Devil In The White City Quotes

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It was so easy to disappear, so easy to deny knowledge, so very easy in the smoke and din to mask that something dark had taken root. This was Chicago, on the eve of the greatest fair in history.
Erik Larson (The Devil in the White City)
Make no little plans; they have no magic to stir men's blood. Daniel H. Burnham
Erik Larson (The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America)
I must confess a shameful secret: I love Chicago best in the cold.
Erik Larson (The Devil in the White City)
I was born with the devil in me,' [Holmes] wrote. 'I could not help the fact that I was a murderer, no more than the poet can help the inspiration to sing.
Erik Larson (The Devil in the White City)
His weakness was his belief that evil had boundaries.
Erik Larson (The Devil in the White City)
Beside his own person and his own interests, nothing is sacred to the psychopath.
Erik Larson (The Devil in the White City)
. . . why some men choose to fill their brief allotment of time engaging the impossible, others in the manufacture of sorrow.
Erik Larson (The Devil in the White City)
Great murderers, like great men in other walks of activity, have blue eyes.
Erik Larson (The Devil in the White City)
Beneath the gore and smoke and loam, this book is about the evanescence of life, and why some men choose to fill their brief allotment of time engaging the impossible, others in the manufacture of sorrow. In the end it is a story of the ineluctable conflict between good and evil, daylight and darkness, the White City and the Black.
Erik Larson (The Devil in the White City)
The intermittent depression that had shadowed him throughout his adult life was about to envelop him once again.
Erik Larson (The Devil in the White City)
Chicago has disappointed her enemies and astonished the world
Erik Larson (The Devil in the White City)
Beneath the stars the lake lay dark and sombre," Stead wrote, "but on its shores gleamed and glowed in golden radiance the ivory city, beautiful as a poet's dream, silent as a city of the dead.
Erik Larson (The Devil in the White City)
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
Place has always been important to me, and one thing today's Chicago exudes, as it did in 1893, is a sense of place. I fell in love with the city, the people I encountered, and above all the lake and its moods, which shift so readily from season to season, day to day, even hour to hour.
Erik Larson (The Devil in the White City)
For now, the tension was subtle, a vibration, like the inaudible cry of overstressed steel.
Erik Larson (The Devil in the White City)
I will be on the look out for you, my dear girl," he wrote. "You must expect to give yourself up when you come." For this buttoned-up age, for Burnham, it was a letter that could have steamed itself open.
Erik Larson (The Devil in the White City)
No one cared what St. Louis thought, although the city got a wink for pluck.
Erik Larson (The Devil in the White City)
If I told you, you wouldn’t know what I was talking about.
Erik Larson (The Devil in the White City)
This prolonging of a man’s life doesn’t interest me when he’s done his work and has done it pretty well.
Erik Larson (The Devil in the White City)
Holmes was charming and gracious, but something about him made Belknap uneasy. He could not have defined it. Indeed, for the next several decades alienists and their successors would find themselves hard-pressed to describe with any precision what it was about men like Holmes that could cause them to seem warm and ingratiating but also telegraph the vague sense that some important element of humanness was missing.
Erik Larson (The Devil in the White City)
Only Poe could have dreamed the rest.
Erik Larson (The Devil in the White City)
How easy it was to disappear: A thousand trains a day entered or left Chicago.
Erik Larson (The Devil in the White City)
An artist, he paints with lakes and wooded slopes, with lawns and banks and forest-covered hills." — Daniel Burnham talking about Frederick Law Olmstead
Erik Larson (The Devil in the White City)
I find it all infinitely sad, but at the same time so entrancing, that I often feel as if it would be the part of wisdom to fly at once to the woods or mountains where one can always find peace. - Dora Root in a letter to Daniel Burnham
Erik Larson (The Devil in the White City)
No one could bear the idea of the White City lying empty and desolate. A Cosmopolitan writer said, "Better to have it vanish suddenly, in a blaze of glory, than fall into gradual disrepair and dilapidation. There is no more melancholy spectacle than a festal hall, the morning after the banquet, when the guests have departed and the lights are extinguished.
Erik Larson (The Devil in the White City)
But one thing was quite clear...." [Sol Bloom, chief of the Midway] wrote. "[B]eing broke didn't disturb me in the least. I had started with nothing, and if I now found myself with nothing, I was at least even. Actually, I was much better than even: I had had a wonderful time.
