“
When you want to make an impression and you think you’ve gone far enough, go a little further. Always leave them wondering if you’re just a little bit crazy, and people will never fuck with you again.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
I am a nice young girl here to pick up your granddaughter for the weekend... We're going to a Bible retreat to scare the devil out of her. - Bones to Cat's grandparents
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
Abuse can feel like love.”
“Abuse can feel like love…Why?”
Damon remained so still it didn’t look like he was breathing. He looked at the teacher, unwavering. “Starving people will eat anything.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Lovers and madmen have such seething brains,
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
The lunatic, the lover and the poet
Are of imagination all compact:
One sees more devils than vast hell can hold,
That is, the madman: the lover, all as frantic,
Sees Helen's beauty in a brow of Egypt:
The poet's eye, in fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name.
”
”
William Shakespeare (A Midsummer Night’s Dream)
“
Because pain in the body quiets the pain in the head. It feels good, like a kill switch for your brain.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
The closer you got to anything beautiful, the less beautiful it became. Allure was in the mystery, not the appearance.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
The lunatic, the lover, and the poet
Are of imagination all compact:
One sees more devils than vast hell can hold,
That is, the madman: the lover, all as frantic,
Sees Helen's beauty in a brow of Egypt:
The poet's eye, in a fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven,
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name.
”
”
William Shakespeare (A Midsummer Night’s Dream)
“
You either have my back....”
“You’re at my side....”
“Or you’re in my way...”
“Be Lilith, Never Eve.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
The role of the villain is only determined by who's telling the story
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Luscious, aren't I, poppet? Go on, stare. I don't mind.”
-“You look like a Dracula porn movie reject”
-“Let‟s not speak of him. Like the devil, Vlad might appear if we do.”
Denise & Ian
”
”
Jeaniene Frost (First Drop of Crimson (Night Huntress World, #1))
“
It’s just you, Little Monster. Own it or it will own you.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Loneliness is black coffee and late-night television; solitude is herb tea and soft music. Solitude, quality solitude, is an assertion of self-worth, because only in the stillness can we hear the truth of our own unique voices.
”
”
Pearl Cleage (Deals With the Devil: And Other Reasons to Riot)
“
The only way we find out what we’re capable of is by getting into a little trouble.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Own it. Don’t apologize for who you are. Own it. You can’t win if you don’t show up, right?
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
This is black,” he said. “Fear, falling, release. Excitement, risk, danger.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
The shy ones tend to be the baddest after all.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Charlie whistled "Amazing Grace" as he drove. It was all I could do not to whip my head around and snap, Are you kidding me? Couldn't he pick something more appropriate, like "Shout at the Devil" or "Don't fear the Reaper"? Some people had no sense of the proper music for a kidnapping.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
Harry Marsham, who was known as Marsh to his friends, should have died that night.
”
”
Michael Parker (The Devil's Trinity)
“
People assumed I behaved strictly on impulse, when actually, it required quite a bit of strategy being this fucked up.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Our scrapes and bruises, tattoos, scars, smiles, and wrinkles told our stories,
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
He liked cheap women, fast cars, late nights, and hard liquor, especially all together. In Jack's view, you are obliged to sin on Saturday night so you'd have something to atone for Sunday morning. Otherwise, you'd be putting the preacher out of business.
”
”
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
“
Those who are patient, plan. And beware the man with a plan.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Well, it's like you're saving your energy for something. Holding back. But it doesn't make any sense. Life is one-way, and there is no return trip. What are you waiting for?
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Maybe we pray on our knees because god only listens when we’re this close to the devil.
”
”
Ocean Vuong (Night Sky with Exit Wounds)
“
Your body can only feel one pain at a time.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Own who you are,” he commanded. “And don’t apologize. Do you understand? Own it or it
will own you.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Abuse can feel like love. Why?' Starving people will eat anything.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Our life is a series of plans,” she finally said. “Days, weeks, months, years… And then, there are moments. Moments you don’t see coming and you don’t plan, but everything you need, all the things you want to feel, are in that moment.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Run all you want, Little Monster,” he said, sounding like a threat. “We’re faster.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Life felt like hell, because we expected it to feel like heaven.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
The world respected people who didn’t crave approval.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
In nature there's no blemish but the mind;
None can be called deformed but the unkind:
Virtue is beauty, but the beauteous evil
Are empty trunks, o'erflourished by the devil.
”
”
William Shakespeare (Twelfth Night)
“
The most valuable lesson anyone learns in life should be learned as early as possible. That you don’t have to live in the reality someone else had invented. You don’t have to do anything you don’t want to do. Ever.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Redefine normal. None of us know the full measure of our power until we start pushing our boundaries and pressing our luck, and the more we do, the less we care what others think. The freedom feels too good.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
There are just some things that are more exciting when they’re a secret.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
And from Michael—as well as Damon, Will, and Kai—I learned to breathe fire. I learned to walk as if the path were carved for me and me alone, and to treat the world as if it should know I was coming.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
But you’re going to be fucking mine someday,” he growled. “Come hell or high water, Emory Scott. You’re my woman, and you’re going to come home to me every day and sit at my table and warm my fucking bed.” He kissed me. “And you’re going to give me a Will Grayson IV. Mark my words.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Because he’s the one pure, beautiful thing untainted by ugliness,” he repeated his same words from the shower. “And we love him for it.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
the beauty in life is what we live for, and it’s everywhere. You just have to look closer.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
They were untouchable, fascinating, and nothing they ever did was wrong. I wanted that. I wanted to look down at the sky.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Down there the nights are bright and nobody believes in the Devil.
”
”
Cornelia Funke (Inkheart (Inkworld, #1))
“
He made himself the cure, which wouldn’t have been necessary if he hadn’t also created the disease.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
I’m not playing your games. You were wrong.” I crossed my arms over my chest. “You want to know what I’ve learned? I don’t win by playing your games. I win by making you play mine.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
How I’d never hated anyone as much as I hated him, but how I loved what I felt with him more than I loved anything I felt with anyone else, either.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
I’m stronger now,” I whispered. “I won’t let you fall.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
One sees more devils than vast hell can hold
”
”
William Shakespeare (A Midsummer Night’s Dream)
“
What do you think was the only thing that made me keep breathing?” My tone hardened as I clenched my jaw. “In my brain, I reached for you. I never stopped reaching for you.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
We’re going to rule the world, Rika.” I held out my hands, grinning. “You, Banks, and me.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Good night, Lisa. Sleep with the angels."
Her eyes stung from quick tears. It had been her mother's nightly benediction: Sleep with the angels. But then he added words her mother never had: "Then come back to earth and sleep with your devil, who would burn in hell for one night in your arms.
”
”
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
“
Don’t you know that you can have anything you want?”
His eyes searched mine. “I’ll hurt anyone for you.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Things done in the dark hours of night, behind closed doors, or in the heat of the moment looked a lot different in the morning, out in the open, and with a clear head.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
To dive and fall.
To have a lifetime of searching for something.
