Desk Job Quotes

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I couldn't get myself to read the want ads. The thought of sitting in front of a man behind a desk and telling him that I wanted a job, that I was qualified for a job, was too much for me. Frankly, I was horrified by life, at what a man had to do simply in order to eat, sleep, and keep himself clothed. So I stayed in bed and drank. When you drank the world was still out there, but for the moment it didn't have you by the throat.
Charles Bukowski
Why did she do it? Nobody dared to ask. Because - what courage! Who had the courage to burn herself? Twenty aspirin, a little slit alongside the veins of the arm, maybe even a bad half hour standing on a roof: We've all had those. And somewhat more dangerous things, like putting a gun in your mouth. But you put it there, you taste it, it's cold and greasy, your finger is on the trigger, and you find that a whole world lies between this moment and the moment you've been planning, when you'll pull the trigger. That world defeats you. You put the gun back in the drawer. You'll have to find another way. What was that moment like for her? The moment she lit the match. Had she already tried roofs and guns and aspirins? Or was it just an inspiration? I had an inspiration once. I woke up one morning and I knew that today I had to swallow fifty aspirin. It was my task: my job for the day. I lined them up on my desk and took them one by one, counting. But it's not the same as what she did. I could have stopped, at ten, or at thirty. And I could have done what I did do, which was go onto the street and faint. Fifty aspirin is a lot of aspirin, but going onto the street and fainting is like putting the gun back in the drawer. She lit the match.
Susanna Kaysen (Girl, Interrupted)
I drank for some time, three or four days. I couldn't get myself to read the want ads. The thought of sitting in front of a man behind a desk and telling him that I wanted a job, that I was qualified for a job, was too much for me. Frankly, I was horrified by life, at what a man had to do simply in order to eat, sleep, and keep himself clothed. So I stayed in bed and drank. When you drank the world was still out there, but for the moment it didn't have you by the throat.
Charles Bukowski (Factotum)
In school, the year was the marker. Fifth grade. Senior year of high school. Sophomore year of college. Then after, the jobs were the marker. That office. This desk. But now that school is over and I've been working at the same place in the same office at the same desk for longer than I can truly believe, I realize: You have become the marker. This is your era. And it's only if it goes on and on that will have to look for other ways to identify the time.
David Levithan (The Lover's Dictionary)
I've always been amused by the contention that brain work is harder than manual labor. I've never known a man to leave a desk for a muck-stick if he could avoid it.
John Steinbeck (America and Americans and Selected Nonfiction)
There are no unimportant jobs,” said Nova, leaning the mop against Snapshot’s desk, “only pretentious, small-minded individuals who seek to inflate their own importance by demoralizing everyone else.
Marissa Meyer (Archenemies (Renegades, #2))
I sometimes imagine there is a clerk behind a desk situated between the brain and the mouth. It is his job to examine utterances on their way out, and stamp them with approval or send them back for reconsideration. If such a clerk exists, mine must be very harried and overworked; and on occasion he puts his head down on the desk in despair, letting things pass without so much as a second glance.
Marie Brennan (In the Labyrinth of Drakes (The Memoirs of Lady Trent, #4))
Writing is hard…It gets harder when it becomes your career, your job, because it’s no longer a hobby, it’s no longer a manuscript hidden in your desk drawer. It becomes a platform from which the world can judge you. Your soul becomes target practice, and the critics hold the arrows.
Karina Halle (Smut)
He might be mentally cut out for a desk job, but he doubted he’d fit behind most desks.
V.E. Schwab (Vicious (Villains, #1))
There is a reason people say being a mother is the hardest job in the world: You do not sleep and you do not get vacation time. You do not leave your work on your desk at the end of the day. Your briefcase is your heart, and you are rifling through it constantly. Your office is as wide as the world, and your punch card is measured not in hours but in a lifetime.
Jodi Picoult (Larger Than Life)
It is not always the job of people shouting outside impressive buildings to solve problems. It is often the job of the people inside, who have paper, pens, desks, and an impressive view.
Lemony Snicket
I am simply impressed by the unexpected insights which shower down on me when my job is to imagine, as contrasted with the woodenly familiar ideas which clutter my desk when my job is to tell the truth.
Kurt Vonnegut Jr. (Wampeters, Foma and Granfalloons)
Writing is not a job or activity. Nor do I sit at a desk writing for inspiration to strike. Writing is like a different kind of existence. In my life, for some of the time, I am in an alternative world, which I enter through day-dreaming or imagination. That world seems as real to me as the more tangible one of relationships and work, cars and taxes. I don't know that they're much different from each other.
John Marsden
Goaltending is a normal job, sure. How would you like it in your job if every time you made a small mistake, a red light went on over your desk and 15,000 people stood up and yelled at you.
Jacques Plante
I learned to produce whether I wanted to or not. It would be easy to say oh, I have writer's block, oh, I have to wait for my muse. I don't. Chain that muse to your desk and get the job done.
Barbara Kingsolver
Getting money from my dad is a finesse job. Luckily, I have finesse coming out of my arse. I barged into his study without knocking, marched across to his desk, and held out my hand. “Give me twenty pounds,” I snapped. “I need twenty pounds. Give it to me. Now!
Sarra Manning
Your job is to be the hardest motherfucker in your platoon," he said while pointing at me across the desk. "Do that, and everything else will fall into place." He added that I was assigned to Bravo Company, call sign Hitman, and wished me luck.
Nathaniel Fick
Treat writing as a job. Be disciplined. Lots of writers get a bit OCD-ish about this. Graham Greene famously wrote 500 words a day. Jean Plaidy managed 5,000 before lunch, then spent the afternoon answering fan mail. My minimum is 1,000 words a day – which is sometimes easy to achieve, and is sometimes, frankly, like shitting a brick, but I will make myself stay at my desk until I've got there, because I know that by doing that I am inching the book forward. Those 1,000 words might well be rubbish–they often are. But then, it is always easier to return to rubbish words at a later date and make them better.
Sarah Waters
Spending the next nine hours with a crying woman wal real close to the top of his "Avoid at All Costs" list right under untimely death and a desk job.
Tara Janzen (Crazy Kisses (Steele Street, #4))
Get your feet off my desk, get out of here, you stink, and we're not going to buy your product." -- Atari President Joe Keenan, responding to Steve Jobs' offer to sell him rights to the new personal computer he and Steve Wozniak developed (1976)
Joe Keenan
If you could arrange to avoid that routine job-world, you were an intellectual or an artist. Too restless, tremorous, agitated, too mad to sit at a desk eight hours a day, you needed an institution - a higher institution.
Saul Bellow (Humboldt's Gift)
And for what portion of human history had people even had desk jobs? Maybe the last four hundred years, out of four million? It wasn’t natural.
Rebecca Makkai (The Borrower)
I thought power was something you could control. Something one could do at a desk or on a job site, to work in the field of power. Now the tree is gone. The men are gone, just a ground-down stump where what felt like wisdom once was.
Ada Limon (The Hurting Kind)
Oh God, Tessie... That is my daughter... And the next person who tries to get between my and my daughter is going to rue their existence on this earth... Every secret you've been keeping will find its way out. Every decision you make will be questioned. You will be audited, investigated, and transferred to the most hellish nightmare of a desk job I can find. Now, get out of my way. - Ivy
Jennifer Lynn Barnes (The Long Game (The Fixer, #2))
While his school was closed due to an outbreak of plague in 1666–67, twenty-five-year-old Isaac Newton showed his professor, Isaac Barrow, what research he was conducting in his spare time. Barrow immediately gave up his job as a professor and became a student of Newton. What a noble gesture. What ethical behavior. When was the last time you heard of a professor vacating his post in favor of a better candidate? And when was the last time you read about a CEO clearing out his desk when he realized that one of his twenty thousand employees could do a better job?
Rolf Dobelli (The Art of Thinking Clearly)
Squatting' in a Smith machine is an oxymoron. A Smith machine is not a squat rack, no matter what the girls at the front desk tell you. A squat cannot be performed on a Smith machine any more than it can be performed in a small closet with a hamster. Sorry. There is a gigantic difference between a machine that makes the bar path vertical for you and a squat that is executed correctly enough to have a vertical bar path. The job of keeping the bar path vertical should be done by the muscles, skeleton, and nervous system, not by grease fittings, rails, and floor bolts.