Erik Larson (The Devil in the White City)
[B]eing broke didn’t disturb me in the least. I had started with nothing, and if I now found myself with nothing, I was at least even. Actually, I was much better than even: I had had a wonderful time.
Erik Larson (The Devil in the White City)
As I look back on those days, most people in Chicago felt that way. Chicago was host to the world at that time and we were part of it all.
Erik Larson (The Devil in the White City)
Leaves hung in the stillness like hands of the newly dead.
Erik Larson (The Devil in the White City)
As the light began to fade, the architects lit the library’s gas jets, which hissed like mildly perturbed cats.
Erik Larson (The Devil in the White City)
The fair awakened America to beauty and as such was a necessary passage that laid the foundation for men like Frank Lloyd Wright and Ludwig Mies van der Rohe.
Erik Larson (The Devil in the White City)
In an analogy that would prove all too apt, Max Weber likened the city to “a human being with his skin removed.
Erik Larson (The Devil in the White City)
I tell you we must have bodies. You cannot make doctors without them, and the public must understand it. If we can’t get them any other way we will arm the students with Winchester rifles and send them to protect the body-snatchers on their raids.
Erik Larson (The Devil in the White City)
At one point during the Holmes investigation Chicago's chief of police told a Tribune reporter he'd just as soon have a squad of reporters under his command as detectives.
Erik Larson (The Devil in the White City)
The club also had the custom of sending robed members to kidnap visiting celebrities and steal them away in a black coach with covered windows, all without saying a word.
Erik Larson (The Devil in the White City)
It had swept him, he said, “into a dream from which I did not recover for months.
Erik Larson (The Devil in the White City)
One portion of the lakefront, named Burnham Park in his honor, contains Soldier Field and the Field Museum, which he designed.
Erik Larson (The Devil in the White City)
But things were changing. Everywhere one looked the boundary between the moral and the wicked seemed to be degrading. Elizabeth Cady Stanton argued in favor of divorce. Clarence Darrow advocated free love. A young woman named Borden killed her parents.
Erik Larson (The Devil in the White City)
At present," he said, "I am responsible for conveying my associates to a place called Chicago. I understand it is somewhere in the hinterland.
Erik Larson (The Devil in the White City)
THE DATE WAS APRIL 14, 1912, a sinister day in maritime history, but of course the man in suite 63–65, shelter deck C, did not yet know it.
Erik Larson (The Devil in the White City)
He signed the letter: George Washington Gale Ferris.
Erik Larson (The Devil in the White City)
Holmes was testing his power to bend the lives of people.
Erik Larson (The Devil in the White City)
a new beer did well, winning the exposition’s top beer award. Forever afterward, its brewer called it Pabst Blue Ribbon.
Erik Larson (The Devil in the White City)
become works of art so detailed, so precisely articulated
Erik Larson (The Devil in the White City)
That un-American institution, the trades union, has developed its un-American principle of curtailing or abolishing the personal freedom of the individual in a new direction, that of seeking, as far as possible, to cripple the World’s Fair.
Erik Larson (The Devil in the White City)
And just before the heat wave, a rising young British writer had published a scalding essay on Chicago. “Having seen it,” Rudyard Kipling wrote, “I desire never to see it again. It is inhabited by savages.
Erik Larson (The Devil in the White City)
I do not employ researchers, nor did I conduct any primary research using the Internet. I need physical contact with my sources, and there's only one way to get it. To me every trip to a library or archive is like a small detective story. There are always little moments on such trips when the past flares to life, like a match in the darkness. On one such visit to the Chicago Historical Society, I found the actual notes that Prendergast sent to Alfred Trude. I saw how deeply the pencil dug into the paper.
Erik Larson (The Devil in the White City)
Between the lights and the ever-present blue ghosts of the Columbian Guard, the fair achieved another milestone: For the first time Chicagoans could stroll at night in perfect safety. This alone began to draw an increased number of visitors, especially young couples locked in the rictus of Victorian courtship and needful of quiet dark places.
Erik Larson (The Devil in the White City)
He had become the living representation of how men liked to think of themselves: one man doing an awful duty and doing it well, against the odds.
Erik Larson (The Devil in the White City)
It was this big talk, not the persistent southwesterly breeze, that had prompted New York editor Charles Anderson Dana to nickname Chicago "the Windy City.
