Desert Sunset Quotes

Ô, Sunlight! The most precious gold to be found on Earth.

It had nothing to do with gear or footwear or the backpacking fads or philosophies of any particular era or even with getting from point A to point B. It had to do with how it felt to be in the wild. With what it was like to walk for miles with no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way.

It only had to do with how it felt to be in the wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way.

The breeze across the desert as the light died was so sweet she could almost drink it.

On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.

You’re infamous. Apparently you have hair the colour of a desert sunset, and eyes that flash like a desert storm—nobody told me that your personality was like a desert cactus as well.

The magic ground against my mind and I heard the same word whispered over and over in my head. “Z’emir-amit. Z’emir-amit. Z’emir-amit.” Oh my God. I knew that name. I read about her. I studied her legends, but I never thought I would come across anything of hers because she had been dead for thousands of years. Dead and buried in distant Iraq, somewhere on the east bank of the Tigris River. That name belonged to the bones in front of me. I could feel it. I knew this magic. I was looking at the corpse of my grandmother. She wanted me to say her name. She wanted to know that I understood. I opened my mouth and said it out loud. “Semiramis.” Her magic drenched me, not the blow of a hammer, but a cascade of power, pouring onto me as if I stood under a waterfall. Z’emir-amit. The Branch Bearer. The Shield of Assyria. The Great Queen Semiramis. A line from Sarchedon floated up from my memory. When she turns her eyes on you, it is like the golden lustre of noon-day; and her smile is brighter and more glorious than sunset in the desert… To look on her face unveiled is to be the Great Queen’s slave for ever more.

Even so long after sunset, the sky in the west was touched with feather-strokes of crimson and black. The wind was blowing from the east, which meant that even in the middle of the city you could breathe in desert: sand and grit, cactus and coyotes, the burning scent of sage.

Turn up the radio. Turn up the tape machine. Look into the sunset up ahead. Roll the windows down for a better taste of the cool desert wind. Ah yes. This is what it’s all about. Total control now. Tooling along the main drag on a Saturday night in Las Vegas, two good old boys in a fireapple-red convertible … stoned, ripped, twisted … Good People.

Nimander wondered if he had discovered the face of the one true god. Naught else but time, this ever changing and yet changeless tyrant against whom no creature could win. Before whom even trees, stone and air must one day bow. There would be a last dawn, a last sunset, each kneeling in final surrender. Yes, time was indeed god, playing the same games with lowly insects as it did with mountains and the fools who would carve fastnesses into them. At peace with every scale, pleased by the rapid patter of a rat’s heart and the slow sighing of devouring wind against stone. Content with a star’s burgeoning light and the swift death of a raindrop on a desert floor.

Life is the feel of a coral sunset over a slow-moving river. Memories of jungles and deserts and dark winds from Java. And if you really listen, you can still hear the high plains drums in New Mexico, for deep inside of you is the spirit of your past

It had only to do with how it felt to be in the wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way.

A sunset, almost formidable in its splendor, would be lingering in the fully exposed sky. Among its imperceptibly changing amassments, one could pick out brightly stained structural details of celestial organisms, or glowing slits in dark banks, or flat, ethereal beaches that looked like mirages of desert islands. I did not know then (as I know perfectly well now) what to do with such things—how to get rid of them, how to transform them into something that can be turned over to the reader in printed characters to have him cope with the blessed shiver—and this inability enhanced my oppression.

Landscape-tones: brown to bronze, steep skyline, low cloud, pearl ground with shadowed oyster and violet reflections. The lion-dust of desert: prophets’ tombs turned to zinc and copper at sunset on the ancient lake.

Here and there, set into the somber red, were rivers of bright yellow—incandescent Amazons, meandering for thousands of miles before they lost themselves in the deserts of this dying sun. Dying? No—that was a wholly false impression, born of human experience and the emotions aroused by the hues of sunset, or the glow of fading embers. This was a star that had left behind the fiery extravagances of its youth, had raced through the violets and blues and greens of the spectrum in a few fleeting billions of years, and now had settled down to a peaceful maturity of unimaginable length. All that had gone before was not a thousandth of what was yet to come; the story of this star had barely begun.

Mars will not be our new home; it will be our new hotel! Because for a new place to be our own home, we need to see the things we used to see: An autumn lake, a bird singing in the misty morning or even desert camels walking in the sunset!

It had only to do with how it felt to be in the wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way. (207)

Southern California sunsets, neon, flowers, ocean, desert landscapes, and wide boulevards sifted their ways into the subconsciousnesses (or consciousnesses) of L.A. artists.

The lion-dust of desert: prophets’ tombs turned to zinc and copper at sunset on the ancient lake.

Lydia can't see it from the dark place where she is, but she can sense it. She knows that it's the perfect time of day out there in the desert. She imagines the colors making a show of themselves outside. The glittering gray pavement, the aching red land. The colors streaking flamboyantly across the sky. When she closes her eyes, she can see them, the paint in the firmament. Dazzling. Purple, yellow, orange, pink, and blue. She can see those perfect colors, hot and bright, a feathered headdress. Beneath, the landscape stretches out its arms.

