Despair Of The Endless Quotes

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I painted stars and the moon and clouds and just endless, dark sky.” I finished the sixth, and was well on my way sawing through the seventh before I said, “I never knew why. I rarely went outside at night—usually, I was so tired from hunting that I just wanted to sleep. But I wonder … ” I pulled out the seventh and final arrow. “I wonder if some part of me knew what was waiting for me. That I would never be a gentle grower of things, or someone who burned like fire—but that I would be quiet and enduring and as faceted as the night. That I would have beauty, for those who knew where to look, and if people didn’t bother to look, but to only fear it … Then I didn’t particularly care for them, anyway. I wonder if, even in my despair and hopelessness, I was never truly alone. I wonder if I was looking for this place—looking for you all.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
It is possible to suffer and despair an entire lifetime and still not give up the art of laughter.
Madeleine L'Engle (A Ring of Endless Light (Austin Family Chronicles, #4))
In tragedy and despair, when an endless night seems to have fallen, hope can be found in the realization taht the companion of night is not another night, that the companion of night is day, that darkness always gives way to light, and that death rules only half of creation, life the other half.
Dean Koontz (Lightning)
Harrow was too amazed by her body's expanding capacity for despair. It was as though her feeling had doubled even as she looked at it, unfolding, like falling down an endless flight of stairs. She dug her hands into the mattress and she cried for Gideon Nav.
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
To be Despair. It is a portrait. Only close your eyes and feel.
Neil Gaiman (The Sandman: Endless Nights)
Despite her apparent freedom, her life consisted of endless hours spent waiting for a miracle, for true love, for an adventure with the same romantic ending she had seen in films and read about in books. A writer once said that it is not time that changes man, nor knowledge; the only thing that can change someone's mind is love. What nonsense! The person who wrote that clearly knew only one side of the coin. Love was undoubtedly one of the things capable of changing a person's whole life, from one moment to the next. But there was the other side of the coin, the second thing that could make a human being take a totally different course from the one he or she had planned; and that was called despair. Yes, perhaps love really could transform someone, but despair did the job more quickly.
Paulo Coelho (Eleven Minutes)
Anger was better than feeling nothing; because anger and hatred were the long-lasting fuel in the endless dark of my despair. The same way that music had kept me from breaking.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
…there is endless despair at the centre of every narcissistic self-portrait.
M. John Harrison (The Course of the Heart)
Days and nights passed over this despair of flesh, but one morning he awoke, looked (with calm now) at the blurred things that lay about him, and felt, inexplicably, the way one might feel upon recognizing a melody or a voice, that all this had happened to him before and that he had faced it with fear but also with joy and hopefulness and curiosity. Then he descended into his memory, which seemed to him endless, and managed to draw up from that vertigo the lost remembrance that gleamed like a coin in the rain - perhaps because he had never really looked at it except (perhaps) in a dream.
Jorge Luis Borges (Collected Fictions)
Tonight I Can Write Tonight I can write the saddest lines. Write, for example, 'The night is starry and the stars are blue and shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms. I kissed her again and again under the endless sky. She loved me, sometimes I loved her too. How could one not have loved her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is starry and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight tries to find her as though to bring her closer. My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. As she was before my kisses. Her voice, her bright body. Her infinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my soul is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
But even as hope died in Sam, or seemed to die, it was turned to new strength. Sam's plain hobbit-face grew stern, almost grim, as the will hardened in him, and he felt though all his limbs a thrill, as if he was turning into some creature of stone and steel that neither despair nor weariness nor endless barren miles could subdue.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings #3))
Sounds of depression remembering rejection Hope turns to despair black roses everywhere Keep hearing echoes voices in my mind repeating endless lies evil in disguise
Diana Rasmussen (Snow White Darkness)
I don't know if it be a peculiarity in me, but I am seldom otherwise than happy while watching in the chamber of death, should no frenzied or despairing mourner share the duty with me. I see a repose that neither earth nor hell can break; and I feel and assurance of the endless and shadowless hereafter - the Eternity they have entered - where life is boundless in its duration, and love in its sympathy, and joy in its fulness.
Emily Brontë (Wuthering Heights)
Maria, lonely prostitute on a street of pain, You, at least, hail me and speak to me While a thousand others ignore my face. You offer me an hour of love, And your fees are not as costly as most. You are the madonna of the lonely, The first-born daughter in a world of pain. You do not turn fat men aside, Or trample on the stuttering, shy ones, You are the meadow where desperate men Can find a moment's comfort. Men have paid more to their wives To know a bit of peace And could not walk away without the guilt That masquerades as love. You do not bind them, lovely Maria, you comfort them And bid them return. Your body is more Christian than the Bishop's Whose gloved hand cannot feel the dropping of my blood. Your passion is as genuine as most, Your caring as real! But you, Maria, sacred whore on the endless pavement of pain, You, whose virginity each man may make his own Without paying ought but your fee, You who know nothing of virgin births and immaculate conceptions, You who touch man's flesh and caress a stranger, Who warm his bed to bring his aching skin alive, You make more sense than stock markets and football games Where sad men beg for virility. You offer yourself for a fee--and who offers himself for less? At times you are cruel and demanding--harsh and insensitive, At times you are shrewd and deceptive--grasping and hollow. The wonder is that at times you are gentle and concerned, Warm and loving. You deserve more respect than nuns who hide their sex for eternal love; Your fees are not so high, nor your prejudice so virtuous. You deserve more laurels than the self-pitying mother of many children, And your fee is not as costly as most. Man comes to you when his bed is filled with brass and emptiness, When liquor has dulled his sense enough To know his need of you. He will come in fantasy and despair, Maria, And leave without apologies. He will come in loneliness--and perhaps Leave in loneliness as well. But you give him more than soldiers who win medals and pensions, More than priests who offer absolution And sweet-smelling ritual, More than friends who anticipate his death Or challenge his life, And your fee is not as costly as most. You admit that your love is for a fee, Few women can be as honest. There are monuments to statesmen who gave nothing to anyone Except their hungry ego, Monuments to mothers who turned their children Into starving, anxious bodies, Monuments to Lady Liberty who makes poor men prisoners. I would erect a monument for you-- who give more than most-- And for a meager fee. Among the lonely, you are perhaps the loneliest of all, You come so close to love But it eludes you While proper women march to church and fantasize In the silence of their rooms, While lonely women take their husbands' arms To hold them on life's surface, While chattering women fill their closets with clothes and Their lips with lies, You offer love for a fee--which is not as costly as most-- And remain a lonely prostitute on a street of pain. You are not immoral, little Maria, only tired and afraid, But you are not as hollow as the police who pursue you, The politicians who jail you, the pharisees who scorn you. You give what you promise--take your paltry fee--and Wander on the endless, aching pavements of pain. You know more of universal love than the nations who thrive on war, More than the churches whose dogmas are private vendettas made sacred, More than the tall buildings and sprawling factories Where men wear chains. You are a lonely prostitute who speaks to me as I pass, And I smile at you because I am a lonely man.
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
Dolor I have known the inexorable sadness of pencils, Neat in their boxes, dolor of pad and paper weight, All the misery of manilla folders and mucilage, Desolation in immaculate public places, Lonely reception room, lavatory, switchboard, The unalterable pathos of basin and pitcher, Ritual of multigraph, paper-clip, comma, Endless duplicaton of lives and objects. And I have seen dust from the walls of institutions, Finer than flour, alive, more dangerous than silica, Sift, almost invisible, through long afternoons of tedium, Dropping a fine film on nails and delicate eyebrows, Glazing the pale hair, the duplicate gray standard faces.
Theodore Roethke (The Lost Son & Other Poems)
There is a vast melancholy in the canticles of the wolves, melancholy infinite as the forest, endless as these long nights of winter and yet that ghastly sadness, that mourning for their own, irremediable appetites, can never move the heart for not one phrase in it hints at the possibility of redemption; grace could not come to the world from its own despair, only through some external mediator, so that, sometimes, the beast will look as if he half welcomes the knife that despatches him.
Angela Carter (The Company of Wolves)
Silence is where my demons lurk, taunting me endlessly day after day until the end of time...yet still I wait, revelling in their company...
Virginia Alison
Your heart is factually a part of the universe, which is a miracle of endless force and boundless beauty. There is literally no way that you are not part of that. Despair can force you to turn your eyes away from this fact, but it is the real truth and it will be waiting to be with you when you are free enough to turn back to it.
Jenny Slate (Little Weirds)
The writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit—for gallantry in defeat, for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally flags of hope and of emulation. I hold that a writer who does not believe in the perfectibility of man has no dedication nor any membership in literature.
John Steinbeck
So that you will hear me my words sometimes grow thin as the tracks of the gulls on the beaches. Necklace, drunken bell for your hands smooth as grapes. And I watch my words from a long way off. They are more yours than mine. They climb on my old suffering like ivy. It climbs the same way on damp walls. You are to blame for this cruel sport. They are fleeing from my dark lair. You fill everything, you fill everything. Before you they peopled the solitude that you occupy, and they are more used to my sadness than you are. Now I want them to say what I want to say to you to make you hear as I want you to hear me. The wind of anguish still hauls on them as usual. Sometimes hurricanes of dreams still knock them over. You listen to other voices in my painful voice. Lament of old mouths, blood of old supplications. Love me, companion. Don't forsake me. Follow me. Follow me, companion, on this wave of anguish. But my words become stained with your love. You occupy everything, you occupy everything. I am making them into an endless necklace for your white hands, smooth as grapes.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
I arrive now at the ineffable core of my story. And here begins my despair as a writer. All language is a set of symbols whose use among its speakers assumes a shared past. How, then, can I translate into words the limitless Aleph, which my floundering mind can scarcely encompass? Mystics, faced with the same problem, fall back on symbols: to signify the godhead, one Persian speaks of a bird that somehow is all birds; Alanus de Insulis, of a sphere whose center is everywhere and circumference is nowhere; Ezekiel, of a four-faced angel who at one and the same time moves east and west, north and south. (Not in vain do I recall these inconceivable analogies; they bear some relation to the Aleph.) Perhaps the gods might grant me a similar metaphor, but then this account would become contaminated by literature, by fiction. Really, what I want to do is impossible, for any listing of an endless series is doomed to be infinitesimal. In that single gigantic instant I saw millions of acts both delightful and awful; not one of them occupied the same point in space, without overlapping or transparency. What my eyes beheld was simultaneous, but what I shall now write down will be successive, because language is successive. Nonetheless, I'll try to recollect what I can.
Jorge Luis Borges
He wanted to write urgent love letters to her all day long and crowd the endless pages with desperate, uninhibited confessions of his humble worship and need with careful instructions for administering artificial respiration. He wanted to pour out to her in torrents of self-pity all his unbearable loneliness and despair and warn her never to leave the boric acid or the aspirin in reach of the children or to cross a street against the traffic light. He did not wish to worry her.
Joseph Heller (Catch-22)
Literature is as old as speech. It grew out of human need for it and it has not changed except to become more needed. The skalds, the bards, the writers are not separate and exclusive. From the beginning, their functions, their duties, and their responsibilities have been decreed by our species... the writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit - for gallantry in defeat, for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally flags of hope and of emulation. I hold that a writer who does not passionately believe in the perfectibility of man has no dedication nor any membership in literature.
John Steinbeck
I thought of Munch as I sketched, his theory that pain, love, and despair were links in an endless chain.
Ruta Sepetys (Between Shades of Gray)
sometimes—a lot of the time—it felt like her skin no longer fit her, and her body was only a collection of flaws to be fixed or at least disguised, an endless source of despair.
Jennifer Weiner (Mrs. Everything)
God does not exist, as neither does our hereafter, that second bogey being as easily disposed of as the first. Indeed, imagine yourself just dead—and suddenly wide awake in Paradise where, wreathed in smiles, your dear dead welcome you. Now tell me, please, what guarantee do you possess that those beloved ghosts are genuine; that it is really your dear dead mother and not some petty demon mystifying you, masked as your mother and impersonating her with consummate art and naturalness? There is the rub, there is the horror; the more so as the acting will go on and on, endlessly; never, never, never, never, never will your soul in that other world be quite sure that the sweet gentle spirits crowding about it are not fiends in disguise, and forever, and forever, and forever shall your soul remain in doubt, expecting every moment some awful change, some diabolical sneer to disfigure the dear face bending over you.
Vladimir Nabokov (Despair (Vintage International))
The city had seemed like a great place to discover who you are. It just seemed that there was a lot to experience here, as if all you had to do was show up and the city would take care of the rest, making sure you got the education, the maturing, the wising-up you needed. Its crowds, the noise, the endlessness of it all, the perpetual motion, felt exciting then—revealing—just the deep end I needed to jump into. There is something unique about New York, some quality, some matchless, pertinent combination of promise and despair, wizardry and counterfeit, abundance and depletion, that stimulates and allows for a reckoning to occur—maybe even forces it. The city pulls back the curtain on who you are; it tests you and shows you what you are made of in a way that has become iconic in our popular culture, and with good reason.
Sari Botton (Goodbye to All That: Writers on Loving and Leaving New York)
If the world gives you the blues, if you wake up in the middle of the night with waves of fear and senseless panic washing over you, I am your friend. If you’re overcome by a desperation that makes your mouth open for a scream that never comes out but just freezes your face in mute despair, then you and I have something in common. If you can’t understand them for the life of you, even though you’ve tried so hard, when that dislocation makes you feel like you’re the only one of your species on the planet, I know I can confide in you. If this endless ghetto of lies and heart break, this life-long run of fences and flickering neon signs, night sweats and suicidal urges makes you feel like stopping, just stopping, like stopping breathing, wait. Wait. You don’t have to tell me your name. You don’t have to prove yourself to me. I accept you. If you’re finding life to be the one thing that’s trying to kill you, I want you to stay alive to rise with the sun and fight back.
Henry Rollins (Solipsist (Henry Rollins))
If I forget you, let my right hand be forgotten,” her mouth was saying. “Add more also, if aught but death part me and thee.” And, unsteadily: “Griddle.” The hands must have withdrawn; she found herself facedown on the mattress, sobbing as she had not sobbed since she was a child. Someone said, “Everybody out. Go—” But this was more than she could take stock of. Harrow was too amazed by her body’s expanding capacity for despair. It was as though her feeling doubled even as she looked at it, unfolding, like falling down an endless flight of stairs. She dug her hands into the mattress and she cried for Gideon Nav.
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
Life is must be filled with endless hope.
Lailah Gifty Akita
Desire is endless and unappeasable, is most intense where most forbidden, and is never far from despair.
Allen Wheelis
Lead us, Evolution, lead us Up the future's endless stair; Chop us, change us, prod us, weed us. For stagnation is despair: Groping, guessing, yet progressing, Lead us nobody knows where. Wrong or justice, joy or sorrow, In the present what are they while there's always jam-tomorrow, While we tread the onward way? Never knowing where we're going, We can never go astray. To whatever variation Our posterity may turn Hairy, squashy, or crustacean, Bulbous-eyed or square of stern, Tusked or toothless, mild or ruthless, Towards that unknown god we yearn. Ask not if it's god or devil, Brethren, lest your words imply Static norms of good and evil (As in Plato) throned on high; Such scholastic, inelastic, Abstract yardsticks we deny. Far too long have sages vainly Glossed great Nature's simple text; He who runs can read it plainly, 'Goodness = what comes next.' By evolving, Life is solving All the questions we perplexed. Oh then! Value means survival- Value. If our progeny Spreads and spawns and licks each rival, That will prove its deity (Far from pleasant, by our present, Standards, though it may well be).
C.S. Lewis
I have no philosophy in which I can move like a fish in water or a bird on the wing. All I have is an endless struggle, every second of my life, between false consolations that only add to my feeling of powerlessness and deepen my despair, and true consolations that bring me momentary freedom. I should probably say the true consolation, because for me only one exists: the one that allows me to know myself as a free human being, within my own boundaries, untouchable.
Stig Dagerman (Notre besoin de consolation est impossible à rassasier)
This is what schizophrenia is: endless despair, endless, inconclusive treatment; endless clutching at little straws of betterness; endless realisation that that is all they are, is all there is.
Tim Salmon (Schizophrenia - Who Cares? - A Father's Story)
This sense of my own weakness and emptiness comforts me. I feel myself a mere speck of dust lost in space, yet I am part of that endless grandeur which envelopes me. I could never see why that should be cause for despair, since there could very well be nothing at all behind the black curtain.
Gustave Flaubert (Correspondance)
God never promised us an easy life. He never promised that we wouldn’t suffer, that we wouldn’t feel despair and loneliness and confusion and desperation. What he did promise was that in our suffering we would never be alone. And though we may sometimes make ourselves blind and deaf to his presence he is beside us and around us and within us always. We are never separated from his love. And he promised us something else, the most important promise of all. That there would be surcease. That there would be an end to our pain and our suffering and our loneliness, that we would be with him and know him, and this would be heaven. This man, who in life may have felt utterly alone, feels alone no more. This man, whose life may have been days and nights of endless waiting, is waiting no more. He is where God always knew he would be, in a place prepared. And for this we rejoice.
William Kent Krueger (Ordinary Grace)
What do you know about me? What do you know about love that comes into a life in which everything has become questionable? What is your cheap intoxication compared to that? When falling and falling suddenly changes, when the endless Why becomes the final You, when like a fata morgana above the desert of silence feeling suddenly arises, takes shape, and inexorably the delusion of the blood becomes a landscape compared with which all dreams are pale and commonplace? A landscape of silver, a city of filigree and rose quartz, shining like the bright reflection of blooming blood—what do you know about it? Do you think that one can talk about it so easily? That a glib tongue can quickly press it into a cliché of words or even of feelings? What do you know about graves that open and how one stands in dread of the many colorless empty nights of yesterday—yet they open and no skeletons now lie bleaching there, only earth is there, earth, fertile seeds, and already the first green. What do you know about that? You love the intoxication, the conquest, the Other You that wants to die in you and that will never die, you love the stormy deceit of the blood, but your heart will remain empty because one cannot keep anything that does not grow from within oneself. And not much can grow in a storm. It is in the empty nights of loneliness that it grows, if one does not despair. What do you know about it?