Mark Rippetoe (Starting Strength: Basic Barbell Training)
People know how to deal with a desktop intuitively. If you walk into an office, there are papers on the desk. The one on the top is the most important. People know how to switch priority. Part of the reason we model our computers on metaphors like the desktop is that we can leverage this experience people already have.
Walter Isaacson (Steve Jobs)
So, Harold. Friend, pal, chum.” Roux folded her hands on top of the desk. “Are you going to buzz us in or not?” “Go on up, miss,” Harold said, waving us through the lobby and toward the elevators. “Harold, you’re a gem. A pristine gem honed over years of trial and fire.” “That’s how I would describe my job, too,” Harold replied.
Robin Benway (Also Known As (Also Known As, #1))
In the beginning the point was not to have a point, to escape the world in which everyone had to have a job, a desk, an office.
Orhan Pamuk (Istanbul: Memories and the City)
I can only be in charge of producing the work itself. That’s a hard enough job. I refuse to take on additional jobs, such as trying to police what anybody thinks about my work once it leaves my desk.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Three days ago, I was fired from my job teaching at a college because one of my students bet me that you don’t cum when you get a prostate exam and it took me seven minutes to prove that dumb fucking kid wrong. It was hard to touch my own prostate, but ultimately, I was correct. I came onto the floor and onto the person in the desk up front. I said, “Kids, that is what is known as ‘empirical evidence’.
Sam Pink (Dragons With Cancer)
The lone guard was asleep at his desk. Loch thoughtfully woke him up by prodding his throat with her sword, and it was agreed that the guard would spend the night peacefully and quietly bound and gagged in the broom closet.
Patrick Weekes (The Palace Job (Rogues of the Republic, #1))
Bashir paused to watch a live CNN feed... Bashir was struck silent by the images of wailing Iraqi women carrying children's bodies out of the rubble of a bombed building. As he studied the screen, Bashir's bullish shoulders slumped. "People like me are America's best friends in the region," Bashir said at last shaking his head ruefully, "I'm a moderate Msulim, an educated man. But watching this, even I could become a jihadi. How can Americans say they are making themselves safer?" Bashir asked, struggling not to direct his anger toward the large American target on the other side of the desk. "Your president Bush had done a wonderful job of uniting one billion Muslims against America for the next two hundred years.
Greg Mortenson (Greg Mortenson's Three Cups of Tea, Bridging the Gap: College Reading)
She then sat down opposite the steward’s desk and answered a number of job-related questions, such as how quickly she could run, and whether she strongly valued keeping all ten of her fingers. The steward seemed impressed that she found all of his questions perfectly reasonable. Most people, he explained, walked straight out the door. “But this is a library,” she replied in surprise. “What do they expect—that the books won’t try to bite off their fingers?
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
Cultural wisdom says 'Don't quit your day job.' Yet I think these desires represent our psyche's stretch toward wholeness. And to be whole, as many religious tranditions teach, is to make manifest a unique face of God in the world. We don't want to be irresponsible, yet for every accountant who deserts his family and sails for Tahiti, ten American men have heart attacks at their desks, after hours.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
transient, adj. In school, the year was the marker. Fifth grade. Senior year of high school. Sophomore year of college. Then after, the jobs were the marker. That office, this desk. But now that school is over and I've been working at the same desk for longer than I can truly believe, I realize: You have become the marker. This is your era. And it's only if it goes on and on that I will have to look for other ways to identify the time.
David Levithan (The Lover's Dictionary)
Later that day when I passed the Admin lieutenant and the Sargeant standing by the Desk, I said casually, "I'm leaving too, Sarge." "Okay," he said, and I kept on walking.
Edward Conlon (Blue Blood by Conlon, Edward (2004) Paperback)
I'm deformed I can barely walk. I'm ugly to look at. What am I supposed to do with the rest of my life? Sit at some desk job and talk to people over a phone?" I jump to my feet and begin to clean off the table. "I'm not done," he tells me. "I think you need to go practice for your future career as a nobody. Go sit in your room and hold a phone in your hand or something.
Lindy Zart (Unlit Star (Unlit Star #1))
When your mom noticed me watching a Buffy rerun on the little TV on the doorman desk one slow night on the job, she admitted that watching Buffy was her shared solace with you after your dad left. She told me how you cry and cry for Buffy. You cry when Angel shows up to be Buffy's prom date even though they'd already recognized the futility of their true love and broken up. You cry when Buffy's mom is taken away by natural instead of supernatural causes. You cry when seasons six and seven really don't reflect the quality of seasons one through five except for the musical episode.
Rachel Cohn
The results of my work don't have much to do with me. I can only be in charge of producing the work itself. That's a hard enough job. I refuse to take on additional jobs, such as trying to police what anybody thinks about my work once it leaves my desk.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Wow,” the bobcat muttered from his desk. “Your sister’s right. Your legs really are skinny.” Toni briefly thought about swiping all the cat’s crap off his desk, but that wasn’t something she’d do to anyone who wasn’t one of her siblings. But that was the beauty of being one of the Jean-Louis Parker clan . . . sometimes you didn’t have to do anything at all, because there was a sibling there to take care of it for you. “It must be hard,” Kyle mused to the bobcat. “One of the superior cats. Revered and adored throughout history as far back as the ancient Egyptians. And yet here you sit. At a desk. A common drone. Taking orders from lowly canines and bears. Do your ancestors call to you from the great beyond, hissing their disappointment to you? Do they cry out in despair at where you’ve ended up despite such a lofty bloodline? Or does your hatred spring from the feline misery of always being alone? Skulking along, wishing you had a mate or a pack or pride to call your own? But all you have is you . . . and your pathetic job as a drone? Does it break your feline heart to be so . . . average? So common? So . . . human?” Toni cringed, which helped her not laugh.
Shelly Laurenston (Wolf with Benefits (Pride, #8))
Can knowledge be conveyed that isn't felt? But if transport's the problem - they tell me get a job and earn yourself an automobile-I'd rather collect my parts as I go: chair, desk, house and crankshaft Shakespeare. Generator boy, Paul, love is carried if it's held.
Lorine Niedecker (Collected Works)
Finally, FRIDAY! Be easy today! Remember, it's a job. I know it is how we eat and pay bills and provide health care to our family. But keep it in perspective; get there, do the best job you can, earn your check, and leave it at your desk at 5! Your REAL life begins when you end the workday. Save your emotional energy for that!!
Liz Faublas
Then I howled into my pillow—a deep, blood-vessel-popping howl of frustration and envy directed at Will, at my friends, at everyone else who was out there starting jobs, taking trips, discovering new things—all unencumbered by illness. That everyone’s lives were starting while mine was over before it had begun seemed unspeakably unfair. When I’d run out of air, lungs burning, I stood up and walked across my room to the small wooden desk pushed up against the windows and flipped open my journal. The world is moving forward and I am stuck, I wrote.
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
There are many paths leading to a garden and many experiences awaiting those who venture in. No matter what your motive—whether to grow healthy, delicious food; spend time outdoors feeling more alive than your desk job allows; help save the planet; find relaxation, solace, or healing; meet your neighbors; get your hands in the sweet earth; or discover for yourself just how abundant and generous nature can be—a garden rarely disappoints. It’s a magnet for life in all its quirky, beautiful forms.
Jane Shellenberger (Organic Gardener's Companion: Growing Vegetables in the West)
The office was large, with many women and men at desks, and she learned their names, and presented to them an amiability she assumed upon entering the building. Often she felt that her smiles, and her feigned interest in people's anecdotes about commuting and complaints about colds, were an implicit and draining part of her job. A decade later she would know that spending time with people and being unable either to speak from her heart or to listen with it was an imperceptible bleeding of her spirit.
Andre Dubus (In the Bedroom: Seven Stories)
A YOUNG COMPUTER ENGINEER, known to be one of the most skillful in Westborough’s basement, said he had a fantasy about a better job than his. In it, he goes to work as a janitor for a computer company whose designs leave much to be desired. There, at night, disguised by mop and broom, he sneaks into the offices of the company’s engineers and corrects the designs on their blackboards and desks.
Tracy Kidder (The Soul of A New Machine)
He was always on the job early. Some mornings, at his desk before the staff arrived, he would answer the phone himself, telling callers what the library hours were, or, in reply to further questions, saying he knew because it was his library. “This is the old man himself.