Around them, the willowy needles of desert oak trees swayed in the pale orange light. Wafts of yellow butterflies fluttered low over acacia and mulga bushes. The crater wall slowly changed color as the sun sank, from flat ochre to blazing red to chocolate-purple. The sun slipped under the dark line of the horizon, glowing like an ember as it threw its last light up into the sky.

With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way.

wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way.

had only to do with how it felt to be in the wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way.

Picking oranges in Florida. Pushing a broom in New Orleans. Mucking out horse-stalls in Lufkin, Texas. Handing out real estate brochures on street corners in Phoenix, Arizona. Working jobs that pay cash. ... The faces on the currency don't matter. What matters is the sight of a weathervane against a violent pink sunset, the sound of his heels on an empty road in Utah, the sound of the wind in the New Mexico desert, the sight of a child skipping rope beside a junked-out Chevrolet Caprice in Fossil, Oregon. What matters is the whine of the powerlines beside Highway 50 west of Elko, Nevada, and a dead crow in a ditch outside Rainbarrel Springs. Sometimes he's sober and sometimes he gets drunk. Once he lays up in an abandoned shed-this is just over the California state line from Nevada-and drinks for four days straight. It ends with seven hours of off-and-on vomiting. For the first hour or so, the puking is so constant and so violent he is convinced it will kill him. Later on, he can only wish it would. And when it's over, he swears to himself that he's done, no more booze for him, he’s finally learned his lesson, and a week later lies drunk again and staring up at the strange stars behind the restaurant where he has hired on as a dishwasher. He is an animal in a trap and he doesn't care. ... Sometimes he asks himself what he thinks he's doing, where the hell he's going, and such questions are apt to send him in search of the next bottle in a hurry. Because he's really not going anywhere. He's just following the highways in hiding and dragging his trap along behind him, he's just listening to the call of those roads and going from one to the next. Trapped or not, sometimes he is happy; sometimes he sings in his chains like the sea. He wants to see the next weathervane standing against the next pink sunset. He wants to see the next silo crumbling at the end of some disappeared farmer's long-abandoned north field and see the next droning truck with TONOPAH GRAVEL or ASPLUNDH HEAVY CONSTRUCTION written on the side. He's in hobo heaven, lost in the split personalities of America. He wants to hear the wind in canyons and know that he's the only one who hears it. He wants to scream and hear the echoes run away.

It had only to do with how it felt to be in the wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets.

WHEN I FIRST CAME to the Sahara I was afraid of the night. For some, night means more work, for others dissipation, for still others insomnia, boredom. For me now it's quite different. Night is first of all rest, real rest. At sunset a great serenity sets in, as though nature were obeying a sudden sign from God.

At the crest of the hill outside Agor, Henry pulled the car to the side of the road and we got out to take in the view. In the falling shadows, the little Arab village at the foot of the Jewish settlement looked nothing like so grim and barren as it had a few minutes before when we’d driven down its deserted main street. A desert sunset lent a little picturesqueness even to that cluster of faceless hovels. As for the larger landscape, you could see, particularly in this light, how someone might get the impression that it had been created in only seven days, unlike England, say, whose countryside appeared to be the creation of a God who’d had four or five chances to come back to perfect it and smooth it out, to tame and retame it until it was utterly habitable by every last man and beast. Judea was something that had been left just as it had been made; this could have passed for a piece of the moon to which the Jews had been sadistically exiled by their worst enemies rather than the place they passionately maintained was theirs and no one else’s from time immemorial. What he finds in this landscape, I thought, is a correlative for the sense of himself he would now prefer to effect, the harsh and rugged pioneer with that pistol in his pocket.

He stood hat in hand over the unmarked earth. This woman who had worked for his family fifty years. She had cared for his mother as a baby and she had worked for his family long before his mother was born and she had known and cared for the wild Grady boys who were his mother's uncles and who had all died so long ago and he stood holding his hat and he called her his abuela and he said goodbye to her in Spanish and then turned and put on his hat and turned his wet face to the wind and for a moment he held out his hands as if to steady himself or as if to bless the ground there or perhaps as if to slow the world that was rushing away and seemed to care nothing for the old or the young or rich or poor or dark or pale or he or she. Nothing for their struggles, nothing for their names. Nothing for the living or the dead. In four days' riding he crossed the Pecos at Iraan Texas and rode up out of the river breaks where the pumpjacks in the Yates Field ranged against the skyline rose and dipped like mechanical birds. Like great primitive birds welded up out of iron by hearsay in a land perhaps where such birds once had been…..The desert he rode was red and red the dust he raised, the small dust that powdered the legs of the horse he rode, the horse he led. In the evening a wind came up and reddened all the sky before him. There were few cattle in that country because it was barren country indeed yet he came at evening upon a solitary bull rolling in the dust against the bloodred sunset like an animal in sacrificial torment. The bloodred dust blew down out of the sun. He touched the horse with his heels and rode on. He rode with the sun coppering his face and the red wind blowing out of the west across the evening land and the small desert birds flew chittering among the dry bracken and horse and rider and horse passed on and their long shadows passed in tandem like the shadow of a single being. Passed and paled into the darkening land, the world to come.

My legs almost feel normal, except my shins feel like someone is squeezing them hard, like I'm in the middle of a river and water is rushing around me. My headaches are almost completely gone. Just one more day. One more walk. We leave tomorrow at dusk, Ramón said. Always at dusk in the desert. Sunrises, sunsets, I'm starting to hate them both.

