Devon Movie Quotes

Lips twitching spasmodically, Devon put me back in the hold, and I did the only thing I could think of to alleviate his guilt and put him in fighting mode for real. “Armani is for mama’s boys, and a movie doesn’t count as a real film if nothing gets blown up.” You’re going down, Bronwyn. Them’s fighting words.

I doubt she likes the idea of seeing him put back in a cage.” “Maybe not,” he said. “But she knows that the Authority are the only people who might be able to help him.” “Or kill him,” I said. “That too. What is life without risk?” “Long?” Terric laughed, a sort of high whooping that made me—and Zayvion, much to my surprise—smile. Contagious. For all he had a serious exterior, Terric was the guy you’d want to sit next to at a funny movie, just to hear him laugh.

Sense and Sensibility signs litter Devon -- arrows with S & S on. Whenever Ang [Lee] sees a B & B sign he thinks it's for another movie.

When the war ended in 1945, Robert Newton’s film career took off. And then he landed the part of Disney’s Long John Silver. “What accent do you want me to put on?” he asked Walt, in his natural thick West-country, ‘Cornwall/Devon/Dorset’ burr. Pointing at his face excitedly, “Why, that one.” Disney replied. And THE OFFICIAL PIRATE ACCENT was born. Newton went on to do another Long John Silver film, then a 26 part television series. He died early, aged 50, from chronic alcoholism, just the way a pirate would want to go. But he left the legacy of ‘the’ pirate accent ‘til the end of time. Every pirate ‘R’ or ‘Arrrgh’ joke you ever heard, owes its very life to the combination of Robert Newton, R. L. Stevenson, and Walt Disney. -- Renaissance Festival Survival Guide

Devon Franklin Oprah: One of the things that you say that really struck me is that if we look at our life as a movie and God as the director of our movie, then we use our faith to help propel us forward in trusting in the director, correct? Devon Franklin: Yes. Absolutely. Because what I realized is that sometimes we, in the most difficult times in our story, we begin to lose faith. Oprah: And start to think we’re in control of things. But all it takes is one wrong turn and we quickly remember that’s just not true. Here is what I love. You say: “The truth is, you and I are in control of only two things: how we prepare for what might happen, and how we respond to what just happened. The moment when things actually do happen belongs to God.” Devon: Amen. Oprah: Brilliant. Brilliant. Devon: It’s true. Because what happens is, the moments when things happen in our life, we don’t control. In a moment, life can change for the better or what in the moment may seem for the worse. So our job is to prepare. Oprah: Prepare for only two things. Devon: That’s right. Oprah: Prepare for what might happen. And then how we respond to what has happened. Devon: That’s right. Because so many times what keeps us in that valley of depression, what keeps us in that valley of frustration, is our response to a moment and not recognizing that it is exactly that. It’s a moment. It’s one scene of your movie. And what makes a great movie are scenes that are put together of great conflict. Oprah: Okay. You also say: “The key is remembering your story. The spiritual journey parallels the steps involved in bringing a movie from the initial idea to theatrical release.” Devon: Yes. Oprah: So you start with the kernel of an idea, a process known as development and production. And development begins when you have the first vision of what you can be, correct? Devon: Exactly. You can’t write a movie unless you know what the movie is supposed to be about. That’s what development is. Sometimes we get so frustrated in our lives, but we have to go back and say, “Wait a minute. Do I understand what the big idea of my life is supposed to be?” If my life is a story, then I have to know the point of my story. And sometimes what happens when we start developing a movie, the producers may have one vision of what the movie is supposed to be and the studio has another version and then the movie becomes nothing because there’s no clarity. So with our life, we have to have clarity of what we’re supposed to do. What do we believe we’re called to do in this life? And then that way it gives our whole development process more shape.

When it comes to special interests, Autistic brains are total sponges, absorbing facts and figures at a rate that seems kind of inhuman to neurotypical people. We can develop a special interest in nearly anything. Some of us learn to speak fluent Klingon; others memorize algorithms for solving Rubik’s cubes. My sister’s brain is a compendium of movie trivia and dialogue. My own special interests have included everything from bat biology to the history of the Tudor dynasty, to personal finance, to subreddits run by so-called men’s rights activists.

We’ll eat, play board games, and watch movies until the kids pass out. They can all sleep over since tomorrow is Sunday and there’s no reason to get up early.” Devon pointed. “And if Mitch ever finishes that

Abed Nadir on the sitcom Community is a Palestinian Muslim man with a sharp wit and a penchant for movies, as well as the more clichéd chilly demeanor and difficulty smiling.

We echo phrases from movies and TV because they help us emulate “normal” social behavior, or because we lack our own words for how we are feeling,

Many of us watch the same movies over and over or