“
Do you love me?' I asked her. She smiled. 'Yes.' 'Do you want me to be happy?' as I asked her this I felt my heart beginning to race. 'Of course I do.' 'Will you do something for me then?' She looked away, sadness crossing her features. 'I don't know if I can anymore.' she said. 'but if you could, would you?' I cannot adequately describe the intensity of what I was feeling at that moment. Love, anger, sadness, hope, and fear, whirling together sharpened by the nervousness I was feeling. Jamie looked at me curiously and my breaths became shallower. Suddenly I knew that I'd never felt as strongly for another person as I did at that moment. As I returned her gaze, this simple realization made me wish for the millionth time that I could make all this go away. Had it been possible, I would have traded my life for hers. I wanted to tell her my thoughts, but the sound of her voice suddenly silenced the emotions inside me. 'yes' she finally said, her voice weak yet somehow still full of promise. 'I would.' Finally getting control of myself I kissed her again, then brought my hand to her face, gently running my fingers over her cheek. I marveled at the softness of her skin, the gentleness I saw in her eyes. even now she was perfect. My throat began to tighten again, but as I said, I knew what I had to do. Since I had to accept that it was not within my power to cure her, what I wanted to do was give her something that she'd wanted. It was what my heart had been telling me to do all along. Jamie, I understood then, had already given me the answer I'd been searching for, the answer my heart needed to find. She'd told me outside Mr. Jenkins office, the night we'd asked him about doing the play. I smiled softly, and she returned my affection with a slight squeeze of my hand, as if trusting me in what I was about to do. Encouraged, I leaned closer and took a deep breath. When I exhaled, these were the words that flowed with my breath. 'Will you marry me?
”
”
Nicholas Sparks (A Walk to Remember)
“
She was fierce, she was strong, she wasn’t simple. She was crazy and sometimes she barely slept. She always had something to say. She had flaws and that was ok. And when she was down, she got right back up. She was a beast in her own way, but one idea described her best.
She was unstoppable and she took anything she wanted with a smile.
”
”
R.M. Drake
“
During the terrible years of the Yekhov terror I spent seventeen months in the prison queues in Leningrad. One day someone ‘identified’ me. Then a woman with lips blue with cold who was standing behind me, and of course had never heard of my name, came out of the numbness which affected us all and whispered in my ear—(we all spoke in whispers there):
‘Could you describe this?’
I said, ‘I can!’
Then something resembling a smile slipped over what had once been her face.
”
”
Anna Akhmatova (Poem Without a Hero & Selected Poems)
“
He's rich, handsome and dangerous. You like that."
She smiled at the uncharacteristic lack of self-confidence in his tone. "My dear duke. You are rich, handsome and dangerous."
His lips lifted on one side. "I would never describe myself as dangerous."
"Could you maybe stop talking? I'd like to kiss you but your lips won't stay still."
Eyes twinkling, he pressed his lips shut. Finley smiled and guided his head down to hers.
”
”
Kady Cross (The Girl with the Iron Touch (Steampunk Chronicles, #3))
“
The way young people speak about one another's bodies says a great deal about our society. In today's world, boys are much more likely to objectify girl's bodies than the other way around. Boys will say amongst themselves that so-and-so has a nice rack, while girls will more likely say that a boy is cute, a term that describes both physical and emotional characteristics. This has the effect of turning girls into mere objects, while boys are seen by girls as whole people-"
And then Lara stood up, and in her delicate, innocent accent, cut Dr. William Morse off.
"You're so hot! I weesh you'd shut up and take off your clothes."
The students laughed, but all of the teachers turned around and looked at her, stunned silent. She sat down.
"What's you name, dear?"
"Lara,"she said.
"Now, Lara." Maxx said, looking down at his paper to remember the line, "what we have here is a very interesting case study- a female objectifying me, a male. It's so unusual that I can only assume you're making an attempt at humor."
Lara stood up again and shouted, "I'm not keeding! Take off your clothes."
He nervously looked down at the paper, and then looked up at all of us, smiling.
"Well, it is certainly important to subvert the patriarchal paradigm , and I suppose this is a way. All right, then.
”
”
John Green (Looking for Alaska)
“
Gwen smiles. “Do you know what part of ‘If—’ is actually relevant right now? To this moment? ‘If you can make one heap of all your winnings / And risk it on one turn of pitch-and-toss, / And lose, and start again at your beginnings / And never breathe a word about your loss.’ ” She must be messing with me. Surely she knows she’s just described my greatest fear. But no, I can tell from the look on her face that she sincerely thinks that I’m that brave, that I am doing this because I am okay with losing big. Not because I am terrified of losing at all. And it stuns me silent, for a moment: just how vast the gap is between who I am and how people see me.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
Maybe I should let my faithful manservant answer the rest of your questions, since he seems to have all the answers."
"I'm saving her time," Bodie replied. "She brings you a redhead, you'll give her grief. Look for women with class, Annabelle. That's most important. The sophisticated types who went to boarding schools and speak French. She has to be the real thing because he can spot a phony a mile away. And he likes them athletic."
"Of course he does," she said dryly. "Athletic, domestic, gorgeous, brilliant, socially connected, and pathologically submissive. It'll be a snap."
"You forgot hot." Heath smiled. "And defeatist thinking is for losers. If you want to be a success in this world, Annabelle, you need a positive attitude. Whatever the client wants, you get it for him. First rule of a successful business."
"Uh-huh. What about career women?"
"I don't see how that would work."
"The kind of potential mate you're describing isn't going to be sitting around waiting for her prince to show up. She's heading a major corporation. In between those Victoria's Secret modeling gigs."
He lifted an eyebrow. "Attitude, Annabelle. Attitude.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
When you've lived as long as I have," he said, eyes heavy-lidded but definitely on her, "you learn to appreciate new sensations. They are rare in an immortal's life."
She found she'd moved toward him. He hooked her arm around her waist, pulling her closer until she straddled him as he sat on a ledge below the waterline, her legs wrapped around his waist.
He settled her firmly against him.
Sucking in a breath, she said, "Sex isn't new to you," and rocked her heat over the exquisite hardness of him. Good didn't begin to describe how it felt. How he felt.
"No. But you are."
"Never had a hunter before?" She grinned, nibbling on his lower lip.
But he didn't smile. "I've never had Elena before." The words were husky, his eyes so intent she felt owned.
”
”
Nalini Singh (Angels' Blood (Guild Hunter, #1))
“
Something must be done about the food.”
Seeing his speculative glance Clare laid down her fork and gave him a warning scowl. “Yes, I’m a good cook, but I will not have time to work in the kitchen. And don’t try to convince me that a mistress also has to cook for her lover.”
“I wasn’t thinking of wasting your valuable time in the kitchen.” He smiled mischievously. “But a mistress can do interesting thing with food. Shall I describe them?”
“No!”
“Another time, perhaps.
”
”
Mary Jo Putney (Thunder & Roses (Fallen Angels, #1))
“
What was it like?" Manon asked quietly. "To love."
For love was what it had been—what Asterin perhaps alone of all the Ironteeth witches had felt, had learned.
"It was like dying a little every day. It was like being alive, too. It was joy so complete it was pain. It destroyed me and unmade me and forged me. I hated it, because I knew I couldn't escape it, and knew it would forever change me. And that witchling ... I loved her, too. I loved her in a way I cannot describe—other than to tell you that it was the most powerful thing I've ever felt, greater than rage, than lust, than magic." A soft smile. "I'm surprised you're not giving me the 'Obedience. Discipline. Brutality' speech."
Made into monsters.
"Things are changing," Manon said.
"Good," Asterin said. "We're immortals. Things should change, and often, or they'll get boring."
Manon lifted her brows, and her Second grinned.
Manon shook her head and grinned back.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Without warning a lady appeared.
She came from the direction of Friday-street, for she had just been with Mr. Newbolt. She strode capably through the snow. She wore a black silk gown and something very queer swung from a silver chain about her neck. Her smile was full of comfort and her eyes were kind and happy. She was just as Mr. Newbolt had described.
And the name of this lady was Death.
”
”
Susanna Clarke (The Sandman: Book of Dreams)
“
She died calmly; and her countenance expressed affection even in death. I need not describe the feelings of those who dearest ties are rent by that most irreparable evil, the void that presents itself to the soul, and the despair that is exhibited on the countenance. It is so long before the mind can persuade itself that she, whom we saw every day, and whose very existence appeared a part of our own, can have departed for ever - that the brightness of a beloved eye can have been extinguished, and the sound of a voice so familiar, and dear to the ear can be hushed, never more to be heard. These are the reflections of the first days; but when the lapse of time proves the reality of the evil then the actual bitterness of grief commences. Yet from whom has not that rude hand rent away some dear connexion; and why should I describe a sorrow which all have felt, and must feel? The time at length arrives when grief is rather an indulgence than a necessity; and the smile that plays upon the lips, although it may be deemed sacrilege, is not banished. My mother was dead, but we had still duties which we ought to preform; we must continue our course with the rest, and learn to think ourselves fortunate, whilst one remains whom the spoiler has not seized.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
No,” I hear myself say. “You’re not supposed to be here.”
She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me.
“Hi,” she whispers.
It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear.
She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast.
Her lips are at my ear. Her words are so soft. “Kiss me,” she says.
“Juliette—”
“I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it.
I don’t want to.
Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed.
There aren’t enough words in this world to describe what I’m feeling.
I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed.
Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me.
I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me.
I wonder if I’ve actually died.
But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.”
Her words seem so strange, so familiar. “What do you mean?”
“Just a little longer and I’ll leave.”
“No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—”
“You’ll be all right,” she says. “I promise.”
“No—”
But now she’s holding a gun.
And pointing it at my heart.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
She stalked over to the refrigerator and pulled out a pink soda and a black velvet cowboy hat. “I’ll wear this hat,” she told Nash, “if you paint your nails black.”
Nash gave her what could only be described as a cowboy smile. “Fingers or toes?
”
”
Jenifer Lynn Barnes
“
THEY FOUND LEO AT THE TOP of the city fortifications. He was sitting at an open-air café, overlooking the sea, drinking a cup of coffee and dressed in…wow. Time warp. Leo’s outfit was identical to the one he’d worn the day they first arrived at Camp Half-Blood—jeans, a white shirt, and an old army jacket. Except that jacket had burned up months ago. Piper nearly knocked him out of his chair with a hug. “Leo! Gods, where have you been?” “Valdez!” Coach Hedge grinned. Then he seemed to remember he had a reputation to protect and he forced a scowl. “You ever disappear like that again, you little punk, I’ll knock you into next month!” Frank patted Leo on the back so hard it made him wince. Even Nico shook his hand. Hazel kissed Leo on the cheek. “We thought you were dead!” Leo mustered a faint smile. “Hey, guys. Nah, nah, I’m good.” Jason could tell he wasn’t good. Leo wouldn’t meet their eyes. His hands were perfectly still on the table. Leo’s hands were never still. All the nervous energy had drained right out of him, replaced by a kind of wistful sadness. Jason wondered why his expression seemed familiar. Then he realized Nico di Angelo had looked the same way after facing Cupid in the ruins of Salona. Leo was heartsick. As the others grabbed chairs from the nearby tables, Jason leaned in and squeezed his friend’s shoulder. “Hey, man,” he said, “what happened?” Leo’s eyes swept around the group. The message was clear: Not here. Not in front of everyone. “I got marooned,” Leo said. “Long story. How about you guys? What happened with Khione?” Coach Hedge snorted. “What happened? Piper happened! I’m telling you, this girl has skills!” “Coach…” Piper protested. Hedge began retelling the story, but in his version Piper was a kung fu assassin and there were a lot more Boreads. As the coach talked, Jason studied Leo with concern. This café had a perfect view of the harbor. Leo must have seen the Argo II sail in. Yet he sat here drinking coffee—which he didn’t even like—waiting for them to find him. That wasn’t like Leo at all. The ship was the most important thing in his life. When he saw it coming to rescue him, Leo should have run down to the docks, whooping at the top of his lungs. Coach Hedge was just describing how Piper had defeated Khione with a roundhouse kick when Piper interrupted. “Coach!” she said. “It didn’t happen like that at all. I couldn’t have done anything without Festus.” Leo raised his eyebrows. “But Festus was deactivated.” “Um, about that,” Piper said. “I sort of woke him up.” Piper explained her version of events—how she’d rebooted the metal dragon with charmspeak.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
think, for example, has a higher suicide rate: countries whose citizens declare themselves to be very happy, such as Switzerland, Denmark, Iceland, the Netherlands, and Canada? or countries like Greece, Italy, Portugal, and Spain, whose citizens describe themselves as not very happy at all? Answer: the so-called happy countries. It’s the same phenomenon as in the Military Police and the Air Corps. If you are depressed in a place where most people are pretty unhappy, you compare yourself to those around you and you don’t feel all that bad. But can you imagine how difficult it must be to be depressed in a country where everyone else has a big smile on their face?2 Caroline Sacks’s decision to evaluate herself, then, by looking around her organic chemistry classroom was not some strange and irrational behavior. It is what human beings do. We compare ourselves to those in the same situation as ourselves, which means that students in an elite school—except, perhaps,
”
”
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
“
Poetry
to me
is stumbling in the dark
searching for
the right words
to describe
the feeling
I get
when she smiles
while she sleeps.
”
”
Atticus . (Love Her Wild)
“
Her smile was something I couldn't describe, except to say that it seemed to be queenly in the way that queens remind you of situations grander than your own puny life could conceive.
”
”
Joshua Gaylord (When We Were Animals)
“
They had some sort of magical power to their love. Nothing that you would ever be able to describe, but when you saw them together there was no denying it. They would look at each other and it was as if there was some invisible cord that connected them completely. Mom would give Dad a smile and he would laugh softly under his breath, always causing her face to redden. He would walk into the room and her whole body would jolt like it had been struck by lightning.
”
”
Harper Sloan (Bleeding Love (Hope Town, #2))
“
She tries to move toward him, but the path is covered with gravel, which slows her down. Then he turns his head and sees her. He puts down his brush and comes closer, and the closer he comes, the closer he comes, the happier she is she didn't put on mascara, she doesn't want to cry but she can't help it, she can hardly see him through the welling tears. She quickly wipes her eyes. She looks at him. He's standing two steps away. She could stretch out her hand, he'd come even closer, she could touch him. He's the same, thinner, the most beautiful man in the world, with the eyes Germain Pire described to her, a very pale blue, almost gray, quiet and gentle, with something struggling in their depths, a child, a soul of agony. His voice hasn't changed.
The first thing she hears him say--it's terrible--he asks her, "You can't walk?" She shakes her head. He sighs, goes back to his painting. She pushes the wheels, moves toward the shed. He looks over at her again, he smiles. "You want to see what I'm doing?" She nods her head. "I'll show you in a little bit," he says. "But not right now, it's not finished."
So while she waits, she sits up straight in her scooter, she crosses her hands in her lap, she looks at him. Yes, she looks at him, she looks at him, life is long and can still carry a great deal more on its back.
She looks at him.
”
”
Sébastien Japrisot
“
Dagon shook his head. “So damn appealing.”
“Aww.” Smiling, she patted his chest. “You used an Earth curse word to describe me. That’s so sweet.”
He laughed. “Appealing and odd,” he qualified.
She wrinkled her nose. “Yeah. I was hoping it would take you longer to figure that last part out.
”
”
Dianne Duvall (The Segonian (Aldebarian Alliance, #2))
“
So here we are, in the family planning aisle with a cart full of sports drinks and our hands full of . . . “Trojans, Ramses, Magnum . . . Jeez, these are worse than names for muscle cars,” Jase observes, sliding his finger along the display.
“They do sound sorta, well, forceful.” I flip over the box I’m holding to read the instructions.
Jase glances up to smile at me. “Don’t worry, Sam. It’s just us.”
“I don’t get what half these descriptions mean . . . What’s a vibrating ring?”
“Sounds like the part that breaks on the washing machine. What’s extra-sensitive? That sounds like how we describe George.”
I’m giggling. “Okay, would that be better or worse than ‘ultimate feeling’—and look—there’s ‘shared pleasure’ condoms and ‘her pleasure’ condoms. But there’s no ‘his pleasure.’”
“I’m pretty sure that comes with the territory,” Jase says dryly. “Put down those Technicolor ones. No freaking way.”
“But blue’s my favorite color,” I say, batting my eyelashes at him.
“Put them down. The glow-in-the-dark ones too. Jesus. Why do they even make those?”
“For the visually impaired?” I ask, reshelving the boxes.
We move to the checkout line. “Enjoy the rest of your evening,” the clerk calls as we leave.
“Do you think he knew?” I ask.
“You’re blushing again,” Jase mutters absently. “Did who know what?”
“The sales guy. Why we were buying these?”