NINA I am alone. Once in a hundred years my lips are opened, my voice echoes mournfully across the desert earth, and no one hears. And you, poor lights of the marsh, you do not hear me. You are engendered at sunset in the putrid mud, and flit wavering about the lake till dawn, unconscious, unreasoning, unwarmed by the breath of life. Satan, father of eternal matter, trembling lest the spark of life should glow in you, has ordered an unceasing movement of the atoms that compose you, and so you shift and change for ever. I, the spirit of the universe, I alone am immutable and eternal. [A pause] Like a captive in a dungeon deep and void, I know not where I am, nor what awaits me. One thing only is not hidden from me: in my fierce and obstinate battle with Satan, the source of the forces of matter, I am destined to be victorious in the end. Matter and spirit will then be one at last in glorious harmony, and the reign of freedom will begin on earth. But this can only come to pass by slow degrees, when after countless eons the moon and earth and shining Sirius himself shall fall to dust. Until that hour, oh, horror! horror! horror! [A pause. Two glowing red points are seen shining across the lake] Satan, my mighty foe, advances; I see his dread and lurid eyes.

One At A Time A friend of ours was walking down a deserted Mexican beach at sunset. As he walked along, he began to see another man in the distance. As he grew nearer, he noticed that the local native kept leaning down, picking something up and throwing it out into the water. Time and again he kept hurling things out into the ocean. As our friend approached even closer, he noticed that the man was picking up starfish that had been washed up on the beach and, one at a time, he was throwing them back into the water. Our friend was puzzled. He approached the man and said, “Good evening, friend. I was wondering what you are doing.” “I’m throwing these starfish back into the ocean. You see, it’s low tide right now and all of these starfish have been washed up onto the shore. If I don’t throw them back into the sea, they’ll die up here from lack of oxygen.” “I understand,” my friend replied, “but there must be thousands of starfish on this beach. You can’t possibly get to all of them. There are simply too many. And don’t you realize this is probably happening on hundreds of beaches all up and down this coast. Can’t you see that you can’t possibly make a difference?” The local native smiled, bent down and picked up yet another starfish, and as he threw it back into the sea, he replied, “Made a difference to that one!” Jack Canfield and Mark V. Hansen

Slung on a stage over the gunwale of an old felucca, the Peri. A storm had just passed, rushing away toward the land in a great slope of clouds; already turning yellowish from the desert. The sea there is the color of Damascus plums; and how quiet. Sun was going down; not a beautiful sunset, more a gradual darkening of the air and that storm’s mountainside. The Peri had been damaged, we hove to alongside and hailed her master. No reply. Only the sailor—I never saw his face—one of your fellahin who abandon the land like a restless husband and then grumble for the rest of their term afloat. It’s the strongest marriage in the world. This one wore a kind of loincloth and a rag round his head for the sun which was almost gone. After we’d shouted in every dialect we had among us, he replied in Tuareg: ‘The master is gone, the crew is gone, I am here and I am painting the ship.’ It was true: he was painting the ship. She’d been damaged, not a load line in sight, and a bad list. ‘Come aboard,’ we told him, ‘night is nearly on us and you cannot swim to land.’ He never answered, merely continued dipping the brush in his earthen jar and slapping it smoothly on the Peri’s creaking sides. What color? It looked gray but the air was dark. This felucca would never again see the sun. Finally I told the helmsman to swing our ship round and continue on course. I watched the fellah until it was too dark: becoming smaller, inching closer to the sea with every swell but never slackening his pace. A peasant with all his uptorn roots showing, alone on the sea at nightfall, painting the side of a sinking ship.

And then, suddenly, we broke free from the trees. The rolling plain beyond was almost overwhelming in its openness, especially lit by a brilliant, almost awful sunset, the sky never redder, every cloud seemingly blazing from within, suffused with fire and vengeance, roiling, churning, nothing but fury in every direction. Some poets spoke of red sunsets as things of sublime beauty, prefacing good fortune or romance, but they always seemed to be foretelling some bloodletting, murder, or tragedy writ large for all the world to see, and never more so than now.

I rise above the farmhouse and see slates and green, the gutter of leaves that remind me of fall and seasons that change no matter who dies. I am high in the sky and Montana is a footnote, patchwork fields stitched by tractors like ants, people that bob like they are drowning in ordinary. The ocean is endless but I see its end. I see the earth, the curves are tomorrow but it won't turn. I see clouds that hold sky, a sunset in the desert and a rise over metals. Before long I am darkness and stars and their moons. The world is nothing, so small I raise a finger and hide it. I am the God I don't believe in. I am big enough to stop the bad men.

It was the thing that had compelled them to fight for the trail against all the odds, and it was the thing that drove me and every other long distance hiker onward on the most miserable days. It had nothing to do with gear or footwear or the backpacking fads or philosophies of any particular era or even with getting from point A to point B. It had only to do with how it felt to be in the wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way.