Erik Larson (The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America)
Why should the wealth of the country be stored in banks and elevators while the idle workman wanders homeless about the streets and the idle loafers who hoard the gold only to spend it in riotous living are rolling about in fine carriages from which they look out on peaceful meetings and call them riots?
Erik Larson (The Devil in the White City)
I have all my life been considering distant effects and always sacrificing immediate success and applause to that of the future,” he wrote. “In laying out Central Park we determined to think of no result to be realized in less than forty years.
Erik Larson (The Devil in the White City)
It amused him that women as a class were so wonderfully vulnerable, as if they believed that the codes of conduct that applied in their safe little hometowns, like Alva, Clinton, and Percy, might actually still apply once they had left behind their dusty, kerosene-scented parlors and set out on their own.
Erik Larson (The Devil in the White City)
General Electric rather miraculously came back with a bid of $554,000. But Westinghouse, whose AC system was inherently cheaper and more efficient, bid $399,000. The exposition went with Westinghouse, and helped change the history of electricity.
Erik Larson (The Devil in the White City)
Upon learning that Hall was the man who had invented the typewriter she used so often, the girl put her arms around his neck and gave him a huge hug and kiss. Forever afterward, whenever Hall told this story of how he met Helen Keller, tears would fill his eyes.
Erik Larson (The Devil in the White City)
The ranks included a carpenter and furniture-maker named Elias Disney, who in coming years would tell many stories about the construction of this magical realm beside the lake. His son Walt would take note.
Erik Larson (The Devil in the White City)
They saw even more ungodly things—the first zipper; the first-ever all-electric kitchen, which included an automatic dishwasher; and a box purporting to contain everything a cook would need to make pancakes, under the brand name Aunt Jemima’s. They sampled a new, oddly flavored gum called Juicy Fruit, and caramel-coated popcorn called Cracker Jack. A new cereal, Shredded Wheat, seemed unlikely to succeed—“shredded doormat,” some called it—but a new beer did well, winning the exposition’s top beer award. Forever afterward, its brewer called it Pabst Blue Ribbon.
Erik Larson (The Devil in the White City)
To produce the kind of landscape effects Olmsted strived to create required not months but years, even decades. "I have all my life been considering distant effects and always sacrificing immediate success and applause to that of the future," he wrote. "In laying out Central Park we determined to think of no result to be realized in less than forty years.
Erik Larson (The Devil in the White City)
You wish you had not come. If there were not so many around, you would reach out your arms, with the prayer on your lips for it all to come back to you. It seems cruel, cruel, to give us such a vision; to let us dream and drift through heaven for six months, and then to take it out of our lives.
Erik Larson (The Devil in the White City)
He knew that his day was coming to an end. On July 4, 1909, as he stood with friends on the roof of the Reliance Building, looking out over the city he adored, he said, "You'll see it lovely. I never will. But it WILL be lovely.
Erik Larson (The Devil in the White City)
As the firm grew, so did the city. It got bigger, taller, and richer; but it also grew dirtier, darker, and more dangerous. A miasma of cinder-flecked smoke blackened its streets and at times reduced visibility to the distance of a single block, especially in winter, when coal furnaces were in full roar.
Erik Larson (The Devil in the White City)
Burnham and Root became rich men. Not Pullman rich, not rich enough to be counted among the first rank of society alongside Potter Palmer and Philip Armour, or to have their wives’ gowns described in the city’s newspapers, but rich beyond anything either man had expected, enough so that each year Burnham bought a barrel of fine Madeira and aged it by shipping it twice around the world on slow freighters.