A smile pulls at the corners of his mouth. “Of course not. I’m sure it never occurred to him that we were actually buying birth control for ourselves. I bet he thought it was a . . . a . . . housewarming gift.”
Okay, I’m ridiculous.
“Or party favors,” I laugh.
“Or”—he scrutinized the receipt—“supplies for a really expensive water balloon fight.”
“Visual aids for health class?” I slip my hand into the back pocket of Jase’s jeans.
“Or little raincoats for . . .” He pauses, stumped.
“Barbie dolls,” I suggest.
“G.I. Joes,” he corrects, and slips his free hand into the back pocket of my jeans, bumping his hip against mine as we head back to the car.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
Jamie leaned over. “And your perfect world?”
“Mmm,” Helen smiled. “Perfect is complicated. Hard to explain.”
“Give it a shot,” I prodded her.
“It’s… beautiful is the best word to describe it,” she said.
Jamie and I nodded.
“Everything that isn’t necessary to getting what we want is gone,” she said, eyes closing, as if she was vividly imagining. “There’s an abundance of it all, thanks to science. Food is everywhere and it overflows and there’s nothing to worry about because we have and we want and we take. We’re, and by we I mean people, we’re everywhere and we spill over into one another and we’re all knit together, physically and mentally. It’s an exquisite landscape of things that don’t ever run out to see and touches and tastes and smells and mating and eating and mindless fighting and eating-mating and fighting-eating and fighting-”
“Okay,” I said, interrupting. I paused, then when I couldn’t think of what to say. “Okay.”
Helen reached down to her plate, used a fingertip to wipe up a bit of frosting, and popped it into her mouth, sucking it off.
“Okay,” I said, still at a bit of a loss for words.
“That’s a mental image that’s going to be with me forever,” Jamie said, dropping his head down until his face was in his hands.
“I don’t see where ethics come into that world,” I said, more to see Jamie’s reaction than out of curiosity.
“No,” Jamie said. “Don’t-”
“The closer you get to perfection, the further you get from ethics,” Helen said, as if it was common sense.
”
”
Wildbow (Twig)
“
Between dainty bites, she told Amie, 'Oh, you simply are as darling a creature as Henry described! I had no idea of your being so grown up! Henry, she is positively frazzleging!'
Amie deepened her smile, saying, 'And I had no idea you would be so pretty either, madam.
”
”
Jennifer Silverwood
“
Gwen smiles. “Do you know what part of ‘If—’ is actually relevant right now? To this moment? ‘If you can make one heap of all your winnings / And risk it on one turn of pitch-and-toss, / And lose, and start again at your beginnings / And never breathe a word about your loss.’ ” She must be messing with me. Surely she knows she’s just described my greatest fear. But no, I can tell from the look on her face that she sincerely thinks that I’m that brave, that I am doing this because I am okay with losing big. Not because I am terrified of losing at all. And it stuns me silent, for a moment: just how vast the gap is between who I am and how people see me. I am so much smaller than the Carrie Soto in Gwen’s head.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
I’ll kill him for you.”
He sounded so sincere, and so accepting of her dysfunctional childhood, that a smile bloomed in Priss’s heart. “Thank you.” She drew him down to her for a longer kiss, one he gladly accepted. “That’s sweet of you, but no.”
His eyes narrowed. “Sweet? I offer to kill a man and you think it’s sweet?”
“You wanted to kill him anyway. And so do I.” The hard on his chest fascinated her, so she concentrated on that. “You’ve never come right out and said so, but I’ve known for a while that you’re a good guy, Trace.”
He gave her a cautious survey. “I’m not sure that accurately describes me.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
You still haven't told me what you're up to,’ she said at last.
‘One more minute,’ Tamani said, smiling against her lips.
‘We don't need minutes,’ Laurel said. ‘We have forever.’
Tamani pulled back to look at her, his eyes shining with wonder. ‘Forever,’ he whispered
before pulling her into another kiss.
‘So does this make us entwined?’ Laurel asked, a sharp twinge of grief piercing her
happiness as she repeated the word Katya had used, so long ago, to describe committed faerie couples.
‘I believe it does,’ Tamani said, beaming. He leaned closer, his nose touching hers. ‘A sentry and a mixer? We shall be quite the scandal.’
Laurel smiled. ‘I love a good scandal.’
‘I love you,’ Tamani whispered.
‘I love you, too,’ Laurel replied, relishing the words as she said them. And with them, the
world was new and bright-- there was hope. There were dreams.
But most of all, there was Tamani.’ “
Aprilynne Pike
Destined pgs. 284-292.
”
”
Aprilynne Pike (Destined (Wings, #4))
“
Finding her voice at last, she asked, “What dreams are you having, sir?”
“I dreamt I was in a spring field and a woman stands in the shadows just at the edge of the nearby forest. I haven’t yet seen her face, only her long beautiful hair. I always wake too soon.” He reached up to touch the hawk touchstone around his throat as he described his dream, rubbing it absently between his fingers.
Lily lowered her lashes to hide her astonishment. “When you see someone in a dream but cannot see their face, it means you haven’t met them yet,” she explained.
“Then perhaps I’ll dream of her again tonight and this time I’ll see her face.” He smiled, reaching across the table to take her left hand and lift it to his lips. “My name is Ian Kelly, and it would give me the greatest pleasure to know yours.”
“Lily Evans. Around here I go by Raven.” She raised a shoulder, indicating the gypsy tent.
“Lily--indeed, a most beautiful name. Now tell me,” he stared pointedly at her hand, “I see no ring that another has claimed you as his, so my confidence is strengthened. Look at your cards again, milady, and tell me if you see me in your future…
”
”
Shannon MacLeod (The Celtic Knot: Suit of Cups (Arcana Love Vol. 1))
“
There was I, then, mounted aloft; I, who had said I could not bear the shame of standing on my natural feet in the middle of the room, was now exposed to general view on a pedestal of infamy. What my sensations were no language can describe; but just as they all rose, stifling my breath and constricting my throat, a girl came up and passed me: in passing, she lifted her eyes. What a strange light inspired them! What an extraordinary sensation that ray sent through me! How the new feeling bore me up! It was as if a martyr, a hero, had passed a slave or victim, and imparted strength in the transit. I mastered the rising hysteria, lifted up my head, and took a firm stand on the stool. Helen Burns asked some slight question about her work of Miss Smith, was chidden for the triviality of the inquiry, returned to her place, and smiled at me as she again went by. What a smile! I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken grey eye, like a reflection from the aspect of an angel. Yet at that moment Helen Burns wore on her arm “the untidy badge;” scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow because she had blotted an exercise in copying it out. Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd’s can only see those minute defects, and are blind to the full brightness of the orb.
”
”
Charlotte Brontë (Jane Eyre)
“
I would give you a crown if I could,” he said. “I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn.” He reached into his pocket. “And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day.”
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they’d been singed.
“You will wed a Taban sister who craves a crown,” she said. “Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I’m not the queen Ravka needs.”
“And if you’re the queen I want?”
She shut her eyes. “There’s a story my aunt told me a very long time ago. I can’t remember all of it, but I remember the way she described the hero: ‘He had a golden spirit.’ I loved those words. I made her read them again and again. When I was a little girl, I thought I had a golden spirit too, that it would light everything it touched, that it would make me beloved like a hero in a story.” She sat up, drew her knees in, wrapped her arms around them as if she could make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. “But that’s not who I am. Whatever is inside me is sharp and gray as the thorn wood.” She rose and dusted off her kefta. “I wasn’t born to be a bride. I was made to be a weapon.”
Nikolai forced himself to smile. It wasn’t as if he’d offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he’d gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All Saints, it stung.
“Well,” he said cheerfully, pushing up onto his elbows and looking up at her with all the wry humor he could muster. “Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won’t rule Ravka by my side, what does the future hold, General?”
Zoya opened the door to the cargo hold. Light flooded in, gilding her features when she looked back at him. “I’ll fight on beside you. As your general. As your friend. Because whatever my failings, I know this: You are the king Ravka needs.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
Can you describe this?"
And I said: "I can."
Then something like a smile passed fleetingly over what had once been her face.
”
”
Anna Akhmatova
“
I just came from Bunker Hill,’ I told Sam. ‘Hel offered me a reunion with my mother.’
I managed to tell her the story.
Samirah reached out as if to touch my arm, then apparently changed her mind. ‘I’m so sorry, Magnus. But Hel lies. You can’t trust her. She’s just like my father, only colder. You made the right choice.’
‘Yeah … still. You ever do the right thing, and you know it’s the right thing, but it leaves you feeling horrible?’
‘You’ve just described most days of my life.’ Sam pulled up her hood. ‘When I became a Valkyrie … I’m still not sure why I fought that frost giant. The kids at Malcolm X were terrible to me. The usual garbage: they asked me if I was a terrorist. They yanked off my hijab. They slipped disgusting notes and pictures into my locker. When that giant attacked … I could’ve pretended to be just another mortal and got myself to safety. But I didn’t even think about running away. Why did I risk my life for those kids?’
I smiled.
‘What?’ she demanded.
‘Somebody once told me that a hero’s bravery has to be unplanned – a genuine response to a crisis. It has to come from the heart, without any thought of reward.’
Sam huffed. ‘That somebody sounds pretty smug.’
‘Maybe you didn’t need to come here,’ I decided. ‘Maybe I did. To understand why we’re a good team.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
Who is he?”
Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.”
I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?”
Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.”
I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.”
I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it.
“He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.”
Eleanor still didn’t respond. “Shh . . .” she muttered under her breath.
But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around.
“Hi,” he said with a half grin that seemed to be mocking me.
And that’s how I met Dante Berlin.
So how do you describe someone who leaves you speechless?
He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt.
I wanted to say something witty or charming, but all I could muster up was a timid “Hi.”
He studied me with what looked like a mix of disgust and curiosity.
“You must be Eugene,” I said.
“I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.”
I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described.
“And you are—”
“Renee,” I interjected.
“I was going to say, ‘in my seat,’ but Renee will do.”
My face went red. “Oh, right. Sorry.”
“Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.”
I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move.
I turned and walked to the last row, using all of my self-control to resist looking back.
”
”
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
“
Charles had climbed on a bench and was calling out that he had something to say, creating a racket that quickly got the attention of the room. Everyone looked immensely surprised, including Tessa and Will. Sona frowned, clearly thinking Charles was very rude. She didn’t know the half of it, Cordelia thought darkly.
“Let me be the first to raise a glass to the happy couple!” said Charles, doing just that. “To James Herondale and Cordelia Carstairs. I wish to add personally that James, my brother’s parabatai, has always been like a younger brother to me.”
“A younger brother he accused of vandalizing greenhouses across our fair nation,” muttered Will.
“As for Cordelia Carstairs—how to describe her?” Charles went on.
“Especially when one has not bothered to get to know her at all,” murmured James.
“She is both beautiful and fair,” said Charles, leaving Cordelia to wonder what the difference was, “as well as being brave. I am sure she will make James as happy as my lovely Grace makes me.” He smiled at Grace, who stood quietly near him, her face a mask. “That’s right. I am formally announcing my intention to wed Grace Blackthorn. You will all be invited, of course.”
Cordelia glanced over at Alastair; he was expressionless, but his hands, jammed into his pockets, were fists. James had narrowed his eyes.
Charles went on merrily. “And lastly, my thanks go out to the folk of the Enclave, who supported my actions as acting Consul through our recent troubles. I am young to have borne so much responsibility, but what could I say when duty called? Only this. I am honored by the trust of my mother, the love of my bride-to-be, and the belief of my people—”
“Thank you, Charles!” James had appeared at Charles’s side and done something rather ingenious with his feet that caused the bench Charles had been standing on to tip over. He caught Charles around the shoulder as he slid to the floor, clapping him on the back. Cordelia doubted most people in the room had noticed anything amiss. “What an excellent speech!”
Magnus Bane, looking fiendishly amused, snapped his fingers. The loops of golden ribbons dangling from the chandeliers formed the shapes of soaring herons while “For He’s a Jolly Good Fellow” began to play in ghostly fashion on the unmanned piano. James hustled Charles away from the bench he had clambered onto and into a crowd of well-wishers. The room, as a whole, seemed relieved.
“We have raised a fine son, my darling,” Will said, kissing Tessa on the cheek.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
Her lips, pure pink, never needed any extra colour. But her smile was something to hold out for. So lively, so perfect, captivating, bewitching, delighting, enthralling… I never found enough words to describe it.
”
”
Smita Kaushik (The Girl I Last Loved)
“
It’s decided, then,” he murmured. “I accept your proposition. There’s much more to discuss, of course, but we’ll have two days until we reach Gretna Green.” He rose from the chair and stretched, his smile lingering as he noticed the way her gaze slid quickly over his body. “I’ll have the carriage readied and have the valet pack my clothes. We’ll leave within the hour. Incidentally, if you decide to back out of our agreement at any time during our journey, I will strangle you.”
She shot him a sardonic glance. “You w-wouldn’t be so nervous about that if you hadn’t tried this with an unwilling victim l-last week.”
“Touché. Then we may describe you as a willing victim?”
“An eager one,” Evangeline said shortly, looking as though she wanted to be off at once.
“My favorite kind,” he remarked, and bowed politely before he strode from the library.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Astra is a beauty. (...) Astra is so beautiful that I have no wish to describe her beauty. I will say only that her beauty is the expression of her soul. Her beauty lives in her quiet walk, in her shy movements, in her always-lowered eyelids, in her barely perceptible smile, in the soft outline of her girlish shoulders, in the chastity of her poor, almost beggarly clothing, in her thoughtful grey eyes. She is a white water lily in a pond shadowed by the branches of trees, born amid still, contemplative water. (...) The world of modest female beauty finds its expression in Astra. As for what may lie hidden in the depths of these waters, no-one can say unless he breaks the water's smooth surface, walks barefoot through the cutting sedge and treads the silty, sucking mud — now cold, now strangely warm. But I only stand on the shore, admiring the lily from a distance
”
”
Vasily Grossman (An Armenian Sketchbook)
“
Weininger observed that nothing is more baffling for a man than a woman’s response when caught in a lie. When asked why she is lying, she is unable to understand the question, acts astonished, bursts out crying, or seeks to pacify him by smiling . She cannot understand the ethical and transcendental side of lying or the fact that a lie represents damage to being and, as was acknowledged in ancient Iran, constitutes a crime even worse than killing. It is nonsense to deduce this trait in women from sociological factors; some people say that a lie is the “natural weapon” of the woman and therefore used in her defense for hundreds of years. The truth, pure and simple, is that woman is prone to lie and to disguise her true self even when she has no need to do so; this is not a social trait acquired in the struggle for existence, but something linked to her deepest and most genuine nature. Just as the absolute woman does not truly feel that lying is wrong, so in her, contrary to man, lying is not wrong, nor is it an inner yielding or a breaking of her own existential law. It is a possible counterpart of her plastic and fluid
nature. A type such as D’Aurevilly described is perfectly understandable: “She made a habit of lying to the point where it became truth; it was so simple and natural, without any effort or alleviation." Ii is foolish to judge woman with the values of the absolute man even in cases where, by doing violence to her own self, she makes a show of following those values and even sincerely believes that she is following them.
”
”
Julius Evola (Eros and the Mysteries of Love: The Metaphysics of Sex)
“
She described how Camus’s aphorism “One must imagine Sisyphus happy” helps her fight back against unproductive feelings of meaninglessness.
If we consider, like Camus, Sisyphus at the foot of his mountain, we can see that he is smiling. He is content in his task of defying the Gods, the journey more important than the goal. To achieve a beginning, a middle, an end, a meaning to the chaos of creation—that's more than any deity seems to manage: But it's what writers do. So I tidy the desk, even polish it up a bit, stick some flowers in a vase and start.
As I begin a novel I remind myself as ever of Camus's admonition that the purpose of a writer is to keep civilization from destroying itself. And even while thinking, well, fat chance! I find courage, reach for the heights, and if the rock keeps rolling down again so it does. What the hell, start again. Rewrite. Be of good cheer. Smile on, Sisyphus!
”
”
Fay Weldon
“
It’s a slow sultry song. She opens her mouth and what comes out can only be described as dripping with sex.
The climax of the song comes and the college boys are cat calling her but she doesn't seem to notice at all. She’s completely in the song, eyes half mast, a slight smile on her lips, and hips methodically rolling to the beat. She’s pure sex and every male in the bar is thinking the same thing I am. What would she be like in my bed. She absent mindedly trails her hand from her collarbone down between her breasts to her belly. It’s the hottest thing I’ve ever seen. My jeans instantly get too tight in the crotch and I adjust myself discreetly while everyone’s eyes are still on her.