I'd read the section in my guidebook about the trail's history the winter before, but it wasn't until now—a couple of miles out of Burney Falls, as I walked in my flimsy sandals in the early evening heat—that the realization of what that story meant picked up force and hit me squarely in the chest: preposterous as it was, when Catherine Montgomery and Clinton Clarke and Warren Rogers and the hundreds of others who'd created the PCT had imagined the people who would walk that high trail that wound down the heights of our western mountains, they'd been imagining me. It didn't matter that everything from my cheap knockoff sandals to my high-tech-by-1995-standards boots and backpack would have been foreign to them, because what mattered was utterly timeless. It was the thing that compelled them to fight for the trail against all the odds, and it was the thing that drove me and every other long-distance hiker onward on the most miserable days. It had nothing to do with gear or footwear or the backpacking fads or philosophies of any particular era or even with getting from point A to point B. It had only to do with how it felt to be in the wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way. That's what Montgomery knew, I supposed. And what Clarke knew and Rogers and what thousands of people who preceded and followed them knew. It was what I knew before I even really did, before I could have known how truly hard and glorious the PCT would be, how profoundly the trail would both shatter and shelter me.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

I rise above the farmhouse and see slates and green, the gutter of leaves that remind me of fall and seasons that change no matter who dies. I am high in the sky and Montana is a footnote, patchwork fields stitched by tractors like ants, people that bob like they are drowning in ordinary. “The ocean is endless but I see its end. I see the earth, the curves are tomorrow but it won’t turn. I see clouds that hold sky, a sunset in the desert and a rise over metals. Before long I am darkness and stars and their moons. The world is a nothing so small I raise a finger and hide it. I am the God I don’t believe in. I am big enough to stop the bad men.

Love, if it is true, will awaken you to a festival of seasons. You walk through a desert and it becomes a meadow of roses. You behold the sunset and there you fall in love with the sky. You come to the sea to drink into it for there you find the wine of ecstasy...

Embrace the thrill of the dunes and the serenity of the sunset; a desert safari is where adventure meets timeless

No one loved him. His head burnt up lies and licentiousness in twilit rooms. The blue rustling of a woman's dress turned him into a pillar of stone and in the doorway stood the night-dark figure of his mother. Over his head reared the shadow of Evil. O, you nights and stars. At evening he walked by the mountain with the cripple; upon the icy summit lay the roseate gleam of sunset and his heart rang quietly in the twilight. The stormy pines sank heavily over them and the red huntsman stepped out of the forest. When night fell, his heart broke like crystal and darkness beat his brow. Beneath bare oak trees with icy hands he strangled a wild cat. At the right hand appeared the white form of an angel lamenting, and in the darkness the cripple's shadow grew. But he took up a stone and threw it at the man that he fled howling, and sighing the gentle countenance of the angel vanished in the shadow of the tree. Long he lay on the stony field and gazed astonished at the golden canopy of the stars. Pursued by bats he plunged into darkness. Breathless he stepped into the derelict house. In the courtyard he, a wild animal, drank from the blue waters of the well till he felt the chill. Feverish he sat on the icy steps, raging against God that he was dying. O, the grey countenance of terror, as he raised his round eyes over the slit throat of a dove. Hastening over strange stairways he encountered a Jewish girl and clutched at her black hair and he took her mouth. A hostile force followed him through gloomy streets and an iron clash rent his ear. By autumnal walls he, now an altar boy, quietly followed the silent priest; under arid trees in ecstasy he breathed the scarlet of that venerated garment. O, the derelict disc of the sun. Sweet torments consumed his flesh. In a deserted half-way house a bleeding figure appeared to him rigid with refuse. He loved the sublime works of stone more deeply; the tower which assails the starry blue firmament with fiendish grimace; the cool grave in which Man's fiery heart is preserved. Woe to the unspeakable guilt which declares all this. But since he walked down along the autumn river pondering glowing things beneath bare trees, a flaming demon in a mantle of hair appeared to him, his sister. On awakening, the stars about their heads went out.

For now he studies what he thinks may be his final true desert sunset. The sky burns and leaps, it gilds and candles—every drenched inch of it, until the sun falls below the ranges. Then the sky darkens. The red returns, stealthy now, with green above and lilac higher still. It deepens into purple. Here’s the strange new cloud, hovering in its own grey light. Then night comes in, black and blue and grey and white, and the moon in its green bag swings heavy over the red nation of the ranges.

Arthur was six years old when I left the family. Due to my infrequent stays at home, we did not form a strong bond. Occasionally, I longed for the lost fatherhood. Did he long for his lost childhood? I did not have a chance to tell him about the sea in which the stars float, about the red, fiery sunrises and sunsets, about the storm that tosses a ship like a nutshell, about flocks of screeching seagulls, schools of fish, and picturesque islets. I wanted to spin a tale about life in the desert, about the scorching sand burning the feet and the hot air shimmering with strange mirages. About wild, freedom-loving people, bizarre customs, and exotic beasts. I remember him squatting over a puddle at dusk.

I didn’t want to lie low to avoid him. I wanted to lie low with him. I wanted him behind the bar under the desert sunset, naked and panting, dripping sweat onto the planes of my stomach as he worked himself inside of me.