Erik Larson (The Devil in the White City)
I can hear myself whining again 'Why does God torture me?' - But anybody who's never had a delirium tremens even in their early stages may not understand that it's not so much a physical pain but a mental anguish indescribable to those ignorant people who don't drink and accuse drinkers of irresponsibility - The mental anguish is so intense that you feel you have betrayed your very birth, the efforts nay the birth pangs of your mother when she bore you and delivered you to the world, you've betrayed every effort your father ever made to feed you and raise you and make you strong and my God even 'educate' you for life, you feel a guilt so deep you identify yourself with the devil and God seems far away abandoning you to your sick silliness - You feel sick in the greatest sense of the world, breathing without believing it, sicksicksick, your soul groans, you look at your helpless hands as tho they were on fire and you can't move to help, you look at the world with dead eyes, there's on your face an expression of incalculable repining like a constipated angel on a cloud - In fact it's actually a cancerous look you throw on the world, through browngray wool fuds over your eyes - Your tongue is white and disgusting, your teeth are stained, your hair seems to have dried out overnight, there are huge mucks in the corners of your eyes, greases on your nose, froth at the sides of your moth: in short that very disgusting and well-known hideousness everybody knows who's walked past a city street drunk in the Boweries of the world
Jack Kerouac (Big Sur)
Franke writes, “We do know that Holmes advertised his ‘hotel’ as a suitable lodging for visitors to the world’s fair; that no fewer than fifty persons, reported to the police as missing, were traced to the Castle; and that there their trail ended” (109). Schechter: “No one can say exactly how many fairgoers Holmes lured to the Castle between May and October 1893, though he appears to have filled the place to capacity on most nights
Erik Larson (The Devil in the White City)
The city’s legions of working men disagreed. They always had counted Harrison as one of their own, “Our Carter,” even though he was a plantation-reared Kentucky man who had gone to Yale, spoke fluent French and German, and recited lengthy passages from Shakespeare.
Erik Larson (The Devil in the White City)
A battle followed, fought in true Gilded Age fashion with oblique snubs and poisonous courtesy.
Erik Larson (The Devil in the White City)
Ferris had created more than simply an engineering novelty. Like the inventors of the elevator, he had conjured an entirely new physical sensation.
Erik Larson (The Devil in the White City)
the hospital treated 11,602 patients, sixty-four a day, for injuries and ailments that suggest that the mundane sufferings of people have not changed very much over the ages. The list included: 820 cases of diarrhea; 154, constipation; 21, hemorrhoids; 434, indigestion; 365, foreign bodies in the eyes; 364, severe headaches; 594 episodes of fainting, syncope , and exhaustion; 1 case of extreme flatulence; and 169 involving teeth that hurt like hell.
Erik Larson (The Devil in the White City)
In the time of the fair the rate at which men and women killed one another rose sharply throughout the nation but especially in Chicago, where police found themselves without the manpower or expertise to manage the volume. In the first six months of 1892 the city experienced nearly eight hundred violent deaths. Four a day. Most were prosaic, arising from robbery, argument, or sexual jealousy. Men shot women, women shot men, and children shot one another by accident.
Erik Larson (The Devil in the White City)
But, along with the street lamp, everything breathes deceit. It lies all the time, this Nevsky Prospect, but most of all at the time when night heaves its dense mass upon it and sets off the white and pale yellow walls of the houses, when the whole city turns into a rumbling and brilliance, myriads of carriages tumble from the bridges, postillions shout and bounce on their horses, and the devil himself lights the lamps only so as to show everything not as it really looks.
Nikolai Gogol (The Collected Tales of Nikolai Gogol)
Chicago shrugged the sniping off. Big was big. Success today would dispel at last the eastern perception that Chicago was nothing more than a greedy, hog-slaughtering backwater; failure would bring humiliation from which the city would not soon recover, given how heartily its leading men had boasted that Chicago would prevail. It was this big talk, not the persistent southwesterly breeze, that had prompted New York editor Charles Anderson Dana to nickname Chicago “the Windy City.
Erik Larson (The Devil in the White City)
I went to Harvard for examination with two men not as well prepared as I. Both passed easily, and I flunked, having sat through two or three examinations without being able to write a word," Burnham said. Larson wrote, "The same happened at Yale. Both schools turned him down. He never forgot it.
Erik Larson (The Devil in the White City)
Amontillado. Broiled Shad à la Maréchel. Cucumbers. Potatoes à la Duchesse. Filet Mignon à la Rossini. Chateau Lafite and Rinnart Brut. Fonds d’Artichaut Farcis. Pommery Sec. Sorbet au Kirsch. Cigarettes. Woodcock on Toast. Asparagus Sala. Ices: Canton Ginger. Cheeses: Pont l’Eveque; Rocquefort. Coffee. Liquers. Madeira, 1815. Cigars. Gage
Erik Larson (The Devil in the White City)
Francis J. Bellamy, an editor of Youth’s Companion, thought it would be a fine thing if on that day all the schoolchildren of America, in unison, offered something to their nation. He composed a pledge that the Bureau of Education mailed to virtually every school. As originally worded, it began, “I pledge allegiance to my Flag and to the Republic for which it stands …” A
Erik Larson (The Devil in the White City)
I went to Harvard for examination with two men not as well prepared as I. Both passed easily, and I flunked, having sat through two or three examinations without being able to write a word.' The same happened at Yale, Both schools turned him down. He never forgot it.