”
”
K. Larsen (Saving Caroline)
“
He stood looking down at me with a white towel wrapped around his waist. I always imagined what he might look like after seven years, but even my wildest dreams couldn’t have conjured up what I was actually met with. His messy black hair had now been replaced by longish sexy waves that curled around his ears. He was wearing glasses. He looked even sexier in glasses. Even from here, I could see the piercing gray of his eyes through them. His inked body was bigger, even more built than before. He lifted a cigarette to his mouth and even amidst the shock of seeing him, disappointment set in that he was smoking again. Elec blew out the smoke as his eyes stayed fixed on mine. He wasn’t smiling. He just looked at me intently. His powerful stare alone had put all of my senses on high alert, throwing my body out of whack. My head was pounding, my eyes were teary, my ears were beating, my mouth was watering, my nipples were hard, my hands were trembling, my knees were shaking and my heart…I couldn’t describe what was going on inside my chest. Before I could process any of this, a woman with blonde hair came up from behind him and wrapped her arms around his waist.
”
”
Penelope Ward (Stepbrother Dearest)
“
Wow, hi,’ Eight says, and when he speaks it’s with his own voice.
It’s him. It’s really him.
Marina nearly doubles over with a delighted sob. She collects herself quickly, though, and grabs Eight first by the shoulders, then on the sides of his face. She pulls him in close.
‘You’re warm,’ she says in wonder. ‘You’re so warm.’
Eight laughs easily. He puts his hand over Marina’s and gently kisses the side of it.
‘You’re warm, too,’ he says.
‘I’m so sorry, Eight. I’m sorry I couldn’t heal you.’
Eight shakes his head. ‘Stop, Marina. It’s okay. You brought me here. It’s – I can’t even describe it. It’s amazing in there.’
Already, I see the energy spreading outward from Eight’s heart. It races through his body, fissures opening on his arms and legs. He doesn’t seem to be in any pain. He just smiles at Marina and looks at her like he’s trying to memorize her face.
‘Can I kiss you?’ Marina asks him.
‘I really wish you would.
”
”
Pittacus Lore (The Revenge of Seven (Lorien Legacies, #5))
“
No. I’m saying if I’d had one day—only one—it would’ve been worth it. To be with Josh, loving him like I’d always wanted, a single day would have been a gift. And I got a year.” She smiles wide, her eyes full of tears that slowly overflow and spill down her cheeks. “Yeah, I wish I’d had a lifetime. And yeah, it hurts more than I can describe. Two years, six months, three days, and I still miss him every day. But it would’ve been worse if I’d never had him at all.” One day.
”
”
Lauren Connolly (PS: I Hate You)
“
When he wrote back, he pretended to be his old self, he lied his way into sanity. For fear of his psychiatrist who was also their censor, they could never be sensual, or even emotional. His was considered a modern, enlightened prison, despite its Victorian chill. He had been diagnosed, with clinical precision, as morbidly oversexed, and in need of help as well as correction. He was not to be stimulated. Some letters—both his and hers—were confiscated for some timid expression of affection. So they wrote about literature, and used characters as codes. All those books, those happy or tragic couples they had never met to discuss! Tristan and Isolde the Duke Orsino and Olivia (and Malvolio too), Troilus and Criseyde, Once, in despair, he referred to Prometheus, chained to a rock, his liver devoured daily by a vulture. Sometimes she was patient Griselde. Mention of “a quiet corner in a library” was a code for sexual ecstasy. They charted the daily round too, in boring, loving detail. He described the prison routine in every aspect, but he never told her of its stupidity. That was plain enough. He never told her that he feared he might go under. That too was clear. She never wrote that she loved him, though she would have if she thought it would get through. But he knew it. She told him she had cut herself off from her family. She would never speak to her parents, brother or sister again. He followed closely all her steps along the way toward her nurse’s qualification. When she wrote, “I went to the library today to get the anatomy book I told you about. I found a quiet corner and pretended to read,” he knew she was feeding on the same memories that consumed him “They sat down, looked at each other, smiled and looked away. Robbie and Cecilia had been making love for years—by post. In their coded exchanges they had drawn close, but how artificial that closeness seemed now as they embarked on their small talk, their helpless catechism of polite query and response. As the distance opened up between them, they understood how far they had run ahead of themselves in their letters. This moment had been imagined and desired for too long, and could not measure up. He had been out of the world, and lacked the confidence to step back and reach for the larger thought. I love you, and you saved my life. He asked about her lodgings. She told him.
“And do you get along all right with your landlady?”
He could think of nothing better, and feared the silence that might come down, and the awkwardness that would be a prelude to her telling him that it had been nice to meet up again. Now she must be getting back to work. Everything they had, rested on a few minutes in a library years ago. Was it too frail? She could easily slip back into being a kind of sister. Was she disappointed? He had lost weight. He had shrunk in every sense. Prison made him despise himself, while she looked as adorable as he remembered her, especially in a nurse’s uniform. But she was miserably nervous too, incapable of stepping around the inanities. Instead, she was trying to be lighthearted about her landlady’s temper. After a few more such exchanges, she really was looking at the little watch that hung above her left breast, and telling him that her lunch break would soon be over.
”
”
Ian McEwan (Atonement)
“
The Redwood Tree
My father once told me a story about an old redwood tree—how she stood tall and proud—her sprawling limbs clothed in emerald green. With a smile, he described her as a mere sapling, sheltered by her elders and basking in the safety of the warm, dappled light. But as this tree grew taller, she found herself at the mercy of the cruel wind and the vicious rain. Together, they tore relentlessly at her pretty boughs, until she felt as though her heart would split in two.
After a long, thoughtful pause, my father turned to me and said, “My daughter, one day the same thing will happen to you. And when that time comes, remember the redwood tree. Do not worry about the cruel wind or the vicious rain—but do as that tree did and just keep growing.
”
”
Lang Leav (The Universe of Us (Volume 4) (Lang Leav))
“
Then she would laugh like the very spirit of fun; only in her laugh there was something missing. What it was, I
find myself unable to describe. I think it was a certain tone, depending upon the possibility of sorrow--MORBIDEZZA, perhaps. She never smiled.
”
”
George MacDonald
“
He was incredibly and unbearably beautiful.
There was no other way for her to adequately describe it to herself. It was beyond being just handsome. Handsome was a common masculine adjective, limited in its scope. This man was honestly beautiful. His facial features were so very elegant, taking the term noble to the extreme. Dark brows winged up over dark eyes, both of indeterminate color in the shadows of the night. So dramatic, but then so belied by the ridiculous childlike length of lush lashes. His magnificent eyes were lit with a soft, smoldering light of amusement as his sensual mouth was lifting up at the corner in a smile she could only call sinful.
“How did you . . . but that’s . . . you couldn’t possibly!” she spluttered, her hands opening and closing reflexively on his lapels.
“I did. It is not. And apparently, I could.” He was smiling broadly now, and Isabella was certain she was the cause of some unseen bit of amusement. She glowered at him, completely forgetting he’d just saved her neck. Literally.
“I’m so glad you find this so entertaining!”
Jacob couldn’t help his growing smile. She was so focused on him that she hadn’t realized they were still a good ten feet off the ground and floating at the exact spot where he’d met her precipitous fall. That was for the best, he thought, sinking down to the pavement while she was distracted by the taunt of his amusement. He was going to have enough trouble as it was explaining how he’d managed to catch a woman hurtling to her death from five stories up.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
I like literature," I said. "We started watching the film version of Romeo and Juliet today."
I didn't tell them this, but the love story fascinated me. The way the lovers fell so deeply and irrevocably in love after their first meeting sparked a burning curiosity in me about what human love might feel like.
"How are you finding that?" Ivy asked.
"It's very powerful, but the teacher got really mad when one of the boys said something about Lady Capulet."
"What did he say?"
"He called her a MILF, which must be offensive because Miss Castle called him a thug and sent him out of the room. Gabe, what is a MILF?"
Ivy smothered her smile behind a napkin while Gabriel did something I'd never seen before. He blushed and shifted uncomfortably in his chair.
"Some acronym for a teenage obscnity, I imagine," he mumbled.
"Yes, but do you know what it means?"
He paused, trying to find the right words.
"It's a term used by adolescent males to describe a woman who is both attractive and a mother." He cleared his throat and got up quickly to refill the water jug.
"I'm sure it must stand for something," I pressed.
"It does," Gabriel said. "Ivy, can you remeber what it is?"
"I believe it stands for 'mother I'd like to...befriend'," said my sister.
"Is that all?" I exclaimed. "What a fuss over nothing. I really think Miss Castle needs to chill.
”
”
Alexandra Adornetto
“
Tamlin thought about what he'd heard during his rescue and said, "And in addition to his talent of imitating father's voice, Talbot has become some sort of monster." "Well," she(Tazi)said. "In a manner of speaking, yes"
"And you just returned from training as a master assassin?"
"That is not how I'd describe myself."
"Cat burglar, then. Just like mother."
Well, yes. If you must be rude about it."
"And even the chambermaid has divine powers?"
"That's right" Tazi said. "That, and she's actually our sister"
"Our sister..." "It appears that everyone I know has become some sort of storybook hero--" he sighed-- "And all I can boast is 'most often kidnapped.'"
"Now would be a bad time to tell you about Larajin's twin brother?" Tazi asked. She raised a solemn eyebrow, but the quirk upon her lips was all mischief
"Now you're making things up"
She kept smiling, but shook her head.
"Next you'll tell me he's an elf"
Tamlin strove not to take offense at her wild laughter, even though it continued long after they had turned off the streets of Selgaunt and rumbled through the gate to Stormweather Towers.
”
”
Dave Gross
“
I know how it is," Madame Appeline said, narrowing her slanting eyes slightly over her ice-cream smile. "There is a feeling deep down inside you, isn’t there? All the time. It bothers you. You don’t really know what it is, or how to describe it. You do not have a Face for it. And so you scan all the Face catalogues, and ask for Faces for every birthday because perhaps, just perhaps, if you had the right Face, you might understand what you are feeling. You need to find that Face." She leaned forward slightly. "Do go and look at our exhibition rooms, Miss Childersin.
”
”
Frances Hardinge (A Face Like Glass)
“
In the terrible years of the Yezhov terror I spent seventeen months
waiting in line outside the prison in Leningrad. One day somebody in the
crowd identified me. Standing behind me was a woman, with lips blue
from the cold, who had, of course, never heard me called by name before.
Now she started out of the torpor common to us all and asked me in a
whisper (everyone whispered there):
“Can you describe this?”
And I said: “I can.”
Then something like a smile passed fleetingly over what had once been
her face . . .
—Anna Akhmatova, “Instead of a Preface: Requiem 1935–1940
”
”
Anne Applebaum (Gulag: A History)
“
Mooch? What does that word mean?”
Ellie smiled. “It’s a term when you live with someone and take something freely from the person who has to work for it. It’s not a good thing. It’s hard to explain that one. I guess I could describe it as I’m a burden to him.”
“How? He already had a room you could have.”
Ellie struggled with her thoughts. Some words were hard to explain. “Yes. He did but usually you don’t live with someone unless you are a couple. Then it is acceptable if you share food and a home. If you aren’t, then both parties are supposed to work, similar to a partnership, be equal. I am not his girlfriend or his partner. He provides a home and food for me while I give him nothing in return. I’m a mooch.”
“I think I understand.” Breeze smiled. “And you are not a mooch. He doesn’t know what one is so therefore you can’t be what he doesn’t know exists.
”
”
Laurann Dohner (Fury (New Species, #1))
“
Who is your favorite painter, Miss Eversea?"
"I might have to say Titian." She said this almost reluctantly, as if Titian was something precious she kept to herself. "It's the luminous quality of the tones of skin, the incomparable reds, the affection with which he paints his..."
She stopped and gave her head a little shake, and a small smile and a half shrug, as though she secretly qualified to describe the wonder of Titian.
And because she suspected she was boring him.
'Luminous quality.' Titian didn't particularly interest him. But what he did to Miss Genevieve's face when she'd described him, in fact, fascinated him.
”
”
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
“
I give in,” she gasped. “What has turned your evening into such a dreadful affair?”
“What or whom?”
“‘ Whom’?” she echoed, tilting her head as she looked at him. “This grows even more interesting.”
“I can think of any number of adjectives to describe all of the ‘whoms’ I have had the pleasure of meeting this evening, but ‘interesting’ is not one of them.”
“Now, now,” she chided, “don’t be rude. I did see you chatting with my brothers, after all.”
He nodded gallantly, tightening his hand slightly at her waist as they swung around in a graceful arc. “My apologies. The Bridgertons are, of course, excluded from my insults.”
“We are all relieved, I’m sure.”
Simon cracked a smile at her deadpan wit. “I live to make Bridgertons happy.”
“Now that is a statement that may come back to haunt you,” she chided. “But in all seriousness, what has you in such a dither? If your evening has gone that far downhill since our interlude with Nigel, you’re in sad straits, indeed.”
“How shall I put this,” he mused, “so that I do not completely offend you?”
“Oh, go right ahead,” she said blithely. “I promise not to be offended.”
Simon grinned wickedly. “A statement that may come back to haunt you.”
She blushed slightly. The color was barely noticeable in the shadowy candlelight, but Simon had been watching her closely.
She didn’t say anything, however, so he added, “Very well, if you must know, I have been introduced to every single unmarried lady in the ballroom.”
A strange snorting sound came from the vicinity of her mouth.
Simon had the sneaking suspicion that she was laughing at him.
“I have also,” he continued, “been introduced to all of their mothers.”
She gurgled. She actually gurgled.
“Bad show,” he scolded. “Laughing at your dance partner.”
“I’m sorry,” she said, her lips tight from trying not to smile.
“No, you’re not.”
“All right,” she admitted, “I’m not. But only because I have had to suffer the same torture for two years. It’s difficult to summon too much pity for a mere evening’s worth.
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
How could I admit that the All-American Girl's force field of stoicism and self-reliance and do-unto-others-and-keep-smiling wasn't working, wasn't keeping pain and shame and powerlessness away?
From a young age I had learned to get over - to cover my tracks emotionally, to hide or ignore my problems in the belief that they were mine alone to solve. So when exhilarating transgressions required getting over on authority figures, I knew how to do it. I was a great bluffer. And when common, everyday survival in prison required getting over, I could do that too. This is what was approvingly described by my fellow prisoners as 'street-smarts,' as in 'You wouldn't think it to look at her, but Piper's got street-smarts.
”
”
Piper Kerman (Orange Is the New Black)
“
But once when she was chatting with some stupid boy online, she described herself as the color of coffee with not enough milk. There was a pause in the conversation, and the words glared back at her strangely, like the echo of a burp in an empty auditorium. She wondered if what she’d typed was burning holes in her chat partner too. Then he typed o thas hot yo and she’d quickly slammed her laptop shut. In the sudden darkness of her bedroom, the words had lingered as if imprinted in her forehead: not enough. The worst part about it, the part she couldn’t let go of, was that the thought came from her. Not from one of the teachers or guidance counselors whose eyes said it again and again over sticky-sweet smiles. Not from some cop on Marcy Avenue or Tía Rosa. It came from somewhere deep inside her. And that meant that for all the times she’d shrugged off one of those slurs, some little tentacle of them still crawled its way toward her heart. Not enough milk. Not light enough. Morena. Negra. No matter what she did, that little voice came creeping back, persistent and unsatisfied. Not enough.
”
”
Daniel José Older (Shadowshaper (Shadowshaper Cypher #1))
“
As happens in dreams, when a perfectly harmless object inspires us with fear and thereafter is frightening every time we dream of it (and even in real life retains disquieting overtones), so Dreyer's presence became for Franz a refined torture, an implacable menace. [ ... H]e could not help cringing when, with a banging of doors in a dramatic draft, Martha and Dreyer entered simultaneously from two different rooms as if on a too harshly lit stage. Then he snapped to attention and in this attitude felt himself ascending through the ceiling, through the roof, into the black-brown sky, while, in reality, drained and empty, he was shaking hands with Martha, with Dreyer. He dropped back on his feet out of that dark nonexistence, from those unknown and rather silly heights, to land firmly in the middle of the room (safe, safe!) when hearty Dreyer described a circle with his index finger and jabbed him in the navel; Franz mimicked a gasp and giggled; and as usual Martha was coldly radiant. His fear did not pass but only subsided temporarily: one incautious glance, one eloquent smile, and all would be revealed, and a disaster beyond imagination would shatter his career. Thereafter whenever he entered this house, he imagined that the disaster had happened—that Martha had been found out, or had confessed everything in a fit of insanity or religious self-immolation to her husband; and the drawing room chandelier invariably met him with a sinister refulgence.
