Devil's Night Quotes

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When you want to make an impression and you think you’ve gone far enough, go a little further. Always leave them wondering if you’re just a little bit crazy, and people will never fuck with you again.
Penelope Douglas (Corrupt (Devil's Night, #1))
I am a nice young girl here to pick up your granddaughter for the weekend... We're going to a Bible retreat to scare the devil out of her. - Bones to Cat's grandparents
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Lovers and madmen have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends. The lunatic, the lover and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic, Sees Helen's beauty in a brow of Egypt: The poet's eye, in fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes and gives to airy nothing A local habitation and a name.
William Shakespeare (A Midsummer Night’s Dream)
Abuse can feel like love.” “Abuse can feel like love…Why?” Damon remained so still it didn’t look like he was breathing. He looked at the teacher, unwavering. “Starving people will eat anything.
Penelope Douglas (Nightfall (Devil's Night, #4))
Because pain in the body quiets the pain in the head. It feels good, like a kill switch for your brain.
Penelope Douglas (Kill Switch (Devil's Night, #3))
The closer you got to anything beautiful, the less beautiful it became. Allure was in the mystery, not the appearance.
Penelope Douglas (Corrupt (Devil's Night, #1))
The lunatic, the lover, and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic, Sees Helen's beauty in a brow of Egypt: The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven, And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes and gives to airy nothing A local habitation and a name.
William Shakespeare (A Midsummer Night’s Dream)
The role of the villain is only determined by who's telling the story
Penelope Douglas (Nightfall (Devil's Night, #4))
Luscious, aren't I, poppet? Go on, stare. I don't mind.” -“You look like a Dracula porn movie reject” -“Let‟s not speak of him. Like the devil, Vlad might appear if we do.” Denise & Ian
Jeaniene Frost (First Drop of Crimson (Night Huntress World, #1))
You either have my back....” “You’re at my side....” “Or you’re in my way...” “Be Lilith, Never Eve.
Penelope Douglas (Nightfall (Devil's Night, #4))
Loneliness is black coffee and late-night television; solitude is herb tea and soft music. Solitude, quality solitude, is an assertion of self-worth, because only in the stillness can we hear the truth of our own unique voices.
Pearl Cleage (Deals With the Devil: And Other Reasons to Riot)
It’s just you, Little Monster. Own it or it will own you.
Penelope Douglas (Corrupt (Devil's Night, #1))
The only way we find out what we’re capable of is by getting into a little trouble.
Penelope Douglas (Corrupt (Devil's Night, #1))
Own it. Don’t apologize for who you are. Own it. You can’t win if you don’t show up, right?
Penelope Douglas (Corrupt (Devil's Night, #1))
Charlie whistled "Amazing Grace" as he drove. It was all I could do not to whip my head around and snap, Are you kidding me? Couldn't he pick something more appropriate, like "Shout at the Devil" or "Don't fear the Reaper"? Some people had no sense of the proper music for a kidnapping.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Harry Marsham, who was known as Marsh to his friends, should have died that night.
Michael Parker (The Devil's Trinity)
The shy ones tend to be the baddest after all.
Penelope Douglas (Corrupt (Devil's Night, #1))
This is black,” he said. “Fear, falling, release. Excitement, risk, danger.
Penelope Douglas (Kill Switch (Devil's Night, #3))
He liked cheap women, fast cars, late nights, and hard liquor, especially all together. In Jack's view, you are obliged to sin on Saturday night so you'd have something to atone for Sunday morning. Otherwise, you'd be putting the preacher out of business.
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
Those who are patient, plan. And beware the man with a plan.
Penelope Douglas (Corrupt (Devil's Night, #1))
Our scrapes and bruises, tattoos, scars, smiles, and wrinkles told our stories,
Penelope Douglas (Corrupt (Devil's Night, #1))
Well, it's like you're saving your energy for something. Holding back. But it doesn't make any sense. Life is one-way, and there is no return trip. What are you waiting for?
Penelope Douglas (Corrupt (Devil's Night, #1))
People assumed I behaved strictly on impulse, when actually, it required quite a bit of strategy being this fucked up.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Your body can only feel one pain at a time.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Own who you are,” he commanded. “And don’t apologize. Do you understand? Own it or it will own you.