David McCullough (Truman)
ONE AFTERNOON DURING THAT FINAL SPRING, AFTER SHE HAD TURNED THIRTY AURA TURNED TO ME FROM HER DESK WHILE I LAY ON THE BED READING, AND SHE SAID, 'WE HAVE EVERYTHING WE NEED TO BE HAPPY. WE DONT HAVE TO BE RICH. WE CAN GET JOBS IN THE UNIVERSITIES IF WE NEED THEM. WE HAVE OUR BOOKS, OUR READING, OUR WRITING, AND WE HAVE EACH OTHER, FRANK. WE DONT NEED MORE TO BE HAPPY, WE ARE SO LUCKY. DO YOU KNOW HOW LUCKY WE ARE?
Francisco Goldman (Say Her Name)
When I started writing I wanted the best tools. I skipped right over chisels on rocks, stylus on wet clay plates, quills and fountain pens, even mechanical pencils, and went straight to one of the first popular spin-offs of the aerospace program: the ballpoint pen. They were developed for comber navigators in the war because fountain pens would squirt all over your leather bomber jacket at altitude. (I have a cherished example of the next generation ballpoint, a pressurized Space Pen cleverly designed to work in weightlessness, given to me by Spider Robinson. At least, I cherish it when I can find it. It is also cleverly designed to seek out the lowest point of your desk, roll off, then find the lowest point on the floor, under a heavy piece of furniture. That's because it is cylindrical and lacks a pocket clip to keep it from rolling. In space, I presume it would float out of your pocket and find a forgotten corner of your spacecraft to hide in. NASA spent $3 million developing it. Good job, guys. I'm sure it's around here somewhere.)
John Varley (The John Varley Reader)
INT. DEFENSE AGAINST THE DARK ARTS CLASS—FOURTEEN YEARS PREVIOUSLY—DAY It is Boggart time. DUMBLEDORE supervises the line of teenagers advancing to try their luck. “Riddikulus”—“Riddikulus”—gusts of hilarity as a shark becomes a flotation device, a zombie’s head turns into a pumpkin, a vampire turns into a buck-toothed rabbit. DUMBLEDORE: All right, Newt. Be brave. 16-YEAR-OLD NEWT moves to the front of the queue. The Boggart turns into a Ministry desk. DUMBLEDORE: Mmm, that’s an unusual one. So Mr. Scamander fears what more than anything else in the world? 16-YEAR-OLD NEWT: Having to work in an office, sir. The class roars with laughter. DUMBLEDORE: Go ahead, Newt. 16-YEAR-OLD NEWT: Riddikulus! NEWT turns the desk into a gamboling wooden dragon and moves aside. DUMBLEDORE: Well done. Good job.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
She was the personal assistant to The Villain, after all. She chuckled at the job title, imagining the ridiculous way the employment posting would appear in a news pamphlet. Must be well organized. Must enjoy working late nights and relish writing long documents. Must be comfortable and even supportive of arson, torture, murder. And must not scream when there is an occasional dead body lying across your desk.
Hannah Nicole Maehrer (Assistant to the Villain (Assistant to the Villain, #1))
He set the RAM on the desk, then reached into his back pocket to pull out his grimoire. The size of a small paperback novel, it'd been a gift from Ambrose to help him understand some of the madness that surrounded him, and to answer some of the "other" questions that came up. "All right, Nashira," Nick said in a low tone. "Talk to me. What the heck is watching me?" He slid his knife out of his pocket, opened the book, and pricked his finger, allowing three drops of blood to touch a blank page. "Dredanya eire coulet" he whispered, waking the female spirit who lived inside the enchanted pages. The moment he finished speaking, his blood began swirling until it formed words: Do not fear that which cannot be seen. For they are lost in between. 'Tis the ones who come alive That your blood will allow to thrive. Nick snorted at the cryptic stanzas. "Not really useful, Nashira. Doesn't answer my question." His blood crawled over to the next page. Answer, answer, you always say, But it doesn't work that way. In time, the truth you shall find. And then you will understand my rhyme. "I'm such a masochist to even try talking to you" Underneath the words, a picture of an obscene gesture formed. "Oh very nice, Nashira. Very nice. Wherever did you learn that?" In your pocket I reside. Ever privy to your deride. But more than that, I can see. And that includes bathroom stall graffiti Nick screwed his face up in distaste. "Oh my God, no. Tell me you haven't been spying on me in the rest room. You perv!" Calm yourself, you evil troll. My job is not to console. But if it is privacy you seek, Leave me in your backpack so I can't peek. Now he understood why other people got so aggravated with his attitude disorder. He wanted to strangle his book.
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
Shhh” , I almost jumped ten feet in the air, the librarian’s head shot up from under her desk and gave me a lethal look “We use our inside voices in the library, we don’t want to distract others from their work”. Er, excuse me lady, if you haven’t noticed, you and I are the only ones here. […] Librarians take their jobs way too seriously.
Slim_Shady (The Bad Boy, Cupid & Me)
Just because you have an important job doesn’t mean you’re better than everybody else.
Kelly Yang (Front Desk (Front Desk #1) (Scholastic Gold))
One with a cubicle and a desk that snags your panty hose and endless memos about the right way to dispose of recyclables. And lots and lots of petty intrigue and small-minded politics, all intended to distract you from the fact that you're getting two percent raises from a company that's returning twenty percent to its stockholders. That's a real grown-up's job.
Laura Lippman (The Sugar House (Tess Monaghan, #5))
I can't just sit at my desk and let this web of weirdness spin around me. (That describes a lot of jobs, I realize, but this is potentially a special kind of magick-with-a-k weirdness.
Robin Sloan
At the end of the presentation someone asked whether he thought they should do some market research to see what customers wanted. “No,” he replied, “because customers don’t know what they want until we’ve shown them.” Then he pulled out a device that was about the size of a desk diary. “Do you want to see something neat?” When he flipped it open, it turned out to be a mock-up of a computer that could fit on your lap, with a keyboard and screen hinged together like a notebook. “This is my dream of what we will be making in the mid-to late eighties,” he said. They were building a company that would invent the future.
Walter Isaacson (Steve Jobs)
If you’ve ever wondered what we’re missing by sitting at computers in cubicles all day, follow Jessica DuLong when she loses her desk job and embarks on this unlikely but fantastic voyage. Deeply original, riveting to read, and soul-bearingly honest, "My River Chronicles" is a surprisingly infectious romance about a young woman falling in love with a muscle-y old boat. As DuLong learns to navigate her way through a man’s world of tools and engines, and across the swirling currents of a temperamental river, her book also becomes a love letter to a nation. In tune with the challenges of our times, DuLong reminds us of the skills and dedication that built America, and inspires us to renew ourselves once again.
Trevor Corson (The Story of Sushi: An Unlikely Saga of Raw Fish and Rice)
To travel like that, with a woman who is neither my kin nor my wife…” “Then what if we were married?” I sometimes imagine there is a clerk behind a desk situated between the brain and the mouth. It is his job to examine utterances on their way out, and stamp them with approval or send them back for reconsideration. If such a clerk exists, mine must be very harried and overworked; and on occasion he puts his head down on the desk in despair, letting things pass without so much as a second glance.
Marie Brennan (In the Labyrinth of Drakes (The Memoirs of Lady Trent, #4))
My recommendation is to keep up the good work. I’m changing your title to senior executive assistant, and giving you a three percent raise effective next payday. Congratulations.” Wow, three percent. I could move up that early retirement plan to age seventy-five now, instead of eighty. Lucky me. Thank you,” I said. “That’s very generous.” You’re quite welcome.” Ms. Saunders nodded and grabbed a gold-plated letter opener to begin attacking her stack of mail. I turned to leave. Didn’t want to outstay my welcome. Damn it!” she exclaimed, and I turned back around. She winced and nodded at the letter opener that she’d dropped to her desktop. “Damn thing slipped. I’m probably going to need stitches now. Can you be a dear and fetch the first-aid kit for me?” She held her left index finger and frowned at the steady flow of blood oozing out. A few small drops of red splashed onto the other letters spread out on the desk. I felt woozy. And suddenly dizzy. I blinked. When I opened my eyes, I was no longer standing by the door about to leave. I was crouched down next to Ms. Saunders’s imported black leather chair, grasping her wrist tightly…… and sucking noisily on her fingertip. I shrieked and let go of her, staggering backward. I grabbed at her desk to keep from falling, but I dropped on my butt, anyhow, taking most of the contents of the top of her desk with me. She held her injured finger far away from her and stared at me, wide-eyed, with a mixture of shock and disgust. I scrambled to my feet and wiped my mouth with the back of my hand. What in the holy hell just happened? I… I… uh… I’m so sorry,” I managed. “I don’t know what… I wouldn’t normally do something… I just…” Ms. Saunders pulled her hand close to her chest, perhaps to protect it from further abuse. Get out,” she said quietly. Yeah, I’ll get back to work. Again, I’m so, so sorry. Would you like me to bring you a cup of coffee?” No, not to your desk,” she said evenly, but her volume increased with every word. “Get out of here, you freak. I don’t care what you’ve heard, I’m not into women. You’re fired. Now get out of here before I call security.” But… my job review—” Get out!” she yelled.