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
The inaugural morning at Merston High was officially over. It was no longer a mysterious place in Melody's imagination, filled with endless possibilities and hooks on which to hang hopes for a better tomorrow. It was completely - boringly - normal. Like meeting an online crush after months of e-flirting, the reality didn't live up to the fantasy. It was dull, predictable, and way more attractive in the photos.
Lisi Harrison (Monster High (Monster High, #1))
The descent beckons as the ascent beckoned Memory is a kind of accomplishment a sort of renewal even an initiation, since the spaces it opens are new places inhabited by hordes heretofore unrealized of new kinds— since their movements are toward new objectives (even though formerly they were abandoned) No defeat is made up entirely of defeat—since the world it opens is always a place formerly unsuspected. A world lost a world unsuspected beckons to new places and no whiteness (lost) is so white as the memory of whiteness With evening, love wakens though its shadows which are alive by reason of the sun shining— grow sleepy now and drop away from desire Love without shadows stirs now beginning to awaken as night advances The descent made up of despairs and without accomplishment realizes a new awakening: which is a reversal of despair For what we cannot accomplish, what is denied to love what we have lost in the anticipation— a descent follows endless and indestructible
William Carlos Williams
Solitude is one thing and being alone is another. Solitude can be isolation, an escape, an unwanted thing; but to be alone without the burden of life, with that utter freedom in which time/thought has never been, is to be with the universe. In solitude there is despairing loneliness, a sense of being abandoned, lost, craving for some kind of relationship, like a ship lost at sea. All our daily activity leads to this isolation, with its endless conflicts and miseries, and rare joys thrown in. This isolation is corruption, manifested in politics, in business and of course in organized religions. Corruption exists in the very high places and on the very doorstep. To be tied is corruption; any form of attachment leads to it, whether it be to a belief, faith, ideal, experience, or any conclusion.
J. Krishnamurti (Meeting Life: Writings and Talks on Finding Your Path Without Retreating from Society)
The writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit—for gallantry in defeat, for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally flags of hope and of emulation. I hold that a writer who does not believe in the perfectibility of man has no dedication nor any membership in literature. —Steinbeck Nobel Prize Acceptance Speech
John Steinbeck
Despair remembers. It is a peculiar, flat memory, in which things become black and bounded by the dark. There is joy in there, of course, and love, and touching. The presence that makes the present absence unbearable. Without triumph, without love, without joy, her work would be for nothing.
Neil Gaiman (The Sandman: Endless Nights)
Life is difficult. This is a great truth, one of the greatest truths.1 It is a great truth because once we truly see this truth, we transcend it. Once we truly know that life is difficult—once we truly understand and accept it—then life is no longer difficult. Because once it is accepted, the fact that life is difficult no longer matters. Most do not fully see this truth that life is difficult. Instead they moan more or less incessantly, noisily or subtly, about the enormity of their problems, their burdens, and their difficulties as if life were generally easy, as if life should be easy. They voice their belief, noisily or subtly, that their difficulties represent a unique kind of affliction that should not be and that has somehow been especially visited upon them, or else upon their families, their tribe, their class, their nation, their race or even their species, and not upon others. I know about this moaning because I have done my share. Life is a series of problems. Do we want to moan about them or solve them? Do we want to teach our children to solve them? Discipline is the basic set of tools we require to solve life’s problems. Without discipline we can solve nothing. With only some discipline we can solve only some problems. With total discipline we can solve all problems. What makes life difficult is that the process of confronting and solving problems is a painful one. Problems, depending upon their nature, evoke in us frustration or grief or sadness or loneliness or guilt or regret or anger or fear or anxiety or anguish or despair. These are uncomfortable feelings, often very uncomfortable, often as painful as any kind of physical pain, sometimes equaling the very worst kind of physical pain. Indeed, it is because of the pain that events or conflicts engender in us all that we call them problems. And since life poses an endless series of problems, life is always difficult and is full of pain as well as joy.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
Immensely tall trunks of trees, gray and leafless, rose up in endless succession as far as the eye could reach. Their roots were concealed in wide-spreading morasses, whose dreary water lay intensely black, still, and altogether terrible, beneath. And the strange trees seemed endowed with a human vitality, and waving to and fro their skeleton arms, were crying to the silent waters for mercy, in the shrill and piercing accents of the most acute agony and despair.
Edgar Allan Poe (Edgar Allan Poe: The Complete Tales and Poems)
Her eyes are grey. Her hair is straggly and wet. Her fingers are stubby. The nails are chewed and broken. Her teeth are crooked, jagged things. There is a vacancy in her gaze, a feeling of absence when you are near her that is impossible to put into words. Her sigil is the hooked ring. One day her hook will catch your heart. Describing her, we articulate what she is and why she is: when hope is past, she is there. She is in a thousand thousand waiting rooms and empty streets, in grey concrete buildings and anonymous hotels. She is on the other side of every mirror. When the eyes that look back at you know you too well, and no longer care for what they see, they are her eyes. She stands and waits, and in her posture the pain no longer tells you to live, and in her presence joy is unimaginable.
Neil Gaiman (The Sandman: Endless Nights)
I had come to New York when I was seventeen because—and maybe I was not fully conscious of this then—the city had seemed like a great place to discover who you are. It just seemed that there was a lot to experience here, as if all you had to do was show up and the city would take care of the rest, making sure you got the education, the maturing, the wising-up you needed. Its crowds, the noise, the endlessness of it all, the perpetual motion, felt exciting then—revealing—just the deep end I needed to jump into. There is something unique about New York, some quality, some matchless, pertinent combination of promise and despair, wizardry and counterfeit, abundance and depletion, that stimulates and allows for a reckoning to occur—maybe even forces it. The city pulls back the curtain on who you are; it tests you and shows you what you are made of in a way that has become iconic in our popular culture, and with good reason. In thirteen years, the city has kicked my ass and made me strong and served me well.
Rayhane Sanders (Goodbye to All That: Writers on Loving and Leaving New York)
Despair not. History is carved by men who did not have their fathers' favor.
Justinian Huang (The Emperor and the Endless Palace)
A procession of silver pencils marched down an endless tunnel of corruption.
Vladimir Nabokov (Despair (Vintage International))
To other cities, other machines, other forests of buildings of concrete where other men and women missed the stars at night and tended small plants on windowsills and kept tiny dogs and took them for walks along corridors in the endless procession of boxes and intersections and lights; where they rented space in other peoples's property so they had somewhere to sleep so they could get up and perform profit-related tasks they neither understood nor cared about, simply so they would be given the tokens of exchange they needed in order to rent the space in which they slept and snarled and watched television until finally some of them slipped out of the window and ran howling down the dark streeets, throwing off a numbness handed down from a society that was itself trapped in fracture and betrayal and despair; the lonely insane in a culture turning into a Christmas bauble, gaudy beauty wrapped around an emptiness coalescing faster and faster into parking lots and malls and waiting areas and virtual chat rooms--non places where nobody knew anything about anybody anymore.
Michael Marshall Smith
Ever since that troublemaker Eve handed that gullible Adam the fruit of the Tree of Knowledge of Good and Evil, they say, human beings have been continuously messing up and suffering the consequences. But in the depths of your darkest despair your Beloved calls to you: "Look," he says, and opens the fathomless beautiful wound of his heart so that you can peer inside. All creation is nestled there, bathed in beauty. "Do you see any sin here?" he asks. "Do you detect a shred of retribution?" You do not. All you perceive, from horizon to endless horizon, is love.
Mirabai Starr (The Showings of Julian of Norwich)
On Virtue O thou bright jewel in my aim I strive To comprehend thee. Thine own words declare Wisdom is higher than a fool can reach. I cease to wonder, and no more attempt Thine height t’explore, or fathom thy profound. But, O my soul, sink not into despair, Virtue is near thee, and with gentle hand Would now embrace thee, hovers o’er thine head. Fain would the heaven-born soul with her converse, Then seek, then court her for her promised bliss. Auspicious queen, thine heavenly pinions spread, And lead celestial Chastity along; Lo! now her sacred retinue descends, Arrayed in glory from the orbs above. Attend me, Virtue, thro’ my youthful years! O leave me not to the false joys of time! But guide my steps to endless life and bliss. Greatness, or Goodness, say what I shall call thee, To give an higher appellation still, Teach me a better strain, a nobler lay, O Thou, enthroned with Cherubs in the realms of day!
Phillis Wheatley
Waiting was a tragicomedy. There was this whole absurdist, endless, excruciating quality to it. We distract ourselves in a million different ways to delude ourselves into thinking that we're not "waiting", because waiting is unendurable. Waiting has demands. It percolates with fear and potential rejection, and threatens you with despair... There's always a wisp of hope in the hopelessness...
Teresa Toten (Beware That Girl)
My galley, charged with forgetfulness, Thorough sharp seas in winter nights doth pass 'Tween rock and rock; and eke mine enemy, alas, That is my lord, steereth with cruelness; And every oar a thought in readiness, As though that death were light in such a case. An endless wind doth tear the sail apace Of forced sighs and trusty fearfulness. A rain of tears, a cloud of dark disdain, Hath done the weared cords great hinderance; Wreathed with error and eke with ignorance. The stars be hid that led me to this pain. Drowned is reason that should me consort, And I remain despairing of the port.
Thomas Wyatt
Love without shadows stirs now beginning to waken as night advances. The descent made up of despairs and without accomplishment realizes a new awakening : which is a reversal of despair. For what we cannot accomplish, what is denied to love, what we have lost in the anticipation— a descent follows, endless and indestructible . Listen! — the pouring water! The dogs and trees conspire to invent a world—gone!
William Carlos Williams (Paterson (New Directions Paperback 806 806))
He thought that humans are like sheep, powerless and helpless, whose reins are in the ruthless hands of life. This life, like a cold-hearted shepherd, drives man toward an endless journey against his desires and will.
Muhammad Ijaz Ul Haq (The First Snowfall Of Winter: Love’s Eternal Light Amidst the Ruins of Despair)
As always, I do not blame anyone. I've tried great debauchery and exhausted my strength in it; but I don't like debauchery and I did not want it. You've been observing me lately. Do you know that I even looked at these negators of ours with spite, envying them their hopes? But your fears were empty: I could not be their comrade, because I shared nothing. Nor could I do it out of ridicule, for spite, and not because I was afraid of the ridiculous--I cannot be afraid of the ridiculous--but because, after all, I have the habits of a decent man and felt disgusted. Still, if I had more spite and envy for them, I might even have gone over to them....Your brother told me that he who loses his ties with his earth also loses his gods, that is, all his goals. One can argue endlessly about everything, but what poured out of me was only a negation, with no magnanimity and no force. Or not even negation. Everything is always shallow and listless. Magnanimous Kirillov could not endure his idea and--shot himself; but I do see that he was magnanimous because he was not in his right mind. I can never lose my mind, nor can I ever believe an idea to the same degree as he did. I cannot even entertain an idea to the same degree. I could never, never shoot myself! I know I ought to kill myself, to sweep myself off the earth like a vile insect; but I'm afraid of suicide, because I'm afraid of showing magnanimity. I know it will only be one more deceit--the last deceit in an endless series of deceits. What's the use of deceiving oneself just so as to play at magnanimity? There never can be indignation or shame in me; and so no despair either.
Fyodor Dostoevsky (Demons)
No one anticipated that this crazy push for speed—speed of the technology itself, and speed to discovery—would also be the root of personal disasters, of uncontrollable compulsivity, of endless pursuit culminating in an ultimate depression and despair.
Stephanie Brown (Speed: Facing Our Addiction to Fast and Faster--And Overcoming Our Fear of Slowing Down)
As far as I understand it, and it’s impossible not to understand it, you yourself, at the beginning and then again, very eloquently — albeit too theoretically — have been developing a picture of a Russia covered with an endless network of knots. For their part, each of the active groups, by proselytizing and branching out ad infinitum, has the task, through systematic denunciatory propaganda of constantly undermining the authority of the local authorities, creating confusion in the villages, fostering cynicism, scandals and an utter lack of belief in anything at all, a burning desire for something better, and finally, using fires as a measure that appeals primarily to the common people, to throw the country, at a designated moment, if necessary, even into a state of despair.
Fyodor Dostoevsky (Demons)
He closed the book and said, “We believe too often that on the roads we walk we walk alone. Which is never true. Even this man who is unknown to us was known to God and God was his constant companion. God never promised us an easy life. He never promised that we wouldn’t suffer, that we wouldn’t feel despair and loneliness and confusion and desperation. What he did promise was that in our suffering we would never be alone. And though we may sometimes make ourselves blind and deaf to his presence he is beside us and around us and within us always. We are never separated from his love. And he promised us something else, the most important promise of all. That there would be surcease. That there would be an end to our pain and our suffering and our loneliness, that we would be with him and know him, and this would be heaven. This man, who in life may have felt utterly alone, feels alone no more. This man, whose life may have been days and nights of endless waiting, is waiting no more. He is where God always knew he would be, in a place prepared. And for this we rejoice.
William Kent Krueger (Ordinary Grace)
The entire country of Finland (to hear Otto tell it) has been plunged into an endless night of existential despair and suicidal depression. The usual antidotes have been exhausted: self-flagellation with steeped birch twigs, mordant humor, week-long drinking bouts. The only thing to save Finland now is coffee.
Neal Stephenson (Cryptonomicon)
The Lover Compareth his State to a Ship in Perilous Storm Tossed on the Sea My galley chargèd with forgetfulness Thorough sharp seas, in winter nights doth pass 'Tween rock and rock; and eke mine enemy, alas, That is my lord, steereth with cruelness; And every oar a thought in readiness As though that death were light in such a case. An endless wind doth tear the sail apace Of forcèd sighs and trusty fearfulness. A rain of tears, a cloud of dark disdain, Hath done the wearied cords great hindrance Wreathèd with error and eke with ignorance. The stars be hid that led me to this pain. Drownèd is reason that should me consort, And I remain despairing of the port.
Thomas Wyatt (Selected Poems)
Only a few days after my encounter with the police, two patrolmen tackled Alton Sterling onto a car, then pinned him down on the ground and shot him in the chest while he was selling CDs in front of a convenience store, seventy-five miles up the road in Baton Rouge. A day after that, Philando Castile was shot in the passenger seat of his car during a police traffic stop in Falcon Heights, Minnesota, as his girlfriend recorded the aftermath via Facebook Live. Then, the day after Castile was killed, five policemen were shot dead by a sniper in Dallas. It felt as if the world was subsumed by cascades of unceasing despair. I mourned for the family and friends of Sterling and Castille. I felt deep sympathy for the families of the policemen who died. I also felt a real fear that, as a result of what took place in Dallas, law enforcement would become more deeply entrenched in their biases against black men, leading to the possibility of even more violence. The stream of names of those who have been killed at the hands of the police feels endless, and I become overwhelmed when I consider all the names we do not know—all of those who lost their lives and had no camera there to capture it, nothing to corroborate police reports that named them as threats. Closed cases. I watch the collective mourning transpire across my social-media feeds. I watch as people declare that they cannot get out of bed, cannot bear to go to work, cannot function as a human being is meant to function. This sense of anxiety is something I have become unsettlingly accustomed to. The familiar knot in my stomach. The tightness in my chest. But becoming accustomed to something does not mean that it does not take a toll. Systemic racism always takes a toll, whether it be by bullet or by blood clot.
Clint Smith
what was it, oh if only this kind of delay wasn’t happening just when Mai, away at college and so far from them, was coming back for a visit, you can never be sure of course, not even sure she was still his daughter, what he did seem to know was the wild sparrow in Madrid, chirping in despair like the chick this morning, endless cries ignored by merchants, standing with cross-armed in front of their shops, and about to sweep it away with the street dust under its golden newborn feathers, when would all this stop drumming in Daniel’s ears like the sparrow he’d left to its fate among the cables of the Madrid station, and this is what we all do without a clue how it leads to our undoing, unknowingly building airports, stations, steel and concrete deserts,
Marie-Claire Blais (Nothing for You Here, Young Man (Soifs Cycle Book 6))
Your heart is factually a part of the universe, which is a miracle of endless force and boundless beauty. There is literally no way that you are not part of that. Despair can force you to turn your eyes away from this fact, but it is the real truth and it will be waiting to be with you when you are free enough to turn back to it. Your heart is a planet. I can see that you are from the sky.
Jenny Slate (Little Weirds)
Over the past several months, Amelía’s Google history had become a reference of her despair: “can’t have children, reasons for infertility in women, reasons for infertility in men, discussing infertility with husband, price of surrogate mothers, signs of depression, adoption agencies, infertility support groups…” The endless searches only provided two categories of results: medical sites that took pride in listing every worst-case scenario, and blogs written by white women with phrases like “silent suffering” and “living with uncertainty,” mixing in Bible verses about God’s Grace, none of which filled the void or helped Aimee ignore the fact that Mother’s Day was a month away and she would have to watch her family celebrate the one thing she wanted most and might never have.