Penelope Douglas (Corrupt (Devil's Night, #1))
Maybe we pray on our knees because god only listens when we’re this close to the devil.
Ocean Vuong (Night Sky with Exit Wounds)
Run all you want, Little Monster,” he said, sounding like a threat. “We’re faster.
Penelope Douglas (Corrupt (Devil's Night, #1))
Our life is a series of plans,” she finally said. “Days, weeks, months, years… And then, there are moments. Moments you don’t see coming and you don’t plan, but everything you need, all the things you want to feel, are in that moment.
Penelope Douglas (Kill Switch (Devil's Night, #3))
The world respected people who didn’t crave approval.
Penelope Douglas (Kill Switch (Devil's Night, #3))
In nature there's no blemish but the mind; None can be called deformed but the unkind: Virtue is beauty, but the beauteous evil Are empty trunks, o'erflourished by the devil.
William Shakespeare (Twelfth Night)
Life felt like hell, because we expected it to feel like heaven.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Redefine normal. None of us know the full measure of our power until we start pushing our boundaries and pressing our luck, and the more we do, the less we care what others think. The freedom feels too good.
Penelope Douglas (Corrupt (Devil's Night, #1))
The most valuable lesson anyone learns in life should be learned as early as possible. That you don’t have to live in the reality someone else had invented. You don’t have to do anything you don’t want to do. Ever.
Penelope Douglas (Corrupt (Devil's Night, #1))
And from Michael—as well as Damon, Will, and Kai—I learned to breathe fire. I learned to walk as if the path were carved for me and me alone, and to treat the world as if it should know I was coming.
Penelope Douglas (Corrupt (Devil's Night, #1))
There are just some things that are more exciting when they’re a secret.
Penelope Douglas (Hideaway (Devil's Night, #2))
Abuse can feel like love. Why?' Starving people will eat anything.
Penelope Douglas (Nightfall (Devil's Night, #4))
They were untouchable, fascinating, and nothing they ever did was wrong. I wanted that. I wanted to look down at the sky.
Penelope Douglas (Corrupt (Devil's Night, #1))
I’m not playing your games. You were wrong.” I crossed my arms over my chest. “You want to know what I’ve learned? I don’t win by playing your games. I win by making you play mine.
Penelope Douglas (Corrupt (Devil's Night, #1))
the beauty in life is what we live for, and it’s everywhere. You just have to look closer.
Penelope Douglas (Kill Switch (Devil's Night, #3))
He made himself the cure, which wouldn’t have been necessary if he hadn’t also created the disease.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Down there the nights are bright and nobody believes in the Devil.
Cornelia Funke (Inkheart (Inkworld, #1))
How I’d never hated anyone as much as I hated him, but how I loved what I felt with him more than I loved anything I felt with anyone else, either.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Because he’s the one pure, beautiful thing untainted by ugliness,” he repeated his same words from the shower. “And we love him for it.
Penelope Douglas (Nightfall (Devil's Night, #4))
But you’re going to be fucking mine someday,” he growled. “Come hell or high water, Emory Scott. You’re my woman, and you’re going to come home to me every day and sit at my table and warm my fucking bed.” He kissed me. “And you’re going to give me a Will Grayson IV. Mark my words.
Penelope Douglas (Nightfall (Devil's Night, #4))
I’m stronger now,” I whispered. “I won’t let you fall.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Good night, Lisa. Sleep with the angels." Her eyes stung from quick tears. It had been her mother's nightly benediction: Sleep with the angels. But then he added words her mother never had: "Then come back to earth and sleep with your devil, who would burn in hell for one night in your arms.
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
One sees more devils than vast hell can hold
William Shakespeare (A Midsummer Night’s Dream)
What do you think was the only thing that made me keep breathing?” My tone hardened as I clenched my jaw. “In my brain, I reached for you. I never stopped reaching for you.
Penelope Douglas (Nightfall (Devil's Night, #4))
We’re going to rule the world, Rika.” I held out my hands, grinning. “You, Banks, and me.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Things done in the dark hours of night, behind closed doors, or in the heat of the moment looked a lot different in the morning, out in the open, and with a clear head.
Penelope Douglas (Corrupt (Devil's Night, #1))
If she left me, I'm going to burn the whole fucking world down until I find her.