Michelle Rowen (Bitten & Smitten (Immortality Bites, #1))
By the time Mitch got out of jail, he looked more the part than ever. The imposing teen had graduated into a towering adult, flecked with the first of many tattoos. Once out, he lasted a month and a half before the curse caught back up with him. He’d gotten a job in food distribution, mostly because he could unload four times the weight of any other guy on the truck, and because he liked physical work. He might be mentally cut out for a desk job, but he doubted he’d fit behind most desks. And everything was going smoothly—shitty apartment and shitty pay but all legally valid—until a man was beaten to death a few blocks from where his crew was unloading peaches. The cops took one look at Mitch and booked him. No bloody knuckles, and two coworkers to swear he had his arms full of fruit the whole time, and none of it mattered. Mitch went straight back to prison.
V.E. Schwab (Vicious (Villains, #1))
My free time is limited, as you know.” “Hosting an exorcism tonight?” Kingsley asked. “Worse. Couples’ counselling.” “Same thing,” Kingsley said. “It’s all your fault. No one told you to get a real job.” Kingsley stood up and came around the desk. “I like my job,” Søren said as he followed Kingsley from the office. “You should think about getting one, too. You’ll be surprised how enjoyable it is to be useful to society.” “You know what else is enjoyable?” “What?” “Not having a job.
Tiffany Reisz (The King (The Original Sinners, #6))
I’ll do it,” she said before she could talk herself out of it. His dimples flashed as he slapped a hand over his heart in mock surprise. “Just like that?” “Did you want me to argue with you first?” “Hell no, but I had pictured this conversation going somewhat differently. You’d get all offended I didn’t think you could do your job and then you’d get all pissed off and accuse me of trying to be the boss of you and then…” “And then?” “And then I had kinda pictured us having make-up sex. And then christening-the-new-office-chair sex. And maybe christening-the-old-office-desk sex because, as far as I know, it was never christened. And—
Shannon Stacey (Undeniably Yours (Kowalski Family, #2))
sculpture for their desks, and mass-market consumers were not eager to spend twice what
Walter Isaacson (Steve Jobs)
Nobody understands how the incessant pressure from above and the incurable incompetence below make it utterly impossible for me to do an adequate job and keep a clean desk.
Laurence J. Peter (The Peter Principle: Why Things Always Go Wrong)
I'll just walk into Steve's office, pull down my pants and urinate on his desk. What could he say to that. It's guaranteed to work.
Walter Isaacson (Steve Jobs)
We knew she [Sylvia] was unusual, because of the seriousness with which she was treated, the lofty importance of her job as guest managing editor, and because she was kept fast at her desk when the rest of us were allowed to fool around….I remember we discussed how the editors treater her differently from the rest of us, as if she had been pre-recognized as someone they were expecting great things of.
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
There are men who carefully manoeuvre a large limousine out of the garage at eight o'clock every morning. Others leave an hour earlier, traveling in a middle-class sedan. Still others leave when it is not yet light, wearing overalls and carrying lunch boxes, to catch buses, subways, or trains to factories or building sites. By a trick of fate, it is always the latter, the poorest, who are exploited by the least attractive women. For, unlike women (who have an eye for money), men notice only woman's external appearance. Therefore, the more desirable women in their own class are always being snatched away from under their noses by men who happen to earn more. No matter what a particular man does or how he spends his day, he has one thing in common with all other men - he spends it in a degrading manner. And he himself does not gain by it. It is not his own livelihood that matters: he would have to struggle far less for that, since luxuries do not mean anything to him anyway it is the fact that he does it for others that makes him so tremendously proud. He will undoubtedly have a photograph of his wife and children on his desk, and will miss no opportunity to hand it around. No matter what a man's job may be - bookkeeper, doctor, bus driver, or managing director - every moment of his life will be spent as a cog in a huge and pitiless system - a system designed to exploit him to the utmost, to his dying day. (...) We have long ceased to play the games of childhood. As children, we became bored quickly and changed from one game to another. A man is like a child who is condemned to play the same game for the rest of his life.
Esther Vilar (The Manipulated Man)
voracious reader, and it dawned on her that a corporate job in Tampa or Jacksonville was not, in fact, the be-all and end-all. Something lay beyond that point. Florence had haunted the library, desperate for glimpses of lives unlike her own. She had a penchant for stories about glamorous, doomed women like Anna Karenina and Isabel Archer. Soon, however, her fascination shifted from the women in the stories to the women who wrote them. She devoured the diaries of Sylvia Plath and Virginia Woolf, who were far more glamorous and doomed than any of their characters. But without a doubt, Florence’s Bible was Slouching Towards Bethlehem. Admittedly, she spent more time scrolling through photos of Joan Didion in her sunglasses and Corvette Stingray than actually reading her, but the lesson stuck. All she had to do was become a writer, and her alienation would magically transform into evidence of brilliance rather than a source of shame. When she looked into the future, she saw herself at a beautiful desk next to a window, typing her next great book. She could never quite see the words on the screen, but she knew they were brilliant and would prove once and for all that she was special. Everyone would know the name Florence Darrow. And who’d trade that for a condo?
Alexandra Andrews (Who Is Maud Dixon?)
When you leave a job, one of the hardest decisions you have to make on cleaning out your desk is what to do with the coffinlike cardboard tray holding 958 fresh-smelling business cards. You can’t throw them out— they and the nameplate and a few sample payroll stubs are proof to yourself that you once showed up at that building every day and solved complicated, utterly absorbing problems there; unfortunately, the problems themselves, though they once obsessed you, and kept you working late night after night, and made you talk in your sleep, turn out to have been hollow: two weeks after your last day that already have contracted into inert pellets one-fiftieth of their former size; you find yourself unable to create the sense of what was really at stake, for it seems to have been the Hungarian 5/2 rhythm of the lived workweek alone that kept each fascinating crisis inflated to its full interdepartmental complexity. But coterminously, while the problems you were paid to solve collapse, the nod of the security guard, his sign-in book, the escalator ride, the things on your desk, the site of colleagues’ offices, their faces seen from characteristic angles, the features of the corporate bathroom, all miraculously expand: and in this way what was central and what was incidental end up exactly reversed.
Nicholson Baker (The Mezzanine)
I hate paperwork,” announced Andy, looking up from his desk. “How is it that we have a form for ‘you got a gingerbread house dropped on your head’? How do we have a job where that’s something you’d need a form for?” “There’s
Seanan McGuire (Reflections (Indexing, #2))
Along with racism and sexism, our society has a form of caste system based on what you do for money. We call that jobism, and it pervades our interactions with one another on the job, in social settings and even at home. Why else would we consider housewives second-class citizens? Or teachers lower status than doctors even though their desk-side manner with struggling students is far better than many doctors’ bedside manner with the ill and dying?
Vicki Robin (Your Money or Your Life)
The most decisive and certainly most delicious option for an aggrieved worker in a narcissist’s office is simply quitting. Slamming your resignation letter on the boss’s desk and striding out to take a better job somewhere else is satisfying and in both its finality and its totality. Instantly the feared figure is stripped of all power, reduced to a person of utter inconsequence in your life. Not only does this spell immediate freedom for the exiting employee, it can also contribute to the long-term decline of the boss.