Or to have five minutes of everything.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
If she left me, I'm going to burn the whole fucking world down until I find her.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
that’s what red feels like. Anger and fury and heat and need so strong you’re a fucking animal, Winter. It’s primal.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
People hide in the dark. They quench their thirsts in the dark. They build their secrets in the dark. We’re more ourselves here than anywhere else. I get to be me...” he swallowed, staring at me, “when nightfall is coming.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
What’s your tattoo?” I asked quietly, remembering how my friend noticed he had one.
He didn’t say anything for a moment, or ask how I knew, but then he answered, “A decaying snowflake.”
I raised my eyebrows. A decaying…
“Why?” I asked.
“Because of Winter by Walter de la Mare,” he replied softly. “Something still beautiful, even after what I did to her.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
It’s always best to say as little as possible. The more of a mystery you are, the less leverage they have.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
We’re only ever good, because there are consequences,” I told her. “Take those away, and everyone shows their true self. Kind of like taking off a mask.” “Or putting one on,” she replied. “After all, there’s freedom in hiding, isn’t there?
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
The devil follows me day and night because he is afraid to be alone.
”
”
Francis Picabia
“
You teach your daughter to hide in everyone else's world," I shot back, "and I'll teach mine everyone else exists in her. Go fuck yourself, and leave the kid alone.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
You and me against the world,” he whispered, picking up speed and going harder. “Always,” I said.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Charles,” Bones said distinctly. “You’d better have a splendid explanation for her being on top of you.”
The black-haired vampire rose to his feet as soon as I jumped off, brushing the dirt off his clothes.
“Believe me, mate, I’ve never enjoyed a woman astride me less. I came out to say hello, and this she-devil blinded me by flinging rocks in my eyes. Then she vigorously attempted to split my skull before threatening to impale me with silver if I so much as even
twitched! It’s been a few years since I’ve been to America, but I daresay the method of greeting a person has changed
dramatically!”
Bones rolled his eyes and clapped him on the shoulder. “I’m glad you’re still upright, Charles, and the only reason you are is because she didn’t have any silver. She’d have staked you right and proper otherwise. She has a tendency to shrivel someone first
and then introduce herself afterwards.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
She needed a hot shower, a warm bed, and me.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
There are too many people that try to change us, and not enough people who want us to be who we really are. Someone once made me see that, and i wanted to give that to you.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
I didn’t feel so lost when he was around. It was the only time I didn’t feel lost.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
I don’t flaunt myself for the enjoyment of men.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
Having Damon around was the only time I ever felt solid in my life,” he told me. “He’s powerful. But painful.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
There’s always a reason why things are as they are.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Live for your love,” the judge said, “love your life, and raise hell.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Words were shit. They didn’t mean anything. What we did mattered, not what we said.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Damon Torrance was gifted at manipulating someone’s mind. Putting the right glasses over someone’s eyes to make them see the world how he wanted them to see it.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Do you feel that?” he whispered.
“What?”
His long arms blanketed mine, my hands resting inside his. “You fit me like a shirt. It's a perfect mold.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
You're Lilith," he whispered against my skin. "You can't be burned if you're the flame.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Playing the part of a charitable soul was only for those who were afraid of taking a stand in life. It is always far easier to have faith in your own goodness than to confront others and fight for your rights. It is always easier to hear an insult and not retaliate than have the courage to fight back against someone stronger than yourself; we can always say we're not hurt by the stones others throw at us, and it's only at night - when we're alone and our wife or our husband or our school friend is asleep - that we can silently grieve over our own cowardice.
”
”
Paulo Coelho (The Devil and Miss Prym)
“
There's pawns and rooks and knights and bishops, but only one queen.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
Pale hair fell in waves to his shoulders, framing a face mortal females considered a sensual feast. They didn't know the man was actually a devil in angel's skin. They should have, though. He practically glowed with irreverence, and there was an unholy gleam in his green eyes that proclaimed he would laugh in your face while cutting out your heat. Or laugh in your face while you cut out his heart.
”
”
Gena Showalter (The Darkest Night (Lords of the Underworld, #1))
“
Loving a guarded girl, I had realized, was a pyrrhic victory. The rare moments of happiness came at too great a cost.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
She and I were the same, after all. We fought shame every day, struggling with who we could let see the real us, and we’d finally found each other.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
I’ll never say no,” she answered but then added with a smile in her voice, “as long as you keep me screaming yes.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
No matter how you cover yourself, it’s never enough. You’re beautiful.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
People will think what they want to think, not because they believe they are right, but because it’s in their nature to maintain that they are. By defending yourself, you feed the appetite for drama. By not, you’ve ended the conversation.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
It's odd to see how no one is really human to us until we talk to them and realize there's barley any separation between who we are and who they are.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
I might kiss you again when we're older," he says. "Just so you know.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
L’appel du vide. That’s what binds us,” she told me.
“Who?”
“Our family.”
Our family?
“Kai, Banks, Michael, Rika, Will, Alex…” she went on. “You and me. We all hear it. L’appel du vide. The call of the void.
”
”
Penelope Douglas (Conclave (Devil's Night, #3.5))
“
All these, however, were mere terrors of the night, phantoms of the mind that walk in darkness; and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely pre-ambulations, yet daylight put an end to all these evils; and he would have passed a pleasent life of it, in despite of the devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was - a woman.
”
”
Washington Irving (The Legend of Sleepy Hollow)
“
I’ll look out for my little brother’s girlfriend and keep her nice and safe in the light of day and not violate the fuck out of her in the dark.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
I loved you last night,” I told him. “And I loved you this morning. I’ll still be here. I’ll still be me tomorrow and every day after.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Her fucking eyes, going from defiant to mischievous to hurt to on fire, and then finally, to broken.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Chess would teach me strategy, fencing would teach me human nature and self-preservation, and dancing would teach me my body. All necessary for a well-rounded person.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
What if her heart had hardened so much that she closed herself off in order to survive?
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
For we have thought the longer thoughts
And gone the shorter way.
And we have danced to devils' tunes, Shivering home to pray;
To serve one master in the night,
Another in the day.
”
”
Ernest Hemingway (88 Poems)
“
There were dark deeds and bad seeds, but who cared if the house was falling apart as long as it was pretty, right?
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
I rolled my eyes so far back in my head I almost saw my brain.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
I have no fear of God, and yet fear keeps me awake at night,fear of the devil. And if I believe in the devil, I must believe in God. And if evil is abhorrent to me, I must be a saint.
Henry, save me from beatification, from the horrors of static perfection. Precipitate me into the inferno.
”
”
Anaïs Nin (Henry and June: From the Unexpurgated Diary of Anaïs Nin)
“
Your place is at my side,” I told her. “Say it.”
She whispered, “My place is at your side.”
“Louder.” I shook her gently, but my tone was firm. “My woman doesn’t ask permission. She’s a force. Say it louder.”
Her chin started to tremble, but her voice burst out strong. “My place is at your side.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
That was my girl, scarred, tattered soul, and all. She was beautiful.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
You just make me want to be…” “Better?” I rolled my eyes at the cliché statement. But he paused a moment. “More,” he finally said. “No one ever expects more from me.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
I never make mistakes,” I replied. “I’m either right or I’m learning. Jaku niku kyo shoku.” I recited one of the many Japanese sayings he’d spouted over the course of my life. The weak are meat, the strong eat.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
You make me feel driven. You make me hungry and on fire and wanting to slow down time instead of wanting to rush through it. It’s you I look for when I walk in the doors in the morning. Not her. You.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
One pain at a time.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Refrain to-night;
And that shall lend a kind of easiness
To the next abstinence, the next more easy;
For use almost can change the stamp of nature,
And either master the devil or throw him out
With wondrous potency.