Penelope Douglas (Kill Switch (Devil's Night, #3))
To dive and fall. To have a lifetime of searching for something. Or to have five minutes of everything.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Charles,” Bones said distinctly. “You’d better have a splendid explanation for her being on top of you.” The black-haired vampire rose to his feet as soon as I jumped off, brushing the dirt off his clothes. “Believe me, mate, I’ve never enjoyed a woman astride me less. I came out to say hello, and this she-devil blinded me by flinging rocks in my eyes. Then she vigorously attempted to split my skull before threatening to impale me with silver if I so much as even twitched! It’s been a few years since I’ve been to America, but I daresay the method of greeting a person has changed dramatically!” Bones rolled his eyes and clapped him on the shoulder. “I’m glad you’re still upright, Charles, and the only reason you are is because she didn’t have any silver. She’d have staked you right and proper otherwise. She has a tendency to shrivel someone first and then introduce herself afterwards.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Don’t you know that you can have anything you want?” His eyes searched mine. “I’ll hurt anyone for you.
Penelope Douglas (Nightfall (Devil's Night, #4))
What’s your tattoo?” I asked quietly, remembering how my friend noticed he had one. He didn’t say anything for a moment, or ask how I knew, but then he answered, “A decaying snowflake.” I raised my eyebrows. A decaying… “Why?” I asked. “Because of Winter by Walter de la Mare,” he replied softly. “Something still beautiful, even after what I did to her.
Penelope Douglas (Kill Switch (Devil's Night, #3))
The devil follows me day and night because he is afraid to be alone.
Francis Picabia
that’s what red feels like. Anger and fury and heat and need so strong you’re a fucking animal, Winter. It’s primal.
Penelope Douglas (Kill Switch (Devil's Night, #3))
People hide in the dark. They quench their thirsts in the dark. They build their secrets in the dark. We’re more ourselves here than anywhere else. I get to be me...” he swallowed, staring at me, “when nightfall is coming.
Penelope Douglas (Nightfall (Devil's Night, #4))
We’re only ever good, because there are consequences,” I told her. “Take those away, and everyone shows their true self. Kind of like taking off a mask.” “Or putting one on,” she replied. “After all, there’s freedom in hiding, isn’t there?
Penelope Douglas (Hideaway (Devil's Night, #2))
There’s always a reason why things are as they are.
Penelope Douglas (Kill Switch (Devil's Night, #3))
It’s always best to say as little as possible. The more of a mystery you are, the less leverage they have.
Penelope Douglas (Hideaway (Devil's Night, #2))
I don’t flaunt myself for the enjoyment of men.
Penelope Douglas (Hideaway (Devil's Night, #2))
You and me against the world,” he whispered, picking up speed and going harder. “Always,” I said.
Penelope Douglas (Nightfall (Devil's Night, #4))
You teach your daughter to hide in everyone else's world," I shot back, "and I'll teach mine everyone else exists in her. Go fuck yourself, and leave the kid alone.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Having Damon around was the only time I ever felt solid in my life,” he told me. “He’s powerful. But painful.
Penelope Douglas (Kill Switch (Devil's Night, #3))
There are too many people that try to change us, and not enough people who want us to be who we really are. Someone once made me see that, and i wanted to give that to you.
Penelope Douglas (Corrupt (Devil's Night, #1))
She needed a hot shower, a warm bed, and me.
Penelope Douglas (Corrupt (Devil's Night, #1))
I didn’t feel so lost when he was around. It was the only time I didn’t feel lost.
Penelope Douglas (Corrupt (Devil's Night, #1))
Words were shit. They didn’t mean anything. What we did mattered, not what we said.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Playing the part of a charitable soul was only for those who were afraid of taking a stand in life. It is always far easier to have faith in your own goodness than to confront others and fight for your rights. It is always easier to hear an insult and not retaliate than have the courage to fight back against someone stronger than yourself; we can always say we're not hurt by the stones others throw at us, and it's only at night - when we're alone and our wife or our husband or our school friend is asleep - that we can silently grieve over our own cowardice.
Paulo Coelho (The Devil and Miss Prym)
Pale hair fell in waves to his shoulders, framing a face mortal females considered a sensual feast. They didn't know the man was actually a devil in angel's skin. They should have, though. He practically glowed with irreverence, and there was an unholy gleam in his green eyes that proclaimed he would laugh in your face while cutting out your heat. Or laugh in your face while you cut out his heart.