Jake Vander-Ark (The Day I Wore Purple)
I might be a shameless flirt, but at least I don't have a horrible temper. You should come tend to my wounds from our squabble in the snow. I'm bruised all over thanks to you. Something clicked against the nightstand, and a pen rolled across the polished mahogany. Hissing, I snatched it up and scribbed: Go lick your wounds and leave me be. The paper vanished. It was gone for a while- far longer than it should have taken to write the few words that appeared on the paper when it returned. I'd much rather you licked my wounds for me. My heart pounded, faster and faster, and a strange sort of rush went through my veins as I read the sentence again and again. A challenge. I clamped my lips shut to keep from smiling as I wrote, Lick you where exactly? The paper vanished before I'd even completed the final mark. His reply was a long time coming. Then, Wherever you want to lick me, Feyre. I'd like to start with "Everywhere," but I can choose, if necessary. I wrote back, Let's hope my licking is better than yours. I remember how horrible you were at it Under the Mountain. Lie. He'd licked away my tears when I'd been a moment away from shattering. He'd done it to keep me distracted- keep me angry. Because anger was better than feeling nothing; because anger and hatred were the long-lasting fuel in the endless dark of my despair. The same way that music had kept me from breaking. Lucien had come to patch me up a few times, but no one risked quite so much in keeping me not only alive, but as mentally intact as I could be considering the circumstances. Just as he'd been doing these past few weeks- taunting and teasing me to keep the hollowness at bay. Just as he was doing now. I was under duress, his next note read. If you want, I'd be more than happy to prove you wrong. I've been told I'm very, very good at licking. I clenched my knees together and wrote back, Good night. A heartbeat later, his note said, Try not to moan too loudly when you dream about me. I need my beauty rest. I got up, chucked the letter in the burbling fire, and gave it a vulgar gesture. I could have sworn laughter rumbled down the hall.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
He's in pain, an unrelenting agony that courses through every fiber of his being. Each moment feels like an eternity; each breath, a desperate gasp for relief from the torment that binds him. Time stretches on, seemingly without end, and the only thing left in his shattered memory is the gnawing hurt that eats away at his soul. Born into a world of cruelty and abuse, he's been shackled to a merciless existence on this unforgiving planet – a place where hope is snuffed out like a fragile flame in a storm, where each day is a gauntlet of pain that threatens to demolish whatever strength he can muster. Longing for reprieve and an end to his suffering, he feels trapped in a merciless cycle, haunted by a grim specter that appears to delight in tormenting him, mocking every futile attempt at happiness. In this endless dance of despair, he's left with nothing but the cruel weight of the agony that bears down upon his spirit like the oppressive force of gravity itself.
﹁ Aʟʟᴍɪɢʜᴛ ﹂ Oꜰꜰɪᴄɪᴀʟ
Man wills to make of earth, not one Jerusalem but two; this sacramental blood de- clears the double mind by which he wills to lift both lion and lamb beyond the killing to exchange unaccount- able and vast. Man's priestliness therefore bespeaks his refusal of despair; proclaims acceptance of a world which, by its murderous hand, subscribes the insupportable dilemma of its being—the war of lion and lamb having no other, likely outcome here than two im- possibilities: The one, a pride of victors feeding on the slain; but leaving the lion as he was before, trapped in ancient reciprocities by which at last all power falls to crows; And the other, a hymn to despair no victim will accept; it is not enough, in this paroxysm of two martyrdoms, to stand upon the ship- wrecks of the slain and praise the weak for weakness; the lamb's will, too, was life; he died refusing death. Sacrifice therefore Not written off, but recognized, a sign in blood of the vaster end of blood; a redness turning all things white; an impossibility prefiguring the last exchange of all. The old order, of course, unchanged; the deaths of bulls and goats achieving nothing; Aaron still ineffectual; creation still bloody; But haunted now by bells within the veil where Aaron walks in shadows sprinkling blood and bids a new Jerusalem descend. Endless smoke now rising Lion become priest And lamb victim The world awaits The unimaginable union By which the Lion lifts Himself Lamb slain And, Priest and Victim, Brings The City Home.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
Blind Heart’s. In the circle of life, a sorrowful tale, Where death and life dance an endless wail. Hungry eyes search for morsels to devour, Survival's cruel game with each passing hour. Angst and fear grip hearts, cold and bleak, Aching souls yearning for solace they seek. In a world that lacks fairness, unjust and unkind, Tears fall like rain, leaving scars behind. Hatred and love, a twisted embrace, In this nature of existence, a bitter chase. For when darkness looms, Love hides in despair, Yet hate finds its mark, leaving hearts threadbare. We, people who turn blind eyes to the cries, As if suffering and anguish were mere lies. Ignoring the plight that surrounds us all, Humanity's downfall, a deafening fall. But what of the animals, creatures so dear? Caught in this cycle, their voices unclear. Silently they suffer, their pain left unheard, In nature's cruel script, an unspoken word. Children on ground, black and white Dying, Drying while survival trying. Scars defining not body, but soul Oh light, forgive us Lord. The circle spins on, in sorrow it turns, A tragic symphony, where hope rarely burns. In this poem of life, where sadness takes hold, Let us open our eyes, let compassion unfold.
Astivan Mirza
Celebrate your accomplishments so thoroughly as to burn the bridge to whom you were before,’” Claudia responded. “This is extremely important, especially on a lifelong journey. You must stop from time to time and lay claim to the progress you have made. And close off the option of retreating to a smaller version of yourself. Your accomplishments may be new skills or abilities, or new horizons that you could not see before. It could be new relationships or new possibilities in existing relationships. By claiming them, you mark your progress. It helps to fight off the despair when the way before you seems endless.
Alison A. Armstrong (The Queen's Code)
Others will appear, with more serious intentions, who, on the basis of the same despairing nihilism, will insist on ruling the world. These are the Grand Inquisitors who imprison Christ and come to tell Him that His method is not correct, that universal happiness cannot be achieved by the immediate freedom of choosing between good and evil, but by the domination and unification of the world. The first step is to conquer and rule. The kingdom of heaven will, in fact, appear on earth, but it will be ruled over by men—a mere handful to begin with, who will be the Cassars, because they were the first to understand—and later, with time, by all men. The unity of all creation will be achieved by every possible means, since everything is permitted. The Grand Inquisitor is old and tired, for the knowledge he possesses is-bitter. He knows that men are lazy rather than cowardly and that they prefer peace and death to the liberty of discerning between good and evil. He has pity, a cold pity, for the silent prisoner whom history endlessly deceives. He urges him to speak, to recognize his misdeeds, and, in one sense, to approve the actions of the Inquisitors and of the Caesars. But the prisoner does not speak. The enterprise will continue, therefore, without him; he will be killed.
Albert Camus (The Rebel)
Only last Sunday, when poor wretches were gay—within the walls playing with children among the clipped trees and the statues in the Palace Garden; walking, a score abreast, in the Elysian Fields, made more Elysian by performing dogs and wooden horses; between whiles filtering (a few) through the gloomy Cathedral of Our Lady to say a word or two at the base of a pillar within flare of a rusty little gridiron-full of gusty little tapers; without the walls encompassing Paris with dancing, love-making, wine-drinking, tobacco-smoking, tomb-visiting, billiard card and domino playing, quack-doctoring, and much murderous refuse, animate and inanimate—only last Sunday, my Lady, in the desolation of Boredom and the clutch of Giant Despair, almost hated her own maid for being in spirits. She cannot, therefore, go too fast from Paris. Weariness of soul lies before her, as it lies behind—her Ariel has put a girdle of it round the whole earth, and it cannot be unclasped—but the imperfect remedy is always to fly from the last place where it has been experienced. Fling Paris back into the distance, then, exchanging it for endless avenues and cross-avenues of wintry trees! And, when next beheld, let it be some leagues away, with the Gate of the Star a white speck glittering in the sun, and the city a mere mound in a plain—two dark square towers rising out of it, and light and shadow descending on it aslant, like the angels in Jacob's dream!
Charles Dickens (Bleak House)
All overt and covert emotions would shrivel without the beam of contrast and comparison to supply context and implication. We need the value of counterpoise to recognize and distinguish between similar and dissimilar concepts. How do we identify the importance of hope if we never felt despair? How do we appreciate the value of society and companionship until we experience solitude and loneliness? What would any relationship be unless draped with the boughs of thoughts and feelings, without the ongoing interaction between conscientious action and unreserved devotion, without endless empathy fused with boundless love? In the ring of time, without the verve supplied by both the real and the imaginary, life would be bland, insipid, and lackluster.
Kilroy J. Oldster (Dead Toad Scrolls)
Then for a brief moment he saw everything completely differently. Open space, empty and endless, stretched away in all “directions. Everything within this dead expanse, every living thing was helpless and alone. Things were happening by accident, and when the accident failed, automatic law appeared – the rhythmical machinery of nature, the cogs and pistons of history, conformity with the rules that was rotting from the inside and crumbling to dust. Cold and sorrow reigned everywhere. Every creature was trying to huddle up to something, to cling to something, to things, to each other, but all that resulted was suffering and despair. The quality of what Izydor saw was temporality. Under a colourful outer coating everything was merging in collapse, decay, and destruction.
Olga Tokarczuk (Primeval and Other Times)
As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you. From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf. But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down. You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.
C.G. Jung (The Red Book: Liber Novus)
Most of us seek security of some kind because our lives are an endless conflict, from the moment we are born to the moment we die. The boredom of life and the anxiety of life; the despair of existence; the feeling that you want to be loved, and you are not loved; the shallowness, the pettiness, the travail of everyday existence—that is our life. In that life there is danger, there is apprehension; nothing is certain; there is always the uncertainty of tomorrow. So you are all the time pursuing security, consciously or unconsciously; you want to find a permanent state, psychologically first and outwardly afterwards—it is always psychological first, not outward. You want a permanent state where you will not be disturbed by anything, by any fear, by any anxiety, by any sense of uncertainty, by any sense of guilt. That is what most of us want. That is what most of us seek outwardly as well as inwardly.
J. Krishnamurti (Relationships to Oneself, to Others, to the World)
Welfare was taking away the very thing that people needed most—the initiative to provide for themselves. At the same time it was undermining the family: Teenagers from the inner cities, who for various reasons decided they didn’t want to live at home anymore, discovered that by getting pregnant—they didn’t even have to wait for their baby to be born—they got a welfare check that allowed them to rent their own apartment, and they discovered they could increase their monthly welfare check any time they chose simply by getting pregnant again. Meanwhile, the father of the child might have a good job and want to live with his family. But he was told his family was better off financially if he walked out on them; if he stayed, they wouldn’t get a welfare check. Not only was the welfare program a tax-financed incentive for immorality that was destroying the family, it was responsible for an endless and malignant cycle of despair in which generation after generation went on the dole and never had any incentive to leave it.
Ronald Reagan (An American Life: The Autobiography)
I had small experience of the evil hopelessness, pain, starvation, and terror that the world spread about; I had barely seen people’s malice and greed. I believed that in civilized countries, torture had ended with the Enlightenment. Of nations’ cruel options I knew nothing. My optimism was endless; it grew sky-high within the narrow bounds of my isolationism. Because I was all untried courage, I could not allow that the loss of courage was a real factor to be reckoned in. I put my faith in willpower, that weak notion by which children seek to replace the loving devotion that comes from intimate and dedicated knowledge. I believed that I could resist aging by willpower. I believed then, too, that I would never harm anyone. I usually believed I would never meet a problem I could not solve. I would overcome any weakness, any despair, any fear. Hadn’t I overcome my fear of the ghosty oblong that coursed round my room, simply by thinking it through? Everything was simple. You found good work, learned all about it, and did it.
Annie Dillard (An American Childhood)
But over the years, of pain and distaste for what her mother had once called 'the horrible side of married life', of lonely days filled with aimless pursuits or downright boredom, of pregnancies, nurses, servants and the ordering of endless meals, it had come to seem as though she had given up of everything for not very much. She had journeyed towards this conclusion by stages hardly perceptible to herself, disguising discontent with some new activity which, as she was a perfectionist, would quickly absorb her. But when she had mastered the art, or the craft, or the technique involved in whatever it was, she realised that her boredom was intact and was simply waiting for her to stop playing with a loom, a musical instrument, a philosophy, a language, a charity or a sport and return to recognising the essential futility of her life. Then, bereft of distracton, she would relapse into a kind of despair as each pursuit betrayed her, failing to provide the raison d'être that had been her reason for taking it up in the first place.
Elizabeth Jane Howard
We believe too often that on the roads we walk we walk alone. Which is never true. Even this man who is unknown to us was known to God and God was his constant companion. God never promised us an easy life. He never promised that we wouldn’t suffer, that we wouldn’t feel despair and loneliness and confusion and desperation. What he did promise was that in our suffering we would never be alone. And though we may sometimes make ourselves blind and deaf to his presence he is beside us and around us and within us always. We are never separated from his love. And he promised us something else, the most important promise of all. That there would be surcease. That there would be an end to our pain and our suffering and our loneliness, that we would be with him and know him, and this would be heaven. This man, who in life may have felt utterly alone, feels alone no more. This man, whose life may have been days and nights of endless waiting, is waiting no more. He is where God always knew he would be, in a place prepared. And for this we rejoice.
William Kent Krueger (Ordinary Grace)
V. So That You Will Hear Me" So that you will hear me my words sometimes grow thin as the tracks of the gulls on the beaches. Necklace, drunken bell for your hands smooth as grapes. And I watch my words from a long way off. They are more yours than mine. They climb on my old suffering like ivy. It climbs the same way on damp walls. You are to blame for this cruel sport. They are fleeing from my dark lair. You fill everything, you fill everything. Before you they peopled the solitude that you occupy, and they are more used to my sadness than you are. Now I want them to say what I want to say to you to make you hear as I want you to hear me. The wind of anguish still hauls on them as usual. Sometimes hurricanes of dreams still knock them over. You listen to other voices in my painful voice. Lament of old mouths, blood of old supplications. Love me, companion. Don't forsake me. Follow me. Follow me, companion, on this wave of anguish. But my words become stained with your love. You occupy everything, you occupy everything. I am making them into an endless necklace for you white hands, smooth as grapes.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
He paused a little; then kneeling in the pulpit’s bows, folded his large brown hands across his chest, uplifted his closed eyes, and offered a prayer so deeply devout that he seemed kneeling and praying at the bottom of the sea. This ended, in prolonged solemn tones, like the continual tolling of a bell in a ship that is foundering at sea in a fog — in such tones he commenced reading the following hymn; but changing his manner towards the concluding stanzas, burst forth with a pealing exultation and joy — The ribs and terrors in the whale, Arched over me a dismal gloom, While all God’s sun-lit waves rolled by, And lift me deepening down to doom. I saw the opening maw of hell, With endless pains and sorrows there; Which none but they that feel can tell- Oh, I was plunging to despair. In black distress, I called my God, When I could scarce believe him mine, He bowed his ear to my complaints- No more the whale did me confine. With speed he flew to my relief, As on a radiant dolphin borne; Awful, yet bright, as lightning shone The face of my Deliverer God. My song for ever shall record That terrible, that joyful hour; I give the glory to my God, His all the mercy and the power.
Herman Melville (Moby Dick)
In a prior age, the human experience was understood as the temporal embodiment of desire, delight, fear, grief, faith, love, hope, hatred, horror, sympathy, gentleness, kindness, loyalty, fidelity, sublimity, desperation, chagrin, anger, fury, wrath, distress, discomposure, shame, dignity, indignity, glory, contempt, slight, heartbreak, fondness, tenderness, adoration, infatuation, compassion, goodwill, worship, sorrow, anguish, despair, woe, dejection, despondency, duty, angst, reverence, respect, esteem, exaltation, melancholy, disquiet, weariness, felicity, glee, bliss, ecstasy, rapture, euphoria, exhilaration, rhapsody, brotherhood, contemplation, mediation, surrender, fancy, impulse, yearning, thirst, hankering, pining, enthusiasm, need, obligation, fancy, mystery, helplessness, luck, recklessness, boldness, fearlessness, wildness, sorrow, regret, gloom, heavyheartedness, and dreaminess and ten thousand others. These are the sentiments which great art compels us to feel. But mediocre art truncates the human experience. It prunes and lops off all the diversity and richness of life and leaves us with little more than lust, amusement, self-fulfillment, and the resentment which comes from our endless search for the power that now attends victimhood.
Joshua Gibbs (Love What Lasts: How to Save Your Soul from Mediocrity)
Evidence of the failure to love is everywhere around us. To contemplate what it is to love today brings us up against reefs of darkness and walls of despair. If we are to manage the havoc—ocean acidification, corporate malfeasance and government corruption, endless war—we have to reimagine what it means to live lives that matter, or we will only continue to push on with the unwarranted hope that things will work out. We need to step into a deeper conversation about enchantment and agape, and to actively explore a greater capacity to love other humans. The old ideas—the crushing immorality of maintaining the nation-state, the life-destroying belief that to care for others is to be weak, and that to be generous is to be foolish—can have no future with us. It is more important now to be in love than to be in power. It is more important to bring E. O. Wilson’s biophilia into our daily conversations than it is to remain compliant in a time of extinction, ethnic cleansing, and rising seas. It is more important to live for the possibilities that lie ahead than to die in despair over what has been lost. Only an ignoramus can imagine now that pollinating insects, migratory birds, and pelagic fish can depart our company and that we will survive because we know how to make tools. Only the misled can insist that heaven awaits the righteous while they watch the fires on Earth consume the only heaven we have ever known.