”
”
Vladimir Nabokov
“
I had many things to say, I did not have the words to say them. Painfully aware of my limitations, I watched helplessly as language became an obstacle. It became clear that it would be necessary to invent a new language. But how was one to rehabilitate and transform words betrayed and perverted by the enemy? Hunger—thirst—fear—transport—selection—fire—chimney: these words all have intrinsic meaning, but in those times, they meant something else. Writing in my mother tongue—at that point close to extinction—I would pause at every sentence, and start over and over again. I would conjure up other verbs, other images, other silent cries. It still was not right. But what exactly was "it"? "It" was something elusive, darkly shrouded for fear of being usurped, profaned. All the dictionary had to offer seemed meager, pale, lifeless. Was there a way to describe the last journey in sealed cattle cars, the last voyage toward the unknown? Or the discovery of a demented and glacial universe where to be inhuman was human, where disciplined, educated men in uniform came to kill, and innocent children and weary old men came to die? Or the countless separations on a single fiery night, the tear- ing apart of entire families, entire communities? Or, incredibly, the vanishing of a beautiful, well-behaved little Jewish girl with golden hair and a sad smile, murdered with her mother the very night of their arrival? How was one to speak of them without trembling and a heart broken for all eternity?
”
”
Elie Wiesel (Night)
“
Desire is oblivious to time and place, dear Mary. I want you, Mary. Please trust me, my sweet. Let me show you the ways of love.”
She stared back at him, her body filled with the want he had described, but common sense held her surrender at bay.
“Love? Don’t speak of love to me. You describe meaningless pleasure. It has nothing to do with love!”
He gave her a roguish smile. “Pleasure is never meaningless, my sweet.
”
”
Victoria Vane (Treacherous Temptations)
“
Bear in mind that Mother Teresa’s global income is more than enough to outfit several first-class clinics in Bengal. The decision not to do so, and indeed to run instead a haphazard and cranky institution which would expose itself to litigation and protest were it run by any branch of the medical profession, is a deliberate one. The point is not the honest relief of suffering but the promulgation of a cult based on death and suffering and subjection. Mother Teresa (who herself, it should be noted, has checked into some of the finest and costliest clinics and hospitals in the West during her bouts with heart trouble and old age) once gave this game away in a filmed interview. She described a person who was in the last agonies of cancer and suffering unbearable pain. With a smile, Mother Teresa told the camera what she told this terminal patient: “You are suffering like Christ on the cross. So Jesus must be kissing you.” Unconscious of the account to which this irony might be charged, she then told of the sufferer’s reply: “Then please tell him to stop kissing me.” There are many people in the direst need and pain who have had cause to wish, in their own extremity, that Mother Teresa was less free with her own metaphysical caresses and a little more attentive to actual suffering.
”
”
Christopher Hitchens (The Missionary Position: Mother Teresa in Theory and Practice)
“
A great many belles at the ball will be smiling even if you are not. I simply wish that he did not look so much like a scoundrel.” “Scoundrel?” Elisabeth peered at her maid through the darkness. “That is not how I would describe him.” “No?” Isabeau’s voice pitched. She was all but wringing her hands. “He is—how do you say it? A rascal? A rogue? Swarthy as a buccaneer with his dark looks. Some say he has more gypsy blood than Welsh.
”
”
Laura Frantz (The Lacemaker)
“
How the intelligent young do fight shy of the mention of God! It makes them feel both bored and superior.”
I tried to explain: “Well, once you stop believing in an old gentleman with a beard … It’s only the word God, you know — it makes such a conventional noise.”
“It’s merely shorthand for where we come from, where we’re going, and what it’s all about.”
“And do religious people find out what it’s all about? Do they really get the answer to the riddle?”
“They get just a whiff of an answer sometimes.” He smiled at me and I smiled back and we both drank our madeira. Then he went on: “I suppose church services make a conventional noise to you, too — and I rather understand it. Oh, they’re all right for the old hands and they make for sociability, but I sometimes think their main use is to help weather churches — like smoking pipes to colour them, you know. If any — well, unreligious person, needed consolation from religion, I’d advise him or her to sit in an empty church. Sit, not kneel. And listen, not pray. Prayer’s a very tricky business.”
“Goodness, is it?”
“Well, for inexperienced pray-ers it sometimes is. You see, they’re apt to think of God as a slot-machine. If nothing comes out they say ‘I knew dashed well it was empty’ — when the whole secret of prayer is knowing the machine’s full.”
“But how can one know?”
“By filling it oneself.”
“With faith?”
“With faith. I expect you find that another boring word. And I warn you this slot-machine metaphor is going to break down at any moment. But if ever you’re feeling very unhappy — which you obviously aren’t at present, after all the good fortune that’s come to your family recently — well, try sitting in an empty church.”
“And listening for a whiff?”
We both laughed and then he said that it was just as reasonable to talk of smelling or tasting God as of seeing or hearing Him. “If one ever has any luck, one will know with all one’s senses — and none of them. Probably as good a way as any of describing it is that we shall ‘come over all queer.’”
“But haven’t you already?”
He sighed and said the whiffs were few and far between. “But the memory of them everlasting,” he added softly.
”
”
Dodie Smith (I Capture the Castle)
“
Ronan hefted a gas can from the trunk, making little effort to keep the greasy container from contacting his clothing. Like Gansey, he wore the Aglionby uniform, but, as always, he managed to make it look as disreputable as possible. His tie was knotted with a method best described as contempt and his shirt-tails were ragged beneath the bottom of his sweater. His smile was thin and sharp. If his BMW was shark-like, it had learned how from him. “Declan’s latest. We’re meant to look pretty for her.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
“
If he noticed a female convict with a baby in her arms, he would approach, fondle the baby and snap his fingers at it to make it laugh. These things he did for many years, right up to his death; eventually he was famous all over Russia and all over Siberia, among the criminals, that is. One man who had been in Siberia told me that he himself had witnessed how the most hardened criminals remembered the general, and yet the general, when he visited the gangs of convicts, was rarely able to give more than twenty copecks to each man. It’s true that he wasn’t remembered with much affection, or even very seriously. Some ‘unfortunate wretch’, who had killed twelve people, or put six children to the knife solely for his own amusement (there were such men, it is said), would suddenly, apropos of nothing, perhaps only once in twenty years, sigh and say: ‘Well, and how’s the old general now, is he still alive?’ He would even, perhaps, smile as he said it – and that would be all. How can you know what seed had been cast into his soul for ever by this ‘old general’, whom he had not forgotten in twenty years? How can you know, Bakhmutov, what significance this communication between one personality and another may have in the fate of the personality that is communicated with?… I mean, we’re talking about the whole of a life, and a countless number of ramifications that are hidden from us. The very finest player of chess, the most acute of them, can only calculate a few moves ahead; one French player, who was able to calculate ten moves ahead, was described in the press as a miracle. But how many moves are here, and how much is there that is unknown to us? In sowing your seed, sowing your ‘charity’, your good deeds in whatever form, you give away a part of your personality and absorb part of another; a little more attention, and you are rewarded with knowledge, with the most unexpected discoveries. You will, at last, certainly view your deeds as a science; they will take over the whole of your life and may fill it. On the other hand, all your thoughts, all the seeds you have sown, which perhaps you have already forgotten, will take root and grow; the one who has received from you will give to another. And how can you know what part you will play in the future resolution of the fates of mankind? If this knowledge, and a whole lifetime of this work, exalts you, at last, to the point where you are able to sow a mighty seed, leave a mighty idea to the world as an inheritance, then…
”
”
Fyodor Dostoevsky (The Idiot)
“
The streets of Bethlehem must have been crowded and bustling with activity at the time of that first Christmas. I can see it all now, can’t you? A rug dealer is held up by a shepherd driving his flock through the middle of town.” Cait smiled for the first time that morning, because she could easily picture the scene Joe was describing. “Then some furious woman, impatient to make it to the local camel merchant before closing, sticks her nose in the middle of everything and shouts at the rug dealer to get his show on the road.
”
”
Debbie Macomber (Home for the Holidays: An Anthology)
“
I love the quiet beauty of the night sky," she continued thoughtfully, "filled with mystery and starlight, but there is something magical about the dawn. It is strange, When the sky begins to lighten and soft colors first appear, the transition is so gentle you hardly notice it. But if you are aware enough to observe, if you take the time to really be a part of the transformation, it feels..."
Her explanation trailed off. She found it difficult to find the words to properly describe the wonder she felt as she experienced the very common daily occurrence.
"It feels like it possesses all the possibilities of life," Avenell offered quietly.
Lily turned in place. She slipped her arms around his naked torso and tipped her head back to look into his face. Her smile was so wide her cheeks ached, but she did not hold back. Her joy in the past few months had grown by leaps and bounds, and only because of how much she had seen her happiness reflected in the man she loved.
Love flowed freely between them as he lowered his head to take her mouth in a kiss that was slow and deep.
”
”
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
“
It is a poor conclusion, is it not?’ he observed, having brooded awhile on the scene he had just witnessed: ‘an absurd termination to my violent exertions? I get levers and mattocks to demolish the two houses, and train myself to be capable of working like Hercules, and when everything is ready and in my power, I find the will to lift a slate off either roof has vanished! My old enemies have not beaten me; now would be the precise time to revenge myself on their representatives: I could do it; and none could hinder me. But where is the use? I don’t care for striking: I can’t take the trouble to raise my hand! That sounds as if I had been labouring the whole time only to exhibit a fine trait of magnanimity. It is far from being the case: I have lost the faculty of enjoying their destruction, and I am too idle to destroy for nothing.'Nelly, there is a strange change approaching; I'm in its shadow at present. I take so little interest in my daily life that I hardly remember to eat and drink. Those two who have left the room are the only objects which retain a distinct material appearance to me; and that appearance causes me pain, amounting to agony. About HER I won't speak; and I don't desire to think; but I earnestly wish she were invisible: her presence invokes only maddening sensations. HE moves me differently: and yet if I could do it without seeming insane, I'd never see him again! You'll perhaps think me rather inclined to become so,' he added, making an effort to smile, 'if I try to describe the thousand forms of past associations and ideas he awakens or embodies. But you'll not talk of what I tell you; and my mind is so eternally secluded in itself, it is tempting at last to turn it out to another.
”
”
Emily Brontë
“
It is so rare to have a new tent appear that Celia considers canceling her performances entirely in order to spend the evening investigating it.
Instead she waits, executing her standard number of shows, finishing the last a few hours before dawn. Only then does she navigate her way through nearly empty pathways to find the latest edition to the circus.
The sign proclaims something called the Ice Garden. and Celia smiles at the addendum below which contains an apology for any thermal inconvenience.
Despite the name, she is not prepared for what awaits her inside the tent.
It is exactly what the sign described. But it is so much more than that.
There are no stripes visible on the walls, everything is sparkling and white. She cannot tell how far it stretches, the size of the tent obscured by cascading willows and twisting vines.
The air itself is magical. Crisp and sweet in her lungs as she breathes, sending a shiver down to her toes that is caused by more than the forewarned drop in temperature.
There are no patrons in the tent as she explores, circling alone around trellises covered in pale roses and a softly bubbling, elaborately carved fountain.
And everything, save for occasional lengths of whet silk ribbon strung like garlands, is made of ice.
Curious, Celia picks a frosted peony from its branch, the stem breaking easily.
But the layered petals shatter, falling from her fingers to the ground, disappearing in the blades of ivory grass below.
When she looks back at the branch, an identical bloom has already appeared.
Celia cannot imagine how much power and skill it would take not only to construct such a thing but to maintain it as well.
And she longs to know how her opponent came up with the idea. Aware that each perfectly structured topiary, every detail down to the stones that line the paths like pearls, must have been planned.
”
”
Erin Morgenstern (The Night Circus)
“
Hypothetically, then, you may be picking up in someone a certain very strange type of sadness that appears as a kind of disassociation from itself, maybe, Love-o.’
‘I don’t know disassociation.’
‘Well, love, but you know the idiom “not yourself” — “He’s not himself today,” for example,’ crooking and uncrooking fingers to form quotes on either side of what she says, which Mario adores. ‘There are, apparently, persons who are deeply afraid of their own emotions, particularly the painful ones. Grief, regret, sadness. Sadness especially, perhaps. Dolores describes these persons as afraid of obliteration, emotional engulfment. As if something truly and thoroughly felt would have no end or bottom. Would become infinite and engulf them.’
‘Engulf means obliterate.’
‘I am saying that such persons usually have a very fragile sense of themselves as persons. As existing at all. This interpretation is “existential,” Mario, which means vague and slightly flaky. But I think it may hold true in certain cases. My own father told stories of his own father, whose potato farm had been in St. Pamphile and very much larger than my father’s. My grandfather had had a marvelous harvest one season, and he wanted to invest money. This was in the early 1920s, when there was a great deal of money to be made on upstart companies and new American products. He apparently narrowed the field to two choices — Delaware-brand Punch, or an obscure sweet fizzy coffee substitute that sold out of pharmacy soda fountains and was rumored to contain smidgeons of cocaine, which was the subject of much controversy in those days. My father’s father chose Delaware Punch, which apparently tasted like rancid cranberry juice, and the manufacturer of which folded. And then his next two potato harvests were decimated by blight, resulting in the forced sale of his farm. Coca-Cola is now Coca-Cola. My father said his father showed very little emotion or anger or sadness about this, though. That he somehow couldn’t. My father said his father was frozen, and could feel emotion only when he was drunk. He would apparently get drunk four times a year, weep about his life, throw my father through the living room window, and disappear for several days, roaming the countryside of L’Islet Province, drunk and enraged.’
She’s not been looking at Mario this whole time, though Mario’s been looking at her.
She smiled. ‘My father, of course, could himself tell this story only when he was drunk. He never threw anyone through any windows. He simply sat in his chair, drinking ale and reading the newspaper, for hours, until he fell out of the chair. And then one day he fell out of the chair and didn’t get up again, and that was how your maternal grandfather passed away. I’d never have gotten to go to University had he not died when I was a girl. He believed education was a waste for girls. It was a function of his era; it wasn’t his fault. His inheritance to Charles and me paid for university.’
She’s been smiling pleasantly this whole time, emptying the butt from the ashtray into the wastebasket, wiping the bowl’s inside with a Kleenex, straightening straight piles of folders on her desk.
”
”
David Foster Wallace (Infinite Jest)
“
I do love Oregon." My gaze wanders over the quiet, natural beauty surrounding us, which isn't limited to just this garden. "Being near the river, and the ocean, and the rocky mountains, and all this nature ... the weather."
He chuckles. "I've never met anyone who actually loves rain. It's kind of weird. But cool, too," he adds quickly, as if afraid to offend me. "I just don't get it."
I shrug. "It's not so much that I love rain. I just have a healthy respect for what if does. People hate it, but the world needs rain. It washes away dirt, dilutes the toxins in the air, feeds drought. It keeps everything around us alive."
"Well, I have a healthy respect for what the sun does," he counters with a smile."
"I'd rather have the sun after a good, hard rainfall."
He just shakes his head at me but he's smiling. "The good with the bad?"
"Isn't that life?"
He frowns. "Why do I sense a metaphor behind that?"
"Maybe there is a metaphor behind that." One I can't very well explain to him without describing the kinds of things I see every day in my life. The underbelly of society - where twisted morals reign and predators lurk, preying on the lost, the broken, the weak, the innocent. Where a thirteen-year-old sells her body rather than live under the same roof as her abusive parents, where punks gang-rape a drunk girl and then post pictures of it all over the internet so the world can relive it with her. Where a junkie mom's drug addiction is readily fed while her children sit back and watch.
Where a father is murdered bacause he made the mistake of wanting a van for his family.
In that world, it seems like it's raining all the time. A cold, hard rain that seeps into clothes, chills bones, and makes people feel utterly wretched.
Many times, I see people on the worst day of their lives, when they feel like they're drowing. I don't enjoy seeing people suffer. I just know that if they make good choices, and accept the right help, they'll come out of it all the stronger for it.
What I do enjoy comes after. Three months later, when I see that thirteen-year-old former prostitute pushing a mower across the front lawn of her foster home, a quiet smile on her face. Eight months later, when I see the girl who was raped walking home from school with a guy who wants nothing from her but to make her laugh. Two years later, when I see the junkie mom clean and sober and loading a shopping cart for the kids that the State finally gave back to her.
Those people have seen the sun again after the harshest rain, and they appreciate it so much more.
”
”
K.A. Tucker (Becoming Rain (Burying Water, #2))
“
Are you going to dance with me, Senator? It's the only dignified way I can get my hands on you at the moment."
Alan let the first wave of desire take him-a rush that blanked everyone else from his sight and hearng for one heady instant. Carefully he banked it before he rose and took her hand. "Strange how closely our minds work." After leading her to the dance floor he gathered her to him. "And how well," he murmured as their bodies melded together, "we fit."
Shelby tilted her head back. "We shouldn't." Her eyes promised hot, private secrets. Her lips tempted-just parted, just curved. The hand on his shoulder moved nearer to his neck so she could brush his skin with her fingertips. "We shouldn't fit.We shouldn't understand each other.I can't quite figure out why we do."
