Her eyes have a faint crimson glow from the lasers that are mounted behind her irises, ready to fire at will. 'I touched a prince's chest today and made his heart stop,' she says. 'I'll do it again if I have to: they'll see what happens if anyone gets in my way. Good night, my son. Remember that I will always keep you safe; that I am always everywhere and always here.' 'Good night, Mom,' Sean says, and falls asleep. And Mother recedes, wise and beautiful and strong, a genius and a hero, a punisher of thieves and a slayer of wicked men, to watch over her son in all her different versions.

WHO IS- OR WAS- YOUR FAVORITE WRITER? For style and consistency, I would have to say John Updike. No one else in the world writes the way that he does, and very few have enjoyed the longevity of career or employed the breadth of scope that he has. Mailer’s a close second, but they are completely different animals. Bret Easton Ellis, whom I unintentionally left off of my answer to the previous question, is good as well- he creates a goodly number of inimitable situations, and his dexterity of language produces many, many killer lines- lines that belong in any literate person’s lexicon. I would say the same for Jay McInerney as well. But Easton’s output is spotty: every other book is crap. He did Less Than Zero, and that was fucking amazing, and then he did The Rules Of Attraction. After that, he wrote American Psycho- a brilliant but sadly misunderstood book at the time- but the follow-up, Glamorama, sucked horribly. At least, in my humble opinion. After that, I kind of lost interest. If you occasionally throw off a collection of shitty writing, it does affect your credibility when you seek to speak with your constituency about matters of life and death. Fiction is a deadly serious business, and if you’re dry and out of ideas, then just fucking say so and keep working at it until you’re finally writing something that it would be a crime not to let other people read.

Mere rest was no longer enough, and I didn’t think I could face the couch again anyway. So I did the only thing I could, the last pitiful choice left to me in this world of pain and dwindling options. I left the lobby and stood outside beside what had once been my room, standing in a miserable bovine stupor until forensics finally finished. Then I went in and put on a shirt, grabbed my few sad belongings, and used my phone to call a cab.

I see that,' I said. I thought I did. 'But every case is different. And anyway, you can't learn from other people's mistakes.' 'Not unless you're very clever,' said Dexter sadly.

Jesus fuck, Dexter,” she said. “You go trotting away with a pistol and Anderson turns up shot dead and…How does that get our kids back? Can you tell me that?” “Not while you’re talking, I can’t,” I said, and I could hear her teeth click shut—but at least she was quiet, which allowed me to lower my voice. “As sad as it seems to me, I didn’t shoot Anderson,” I said softly. And at that moment, happily for me, I thought of the perfect explanation to let me off the hook. “But, Deborah—Anderson shot the men who could tell us where the kids are.

I think I need to see a lawyer,” I tell him. He shakes his head sadly. “I retire in a year and a half,” he says. And with this apparent non sequitur our conversation is over and I am buttoned securely into my cell once more.

I heard myself sigh heavily, and I wondered if this was really how it all ended; framed by a brainless thug, shunned by my colleagues, stalked by a whining computer nerd who couldn’t even make it in minor-league baseball. It was well beyond ignoble, and very sad—I’d shown such tremendous early progress, too. The

She sees me. For the first time, she looks at ME and she sees ME and she knows me for who I really am and at last at last I can show her how I can care for her like no one else ever could, show her that this was meant to be, this was how it was always supposed to be, and at last at last I can show her my Truth, my Self, my Reason for Being. I can show her my love. And so I will know that she will always see my love I take her eye and I will keep it with me forever so I will remember, too. And so she will really and truly see how I love her I put my love there where her eye used to be. And then I am done. And I feel the sadness again. Because nothing is forever. But love is supposed to be forever, and I want this love to last. And so she will know that, and so this love will be forever and can never change and never end, and so it can never be anything else, there is one more thing. Nothing else can ever happen that will tarnish this matchless love or make this perfect moment less than forever. It’s important. And so I kill her.

Setup: Alicia (the scientist) is speaking to an elementary school class about what she does. She’s just taken scads of questions from several young boys. The teachers says, “Maybe you could talk for a little bit about what it’s like to be a women in science……for the girls.” And I just got so sad. What the hell am I supposed to say? When I’m doing science my gender isn’t interesting to me. The science I’m doing is interesting. And okay, there was a past when women in science were anomalies but that was a dark and ridiculous time. We live in the future now. Can we just agree I can talk about gravitation without having to point out the existence of my vagina before I begin? It’s all so trivial. I half-way feel like I wasted my time going out there. I could have spent that time in the lab. We could have sent the possessor of a penis out there to handle the PR while I got some serious work done.

While local governments were seen as corrupt and in cahoots with factories, both aligned in their mutual desire to abuse laborers in their pursuit of money, the officials in far-off Beijing were certainly on the side of the workers and would stop any mistreatment, if only they knew about it; didn’t the laws they wrote make that clear? It always made me feel sad, no matter how often this mantra of faith was repeated. The reality, of course, was that Beijing was much more concerned about preserving stability, and would never accept workers taking matters