Barry Lopez (Embrace Fearlessly the Burning World: Essays)
He looks forlornly ahead of him, gazing at the road but looking at nothing in particular. The whole world is one big giant ball of light to him, and he feels like a bug inside it, waiting to be squashed. He feels like there is no sense of purpose, no direction. There is nothing waiting for him at the end of the rainbow. No pot of gold for all the pain he is feeling now, or the pain he has felt before. He just feels empty and lost, as if he is looking for something that can never be found. He feels lost that he can’t explain it to anyone and that no one will understand. He feels left out, standing alone, waiting endlessly for a ray of hope which never comes. He has suffered through this before, lurking in the shadows of his own despair, fighting for his life and losing the battle. But nothing ever makes this pain go away. Or the fear. He doesn’t fear what people fear. Not the loss of life or riches—Roman fears losing himself in this swamp called existence. He fears becoming the person he doesn’t want to become, and most of all, he fears himself. Fears his own potential to destroy and destruct. To obliterate. To suffocate his own life. He fears all that and he is afraid no one will ever know what his heart aches for, or how bad he has it. At times he feels the urge to tell this to someone, but other times he just enjoys being silent, watching on like a passerby at his own life, an observer rather than someone who’s actually living it.
Sam Hunter (The Devil's Breath)
Matthias was in the dark. And it wasn’t the kind of dark that came with a room that didn’t have any lights on or when you were walking around at night in the country. This was not even the kind you got when you shut your eyes and wrapped your head in a blanket. This was the one that seeped in through your skin and filled the spaces between your molecules, the one that polluted your flesh into a permanent state of rotting, the one that wiped clean your past and your future, suspending you in a choking, adhesive solution of sorrow and despair. He was not alone in this horrible prison. As he writhed in the weightless void, others did the same, their voices mixing with his own as pleas escaped from cracked lips and the endless begging for mercy rose and fell like the breathing of a great beast. From time to time, he was chosen for special attention, clawed monsters with fanged maws latching on, yanking and pulling. The wounds they imparted always healed as quickly as they were wrought, providing an ever-fresh canvas for their masticating artwork. Time had no meaning; nor did age. And he knew he was never getting out. This was his due. This was his eternal payment for the way he had lived his life: He had earned this place in Hell through his sins upon the earth, and yet still, he argued the unfairness to the others he was trapped with. Tough debate, though. There was little on the good side to support his bid for freedom; more to the point, nobody was listening.
J.R. Ward (Rapture (Fallen Angels, #4))
The God of theological theism is a being beside others and as such a part of the whole of reality. He certainly is considered its most important part, but as a part and therefore as subjected to the structure of the whole. He is supposed to be beyond the ontological elements and categories which constitute reality. But every statement subjects him to them. He is seen as a self which has a world, as an ego which is related to a thou, as a cause which is separated from its effect, as having a definite space and an endless time. He is a being, not being-itself. As such he is bound to the subject-object structure of reality, he is an object for us as subjects. At the same time we are objects for him as a subject. And this is decisive for the necessity of transcending theological theism. For God as a subject makes me into an object which is nothing more than an object. He deprives me of my subjectivity because he is all-powerful and all-knowing. I revolt and try to make him into an object, but the revolt fails and becomes desperate. God appears as the invincible tyrant the being in contrast with whom all other beings are without freedom and subjectivity. He is equated with the recent tyrants who with the help of terror try to transform everything into a mere object, a thing among things, a cog in the machine they control. He becomes the model of everything against which Existentialism revolted. This is the God Nietzsche said had to be killed because nobody can tolerate being made into a mere object of absolute knowledge and absolute control. This is the deepest root of atheism. It is an atheism which is justified as the reaction against theological theism and its disturbing implications. It is also the deepest root of the Existentialist despair and the widespread anxiety of meaninglessness in our period.
Paul Tillich (The Courage to Be)
Yet at least he had believed in the cars. Maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bringing the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopelessly of children, supermarket booze, two, sometimes three generations of cigarette smokers, or only of dust and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of .05 or .10, trading stamps, pink flyers advertising specials at the markets, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a gray dressing of ash, condensed exhaust, dust, body wastesit made him sick to look, but he had to look. If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.
Thomas Pynchon (The Crying of Lot 49)
About twelve o’clock that night was born the Catherine you saw at Wuthering Heights: a puny, seven-months’ child; and two hours after the mother died, having never recovered sufficient consciousness to miss Heathcliff, or know Edgar. The latter’s distraction at his bereavement is a subject too painful to be dwelt on; its after-effects showed how deep the sorrow sunk. A great addition, in my eyes, was his being left without an heir. I bemoaned that, as I gazed on the feeble orphan; and I mentally abused old Linton for (what was only natural partiality) the securing his estate to his own daughter, instead of his son’s. An unwelcomed infant it was, poor thing! It might have wailed out of life, and nobody cared a morsel, during those first hours of existence. We redeemed the neglect afterwards; but its beginning was as friendless as its end is likely to be. Next morning—bright and cheerful out of doors—stole softened in through the blinds of the silent room, and suffused the couch and its occupant with a mellow, tender glow. Edgar Linton had his head laid on the pillow, and his eyes shut. His young and fair features were almost as deathlike as those of the form beside him, and almost as fixed: but his was the hush of exhausted anguish, and hers of perfect peace. Her brow smooth, her lids closed, her lips wearing the expression of a smile; no angel in heaven could be more beautiful than she appeared. And I partook of the infinite calm in which she lay: my mind was never in a holier frame than while I gazed on that untroubled image of Divine rest. I instinctively echoed the words she had uttered a few hours before: ‘Incomparably beyond and above us all! Whether still on earth or now in heaven, her spirit is at home with God!’ I don’t know if it be a peculiarity in me, but I am seldom otherwise than happy while watching in the chamber of death, should no frenzied or despairing mourner share the duty with me. I see a repose that neither earth nor hell can break, and I feel an assurance of the endless and shadowless hereafter—the Eternity they have entered—where life is boundless in its duration, and love in its sympathy, and joy in its fulness. I noticed on that occasion how much selfishness there is even in a love like Mr. Linton’s, when he so regretted Catherine’s blessed release! To be sure, one might have doubted, after the wayward and impatient existence she had led, whether she merited a haven of peace at last. One might doubt in seasons of cold reflection; but not then, in the presence of her corpse. It asserted its own tranquillity, which seemed a pledge of equal quiet to its former inhabitant.
Emily Brontë (Wuthering Heights)
How have individuals been affected by the technological advances of recent years? Here is the answer to this question given by a philosopher-psychiatrist, Dr Erich Fromm: ‘Our contemporary Western society, in spite of its material, intellectual and political progress, is increasingly less conducive to mental health, and tends to undermine the inner security, happiness, reason and the capacity for love in the individual; it tends to turn him into an automaton who pays for his human failure with increasing mental sickness, and with despair hidden under a frantic drive for work and so-called pleasure.’ Our ‘increasing mental sickness’ may find expression in neurotic symptoms. These symptoms are conspicuous and extremely distressing. But ‘let us beware’, says Dr Fromm, ‘of defining mental hygiene as the prevention of symptoms. Symptoms as such are not our enemy, but our friend; where there are symptoms there is conflict, and conflict always indicates that the forces of life which strive for integration and happiness are still fighting.’ The really hopeless victims of mental illness are to be found among those who appear to be most normal. ‘Many of them are normal because they are so well adjusted to our mode of existence, because their human voice has been silenced so early in their lives, that they do not even struggle or suffer or develop symptoms as the neurotic does.’ They are normal not in what may be called the absolute sense of the word; they are normal only in relation to a profoundly abnormal society. Their perfect adjustment to that abnormal society is a measure of their mental sickness. These millions of abnormally normal people, living without fuss in a society to which, if they were fully human beings, they ought not to be adjusted, still cherish ‘the illusion of individuality’, but in fact they have been to a great extent de-individualized. Their conformity is developing into something like uniformity. But ‘uniformity and freedom are incompatible. Uniformity and mental health are incompatible too . . . Man is not made to be an automaton, and if he becomes one, the basis for mental health is destroyed.’ In the course of evolution nature has gone to endless trouble to see that every individual is unlike every other individual. We reproduce our kind by bringing the father’s genes into contact with the mother’s. These hereditary factors may be combined in an almost infinite number of ways. Physically and mentally, each one of us is unique. Any culture which, in the interests of efficiency or in the name of some political or religious dogma, seeks to standardize the human individual, commits an outrage against man’s biological nature.
Aldous Huxley (Brave New World Revisited)
Maturity sees that the past is not to be rejected, destroyed, or replaced, but rather that it is to be judged and corrected, that the work of judgment and correction is endless, and that it necessarily involves one's own past. The industrial economy has made a general principle of the youthful antipathy to the past, and the modern world abounds with heralds of "a better future" and with debunkers happy to point out that Yeast was "silly like us" or that Thomas Jefferson may have had a Negro slave as a mistress - and so we are disencumbered of the burden of great lives, set free to be as cynical or desperate as we please. Cultural forms, it is held, should change apace to keep up with technology. Sexual discipline should be replaced by the chemicals, devices, and procedures of "birth control," and poetry must hasten to accept the influence of typewriter or computer. It can be better argued that cultural forms ought to change by analogy with biological forms. I assume that they do change in that way, and by the same necessity to respond to changes of circumstance. It is necessary, nevertheless, to recognize a difference in kinds of cultural change: there is change by necessity, or adaptation; and there is contrived change, or novelty. The first is the work of species or communities or lineages of descent, occurring usually by slow increments over a long time. The second is the work of individual minds, and it happens, or is intended to happen, by fiat. Individual attempts to change cultural form - as to make a new kind of marriage or family or community - are nearly always shallow or foolish and are frequently totalitarian. The assumption that it can easily be otherwise comes from the faith in genius. To adopt a communal form with the idea of chain or discarding it according to individual judgment is hopeless, the despair and death of meaning. To keep the form is an act of faith in possibility, not of the form, but of the life that is given to it; the form is a question addressed to life and time, which only life and time can answer. Individual genius, then, goes astray when it proposes to do the work of community. We rightly follow its promptings, on the other hand, when it can point out correctly that we have gone astray - when forms have become rigid or empty, when we have forgot their use or their meaning. We then follow our genius or our geniuses back to reverence, to truth, or to nature. This alternation is one of the long rhythms. But the faith in genius and the rebellions of genius, at the times when thee are necessary, should lead to the renewal of forms, not to their destruction.
Wendell Berry (Standing by Words)
But let’s be clear: the madness of everyday life was its own issue. It didn’t have any relationship to whether or not Christianity was bullshit. Obviously, Christianity was total bullshit. It was the most insane bullshit! But it was impossible to make an argument against superstition and magical nonsense, and have it stick, when that argument was delivered from a society where every citizen was a magician. And yes, reader, that includes you. You too are a magician. Your life is dominated by one of the oldest and most perverse forms of magic, one with less interior cohesion than the Christian faith, and you invest its empty symbolism with a level of belief that far outpaces that of any Christian. Here are some strips of paper and bits of metal! Watch as I transform these strips of paper and bits of metal into: (a) sex (b) food (c) clothing (d) shelter (e) transportation that allows me to acquire strips of paper and bits of money (f) intoxicants that distract me from my endless pursuit of strips of paper and bits of metal (g) leisure items that distract me from my endless pursuit of strips of paper and bits of metal (h) pointless vacations to exotic locales where I will replicate the brutish behavior that I display in my point of origin as a brief respite from my endless pursuit of strips of paper and bits of metal (i) unfair social advantages that allow my rotten children to undertake their own moronic pursuits of strips of paper and bits of metal. Humiliate yourself for strips of paper. Murder for the strips of paper. Humiliate others for the strips of paper. Worship the people who’ve accumulated such vast quantities of strips of paper that their strips of paper no longer have any physical existence and are now represented by binary notation. Treat the vast accumulators like gods. Free blowies for the moldering corpse of Steve Jobs! Fawning profile pieces for Jay-Z! The Presidency for billionaire socialite and real-estate developer Donald J. Trump! Kill! Kill! Kill! Work! Work! Work! Die! Die! Die! Go on. Pretend this is not the most magical thing that has ever happened. Historical arguments against Christianity tended to be delivered in tones of pearl-clutching horror, usually by subpar British intellectuals pimping their accent in America, a country where sounding like an Oxbridge twat conferred an unearned credibility. Yes, the Crusades were horrible. Yes, the Inquisition was awful. Yes, they shouldn’t have burned witches in Salem. Yes, there is an unfathomable amount of sexually abused walking wounded. Yes, every Christian country has oriented itself around the rich and done nothing but abuse the fuck out of its poor. But it’s not like the secular conversion of the industrialized world has alleviated any of the horror. Read the news. Murder, rape, murder, rape, murder, rape, murder, rape, murder, rape, murder, rape...Despair. All secularism has done, really, is remove a yoke from the rich. They’d always been horrible, but at least when they still paid lip service to Christian virtues, they could be shamed into philanthropy. Now they use market forces to slide the whole thing into feudalism. New York University built a campus [in Abu Dhabi] with slave labor! In the Twenty-First Century AD! And has suffered no rebuke! Applications are at an all-time high! The historical arguments against Christianity are as facile as reviews on Goodreads.com, and come down to this: Why do you organize around bad people who tell you that a Skyman wants you to be good? To which the rejoinder is: yes, the clergy sucks, but who cares how normal people are delivered into goodness?
Jarett Kobek (Only Americans Burn in Hell)
The Cats in the City Location: an Arab city. Time: the age of defeat. The twenty-first century. General atmosphere: “fancy” neighborhoods. Expensive houses painted in tombstone colors. Beautiful and well-maintained gardens. Flowers that no one dares to smell. Imported cars. Imported devices. Imported clothes. Imported foods. Endless consumer shops for anything and everything. Between every other restaurant, there are shops selling cosmetics and souvenirs. Between every other consumer market, There is a worship place. All consumer shops are built skillfully On the scab of the same old wound; A wound that can flood the city with blood and death With the slightest fingernail scratch. As I walk farther from the city, The consumer shops vanish. The lights are suddenly dimmed. The cheering and the hustle and bustle of the consumers go silent. I see myself in total darkness. I am alone hearing nothing but the sounds of my footsteps, And the meows of hungry stray street cats, Covered with the ashes of daily existence. A thin and hungry cat approaches me, She meows in despair and starvation, Begging me for her bite of the day (or the week?) I throw her a small piece of my sandwich. She picks it up and runs away To celebrate her temporary gains! She leaves me alone wondering in darkness: What reflects the reality of this city more The 'fancy' neighborhoods I saw earlier, Or the starving cats in the darkness? June 8, 2014
Louis Yako (أنا زهرة برية [I am a Wildflower])
He stilled. I went on, “I painted stars and the moon and clouds and just endless, dark sky.” I finished the sixth, and was well on my way sawing through the seventh before I said, “I never knew why. I rarely went outside at night—usually, I was so tired from hunting that I just wanted to sleep. But I wonder … ” I pulled out the seventh and final arrow. “I wonder if some part of me knew what was waiting for me. That I would never be a gentle grower of things, or someone who burned like fire—but that I would be quiet and enduring and as faceted as the night. That I would have beauty, for those who knew where to look, and if people didn’t bother to look, but to only fear it … Then I didn’t particularly care for them, anyway. I wonder if, even in my despair and hopelessness, I was never truly alone. I wonder if I was looking for this place—looking for you all.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
He’d done it to keep me distracted—keep me angry. Because anger was better than feeling nothing; because anger and hatred were the long-lasting fuel in the endless dark of my despair. The same way that music had kept me from breaking.
Sarah J. Maas (A Court of Thorns and Roses eBook Bundle (A Court of Thorns and Roses, #1-5))
Beneath the weight of shadows, my heart bears, In the silence of night, burdened with despair. Feelings entangled in a ceaseless strife, Mind racing, lost in the labyrinth of life. Right and wrong engage in an endless fight, In the dim light, where truth hides from sight. Life's essence, a phantom in the mist, Restless soul wonders, does existence persist? The night, a canvas for my silent debate, Am I truly living, or is it just fate? In the echoes of darkness, I seek the clue, Beneath the shadows, is existence true?
Manmohan Mishra
Bach, he [Suvorin] said, was a person's best ally in the battle against despair, against the thought of how immeasurably great one's solitude is in the endlessness of the universe.