"You defy logic,Shelby.And therefore, logically,there's no reasonable answer."
She laughed, pleased with the structured workings of his mine. "Oh, Alan, you're much too sensible to be argued with."
"Which means you'll constantly do so."
"Exactly." Still smiling,she rested her head on his shoulder. "You know me too well for my own good, Alan...and perhaps for yours. I'm in danger of adoring you."
He remembered Myra had used that word to describe Shelby's feelings for her father. "I'll take the risk.Will you?
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
We could play truth or dare,” Biana suggested with an evil smile. “No way—that got weird last time,” Fitz told her. Biana tossed her hair. “I don’t know what you’re talking about.” “Yes you do—just like you totally knew what you were doing when you turned your head at the last second.” Sophie was about to ask for details, when she remembered Keefe admitting that he’d kissed Biana once on a dare. He’d described it as “mostly on the cheek.” “How about we work on the scrolls again?” she said, deciding that games were too risky. Truth or dare was definitely out, and the only other game she could think of was spin the bottle—which would be a very bad idea.
”
”
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
“
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw.
“No.”
“Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.”
Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.”
She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.”
“How did he manage to have these drawn?” Ian asked, stopping her as she turned away.
“A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began,
I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot…
The next one opened with,
I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won.
From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him:
You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected…
I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius…
I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more.
Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly.
“Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven,
“the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!”
The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
After all, a kiss between real lovers is not some type of contract, a neatly defined moment of pleasure, something obtained by greedy conquest, or any kind of clear saying of how it is. It is a grief-drenched hatching of two hearts into some ecstatic never-before-seen bird whose new uncategorizable form, unrecognized by the status quo, gives the slip to Death's sure rational deal. For love is a delicious and always messy extension of life that unfrantically outgrows mortality's rigid insistence on precise and efficient definition. Having all the answers means you haven't really ecstatically kissed or lived, thereby declaring the world defined and already finished. Loving all the questions on the other hand is a vitality that makes any length of life worth living. Loving doesn't mean you know all the notes and that you have to play all the notes, it just means you have to play the few notes you have long and beautifully.
Like the sight of a truly beautiful young woman, smooth and gliding, melting hearts at even a distant glimpse, that no words, no matter how capable, can truly describe; a woman whose beauty is only really known by those who take a perch on the vista of time to watch the years of life speak out their long ornate sentences of grooves as they slowly stretch into her smoothness, wrinkling her as she glides struggling, decade by decade, her gait mitigated by a long trail of heavy loads, joys, losses, and suffering whose joint-aching years of traveling into a mastery of her own artistry of living, becomes even more than beauty something about which though we are even now no more capable of addressing than before, our admiration as original Earth-loving human beings should nonetheless never remain silent. And for that beauty we should never sing about, but only sing directly to it. Straightforward, cold, and inornate description in the presence of such living evidence of the flowering speech of the Holy in the Seed would be death of both the beauty and the speaker. Even if we always fail when we speak, we must be willing to fail magnificently, for even an eloquent failure, if in the service of life, feeds the Divine.
Is it not a magical thing, this life, when just a little ash, cinder, and unclear water can arrange themselves into a beautiful old woman who sways, lifts, kisses, loves, sickens, argues, loses, bears up under it all, and, wrinkling, still lives under all that and yet feeds the Holy in Nature by just the way she moves barefoot down a path?
If we can find the hearts, tongues, and brightness of our original souls, broken or not, then no matter from what mess we might have sprung today, we would be like those old-time speakers of life; every one of us would have it in our nature to feel obligated by such true living beauty as to know we have to say something in its presence if only for our utter feeling of awe. For, finally learning to approach something respectfully with love, slowly with the courtesy of an ornate indirectness, not describing what we see but praising the magnificence of her half-smiles of grief and persistent radiance rolling up from the weight-bearing thumping of her fine, well-oiled dusty old feet shuffling toward the dawn reeds at the edge of her part of the lake to fetch a head-balanced little clay jar of water to cook the family breakfast, we would know why the powerful Father Sun himself hurries to get his daily glimpse of her, only rising early because she does.
”
”
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
“
and confused if someone does not appreciate their niceness. Others often sense this and avoid giving them feedback not only, effectively blocking the nice person’s emotional growth, but preventing risks from being taken. You never know with a nice person if the relationship would survive a conflict or angry confrontation. This greatly limits the depths of intimacy. And would you really trust a nice person to back you up if confrontation were needed? 3. With nice people you never know where you really stand. The nice person allows others to accidentally oppress him. The “nice” person might be resenting you just for talking to him, because really he is needing to pee. But instead of saying so he stands there nodding and smiling, with legs tightly crossed, pretending to listen. 4. Often people in relationship with nice people turn their irritation toward themselves, because they are puzzled as to how they could be so upset with someone so nice. In intimate relationships this leads to guilt, self-hate and depression. 5. Nice people frequently keep all their anger inside until they find a safe place to dump it. This might be by screaming at a child, blowing up a federal building, or hitting a helpless, dependent mate. (Timothy McVeigh, executed for the Oklahoma City bombing, was described by acquaintances as a very, very nice guy, one who would give you the shirt off his back.) Success in keeping the anger in will often manifest as psychosomatic illnesses, including arthritis, ulcers, back problems, and heart disease. Proper Peachy Parents In my work as a psychotherapist, I have found that those who had peachy keen “Nice Parents” or proper “Rigidly Religious Parents” (as opposed to spiritual parents), are often the most stuck in chronic, lowgrade depression. They have a difficult time accessing or expressing any negative feelings towards their parents. They sometimes say to me “After all my parents did for me, seldom saying a harsh word to me, I would feel terribly guilty complaining. Besides, it would break their hearts.” Psychologist Rollo May suggested that it is less crazy-making to a child to cope with overt withdrawal or harshness than to try to understand the facade of the always-nice parent. When everyone agrees that your parents are so nice and giving, and you still feel dissatisfied, then a child may conclude that there must be something wrong with his or her ability to receive love. -§ Emotionally starving children are easier to control, well fed children don’t need to be. -§ I remember a family of fundamentalists who came to my office to help little Matthew with his anger problem. The parents wanted me to teach little Matthew how to “express his anger nicely.” Now if that is not a formula making someone crazy I do not know what would be. Another woman told me that after her stinking drunk husband tore the house up after a Christmas party, breaking most of the dishes in the kitchen, she meekly told him, “Dear, I think you need a breath mint.” Many families I work with go through great anxiety around the holidays because they are going to be forced to be with each other and are scared of resuming their covert war. They are scared that they might not keep the nice garbage can lid on, and all the rotting resentments and hopeless hurts will be exposed. In the words to the following song, artist David Wilcox explains to his parents why he will not be coming home this Thanksgiving: Covert War by David Wilcox
”
”
Kelly Bryson (Don't Be Nice, Be Real)
“
Oh, don’t worry, I have big plans to make this as miserable as possible for him,” Fitz assured him. Keefe grinned. “That’s what I like to hear! If you need pointers for maximum annoyance, you know where to find me.” “I do,” Fitz agreed. “Wow, did they just fist-bump?” Ro asked. “You bet we did!” Keefe told her. “That’s what besties do, right, Fitzy?” Fitz’s nod couldn’t necessarily be described as “enthusiastic.” But he still made the gesture. Even gave Keefe half a smile as Fitz turned to head down the hall. “Ugh, the one time I’d been counting on you to annoy Fitz into storming off so I wouldn’t have to stand guard duty around your father,” Grizel grumbled to Keefe, “you have to go and be all mature.
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
The family were wild," she said suddenly. "They tried to marry me off. And then when I'd begun to feel that after all life was scarcely worth living I found something"—her eyes went skyward exultantly—"I found something!"
Carlyle waited and her words came with a rush.
“Courage—just that; courage as a rule of life, and something to cling to always. I began to build up this enormous faith in myself. I began to see that in all my idols in the past some manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way—Did you bring up the cigarettes?"
He handed one over and held a match for her silently.
"Still," Ardita continued, "the men kept gathering—old men and young men, my mental and physical inferiors, most of them, but all intensely desiring to have me—to own this rather magnificent proud tradition I'd built up round me. Do you see?"
"Sort of. You never were beaten and you never apologized."
"Never!"
She sprang to the edge, poised or a moment like a crucified figure against the sky; then describing a dark parabola plunked without a slash between two silver ripples twenty feet below.
Her voice floated up to him again.
"And courage to me meant ploughing through that dull gray mist that comes down on life—not only over-riding people and circumstances but over-riding the bleakness of living. A sort of insistence on the value of life and the worth of transient things."
She was climbing up now, and at her last words her head, with the damp yellow hair slicked symmetrically back, appeared on his level.
"All very well," objected Carlyle. "You can call it courage, but your courage is really built, after all, on a pride of birth. You were bred to that defiant attitude. On my gray days even courage is one of the things that's gray and lifeless."
She was sitting near the edge, hugging her knees and gazing abstractedly at the white moon; he was farther back, crammed like a grotesque god into a niche in the rock.
"I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male."
"But supposing," suggested Carlyle, "that before joy and hope and all that came back the curtain was drawn on you for good?"
Ardita rose, and going to the wall climbed with some difficulty to the next ledge, another ten or fifteen feet above.
"Why," she called back, "then I'd have won!
”
”
F. Scott Fitzgerald (The Offshore Pirate)
“
Matthew’s story of the resurrection emphasizes typically Matthean themes, and so on. But this is like what you get when different artists paint portraits of the same person. This painting is certainly a Rembrandt; that is indubitably a Holbein. The touch of the individual artist is unmistakable. And yet the sitter is fully recognizable. The artists have not changed the color of her hair, the shape of his nose, the particular half smile. And when we ask why such stories, so different in many ways and yet so interestingly consistent in these and other features, could have come into existence so early, all the early Christians give the obvious answer: something like this is what happened, even though it was hard to describe at the time and remains mind-boggling thereafter.
”
”
N.T. Wright (Surprised by Hope: Rethinking Heaven, the Resurrection, and the Mission of the Church)
“
He set his candle on the mantle and peered down at her, moving close enough that his bergamot scent tickled her nose. “What I said earlier?” She nodded. He’d said a lot of things earlier, but she knew exactly which handful of words he referred to. “I can’t offer you anything, Sophie. I’m dealing with problems in Kent I can’t easily describe, but it’s urgent that I tend to them. Even if I weren’t being pulled in that direction, I have obligations all over the empire, and you’re a woman who—” She stopped him with two fingers to his mouth. “I want to kiss you too, Vim Charpentier.” He looked briefly surprised, then considering, then a slow, sweet smile graced his expression. He lowered his head and touched his lips to hers. A kiss, then. She’d at least have a kiss to keep in her heart.
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
One week to immerse yourself fully in the gloomy sensation that the world will never sparkle again. Then you will rise from your mourning couch and greet the new day,” Lady Abercrombie said firmly. “Do you have a mourning couch? Most people assume it’s merely a settee in a somber color, but it’s really more like a divan, with an open side to accommodate the lethargy of dejection. If you don’t have anything suitable, I can send one over. I keep several on hand, as I find it beneficial to my spirit to mourn the end of a relationship in a variety of environments.” The image of the Countess of Abercrombie going from room to room to lie languidly on each divan for a few minutes before rising to move on to the next one made her smile, which she assumed had been the widow’s goal in describing the absurd scene.
”
”
Lynn Messina (An Infamous Betrayal (Beatrice Hyde-Clare Mysteries, #3))
“
A wicked smile spread across his usually serious face. “Hi, my name is Shane Decker. I’m not much for chatter, so I’ll get right to the point. I have some cue cards here telling me to describe my ‘type,’ but that’s not me. I respect and love women. All types of women.”
His voice rang with sincerity and Cat found herself leaning forward, literally on the edge of her seat.
“So if you think you’re too tall and skinny but have a smile that makes people want to smile back? You’re my type. Curvy and always trying to lose that last ten pounds, with a loud, bawdy laugh? You’re my type. A little older than me, with some lifelines that look earned and the confidence that comes with age? My type. Life is short, and I want to spend it with someone who recognizes that, and takes happiness wherever they can find it. If you think I might be your type, send a message to Shane84, and we can meet for coffee.
”
”
Christine Bell
“
I want to stretch our legs and show you the view of our valley. It's a tradition when we bring someone special to the ranch for the first time." He set the kitten on the seat opposite them and opened the door. He stepped out, then helped her to the ground and started to release her.
Pamela squeezed his hand and didn't let go.
John's quick smile told her he approved. He led her to a lookout and waved an arm in a sweeping motion. "Our valley."
"Really?" Delighted, she leaned forward to take in the view. Grasslands studded with cattle surrounded a big white house, outbuildings, a barn, and two smaller homes. She studied the house. From this distance, it looked large and comfortable, two-story, as John had described, with a porch across the front. She relaxed at the sight.
The distant mountains still held snow on their peaks. Stark blue sky stretched over the land, with several puffy white clouds floating by. Our valley, she echoed.
”
”
Debra Holland (Beneath Montana's Sky (Mail-Order Brides of the West, #0.5; Montana Sky, #0.5))
“
I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh
Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep)
You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love.
We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-
”
”
Junipurr- Sometimes Trudy
“
But just then, as if to avoid a certain awkwardness, Seaman began to talk not about Newell but about Newell’s mother, Anne Jordan Newell. He described her appearance (pleasing), her work (she had a job at a factory that made irrigation systems), her faith (she went to church every Sunday), her industriousness (she kept the house as neat as a pin), her kindness (she always had a smile for everyone), her common sense (she gave good advice, wise advice, without forcing it on anyone). A mother is a precious thing, concluded Seaman. Marius and I founded the Panthers. We worked whatever jobs we could get and we bought shotguns and handguns for the people’s self-defense. But a mother is worth more than the Black Revolution. That I can promise you. In my long and eventful life, I’ve seen many things. I was in Algeria and I was in China and in several prisons in the United States. A mother is a precious thing. This I say here and I’ll say anywhere, anytime, he said in a hoarse voice.
”
”
Roberto Bolaño (2666)
“
Why does he call you spider?"
"It’s a little out of date, actually. When I first met Engels — when I first fell in with that whole crowd, in fact — I would sit with a book in my lap, or something else that I wasn’t really paying attention to, so that I could pretend to be doing something else while I listened to the arguments. One evening someone said something particularly indefensible. And I’d got so comfortable that I objected out loud.”
James was smiling, too, his head a little to one side as if he were watching the past as I described it.
“In the awful silence that followed — no, don’t laugh, it really was awful at the time — Engels said, “I believe our spider has finished her web. Think before you speak, my friends. Fools are her lawful prey.”
“Sitting in corners, observing everything, catching everything, and never letting it get away.” James shook his head, still smiling. “You must be the only woman on the face of the earth who understands that that’s a compliment.
”
”
Steven Brust (Freedom & Necessity)
“
I now principally allude to Rousseau, for his character of Sophia is, undoubtedly, a captivating one, though it appears to me grossly unnatural; however, it is not the superstructure, but the foundation of her character, the principles on which her education was built, that I mean to attack; nay, warmly as I admire the genius of that able writer, whose opinions I shall often have occasion to cite, indignation always takes place of admiration, and the rigid frown of insulted virtue effaces the smile of complacency, which his eloquent periods are wont to raise, when I read his voluptuous reveries. Is this the man, who, in his ardour for virtue, would banish all the soft arts of peace, and almost carry us back to Spartan discipline? Is this the man who delights to paint the useful struggles of passion, the triumphs of good dispositions, and the heroic flights which carry the glowing soul out of itself? How are these mighty sentiments lowered when he describes the prettyfoot and enticing airs of his little favourite! But, for the present, I waive the subject, and, instead of severely reprehending the transient effusions of overweening sensibility, I shall only observe, that whoever has cast a benevolent eye on society, must often have been gratified by the sight of humble mutual love, not dignified by sentiment, nor strengthened by a union in intellectual pursuits. The domestic trifles of the day have afforded matter for cheerful converse, and innocent caresses have softened toils which did not require great exercise of mind, or stretch of thought: yet, has not the sight of this moderate felicity excited more tenderness than respect? An emotion similar to what we feel when children are playing, or animals sporting, whilst the contemplation of the noble struggles of suffering merit has raised admiration, and carried our thoughts to that world where sensation will give place to reason. Women are, therefore, to be considered either as moral beings, or so weak that they must be entirely subjected to the superior faculties of men.
”
”
Mary Wollstonecraft (A Vindication of the Rights of Woman)
“
It would be really wonderful if all this could be a dream,” I said.
“Come now, you’ll get there. Focus on one aura at a time; that helps. What do you see when you look at me?”
I took a breath. “A kind of idiosyncratic bluish with a happy patch of crimson right around your middle. You’re a bit dark—but also very light in funny little ways.” I blinked. “There are also notes of a sort of rosy color hanging all around both you and Jenny. No, not rosy, exactly. How would you describe it—a buoyant sort of flush?”