Erik Larson (The Devil in the White City)
I went to Harvard for examination with two men not as well prepared as I. Both passed easily, and I flunked, having sat through two or three examinations without being able to write a word.' The same happened at Yale, Both schools turned him down. He never forgot it.
Erik Larson (The Devil in the White City)
Strange things began to happen that made Holmes’s claims about being the devil seem almost plausible. Detective Geyer became seriously ill. The warden of Moyamensing prison committed suicide. The jury foreman was electrocuted in a freak accident. The priest who delivered Holmes’s last rites was found dead on the grounds of his church of mysterious causes. The father of Emeline Cigrand was grotesquely burned in a boiler explosion. And a fire destroyed the office of District Attorney George Graham, leaving only a photograph of Holmes unscathed.
Erik Larson (The Devil in the White City)
Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home.
Erik Larson (The Devil in the White City)
The dedication had been anticipated nationwide. Francis J. Bellamy, an editor of Youth’s Companion, thought it would be a fine thing if on that day all the schoolchildren of America, in unison, offered something to their nation. He composed a pledge that the Bureau of Education mailed to virtually every school. As originally worded, it began, “I pledge allegiance to my Flag and to the Republic for which it stands …
Erik Larson (The Devil in the White City)
Why had Holmes taken the children? Why had he engineered that contorted journey from city to city? What power did Holmes possess that gave him such control? There was something about Holmes that Geyer just did not understand. Every crime had a motive. But the force that propelled Holmes seemed to exist outside the world of Geyer’s experience. He kept coming back to the same conclusion: Holmes was enjoying himself. He had arranged the insurance fraud for the money, but the rest of it was for fun. Holmes was testing his power to bend the lives of people.
Erik Larson (The Devil in the White City)
Although her book did include compelling recipes for scrapple, ox cheek, and baked calf’s head and tips for the preparation of raccoon, possum, snipe, plovers, and blackbirds (for blackbird pie) and “how to broil, fricassee, stew or fry a squirrel,” it was much more than just a cookbook.
Erik Larson (The Devil in the White City)
Holmes was charming and gracious, but something about him made Belknap uneasy. He could not have defined it. Indeed, for the next several decades alienists and their successors would find themselves hard-pressed to describe with any precision what it was about men like Holmes that could cause them to seem warm and ingratiating but also telegraph the vague sense that some important element of humanness was missing. At first alienists described this condition as “moral insanity” and those who exhibited the disorder as “moral imbeciles.” They later adopted the term “psychopath,” used in the lay press as early as 1885 in William Stead’s Pall Mall Gazette, which described it as a “new malady” and stated, “Beside his own person and his own interests, nothing is sacred to the psychopath.” Half a century later, in his path-breaking book The Mask of Sanity, Dr. Hervey Cleckley described the prototypical psychopath as “a subtly constructed reflex machine which can mimic the human personality perfectly. … So perfect is his reproduction of a whole and normal man that no one who examines him in a clinical setting can point out in scientific or objective terms why, or how, he is not real.
Erik Larson (The Devil in the White City)
Snow fell. Carolers moved among the mansions of Prairie Avenue, pausing now and then to enter the fine houses for hot mulled cider and cocoa. The air was scented with woodsmoke and roasting duck. In Graceland Cemetery, to the north, young couples raced their sleighs over the snow-heaped undulations, pulling their blankets especially tight as they passed the dark and dour tombs of Chicago’s richest and most powerful men, the tombs’ bleakness made all the more profound by their juxtaposition against the night-blued snow […] Outside the snow muffled the concussion of passing horses. Trains bearing fangs of ice tore through the crossing at Wallace.
Erik Larson (The Devil in the White City)
But Burnham also created an office culture that anticipated that of businesses that would not appear for another century. He installed a gym. During lunch hour employees played handball. Burnham gave fencing lessons. Root played impromptu recitals on a rented piano. “The office was full of a rush of work,” Starrett said, “but the spirit of the place was delightfully free and easy and human in comparison with other offices I had worked in.