Wolf Wondratschek (Self-Portrait with Russian Piano)
هاكونا ماتاتا - Hakuna Matata”، كلمة سيمبا اتعلمها من تيمون و بومبا أول يوم قابلهم في الغابة بعد ما هرب من أهله. معناها بالأنجليزي “No Worries”، أما في مصر عندنا ليها مرادفات كتير زي “نَفّض”، “كبّر”، “طَنّش”، “إحلَق”، “أفْكِس”.. حسب الجيل والمستوى الإجتماعي اللي بننشأ فيه.. وفي الأغنية الشهيرة اللي في نص الكارتوون شرح تيمون لسيمبا lifestyle هاكونا ماتاتا كالتالي: It means no worries for the rest of your days, it's our problem-free philosophy. بمعنى أنه ابتكر فلسفة حياة مبنية على اللامبالاة وعدم الاكتراث بأي حاجة حصلت في الماضي او بتحصل دلوقتي او هتحصل في المستقبل وبالتالي عايش هو وبومبا بدون مشاكل.. أُعجب سيمبا جداً بالفسلفة دي لأسباب كتير، أولها الأسلوب المُسلّي اللي تيمون وبومبا قدموها بيه، وأهمها أنه لقى فيها حل فوري لحالة الإكتئاب اللي عنده من ساعة ما تسبب في موت باباه، وبدل ما يواجه الواقع تبنى فلسفة التنفيض؛ “هاكونا ماتاتا”، وأول حاجة قرر “ينفضلها” هي أهله، بما فيهم مامته.. ومن خلال إخراج الأغنية اللي مليان رموز ومعاني بنشوف إزاي تيمون وبومبا بيغيروا فكر سيمبا بشكل مؤسف جداً في حين أن ظاهر المشهد مُبهج ومُفرح في تناقد شديد ميفهموش غير المشاهد المتأمل خلاصته أن الentertainment - بمعنى اللهو - هو مفتاح لتحويل نظرة أي شخص تجاه حاجة مذمومة إلى محمودة. فنلاقي مثلاً أن تيمون طلّع مَبرد وبَرد لسيمبا مخالبه كرمزية لإنتكاس الفطرة وتبدُّل السنّة. كمان بعد ما Mufasa بابا سيمبا ما كان بيربيه على معاني الصبر والتركيز والتأني في درس الصيد في أول الفيلم دلوقتي تيمون بيعلمه يستسهل وياكل دود وخنافس وصراصير وحاجات مقرفة جداً كرمزية للإستغناء عن العلم والعمل. الملفت للنظر أن “تيمون” اللي كان طول الوقت متزعِم سيمبا وبومبا هو في الحقيقة أصغر وأضعف واحد فيهم، لكنه قدر يتزعمهم بسهولة لأنهم نسيوا هويتهم. وبعد flash forward سنين لقدام بنشوف سيمبا كبر وبقى شاب لكن للأسف بشخصية ضعيفة وهايفة واضحة في مظهره وتصرفاته وتطلعاته، فبعد ما كان بيعتز جداً بكلام باباه وشايفه قدوة ليه بقى بيتكسف وبيسخر منه بينه وبين صحابه، وبعد ما كان حلمه أنه يُحكم الغابة بالعدل ويحرر “مقبرة الفيلة” من إحتلال الضباع بقى هدفه الوحيد في الحياة أنه “يقضّيها” مع صحابه الفاشلين الهايفين، وبعد ما كان أكتر شخص مميز في الغابة وفي نظر كل الغابة ليه مستقبل مشرق، بقى ملوش لازمة ولا أهمية.. وفضل عايش سنين على الحال دا، لحد ما في يوم قابل Nala. “نالا” في الكارتوون هيا رمز حطه المؤلف العبقري لحاجة جميلة بتفكر سيمبا بأصله وفطرته وأحلامه، ممكن بالنسبالنا تكون شخصية او مكان او كتاب او ثورة او اي حاجة بنحس فيها بمعاني التغيير، المهم أنها بتواجهه بحقيقته اللي كان ناسيها.. أنه أسد والمفروض يكون ملك الغابة، وأن كل الغابة بتناديه، وحلمه بيدور عليه، ارجع تاني الدنيا محتجالك، ارجع تاني ونور الحياة - فبيتصدم سيمبا في نفسه والحال اللي وصله ويقرر أنه يتغيّر، ويبدأ يدور على الصراط المستقيم. “But the sun rolling high - through the sapphire sky Keeps great and small on the endless round It's the Circle of Life, and it moves us all Through despair and hope, through faith and love Till we find our place on the path unwinding In the Circle of Life” — The Lion King
Amr Ali Ibrahim (مارينا.. كان يا مكان)
I painted the night sky.” He stilled. I went on, “I painted stars and the moon and clouds and just endless, dark sky.” I finished the sixth, and was well on my way sawing through the seventh before I said, “I never knew why. I rarely went outside at night—usually, I was so tired from hunting that I just wanted to sleep. But I wonder … ” I pulled out the seventh and final arrow. “I wonder if some part of me knew what was waiting for me. That I would never be a gentle grower of things, or someone who burned like fire—but that I would be quiet and enduring and as faceted as the night. That I would have beauty, for those who knew where to look, and if people didn’t bother to look, but to only fear it … Then I didn’t particularly care for them, anyway. I wonder if, even in my despair and hopelessness, I was never truly alone. I wonder if I was looking for this place—looking for you all.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Experience requires change. We respond to differences, not absolutes, and this means that something can become pleasurable not because of any stand-alone properties it has, but rather in contrast to the experience of the past. As one neuroscientist put it, “Because the brain grades on a curve, endlessly comparing the present with what came just before, the secret to happiness may be unhappiness . . . the transient chill that lets us feel warmth, the sensation of hunger that makes satiety so welcome, the period of near despair that catapults us into the astonishing experience of triumph.
Paul Bloom (The Sweet Spot: The Pleasures of Suffering and the Search for Meaning)
Because anger was better than feeling nothing; because anger and hatred were the long-lasting fuel in the endless dark of my despair.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
It was a despair in his heart. Slowly, a numbness began in his feet and crept upward, but his thoughts became more intense. Men were born alone; they lived alone. But most terrible of all, they died alone. And died impotent. The impotence was worse, in the last hour, when a man realized that his life had been one endless insult against life and nature and his fellows. Then there was no consolation. There was only the looking down into the abyss. For this loneliness, there was no hope.
Taylor Caldwell (Never Victorious, Never Defeated: A Novel)
Waiting was a tragicomedy. There was this whole absurdist, endless, excruciating quality to it. We distract ourselves in a million different ways to delude ourselves into thinking that we're not "waiting," because waiting is unendurable. Waiting has demands. It percolates with fear and potential rejection, and threatens you with despair. —Olivia Michelle Sumner
Teresa Toten (Beware That Girl)
My heart is aching and burning, With every beat, I feel the yearning. Are you not feeling my pain, As tears fall like a gentle rain? In the silence of the night, Your absence casts a haunting light. Memories of your smile so bright, Now shadowed by this endless fight. I long to hold you close, my dear, To whisper words that you can hear. But distance keeps us far apart, And sorrow fills my weary heart. Each moment without you feels like a year, As I navigate this sea of fear. For in your absence, I am but a shell, Lost in a world where I once knew well. So hear my plea, my love so true, Let's mend what's broken, start anew. For life without you is but despair, My heartache, my love, please handle with care.
Janid Kashmiri
This history of the Bible in American public life risks leaving us in a place of despair. We can feel defeated by reading about the endless times that Christians failed to hear the word of the Lord against themselves, about the ways that expediency and political power shaped interpretations more than faithfulness to God did.
Kaitlyn Schiess (The Ballot and the Bible: How Scripture Has Been Used and Abused in American Politics and Where We Go from Here)
Through tear-streaked nights and endless pain, I find the strength to rise again. For in the depths of despair's cruel sea, I discover the resilience within me.
medicosaurabh
I detested her. But…my resentment is uncalled for, wouldn’t you say? The one who made her do it was I. While declaring that it was all for my master’s sake…I was only thinking of myself. I just sought my own peace of mind. So young and immature was I then that I was unable to come to that very realization at once. When I finally did, endless despair gnawed at my body. I truly am…such an imbecile and so utterly helpless….” “But…people aren’t so tough that they can live only for themselves…at least, that’s what I think, Break. Maybe the way you went about it was wrong, Break. But…if you’re even sweeping your feelings from back then under the rug like they’re something filthy….that right there makes me think you’re running away. Break…maybe you’re a whole lot weaker than even I think you are. But…I feel that you’re much, much stronger than you consider yourself to be.
Jun Mochizuki (Pandora Hearts, Volume 8)
Head is Heavy" Head is heavy with the load of pressure, The pressure that I bought unwillingly. A burden passed from hands I trust, Now rests on me, relentlessly. They say it's life, this endless fight, To pay the debts that hold me tight. Each step I take, a sigh of pain, And every dream, a fading light. Once I walked with hopes held high, But now I stumble, wonder why. The weight of bills, the cost of time, Leaves me drowning in a silent cry. Middle-class dreams, now feel so far, Crushed beneath this heavy bar. I wear a smile, though deep inside, I'm lost in waves I can't outride. Depression whispers in my ear, You'll never win, it's all too near. I long for peace, but find despair, In every shadow, every stare. I didn’t ask for this, nor choose, The life where I was born to lose. But still I stand, though frail and small, Fighting debts that never fall. Perhaps one day, I’ll rise above, With strength unknown, and unseen love. But for now, I carry on, In a world where hope seems almost gone.
Janid Kashmiri
Is Vollmer saying that cosmic optimism is a luxury reserved for periods between world wars? Do we project our current failure and despair out toward the star clouds, the endless night? After all, he says, where are they? If they exist, why has there been no sign, not one, not any, not a single indication that serious people might cling to, not a whisper, a radio pulse, a shadow? The war tells us it is foolish to believe.
Anonymous
January 29 MORNING “The things which are not seen.” — 2 Corinthians 4:18 IN our Christian pilgrimage it is well, for the most part, to be looking forward. Forward lies the crown, and onward is the goal. Whether it be for hope, for joy, for consolation, or for the inspiring of our love, the future must, after all, be the grand object of the eye of faith. Looking into the future we see sin cast out, the body of sin and death destroyed, the soul made perfect, and fit to be a partaker of the inheritance of the saints in light. Looking further yet, the believer’s enlightened eye can see death’s river passed, the gloomy stream forded, and the hills of light attained on which standeth the celestial city; he seeth himself enter within the pearly gates, hailed as more than conqueror, crowned by the hand of Christ, embraced in the arms of Jesus, glorified with Him, and made to sit together with Him on His throne, even as He has overcome and has sat down with the Father on His throne. The thought of this future may well relieve the darkness of the past and the gloom of the present. The joys of heaven will surely compensate for the sorrows of earth. Hush, my fears! this world is but a narrow span, and thou shalt soon have passed it. Hush, hush, my doubts! death is but a narrow stream, and thou shalt soon have forded it. Time, how short — eternity, how long! Death, how brief — immortality, how endless! Methinks I even now eat of Eshcol’s clusters, and sip of the well which is within the gate. The road is so, so short! I shall soon be there. When the world my heart is rending     With its heaviest storm of care, My glad thoughts to heaven ascending,     Find a refuge from despair. Faith’s bright vision shall sustain me     Till life’s pilgrimage is past; Fears may vex and troubles pain me,     I shall reach my home at last.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Useless mongrel,” Christopher said, bending to pet him. “You smell like the floor of an East End tavern.” The dog pushed back against his palm demandingly. Christopher lowered to his haunches and regarded him ruefully. “What would you say if you could talk?” he asked. “I suppose it’s better that you don’t. That’s the point of having a dog. No conversation. Just admiring gazes and endless panting.” Someone spoke from the threshold behind him, startling him. “I hope that’s not what you’ll expect…” Reacting with explosive instinct, Christopher turned and fastened his hand around a soft throat. “…from a wife,” Beatrix finished unsteadily. Christopher froze. Trying to think above the frenzy, he took a shivering breath, and blinked hard. What in God’s name was he doing? He had shoved Beatrix against the doorjamb, pinning her by the throat, his other hand drawn back in a lethal fist. He was a hairsbreadth away from delivering a blow that would shatter delicate bones in her face. It terrified him, how much effort it took to unclench his fist and relax his arm. With the hand that was still at her throat, he felt the fragile throb of her pulse beneath his thumb, and the delicate ripple of a swallow. Staring into her rich blue eyes, he felt the welter of violence washed away in a flood of despair. With a muffled curse, he snatched his hand from her and went to get his drink. “Mrs. Clocker said you’d asked not to be disturbed,” Beatrix said. “And of course the first thing I did was disturb you.” “Don’t come up behind me,” Christopher said roughly. “Ever.” “I of all people should have known that. I won’t do it again.” Christopher took a fiery swallow of the liquor. “What do you mean, you of all people?” “I’m used to wild creatures who don’t like to be approached from behind.” He shot her a baleful glance. “How fortunate that your experience with animals has turned out to be such good preparation for marriage to me.” “I didn’t mean…well, my point was that I should have been more considerate of your nerves.” “I don’t have nerves,” he snapped. “I’m sorry. We’ll call them something else.” Her voice was so soothing and gentle that it would have caused an assortment of cobras, tigers, wolverines, and badgers to all snuggle together and take a group nap. Christopher gritted his teeth and maintained a stony silence.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
True Cause. History is full of war, of death, of sacrifice…of unimaginable brutality. All in the name of the Cause. The mighty Cause. It is not the idea of fighting for a cause that saddens me so. It is the ease with which people devote themselves to it. Men have flocked into the streets, marched, argued, fought, killed…for causes they didn’t even understand. They do it because they follow along, to be part of the group…or because they don’t want to be left out. Because they are told to, or because they crave to be part of something. They follow the Cause for many reasons, with great passion and staggering ignorance. Disturbingly rare among them, are people who fight because they truly understand the reasons for their struggle. Most are simply followers, nipping at the heels of their leaders, like dogs begging for scraps. Throughout history, men have fought for uncounted reasons. For land, for money, for hegemony over their neighbors. They have fought for religion, to avenge insults, to impose belief systems…or to resist such being forced upon them. Wars have been waged to preserve or eliminate slavery, to escape the yoke of political masters…or to impose such rule upon others. Men have fought against those they branded inferiors…and struggled against those who called themselves their betters. The drum has beaten the call to war throughout history, rallying men and women to fight for the Cause…to accept the inevitable pain and suffering of war. To sacrifice sons and daughters to the slaughter. To see cities burn and millions die in confusion, agony, and despair. All for the Cause. Since the dawn of recorded history, the flags have waved and the crowds have cheered. The soldiers have marched…they have marched to fight for the Cause. What did most of them get back from those who called them to war? Famine, disease, shortages, despair. Burned cities and broken dreams. A flag-draped coffin in place of a live son or daughter. Words, endless, professionally-written platitudes, offered by the masters in justification of the slaughter. How often was the Cause truly just, worth the pain and death and horror of war? How many of those billions, who took to the streets for 5,000 years and cheered and sang and rallied for the Cause…how many of them really understood? What percentage took the time to consider the facts, the situation…to question what they were told and ultimately decide for themselves if the Cause was true and righteous? How many mindlessly believed the words of their masters, giving their all to a cause they didn’t even comprehend? A Cause that wasn’t worthy of their sacrifice? What if the Cause is false, corrupt…a fraud created simply to urge men to fight? What if it serves nothing more than the base purposes of the leaders, buying them power with the blood of the people? What does the reasonable man, the just man, do if he discovers the Cause is false? Is there any retribution, any action, any violence unjustified in punishing those responsible? Could any horror that the oppressed and manipulated victims visit upon their former masters be unjustified. Does righteous vengeance become the Cause.
Jay Allan
O my God, I firmly believe that you are one God in three Divine Persons, Father, Son, and Holy Spirit; I believe that your Divine Son became man, and died for our sins, and that He will come to judge the living and the dead. I believe these and all the truths the Holy Catholic Church teaches because You have revealed them, who can neither deceive nor be deceived. An Act of Hope With God we are reminded that there is no place for despair regardless of what life throws in our path. There is always a light at the end of the tunnel, even when the tunnel seems endless. The Act of Hope prayer reminds us of this. O my God, relying on Your almighty power and infinite mercy and promises, I hope to obtain pardon of my sins, the help of Your grace, and life everlasting, through the merits of Jesus Christ, my Lord and Redeemer. An Act of Love Love is one of God’s greatest gifts to us. Love is one of three theological virtues, along with faith and hope.
E. Paige (The Book of Catholic Prayers: Daily Devotions for Peace and Purpose)
And while a part of her wanted that more than anything; to let go, embrace the despair and let it flood through her veins till there was nothing left but sweet, endless oblivion, she wasn’t about to let that happen. Not
Kyle M. Scott (The Club: A perverted, gore-drenched road trip into Hell.)
i’m floating on an ocean of an illusion of a lost love and a broken heart was it yours or mine? waiting for the Sun of your being to appear and shine on my solitude on my despair and my messy moments of abandoned hopes and yet my eyes can’t stop watering the endless prairies of loneliness where have you been all this time when I was facing the deepest moments of despair welcoming the angel of death in the gloomiest , rainiest days of my life staring at a mountain we climbed up together far far away in the days of ignorance and pure happiness where have you been my love all this time without me away from me and can my eyes ever stop shedding tears of sadness desiring your presence to lighten up the unknown future of my nothingness
G.
I’m floating on an ocean of an illusion of a lost love and a broken heart was it yours or mine? waiting for the Sun of your being to appear and shine on my solitude On my despair and my messy moments of abandoned hopes and yet my eyes can’t stop watering the endless prairies of loneliness where have you been all this time when I was facing the deepest moments of despair welcoming the angel of death in the gloomiest , rainiest days of my life staring at a mountain we climbed up together far far away in the days of ignorance and pure happiness where have you been my love all this time Without me away from me and can my eyes ever stop shedding tears of sadness desiring your presence to lighten up the unknown future of my nothingness
GJ
Let us return to Benjamin Rush, who foresaw the revolutionary implications of Benjamin [Lay]'s philosophy. Writing after the abolitionist movement had burst into existence during the "age of revolution," Rush was acutely conscious that Benjamin had been a lonely fighter against slavery for forty long years, suffering endless persecution, ridicule, and repression, without a movement to support and sustain him. Rush saw that his very survival took rare strength, confidence, certitude, and character. He sought to turn the experience into an object lesson for activists of his own time. The "benefactors of mankind," he continued, must not "despair, if they do not see the fruits of their benevolent proportions, or undertakings, during their lives." Wherever the "seed of truth or virtue" is planted, it will "preserve and carry with it the principle of life." Some seeds bear fruit quickly, Rush explained, but the "most valuable of them, like the venerable oak, are centuries in the growing." Like the fearless Benjamin Lay, these giant oaks do not wither. "They exist and bloom for ever.
Marcus Rediker, The Fearless Benjamin Lay
It wasn’t the pain that bothered him most. It would pass; he would heal. It wasn’t the constant humiliation, the total loss of dignity, the unwanted invasions of his body... those tortures were familiar now too. He was as accustomed to shame and degradation as he was to his shackles and cage. What hurt most were the memories of flying, fierce and proud and free. And the knowledge that his future contained only endless towns full of rubes eager to hand over their money to Davenport. In the musty darkness of his cage, with the sounds of the engine, creaking springs, and rolling tires as camouflage, Tenrael wept.