”
”
William Shakespeare (Hamlet)
“
The secret of life that everyone knew and everyone forgot was that we weren’t alone. We thought we were unique. We thought we were the first. No one has been through what I’ve been through. No one else is feeling this. No one knows what it’s like to be me. This is the first time anyone has endured what I’ve endured, right?
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Women beg me for it, and not the other way around."
"Then you should go to one of them."
"Oh, I will. When we return to London, I'm going to embark on a spree of orgiastic debauchery that won't end until someone is arrested for it. But in the meanwhile...do you truly expect that the two of us are going to share a bed tonight-and tomorrow night-as chastely as a pair of nuns on holiday?
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
It is an art how quickly you can make everyone want to kill you.”
I shrugged, hearing the smile in her voice. “I just can’t help myself.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Don’t think you’re special. Lots of women get him. No one keeps him.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
You are my heart, my soul, my equal. You see the light in me when I’m lost within darkness. When I’m cold and distant, you’re as warm as autumn sunshine, bathing me in your glow. If I am the night, then you are the stars lighting up my endless dark.” His voice broke, wrenching my heart. “My best friend, the absolute love of my life, now until forevermore, I call you my wife.
”
”
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
“
You know," I told him on our wedding night, "I'm just as much me when I'm with you, as I am without you."
And because Hardy understood what I meant, he pulled me into his arms, against his heart.
”
”
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
“
This was a game to him, and that was fine. He just wasn’t the only one playing anymore.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
I’d loved Emory since the moment I laid eyes on her when I was fourteen.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
We want what we want.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
Penelope Douglas (Conclave (Devil's Night, #3.5))
“
I am not scared,” he repeated. “I am the eye of the storm. The calm in the madness.” I blew out a breath, drawing in another, slower. “The quiet in the chaos. The patience for my moment.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Don't fret, Grannie. We're going to a Bible retreat to scare the devil out of her
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
Beware the fury of a patient man.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Damon eats pain,” I told her. “He will find some way to take it and twist it and fit it down his throat, so he can swallow it. He’s made of it. You all can endure it until you overcome it, but Damon…he wants to be in hell.”
It’s where he shines.
I turned my eyes back up to the sky, sliding an arm under my head. “But still…he never cried.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
We’re only ever good, because there are consequences,” I told her. “Take those away, and everyone shows their true self. Kind of like taking off a mask.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
People who are wound that tight are unpredictable.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
She’s not equal!” Michael shouted.
And everyone fell silent.
Dammit, I wished I could see their faces.
“She will never be equal!” he went on. “She will always mean more than you.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
Night is falling: at dusk, you must have good eyesight to be able to tell the Good Lord from the Devil.
”
”
Jean-Paul Sartre
“
This was a dream. A very bad, bad dream, brought on by liver poisoning from too many gin and tonics. Here it was, a deal with the devil. At what price my soul? He watched me expectantly and threateningly all at the same time. If I said no, I knew what would happen.
Save the glass, waitress, I’m drinking from the bottle! Happy hour, with my neck on tap.
If I said yes, I’d be agreeing to a partnership with pure evil.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
He loved the extensive vaults where you could hear the night birds and the sea breeze; he loved the craggy ruins bound together by ivy, those dark halls, and any appearance of death and destruction. Having fallen so far from so high a position, he loved anything that had also fallen from a great height
”
”
Gustave Flaubert
“
So, been attacked by any vampires yet?"
"Not one."
"Zombies? Giant spiders? Water monsters?"
It's been really quiet on the supernatural front"
"Too bad, 'cause I got attacked by a devil dog. It was not awesome.
”
”
Rachel Caine (Fall of Night (The Morganville Vampires, #14))
“
People come together, and for a tiny space of time...it’s beautiful and raw, because you can’t think and you don’t want to. You just feel... The moments are what we remember.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Territorial is fine when it’s in the bedroom. It’s not fine when it keeps someone you’re supposed to love from living a life.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
The last line of the confession read ‘We want what we want.’” I turned my eyes on him as sweat cooled my pores.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Halloween is the night to have the most demonic powers available to use to kill and destroy those you hate.
”
”
John Ramirez (Out of the Devils Cauldron)
“
A good parent has happy kids,” she whispered in my ear. “Our kids are so happy.
”
”
Penelope Douglas (Fire Night (Devil's Night, #4.5))
“
He gave me that night back and this time, I told you the truth. We talked and held each other till the sun came up. And as I went to hell, the devil asked me if it was worth it. I said yes. Yes it was.
”
”
pleasefindthis (I Wrote This For You)
“
You may think you can go out for a night of dancing and innocent fun. Think again. When you head back home, those demons follow you to infiltrate your whole environment.
”
”
John Ramirez (Unmasking the Devil: Strategies to Defeat Eternity's Greatest Enemy)
“
You better, Artemis. Because if you don’t get him under control, the world is going to become the very thing that makes you wake up screaming at night. (Acheron)
”
”
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
“
Oh, aye. I'm the devil all right. And last night, you were begging to step into the fire.
”
”
Liz Carlyle (My False Heart (Lorimer Family & Clan Cameron #1))
“
I wanted her to dream, but this was where dreams were dangerous. Nothing ever happened how you wanted it to.
”
”
Penelope Douglas (Fire Night (Devil's Night, 4.5))
“
It all fucking disappeared when you were dancing, though. It made the world prettier. I liked it.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Red.
Out of all the colors, I liked red the best.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Should we start making preparations here? (Tory)
Punk-ass won’t come to my island! He knows better. You don’t tap on the Devil’s shoulder unless you’re willing to dance to his tune. (Savitar)
”
”
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
“
Everyday was another day spent waiting. Every night was another night when she might meet someone who would recognize her true worth.
”
”
Paulo Coelho (The Devil and Miss Prym)
“
When I thought about it, there actually weren’t a lot of things or people in the world that I loved. Why had I left them here?
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
The night we met, I felt you like an electric shock. Something about you calls to the devil in me.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Being scared wasn’t a weakness. But letting it force my head down and my voice quiet was. Fear wasn’t the enemy. It was the teacher. I
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Real monsters don’t wear masks,” I teased. He shrugged. “Real monsters might not care about being identified, either. No mask, no fun for you.” Aw, my man. Layin’ down the law. God, it turned me on.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Yeah, they’re just matches,” I continued, my voice growing thick with tears. “And memories and smells and sounds and butterflies in my stomach every time I heard the car door slam outside, telling me that he was home. A thousand dreams of all the places I’d have adventures someday.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
We will have kids. If you want them. But I will never not have you.” He shakes me. “Do you understand?” A sob lodges in my throat. “Do you understand?” he growls again. “A world where there is no us can’t happen.