The twelve stay. They eat a final meal with Jesus, and with his hands he tears the unleavened bread and holds it up to them. 'This is my body,' he says. 'Remember me.' And he tells Simon that the adversary has asked to sift them all like wheat, but their faith will be restored. The next day the Christ is lifted up at Golgotha, nailed to a tree, dead before sunset. And when his Spirit leaves him, the temple curtain rends, a veil between God and man. Left exposed in the holiest place is the ark of the covenant, and in that, the manna given to the Hebrews in the desert, life-giving for those who ate of it, but only for a short while here on this earth. And the people remember his words on the shore of Capernaum: 'Your fathers ate the manna in the wilderness, and they died. This is the bread that comes down from heaven, so that one may eat of it and not die. I am the living bread that came down from heaven. If anyone eats of this bread, he will live forever. And the bread that I will give for the life of the world is my flesh.' His body, crucified, given for them so they may taste eternity. Three days later, resurrected, so those who believe can come to his banquet table and be filled. His followers obey. They devote themselves to the breaking of the bread. They remember him each time they eat of it, and offer thanks. They are sustained in the world and rescued from the world because God became man, and man became bread.

sunset. When Smith awoke it was if he had awakened from something like dying and was unsure that he hadn’t, and if you died would you take the violence you’ve committed with you or would it remain as a scar upon the earth. And if the physical manifestation of it meant a thing, he knew that if he survived and made it back home and lived a long life that his body would rot into moss and dissolve centuries before the dried out bones of those he’d felled in the desert started to decay.

Until three weeks before,Lu Xin had lived on her family's millet farm on the banks of the Huan River. Passing through her river valley on his shining chariot one afternoon,the king had glimpsed Lu Xin tending the crops.He had decided that he fancied her. The next day,two militiamen had arrived at her door.She'd had to leave her family and her home. She'd had to leave De, the handsome young fisherman from the next village. Before the king's summons, De had shown Lu Xin how to fish using his pair of pet cormorants,by tying a bit of rope loosely around their necks so that they could catch several fish in their mouths but not swallow them. Watching De gently coax the fish from the depths of the funny bird's beaks,Lu Xin had fallen in love with him.The very next morning,she'd had to say goodbye to him. Forever. Or so she'd thought. It had been nineteen sunsets since Lu Xin had seen De,seven sunsets since she'd received a scroll from home with bad news: De and some other boys from the neighboring farms had run away to join the rebel army, and no sooner had he left than the kind's men had ransacked the village,looking for the deserters. With the king dead,the Shang men would show no mercy to Lu Xin,and she would never find De,never reunite with Daniel. Unless the king's council didn't find out that their king was dead.

In a waking dream, he was with her again. She ate the words from his mouth. Talked to him of waves. The sunset in winter. The desert beneath the ocean. She talked over the small talk and the entries of a timecard. And when he came out of this twilight, he thought there was a shovel in his hand and his job was to dig holes. He paced and mumbled and cursed at the shovel in his hand for hours before lying down in a patch of thick grass and putting his head on his duffel. Here some peace came and he fell asleep for the first time in two days.

Never doubt God! Never say that He has forsaken or forgotten you or think that He is unsympathetic. He “will restore [your] life again.” No matter how many twists and turns the road may have, there is always one smooth, straight portion. Even the longest day has a sunset, and the winter snow may stay quite some time, but it will finally melt.

Making Time for God Don’t burn out; keep yourselves fueled and aflame. Be alert servants of the Master, cheerfully expectant. Don’t quit in hard times; pray all the harder. Romans 12:11-12 MSG Has the busy pace of life robbed you of the peace that might otherwise be yours through Jesus Christ? If so, you are simply too busy for your own good. Through His Son Jesus, God offers you a peace that passes human understanding, but He won’t force His peace upon you; in order to experience it, you must slow down long enough to sense His presence and His love. Each waking moment holds the potential to think a creative thought or offer a heartfelt prayer. So even if you’re a woman with too many demands and too few hours in which to meet them, don’t panic. Instead, be comforted in the knowledge that when you sincerely seek to discover God’s purpose for your life, He will respond in marvelous and surprising ways. Remember: this is the day that He has made and that He has filled it with countless opportunities to love, to serve, and to seek His guidance. Seize those opportunities today, and keep seizing them every day that you live. We all long for that more sane lifestyle rather than being overwhelmed. Patsy Clairmont When a church member gets overactive and public worship is neglected, his or her relationship with God will be damaged. Anne Ortlund In our tense, uptight society where folks are rushing to make appointments they have already missed, a good laugh can be a refreshing as a cup of cold water in the desert. Barbara Johnson Life is not intended to be simply a round of work, no matter how interesting and important that work may be. A moment’s pause to watch the glory of a sunrise or a sunset is soul satisfying, while a bird’s song will set the steps to music all day long. Laura Ingalls Wilder MORE FROM GOD’S WORD Careful planning puts you ahead in the long run; hurry and scurry puts you further behind. Proverbs 21:5 MSG You can’t go wrong when you love others. When you add up everything in the law code, the sum total is love.