“Buoyant is not a color,” said Jackaby. “You sound ridiculous. But an excellent start! The sight will take time to understand. I’m here to help.”
“I’m here for you, too, Abigail,” Jenny assured me, putting a hand on Jackaby’s shoulder as she glided forward to join us. “We can practice together and take it slow. It’s the least I could do after everything you’ve done to help me figure out my own abilities.”
I nodded. “It’s nice to see that you’re not having any more trouble in that area,” I said. Jenny’s hand was still on Jackaby’s shoulder. The flush around their auras increased when I mentioned it.
“I’m not even sure how it happened,” Jenny said. “I just needed it to happen, and it did.”
“Not surprised about it at all,” said Jackaby.
“Not surprised?” Jenny said. “Yesterday I couldn’t so much as brush a hair out of your eyes, but today I reached inside your chest and held your heart in my hands—and you’re not surprised?”
“Not at all. My heart was always yours,” said Jackaby.
Jenny leaned back and looked at him, startled. “That is about the sweetest thing I think you’ve ever said.”
“Was it good?” He gave her a goofy grin. “I was trying to work out how to phrase it the whole ride over.”
“Not good at all, no,” she said, trying unsuccessfully to keep a smile off her face. “It was sappy and maudlin and positively terrible. Sweet, though. Excellent effort.”
“You’re just jealous because we’re both technically undead now, and I’m clearly so much better at it.”
“Jealous? I’m not jealous. For the first time since I’ve known you, I have the power to shut you up.” She leaned in and kissed him right on the lips.
”
”
William Ritter (The Dire King (Jackaby, #4))
“
Eriku opens the door. Momo-chan drops from the car and lumbers forward. And oh my God, she is so cute I could die. Tamagotchi breaks from the leash and rushes toward her. I close my eyes. I should have put the imperial vet on standby. But then... it's quiet. I pop open an eye, then the other, ready to see carnage. Tamagotchi has rolled onto his back, and Momo-chan is sniffing his belly. Her thick tongue darts out, and she licks him. Licks him. Tamagotchi shudders, his body convulsing in what I can only describe as pure ecstasy.
"Well, now I've seen it all," Reina says, then wanders off.
Eriku smiles. "I think they like each other."
What an understatement. Momo-chan collapses onto the ground, and Tamagotchi curls up next to her.
"I have mentally and emotionally subscribed to Momo-chan's fan club," I say, walking toward the dogs.
Momo-chan rolls to her side. Tamagotchi adjusts too, lying in between her legs, his back curved against her belly. Just so many wishes fulfilled in one magical moment. I always thought I was a one dog kind of woman, but Tamagotchi and Momo-chan----sign me the eff up.
”
”
Emiko Jean (Tokyo Dreaming (Tokyo Ever After, #2))
“
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her.
He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there.
Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms.
Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed.
Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.”
Holy crap.
Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss.
“And now I lick,” he murmured.
Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him.
“No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.”
Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way.
“Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off.
His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth.
He spoke through his kiss. “I’m going to bite you now.”
Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder.
After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy.
Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin.
Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face.
Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips.
Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
How to describe the woman? Silky hair, velvety lips. No, it won’t do, I’m using fabrics, constructing a doll. How about coppery hair, or golden locks of hair, or platinum blonde? No, now I’m doing some kind of industrial metallurgy with precious metals; in addition to everything else, the woman sounds like a commodity. And what’s “locks of hair” supposed to mean? Lock, some kind of bondage? No, strike it out. Ruby lips, pearly white teeth, brilliant smile. No, now I’m making the woman out of precious stones, and out of clichés. Almond-shaped eyes, hazel-colored eyes, pear-shaped waist, apple-red cheeks, lips like the bud of a moist flower, peachy fuzz on her upper lip. Now I’m making up a woman out of fruits, plants. She strode like a gazelle. Her snaky waist coiled and uncoiled. Now I’m demeaning the woman, making her into an animal. On the other hand, you can call a woman a goddess. Aphrodite, Venus, or at least a demi-god, angelic beauty. But these terms were all invariably overused, clichés. In addition, if you call a woman Aphrodite, it might seem like an oblique way of saying that the woman is overweight.
”
”
Josip Novakovich (Shopping for a Better Country)
“
For all his formidable self-confidence, he harboured doubts about the person he was at heart, and sometimes questioned whether he had a heart at all. Iris Caldwell, his girlfriend from Liverpool, recalled that her mother had accused him of being emotionally cold. It ate at him: years later, just before the release of 'Yesterday', Paul called Iris and said her mother should listen to Yesterday to see if it changed her mind. In an interview in the 1980s, he brought up the moment when he heard about his mother's death (‘What are we going to do for money?’), and said, ‘I’ve never forgiven myself for that. Really, deep down, I never have quite forgiven myself for that.’ As he danced through a Beatle life in which every door seemed to open the moment he touched it, he retained, in his mind, the baleful image of himself he drew as a teenager: a face that scowled rather than smiled. He once described his public self as 'pleasantly insincere’. He was drawn to those who saw through his masks and loved him nonetheless. Being accepted by John confirmed to him that he was special. Being loved by Linda, and by Heather, convinced him he was good.
”
”
Ian Leslie (John & Paul: A Love Story in Songs)
“
In my thirties, I learned that there is a type of pain in life that I want to feel. It’s the inevitable, excruciating, necessary pain of losing beautiful things: trust, dreams, health, animals, relationships, people. This kind of pain is the price of love, the cost of living a brave, openhearted life—and I’ll pay it. There is another kind of pain that comes not from losing beautiful things but from never even trying for them. I’ve felt that kind of pain in my life. I recognize it on others’ faces. I see the longing in the eyes of a woman who is next to her lover but feels totally alone. I see the rage in the eyes of a woman who is not happy but smiles anyway. I see the resignation in the eyes of a woman who is slowly dying for her children instead of living for them. And I hear it. I hear it in the bitterness of a woman who describes faking it so she can get up and finish folding the laundry. I hear it in the desperate tone of a woman who has something to say but has never said it. In the cynicism of a woman who has accepted the injustice she could help change if she were braver. It’s the pain of a woman who has slowly abandoned herself.
”
”
Glennon Doyle (Untamed)
“
Della & I are drunk at the top of Mont-Royal. We have an open blue plastic thermos of red wine at our feet. It's the first day of spring & it's midnight & we've been peeling off layers of winter all day. We stand facing each other, as if to exchange vows, chests heaving from racing up & down the mountain to the sky. My face is hurting from smiling so much, aching at the edges of my words. She reaches out to hold my face in her hands, dirty palms form a bowl to rest my chin. I’m standing on a tree stump so we’re eye to eye. It’s hard to stay steady. I worry I may start to drool or laugh, I feel so unhinged from my body. It’s been one of those days I don’t want to end. Our goal was to shirk all responsibility merely to enjoy the lack of everyday obligations, to create fullness & purpose out of each other. Our knees are the colour of the ground-in grass. Our boots are caked in mud caskets. Under our nails is a mixture of minerals & organic matter, knuckles scraped by tree bark. We are the thaw embodied.
She says, You have changed me, Eve, you are the single most important person in my life. If you were to leave me, I would die.
At that moment, our breath circling from my lungs & into hers, I am changed. Perhaps before this I could describe our relationship as an experiment, a happy accident, but this was irrefutable. I was completely consumed & consuming. It was as though we created some sort of object between us that we could see & almost hold. I would risk everything I’ve ever known to know only this. I wanted to honour her in a way that was understandable to every part of me. It was as though I could distill the meaning of us into something I could pour into a porcelain cup. Our bodies on top of this city, rulers of love.
Originally, we were celebrating the fact that I got into Concordia’s visual arts program. But the congratulatory brunch she took me to at Café Santropol had turned into wine, which had turned into a day for declarations. I had a sense of spring in my body, that this season would meld into summer like a running-jump movie kiss. There would be days & days like this. XXXX gone away on a sojurn I didn’t care to note the details of, she simply ceased to be. Summer in Montreal in love is almost too much emotion to hold in an open mouth, it spills over, it causes me to not need any sleep. I don’t think I will ever feel as awake as I did in the summer of 1995.
”
”
Zoe Whittall (Bottle Rocket Hearts)
“
the cotton fields and strawberry patches of a much harsher world whose tragedies and daily burdens had blunted her temperament and quelled her emotions. But its most immediate impact on this teenage girl was not the lack of a demure coquettishness that otherwise might have defined her had she grown up in better circumstances; it was the visible evidence of the hardship of her journey. This was not a pom-pom-waving homecoming queen or a varsity athlete who had toned her body in a local gym. My mother never complained, but it was her struggles that had visibly shaped her shoulders, grown her biceps, and crusted her palms—while in a less visible way narrowing her view of her own long-term horizons. Decades later, when I was in my forties, I suppressed a defensive anger as I watched my mother sit quietly in an expansive waterfront Florida living room while a well-bred woman her age described the supposedly difficult impact of the Great Depression on her family. As the woman told it, the crash on Wall Street and the failed economy had made it necessary for them to ship their car by rail from New York to Florida when they headed south for the winter. Who could predict, she reasoned, whether there would be food or gasoline if their driver had to refuel and dine in the remote and hostile environs of small-town Georgia? My mother merely smiled and nodded, as
”
”
James Webb (I Heard My Country Calling: A Memoir)
“
Bast fidgeted. Kvothe laughed, a fond expression wiping the irritation from his face. “So is describing a beautiful woman as easy as looking at one for you?” Bast looked down and blushed, and Kvothe laid a gentle hand on his arm, smiling. “My trouble, Bast, is that she is very important. Important to the story. I cannot think of how to describe her without falling short of the mark.” “I…I think I understand, Reshi,” Bast said in conciliatory tones. “I’ve seen her too. Once.” Kvothe sat back in his chair, surprised. “You have, haven’t you? I’d forgotten.” He pressed his hands to his lips. “How would you describe her then?” Bast brightened at the opportunity. Straightening up in his chair he looked thoughtful for a moment then said. “She had perfect ears.” He made a delicate gesture with his hands. “Perfect little ears, like they were carved out of…something.” Chronicler laughed, then looked slightly taken aback, as if he’d surprised himself. “Her ears?” he asked as if he couldn’t be sure if he had heard correctly. “You know how hard it is to find a pretty girl with the right sort of ears,” Bast said matter-of-factly. Chronicler laughed again, seeming to find it easier the second time. “No,” he said. “No, I’m sure I don’t.” Bast gave the story collector a deeply pitying look. “Well then, you’ll just have to take my word for it. They were exceptionally fine.” “I think you’ve struck that chord well enough, Bast,” Kvothe said, amused.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
You are clever man, friend John; you reason well, and your wit is bold; but you are too prejudiced. You do not let your eyes see nor your ears hear, and that which is outside your daily life is not of account to you. Do you not think that there are things which you cannot understand, and yet which are: that some people see things that others cannot? But there are things old and new which must not be contemplate by men's eyes, because they know-or think they know-some things which other men have told them. Ah, it is the fault of our science that it wants to explain all; and if it explain not, then it says there is nothing to explain. But yet we see around us every day the growth of new beliefs, which think themselves new, and which are yet but the old, which pretend to be young-like the fine ladies at the opera. I sup-pose now you do not believe in corporeal transference. No? Nor in materialization. No? Nor in astral bodies. No? Nor in the reading of thought. No? Nor in hypnotism-'
'Yes,' I said. 'Charcot has proved that pretty well.' He smiled as he went on:
'Then you are satisfied as to it. Yes? And of course then you understand how it act, and can follow the mind of the great Charcot-alas that he is no more!-into the very soul of the patient that he influence. No? Then, friend John, am I to take it that you simply accept fact, and are satisfied to let from premise to conclusion be a blank? No? Then tell me for I am stu-dent of the brain-how you accept the hypnotism and reject the thought-reading. Let me tell you, my friend, that there are things done to-day in electrical science which would have been deemed unholy by the very men who discovered electricity-who would themselves not so long before have been burned as wizards. There are always mysteries in life. Why was it that Methuselah lived nine hundred years, and "Old Parr" one hundred and sixty-nine, and yet that poor Lucy, with four men's blood in her poor veins, could not live even one day! For, had she lived one more day, we could have save her. Do you know all the mystery of life and death? Do you know the altogether of comparative anatomy, and can say wherefore the qualities of brutes are in some men, and not in others? Can you tell me why, when other spiders die small and soon, that one great spider lived for centuries in the tower of the old Spanish church and grew and grew, till, on descending, he could drink the oil of all the church lamps? Can you tell me why in the Pampas, ay and elsewhere, there are bats that come at night and open the veins of cattle and horses and suck dry their veins; how in some islands of the Western seas there are bats which hang on the trees all day, that those who have seen describe as like giant nuts or pods, and that when the sailors sleep on the deck, because that it is hot, flit down on them, and then and then in the morning are found dead men, white as even Miss Lucy was?
”
”
Bram Stoker (Dracula)
“
A week is a long time to go without bedding someone?” Marcus interrupted, one brow arching.
“Are you going to claim that it’s not?”
“St. Vincent, if a man has time to bed a woman more than once a week, he clearly doesn’t have enough to do. There are any number of responsibilities that should keep you sufficiently occupied in lieu of…” Marcus paused, considering the exact phrase he wanted. “Sexual congress.” A pronounced silence greeted his words. Glancing at Shaw, Marcus noticed his brother-in-law’s sudden preoccupation with knocking just the right amount of ash from his cigar into a crystal dish, and he frowned. “You’re a busy man, Shaw, with business concerns on two continents. Obviously you agree with my statement.”
Shaw smiled slightly. “My lord, since my ‘sexual congress’ is limited exclusively to my wife, who happens to be your sister, I believe I’ll have the good sense to keep my mouth shut.”
St. Vincent smiled lazily. “It’s a shame for a thing like good sense to get in the way of an interesting conversation.” His gaze switched to Simon Hunt, who wore a slight frown. “Hunt, you may as well render your opinion. How often should a man make love to a woman? Is more than once a week a case for unpardonable gluttony?”
Hunt threw Marcus a vaguely apologetic glance. “Much as I hesitate to agree with St. Vincent…”
Marcus scowled as he insisted, “It is a well-known fact that sexual over-indulgence is bad for the health, just as with excessive eating and drinking—”
“You’ve just described my perfect evening, Westcliff,” St. Vincent murmured with a grin, and returned his attention to Hunt. “How often do you and your wife—”
“The goings-on in my bedroom are not open for discussion,” Hunt said firmly.
“But you lie with her more than once a week?” St. Vincent pressed.
“Hell, yes,” Hunt muttered.
“And well you should, with a woman as beautiful as Mrs. Hunt,” St. Vincent said smoothly, and laughed at the warning glance that Hunt flashed him. “Oh, don’t glower—your wife is the last woman on earth whom I would have any designs on. I have no desire to be pummeled to a fare-thee-well beneath the weight of your ham-sized fists. And happily married women have never held any appeal for me—not when unhappily married ones are so much easier.” He looked back at Marcus. “It seems that you are alone in your opinion, Westcliff. The values of hard work and self-discipline are no match for a warm female body in one’s bed.”
Marcus frowned. “There are more important things.”
“Such as?” St. Vincent inquired with the exaggerated patience of a rebellious lad being subjected to an unwanted lecture from his decrepit grandfather. “I suppose you’ll say something like ‘social progress’? Tell me, Westcliff…” His gaze turned sly. “If the devil proposed a bargain to you that all the starving orphans in England would be well-fed from now on, but in return you would never be able to lie with a woman again, which would you choose? The orphans, or your own gratification?”
“I never answer hypothetical questions.”
St. Vincent laughed. “As I thought. Bad luck for the orphans, it seems.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Picking up my spoon, I dip it into the broth, making sure to get pieces of the small, fatty meat. I close my eyes and eat my spoonful, marveling at the rich, savory flavors. It's like beef broth, only heartier, and the meat has this really interesting texture. Before I know it, I've devoured half the bowl.
"You like Soup Number Five?"
I look up to see Lola Simeona, the old woman from earlier, standing by my table, watching me. "Oh, yes," I say, patting my mouth with a napkin. "It's delicious! What is this meat? It's like nothing I've ever tasted. And I feel more... energetic already, sort of like I can take on anything." Like Prem.
She smiles knowingly. "Yes, yes, Soup Number Five is magical." After a pause, during which her smile morphs into what I can only be described as a mischievous grin, she says, "The meat is bull testes."
I stare at her for a long moment as her words filter into my brain. I set my spoon down carefully and take a sip of water. "Bull... testes?" I ask in the most neutral way I can.
"Yes! It's an aphrodisiac!" She pats my shoulder and walks off to another table. I think I can hear her cackling.