Jeffrey Kluger (The Narcissist Next Door: Understanding the Monster in Your Family, in Your Office, in Your Bed--in Your World)
Dear Jessa, I’ve started this letter so many times and I’ve never been able to finish it. So here goes again . . . I’m sorry. I’m sorry that Riley is dead. I’m sorry for ignoring your emails and for not being there for you. I’m sorry I’ve hurt you. There isn’t a day that goes by that I don’t wish it had been me that died and not Riley. If I could go back in time and change everything I would. I’m sorry I left without a word. There’s no excuse for my behaviour but please know that it had nothing to do with you. I was a mess. I haven’t been able to talk to anyone for months. And I felt too guilty and didn’t know how to tell you the truth about what happened. I couldn’t bear the thought of you knowing. I got all your emails but I didn’t read them until last week. I couldn’t face it and I guess that makes me the biggest coward you’ll ever meet. I’m sorry. I’m sorry I never replied. You needed me and I wasn’t there for you. I don’t even know how to ask your forgiveness because I don’t deserve it. I’m just glad you’re doing better. I’m better too. I’ve started seeing a therapist – twice a week – you’d like her. She reminds me of Didi. I never thought I’d be the kind of guy who needed therapy, but they made it a condition of me keeping my job. She’s helped me a lot with getting the panic attacks under control. Working in a room the size of a janitor’s closet helps too – there aren’t too many surprises, only the occasional rogue paperclip. I asked for the posting. I have to thank your dad ironically. The demotion worked out. Kind of funny that I totally get where your father was coming from all those years. Looks like I’ll be spending the remainder of my marine career behind a desk, but I’m OK with that. I don’t know what else to say, Jessa. My therapist says I should just write down whatever comes into my head. So here goes. Here’s what’s in my head . . . I miss you. I love you. Even though I long ago gave up the right to any sort of claim over you, I can’t stop loving you. I won’t ever stop. You’re in my blood. You’re the only thing that got me through this, Jessa. Because even during the bad times, the worst times, the times I’d wake up in a cold sweat, my heart thumping, the times I’d think the only way out was by killing myself and just having it all go away, I’d think of you and it would pull me back out of whatever dark place I’d fallen into. You’re my light, Jessa. My north star. You asked me once to come back to you and I told you I always would. I’m working on it. It might take me a little while, and I know I have no right to ask you to wait for me after everything I’ve done, but I’m going to anyway because the truth is I don’t know how to live without you. I’ve tried and I can’t do it. So please, I’m asking you to wait for me. I’m going to come back to you. I promise. And I’m going to make things right. I’ll do whatever it takes. I’ll never stop trying for the rest of my life to make things right between us. I love you. Always. Kit
Mila Gray (Come Back to Me (Come Back to Me, #1))
Ever since the Industrial Revolution, the norm has been to pay people for the hours they spend on the job rather than for what they produce. But rigid timetables are out of step with the information economy, where the boundary between work and play is much more blurred than it was in the nineteenth century. Many modern jobs depend on the kind of creative thinking that seldom occurs at a desk and cannot be squeezed into fixed schedules. Letting people choose their own hours, or judging them on what they achieve rather than on how long they spend achieving it, can deliver the flexibility that many of us crave.
Carl Honoré (In Praise of Slow: How a Worldwide Movement is Challenging the Cult of Speed)
You mean Savi is on that plane by herself?” “Let it go,” Daniel warns. “No! Someone should be with her. She’s facing The American and Lynn! Cole, you should be there, not hiding behind your desk.” Cole drops the thick folder, making John jump. “You don’t think I want to be there, Mark? You don’t think it’s turning me inside out that my girl is a state away and only an arm’s length from the people who tried to kill her? I was ordered to stay behind and do my job. I was ordered to leave for Mexico when all I want to do is be in that courtroom with her. I’m not hiding. I’m following orders since I didn’t last time.
J.L. Drake (Mended (Broken Trilogy, #3))
I know this is your religion, but for me it’s just a job.” “That’s your problem,” Basil said. “For you it’s ‘just’ a job.” “What’s it supposed to be?” “Work.” “Same thing,” Amy said. “No,” Basil said. “A job is what a guy in a gas station has. People at Orsk have work. It’s a calling. A responsibility to something bigger than yourself. Work gives you a goal. It lets you build something that lives on after you’re gone. Work has a purpose beyond making money.” “I am begging you to stop,” Amy said. “There’s nothing wrong with being serious,” Ruth Anne said. “She can’t take anything seriously,” Basil said. “That’s her problem.” “I do my job,” Amy said. “I punch the clock, I work my shop, I sell people their desks, I cash my check. That’s what Orsk pays me to do: my job. I’m not planning on being in retail for the rest of my life.” “Really? What are you going to do?” “I’m …” Amy suddenly realized that in fact she didn’t have any plans. “I’ve got plans. They’re none of your business.
Grady Hendrix (Horrorstör)
It was the best kind of class to have in the afternoon, an exercise in almost pure language, demanding nothing more than fractional consciousness since there wasn't the slightest hope of understanding what those poems were all about, and we drowsed and smiled, happy in our own little angel-infancy, snug in our Thamesian punt, and when the sonic belch of experimental jets went ripping across the desert we came close to applauding the symbolism; but a trembling applause it would have been, for we knew that it signaled the death of our drowsy England and the beginning of a new mortality, just months away now, the start of job, mate, child, desk, drink, sit, squat, quiver, die.
Don DeLillo (Américana)
Let’s ask him,” Lincoln Steffens suggested. The two men dashed across to headquarters and burst into Roosevelt’s office. Riis put the question directly. Was he working to be President? The effect, wrote Steffens, “was frightening.” TR leaped to his feet, ran around his desk, and fists clenched, teeth bared, he seemed about to throttle Riis, who cowered away, amazed. “Don’t you dare ask me that,” TR yelled at Riis. “Don’t you put such ideas into my head. No friend of mine would ever say a thing like that, you—you—” Riis’s shocked face or TR’s recollection that he had few friends as devoted as Jake Riis halted him. He backed away, came up again to Riis, and put his arm over his shoulder. Then he beckoned me close and in an awed tone of voice explained. “Never, never, you must never either of you remind a man at work on a political job that he may be President. It almost always kills him politically. He loses his nerve; he can’t do his work; he gives up the very traits that are making him a possibility. I, for instance, I am going to do great things here, hard things that require all the courage, ability, work that I am capable of … But if I get to thinking of what it might lead to—” He stopped, held us off, and looked into our faces with his face screwed up into a knot, as with lowered voice he said slowly: “I must be wanting to be President. Every young man does. But I won’t let myself think of it; I must not, because if I do, I will begin to work for it, I’ll be careful, calculating, cautious in word and act, and so—I’ll beat myself. See?” Again he looked at us as if we were enemies; then he threw us away from him and went back to his desk. “Go on away, now,” he said, “and don’t you ever mention the—don’t you ever mention that to me again.”141
Edmund Morris (The Rise of Theodore Roosevelt)
Days after the elections of 2016, asha sent me a link to a talk by astrophysicist Neil deGrasse Tyson. We have to have hope, she says to me across 3,000 miles, she in Brooklyn, me in Los Angeles. We listen together as Dr. deGrasse Tyson explains that the very atoms and molecules in our bodies are traceable to the crucibles in the centers of stars that once upon a time exploded into gas clouds. And those gas clouds formed other stars and those stars possessed the divine-right mix of properties needed to create not only planets, including our own, but also people, including us, me and her. He is saying that not only are we in the universe, but that the universe is in us. He is saying that we, human beings, are literally made out of stardust. And I know when I hear Dr. deGrasse Tyson say this that he is telling the truth because I have seen it since I was a child, the magic, the stardust we are, in the lives of the people I come from. I watched it in the labor of my mother, a Jehovah's Witness and a woman who worked two and sometimes three jobs at a time, keeping other people's children, working the reception desks at gyms, telemarketing, doing anything and everything for 16 hours a day the whole of my childhood in the Van Nuys barrio where we lived. My mother, cocoa brown and smooth, disowned by her family for the children she had as a very young and unmarried woman. My mother, never giving up despite never making a living wage. I saw it in the thin, brown face of my father, a boy out of Cajun country, a wounded healer, whose addictions were borne of a world that did not love him and told him so not once but constantly. My father, who always came back, who never stopped trying to be a version of himself there were no mirrors for. And I knew it because I am the thirteenth-generation progeny of a people who survived the hulls of slave ships, survived the chains, the whips, the months laying in their own shit and piss. The human beings legislated as not human beings who watched their names, their languages, their Goddesses and Gods, the arc of their dances and beats of their songs, the majesty of their dreams, their very families snatched up and stolen, disassembled and discarded, and despite this built language and honored God and created movement and upheld love. What could they be but stardust, these people who refused to die, who refused to accept the idea that their lives did not matter, that their children's lives did not matter?