Gena Showalter (The Darkest Night (Lords of the Underworld, #1))
I’ll never say no,” she answered but then added with a smile in her voice, “as long as you keep me screaming yes.
Penelope Douglas (Corrupt (Devil's Night, #1))
It's odd to see how no one is really human to us until we talk to them and realize there's barley any separation between who we are and who they are.
Penelope Douglas (Corrupt (Devil's Night, #1))
Live for your love,” the judge said, “love your life, and raise hell.
Penelope Douglas (Nightfall (Devil's Night, #4))
I’ll look out for my little brother’s girlfriend and keep her nice and safe in the light of day and not violate the fuck out of her in the dark.
Penelope Douglas (Corrupt (Devil's Night, #1))
Damon Torrance was gifted at manipulating someone’s mind. Putting the right glasses over someone’s eyes to make them see the world how he wanted them to see it.
Penelope Douglas (Nightfall (Devil's Night, #4))
Loving a guarded girl, I had realized, was a pyrrhic victory. The rare moments of happiness came at too great a cost.
Penelope Douglas (Nightfall (Devil's Night, #4))
There's pawns and rooks and knights and bishops, but only one queen.
Penelope Douglas (Hideaway (Devil's Night, #2))
People will think what they want to think, not because they believe they are right, but because it’s in their nature to maintain that they are. By defending yourself, you feed the appetite for drama. By not, you’ve ended the conversation.
Penelope Douglas (Hideaway (Devil's Night, #2))
All these, however, were mere terrors of the night, phantoms of the mind that walk in darkness; and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely pre-ambulations, yet daylight put an end to all these evils; and he would have passed a pleasent life of it, in despite of the devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was - a woman.
Washington Irving (The Legend of Sleepy Hollow)
Your place is at my side,” I told her. “Say it.” She whispered, “My place is at your side.” “Louder.” I shook her gently, but my tone was firm. “My woman doesn’t ask permission. She’s a force. Say it louder.” Her chin started to tremble, but her voice burst out strong. “My place is at your side.
Penelope Douglas (Kill Switch (Devil's Night, #3))
I have no fear of God, and yet fear keeps me awake at night,fear of the devil. And if I believe in the devil, I must believe in God. And if evil is abhorrent to me, I must be a saint. Henry, save me from beatification, from the horrors of static perfection. Precipitate me into the inferno.
Anaïs Nin (Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932)
I never make mistakes,” I replied. “I’m either right or I’m learning. Jaku niku kyo shoku.” I recited one of the many Japanese sayings he’d spouted over the course of my life. The weak are meat, the strong eat.
Penelope Douglas (Hideaway (Devil's Night, #2))
The secret of life that everyone knew and everyone forgot was that we weren’t alone. We thought we were unique. We thought we were the first. No one has been through what I’ve been through. No one else is feeling this. No one knows what it’s like to be me. This is the first time anyone has endured what I’ve endured, right?
Penelope Douglas (Kill Switch (Devil's Night, #3))
Women beg me for it, and not the other way around." "Then you should go to one of them." "Oh, I will. When we return to London, I'm going to embark on a spree of orgiastic debauchery that won't end until someone is arrested for it. But in the meanwhile...do you truly expect that the two of us are going to share a bed tonight-and tomorrow night-as chastely as a pair of nuns on holiday?
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
You are my heart, my soul, my equal. You see the light in me when I’m lost within darkness. When I’m cold and distant, you’re as warm as autumn sunshine, bathing me in your glow. If I am the night, then you are the stars lighting up my endless dark.” His voice broke, wrenching my heart. “My best friend, the absolute love of my life, now until forevermore, I call you my wife.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
This was a dream. A very bad, bad dream, brought on by liver poisoning from too many gin and tonics. Here it was, a deal with the devil. At what price my soul? He watched me expectantly and threateningly all at the same time. If I said no, I knew what would happen. Save the glass, waitress, I’m drinking from the bottle! Happy hour, with my neck on tap. If I said yes, I’d be agreeing to a partnership with pure evil.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
He loved the extensive vaults where you could hear the night birds and the sea breeze; he loved the craggy ruins bound together by ivy, those dark halls, and any appearance of death and destruction. Having fallen so far from so high a position, he loved anything that had also fallen from a great height
Gustave Flaubert
Damon eats pain,” I told her. “He will find some way to take it and twist it and fit it down his throat, so he can swallow it. He’s made of it. You all can endure it until you overcome it, but Damon…he wants to be in hell.” It’s where he shines. I turned my eyes back up to the sky, sliding an arm under my head. “But still…he never cried.