”
”
Penelope Douglas (Conclave (Devil's Night, #3.5))
“
During the day, memories could be held at bay, but at night, dreams became the devil's own accomplices.
”
”
Sharon Kay Penman (The Reckoning (Welsh Princes, #3))
“
So many times of needing to be close to her, talk to her, see her smile at me, and now I had her in my arms, I never wanted to let her go.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
Penelope Douglas (Corrupt (Devil's Night, #1))
“
I like you,” he told me. “I want you in my house. I want to see you in my bed. I don’t want to not see you every day. Be with me tonight.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
I mean, look at them,” he told me. “Banks, Winter, Em, Rika... Women are only vulnerable, because they’re the last to be taught to fight. I want to put a woman like them into the world.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)
“
He jerked his head back, trying to head butt me. “Don’t fucking talk about that,” he growled. “I was drunk.” “All three times?” I teased, smiling. “Michael and Kai don’t know how close we got, do they?
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
You’re one-hundred percent responsible for your own happiness.
”
”
Penelope Douglas (Fire Night (Devil's Night, 4.5))
“
Every man has his personal devil waiting for him somewhere.
”
”
John le Carré (The Night Manager)
“
What do you treasure? Is anything precious to you?
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Jesus Christ. She was beautiful. And mine. All mine whether she fucking liked it or not. She’d do this for me. Only for me from now on.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Some people can’t stop what happens to them,” I said. “They’re just born in the wrong
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Michael takes his seat and swipes his fingers across his phone, setting it in the middle of the table to record the minutes. “Alright, considering our agenda, let’s first tackle the—”
“I want to kill your father,” I say, cutting him off.
Damon chokes on his vodka rocks.
”
”
Penelope Douglas (Conclave (Devil's Night, #3.5))
“
The perk about being the quiet girl was not many people really got to know you, which left you the advantage of surprise if you ever decided to switch gears in situations just like this.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Enjoy your freedom while it lasts, Winter Ashby, because we’re not done,” Damon warned in a low voice that snaked through my ear, taunting me. “Grow up, learn things, and have fun in high school, but don’t change the little girl who loves it ‘in the black’, because I like you there, too. And I will be back for what’s mine when you’re old enough for bigger things.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
O shame to men! Devil with devil damned
Firm concord holds, men only disagree
Of creatures rational, though under hope
Of heavenly grace: and God proclaiming peace,
Yet live in hatred, enmity, and strife
Among themselves, and levy cruel wars,
Wasting the earth, each other to destroy:
As if (which might induce us to accord)
Man had not hellish foes enough besides,
That day and night for his destruction wait.
”
”
John Milton (Paradise Lost)
“
There's no use wasting are energy being afraid of the devils, demons and things that go bump in the night... Because ultimately we'll never encounter anything more terrifying than the monster among us. Hell is where we make it.
”
”
Dean Koontz (Phantoms)
“
I love you,” I said, and I could see people filming us with their phones out of the corner of my eye, but I didn’t care. “I’m wild crazy for you, and I’m sure I’ll kill you at some point, but… God, I love you so much, and I want you to marry me.” More tears streamed down my face as I choked out the words. “Marry me, Will Grayson.” I rushed up and hugged his back, wrapping my arms around him. “Can you marry me? Can I marry you?” I
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
One's own free and unfettered volition, one's own caprice, however wild, one's own fancy, inflamed sometimes to the point of madness - that is the one best and greatest good, which is never taken into consideration because it cannot fit into any classification and the omission of which sends all systems and theories to the devil.
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
For a long while I have believed – this is perhaps my version of Sir Darius Xerxes Cama’s belief in a fourth function of outsideness – that in every generation there are a few souls, call them lucky or cursed, who are simply born not belonging, who come into the world semi-detached, if you like, without strong affiliation to family or location or nation or race; that there may even be millions, billions of such souls, as many non-belongers as belongers, perhaps; that, in sum, the phenomenon may be as “natural” a manifestation of human nature as its opposite, but one that has been mostly frustrated, throughout human history, by lack of opportunity.
And not only by that: for those who value stability, who fear transience, uncertainly, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers’ seal of approval.
But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the non-belongers, the different ones, the outlaws, the freaks.
What we forbid ourselves we pay good money to watch, in a playhouse or a movie theater, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveler, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
”
”
Salman Rushdie (The Ground Beneath Her Feet)
“
Your kiss thrilled me beyond imagining,” he whispered. “Every night for the rest of my life, I’ll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I’m an old man, and my brain has fallen to wrack and ruin, I’ll remember the sweet fire of your lips under mine, and I’ll say to myself, ‘Now, that was a kiss.’” Silver-tongued devil, Pandora thought, unable to hold back a crooked grin.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Ophelia I… I am so fucking in love with you. I think I fell in love with you when you asked me how you could help me that first time we met. Prince of the Devils, and you wanted to save me. Maybe, somehow, I knew then that you could be the one to set me free. And I meant what I said that night, that you should hope we never met again, and I fucking hate that this is what it’s coming down to. But… every single second I’ve spent with you has reminded me what it’s like to be alive. And I would trade every other soul in the world if it meant I would get to keep you forever.
”
”
Kaylie Smith (Phantasma (Wicked Games, #1))
“
Song
Go, and catch a falling star,
Get with child a mandrake root,
Tell me, where all past years are,
Or who cleft the Devil’s foot,
Teach me to hear mermaids singing,
Or to keep off envy’s stinging,
And find
What wind
Serves to advance an honest mind.
If thou be’est born to strange sights,
Things invisible to see,
Ride ten thousand days and nights,
Till age snow white hairs on thee,
Thou, when thou return’st, wilt tell me
All strange wonders that befell thee,
And swear
Nowhere
Lives a woman true, and fair.
If thou find’st one, let me know,
Such a pilgrimage were sweet,
Yet do not, I would not go,
Though at next door we might meet,
Though she were true when you met her,
And last, till you write your letter,
Yet she
Will be
False, ere I come, to two, or three.
”
”
John Donne
“
Alex was like Damon. They loved me. They indulged my dark side. They were too forgiving and too enabling. They kept me from being lonely, but Emory taught me that not everything I wanted was going to come easy. That there were things I was going to have to fight for and there was pain in the world that my shallow lifestyle in high school kept me ignorant of. She made me feel like a man.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
Thank you for saving him," Evie heard herself say to Westcliff, still staring at her husband.
The earl slid her a sideways glance. "You saved him, Evie on the night you offered to marry him. Which is evidence, I suppose, that moments of lunacy can occasionally lead to positive results. [...]
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
You’re mine,” I said, kissing her mouth once as I humped her. “Mine.” I kissed her again. “Mine in that fountain. Mine in the locker room and in the janitor’s closet. Mine in the dean’s office.” I took her jaw in my hand. “You’ll have my kids and be my woman and fuck me, because that’s what I want.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
I ripped all her clothes off. She twisted and turned, slow, so they would slip out from under her. Then she closed her eyes and lay back on the pillow. Her hair was falling over her shoulders in snaky curls. Her eye was all black, and her breasts weren’t drawn up and pointing up at me, but soft, and spread out in two big pink splotches. She looked like the great grandmother of every whore in the world. The devil got his money’s worth that night.