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
Sanchez got the phone call, listened carefully, glanced over at Spencer, in Whittaker's office, having his morning coffee. Hung up the phone, got up, went and knocked on the door, asked if he could see Spencer a moment, and lowering his voice said, "Carl downstairs just called me because someone wants to file a vagrancy report. Spencer slapped him on the back. "Detective Sanchez, thank you for bringing the particulars of your job description to my attention. Well done. Go to it. Sanchez hemmed and said, "The young woman says she is Lily Quinn. Specifically asked for me, Carl says. Spencer didn't slap him on the back this time. He stared at Carl and then said, "All right smart-ass, go back to you desk. "That's what I thought," said Sanchez.
Paullina Simons (The Girl In Times Square)
The definition of superb animation is that each character on the screen makes you believe it is a thinking being. Whether it’s a T-Rex or a slinky dog or a desk lamp, if viewers sense not just movement but intention—or, put another way, emotion—then the animator has done his or her job. It’s not just lines on paper anymore; it’s a living, feeling entity. This is what I experienced that night, for the first time, as I watched Donald leap off the page. The transformation from a static line drawing to a fully dimensional, animated image was sleight of hand, nothing more, but the mystery of how it was done—not just the technical process but the way the art was imbued with such emotion—was the most interesting problem I’d ever considered. I wanted to climb through the TV screen and be part of this world.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
Lucifer snapped his fingers and froze them. He didn’t really care what they did to each other, but he’d spent several months in the wild capturing the beast he’d turned into a desk. “Children, children,” he said tucking his hands behind his back and adopting his father figure mode. It usually made his daughter, Muriel, laugh. “Must I remind you that I tasked you with a mission. One that I might add, Ysabel, you should be most eager to complete. What I do not need, is for you to FUCK IT UP!” He let his voice increase in treble until it boomed. “I’ve been more than tolerant, but enough is enough. You will cease bringing me your petty squabbles. You will do the job I assigned. And if you don’t want his tongue in your mouth, Ysabel, then bite it off. Although, really, if you enjoyed it so much, I don’t see what the problem is. Maybe he can help you remove the stick up your ass if you let him kiss the other end. Now, if we’re done here, and since I’m boss, and I say we are, leave and don’t come back until you’re done, because if you do, I’m duct taping the pair of you together and throwing you in a dark room until you learn to get along. Or fuck. I don’t really care which, but I prefer the latter so I can watch.
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
There was a small public library on Ninety-third and Hooper. Mrs. Stella Keaton was the librarian. We’d known each other for years. She was a white lady from Wisconsin. Her husband had a fatal heart attack in ’34 and her two children died in a fire the year after that. Her only living relative had been an older brother who was stationed in San Diego with the navy for ten years. After his discharge he moved to L.A. When Mrs. Keaton had her tragedies he invited her to live with him. One year after that her brother, Horton, took ill, and after three months he died spitting up blood, in her arms. All Mrs. Keaton had was the Ninety-third Street branch. She treated the people who came in there like her siblings and she treated the children like her own. If you were a regular at the library she’d bake you a cake on your birthday and save the books you loved under the front desk. We were on a first-name basis, Stella and I, but I was unhappy that she held that job. I was unhappy because even though Stella was nice, she was still a white woman. A white woman from a place where there were only white Christians. To her Shakespeare was a god. I didn’t mind that, but what did she know about the folk tales and riddles and stories colored folks had been telling for centuries? What did she know about the language we spoke? I always heard her correcting children’s speech. “Not ‘I is,’ she’d say. “It’s ‘I am.’” And, of course, she was right. It’s just that little colored children listening to that proper white woman would never hear their own cadence in her words. They’d come to believe that they would have to abandon their own language and stories to become a part of her educated world. They would have to forfeit Waller for Mozart and Remus for Puck. They would enter a world where only white people spoke. And no matter how articulate Dickens and Voltaire were, those children wouldn’t have their own examples in the house of learning—the library.
Walter Mosley (White Butterfly (Easy Rawlins #3))
The New Machine. Imagine you are sitting at your desk at work and the boss comes to you and gives you this proposal. “We just bought a new machine for the company and we need to train someone to operate this new machine. You would have to go to night school three days a week for nine months to learn how to operate this machine. We wouldn’t pay you for going to night school, but when you graduated from night school, you would be our machine operator and you would get a $1,500 per month raise. What do you think?” Most people would reply, “Yes! I could spend three nights a week for nine months in training so that I could get a $1,500 a month raise.” And isn’t that what your network marketing opportunity offers? If you really dedicated yourself, three nights a week for nine months, you should have enough distributors and customers to easily earn $1,500 extra per month. Now, your current job doesn’t offer the opportunity to work three nights a week and get a huge raise, but our network marketing opportunity does.
Tom Schreiter (How To Prospect, Sell and Build Your Network Marketing Business With Stories)
my desk, and there, with my own hand, I kill it. It’s not that I want to kill it, but it’s the only way I can get something that is so three-dimensional onto the flat page. Just to make sure the job is done I stick it into place with a pin. Imagine running over a butterfly with an SUV. Everything that was beautiful about this living thing—all the color, the light and movement—is gone. What I’m left with is the dry husk of my friend, the broken body chipped, dismantled, and poorly reassembled. Dead. That’s my book.
Ann Patchett (This Is the Story of a Happy Marriage)
But just in case you don’t want to spend eternity giving yourself high colonics on some sleazy Web site, ogled by millions of men with serious intimacy problems, the other type of work which most people do in Hell is—telemarketing. Yes, this means sitting at a desk, elbow-to-elbow with fellow doomed telemarketing associates who stretch to the horizon in either direction, all of you yakking on headsets. My job is: The dark forces are constantly calculating when it’s dinnertime anywhere on earth, and a computer autodials those phone numbers so I can interrupt everyone’s meal. My goal isn’t actually to sell you anything; I just ask if you have a few seconds to take part in a market research study identifying consumer trends in chewing gum. In mouthwash. In dryer fabric-softener sheets. I get to wear my headset telephone and work from a flowchart of possible responses. Best of all, I get to talk to real-live people—like yourself—who are still living and breathing and have no idea that I’m dead and phoning them from the Afterlife. Trust me, the vast majority of telemarketing people who ring you up, they’re dead. As are pretty much all Internet porn models.
Chuck Palahniuk (Damned (Damned #1))
Our life is made up of time; our days are measured in hours, our knowledge is measured by year's. We grab a few minutes in our busy day to have a coffee break. we rush back to our desks, we watch the clock, we live by appointments. And yet your time eventually runs out and you wonder in your heart of hearts if those seconds, minutes, hours, days, weeks, months, year's, and decades were being spent the best way they possibly could. In other words , if you could change anything would you? Everything is spinning around us, jobs, family, friends, lovers ... you just feels like screaming "STOP!" Love Rosie by Cecelia Ahern
Cecelia Ahern (Love, Rosie)
Stephen Colbert: [sitting to Stewart’s right at the anchor desk] Actually, Jon, we’re not quite done. Jon Stewart: [rolling away from Colbert on his chair and nearly toppling off the riser] Don’t do this. Stephen Colbert: [rolling after Stewart and grabbing him by the arm] No—you can’t stop anyone, because they don’t work for you anymore! Huge mistake! Jon Stewart: Please don’t do this. Stephen Colbert: Here’s the thing: You said to me and to many other people here years ago never to thank you, because we owe you nothing. Jon Stewart: [quietly] That’s right. Stephen Colbert: It’s one of the few times I’ve known you to be dead wrong… We owe you because we learned from you, by example, how to do a show with intention, with clarity. How to treat people with respect. You are infuriatingly good at your job, okay? [Stewart covers his eyes, which appear to be filled with tears] And all of us who were lucky enough to work with you—and you can edit this out later—for sixteen years are better at our jobs because we got to watch you do yours. And we are better people for having known you… Personally, I do not know how this son of a poor, Appalachian turd miner—I do not know what I would do if you hadn’t brought me on this show. I’d be back in those hills, mining turds with Pappy! Jon—and it’s almost over—I know you are not asking for this, but on behalf of so many people whose lives you changed over the past sixteen years, thank you. And now, I believe your line—correct me if I’m wrong—is “We’ll be right back.