Erik Larson (The Devil in the White City)
But Burnham also created an office culture that anticipated that of businesses that would not appear for another century. He installed a gym. During lunch hour employees played handball. Burnham gave fencing lessons. Root played impromptu recitals on a rented piano. “The office was full of a rush of work,” Starrett said, “but the spirit of the place was delightfully free and easy and human in comparison with other offices I had worked in.” Burnham
Erik Larson (The Devil in the White City)
THE FAIR HAD A POWERFUL and lasting impact on the nation’s psyche, in ways both large and small. Walt Disney’s father, Elias, helped build the White City; Walt’s Magic Kingdom may well be a descendant. Certainly the fair made a powerful impression on the Disney family. It proved such a financial boon that when the family’s third son was born that year, Elias in gratitude wanted to name him Columbus. His wife, Flora, intervened; the baby became Roy. Walt came next, on December 5, 1901. The writer L. Frank Baum and his artist-partner William Wallace Denslow visited the fair; its grandeur informed their creation of Oz. The Japanese temple on the Wooded Island charmed Frank Lloyd Wright, and may have influenced the evolution of his “Prairie” residential designs. The fair prompted President Harrison to designate October 12 a national holiday, Columbus Day, which today serves to anchor a few thousand parades and a three-day weekend. Every carnival since 1893 has included a Midway and a Ferris Wheel, and every grocery store contains products born at the exposition. Shredded Wheat did survive. Every house has scores of incandescent bulbs powered by alternating current, both of which first proved themselves worthy of large-scale use at the fair; and nearly every town of any size has its little bit of ancient Rome, some beloved and be-columned bank, library or post office. Covered with graffiti, perhaps, or even an ill-conceived coat of paint, but underneath it all the glow of the White City persists. Even the Lincoln Memorial in Washington can trace its heritage to the fair.
Erik Larson (The Devil in the White City)
we are always personally under an agitating pressure and cloud of anxiety.” And Olmsted himself had grown increasingly susceptible to illness. He was sixty-eight years old and partly lame from a decades-old carriage accident that had left one leg an inch shorter than the other. He was prone to lengthy bouts of depression. His teeth hurt. He had chronic insomnia and facial neuralgia. A mysterious roaring in his ears at times made it difficult for him to attend to conversation. He was still full of creative steam, still constantly on the move, but overnight train journeys invariably laid him low. Even in his own bed his nights often became sleepless horrors laced with toothache.
Erik Larson (The Devil in the White City)
Boswell and Thompson write, “Every night the rooms on the two upper floors of the Castle were filled to overflowing. Holmes reluctantly accommodated a few men as paying guests, but catered primarily to women—preferably young and pretty ones of apparent means, whose homes were distant from Chicago and who had no one close to them who might make inquiry if they did not soon return. Many never went home. Many, indeed, never emerged from the castle, having once entered it
Erik Larson (The Devil in the White City)
Rita Vargas caught her breath—the dark was spilling out of the mountains as the sun vanished in the west. The deep purple/blue shadows spread out on the water of the Caribe. The ocean was shadowy, yet at the same time, glowing. The massif green on one side, and velvety black on the other. And below, the lights of the cities scattered and burned, white, yellow, white, looking like gems. Stars. She still recalls it as one of the most beautiful sights she'd ever witnessed, as if the coast of Veracruz were somehow welcoming its sons home. It would have astounded the dead if the could have looked out the windows. Why would they ever have left such a beautiful home for the dry bones and spikes of the desert? If they could have seen what she saw, they might have stayed home.
Luis Alberto Urrea (The Devil's Highway: A True Story)
THE DATE WAS APRIL 14, 1912, a sinister day in maritime history, but of course the man in suite 63–65, shelter deck C, did not yet know it. What he did know was that his foot hurt badly, more than he had expected. He was sixty-five years old and had become a large man. His hair had turned gray, his mustache nearly white, but his eyes were as blue as ever, bluer at this instant by proximity to the sea. His foot had forced him to delay the voyage, and now it kept him anchored in his suite while the other first-class passengers, his wife among them, did what he would have loved to do, which was to explore the ship’s more exotic precincts. The man loved the opulence of the ship, just as he loved Pullman Palace cars and giant fireplaces, but his foot problem tempered his enjoyment.