”
”
James M. Cain (The Postman Always Rings Twice)
“
*For eleven years, I've been worked over and abused in ways you can't imagine by things you don't want to know about. I've killed every kind of vile, black-souled, dead-eyed nightmare that ever made you piss your pjs and cry for mommy in the middle of the night. I kill monsters and, if I wanted, I could say a word and burn you to powder from the inside out. I can tear any human you ever met to rages with my bare hands. Give me one good reason why I could possibly need you?
*She looks straight at me, not blinking. No fear in her eyes.
*Because you might be the Tasmanian Devil and the Angel of Death all rolled into one, but you don't even know how to get a phone.
*I hate to admit it, but she has a point.
”
”
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
“
I’m a wallflower. I only agreed to take part in the Season to keep my sister Cassandra company. She’s my twin, the nicer, prettier one, and you’re the kind of husband she’s been hoping for. If you’ll let me go fetch her, you could compromise her, and then I’ll be off the hook.” Seeing his blank look, she explained, “People certainly wouldn’t expect you to marry both of us.”
“I’m afraid I never ruin more than one young woman a night.” His tone was a mockery of politeness. “A man has to draw the line somewhere.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
When Cynthia smiles," said young Bingo, "the skies are blue; the world takes on a roseate hue; birds in the garden trill and sing, and Joy is king of everything, when Cynthia smiles." He coughed, changing gears. "When Cynthia frowns - "
"What the devil are you talking about?"
"I'm reading you my poem. The one I wrote to Cynthia last night. I'll go on, shall I?"
"No!"
"No?"
"No. I haven't had my tea.
”
”
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
“
This explains so much," she said, clucking her tongue in mother-hen fashion. "You're compensating for this withered appendage."
Withered appendage? What the devil was she talking about? He shook his head, trying to clear it. Colin's dire predictions of shriveled twigs and dried currants rattled in his skull. Wide awake now, he fought to sit up, wrestling the sheets.
"Listen, you. I don't know what sort of liberties you've taken while I was insensible, or just what your spinster imagination prepared you to see. But I'll have you know, that water was damned cold."
She blinked at him. "I'm referring to your leg."
"Oh." His leg. That withered appendage
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Morgan sighed. "I," she announced, "am so pathetic."
"You are not," I said.
"I am." She went over and straightened the cling wrap, corner to corner. "Do you know how many times I've brought in devilled eggs? This is, like, the only time I haven't been sobbing and that's only 'cause I cried all night. And Norman," she said, her voice rising to a wail, "sweet Norman, always just acts so surprised to see the eggs, and pleased, and he never, once, has ever acted like he knew what they meant.
”
”
Sarah Dessen (Keeping the Moon)
“
Oh, and I kind of brought Gabriel’s cook,” I said, stumbling up to him. “We could use her, right?”
“Yeah, fine, fuck, whatever.” He entered the house and started pounding up the stairs. “Bring everybody. Doors are open. Why the hell not?”
...
“Oh, and one more thing.” I ran, catching up to him and jumping up on the stair above him.
He stopped in his tracks, letting out another sigh. “I think I might cry.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
Does this hurt?” he asked. I brought my head up to look at him, but he wasn’t looking at me. He was looking at Michael. I twisted my head, seeing Michael’s mouth open a little, taking in quick, shallow breaths. “Yeah,” he said in a low voice, his eyes meeting mine. “But you like it,” I stated, feeling one of Kai’s hands trail up my belly between us. “You like the sting. It turns you on.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Pandora,” he said huskily, holding her against his violently thumping heart. “I love you more than I can bear. You’re everything to me. You’re the reason the earth turns and morning follows night. You’re the meaning of primroses and why kissing was invented. You’re the reason my heart beats. God help me, I’m not strong enough to survive without you. I need you too much . . . I need you . . .
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
And he wrapped his arms around me, holding me tight, and this was it. Right here. Everything I wanted to feel that brought me even more happiness than dancing did. He was still the boy, promising to kiss me again someday, and I was still her, never wanting to leave whatever little private world we created when we were together.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Here is all the invisible world, caught, defined, and calculated. In these books the Devil stands stripped of all his brute disguises. Here are all your familiar spirits-your incubi and succubi; your witches that go by land, by air, and by sea; your wizards of the night and of the day. Have no fear now-we shall find him out and I mean to crush him utterly if he has shown his face!
”
”
Arthur Miller (The Crucible)
“
As a writer you slant all evidence in favor of the conclusions you want to produce and you rarely tilt in favor of the truth. ...This is what a writer does: his life is a maelstrom of lying. Embellishment is his focal point. This is what we do to please others. This is what we do in order to flee ourselves. A writer's physical life is basically one of stasis, and to combat this constraint, an opposite world and another self have to be constructed daily. ...the half world of a writer's life encourages pain and drama, and defeat is good for art: if it was day we made it night, if it was love we made it hate, serenity becomes chaos, kindness became viciousness, God became the devil, a daugher became a whore. I had been inordinately rewarded for participating in this process, and lying often leaked from my writing life--an enclosed sphere of consciousness, a place suspended outside of time, where the untruths flowed onto the whiteness of a blank screen--into the part of me that was tactile and alive.
”
”
Bret Easton Ellis (Lunar Park (Vintage Contemporaries))
“
What is to be done with the millions of facts that bear witness that men, consciously, that is fully understanding their real interests, have left them in the background and have rushed headlong on another path, to meet peril and danger, compelled to this course by nobody and by nothing, but, as it were, simply disliking the beaten track, and have obstinately, wilfully, struck out another difficult, absurd way, seeking it almost in the darkness. So, I suppose, this obstinacy and perversity were pleasanter to them than any advantage...
The fact is, gentlemen, it seems there must really exist something that is dearer to almost every man than his greatest advantages, or (not to be illogical) there is a most advantageous advantage (the very one omitted of which we spoke just now) which is more important and more advantageous than all other advantages, for the sake of which a man if necessary is ready to act in opposition to all laws; that is, in opposition to reason, honour, peace, prosperity -- in fact, in opposition to all those excellent and useful things if only he can attain that fundamental, most advantageous advantage which is dearer to him than all. "Yes, but it's advantage all the same," you will retort. But excuse me, I'll make the point clear, and it is not a case of playing upon words. What matters is, that this advantage is remarkable from the very fact that it breaks down all our classifications, and continually shatters every system constructed by lovers of mankind for the benefit of mankind. In fact, it upsets everything...
One's own free unfettered choice, one's own caprice, however wild it may be, one's own fancy worked up at times to frenzy -- is that very "most advantageous advantage" which we have overlooked, which comes under no classification and against which all systems and theories are continually being shattered to atoms. And how do these wiseacres know that man wants a normal, a virtuous choice? What has made them conceive that man must want a rationally advantageous choice? What man wants is simply independent choice, whatever that independence may cost and wherever it may lead. And choice, of course, the devil only knows what choice.