Chris Smith (The Daily Show (The Audiobook): An Oral History as Told by Jon Stewart, the Correspondents, Staff and Guests)
Smokers exist in every kitchen. It kills a tastebud or two but we all die, and no one knows better than those who club the fish, clean the guts from the meat, and serve for your delectation a plate from which all blood has been wiped. We cook despite bad pay and sore backs and inadequate sleeps in apartments we can't afford and we wake up choosing again that most temporary of glories that is made, and then consumed: we know. We all die. Whether it comes after thirty years of hard labor or sixty at a desk, whether we calculate or plan, in the end we have only the choice of what touches the lips before we go: lobster if you like it or cold pizza if you don't, a sip of smoke, a drink, a job, a reckless passion, raw fish, the beguilement of mushrooms, cheese luscious beneath its crown of mold. What sustains in the end are doomed romances, and nicotine, and crappy peanut butter, damn the additives and cholesterol because life is finite and not all nourishment can be measured. When I learned to smoke behind a restaurant, my breath curling toward an inconsolable sky, I learned what it means to live by the tongue, dumb beast, obedient to neither time nor money, past nor future, loyal to a now worth living. I took my cigarette to the filter, and for the first time I appraised my employer back. He claimed to have evolved past fear. He lied. Behind the mask was a damp, scared boy. Fear of toxins, fear of carcinogens, tear of flood and smog and protest and entropy and all that could not be optimized, controlled, bought and held behind glass. Fear fueled a country so intent on perfection that they would give up the world.
C Pam Zhang (Land of Milk and Honey)
Our life is made up of time; our days are measured in hours, our pay measured by those hours, our knowledge is measured by years. We grab a quick few minutes in our busy day to have a coffee break. We rush back to our desks, we watch the clock, we live by appointments. And yet your time eventually runs out and you wonder in your heart of hearts if those seconds, 132 Cecelia Ahern minutes, hours, days, weeks, months, years, and decades were being spent the best way they possibly could. In other words, if you could change anything, would you? Everything is spinning around us, jobs, family, friends, lovers . . . you just feel like screaming “STOP!” looking around, rearranging the order of a few things, and then continuing on . . . It was just a thought. I know you’re having a really difficult time right now. Please know that I’m always here for you.
Anonymous
Therefore we are always confident and know that as long as we are at home in the body we are away from the Lord. For we live by faith, not by sight. —2 Corinthians 5:6–7 (NIV) I was clicking though my usual Monday morning e-mail glut when I noticed in the reflection of the monitor that I’d missed a spot shaving. Now I was beating myself up about being so careless and felt like the Wolfman himself, transmogrifying from human to beast. I recalled that somewhere deep in the recesses of one of my drawers was a razor. A second later I was ransacking my desk in search of it. That’s when Carlos walked in, a gentleman who shows up once a week with his watering can to check on our office foliage. “What are you looking for?” he asked. “Nothing, really,” I muttered. “You are looking awfully hard for nothing,” he said. His watering can gurgled as he attended to one of my philodendrons. “I’m trying to find a razor. I missed a spot shaving this morning.” “Stubble is fashionable on men these days,” he said. “I look like the Wolfman.” “Maybe people will appreciate what a good job you did on the rest of your face.” I turned from my rummaging and shot Carlos a look. He was laughing, his face crinkled up with mirth. All of a sudden I was laughing too. “Don’t take yourself so seriously, Mr. Edward. It’s only Monday. You have the whole week ahead of you!” Then Carlos and his watering can were off to the next office. He was right: A whole week lay ahead—a good week, if I wanted it to be. Lord, it’s me again, Mr. Edward. Thank You for Carlos and beard stubble and gurgling watering cans and thirsty philodendrons and all the other stray blessings You bestow upon this too often insecure soul. —Edward Grinnan Digging Deeper: Ps 118:24; Mt 6:11
Guideposts (Daily Guideposts 2014)
the device had the property of transresistance and should have a name similar to devices such as the thermistor and varistor, Pierce proposed transistor. Exclaimed Brattain, “That’s it!” The naming process still had to go through a formal poll of all the other engineers, but transistor easily won the election over five other options.35 On June 30, 1948, the press gathered in the auditorium of Bell Labs’ old building on West Street in Manhattan. The event featured Shockley, Bardeen, and Brattain as a group, and it was moderated by the director of research, Ralph Bown, dressed in a somber suit and colorful bow tie. He emphasized that the invention sprang from a combination of collaborative teamwork and individual brilliance: “Scientific research is coming more and more to be recognized as a group or teamwork job. . . . What we have for you today represents a fine example of teamwork, of brilliant individual contributions, and of the value of basic research in an industrial framework.”36 That precisely described the mix that had become the formula for innovation in the digital age. The New York Times buried the story on page 46 as the last item in its “News of Radio” column, after a note about an upcoming broadcast of an organ concert. But Time made it the lead story of its science section, with the headline “Little Brain Cell.” Bell Labs enforced the rule that Shockley be in every publicity photo along with Bardeen and Brattain. The most famous one shows the three of them in Brattain’s lab. Just as it was about to be taken, Shockley sat down in Brattain’s chair, as if it were his desk and microscope, and became the focal point of the photo. Years later Bardeen would describe Brattain’s lingering dismay and his resentment of Shockley: “Boy, Walter hates this picture. . . . That’s Walter’s equipment and our experiment,
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
Qualities such as honesty, determination, and a cheerful acceptance of stress, which can all be identified through probing questionnaires and interviews, may be more important to the company in the long run than one's college grade-point average or years of "related experience." Every business is only as good as the people it brings into the organization. The corporate trainer should feel his job is the most important in the company, because it is. Exalt seniority-publicly, shamelessly, and with enough fanfare to raise goosebumps on the flesh of the most cynical spectator. And, after the ceremony, there should be some sort of permanent display so that employees passing by are continuously reminded of their own achievements and the achievements of others. The manager must freely share his expertise-not only about company procedures and products and services but also with regard to the supervisory skills he has worked so hard to acquire. If his attitude is, "Let them go out and get their own MBAs," the personnel under his authority will never have the full benefit of his experience. Without it, they will perform at a lower standard than is possible, jeopardizing the manager's own success. Should a CEO proclaim that there is no higher calling than being an employee of his organization? Perhaps not-for fear of being misunderstood-but it's certainly all right to think it. In fact, a CEO who does not feel this way should look for another company to manage-one that actually does contribute toward a better life for all. Every corporate leader should communicate to his workforce that its efforts are important and that employees should be very proud of what they do-for the company, for themselves, and, literally, for the world. If any employee is embarrassed to tell his friends what he does for a living, there has been a failure of leadership at his workplace. Loyalty is not demanded; it is created. Why can't a CEO put out his own suggested reading list to reinforce the corporate vision and core values? An attractive display at every employee lounge of books to be freely borrowed, or purchased, will generate interest and participation. Of course, the program has to be purely voluntary, but many employees will wish to be conversant with the material others are talking about. The books will be another point of contact between individuals, who might find themselves conversing on topics other than the weekend football games. By simply distributing the list and displaying the books prominently, the CEO will set into motion a chain of events that can greatly benefit the workplace. For a very cost-effective investment, management will have yet another way to strengthen the corporate message. The very existence of many companies hangs not on the decisions of their visionary CEOs and energetic managers but on the behavior of its receptionists, retail clerks, delivery drivers, and service personnel. The manager must put himself and his people through progressively challenging courage-building experiences. He must make these a mandatory group experience, and he must lead the way. People who have confronted the fear of public speaking, and have learned to master it, find that their new confidence manifests itself in every other facet of the professional and personal lives. Managers who hold weekly meetings in which everyone takes on progressively more difficult speaking or presentation assignments will see personalities revolutionized before their eyes. Command from a forward position, which means from the thick of it. No soldier will ever be inspired to advance into a hail of bullets by orders phoned in on the radio from the safety of a remote command post; he is inspired to follow the officer in front of him. It is much more effective to get your personnel to follow you than to push them forward from behind a desk. The more important the mission, the more important it is to be at the front.