I look down into my bowl. I just ate a bunch of chopped-up bull balls. For a moment I wonder, in a very detached way (is this what being in medical shock feels like?), if I'm going to throw up. But then the moment passes, and I realize they're really delicious. And Soup No. 5 works. I can feel the potent mixture wending its way through my system, infusing my blood with confidence and desire. I eat another big spoonful.
”
”
Sandhya Menon (Hungry Hearts: 13 Tales of Food & Love)
“
she feels lucky to have a job, but she is pretty blunt about what it is like to work at Walmart: she hates it. She’s worked at the local Walmart for nine years now, spending long hours on her feet waiting on customers and wrestling heavy merchandise around the store. But that’s not the part that galls her. Last year, management told the employees that they would get a significant raise. While driving to work or sorting laundry, Gina thought about how she could spend that extra money. Do some repairs around the house. Or set aside a few dollars in case of an emergency. Or help her sons, because “that’s what moms do.” And just before drifting off to sleep, she’d think about how she hadn’t had any new clothes in years. Maybe, just maybe. For weeks, she smiled at the notion. She thought about how Walmart was finally going to show some sign of respect for the work she and her coworkers did. She rolled the phrase over in her mind: “significant raise.” She imagined what that might mean. Maybe $2.00 more an hour? Or $2.50? That could add up to $80 a week, even $100. The thought was delicious. Then the day arrived when she received the letter informing her of the raise: 21 cents an hour. A whopping 21 cents. For a grand total of $1.68 a day, $8.40 a week. Gina described holding the letter and looking at it and feeling like it was “a spit in the face.” As she talked about the minuscule raise, her voice filled with anger. Anger, tinged with fear. Walmart could dump all over her, but she knew she would take it. She still needed this job. They could treat her like dirt, and she would still have to show up. And that’s exactly what they did. In 2015, Walmart made $14.69 billion in profits, and Walmart’s investors pocketed $10.4 billion from dividends and share repurchases—and Gina got 21 cents an hour more. This isn’t a story of shared sacrifice. It’s not a story about a company that is struggling to keep its doors open in tough times. This isn’t a small business that can’t afford generous raises. Just the opposite: this is a fabulously wealthy company making big bucks off the Ginas of the world. There are seven members of the Walton family, Walmart’s major shareholders, on the Forbes list of the country’s four hundred richest people, and together these seven Waltons have as much wealth as about 130 million other Americans. Seven people—not enough to fill the lineup of a softball team—and they have more money than 40 percent of our nation’s population put together. Walmart routinely squeezes its workers, not because it has to, but because it can. The idea that when the company does well, the employees do well, too, clearly doesn’t apply to giants like this one. Walmart is the largest employer in the country. More than a million and a half Americans are working to make this corporation among the most profitable in the world. Meanwhile, Gina points out that at her store, “almost all the young people are on food stamps.” And it’s not just her store. Across the country, Walmart pays such low wages that many of its employees rely on food stamps, rent assistance, Medicaid, and a mix of other government benefits, just to stay out of poverty. The
”
”
Elizabeth Warren (This Fight Is Our Fight: The Battle to Save America's Middle Class)
“
One day Spinner, the woman who runs PR tells me, “I like that idea, but I’m not sure that it’s one-plus-one-equals-three enough.” What does any of this nutty horseshit actually mean? I have no idea. I’m just amazed that hundreds of people can gobble up this malarkey and repeat it, with straight faces. I’m equally amazed by the high regard in which HubSpot people hold themselves. They use the word awesome incessantly, usually to describe themselves or each other. That’s awesome! You’re awesome! No, you’re awesome for saying that I’m awesome! They pepper their communication with exclamation points, often in clusters, like this!!! They are constantly sending around emails praising someone who is totally crushing it and doing something awesome and being a total team player!!! These emails are cc’d to everyone in the department. The protocol seems to be for every recipient to issue his or her own reply-to-all email joining in on the cheer, writing things like “You go, girl!!” and “Go, HubSpot, go!!!!” and “Ashley for president!!!” Every day my inbox fills up with these little orgasmic spasms of praise. At first I ignore them, but then I feel like a grump and decide I should join in the fun. I start writing things like, “Jan is the best!!! Her can-do attitude and big smile cheer me up every morning!!!!!!!” (Jan is the grumpy woman who runs the blog; she scowls a lot.) Sometimes I just write something with lots of exclamation points, like, “Woo-hoo!!!!!!! Congratulations!!!!!!! You totally rock!!!!!!!!!!!!” Eventually someone suspects that I am taking the piss, and I am told to cut that shit out.
”
”
Dan Lyons (Disrupted: My Misadventure in the Start-Up Bubble)
“
A faint singing seemed to issue from the walls... yes, it was as though the walls themselves were singing!... The song became plainer... the words were now distinguishable... he heard a voice, a very beautiful, very soft, very captivating voice... but, for all its softness, it remained a male voice... The voice came nearer and nearer... it came through the wall... it approached... and now the voice was in the room, in front of Christine. Christine rose and addressed the voice, as though speaking to some one:
"Here I am, Erik," she said. "I am ready. But you are late."
Raoul, peeping from behind the curtain, could not believe his eyes, which showed him nothing. Christine's face lit up. A smile of happiness appeared upon her bloodless lips, a smile like that of sick people when they receive the first hope of recovery.
The voice without a body went on singing; and certainly Raoul had never in his life heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, irresistibly triumphant. He listened to it in a fever and he now began to understand how Christine Daaé was able to appear one evening, before the stupefied audience, with accents of a beauty hitherto unknown, of a superhuman exaltation, while doubtless still under the influence of the mysterious and invisible master.
The voice was singing the Wedding-night Song from Romeo and Juliet. Raoul saw Christine stretch out her arms to the voice as she had done, in Perros church-yard, to the invisible violin playing The Resurrection of Lazarus and nothing could describe the passion with which the voice sang:
"Fate links thee to me for ever and a day!"
The strains went through Raoul's heart.
”
”
Gaston Leroux (Phantom of the Opera)
“
When I attempted, a few minutes ago, to describe our spiritual longings, I was omitting one of their most curious characteristics. We usually notice it just as the moment of vision dies away, as the music ends or as the landscape loses the celestial light. What we feel then has been well described by Keats as “the journey homeward to habitual self.” You know what I mean. For a few minutes we have had the illusion of belonging to that world. Now we wake to find that it is no such thing. We have been mere spectators. Beauty has smiled, but not to welcome us; her face was turned in our direction, but not to see us. We have not been accepted, welcomed, or taken into the dance. We may go when we please, we may stay
if we can: “Nobody marks us.” [...] It is not the physical objects that I am speaking of, but that indescribable something of which they become for a moment the messengers. And part of the bitterness which mixes with the sweetness of that message is due to the fact that it so seldom seems to be a message intended for us but rather something we have overheard. By bitterness I mean pain, not resentment. We
should hardly dare to ask that any notice be taken of ourselves. But we pine. The sense that in this universe we are treated as strangers, the longing to be acknowledged, to meet with some
response, to bridge some chasm that yawns between us and reality, is part of our inconsolable secret. And surely, from this point of view, the promise of glory, in the sense described, becomes highly relevant to our deep desire. For glory meant good report with God, acceptance by God, response, acknowledgment, and welcome into the heart of things. The door on which we have been knocking all our lives will open at last.
”
”
C.S. Lewis (The Weight of Glory)
“
Before he could explain further, however, Rhys happened to catch sight of a slim, dark shape walking past the doorway. It was only a fleeting glimpse... but it was enough to send a jolt of awareness through him.
"You," he said in a voice that carried out into the hallway. "Whoever just passed by the door. Come here."
In the riveting silence, a young woman appeared at the threshold. Her features were delicately angular, her silver blue eyes round and wide-set. As she stood at the edge of the lamplight, her fair skin and pale blond hair seemed to hold their own radiance, an effect he'd seen in paintings of Old Testament angels.
"There's a grain about it," Rhys's father had always said when he'd wanted to describe something fine and polished and perfect, something of the highest quality. Oh, there was a grain about this woman. She was only medium height, but her extreme slenderness gave her the illusion of being taller. Her breasts were high and gently rounded beneath the high-necked dress, and for a pleasurable, disorienting moment Rhys remembered resting his head there as she had given him sips of orchid tea.
"Say something," he commanded gruffly.
The shy glow of her smile gilded the air. "I'm glad to see you in better health, Mr. Winterborne."
Helen's voice.
She was more beautiful than starlight, and just as unattainable. As he stared at her, Rhys was bitterly reminded of the upper-class ladies who had looked at him with contempt when he was a shop boy, holding their skirts back if he passed near them on the street, the way they would seek to avoid a filthy stray dog.
"Is there something I can do for you?" she asked.
Rhys shook his head, still unable to take his gaze from her. "I only wanted a face to go with the voice.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
I have been so afraid that our friendship will not survive Clare's death. I can sense this in your voice, too, when we talk. . . .
When I talk to Mark about this, he tries to console me with Aristotle (I hope you are smiling). Aristotle, he tells me, describes three types of friendship: friendship based on utility, on pleasure, and on virtue (the pursuit of good). The third type is the highest and most stable form. Mark says that we pursue the good, and that sharing new motherhood alone could not possibly replace that.
Maybe right now we are confusing our friendship with a friendship of pleasure, since we have given each other so much of it (hilarity and clogs and dreams of Italy). And we are worried since these friendships fade when pleasure fades (and Clare has taken so much pleasure with her). But surely that's not all we've shared.
The highest friendship, Aristotle wrote, 'requires time and familiarity; for, as the proverb says, it is impossible for men to know each other well until they have consumed together much salt, nor can they accept each other and be friends till each has shown himself dear and trustworthy to the other.' I guess we are now in the phase of eating much salt. . . .
I am not sure what it means to eat much salt, but it doesn't sound pleasant. It makes me think of tears rolling down our faces into our mouths. . . .
Yet this time is not merely that. When I see you or read your letters, I am suddenly made happy. I see that I still love you, take pleasure in your ways, and yearn for your good and for mine. If this load of salt can’t kill our pleasure or desire for good, then I doubt anything can. And maybe this very salt will make us all the more dear and trustworthy to each other.
With much love and salt,
Amy
”
”
Amy Alznauer (Love and Salt: A Spiritual Friendship Shared in Letters)
“
lay there fresh and raw from having been carved open to bring her granddaughter into the world—the past ran me down. I had a vision like the kind people describe when they’re near death. For one brief second, it was as if a curtain had been lifted. I saw a long line of people, faceless in the distance, familiar as they got closer: my great-grandparents, my grandparents, my parents. I was at the front of this row of human dominoes, my infant in my arms, and as my forefathers and -mothers toppled behind me, they pushed the next generation into motion. There was no escape; their collective weight would crush me and my baby. I had started out as an egg inside Malabar, just as she had begun as an egg inside Vivian, and so on, each of our fates charted from the depths of our mothers. What little I knew about my grandparents and great-grandparents had been constructed around a sturdy fact or two, embellished perhaps by a shy smile in a grainy photograph or an underlined sentence in a book or letter. The specifics of their lives would remain unknown to me, as mine would be to the baby I held. But our collective history would shape my daughter, and there was something noxious in our matrilineal line. Malabar was the only mother I had, but she was not the mother I wanted to be. Here was my choice: I could continue down the well-trod path upon which I’d been running for so very long and pass along this inheritance like a baton, as blithely as I did my light hair and fair skin. My daughter could do her best to outrun it. She would grow up to be beautiful and smart and agile, as I used to be, as her grandparents were, as her great-grandparents were before them. Or I could slow down, catch my breath, and look mindfully for a new path. There had to be another way and I owed it to my daughter to find it.
”
”
Adrienne Brodeur (Wild Game: My Mother, Her Secret, and Me)
“
Nina looked at her. 'Everyone describes him so differently.' She paused, unsure. 'He was one guy, but there's no consensus about what he was like. For Peter's mom, he was a blowhard who drank too much; for Millie, he was the kindest man in the world who made endless time for her.'
Eliza shrugged. 'People change. There's forty years between the William that Peter's mom knew and the William that Millie knew. Parents get stuck in the amber of childhood, right? Whenever my parents visit, I feel myself becoming a cranky fourteen-year-old. I saw William through the lens of being his wife; I look at Millie only as her mother... You see what I mean?'
'Sure. So I'll never see my dad properly, only through the filter of other people's opinions.'
'Or maybe it'll average out and you'll be the only one who sees the real him.'
Nina laughed. 'Maybe there is no real thing for anyone. Maybe all of us change depending on where we are and who we're with.'
'And that's why you like to be alone.' Eliza looked at her and smiled.
'How do you mean?'
'Because you prefer who you are when you're alone.'
Nina shrugged. 'It takes a lot of energy to be with other people. It's easier to be myself when there's no one else there.'
'Some people take energy; some people give energy... Occasionally, you get lucky and find someone whose energy balances your own and brings you into neutral.' She paused. 'My God, I've been in Malibu too long. I said that completely without irony.'
Nina laughed. 'It was really convincing. I think I even heard a tiny temple bell ringing somewhere...'
Eliza made a face at herself. 'Your dad used to say being with me was as good as being alone.' Eliza laughed. 'I think he meant it as a complement.' The two women looked at each other. 'I think we're overthinking this,' said Eliza. 'More wine?
”
”
Abbi Waxman (The Bookish Life of Nina Hill)
“
The doctors had hit an artery, which is not standard procedure. They worked quickly to deal with it-to this day I have no idea what actually happened, but whatever they did worked, because our beautiful Angel was born soon after.
Chris was the first person to hold her. They word beaming was invented to describe the proud expression on his face.
I went into the recovery room and slept for a while. When I woke up, Chris was holding Angel. He looked so natural with her-a big six-footer holding a six-pound bundle in the crook of his arm, already bonded to her.
“Do you want to hold her?” he asked.
I was exhausted, and I knew she was safe with him, so I told him no.
He forced himself to smile. He explained later that he thought my response meant I was rejecting the baby-having worked on a ranch, I guess he had seen animals do that, with dire results for their new offspring. But of course I wasn’t; they just looked perfect together, and I was barely conscious.
I asked for her a few minutes later, when I felt stronger. He passed her on gently, and I held her for the first time. There is no way really to describe how that feels.
In many ways, the birth was a miracle, not a disaster. Because of Angel’s dilemma, her father was able to be there at her birth-something that wouldn’t have happened had that ultrasound been routine, since I would have waited another four or five weeks for her. A potential tragedy had been turned into something beautiful. It was quite a miracle, I thought, that he had been present for both births, despite the long odds against it.
Sometimes God’s plan for us is difficult to decipher, but the end result can be far more wonderful than we thought.
I knew that. I felt that.
And yet, I had a terrible feeling, lying in the bed that night, one I couldn’t shake and one I didn’t dare put into words:
Maybe God gave Chris this chance to be with his daughter because he’s going to die in Iraq.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
Watching Cameron come toward us I could see why Katy used the words "hot" and "gorgeous" to describe him-he definitely had nice hair and a long, lean body with broad shoulders, and the eyes. I wondered what Jordana would think now if she saw him. He set his tray on the end of the table, not particularly near any of us.
"Everyone," I said, "this is Cameron Quick."
Ethan stood to reach over the table and shake his hand. "Hey. I'm Ethan."
"We were...we both went to the same elementary school," I said, even though they'd heard that basic explanation already, "and then he moved, and...now he's moved back, so he's here. Here he is."
Steph looked at me like she knew I needed help, and said, "I'm Steph, this is Katy." Katy smiled and waved; Steph pointed down the table, "Gil, Freshman Dave, Junior Dave, and obviously Jenna."
Cameron finally spoke, mostly to his lunch tray, "Hi. Nice to meet you all." I watched him to see if he sneaked any looks at Steph, like most guys did when they first met her, dazzled and intimidated by her starlet body and model face. He barely seemed to notice.
Ethan took a bite of his burrito. "So you and Jenna were in the same class when you were kids?"
Cameron glanced at me. "Basically."
"What was Jenna like back then?" Gil asked. "Got pictures?"
Cameron smiled. "Don't need pictures. I got her up here," he said, tapping his forehead. I groaned, making a joke of it, while inside I worried over what he would say. He might tell them I was fat, or about my lisp or my thrift-store clothes or how much I'd changed. "Two braids. Sweet eyes. Good heart. Adorable. Just like she is now."
Gil looked at Ethan.
Katy studied her apple, eyebrows raised.
Steph said, "Jenna has all that and more, except maybe the braids. Which is why everyone loves her. I dare you to find one person in this school who does not like Jenna Vaughn." Based on the color of Katy's neck, I think there might have been one person who didn't like me, at least for the moment.
”
”
Sara Zarr (Sweethearts)
“
Neamh. Evie. Neamh. Evie. Lend, Lend, Lend. Neamh. Evie.
“What are you doing, my love?”