Erik Larson (The Devil in the White City)
In the 1880s Chicago was experiencing explosive growth that propelled land values to levels no one could have imagined, especially within the downtown “Loop,” named for the turn-around loops of streetcar lines. As land values rose, landowners sought ways of improving the return on their investments. The sky beckoned. The most fundamental obstacle to height was man’s capacity to walk stairs, especially after the kinds of meals men ate in the nineteenth century, but this obstacle had been removed by the advent of the elevator
Erik Larson (The Devil in the White City)
He invested heavily in a company that bought perishable foods and shipped them in the latest refrigerated cars to far-off cities. It was a fine, forward-looking business. But the Pullman strike halted all train traffic through Chicago, and the perishable foods rotted in their train-cars. He was ruined. He was still young, however, and still Bloom. He used his remaining funds to buy two expensive suits, on the theory that whatever he did next, he had to look convincing. “But one thing was quite clear…” he wrote. “[B]eing broke didn’t disturb me in the least. I had started with nothing, and if I now found myself with nothing, I was at least even. Actually, I was much better than even: I had had a wonderful time.” Bloom went on to become a congressman and one of the crafters of the charter that founded the United Nations.
Erik Larson (The Devil in the White City)
Olmsted’s greatest concern, however, was that the main, Jackson Park portion of the exposition simply was not fun. “There is too much appearance of an impatient and tired doing of sight-seeing duty. A stint to be got through before it is time to go home. The crowd has a melancholy air in this respect, and strenuous measures should be taken to overcome it.” Just as Olmsted sought to conjure an aura of mystery in his landscape, so here he urged the engineering of seemingly accidental moments of charm. The concerts and parades were helpful but were of too “stated or programmed” a nature. What Olmsted wanted were “minor incidents … of a less evidently prepared character; less formal, more apparently spontaneous and incidental.” He envisioned French horn players on the Wooded Island, their music drifting across the waters. He wanted Chinese lanterns strung from boats and bridges alike. “Why not skipping and dancing masqueraders with tambourines, such as one sees in Italy? Even lemonade peddlers would help if moving about in picturesque dresses; or cake-sellers, appearing as cooks, with flat cap, and in spotless white from top to toe?” On nights when big events in Jackson Park drew visitors away from the Midway, “could not several of the many varieties of ‘heathen,’ black, white and yellow, be cheaply hired to mingle, unobtrusively, but in full native costume, with the crowd on the Main Court?
Erik Larson (The Devil in the White City)
He invested heavily in a company that bought perishable foods and shipped them in the latest refrigerated cars to far-off cities. It was a fine, forward-looking business. But the Pullman strike halted all train traffic through Chicago, and the perishable foods rotted in their train-cars. He was ruined. He was still young, however, and still Bloom. He used his remaining funds to buy two expensive suits, on the theory that whatever he did next, he had to look convincing. “But one thing was quite clear…” he wrote. “[B]eing broke didn’t disturb me in the least. I had started with nothing, and if I now found myself with nothing, I was at least even. Actually, I was much better than even: I had had a wonderful time.
Erik Larson (The Devil in the White City)
Within the fair’s buildings visitors encountered devices and concepts new to them and to the world. They heard live music played by an orchestra in New York and transmitted to the fair by long-distance telephone. They saw the first moving pictures on Edison’s Kinetoscope, and they watched, stunned, as lightning chattered from Nikola Tesla’s body. They saw even more ungodly things—the first zipper; the first-ever all-electric kitchen, which included an automatic dishwasher; and a box purporting to contain everything a cook would need to make pancakes, under the brand name Aunt Jemima’s. They sampled a new, oddly flavored gum called Juicy Fruit, and caramel-coated popcorn called Cracker Jack. A new cereal, Shredded Wheat, seemed unlikely to succeed—“shredded doormat,” some called it—but a new beer did well, winning the exposition’s top beer award. Forever afterward, its brewer called it Pabst Blue Ribbon. Visitors also encountered the latest and arguably most important organizational invention of the century, the vertical file, created by Melvil Dewey, inventor of the Dewey Decimal System. Sprinkled among these exhibits were novelties of all kinds. A locomotive made of spooled silk. A suspension bridge built out of Kirk’s Soap. A giant map of the United States made of pickles. Prune makers sent along a full-scale knight on horseback sculpted out of prunes, and the Avery Salt Mines of Louisiana displayed a copy of the Statue of Liberty carved from a block of salt. Visitors dubbed it “Lot’s Wife.