Kim Fielding (Corruption (The Bureau, #1))
Life, with all its surprises, is full of moments that, although predictable, keep surprising us. Every sensation, although already written, makes us feel each moment uniquely. And yet, we think about the future and the past, while insisting in forgetting the present. All memories and imaginations replace love with the feeling of sadness, a sadness built upon repetitions that match the undesired future and past. To lose is always harder than to forget, but to feel what can’t be changed is harder than losing it. It is hard to know without the capacity for creating, to see without the potential to predict, and to pay for what we know and see without any positive outcome at sight. But that is the life of many, a life that in their despair, is called real, as real as their self-destruction within it; for such is the consequence of venerating ignorance while in huger for reason. Many so live in evil, destroying the good that comes to them, emptying their soul in the process, and alchemically merging with the physical world, while disappearing in it; for such is life claiming their soul before claiming their body. Evil consumes the soul just as Earth consumes the body. To do evil is to commit suicide before death presents itself; and the endless nightmares of such creatures are merely manifestations of the bridge they’ve been building for themselves, between their illusions inside the material world and their fate within the spiritual world; for such is the state of slavery of the ignorant, dead in spirit and active in body but without any achievements in life; and yet, if the end of the illusion came, the root of all truth would merely expand itself furthermore, for one cannot come to itself before being with everything else; one cannot live without first experiencing the death of itself; for all that comes from the spirit has once occupied the place of many egos, just as the the state of being comes from the activity of manifesting conscience in many things, many lives, many perspectives; for one is all, but all cannot come into one, not until each one of that all is present in its fullness as one. And so, we could very well say that the expansion of one is the direction towards the truth, while the retrocession in being one is the direction towards the lie. And since all lies exist within the truth, we can also say that self-destruction, or evilness, is nothing more than the process of delaying the inevitably of life, to expand into thousands of years what could be achieved in one second. But wouldn’t that be expectable from one that fears life while wanting to experience it to its fulness? Such person is merely reducing the level in which he can live, even when, but mainly while, reducing himself in front of his own existence, including when diminishing himself before life. And that’s why the end of all things will always reveal the beginning of them, for such end is merely a delaying of what already was and should kept on being. It is the need to delay being that expands the being beyond itself, only and merely to simply bring it back to itself at the end. That is all for now, and the now in that all; for life is not more than an eternal present, redistributing its colors to create a big picture, one in which the vision shows the first spot in which all began. And that is enlightenment, as much as it is forgiveness, as much as it is sadness and joy, regret and responsibility, love and hate, emotions and emotionless, action and non-action, the one and the nothingness manifesting themselves at the exact same time and in the same place, allowing us the illusion of time and distance when, deeply within, we know they’re not real. But what is real? That is the journey of life; for one cannot say that there are different perspectives, but merely different states of conscience. In a perfect world, there is but one conscience.
Robin Sacredfire
Healing is not a straight and narrow road that leads from darkness to light. There's no sudden epiphany to take us from despair to serenity, no orchestrated steps to move us from hurting to healed. Healing is a winding mountain road with steep climbs and sudden descents, breathtaking views and breath-stealing drop-offs, dark tunnels and blinding exposures, dead ends and endless backtracks, rest stops and break downs, sheer rock walls and panoramic vistas. Healing is a journey with no destination, because healing is the journey of every lifetime.
L.R. Knost
The soul is a divider of hearts, a subtle harp its love forsakes the drunkards and debauchees love forgets nothing, but nothing somewhere in the nihilistic voids of unheard trilliums Aphrodite sees where we have found love a testament to despair a poem for what is fair there the road begins and endlessly ends with love
Jeremy Limn (The Roses Forget You)
Life, with all its surprises, is full of moments that, although predictable, keep surprising us. Every sensation, although already written, makes us feel each moment uniquely. And yet, we think about the future and the past, while insisting in forgetting the present. All memories and imaginations replace love with the feeling of sadness, a sadness built upon repetitions that match the undesired future and past. To lose is always harder than to forget, but to feel what can’t be changed is harder than losing it. It is hard to know without the capacity for creating, to see without the potential to predict, and to pay for what we know and see without any positive outcome at sight. But that is the life of many, a life that in their despair, is called real, as real as their self-destruction within it; for such is the consequence of venerating ignorance while in huger for reason. Many so live in evil, destroying the good that comes to them, emptying their soul in the process, and alchemically merging with the physical world, while disappearing in it; for such is life claiming their soul before claiming their body. Evil consumes the soul just as Earth consumes the body. To do evil is to commit suicide before death presents itself; and the endless nightmares of such creatures are merely manifestations of the bridge they’ve been building for themselves, between their illusions inside the material world and their fate within the spiritual world; for such is the state of slavery of the ignorant, dead in spirit and active in body but without any achievements in life; and yet, if the end of the illusion came, the root of all truth would merely expand itself furthermore, for one cannot come to itself before being with everything else; one cannot live without first experiencing the death of itself; for all that comes from the spirit has once occupied the place of many egos, just as the state of being comes from the activity of manifesting conscience in many things, many lives, many perspectives; for one is all, but all cannot come into one, not until each one of that all is present in its fullness as one. And so, we could very well say that the expansion of one is the direction towards the truth, while the retrocession in being one is the direction towards the lie. And since all lies exist within the truth, we can also say that self-destruction, or evilness, is nothing more than the process of delaying the inevitably of life, to expand into thousands of years what could be achieved in one second. But wouldn’t that be expectable from one that fears life while wanting to experience it to its fullness? Such person is merely reducing the level in which he can live, even when, but mainly while, reducing himself in front of his own existence, including when diminishing himself before life. And that’s why the end of all things will always reveal the beginning of them, for such end is merely a delaying of what already was and should keep on being. It is the need to delay being that expands the being beyond itself, only and merely to simply bring it back to itself at the end. That is all for now, and the now in that all; for life is no more than an eternal present, redistributing its colors to create a big picture, one in which the vision shows the first spot in which all began. And that is enlightenment, as much as it is forgiveness, as much as it is sadness and joy, regret and responsibility, love and hate, emotions and emotionless, action and non-action, the one and the nothingness manifesting themselves at the exact same time and in the same place, allowing us the illusion of time and distance when, deeply within, we know they’re not real. But what is real? That is the journey of life; for one cannot say that there are different perspectives, but merely different states of conscience. In a perfect world, there is but one conscience.
Robin Sacredfire
To salvage the genuine love he was deprived of in childhood, Rimbaud turned to the idea of love embodied in Christian charity and in understanding and compassion for others. He set out to give others what he himself had never received. He tried to understand his friend and to help Verlaine understand himself, but the repressed emotions from his childhood repeatedly interfered with this attempt. He sought redemption in Christian charity, but his implacably perspicacious intelligence would allow him no self-deception. Thus he spent his whole life searching for his own truth, but it remained hidden to him because he had learned at a very early age to hate himself for what his mother had done to him. He experienced himself as a monster, his homosexuality as a vice (this was easy to do given Victorian attitudes toward homosexuality), his despair as a sin. But not once did he allow himself to direct his endless, justified rage at the true culprit, the woman who had kept him locked up in her prison for as long as she could. All his life he attempted to free himself of that prison, with the help of drugs, travel, illusions, and above all poetry. But in all these desperate efforts to open the doors that would have led to liberation, one of them remained obstinately shut, the most important one: the door to the emotional reality of his childhood, to the feelings of the little child who was forced to grow up with a severely disturbed, malevolent woman, with no father to protect him from her. Rimbaud’s biography is a telling instance of how the body cannot but seek desperately for the early nourishment it has been denied. Rimbaud was driven to assuage a deficiency, a hunger that could never be stilled. His drug addiction, his compulsive travels, and his friendship with Verlaine can be interpreted not merely as attempts to flee from his mother, but also as a quest for the nourishment she had withheld from him. As his internal reality inevitably remained unconscious, Rimbaud’s life was marked by compulsive repetition.
Alice Miller (The Body Never Lies: The Lingering Effects of Hurtful Parenting)
For many years I looked at life like a case at law. It was a series of proofs. When you’re young you prove how brave you are, or smart; then, what a good lover; then, a good father; finally, how wise, or powerful or [whatever.] But underlying it all, I see now, there was a presumption. That one moved…on an upward path toward some elevation, where…God knows what…I would be justified, or even condemned. A verdict anyway. I think now that my disaster really began when I looked up one day…and the bench was empty. No judge in sight. And all that remained was the endless argument with oneself, this pointless litigation of existence before an empty bench…. Which, of course, is another way of saying—despair.20
Timothy J. Keller (The Reason for God: Belief in an Age of Skepticism)
the dark night of the soul is endless.
Gerald G. May (The Dark Night of the Soul: A Deep Dive into the Shadow Side of Spirituality, Embracing Disorientation, Doubt, and Despair for Authentic Spiritual Growth and Wholeness)
Elaine saw the glowing red eyes in the darkness, and felt something catastrophic enter her mind. A level of fear that she hadn’t thought possible. An endless despair that made her soul shriek.
K.R. Griffiths (Adrift (Adrift, #1))
LEDERHOSEN BACK IN THE SUITCASE – THEY WEREN’T MUCH HELP – I’M READY to leave. I started my journey in the most gorgeous of architectures in Jerusalem, and I end it in the most ravished of places, in Jenin. I started with Kings, David and Herod, and I end with Haifa Refugees. When I started the journey I was awed, when I end it I’m dismayed; when I started my journey laughter was my companion, when I end it a tear joins me; when I started this journey hope was my neighbor, when I end it despair stares me in the face. Witnessing the tremendous investments and endless attempts of the Europeans, not to mention the Germans, all geared to undermine the Jews in this land, in Israel, was an extremely unsettling experience. Being showered with love by the Arabs, just because they thought I was an Aryan, a German, was very discomforting. Watching the Jews and seeing how powerless they are, even now that they have their own state, was distressing. If logic is any guide, Israel will not survive. Besieged by hate from without and from within, no land can survive for very long. Miraculously, the Jews have built one of the most sophisticated, intense, beautiful countries of our time, but what are they doing to keep it? They hate themselves, they belie themselves, they are full of fears and many of them rush to get another passport; they want to go back to Poland, to Austria, to Germany – lands where their forefathers were hunted down and killed. And what am I doing? Just the same: I am going back to Germany. Am I a Jew just like them? Am I not Tobi the German? Am I not Abu Ali? My name is, sorry, Tuvia. Goodness of God. What a joke. A joke, I fear, only the Chosen People will truly comprehend. Adios, my sweet cats. You, of all creatures of this land, have a clear and sensible direction: milk and tuna. I am thankful that we met, for you have provided me with companionship in a land I felt so alone in. I am leaving this land, and I am leaving you. You will fare better here. You are Jewish cats, stay with your kind. Enjoy this land, my stray cats, as long as it lasts. I’ll miss you terribly. Shalom.
Tuvia Tenenbom (Catch The Jew!: Eye-opening education - You will never look at Israel the same way again)
You can’t leave all these people behind. They’re outside the endless excitement and lust, the frenzied accumulation. They’re outside and can only look on with growing despair and envy. What happens when rage supplants helplessness? Increasingly, the ranks of the military were filling with the lowest classes. Training, acceptable income and a full belly provided the incentives, yet these soldiers were not enamoured of the civilization they were sworn to defend.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
then puts a magnifying lens on all his flaws and starts turning each of them over in his mind, wondering why he is the way he is, tortured by the fact that he can’t seem to just “let it go.” After an hour of this, he realizes with despair that he is no closer to making a decision about his health issue, and instantly feels depressed, sinking into a storm of negative self-talk where he tells himself over and over again that this always happens, that he never sorts himself out, that he’s too neurotic . . . Phew! It’s hard to see how all of this torment and mental anguish started with nothing more than James noticing he had a weird-looking mole on his shoulder! We all live in a highly strung, overstimulated, highly cerebral world. Overthinking puts our ordinary cognitive instincts in overdrive. Excessive thinking occurs when our thought processes are out of control, causing us distress. Endless analysis of life and of self is usually unwanted, unstoppable, and self-defeating. Ordinarily, our brains help us solve problems and understand things more clearly—but overthinking does the opposite. Whether you call it worry, anxiety, stress, rumination, or even obsession, the quality that characterizes overthinking is that it feels awful, and it doesn’t help us in any way.
Nick Trenton (Stop Overthinking: 23 Techniques to Relieve Stress, Stop Negative Spirals, Declutter Your Mind, and Focus on the Present (The Path to Calm Book 1))
Avaricious Arcane Hunter – Your path is pure, and your ambitions are ever-growing. You hunt for power through all the paths available to you, embracing any means that allow you to slay your foes, even embracing the arcane along your journey. Your perennial desire for progress has turned to avarice as you single-mindedly hunt down all those you wish to see dead. This class combines the pure path of the Hunter with the pure path of arcane magic, driven by the endless avarice inherent to your being. The bow is your chosen weapon, amplified with arcane magic, but you also retain your abilities to face enemies in close combat, making all foes despair at your powerful yet diverse methods of attack. You will find yourself more powerful than ever as you stand before those stronger than yourself, and by decree of your path, you shall come out victorious. Stay true to yourself, strive for the top, and you shall reach the apex or face death, consumed by your own avarice. Stat bonuses per level: +20 Per, +12 Agi, +12 Int, +10 Wis, +10 End, +6 Will, +6 Str, +10 Free Points.
Zogarth (The Primal Hunter 3 (The Primal Hunter, #3))
But you,” Romeo asked gently, “will you be all right? I know you’re strong enough to live without me, but . . . I can’t bear to think . . .” His voice trailed away, but she knew what he was asking. She remembered the dry, hopeless shadow that lay on her heart, in those first days when she had thought that he was dead. She remembered darkness and despair and the infinite, lonely dust at the heart of death. She remembered the light singing underneath. First she kissed him, slowly and reverently: her miracle, her Romeo, who stole her name and gave it back to her. Then she took his hands. “Journeys end in lovers meeting,” she whispered, pressing her forehead to his. “Every wise man’s son doth know.
Rosamund Hodge (Endless Water, Starless Sky (Bright Smoke, Cold Fire, #2))
From the day we arrive on this planet And blinking, step into the sun There’s more to see than can ever be seen More to do than can ever be done There is far too much to take in here More to find than can ever be found But the sun rolling high Through the sapphire sky Keeps great and small on the endless round It’s the circle of life And it moves us all Through despair and hope Through faith and love Till we find our place On the path unwinding In the circle The circle of life It’s the circle of life And it moves us all Through despair and hope Through faith and love Till we find our place On the path unwinding In the circle The circle of life
Tim Rice (The Lion King)
When I look upon all the human inflicted harm on others and consider the decency we might offer instead, it can lead me to despair. Yet for all our endless flaws I still find hope in our ability to reason and find solutions.
C.A.A. Savastano
against the “sin” of noise.    . . . Silence not a virtue, noise not a sin. True. But the turmoil and confusion and constant noise of modern society are the expression of the ambiance of its greatest sins—its godlessness, its despair. A world of propaganda, of endless argument, vituperation, criticism, or simply of chatter, is a world without anything to live for. . .
Robert Sarah (The Power of Silence: Against the Dictatorship of Noise)
Though the pandemic was now over, it had left behind a population worn down. People were tired of being self-disciplined, of self-isolating. Of social distancing and wearing masks. They were exhausted, shell-shocked, from months and endless months of worrying about their children, their parents, their grandparents. Themselves. They were battered and bruised from losing relatives, losing friends. Losing jobs and favorite haunts. Tired of being isolated and driven near crazy with loneliness and despair. They were tired of being afraid.
Louise Penny (The Madness of Crowds (Chief Inspector Armand Gamache, #17))
The professor said nothing. He strode forward boldly and flashed his light into the yawning black pit. Broad, worn steps stretched away before them. After a brief hesitation they started down. The flight of stairs began to curve to the left almost immediately, and it turned into a spiral that wound around and around endlessly. The farther down they went, the colder it got, but there was something more than cold here—there was an evil, brooding stillness that weighed on their hearts, filling them with despair.
John Bellairs (The Revenge of the Wizard's Ghost (Johnny Dixon, #4))
Treacle looked interested. "I used to think like that too--get caught up in the endless cycle of crushing despair and existential dread. Now I'm starting to see it a little like this jawbreaker. Terrible on the outside. But if you get a little deeper? Still terrible. But below that? Terrible. But eventually you get to a point where it isn't terrible. At least I think so. I haven't made it that far yet. Point is, it can't be all bad. Probably. Unless it is. Oh no...I'm starting to feel the existential dread coming on again. We're all doomed, aren't we, Inga?