Penelope Douglas (Hideaway (Devil's Night, #2))
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
O shame to men! Devil with devil damned Firm concord holds, men only disagree Of creatures rational, though under hope Of heavenly grace: and God proclaiming peace, Yet live in hatred, enmity, and strife Among themselves, and levy cruel wars, Wasting the earth, each other to destroy: As if (which might induce us to accord) Man had not hellish foes enough besides, That day and night for his destruction wait.
John Milton (Paradise Lost)
Your kiss thrilled me beyond imagining,” he whispered. “Every night for the rest of my life, I’ll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I’m an old man, and my brain has fallen to wrack and ruin, I’ll remember the sweet fire of your lips under mine, and I’ll say to myself, ‘Now, that was a kiss.’” Silver-tongued devil, Pandora thought, unable to hold back a crooked grin.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
For a long while I have believed – this is perhaps my version of Sir Darius Xerxes Cama’s belief in a fourth function of outsideness – that in every generation there are a few souls, call them lucky or cursed, who are simply born not belonging, who come into the world semi-detached, if you like, without strong affiliation to family or location or nation or race; that there may even be millions, billions of such souls, as many non-belongers as belongers, perhaps; that, in sum, the phenomenon may be as “natural” a manifestation of human nature as its opposite, but one that has been mostly frustrated, throughout human history, by lack of opportunity. And not only by that: for those who value stability, who fear transience, uncertainly, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers’ seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the non-belongers, the different ones, the outlaws, the freaks. What we forbid ourselves we pay good money to watch, in a playhouse or a movie theater, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveler, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
Salman Rushdie (The Ground Beneath Her Feet)
Song Go, and catch a falling star, Get with child a mandrake root, Tell me, where all past years are, Or who cleft the Devil’s foot, Teach me to hear mermaids singing, Or to keep off envy’s stinging, And find What wind Serves to advance an honest mind. If thou be’est born to strange sights, Things invisible to see, Ride ten thousand days and nights, Till age snow white hairs on thee, Thou, when thou return’st, wilt tell me All strange wonders that befell thee, And swear Nowhere Lives a woman true, and fair. If thou find’st one, let me know, Such a pilgrimage were sweet, Yet do not, I would not go, Though at next door we might meet, Though she were true when you met her, And last, till you write your letter, Yet she Will be False, ere I come, to two, or three.
John Donne
*For eleven years, I've been worked over and abused in ways you can't imagine by things you don't want to know about. I've killed every kind of vile, black-souled, dead-eyed nightmare that ever made you piss your pjs and cry for mommy in the middle of the night. I kill monsters and, if I wanted, I could say a word and burn you to powder from the inside out. I can tear any human you ever met to rages with my bare hands. Give me one good reason why I could possibly need you? *She looks straight at me, not blinking. No fear in her eyes. *Because you might be the Tasmanian Devil and the Angel of Death all rolled into one, but you don't even know how to get a phone. *I hate to admit it, but she has a point.
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
This explains so much," she said, clucking her tongue in mother-hen fashion. "You're compensating for this withered appendage." Withered appendage? What the devil was she talking about? He shook his head, trying to clear it. Colin's dire predictions of shriveled twigs and dried currants rattled in his skull. Wide awake now, he fought to sit up, wrestling the sheets. "Listen, you. I don't know what sort of liberties you've taken while I was insensible, or just what your spinster imagination prepared you to see. But I'll have you know, that water was damned cold." She blinked at him. "I'm referring to your leg." "Oh." His leg. That withered appendage
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
A Brief for the Defense Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils. But we enjoy our lives because that's what God wants. Otherwise the mornings before summer dawn would not be made so fine. The Bengal tiger would not be fashioned so miraculously well. The poor women at the fountain are laughing together between the suffering they have known and the awfulness in their future, smiling and laughing while somebody in the village is very sick. There is laughter every day in the terrible streets of Calcutta, and the women laugh in the cages of Bombay. If we deny our happiness, resist our satisfaction, we lessen the importance of their deprivation. We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world. To make injustice the only measure of our attention is to praise the Devil. If the locomotive of the Lord runs us down, we should give thanks that the end had magnitude. We must admit there will be music despite everything. We stand at the prow again of a small ship anchored late at night in the tiny port looking over to the sleeping island: the waterfront is three shuttered cafés and one naked light burning. To hear the faint sound of oars in the silence as a rowboat comes slowly out and then goes back is truly worth all the years of sorrow that are to come.