Of course, this very stupid thing, this caprice of ours, may be in reality, gentlemen, more advantageous for us than anything else on earth, especially in certain cases… for in any circumstances it preserves for us what is most precious and most important -- that is, our personality, our individuality. Some, you see, maintain that this really is the most precious thing for mankind; choice can, of course, if it chooses, be in agreement with reason… It is profitable and sometimes even praiseworthy. But very often, and even most often, choice is utterly and stubbornly opposed to reason ... and ... and ... do you know that that, too, is profitable, sometimes even praiseworthy?
I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! …And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don't know?
You will scream at me (that is, if you condescend to do so) that no one is touching my free will, that all they are concerned with is that my will should of itself, of its own free will, coincide with my own normal interests, with the laws of nature and arithmetic. Good heavens, gentlemen, what sort of free will is left when we come to tabulation and arithmetic, when it will all be a case of twice two make four? Twice two makes four without my will. As if free will meant that!
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
A Brief for the Defense
Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that's what God wants.
Otherwise the mornings before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island: the waterfront
is three shuttered cafés and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come.
”
”
Jack Gilbert (Refusing Heaven: Poems)
“
Song
Go and catch a falling star,
Get with child a mandrake root,
Tell me where all past years are,
Or who cleft the devil's foot,
Teach me to hear mermaids singing,
Or to keep off envy's stinging,
And find
What wind
Serves to advance an honest mind.
If thou be'st born to strange sights,
Things invisible to see,
Ride ten thousand days and nights,
Till age snow white hairs on thee,
Thou, when thou return'st, wilt tell me,
All strange wonders that befell thee,
And swear,
No where
Lives a woman true, and fair.
If thou find'st one, let me know,
Such a pilgrimage were sweet;
Yet do not, I would not go,
Though at next door we might meet;
Though she were true, when you met her,
And last, till you write your letter,
Yet she
Will be
False, ere I come, to two, or three.
—John Donne, 1572–1631
”
”
Neil Gaiman (Stardust)
“
The year the police called Sherrena, Wisconsin saw more than one victim per week murdered by a current or former romantic partner or relative. 10 After the numbers were released, Milwaukee’s chief of police appeared on the local news and puzzled over the fact that many victims had never contacted the police for help. A nightly news reporter summed up the chief’s views: “He believes that if police were contacted more often, that victims would have the tools to prevent fatal situations from occurring in the future.” What the chief failed to realize, or failed to reveal, was that his department’s own rules presented battered women with a devil’s bargain: keep quiet and face abuse or call the police and face eviction.
”
”
Matthew Desmond (Evicted: Poverty and Profit in the American City)
“
The funny thing is, I’m actually quite interested in the Bible, and I’ve tried to read it several times. But I’ve only ever got as far as the bit about Moses being 720 years old, and I’m like, `What were these people smoking back then?’ The bottom line is I don’t believe in a bloke called God in a white suit who sits on a fluffy cloud any more than I believe in a bloke called the Devil with a three-pronged fork and a couple of horns. But I believe that there’s day, there’s night, there’s good, there’s bad, there’s black, there’s white. If there is a God, it’s nature. If there’s a Devil, it’s nature.
”
”
Ozzy Osbourne (I Am Ozzy)
“
You taught me how to survive that day,” he said. “You taught me how to be strong and how to get to the next minute. And the next and the next. I could never forget, and when you came back in high school, and I had changed into this, because I’d seen so much shit,” he went on, “and my desires had morphed into something ugly and twisted, but I’d fucking survived, nonetheless, and didn’t swallow the bad for anyone anymore, because you had taught me how to get rid of the shit. I finally craved one more thing I realized had been missing when I laid eyes on you again.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
He even moved like an animal, fluid strength and surety. And all the devil ever wants in exchange, a small voice said warningly, is a soul.
Oh, puh-lease, Chloe rebuked herself sternly. He's a man, nothing more. A big, beautiful, sometimes scary man, but that's all.
Graceful as a stalking tiger, the big, beautiful, scary man dropped into a crouch on the ground before her, his dark eyes glinting in the shadowy night. They knelt mere inches apart. When he spoke, his words were painstakingly articulated, as if speaking was an immense effort. His words were carefully spaced, tight, coming in rushes, with
pauses between.
"I will give you. Every. Artifact I own. If you kiss. Me and ask no. Questions."
"Huh?" Chloe gaped.
"No questions," he hissed. He shook his head violently, as if trying to scatter something from it.
”
”
Karen Marie Moning (The Dark Highlander (Highlander, #5))
“
The Wolf trots to and fro,
The world lies deep in snow,
The raven from the birch tree flies,
But nowhere a hare, nowhere a roe,
The roe -she is so dear, so sweet -
If such a thing I might surprise
In my embrace, my teeth would meet,
What else is there beneath the skies?
The lovely creature I would so treasure,
And feast myself deep on her tender thigh,
I would drink of her red blood full measure,
Then howl till the night went by.
Even a hare I would not despise;
Sweet enough its warm flesh in the night.
Is everything to be denied
That could make life a little bright?
The hair on my brush is getting grey.
The sight is failing from my eyes.
Years ago my dear mate died.
And now I trot and dream of a roe.
I trot and dream of a hare.
I hear the wind of midnight howl.
I cool with the snow my burning jowl,
And on to the devil my wretched soul I bear.
”
”
Hermann Hesse
“
...for those who value stability, who fear transience, uncertainty, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers' seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celbrate the non-belongers, the different ones, the outlaws, the freaks. What we forbid ourselves we pay good money to watch, in a playhouse or movie theatre, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveller, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
”
”
Salman Rushdie (The Ground Beneath Her Feet)
“
You talked about an ungrateful generation whose lives revolve around the technology yours gave us. I just don’t…” I paused. “I just don’t think that’s a useful perspective.” “Clarify.” I straightened in my seat, sitting forward, away from Damon’s touch. “Well, it’s like taking your child to an auto lot to buy a car and being angry when they choose a car,” I explained. “I don’t think it’s right to get aggravated with the public for utilizing conveniences that are made available to them.” He talked about my generation’s “bloated sense of entitlement,” but it went much deeper than that. “But they don’t fully appreciate the convenience of it in their lives,” Professor Cain argued. “Because it’s not a convenience to them,” I shot back, growing stronger. “It’s their normal, because their frame of reference is different than yours was growing up. And we’ll say it’s a convenience when our children have things we didn’t. But again, that won’t be a convenience to them, either. It will be their normal.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Title: Blue Light Lounge Sutra For The Performance Poets At Harold Park Hotel
the need gotta be
so deep words can't
answer simple questions
all night long notes
stumble off the tongue
& color the air indigo
so deep fragments of gut
& flesh cling to the song
you gotta get into it
so deep salt crystalizes on eyelashes
the need gotta be
so deep you can vomit up ghosts
& not feel broken
till you are no more
than a half ounce of gold
in painful brightness
you gotta get into it
blow that saxophone
so deep all the sex & dope in this world
can't erase your need
to howl against the sky
the need gotta be
so deep you can't
just wiggle your hips
& rise up out of it
chaos in the cosmos
modern man in the pepperpot
you gotta get hooked
into every hungry groove
so deep the bomb locked
in rust opens like a fist
into it into it so deep
rhythm is pre-memory
the need gotta be basic
animal need to see
& know the terror
we are made of honey
cause if you wanna dance
this boogie be ready
to let the devil use your head
for a drum
”
”
Yusef Komunyakaa
“
The Tomorrow Man theory. It’s pretty basic. Today, right here, you are who you are. Tomorrow, you will be who you will be. Each and every night, we lie down to die, and each morning we arise, reborn. Now, those who are in good spirits, with strong mental health, they look out for their Tomorrow Man. They eat right today, they drink right today, they go to sleep early today–all so that Tomorrow Man, when he awakes in his bed reborn as Today Man, thanks Yesterday Man. He looks upon him fondly as a child might a good parent. He knows that someone–himself–was looking out for him. He feels cared for, and respected. Loved, in a word. And now he has a legacy to pass on to his subsequent selves…. But those who are in a bad way, with poor mental health, they constantly leave these messes for Tomorrow Man to clean up. They eat whatever the hell they want, drink like the night will never end, and then fall asleep to forget. They don’t respect Tomorrow Man because they don’t think through the fact that Tomorrow Man will be them. So then they wake up, new Today Man, groaning at the disrespect Yesterday Man showed them. Wondering why does that guy–myself–keep punishing me? But they never learn and instead come to settle for that behavior, eventually learning to ask and expect nothing of themselves. They pass along these same bad habits tomorrow and tomorrow and tomorrow, and it becomes psychologically genetic, like a curse. Looking at you now, Maven, I can see exactly where you fall on this spectrum. You are a man constantly trying to fix today what Yesterday Man did to you. You make up your bed, you clean those dirty dishes from the night before, and pledge not to start drinking until six, thinking that’s the way to keep an even keel. But in reality you’re always playing catch-up. I know this because I’ve been there. The thing is–you can’t fix the mistakes of Yesterday. Yesterday Man is dead, he’s gone forever, and blame and atonement aren’t worth a damn. What you can do is help yourself today. Eat a vegetable. Read a book. Cut that hair of yours. Leave Tomorrow Man something more than a headache and a jam-packed colon. Do for Tomorrow Man what you would have wanted Yesterday Man to do for you.