We got back on the road, heading west. I remember my thoughts as we ventured into the Simpson Desert. There’s nothing out here. The landscape was flat and lifeless. Except for the occasional jump-up--a small mesa that rose twenty or thirty feet above the desert floor-it just looked like dirt, sticks, and dead trees. The Simpson Desert is one of the hottest places on earth. But Steve brought the desert to life, pointing out lizards, echidnas, and all kinds of wildlife. He made it into a fantastic journey. In the middle of this vast landscape were the two of us, the only people for miles. Steve had become adept at eluding the film crew from time to time so we could be alone. There was a local cattle station about an hour-and-a-half drive from where we were filming, a small homestead in the middle of nowhere. The owners invited the whole crew over for a home-cooked meal. Steve and I stayed in the bush, and Bob and Lyn headed to one of their favorite camping spots. After having dinner, the crew couldn’t locate us. They searched in the desert for a while before deciding to sleep in the car. What was an uncomfortable night for them turned out to be a brilliant night for us! Steve made it romantic without being traditional. His idea of a beautiful evening was building a roaring campfire, watching a spectacular sunset, and cooking a curry dinner for me in a camp oven. Then we headed out spotlighting, looking for wildlife for hours on end. It was fantastic, like the ultimate Easter egg hunt. I never knew what we’d find. When Steve did discover something that night--the tracks of a huge goanna, or a tiny gecko hiding under a bush--he reveled in his discovery. His excitement was contagious, and I couldn’t help but become excited too. The best times in my life were out in the bush with Steve.

The Pitjantjatjara and Pintupi don’t wash with water—for one thing because there isn’t much water in the desert, but for another because they don’t want to bother the Rainbow Serpent, the all-powerful creator god who lives around the water holes. Instead they use ashes from their fires to wash themselves, and it doesn’t deodorize them. The thing that fascinated me most was that they have absolutely no possessions. This is connected to the fact that they don’t believe in tomorrow; there is only today. For example, it is very rare to find a kangaroo in the desert. When they find one, they have food to eat, which is a big deal for them. But after they kill and cook the kangaroo, they can never finish it: there’s always lots of meat left. But since they’re always moving from place to place, when they wake up the next morning, they don’t take the meat with them. They just leave everything—the next day is the next day. Ulay and I separated, because among the Aborigines, the men stay with men and the women with women. The two sexes only make love during nights with a full moon, then they separate again. This creates total harmony—they don’t get a chance to bother each other! My main job with the women was watching them present their dreams. Every morning we would go to a field somewhere, and in hierarchical order, starting with the oldest women and moving down to the youngest, they would show us, using a stick to make drawings in the dirt, what they’d dreamed the night before. Each woman would then assign the rest of us roles to act out the dream as they interpreted it. They all had dreams; they all had to show them—dreams playing all day long! As spring turned to summer, the heat would rise to 50 degrees Celsius or more—130-plus degrees Fahrenheit. It’s like a hot wall. If you just stand up and walk a few paces, your heart feels like it’s going to hammer through your chest. You can’t. There are very few trees; there’s very little shade of any kind. So you literally have to be motionless for long periods of time. You function before sunrise and after sunset—that’s it. To stay motionless during the day, you have to slow down everything: your breathing, even your heartbeat. I also want to mention that Aboriginals are the only people I know who don’t take drugs of any kind. Even tea is much too strong a stimulant for them. That’s why they don’t have any kind of resistance to alcohol—it completely wipes out their memory. In the beginning, there were flies everywhere. I was covered with them—in my nose, in my mouth, all over my body. It was impossible to chase them away. Then after three months, I woke up one morning without a single fly on me. It was then that I understood that the flies had been drawn to me because I was something strange and different: as I became one with my surroundings, I lost my attraction.

He saw that the sun was riding low in the sky. It would be sunset soon. He had planned to be at the Mallory docks, Key West’s sunset mecca, for the island’s signature moment, but he was juiced by the idea that he might know where Finbar McShane was. There would be another sunset tomorrow. If he was still here to see it. The parking lane was one-way. It took him on a swing under the causeway and then out at the entrance to another marina. He saw boat ramps and, beyond them, the houseboats grouped together on the water like a floating village. Most of them had smaller runabouts with outboards attached to back-door docks and decks. The houseboats were painted in pastels, two-story structures sitting on barges and lashed together to create a community. From Bosch’s angle of view he counted eight houses extending out into Garrison Bight. The second

She’d moved away, to cities out east, but now she was back, and she wondered how she could have possibly forgotten her love of the place. On her good days, the scent of desert flowers and creosote bush was all the therapy she needed. On her bad, it was still a steadfast reminder that the landscape had been a comfort yesterday and would be again tomorrow. Sometimes she couldn’t help but feel she’d been a terrible friend, abandoning a place that had meant so much to her at one time. And yet the desert didn’t seem to care about her thoughtlessness. It remained the same, continuing to turn sunrises orange and sunsets red. It continued to sit quietly under fast-moving clouds and thunderstorms while allowing the wind to carry its sand away, lifting the grains high, taking them far

His words explained, but they did not convince. Was this sudden-bursting glory only the sun rising behind storm clouds? She could see the clouds moving while they were being colored. The universal gray surrendered under some magic paint brush. The rifts widened, and the gloom of the pale-gray world seemed to vanish. Beyond the billowy, rolling, creamy edges of clouds, white and pink, shone the soft exquisite fresh blue sky. And a blaze of fire, a burst of molten gold, sheered up from behind the rim of cloud and suddenly poured a sea of sunlight from east to west. It trans-figured the round foothills. They seemed bathed in ethereal light, and the silver mists that overhung them faded while Carley gazed, and a rosy flush crowned the symmetrical domes. Southward along the horizon line, down-dropping veils of rain, just touched with the sunrise tint, streamed in drifting slow movement from cloud to earth. To the north the range of foothills lifted toward the majestic dome of Sunset Peak, a volcanic upheaval of red and purple cinders, bare as rock, round as the lower hills, and wonderful in its color. Full in the blaze of the rising sun it flaunted an unchangeable front. Carley understood now what had been told her about this peak. Volcanic fires had thrown up a colossal mound of cinders burned forever to the hues of the setting sun. In every light and shade of day it held true to its name. Farther north rose the bold bulk of the San Francisco Peaks, that, half lost in the clouds, still dominated the desert scene. Then as Carley gazed the rifts began to close. Another transformation began, the reverse of what she watched. The golden radiance of sunrise vanished, and under a gray, lowering) coalescing pall of cloud the round hills returned to their bleak somberness, and the green desert took again its cold sheen.