Jack Gilbert (Refusing Heaven: Poems)
What is to be done with the millions of facts that bear witness that men, consciously, that is fully understanding their real interests, have left them in the background and have rushed headlong on another path, to meet peril and danger, compelled to this course by nobody and by nothing, but, as it were, simply disliking the beaten track, and have obstinately, wilfully, struck out another difficult, absurd way, seeking it almost in the darkness. So, I suppose, this obstinacy and perversity were pleasanter to them than any advantage... The fact is, gentlemen, it seems there must really exist something that is dearer to almost every man than his greatest advantages, or (not to be illogical) there is a most advantageous advantage (the very one omitted of which we spoke just now) which is more important and more advantageous than all other advantages, for the sake of which a man if necessary is ready to act in opposition to all laws; that is, in opposition to reason, honour, peace, prosperity -- in fact, in opposition to all those excellent and useful things if only he can attain that fundamental, most advantageous advantage which is dearer to him than all. "Yes, but it's advantage all the same," you will retort. But excuse me, I'll make the point clear, and it is not a case of playing upon words. What matters is, that this advantage is remarkable from the very fact that it breaks down all our classifications, and continually shatters every system constructed by lovers of mankind for the benefit of mankind. In fact, it upsets everything... One's own free unfettered choice, one's own caprice, however wild it may be, one's own fancy worked up at times to frenzy -- is that very "most advantageous advantage" which we have overlooked, which comes under no classification and against which all systems and theories are continually being shattered to atoms. And how do these wiseacres know that man wants a normal, a virtuous choice? What has made them conceive that man must want a rationally advantageous choice? What man wants is simply independent choice, whatever that independence may cost and wherever it may lead. And choice, of course, the devil only knows what choice. Of course, this very stupid thing, this caprice of ours, may be in reality, gentlemen, more advantageous for us than anything else on earth, especially in certain cases… for in any circumstances it preserves for us what is most precious and most important -- that is, our personality, our individuality. Some, you see, maintain that this really is the most precious thing for mankind; choice can, of course, if it chooses, be in agreement with reason… It is profitable and sometimes even praiseworthy. But very often, and even most often, choice is utterly and stubbornly opposed to reason ... and ... and ... do you know that that, too, is profitable, sometimes even praiseworthy? I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! …And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don't know? You will scream at me (that is, if you condescend to do so) that no one is touching my free will, that all they are concerned with is that my will should of itself, of its own free will, coincide with my own normal interests, with the laws of nature and arithmetic. Good heavens, gentlemen, what sort of free will is left when we come to tabulation and arithmetic, when it will all be a case of twice two make four? Twice two makes four without my will. As if free will meant that!
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
As a writer you slant all evidence in favor of the conclusions you want to produce and you rarely tilt in favor of the truth. ...This is what a writer does: his life is a maelstrom of lying. Embellishment is his focal point. This is what we do to please others. This is what we do in order to flee ourselves. A writer's physical life is basically one of stasis, and to combat this constraint, an opposite world and another self have to be constructed daily. ...the half world of a writer's life encourages pain and drama, and defeat is good for art: if it was day we made it night, if it was love we made it hate, serenity becomes chaos, kindness became viciousness, God became the devil, a daugher became a whore. I had been inordinately rewarded for participating in this process, and lying often leaked from my writing life--an enclosed sphere of consciousness, a place suspended outside of time, where the untruths flowed onto the whiteness of a blank screen--into the part of me that was tactile and alive.
Bret Easton Ellis (Lunar Park)
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds. And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
Robert G. Ingersoll