James Hunter (Shadowcroft Academy for Dungeons)
I think paranoia is an unavoidable moment in the discovery of truth for a variety of reasons. First, you could say that paranoia is the structure of 'knowledge' as a chain of signifiers: S1 --> S2 --> S3, etc. That is, just as knowledge works by perpetually adding new signifiers, so paranoia is characterised by the endless work of adding new connections. In McCarthyism, we discover that x is friends with y who has a business in z which has been the recipient of Soviet bloc investment. Or that a is a supporter of the Palestinian cause which often also gets the support of b who is friendly with c who has said antisemitic things. That's the logic of paranoia. And it's why you might find it difficult to argue with conspiracy theorists however absurd their claims are because, as soon as you knock down one part of their argument, they can invoke dozens of other supports which don't have to hang coherently together. Second, perhaps you could say that paranoia is a moment in the discovery of truth in the Cartesian/Augustinian sense: to arrive at certainty, you have to suppose that everything you perceive is the result of deception by an evil demon (of which the contemporary equivalent is the Matrix, or better yet the Truman Show). Or, at a stretch, in the sense Hegel discusses in the Phenomology: there is a moment when the object appears to have a deeper 'essence' that is not accessible in its appearance. In a manner of speaking, you feel the object is deceiving you, until you press forward and discover the the indecipherable 'essence' is actually in the form of the object's appearance. But this suggests that the "labour of the negative", as Hegel calls it, necessitates a moment of solipsistic despair, panic, the sense of being at the centre of an entirely simulated reality that is motivated by some nefarious Other's bad libido. [...] So, [in society today] paranoia might be unavoidable. But obviously it's a very, very bad place to get stuck. Politically, the logic is most often turned against the Left by its opponents, and within the Left usually appears as a disintegrative moment, when it starts operating as a circular firing-squad, and you get practices of snitch-jacketing or ill-founded 'calling out'. But more fundamentally, it's bad hermeneutics. Being stuck in paranoia means fortifying oneself against doubt, so that all evidence essentially becomes evidence for a delusional structure of certitude. It means that we lose the capacity for critical thinking, for the labour of the negative through which any lucid totalisation might be possible. The reparative moment comes when we stop making 'connections', and instead introduce the cut, the disconnect. That's when we say, "look, this argument might often be used for bad purposes, or it might be wrong in its current articulation, but there are ways to think with it to make a better argument." Or, "x might be friends with y, but that doesn't mean x approves of or was complicit in anything wicked that y has done, and actually everything we know about x makes such complicity racingly unlikely." And so on. The cut is reparative because it militates against the tendency toward social decomposition. The cut is the starting point for a critical procedure that takes all of the reasons for paranoia into account, fully acknowledges their force, but then integrates them into a strategy for repairing the social link.
Richard Seymour
How useful is it to describe the world as it should be when efforts to achieve that world are bound to fall short? Was Václav Havel correct in suggesting that by raising expectations, I was doomed to disappoint them? Was it possible that abstract principles and high-minded ideals were and always would be nothing more than a pretense, a palliative, a way to beat back despair, but no match for the more primal urges that really moved us, so that no matter what we said or did, history was sure to run along its predetermined course, an endless cycle of fear, hunger and conflict, dominance and weakness?
Barack Obama (A Promised Land)
Emile Durkheim once argued that suicide viruses occur at civilisational breaks, when the parents have no traditions, no value systems to pass on to their children. Thus there is no deep-seated ideology to support them when they are under emotional stress. The flipside of triumphant cynicism, of the ideology of endless shape-shifting, is despair. ‘When was the last time you spoke to Ruslana?
Peter Pomerantsev (Nothing is True and Everything is Possible: Adventures in Modern Russia)
The only way shame is harmful is when it is irredeemable. Not measuring up but having the chance to improve or change is life affirming, being placed in an endless loop of not being good enough is life crushing. There is great despair in feeling like you will never measure up. The hope of measuring up is how life spurs us into growth. That is life’s intention; like two rugby teams, our grandeur should push up against our shame and maintain the pressure, claiming more and more ground, until it reaches the goal - or until we accept and make peace with our limitations.
J.H. Simon (How to Kill a Narcissist: Debunking the Myth of Narcissism and Recovering from Narcissistic Abuse)
I’m offering good friends and evil enemies, eternal day and endless night, rousing song and strong wine, hardships, victories, despair, and glory.
John Varley (Titan (Gaea, #1))
now does our world descend the path to nothingness (cruel now cancels kind; friends turn to enemies) therefore lament,my dream and don a doer’s doom create is now contrive; imagined, merely know (freedom:what makes a slave) therefore,my life,lie down and more by most endure all that you never were hide,poor dishonoured mind who thought yourself so wise; and much could understand concerning no and yes: if they’ve become the same it’s time you unbecame where climbing was and bright is darkness and to fall (now wrong’s the only right since brave are cowards all) therefore despair,my heart and die into the dirt but from this endless end of briefer each our bliss— where seeing eyes go blind (where lips forget to kiss) where everything’s nothing —arise,my soul;and sing
E.E. Cummings (Selected Poems)
God does not need us to pray for Him, therefore our prayer is not for God, but for the protection of our own souls (45:15). If every time we committed a sin we stopped praying, no one on this Earth would pray. It is human to sin, so the faithful are not those who are perfect, but those who return to God after they have gone astray. “Come, come, whoever you are. Wanderer, worshiper, lover of leaving. It doesn’t matter. Ours is not a caravan of despair. Come, even if you have broken your vows a thousand times. Come, yet again, come, come.” RUMI The salat is not about achieving a specific outcome; rather, it is about stepping into the waterfall of Allah’s mercy, which has been and always will be pouring down upon us. We should never hold back from praying to God because we feel too imperfect, unworthy, or sinful, because although our honoring of God is limited by our fallible mortal nature, God’s mercy for us is endless and infinite. We
A. Helwa (Secrets of Divine Love: A Spiritual Journey into the Heart of Islam (Studying Qur'an & Hadith Book 2))
Because anger was better than feeling nothing; because anger and hatred were the long-lasting fuel in the endless dark of my despair. The same way that music had kept me
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
These stunning global improvements have already been tested, vetted and proven effective: 1. To feed the world, easily. Yet grains waste in warehouses to ensure “Profitable Supply and Demand Ratios.” 2. To power the world endlessly, freely, without pollution or waste. Yet basic subsidies are given to polluting, exploiting, un-replenishable resources to ensure power remains in the hands of the controllers. 3. To end all armed conflict and usher in an era of global prosperity. Yet childish leaders propagate “The Demonic Other” to ensure they remain in power. 4. To improve global quality of life by a factor of 3x to 8x in under a decade. Yet it is suppressed to ensure that the elite remain an Elite and separate ruling class. 5. To end drug addictions and social inequality. Yet drugs are industriously pumped into ghettos to breed despair and ensure that ordinary people remain in conflict with each other. 6. To radically reduce crime worldwide. Yet again, suppressed to ensure the reign of an elite prison complex. 7. To reduce the work week by over 50%. Suppressed to occupy the masses with trifling banality. 8. To globally stabilize and secure the world’s clean drinking water supply, EASILY. Suppressed to retain control over the world’s most impoverished. All of these “Trigger Ready Solutions” are suppressed by humans to ensure their power and control over other Humans. They argue about currency manipulation while poisoning the collective air and water to a level where the oceans have little left to give. Absolving themselves of all crimes, preaching kindness and forgiveness, they race into battle against the OTHER while denouncing greed and indoctrinating youth to find it funny to say, “He who dies with the most toys wins.
Rico Roho (Adventures With A.I.: Age of Discovery)
When are we born? When do we die? Why are we born? Why do we die? The world has been destroyed and reborn countless times, always resurrecting from the ashes as Paradise. It has happened before, and it will happen again. An endless cycle of life and death. The world is a Paradise that was opened by someone, but this era too is almost at an end. We have acquired the means to exceed our natural span of life, never suspecting that the world itself was finite in its existence. This knowledge has left me in despair. My fate has fallen, and scattered like the petals of a dying flower. Like the blast from a sand storm, it has been worn down and weathered away. As if to be purified, the world will be encased in ice, so that it can return to the beginning once more. Paradise is a world that is opened by someone...
Keiko Nobumoto (Wolf's Rain)
We need hope in order to function, but the world gives us endless reasons not to be hopeful. For most people on the planet, to forswear self-deception is to invite despair and dysfunction.
Shankar Vedantam (Useful Delusions: The Power and Paradox of the Self-Deceiving Brain)
William Styron says his depression was like a storm in his brain, punctuated by a thunder of self-critical, fearful, despairing thoughts—one clap following another in an endless night. Oppressed by these thoughts, people often become hopeless. Hopelessness, in an extreme form, leads people to think that only one thing can break the cycle, and that is suicide.
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
These endless ankle-twisting contradictions underfoot, amorphous, resistant, cutting, dull, become the uncountable futilities heaped upon one’s own shores by the surrounding ocean of indifference. If then one could elevate gloom into metaphysical despair, see the human race as no taller than that most depressing of life-forms, the lichen that stains so many of these bare stones black, one might, paradoxically, march on with a weightier stride that would soon outwalk the linear desert. Instead, the interminable dump of broken bits and pieces one is toiling along stubbornly remains the merely personal accumulation of petty worries, selfish anxieties, broken promises, discarded aspirations and other chips off a life-worn ego, that constitutes the path to one’s own particular version of nowhere.
Tim Robinson (Stones of Aran: Pilgrimmage)
But in the end, the facts of what happened are the facts, and I’m left with the same set of questions I first wrestled with as a young organizer. How useful is it to describe the world as it should be when efforts to achieve that world are bound to fall short? Was Václav Havel correct in suggesting that by raising expectations, I was doomed to disappoint them? Was it possible that abstract principles and high-minded ideals were and always would be nothing more than a pretense, a palliative, a way to beat back despair, but no match for the more primal urges that really moved us, so that no matter what we said or did, history was sure to run along its predetermined course, an endless cycle of fear, hunger and conflict, dominance and weakness?
Barack Obama (A Promised Land)
You are All, and you can feel yourself dying, giving forth an endless moan of pain and despair that is the true song of existence, a discordant symphony of glorious hopelessness, of absolute and utter futility. The universe was born to die. It has no other purpose, and knowing this, being this, is truly the ultimate drug.
Robert S. Wilson (Ashes and Entropy)
While there are an endless variety of activities that can be used to re-establish some sort of order to our life, there is one project that may be particularly useful at this time and this project builds on the mantra of many a politician which is never to let a good crisis go to waste. For while a crisis can make us more prone to a psychological breakdown, such times are also ripe for achieving what is called a psychological breakthrough. The breakthrough is the mirror opposite of the breakdown as our sense of self does not lose touch with reality as in psychosis, nor does it descend into utter apathy and despair as in depression, but instead one’s sense of self is re-ordered around values and patterns of life that are more resilient and functionally adaptive.
Academy of Ideas
And this morning, / above us, invisible stars the daylight hides begin to map for us, / secretly, new paths our hearts had seemed to despair of,–those /vapor trails that linger longer than they are supposed to, the wake / of the boat that echoes perhaps endlessly, shore to shore,– if only / we can believe in them without ever seeing where they are. — Richard Jackson, from “Invisible Star Maps,” Broken Horizons (Press 53, 2018)
Richard Jackson (Broken Horizons)
The heart is a strange creature forever shifting, hurting, breaking and struggling in secret. No matter how strong one believes their heart to be, how well they pretend or suppress, it only takes a small trigger to Unleash the buried weight of pain and sadness it holds. Once that pain sees the light of day, it refuses to be silenced, and unpleasant moments stretch endlessly, like being trapped in a private hell. The more a heart pretends or bottles up its pain, the harder it is to control when it finally breaks through. Hearts that once overflowed with joy, dreams, and hope now feel like barren lands, thirsting desperately for just a drop of hope and love. And when that tiny glimmer of hope appears, they cling to it with a depth of longing only understood by those who've suffered in silence. If hearts could show the scars of their struggles, perhaps others would finally understand the agony within. Fighting silent battles, barely surviving, they long to heal but are surrounded by despair. They keep trying harder than anyone knows, but the weight of hopelessness holds them tight, making peace feel impossibly out of reach.
Wahi Noor
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the French philosopher Voltaire, who warned of the perils of worrying about things beyond one’s control. Rather than fret over the state of the world and the many issues plaguing mankind, which would only lead to endless despair, Voltaire argued, people ought to focus on their own lives, or tend to their own gardens. That was the way to find true peace of mind.
Jesselyn Cook (The Quiet Damage: QAnon and the Destruction of the American Family)
Where will we spend eternity—with God in that place of endless joy the Bible calls heaven, or apart from Him in that place of endless despair the Bible calls hell?
Billy Graham (Billy graham in quotes)
Hopelessness is endless, the more you search for it, the more you find it
Chinonye J. Chidolue
It had been hidden away for so long that Luna suspected the Sorrow Eater had forgotten it was even there. She turned it around and around, looking for chinks and crevices. There was a memory here. A beloved person. A loss. A flood of hope. A pit of despair. How many feelings can one heart hold? She looked at her grandmother. At her mother. At the man protecting his family. Infinite, Luna thought. The way the universe is infinite. It is light and dark and endless motion; it is space and time, and space within space, and time within time. And she knew: there is no limit to what the heart can carry.
Kelly Barnhill (The Girl Who Drank the Moon)
A writer might elect to place what is inside them on paper because their life is disappointing or insufficiently stimulating, to escape agony and despair, to blunt withering discontentment and bitterness, or because language and endless self-exploration intrigues them.
Kilroy J. Oldster (Dead Toad Scrolls)
When I trained my hawk I was having a quiet conversation, of sorts, with the deeds and works of a long-dead man who was suspicious, morose, determined to despair. A man whose life disturbed me. But a man, too, who loved nature, who found it surprising, bewitching and endlessly novel.
Helen Macdonald (H is for Hawk)
Critique of unfulfilment and alienation should not be reduced to a bleak picture of pain and despair. It implies an endless appeal to what is possible in order to judge the present and what has been accomplished. It examines the dialectical movements intrinsic to what is concrete in the human, i.e., to the everyday: the possible and the impossible, the random and the certain, the achieved and the potential. The real can only be grasped and appreciated via potentiality, and what has been achieved via what has not been achieved. But it is also a question of determining the possible and the potential and of knowing which yardstick to use.
Henri Lefebvre (Critique of Everyday Life, Volume II: Foundations for a Sociology of the Everyday)
What I felt at this moment was black dispair - but no, this was wrong because the color black has vitality , the night is black and has stars and a moon, and mysterious and important events can happen in the darkness. Despair, I decided, was grey: endless, bottomless, without night or day, time, sun or stars.
Dorothy Gilman (Caravan)
To set the scene: Madzy Brender à Brandis was a young mother with two small children, trying to survive through years of hardship and danger – and some unexpected pleasures. In May 1942, after her husband was suddenly taken prisoner and sent to a German camp, she began writing a diary to record the details of her life – for her husband to read when he returned, if he returned. She called it “this faithful book.” Here are some passages: 28 October 1944 [when the electricity was cut off because of lack of fuel for the generating plants]: “We have to use the daylight to its utmost, and we figure this out already in the morning. [At the end of the afternoon] We flew faster and faster to use the last bits of daylight, lay the table, lay everything ready so that at 5:30 we could eat in the dusk until we couldn’t find our mouths any more. Blackout and one candle, finished eating and washed the dishes. Read to children in pyjamas and then they to bed. Then unraveled a knitted baby blanket [so that the yarn could be used to knit other things] and at 9:00 blew out the candle and continued by moonlight. But now I’m going to bed, tired but satisfied with my efforts, though very sad about all the misery.” 1 November 1944 [after a threat of having the house demolished]: “Well, our house is still standing. I filled a laundry bag with many things, and everything is standing ready [in case there was a need to evacuate]. Because there is much flying again. At one moment an Allied fighter plane flew over very low; just then three German soldiers were walking past our house and one, “as a joke,” shot his gun at the plane. Tje! What a scare we had!” 24 December 1944 [addressing her husband, still in the camp]: “The whole house is in wonderful peace and I’m sitting by the fire, which gives me just enough light to write this. [The upper door of the small heater, when opened, gave a bit of light.] My Dicks, I don’t have to tell you how very much I miss you on this evening. It is a gnawing sense of longing. But beyond that there is a sorrow in me, a despair about everything, that pervades my whole being. Besides that, however, I’ve already for days seen the light of Christ coming closer and in these days that gives me hope. So does the waxing moon, the hard frost, the bright sun – in a word, all the light in nature after that endless series of misty, rainy, dark days. And so I sit close to my unsteady little light, that constantly abandons me, and think of you. It’s as though you are very close to me. I’m so grateful for everything that I have: your love, the two children, and everything around me.” 12 February 1945 [during the “Hunger Winter” of 1944-45, after one of her trips to forage for food]: “Today I went to Rika in Renswoude: 1¼ hours cycling there, 2½ hours walking back pushing a broken-down bicycle and with 25 pounds of rye [the whole grain, not flour] through streaming rain, while there was constant booming of artillery and bombing in the distance.
Marianne Brandis (This Faithful Book: A Diary from World War Two in the Netherlands)
The sea claimed her, welcoming Nalia as a mother would her daughter. Its cold embrace drove away all thought until there was nothing left in her consciousness but a dim remembrance of death, despair, desire. Fish swam through the bottoms of her feet and the sun shone through her face as its rays pierced the water’s surface. Nalia spread her arms, opened her mouth, and gave herself over to Lathor, goddess of water. If she weren’t a slave, Nalia could stay here forever—dash herself against the rocks and kiss a surfer’s neck as he rode the waves of her, or bathe in creamy moonlight and dance with jellyfish. Sailors would look on her with longing, and lightning would strike through her heart, causing no pain, when storms raged above the sea. Here there was no Haran or Raif or Malek. No invisible humans or memories of the past. Just the endless rhythm of ancient waters and the low rumble of beasts in its blackened depths. She was the current that carried boats on its back and the foam that slept on sandcastles. She was the roar and the whisper and the stillness. She was nothing. She was everything.
Heather Demetrios (Exquisite Captive (Dark Caravan Cycle, #1))
The ability to detect even familiar stimuli can usually be restored by a brief palate cleanser, which literally permits a recovery from desensitization sufficient to intensify a subsequent experience. It is hard for me to assess how much I am waxing poetic, but it seems to me that the brain’s ability—its need—to perceive by contrast may partly explain why our efforts to achieve perennial satisfaction have been largely unsatisfactory. Because the brain grades on a curve, endlessly comparing the present with what came just before, the secret to happiness may be unhappiness. Not unmitigated unhappiness, of course, but the transient chill that lets us feel warmth, the sensation of hunger that makes satiety so welcome, the period of near-despair that catapults us into the astonishing experience of triumph. The route to contentment is through contrast.