Shadows love sunsets the most, and of all sunsets, they love sunsets in the desert the most!

The penumbra of dusk moves slowly westward. The owls of Europe are already hunting. The zoo owls will be waking now as the light declines and the grey Victorian brickwork glows with evening gold. Trees drift in the wind above the roar of traffic in the road outside. White mice lie dead on the floor of the cage. The eagle owl will not feed till dusk. He is waking as the people watch him, stretching his neck and uttering a soft call. His sunset-coloured eyes are kindling, the light coming slowly forward from within. The owl looks outward, beyond the watching faces. They have no significance for him. He is waking to his own world, to glooms of spruce or desert rock. He does not see the dull metallic chains that fence us in. His mind is still unscalable, a crag from which he can look down at the captives gazing up at him.

DESERT SAFARI DUBAI IN SUMMER Desert Safari Dubai is a popular, highly visited, and exciting area for knocking the thrills. It offers a variety of activities and games full of fun and memorable adventures. If you are looking for the best desert safari Dubai experience with thrill, a lot of fun, and ultimate outdoor entertainment, you have come to the right place. Desert Safari Dubai is all this and much more. You might think that Dubai as a desert country will be scorching warm and hot, but when you actually visit you’ll be surprised to discover the climate and weather not just pleasant, but cozy, even during summertime. If you’re visiting Dubai in the summer months (i.e.. the months of July through September) then you should take the evening desert safari. Our highly-trained and experienced driver will pick you up from your hotel and drop you into the vast desert and are joined by other tourists in a small number of jeeps that are 4X4. After traveling for a long distance, the jeeps pull over for a break to refuel and for desert activities such as quad biking. After a refreshing ride, the desert safari will take passengers on an exciting dune bashing crisscross, and when you arrive at the camp in the desert take part in fun activities such as camel rides, and sand-boarding, taking a picture with a falcon. It is also possible to enjoy traditional rituals such as having a Mehndi tattoo or puffing on a Shisha and being enthralled by the belly dancing and the Tanura dance, all taking in the traditional Arabian food. The battle between the massive red dunes and the rolling Land Cruiser is only experienced and appreciated when you are there and taking care of your precious life. The guide on safari keeps you on the edge, yet you’re safe. The thrilling safari will have its supporters screaming and shouting for the next exciting adventure. Experience the desert safari with friends or family members in Dubai’s sprawling and captivating desert. Sand, sun, as well as 4×4, bring thrilling adventures for the entire family and friends. Desert Safari Dubai is something you cannot miss or forget. You will also enjoy the Desert Safari Dubai, which is a never-ending experience. So join us today! We’ll provide you with many deals so you can take advantage of them when they definitely work for you. You can dine in Morning Desert Safari according to your schedule. Evening Desert Safari Deals are perfect for those who love sunsets and enjoy relaxing at dusk. The Overnight Desert Safari is another exciting activity that we offer for night camping lovers. Enjoy the incredible Overnight Desert Safari with morning and evening combo for a lifetime memorable adventure.

It had only to do with how it felt to be in the wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. Itseemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed i would always feel this way.

Let me tell you about the dawn, the birds, and the opening buds, so you will feel hope in your veins; Let me tell you about the sunsets, the stars, and the whispers of night, so you will sense love in your deep; Let me tell you about the flowers that refuse to die even on the desert sands, and you will know endurance in your bones; Let me tell you about the love affair of sunset and sunrise, so you will know, that night only melts to mingle with the day. Let me tell you, this is the grand love affair of something called life.

Let me tell you about the dawn, the birds, and the opening buds, so you will feel hope in your veins; Let me tell you about the sunsets, the stars, and the whispers of night, so you will sense love in your deep; Let me tell you about the flowers that refuse to die even on the desert sands, and you will know endurance in your bones; Let me tell you about the story of sunset and sunrise, so you will know, that night only melts to mingle with the day. Let me tell you, this is the grand love affair of something called life.

To live is to sense this life as you keep walking, to plunge into a forest as the light plays come-and-find-me with the leaves, and to walk barefoot on the grounds blessed with blossoms. To live is to find gold in the opening of dawn and fall in love with sunset, to find the moonlight in the darkest times and lose your soul in the Milky Way. To live is to explode at the feast of stars, knowing a new world opens when things go dark, to make music when the leaves turn gold, for memories are to be honored. To live is to be a contemplative soul and marvel at the sacred mystery, to weave the poems on sheets of paper that stayed blank for ages. To live is to smell roses in the breeze, even on the desert sands.