”
”
Chuck Hogan
“
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds.
And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
”
”
Robert G. Ingersoll
“
The Fallen
It was the night
a comet with its silver tail
fell through darkness
to earth's eroded field,
the night I found
the wolf,
starved in metal trap,
teeth broken
from pain's hard bite,
its belly swollen with unborn young.
In our astronomy
the Great Wolf
lived in the sky.
It was the mother of all women
and howled her daughter's names
into the winds of night.
But the new people,
whatever stepped inside their shadow,
they would kill,
whatever crossed their path,
they came to fear.
In their science,
Wolf as not the mother.
Wolf was not wind.
They did not learn healing
from her song.
In their stories
Wolf was the devil, falling
down an empty,
shrinking universe,
God's Lucifer
with yellow eyes
that had seen their failings
and knew that they could kill the earth,
that they would kill each other.
That night
I threw the fallen stone back to sky
and falling stars
and watched it all come down
to ruined earth again.
Sky would not take back
what it had done.
That night, sky was a wilderness so close
the eerie light of heaven
and storming hands of sun
reached down the swollen belly
and dried up nipples of a hungry world.
That night,
I saw the trapper's shadow
and it had four legs.
”
”
Linda Hogan
“
Clare could bear this no longer. His eyes were full of tears, which seemed like drops of molten lead. He bade a quick good-night to these sincere and simple souls whom he loved so well; who knew neither the world, the flesh, or the devil in their own hearts; only as something vague and external to themselves. He went to his own chamber.
His mother followed him, and tapped at his door. Clare opened it to discover her standing without, with anxious eyes.
"Angel," she asked, "is there something wrong that you must go away so soon? I am quite certain you are not yourself."
"I am not, quite, mother," said he.
"About her? Now, my son, I know it is that--I know it is about her! Have you quarreled in these three weeks?"
"We have not exactly quarreled," he said. "But we have had a difference--"
"Angel--is she a young woman whose history will bear investigation?"
With a mother's instinct Mrs. Clare had put her finger on the kind of trouble that would cause such a disquiet as seemed to agitate her son.
"She is spotless!" he replied; and he felt that if it had sent him to eternal hell there and then he would have told that lie.
”
”
Thomas Hardy (Tess of the D’Urbervilles)
“
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near
lost my breath yes he said I was a flower of the mountain yes so we are
flowers all a womans body yes that was one true thing he said in his life
and the sun shines for you today yes that was why I liked him because I
saw he understood or felt what a woman is and I knew I could always get
round him and I gave him all the pleasure I could leading him on till he
asked me to say yes and I wouldnt answer first only looked out over the
sea and the sky I was thinking of so many things he didnt know of Mulvey
and Mr Stanhope and Hester and father and old captain Groves and the
sailors playing all birds fly and I say stoop and washing up dishes they
called it on the pier and the sentry in front of the governors house with
the thing round his white helmet poor devil half roasted and the Spanish
girls laughing in their shawls and their tall combs and the auctions in
the morning the Greeks and the jews and the Arabs and the devil knows who
else from all the ends of Europe and Duke street and the fowl market all
clucking outside Larby Sharons and the poor donkeys slipping half asleep
and the vague fellows in the cloaks asleep in the shade on the steps and
the big wheels of the carts of the bulls and the old castle thousands of
years old yes and those handsome Moors all in white and turbans like
kings asking you to sit down in their little bit of a shop and Ronda with
the old windows of the posadas glancing eyes a lattice hid for her
lover to kiss the iron and the wineshops half open at night and the
castanets and the night we missed the boat at Algeciras the watchman
going about serene with his lamp and O that awful deepdown torrent O and
the sea the sea crimson sometimes like fire and the glorious sunsets and
the figtrees in the Alameda gardens yes and all the queer little streets
and the pink and blue and yellow houses and the rosegardens and the
jessamine and geraniums and cactuses and Gibraltar as a girl where I was
a Flower of the mountain yes when I put the rose in my hair like the
Andalusian girls used or shall I wear a red yes and how he kissed me
under the Moorish wall and I thought well as well him as another and then
I asked him with my eyes to ask again yes and then he asked me would I
yes to say yes my mountain flower and first I put my arms around him yes
and drew him down to me so he could feel my breasts all perfume yes and
his heart was going like mad and yes I said yes I will Yes.
”
”
James Joyce (Ulysses)
“
Connection terminated.
I'm sorry to interrupt you, Elizabeth. If you still even remember that name.
But I'm afraid you've been misinformed.
You are not here to receive a gift. Nor, have you been called here by the individual you assume. Although, you have indeed been called.
You have all been called here. Into a labyrinth of sounds and smells, misdirection and misfortune.
A labyrinth with no exit. A maze with no prize. You don't even realize that you are trapped. Your lust of blood has driven you in endless circles. Chasing the cries of children in some unseen chamber, always seeming so near.
Yet somehow out of reach.
But, you will never find them. None of you will.
This is where your story ends.
And to you, my brave volunteer, who somehow found this job listing not intended for you. Although, there was a way out planned for you, I have a feeling that's not what you want. I have a feeling that you are right where you want to be.
I am remaining as well. I am nearby.