Dan Carrison (Semper Fi: Business Leadership the Marine Corps Way)
When he was sixteen (1923), Peter got a job as copy boy on a New York tabloid and entered a saltier, more hard-bitten world. It was a roaring, lush, lousy tabloid. Everybody was drunk all the time. The managing editor hired girl reporters on condition they sleep with him. New staffs moved in and were mowed down like the Light Brigade. Chorus girls, debutantes, and widows suspected of murdering their husbands were perched on desks with their thighs showing to be photographed. An endless parade of cranks, freaks, ministers, actresses, and politicians moved through the big babbling room, day and night. The city editor went crazy one afternoon. So did his successor. And among the typewriters and the paste pots and the thighs, Peter walked with simple delight. A young reporter took a liking to him, found he was homeless, and insisted he share an elegant bachelor apartment uptown. There were constant parties, starting at dawn and ending as the hush of twilight settled over the city. People went to work and went to parties until they got the two pursuits confused and never noticed the difference. Whisky was oxygen, women were furniture, thinking was masochism.
Jack Iams
The book I have not yet written one word of is a thing of indescribable beauty, unpredictable in its patterns, piercing in its color, so wild and loyal in its nature that my love for this book, and my faith in its as I track its lazy flight, is the single perfect joy in my life. It is the greatest novel in the history of literature, and I have thought it up, and all I have to do is put it down on paper and then everyone can see this beauty that I see. And so I do. When I can’t think of another stall, when putting it off has actually become more painful than doing it, I reach up and pluck the butterfly from the air. I take it from the region of my head and I press it down against my desk, and there, with my own hand, I kill it. It’s not that I want to kill it, but it’s the only way I can get something that is so three-dimensional onto the flat page. Just to make sure the job is done I stick it into lace with a pin. Imagine running over a butterfly with an SUV. Everything that was beautiful about this living thing-all the color, the light and movement-is gone. What I’m left with is the dry husk of my friend, the broken body chipped, dismantled, and poorly reassembled. Dead. That’s my book.
Ann Patchett
Back home, Chris struggled to readjust, physically and mentally. He also faced another decision-reenlist, or leave the Navy and start a new life in the civilian world. This time, he seemed to be leaning toward getting out-he'd been discussing other jobs and had already talked to people about what he might do next. It was his decision, one way or another. But if I’d been resigned to his reenlistment last go-around, this time I was far more determined to let him know I thought he should get out. There were two important reasons for him to leave-our children. They really needed to have him around as they grew. And I made that a big part of my argument. But the most urgent reason was Chris himself. I saw what the war was doing to him physically. His body was breaking down with multiple injuries, big and small. There were rings under his eyes even when he had slept. His blood pressure was through the roof. He had to wall himself off more and more. I didn’t think he could survive another deployment. “I’ll support you whatever you decide,” I told him. “I want to be married to you. But the only way I can keep making sense of this is…I need to do the best for the kids and me. If you have to keep doing what is best for you and those you serve, at some point I owe it to myself and those I serve to do the same. For me, that is moving to Oregon.” For me, that meant moving from San Diego to Oregon, where we could live near my folks. That would give our son a grandfather to be close to and model himself after-very important things, in my mind, for a boy. I didn’t harp on the fact that the military was taking its toll. That argument would never persuade Chris. He lived for others, not himself. It didn’t feel like an ultimatum to me. In fact, when he described it that way later on, I was shocked. “It was an ultimatum,” he said. He felt my attitude toward him would change so dramatically that the marriage would be over. There would also be a physical separation that would make it hard to stay together. Even if he wasn’t overseas, he was still likely to be based somewhere other than Oregon. We’d end up having a marriage only in name. I guess looked at one way, it was an ultimatum-us or the Navy. But it didn’t feel like that to me at the time. I asked him if he could stay in and get an assignment overseas where we could all go, but Chris reminded me there was never a guarantee with the military-and noted he wasn’t in it to sit behind a desk. Some men have a heart condition they know will kill them, but they don’t want to go to the doctor; it’s only when their wives tell them to go that they go. It’s a poor metaphor, but I felt that getting out of the Navy was as important for Chris as it was for us. In the end, he opted to leave. Later, when Chris would give advice to guys thinking about leaving the military, he would tell them it would be a difficult decision. He wouldn’t push them one way or the other, but he would be open about his experiences. “There’ll be hard times at first,” he’d admit. “But if that is the thing you decide, those times will pass. And you’ll be able to enjoy things you never could in the service. And some of them will be a lot better. The joy you get from your family will be twice as great as the pleasure you had in the military.” Ultimatum or not, he’d come to realize retiring from the service was a good choice for all of us.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
I found out Si was taking naps every day on Kay’s couch! I went to Phil and told him it was a problem. “Look, I know he’s your brother and he’s my uncle, but he’s not the kind of worker we need to have,” I told Phil, while trying to make a good first impression. I was trying to instill a new work ethic and culture in Duck Commander, and I couldn’t have Si sleeping on the job! “Don’t touch Si,” Phil told me. “You leave him alone. He’s making reeds and that’s the hardest thing we do. Si is the only guy who wants to do it, and he’s good at it. Si is fine.” Amazingly enough, in the ten years I’ve been running Duck Commander, we’ve never once run out of reeds. Six years ago, Si suffered a heart attack. He smoked cigarettes for almost forty years and then quit after his heart attack, so we were all so proud of him. Even before his heart attack, I wasn’t sure about putting Si on our DVDs because I thought he would just come across too crazy. He cracked us up in the duck blind and we all loved him, but I told Jep and the other camera guys to film around him. Honestly, I didn’t think anyone would understand what he was saying. When we finally tried to put him on the DVDs, he clammed up in front of the camera and looked like a frog in a cartoon just sitting there. He wouldn’t perform. Finally, we put a hidden camera under a shirt on Si’s desk. We were near the end of editing a DVD and showed a shooting scene to Si. He always takes credit for shooting more ducks than he really did. He’s said before that he killed three ducks with one shot! We were watching patterns hitting the water, and Si started claiming the ducks like he always does and going off on one of his long tangents. After we recorded him, we ran the DVD back and showed it to him. I think Si saw that he was actually pretty funny and entertaining if he acted like himself. We started putting Si on the DVDs and he got more and more popular. Now he’s the star of Duck Dynasty!
Willie Robertson (The Duck Commander Family)
The morning was already setting up to be hectic, and Jon thanked his lucky stars that Jessie was so good at his job and a constant spark-plug of activity. Oh god, you did not just think Jessie was a spark-plug? You really are getting old. Next thing you know you’ll being saying whipper-snappers and break a hip getting out of bed. He shook his head. I guess I had a good run. Jessie quickly re-entered the office. “Alright. Elisabeth has her caffeine fix and said she’ll be down to say goodbye in a few. So let’s get this bad boy going for the week. Travel plans are done for next month and meetings for the week are in you planner so I’m assuming they’ll be no more complaining about flying coach class this time?” Jessie gave a sly wink and kept organizing his desk. “Yes. And for that I thank you for that my color-coding, hyper computer organized planner. We have to make sure the next presentation for Chicago is ready in three weeks; the storyboards for the new campaign ideas have to be finished by Tuesday the 16th so we can get them shipped before I head out there.” “And let’s not forget our important morning ritual.” Jon looked at Jessie with a question about to form before the realization hit him. His expression changed from confused to stern. “No cat videos Jessie. I swear. Enough of the cat videos.” “C’mon. You know you love them and they brighten your dour moods. Look at this one.” Jessie turned his screen and Jon begrudgingly looked at the cute little puppy and kitten with captions over them. “How can you not love this?” Jessie smiled. “The cute little kitty tells the playful puppy not to do it and yet the puppy bonks the little kitty on the head with his little puppy paw. “Boop Boop.” And then the cat swipes at the puppy and it falls off the bed. You know this is internet gold.” Jon smiled. “Can we get back to work?” Jessie nodded and then walked up to Jon - without hesitating, he bonked him lightly on the head. “Boop.” He paused and added, “I think this puppy is onto something.” Jessie grinned ear to ear still. “I pledge, from now on if something makes me as happy as this bonking picture I’m just going to say Boop boop.” Jon stood stone-faced but a second later, could not stop his smile. “I am not amused.” Jon shook the smile away. “Now, if you’re done boop booping me, there is something else I want to talk with you about.” Jessie looked at Jon with a quizzical smile. “Not to blow my own horn but I have a new and brilliant thought my young apprentice.” Jessie opened his mouth to comment on the blowing horn, but Jon held up his hand and cut him off. “Stop it.” Jessie closed his mouth and swallowed the sexual innuendo-laced comment he had forming on the tip of his tongue.
Matthew Alan