A caravan of people were traveling from village to village through the deserts of Rajasthan. Since it was close to sunset, they decided to pitch their tent before the cold night set in. As the men got busy, tying their camels with a rope, they realized that they were short of just one peg and a rope. They were worried about losing their camel in the night and so decided to go to the village headman to seek a solution. The village sarpanch was a wise and intelligent man. The travelers approached him with their problem, “Sir, we are here to ask you for a solution to our problem.” The headman listened to their problem and said, “Go near the camel and pretend as if you are tying it down.” Although they had their doubts, the travelers did just as they were told. To their surprise, the next morning, the camel was right there. He had not moved an inch, forget about going anywhere. They untied the other camels and tents to move on with their journey. But this one wouldn’t move. Fearing something was wrong with him, they went back to the village head. “Did you untie the camel?” asked the village head. “Sir, we had not tied it in the first place.” The headman said, “My dear fellows, that’s what you know. The camel still believes that you had tied him. You pretended to tie him, now pretend to untie him!” The travelers went back to the camel and pretended to untie the rope and remove the peg. They were a picture of amazement seeing the camel get up and move on as if nothing had happened at all. In his own way, the village head had shown the travelers that the rope and peg were just an illusion which the camel thought to be real. In the same way, all of us are bound by our thoughts, which are actually not real but appear to be so. We are conditioned in that direction and are thus unable to experience complete freedom. If we assume that we are born in a middle class family and therefore will remain middle class all our lives, then the ‘middle class’ label will tie us up forever and will not allow us to explore further horizons. If you simply look inward, into your own life, you will see how much you have been conditioned. The realization of being conditioned is the first step towards breaking free from the artificial chains, which are but an illusion. Break free from all the limitations and conditioning that limit you.

Like the mouse creeping out of the scarlet crack, the sunset gnaws hungrily the electric cheese of the outskirts, erected by those who clearly trust their knack for surviving everything: by termites. Warehouses, surgeries. Having measured there the proximity of the desert, the cinnamon-tinted earth waylays its horizontality in the fake pyramids, porticoes, rooftops' ripple, as the train creeps knowingly, like a snake, to the capital's only nipple.

Sometimes—many times—both in life and in marriage, you hope for the sunset overlooking the ocean off a deserted beach in the Mayan Riviera, but what you get is a drive to physical therapy. That’s okay. Maybe it’s actually how it should be.

This beast that puffed smoke and spat fire and shrieked like a devil of an alien tribe; that split the silence as hideously as the long track split the once smooth plain; that was made of iron and wood; this thing of the white man’s, coming from out of the distance where the Great Spirit lifted the dawn, meant the end of the hunting-grounds and the doom of the Indian. Blood had flowed; many warriors lay in their last sleep under the trees; but the iron monster that belched fire had gone only to return again. Those white men were many as the needles of the pines. They fought and died, but always others came. The chief was old and wise, taught by sage and star and mountain and wind and the loneliness of the prairie-land. He recognized a superior race, but not a nobler one. White men would glut the treasures of water and earth. The Indian had been born to hunt his meat, to repel his red foes, to watch the clouds and serve his gods. But these white men would come like a great flight of grasshoppers to cover the length and breadth of the prairie-land. The buffalo would roll away, like a dust-cloud, in the distance, and never return. No meat for the Indian — no grass for his mustang — no place for his home. The Sioux must fight till he died or be driven back into waste places where grief and hardship would end him. Red and dusky, the sun was setting beyond the desert. The old chief swept aloft his arm, and then in his acceptance of the inevitable bitterness he stood in magnificent austerity, somber as death, seeing in this railroad train creeping, fading into the ruddy sunset, a symbol of the destiny of the Indian — vanishing — vanishing — vanishing —

And the closings were also done to formula. There was always a señorita, and Cisco always collected his kiss. Said Radio Life: “For each dark-eyed conquest he has a string of pearls (’they belonged to my sainted mother’) and a kiss before he rides off with Pancho into a blazing desert sunset.” Up came the dreamy organ music: the señorita would breathe, “Ooooooh, Cisco!” and Cisco would answer “Ooooooh, señorita!” The action would cut to the trail, with Cisco and Pancho riding away on their horses, Diablo and Loco. There was always a terrible closing pun by Pancho, with Cisco reacting in great disgust. Oh, PAN-CHO! Oh, Ceesco! Whooping laughter, galloping horses, and out.

The colored sunsets and starry heavens, the beautiful mountains and the shining seas, the fragrant woods and painted flowers, are not half so beautiful as a soul that is serving Jesus out of love, in the wear and tear of common, unpoetic life. FABER

For all its tropical beauty there was something charmless and hard about it, a vulgarity as decidedly American as the picture industry which thrived on the constant waves of transplants eager for work, offering them nothing more substantial than sunshine. It was a city of strangers, but, unlike New York, the dream L.A. sold, like any Shangri-La, was one not of surpassing achievement but unlimited ease, a state attainable by only the very rich and the dead. Half beach, half desert, the place was never meant to be habitable. The heat was unrelenting. On the streets there was a weariness that seemed even more pronounced at night, visible through the yellow windows of burger joints and drugstores about to close, leaving their few customers nowhere to go. Inconceivably, he was one of that rootless tribe now, doomed to wander the boulevards, and again he marveled at his own fall, and at his capacity for appreciating it.

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