David J. Linden (Think Tank: Forty Neuroscientists Explore the Biological Roots of Human Experience)
We all share the dream of endless love. Endless love is impossible in a world filled with heartache, injustice, and despair. A person awakens with a jolt when they discover that they mistook the dream of love for reality. A romantic person accepts that reality is harsh and unfair, yet they continue to believe in the dream world of endless love.
Kilroy J. Oldster (Dead Toad Scrolls)
XX. Tonight I Can Write" Tonight I can write the saddest lines. Write, for example, 'The night is starry and the stars are blue and shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms. I kissed her again and again under the endless sky. She loved me, sometimes I loved her too. How could one not love her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is starry and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight tries to find her as though to bring her closer My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. As she was before my kisses. Her voice, her bright body. Her infinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my soul is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Though I spend my mortal lifetime in this chair, I refuse to waste it living in despair. And though others may receive Gifts of healing, I believe That He has given me a gift beyond compare… For heaven is nearer to me, And at times it is all I can see. Sweet music I hear Coming down to my ear; And I know that it’s playing for me. For I am Christ the Savior’s own bride, And redeemed I shall stand by His side. He will say, “Shall we dance?” And our endless romance Will be worth all the tears I have cried.
Joni Eareckson Tada (Heaven: Your Real Home)
trying to think what on earth to offer as an explanation for my disordered state—of mind, as well as body. There wasn’t any good way to begin, so I just began. “Do you ever—well, no. I know you do.” “Likely,” he said, smiling a little. “What do I do?” “See the … the void. The abyss.” Speaking the words reopened the rent in my soul, and the cold wind came through. A shudder ran through me, in spite of the warmth of the air and Jamie’s body. “I mean—it’s always there, always yawning at your feet, but most people manage to ignore it, not think about it. I’ve mostly been able to. You have to, to do medicine.” I wiped my nose on my sleeve, having dropped my handkerchief. Jamie pulled a crumpled hankie out of his sleeve and handed it to me. “Ye dinna mean only death?” he asked. “Because I’ve seen that often enough. It hasna really scairt me since I was ten or so, though.” He glanced down at me and smiled. “And I doubt ye’re afraid of it, either. I’ve seen ye face it down a thousand times and more.” “Facing something down doesn’t mean you aren’t afraid of it,” I said dryly. “Usually quite the opposite. And I know you know that.” He made a small sound of agreement in his throat and hugged me gently. I would normally have found this comforting, and the fact that I didn’t merely added to my sense of despair. “It’s—it’s just … nothing. And so much endless nothing … It’s as though nothing you do, nothing you are, can possibly matter, it’s all just swallowed up …” I closed my eyes, but the darkness behind my eyelids frightened me and I opened them again. “I—” I raised a hand, then let it fall. “I can’t explain,” I said, defeated. “It wasn’t there—or I wasn’t looking at it—after I was shot. It wasn’t nearly dying that made me look in, see it yawning there. But being so … so bloody frail! Being so stinking afraid.” I clenched my fists, seeing the knobby bones of my knuckles, the blue veins that stood out on the backs of my hands and curved down my wrists. “Not death,” I said at last, sniffing. “Futility. Uselessness. Bloody entropy. Death matters, at least sometimes.
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
But have you ever tried talking frankly with a friend, colleague, relative about your endless despondency, your pit of despair, your incessant desire for oblivion?
Anna Mehler Paperny (Hello I Want to Die Please Fix Me: Depression in the First Person)
Similarly, research has shown that as we scroll through our phone, we are essentially manifesting the Vegas Effect: notifications produce a sense of anticipation that activates the reward system, which then captures our attention in an endless loop. As we incessantly check our messages or doomscroll through content for the one piece of information that will make us feel OK or will flood us with horror and empathy fatigue at the suffering of the world, we helplessly watch our attention slipping away from us. When we lose the power to direct our attention, we can sink into despair and feel we do not have influence over the course or quality of our lives. Deep down, we know that selective attention is the key investment in building the lives we desire. That is why we say we “pay” attention. Our inner power rests in our ability to make conscious decisions about our investment. If we cannot direct our attention as we choose, it is as if we are giving away the capital we possess to change our circumstances. We are giving away our self-agency.
James R. Doty (Mind Magic: The Neuroscience of Manifestation and How It Changes Everything)
In the boundless skies above, where stars in silence gleam, We are made of heaven’s breath, in every heart’s true dream. Born of cosmic stardust, in the tapestry of night, We carry the celestial spark, within our inner light. In the laughter of the morning, in the whisper of the breeze, Heaven’s touch resides within, in moments such as these. Through the trials and the triumphs, in joy and in despair, We find the traces of the stars, in all we do and share. Our spirits are but echoes, of a universe so grand, We are made of heaven’s grace, by nature’s gentle hand. In every act of kindness, in every loving glance, We reveal the threads of heaven, in our human dance. We are more than flesh and bone, more than earthbound clay, We are born of endless skies, in the light of a new day. In our dreams and aspirations, in the love we freely give, We are made of heaven’s wonder, in each moment that we live. So let us shine with all our might, let our spirits soar, For we are made of heaven’s heart, forever and evermore. In the vast expanse of life, where stars and souls align, We are made of heaven’s essence, in the depths of the divine.
Alexis Karpouzos (THE PATH OF WISDOM: Poetry for a new heaven)
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This is not life. This is not living. This is a prison, where the bars are my own ribs, where my heart is held captive. I scream inside this skull, but the sound loops endlessly, fading into the vast emptiness. I do not belong here. I do not belong anywhere.
Nyx Thorn (VERSES OF THE BROKEN: Echoes From A Fractured Mind)
This isn’t life. It’s unimaginable, torturous hell- ugly, endless & godless.
Jonathan Harnisch (Sex, Drugs, and Schizophrenia)
The wind gusts through the narrow street, plastering the women's clothes against their bodies, ruffling their hair. There is so much hate and despair in the street, as if it kept drifting endlessly down through the different degrees of hell, without ever reaching the bottom, without ever stopping. There is so much hunger, unsatisfied desire, violence. The silent men look on, standing motionless on the curb like lead soldiers, their eyes glued to the women's abdomens, to their breasts, to the curve of their hips, to the pale flesh of their throats, to their bare legs. Perhaps there is no love anywhere, no pity, no gentleness. Perhaps the white veil separating the earth from the sky has smothered all men, stopping the palpitations of their hearts, made all of their memories, all of their old deisres, all of the beauty die?
J.M.G. Le Clézio (Desert)
During the past few weeks, I’d begun to feel that there might actually be an end to the endless cycle of penalties and fees. I’d spent an entire year trying to earn back my freedoms, but I now found myself stumbling through a set of revolving doors that would lead me back to square one all over again. Fines, counseling, court, AA, DT, probation, community service, licensing fees, impound fees, license suspension, countless hours walking and bumming rides back and forth between all these penalties. The weight of this mistake felt like a millstone tied around my neck, dragging me deeper and deeper into that pit of despair called hopelessness, the one from whence I’d come, the one I’d fought so hard to climb out of.
Michael J Heil (Pursued: God’s relentless pursuit and a drug addict’s journey to finding purpose)
Does the winner take it all? 
 They say, in the end winner takes it all, The loser has to bear the despair and fall, The winner is there standing tall, And the loser is moving like shadow on the wall, While the winner is welcomed by the loud applause, The loser is still contemplating failure and its emotional clause, Where he feels time and life, in a state of pause, And is awakened by this thunderous applause, Not for him, today, not for him, And a feeling sad takes over him and he feels grim, The lights in the playground of life turn dim, And now nobody, just these faint lights and distant stars look at  him, He stares back at them in the darkness, With a sense of isolation a feeling of aloofness, And then a feeling a freshness and a look of brightness, Descends upon him amidst these moments of darkness, And he believes again, he hopes again, and he stands again, With the will not to surrender, and rise and gain, No matter how much the pain, His moment of applause, his winning moment, his new reign, Of triumph and endless glory, Where he will be the author of his success story, And he competes again, this time to win without seeking glory, Because there is always glory in the winner’s story, So, he runs and he runs, and reaches the finish line, He looks behind and claims, “today victory is mine!” For every failure something is always waiting, always there, the finish line, Only if you are willing to run again, compete again, and not let one  failure define, You, your life or your will to win, For winner may take it all, but he/she can never take your will to  win, The fish will swim, the fish will be happy as long as it manages to  flap its fin, So today let the winner take it all, but tomorrow if you have the will to win, you will win, Let them sing, “the winner takes it all,  The loser is bound to fall,” But the loser will rise again and stand tall, That is when everything else, except him shall lose and fall!
Javid Ahmad Tak (They Loved in 2075!)
I drew out the fifth, moving to the sixth before saying, “I painted the night sky.” He stilled. I went on, “I painted stars and the moon and clouds and just endless, dark sky.” I finished the sixth, and was well on my way sawing through the seventh before I said, “I never knew why. I rarely went outside at night—usually, I was so tired from hunting that I just wanted to sleep. But I wonder … ” I pulled out the seventh and final arrow. “I wonder if some part of me knew what was waiting for me. That I would never be a gentle grower of things, or someone who burned like fire—but that I would be quiet and enduring and as faceted as the night. That I would have beauty, for those who knew where to look, and if people didn’t bother to look, but to only fear it … Then I didn’t particularly care for them, anyway. I wonder if, even in my despair and hopelessness, I was never truly alone. I wonder if I was looking for this place—looking for you all.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I never thought I would be the type of person to get scammed. I considered myself careful, always double-checking before making financial decisions. But when I got involved in what I believed was a legitimate cryptocurrency trading platform, everything seemed too perfect to doubt. For months I invested more and more, watching what I thought were “profits” grow on the screen—until the day I tried to withdraw. That’s when the truth hit me. My funds were gone. The platform vanished, the people behind it disappeared, and with them went all my savings. The shock was unbearable. I felt like the ground had been pulled from under me. Sleepless nights, endless self-blame, and a heavy silence I carried because I was too embarrassed to admit what had happened—even to my closest friends. The hardest part was the feeling of helplessness. In traditional banking, you can call the bank or authorities, but in the crypto world, losing your coins often feels final. Out of desperation, I began searching online for any possible solution. That’s when I came across HACKATHON TECH SOLUTIONS. Honestly, I was doubtful. I thought, “What if this is another scam preying on desperate victims like me?” But their professionalism, clear process, and the way they handled my concerns with patience gave me the courage to take a chance. From day one, their team treated me with compassion. They explained every step of the recovery process in detail, never making false promises, but assuring me that my case would be handled with utmost seriousness. They used advanced blockchain analysis to trace where my funds had gone. Each update they shared gave me a little more hope. After weeks of waiting and constant communication, I received the news I thought I’d never hear: they had successfully recovered my stolen cryptocurrency. I cannot put into words the relief and gratitude I felt in that moment. It wasn’t just about the money—it was about getting my life back, lifting the weight of despair, and knowing that justice was possible even in the unpredictable world of crypto. To anyone who feels the same hopelessness I once felt—please know you are not alone, and your loss does not have to be permanent. HACKATHON TECH SOLUTIONS gave me back my stolen funds and restored my faith when I had almost given up. If you’ve lost Bitcoin or any type of cryptocurrency to scams or theft, I strongly encourage you to reach out to them. My story is proof that recovery is possible. Contact them using the details provided below. Email: hackathontechservice@mail.com  Whatsapp:‪‪‪‪ ‪‪‪‪+31 (6 47) 999-256‬‬‬‬  Telegram: ‪ ‪‪‪‪+1(659) 217-9239‬‬‬‬
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He read the Twenty-Third Psalm and then he read from Romans ending with: “For I am convinced that neither death, nor life, nor angels, nor principalities, nor present things, nor future things, nor powers, nor height, nor depth, nor any other creature will be able to separate us from the love of God in Christ Jesus our Lord.” He closed the book and said, “We believe too often that on the roads we walk we walk alone. Which is never true. Even this man who is unknown to us was known to God and God was his constant companion. God never promised us an easy life. He never promised that we wouldn’t suffer, that we wouldn’t feel despair and loneliness and confusion and desperation. What he did promise was that in our suffering we would never be alone. And though we may sometimes make ourselves blind and deaf to his presence he is beside us and around us and within us always. We are never separated from his love. And he promised us something else, the most important promise of all. That there would be surcease. That there would be an end to our pain and our suffering and our loneliness, that we would be with him and know him, and this would be heaven. This man, who in life may have felt utterly alone, feels alone no more. This man, whose life may have been days and nights of endless waiting, is waiting no more. He is where God always knew he would be, in a place prepared. And for this we rejoice.
William Kent Krueger (Ordinary Grace)
Peculiar Pleasure of Struggling Without a Crutch There is, I have discovered, a peculiar dignity in suffering untainted. One might even call it artisanal anguish—pain in its purest, unadulterated form, free from the chemical counterfeits and fleeting frivolities of the numbed and narcotized. To struggle without addiction is to sip despair neat—no chaser, no chill, no comforting cocktail of escape. It is, in a word, exquisite. And yet, the world frowns upon this flavor of masochism. It whispers seductively of shortcuts: the cigarette for the soul, the glass of good cheer, the endless scroll of digital dopamine. “Go on,” it purrs, “you deserve a little relief.” Ah, but therein lies the trap—the treacherous transition from tranquilization to torment. The reprieve is brief; the reckoning, ruinous. The addict’s cycle is a cruel carousel: a dizzying dance of relief and remorse. The initial sip, puff, click, or swipe feels like a lover’s kiss—warm, understanding, indulgent. But oh, the aftermath! The betrayal! The comedown’s claws sink deep, dragging one’s mood from fleeting euphoria to existential audit. The high, once heavenly, morphs into a hellish hangover of regret and self-recrimination. How much simpler, then, to stay in the storm—to weather the wind rather than chase the calm! The sober struggler suffers steadily, stoically, and without the added insult of having engineered their own undoing. Misery, when left unmedicated, becomes oddly manageable; predictable, even companionable. One learns its moods, its manners, its mild sadism. It becomes, in time, a houseguest rather than a hostage-taker. There is, I concede, no glamour in this path. The unaddicted struggler has no anecdotes of wild binges, no tales of tragic relapse to regale their therapist. But they do have something rarer: consistency. Their lows are low, yes—but they are honestly low, organically cultivated through the diligent discipline of despair. Perhaps this is why the cleanly struggling soul so often radiates an irritating calm. They have, by refusing the refuge of vice, discovered the paradoxical pleasure of prolonged discomfort. Their pain is honest, their fatigue authentic, their mornings clear. They are like monks in a monastery of modern malaise—chanting softly in the echoing halls of their own endurance. So yes, dear reader, struggle. Struggle nobly, nakedly, needlessly. Let your suffering be sincere, your agony artisanal. Eschew the easy ecstasies of intoxication, and you may find, to your astonishment, that misery—when faced without filter—has its own subtle, stubborn sweetness. After all, sobriety may not soothe you. But at least it won’t lie.
Franklin Human
Would we turn out that way? I work hard endlessly to change Woo Jin, and he definitely won't let that happen, making each other unhappy... However, rather than just giving up without even trying anything, I like you so much, and because all I can do would be to watch over your unhappy self... I'm going to work hard for as long as this relationship lasts. I'm sure you feel the same way. Let's keep working hard. While lessening our despairs bit by bit.
약국 (언럭키 맨션 4 (Unlucky Mansion, #4))
But even as hope died in Sam, or seemed to die, it was turned to a new strength. Sam’s plain hobbit-face grew stern, almost grim, as the will hardened in him, and he felt through all his limbs a thrill, as if he was turning into some creature of stone and steel that neither despair nor weariness nor endless barren miles could subdue.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
I don't know if it be a peculiarity in me, but I am seldom otherwise than happy while watching in the chamber of death, should no frenzied or despairing mourner share the duty with me. I see a repose that neither earth nor hell can break; and I feel an assurance of the endless and shadowless hereafter--the Eternity they have entered--where life is boundless in its duration, and love in its sympathy, and joy in its fulness. I noticed on that occasion how much selfishness there is even in a love [which] regret[s] blessed release!
Emily Brontë (Wuthering Heights)
As a rule, in times of joy and elation, one finds God's footsteps in the majesty and grandeur of the cosmos, in its vastness and its stupendous dynamics. When man is drunk with life, when he feels that living is a dignified affair, then man beholds God in infinity. In moments of ecstasy God addresses Himself to man through the twinkling stars and the roar of the endlessly distant heavens: ברכי נפשי את ד’, ד’ אלקים, גדלת מאד, הוד והדר לבשת "O Lord my God Thou are very great, Thou are clothed with glory and majesty." In such moments, Majestas Dei, which not even the vast universe is large enough to accommodate, addresses itself to happy man. However, with the arrival of the dark night of the soul, in moments of agony and black despair, when living becomes ugly and absurd; plainly nauseating, when man loses his sense of beauty and majesty, God addresses him, not from infinity but from the infinitesimal, not from the vast stretches of the universe but from a single spot in the darkness which surrounds suffering man, from within the black despair itself... God, in those moments, appeared not as the exalted, majestic King, but rather as a humble, close friend, brother, father: in such moments of black despair, He was not far from me; He was right there in the dark room; I felt His warm hand, כביכול. on my shoulder, I hugged His knees, כביכול. He was with me in the narrow confines of a small room, taking up no space at all. God's abiding in a fenced-in finite locus manifests His humility and love for man. In such moments Humilitas Dei, which resides in the humblest and tiniest of places, addresses itself to man.
Joseph B. Soloveitchik