This place will not be remembered and the memory of everything that started this, can finally begin to fade away. As the agony of every tragedy should.
And to you monsters trapped in the corridors. Be still. And give up your spirits.
They don't belong to you.
As for most of you, I believe there is peace and perhaps, warm, waiting for you after the smoke clears.
Although, for one of you, the darkest pit of Hell has opened to swallow you whole. So, don't keep the Devil waiting, friend.
My daughter, if you can hear me, I knew you would return as well. It's in your nature to protect the innocent. I'm sorry that on that day, the day you were shut out and left to die, no one was there to lift you up in their arms, the way you lifted others into yours.
And then, what became of you, I should have known, you wouldn't be content to disappear. Not my daughter. I couldn't save you then.
So, let me save you now. It's time to rest, for you, and for those you have carried in your arms...
This ends.
For all of us.
End communication.
”
”
Scott Cawthon
“
January?
The month is dumb.
It is fraudulent.
It does not cleanse itself.
The hens lay blood-stained eggs.
Do not lend your bread to anyone
lest it nevermore rise.
Do not eat lentils or your hair will fall out.
Do not rely on February
except when your cat has kittens,
throbbing into the snow.
Do not use knives and forks
unless there is a thaw,
like the yawn of a baby.
The sun in this month
begets a headache
like an angel slapping you in the face.
Earthquakes mean March.
The dragon will move,
and the earth will open like a wound.
There will be great rain or snow
so save some coal for your uncle.
The sun of this month cures all.
Therefore, old women say:
Let the sun of March shine on my daughter,
but let the sun of February shine on my daughter-in-law.
However, if you go to a party
dressed as the anti-Christ
you will be frozen to death by morning.
During the rainstorms of April
the oyster rises from the sea
and opens its shell —
rain enters it —
when it sinks the raindrops
become the pearl.
So take a picnic,
open your body,
and give birth to pearls.
June and July?
These are the months
we call Boiling Water.
There is sweat on the cat but the grape
marries herself to the sun.
Hesitate in August.
Be shy.
Let your toes tremble in their sandals.
However, pick the grape
and eat with confidence.
The grape is the blood of God.
Watch out when holding a knife
or you will behead St. John the Baptist.
Touch the Cross in September,
knock on it three times
and say aloud the name of the Lord.
Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain.
Do not faint in September
or you will wake up in a dead city.
If someone dies in October
do not sweep the house for three days
or the rest of you will go.
Also do not step on a boy's head
for the devil will enter your ears
like music.
November?
Shave,
whether you have hair or not.
Hair is not good,
nothing is allowed to grow,
all is allowed to die.
Because nothing grows
you may be tempted to count the stars
but beware,
in November counting the stars
gives you boils.
Beware of tall people,
they will go mad.
Don't harm the turtle dove
because he is a great shoe
that has swallowed Christ's blood.
December?
On December fourth
water spurts out of the mouse.
Put herbs in its eyes and boil corn
and put the corn away for the night
so that the Lord may trample on it
and bring you luck.
For many days the Lord has been
shut up in the oven.
After that He is boiled,
but He never dies, never dies.
”
”
Anne Sexton
“
A Christian people doesn't mean a lot of goody-goodies. The Church has plenty of stamina, and isn't afraid of sin. On the contrary, she can look it in the face calmly and even take it upon herself, assume it at times, as Our Lord did. When a good workman's been at it for a whole week, surely he's due for a booze on Saturday night. Look: I'll define you a Christian people by the opposite. The opposite of a Christian people is a people grown sad and old. You'll be saying that isn't a very theological definition. I agree...
Why does our earliest childhood always seem so soft and full of light? A kid's got plenty of troubles, like everybody else, and he's really so very helpless, quite unarmed against pain and illness. Childhood and old age should be the two greatest trials of mankind. But that very sense of powerlessness is the mainspring of a child's joy. He just leaves it all to his mother, you see. Present, past, future -- his whole life is caught up in one look, and that look is a smile. Well, lad, if only they'd let us have our way, the Church might have given men that supreme comfort. Of course they'd each have their own worries to grapple with, just the same. Hunger, thirst, poverty, jealousy -- we'd never be able to pocket the devil once and for all, you may be sure. But man would have known he was the son of God; and therein lies your miracle. He'd have lived, he'd have died with that idea in his noddle -- and not just a notion picked up in books either -- oh, no! Because we'd have made that idea the basis of everything: habits and customs, relaxation and pleasure, down to the very simplest needs. That wouldn't have stopped the labourer ploughing, or the scientist swotting at his logarithms, or even the engineer making his playthings for grown-up people. What we would have got rid of, what we would have torn from the very heart of Adam, is that sense of his own loneliness...
God has entrusted the Church to keep [the soul of childhood] alive, to safeguard our candour and freshness... Joy is the gift of the Church, whatever joy is possible for this sad world to share... What would it profit you even to create life itself, when you have lost all sense of what life really is?
”
”
Georges Bernanos (The Diary of a Country Priest)
“
[The Devil] "This legend is about paradise. There was, they say, a certain thinker and philospher here on your earth, who 'rejected all--laws, conscience faith, and, above all, the future life. He died and thought he'd go straight into darkness and death, but no--there was the future life before him. He was amazed and indignant. 'This,' he said, 'goes against my convictions.' So for that he was sentenced...I mean, you see, I beg your pardon, I'm repeating what I heard, it's just a legend...you see, he was sentenced to walk in darkness a quadrillion kilometers (we also use kilometers now), and once he finished that quadrillion, the doors of paradise would be open to him and he would be forgiven everything...Well, so this man sentenced to the quadrillion stood a while, looked, and then lay down across the road: 'I dont want to go, I refuse to go on principle!' Take the soul of an enlightened Russian atheist and mix it with the soul of the prophet Jonah, who sulked in the belly of a whale for three days and three nights--you'll get the character of this thinker lying in the road...He lay there for nearly a thousand years, and then got up and started walking."
"What an ass!" Ivan exclaimed, bursting into nervous laughter, still apparently trying hard to figure something out. "isn't it all the same whether he lies there forever or walks a quadrillion kilometers? It must be about a billion years' walk!"
"Much more, even. If we had a pencil and paper, we could work it out. But he arrived long ago, and this is where the anecdote begins."
"Arrived! But where did he get a billion years?"
"You keep thinking about our present earth! But our present earth may have repeated itself a billion times; it died out, lets say, got covered with ice, cracked, fell to pieces, broke down into its original components, again there were the waters above the firmament, then again a comet, again the sun, again the earth from the sun--all this development may already have been repeated an infinite number of times, and always in the same way, to the last detail. A most unspeakable bore...
"Go on, what happened when he arrived?"
"The moment the doors of paradise were opened and he went in, before he had even been there two seconds--and that by the watch--before he had been there two seconds, he exclaimed that for those two seconds it would be worth walking not just a quadrillion kilometers, but a quadrillion quadrillion, even raised to the quadrillionth power! In short, he sang 'Hosannah' and oversweetened it so much that some persons there, of a nobler cast of mind, did not even want to shake hands with him at first: he jumped over to the conservatives a bit too precipitously. The Russian character. I repeat: it's a legend.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)