Erik Larson (The Devil in the White City)
George meanwhile, with his hat on one side, his elbows squared, and his swaggering martial air, made for Bedford Row, and stalked into the attorney’s offices as if he was lord of every pale-faced clerk who was scribbling there. He ordered somebody to inform Mr. Higgs that Captain Osborne was waiting, in a fierce and patronizing way, as if the pekin of an attorney, who had thrice his brains, fifty times his money, and a thousand times his experience, was a wretched underling who should instantly leave all his business in life to attend on the Captain’s pleasure. He did not see the sneer of contempt which passed all round the room, from the first clerk to the articled gents, from the articled gents to the ragged writers and white-faced runners, in clothes too tight for them, as he sate there tapping his boot with his cane, and thinking what a parcel of miserable poor devils these were. The miserable poor devils knew all about his affairs. They talked about them over their pints of beer at their public-house clubs to other clerks of a night. Ye gods, what do not attorneys and attorneys’ clerks know in London! Nothing is hidden from their inquisition, and their families mutely rule our city.
William Makepeace Thackeray (Vanity Fair)
Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home. “As the cost of the tower and its slides is of secondary importance,” McComber noted, “I do not mention it here, but will furnish figures upon application.” A third proposal demanded even more courage from visitors. This inventor, who gave his initials as R. T. E., envisioned a tower four thousand feet tall from which he proposed to hang a two-thousand-foot cable of “best rubber.” Attached at the bottom end of this cable would be a car seating two hundred people. The car and its passengers would be shoved off a platform and fall without restraint to the end of the cable, where the car would snap back upward and continue bouncing until it came to a stop. The engineer urged that as a precaution the ground “be covered with eight feet of feather bedding.
Erik Larson (The Devil in the White City)
Jane Addams, the urban reformer who founded Chicago’s Hull House, wrote, “Never before in civilization have such numbers of young girls been suddenly released from the protection of the home and permitted to walk unattended upon the city streets and to work under alien roofs.” The women sought work as typewriters, stenographers, seamstresses, and weavers. The men who hired them were for the most part moral citizens intent on efficiency and profit. But not always. On March 30, 1890, an officer of the First National Bank placed a warning in the help-wanted section of the Chicago Tribune, to inform female stenographers of “our growing conviction that no thoroughly honorable business-man who is this side of dotage ever advertises for a lady stenographer who is a blonde, is good-looking, is quite alone in the city, or will transmit her photograph. All such advertisements upon their face bear the marks of vulgarity, nor do we regard it safe for any lady to answer such unseemly utterances.” The
Erik Larson (The Devil in the White City)
Jess Pepper's review of the Avalon Strings: 'In a land so very civilized and modern as ours, it is unpopular to suggest that the mystical isle of Avalon ever truly existed. But I believe I have found proof of it right here in Manhattan. To understand my reasoning, you must recall first that enchanting tale of a mist-enshrouded isle where medieval women--descended from the gods--spawned heroic men. Most notable among these was the young King Arthur. In their most secret confessions, these mystic heroes acknowledged Avalon, and particularly the music of its maidens, as the source of their power. Many a school boy has wept reading of Young King Arthur standing silent on the shore as the magical isle disappears from view, shrouded in mist. The boy longs as Arthur did to leap the bank and pilot his canoe to the distant, singing atoll. To rejoin nymphs who guard in the depths of their water caves the meaning of life. To feel again the power that burns within. But knowledge fades and memory dims, and schoolboys grow up. As the legend goes, the way became unknown to mortal man. Only woman could navigate the treacherous blanket of white that dipped and swirled at the surface of the water. And with its fading went also the music of the fabled isle. Harps and strings that heralded the dawn and incited robed maidens to dance evaporated into the mists of time, and silence ruled. But I tell you, Kind Reader, that the music of Avalon lives. The spirit that enchanted knights in chain mail long eons ago is reborn in our fair city, in our own small band of fair maids who tap that legendary spirit to make music as the Avalon Strings. Theirs is no common gift. Theirs is no ordinary sound. It is driven by a fire from within, borne on fingers bloodied by repetition. Minds tormented by a thirst for perfection. And most startling of all is the voice that rises above, the stunning virtuoso whose example leads her small company to higher planes. Could any other collection of musicians achieve the heights of this illustrious few? I think not. I believe, Friends of the City, that when we witnes their performance, as we may almost nightly at the Warwick Hotel, we witness history's gift to this moment in time. And for a few brief moments in the presence of these maids, we witness the fiery spirit that endured and escaped the obliterating mists of Avalon.
Bailey Bristol (The Devil's Dime (The Samaritan Files #1))
Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E
Melissa Jensen (The Fine Art of Truth or Dare)