I scowled at Reth for breaking my concentration. “Thinking. Shut up.” The Light Queen was speechifying up on a podium made of liquid light, her radiance bathing all the faeries in a glow that was nearly overpowering. Within a few seconds of being around this much faerie glamour I was having a hard time seeing straight and found myself slack-jawed and dazed. Thus, the name equivalent of pinching myself.
I realized at some point she had stopped talking, and now every single set of faerie eyes—a few hundred of them—were trained intently on me.
“Oh, uh, hey.” I waved. “What did I miss?” I whispered to Reth.
“You’re supposed to tell us how to convince the Dark Court to join us.”
“I—What? Seriously? I’m only here to make sure everything happens. I thought the queen would have a plan! I’m a glorified doorman. I open the gate, I close the gate. Nowhere in my job description of Empty One does it say I also manage to convince a mob of anti-Evie faeries to saunter through the gate.”
Reth smiled. “And just when she’d finished praising human ingenuity and assuring us that everything will work out according to plan.”
“Yes! Plan! Her plan! Gosh, you guys are sucking it up all over the place. Aren’t you supposed to have these things in place for centuries, or were you too busy writing pretty little poems to describe the plans that you never bothered actually making them?”
His golden eyes, now with fine lines around them, twinkled with amusement. “We had a plan, my love. I was to fill you up and you were to open a fate for us immediately. But I seem to recall you doing everything in your power to resist and change that plan. So now we’ve had to account for all the other creatures from our world and conform to your requirements. I think you’ll find that we fey, while obviously superior in nearly every way, are not quite as adaptable as temporary creatures. If you want improvisations, you’ll have to provide it yourself.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Local Teen Adopted Finds Adoptive Family Within 24 Hours of 18th Birthday The final chapter of a family tragedy was written yesterday at the county courthouse when Cynthia and Tom Lemry signed formal adoption papers, gaining custody of Sarah Byrnes less than 24 hours before her 18th birthday. Local readers will remember Ms. Byrnes as the youngster whose face and hands were purposely burned on a hot wood stove by her father 15 years ago. The incident came to light this past February after Virgil Byrnes assaulted another teenager, 18-year-old Eric Calhoune, with a hunting knife. “Better late than never,” said Cynthia Lemry, a local high school teacher and swimming coach, in a statement to the press. “If someone had stepped up for this young lady a long time ago, years of heartache could have been avoided. She’s a remarkable human being, and we’re honored to have her in our family.” “I guess they’re just in the nick of time to pay my college tuition,” the new Sarah Lemry said with a smile. Also attending the ceremony were Eric Calhoune, the victim of Virgil Byrnes’s attack; Sandy Calhoune, the boy’s mother and a frequent columnist for this newspaper; Carver Milddleton, who served time on an assault charge against Virgil Byrnes in a related incident; the Reverend John Ellerby, controversial Episcopalian minister whose support of female clergy and full homosexual rights has frequently focused a spotlight on him in his 15-year stay at St. Mark’s; and his son, Steve Ellerby, who describes himself as “a controversial Episcopalian preacher’s kid.” Sarah Lemry confirmed that following the burning 15 years ago, her father refused her opportunities for reconstructive surgery, saying her condition would teach her to “be tough.” She refused comment on further torturous physical abuse allegations, for which, among other charges, Byrnes has been found guilty in superior court and sentenced to more than 20 years in the state penitentiary at Walla Walla. When asked if she would now seek the reconstructive surgery she was so long denied, Sarah Lemry again smiled and said, “I don’t know. It’d be a shame to change just when I’m getting used to it.
”
”
Chris Crutcher (Staying Fat for Sarah Byrnes)
“
She had been unable to stand the people at the inn. The company had disgusted her. For an instant, but that instant was now long gone, she had thought of returning to her home, to Persia. Or to Greece, where she had friends, but she had dropped the idea
again. From me she had expected salvation, but I too had disappointed her. I was, much as she was, a lost and ultimately ruinous person, even though I did not admit that to her, she could feel it, she knew it. No salvation could come from such a person. On the contrary, such a person only pushed one even deeper into despair and hopelessness. Schumann, Schopenhauer, these were the two words she said after a prolonged silence and I had the impression that she was smiling as she said them, and then nothing again for a long time. She had had everything, heard and seen everything, that was enough. She did not wish to hear from anyone any more. People were utterly distasteful to her, the whole of human society had profoundly disappointed her and abandoned her in her disappointment. There would have been no point in saying anything, and so I just listened and said nothing. I had, she said, on our second walk in the larch-wood, been the first person to explain to her the concept of anarchy in such a clear and decisive manner. Anarchy she said and no more, after that she was again silent. An anarchist, I had said to her in the larch-wood, was only a person who practised anarchy, she now reminded me. Everything in an intellectual mind is anarchy, she said, repeating another of my quotations. Society, no matter what society, must always be turned upside down and abolished, she said, and what she said were again my words. Everything that is is a lot more terrible and horrible than described by you, she said. You were right, she said, these people here are malicious and violent and this country is a dangerous and an inhuman country. You are lost, she said, just as I am lost. You may escape to wherever you choose. Your science is an absurd science, as is every science. Can you hear yourself? she asked. All these things you yourself said. Schumann and Schopenhauer, they no longer give you anything, you have got to admit it. Whatever you have done in your life, which you are always so fond of describing as
existence, you have, naturally enough, failed. You are an absurd person. I listened to her for a while, then I could bear it no longer and took my leave.
”
”
Thomas Bernhard
“
Now imagine that an anthropologist specializing in primitive cultures beams herself down to the natives in Silicon Valley, whose way of life has not advanced a kilobyte beyond the Google age and whose tools have remained just as primitive as they were in the twenty-first century. She brings along with her a tray of taste samples called the Munsell Taste System. On it are representative samples of the whole taste space, 1,024 little fruit cubes that automatically reconstitute themselves on the tray the moment one picks them up. She asks the natives to try each of these and tell her the name of the taste in their language, and she is astonished at the abject poverty of their fructiferous vocabulary. She cannot comprehend why they are struggling to describe the taste samples, why their only abstract taste concepts are limited to the crudest oppositions such as “sweet” and “sour,” and why the only other descriptions they manage to come up with are “it’s a bit like an X,” where X is the name of a certain legacy fruit. She begins to suspect that their taste buds have not yet fully evolved. But when she tests the natives, she establishes that they are fully capable of telling the difference between any two cubes in her sample. There is obviously nothing wrong with their tongue, but why then is their langue so defective?
Let’s try to help her. Suppose you are one of those natives and she has just given you a cube that tastes like nothing you’ve ever tried before. Still, it vaguely reminds you of something. For a while you struggle to remember, then it dawns on you that this taste is slightly similar to those wild strawberries you had in a Parisian restaurant once, only this taste seems ten times more pronounced and is blended with a few other things that you can’t identify. So finally you say, very hesitantly, that “it’s a bit like wild strawberries.” Since you look like a particularly intelligent and articulate native, the anthropologist cannot resist posing a meta-question: doesn’t it feel odd and limiting, she asks, not to have precise vocabulary to describe tastes in the region of wild strawberries? You tell her that the only things “in the region of wild strawberry” that you’ve ever tasted before were wild strawberries, and that it has never crossed your mind that the taste of wild strawberries should need any more general or abstract description than “the taste of wild strawberries.” She smiles with baffled incomprehension.
”
”
Guy Deutscher (Through the Language Glass: Why the World Looks Different in Other Languages)
“
She had not wanted to come, and now that she was there, she was still praying for deliverance.
“Aunt Berta!” she said forcefully as the front door of the great, rambling house was swung open. The butler stepped aside, and footmen hurried forward. “Aunt Berta!” she said urgently, and in desperation Elizabeth reached for the maid’s tightly clenched eyelid. She pried it open and looked straight into a frightened brown orb. “Please do not do this to me, Berta. I’m counting on you to act like an aunt, not a timid mouse. They’re almost upon us.”
Berta nodded, swallowed, and straightened in her seat, then she smoothed her black bombazine skirts.
“How do I look?” Elizabeth whispered urgently.
“Dreadful,” said Berta, eyeing the severe, high-necked black linen gown Elizabeth had carefully chosen to wear at this, her first meeting with the prospective husband whom Alexandra had described as a lecherous old roué. To add to her nunlike appearance, Elizabeth’s hair was scraped back off her face, pinned into a bun a la Lucida, and covered with a short veil. Around her neck she wore the only piece of “jewelry” she intended to wear for as long as she was here-a large, ugly iron crucifix she’d borrowed from the family chapel.
“Completely dreadful, milady,” Berta added with more strength to her voice. Ever since Robert’s disappearance, Berta had elected to address Elizabeth as her mistress instead of in the more familiar ways she’d used before.
“Excellent,” Elizabeth said with an encouraging smile. “So do you.”
The footman opened the door and let down the steps, and Elizabeth went first, following by her “aunt.” She let Berta step forward, then she turned and looked up at Aaron, who was atop the coach. Her uncle had permitted her to take six servants from Havenhurst, and Elizabeth had chosen them with care. “Don’t forget,” she warned Aaron needlessly. “Gossip freely about me with any servant who’ll listen to you. You know what to say.”
“Aye,” he said with a devilish grin. “We’ll tell them all what a skinny ogress you are-prim ‘n proper enough to scare the devil himself into leading a holy life.”
Elizabeth nodded and reluctantly turned toward the house. Fate had dealt her this hand, and she had no choice but to play it out as best she could. With head held high and knees shaking violently she walked forward until she drew even with Berta. The butler stood in the doorway, studying Elizabeth with bold interest, giving her the incredible impression that he was actually trying to locate her breasts beneath the shapeless black gown she wore.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
A few years ago, a couple of young men from my church came to our home for dinner. During the course of the dinner, the conversation turned from religion to various world mythologies and we began to play the game of ‘Name That Character.” To play this game, you pick a category such as famous actors, superheroes or historical characters. In turn, each person describes events in a famous character’s life while everyone else tries to guess who the character is. Strategically you try to describe the deeds of a character in such a way that it might fit any number of characters in that category. After three guesses, if no one knows who your character is, then you win.
Choosing the category of Bible Characters, we played a couple of fairly easy rounds with the typical figures, then it was my turn. Now, knowing these well meaning young men had very little religious experience or understanding outside of their own religion, I posed a trick question. I said, “Now my character may seem obvious, but please wait until the end of my description to answer.” I took a long breath for dramatic effect, and began, “My character was the son of the King of Heaven and a mortal woman.” Immediately both young men smiled knowingly, but I raised a finger asking them to wait to give their responses.
I continued, “While he was just a baby, a jealous rival attempted to kill him and he was forced into hiding for several years. As he grew older, he developed amazing powers. Among these were the ability to turn water into wine and to control the mental health of other people. He became a great leader and inspired an entire religious movement. Eventually he ascended into heaven and sat with his father as a ruler in heaven.”
Certain they knew who I was describing, my two guests were eager to give the winning answer. However, I held them off and continued, “Now I know adding these last parts will seem like overkill, but I simply cannot describe this character without mentioning them. This person’s birthday is celebrated on December 25th and he is worshipped in a spring festival. He defied death, journeyed to the underworld to raise his loved ones from the dead and was resurrected. He was granted immortality by his Father, the king of the gods, and was worshipped as a savior god by entire cultures.”
The two young men were practically climbing out of their seats, their faces beaming with the kind of smile only supreme confidence can produce. Deciding to end the charade I said, “I think we all know the answer, but to make it fair, on the count of three just yell out the answer. One. Two. Three.”
“Jesus Christ” they both exclaimed in unison – was that your answer as well?
Both young men sat back completely satisfied with their answer, confident it was the right one…, but I remained silent. Five seconds ticked away without a response, then ten. The confidence of my two young friends clearly began to drain away. It was about this time that my wife began to shake her head and smile to herself. Finally, one of them asked, “It is Jesus Christ, right? It has to be!”
Shaking my head, I said, “Actually, I was describing the Greek god Dionysus.
”
”
Jedediah McClure (Myths of Christianity: A Five Thousand Year Journey to Find the Son of God)
“
It's healthy to adjust to reality. It's healthy, recognizing that fiction such as Proust and Faulkner wrote is doomed, to interest yourself in victorious technology, to fashion a niche for yourself in the new information order, to discard and then forget the values and methods of literary modernism which younger readers, bred on television and educated in the new orthodoxy of identity politics and the reader's superiority to the text, are almost entirely deaf and blind to. It's healthy to stop giving yourself ulcers and migraines doing demanding work that may please a few harried peers but otherwise instills unease or outright resentment in would-be readers. It's healthy to cry uncle when your bone's about to break. Likewise healthy, almost by definition, to forget about death in order to live your life: healthy to settle for (and thereby participate in) your own marginalization as a writer, to accept as inevitable a shrinking audience, an ever-deteriorating relationship with the publishing conglomerates, a retreat into the special Protective Isolation Units that universities now provide for writers. Healthy to slacken your standards, to call "great" what five years ago you might have called "decent but nothing special." Healthy, when you discover that your graduate writing students can't distinguish between "lie" and "lay" and have never read Jane Austen, not to rage or agitate but simply bite the bullet and do the necessary time-consuming teaching. Healthier yet not to worry about it—to nod and smile in your workshops and let sleeping dogs lay, let the students discover Austen when Merchant and Ivory film her.
In describing as "healthy" these responses to the death sentence obsolescence represents, I'm being more than halfway ironic. Health really is the issue here. The pain of consciousness, the pain of knowing, grows apace with the information we have about the degradation of our planet and the insufficiency of our political system and the incivility of our society and the insolvency of our treasury and the injustice in the on-fifth of our country and four-fifths of our world that isn't rich like us. Given this increasing pain, it's understandable that a large and growing segment of the population should take comfort in the powerful narcotics that technology offers. The more popular these narcotics become, the more socially acceptable their use—and the lonelier the tiny core of people who are temperamentally incapable of deluding themselves that the "culture" of technology is anything but a malignant drug. It becomes a torture each time you see a friend stop reading books, and each time you read another cheerful young writer doing TV in book form. You become depressed. And then you see what technology can do for those who become depressed. It can make them undepressed. It can bring them health. And this is the moment at which I find myself: I look around and see absolutely everyone (or so it seems) finding health. They enjoy their television and their children and they don't worry inordinately. They take their Prozac and are undepressed. They are all civil with each other and smile undepressed smiles, and they look at me with eyes of such pure opacity that I begin to doubt myself. I seem to myself a person who shrilly hates health. I'm only a phone call away from asking for a prescription of my own[.]
”
”
Jonathan Franzen (How to Be Alone)
“
It's healthy to adjust to reality. It's healthy, recognizing that fiction such as Proust and Faulkner wrote is doomed, to interest yourself in victorious technology, to fashion a niche for yourself in the new information order, to discard and then forget the values and methods of literary modernism which younger readers, bred on television and educated in the new orthodoxy of identity politics and the reader's superiority to the text, are almost entirely deaf and blind to. It's healthy to stop giving yourself ulcers and migraines doing demanding work that may please a few harried peers but otherwise instills unease or outright resentment in would-be readers. It's healthy to cry uncle when your bone's about to break. Likewise healthy, almost by definition, to forget about death in order to live your life: healthy to settle for (and thereby participate in) your own marginalization as a writer, to accept as inevitable a shrinking audience, an ever-deteriorating relationship with the publishing conglomerates, a retreat into the special Protective Isolation Units that universities now provide for writers. Healthy to slacken your standards, to call "great" what five years ago you might have called "decent but nothing special." Healthy, when you discover that your graduate writing students can't distinguish between "lie" and "lay" and have never read Jane Austen, not to rage or agitate but simply bite the bullet and do the necessary time-consuming teaching. Healthier yet not to worry about it—to nod and smile in your workshops and let sleeping dogs lay, let the students discover Austen when Merchant and Ivory film her.
In describing as "healthy" these responses to the death sentence obsolescence represents, I'm being more than halfway ironic. Health really is the issue here. The pain of consciousness, the pain of knowing, grows apace with the information we have about the degradation of our planet and the insufficiency of our political system and the incivility of our society and the insolvency of our treasury and the injustice in the one-fifth of our country and four-fifths of our world that isn't rich like us. Given this increasing pain, it's understandable that a large and growing segment of the population should take comfort in the powerful narcotics that technology offers. The more popular these narcotics become, the more socially acceptable their use—and the lonelier the tiny core of people who are temperamentally incapable of deluding themselves that the "culture" of technology is anything but a malignant drug. It becomes a torture each time you see a friend stop reading books, and each time you read another cheerful young writer doing TV in book form. You become depressed. And then you see what technology can do for those who become depressed. It can make them undepressed. It can bring them health. And this is the moment at which I find myself: I look around and see absolutely everyone (or so it seems) finding health. They enjoy their television and their children and they don't worry inordinately. They take their Prozac and are undepressed. They are all civil with each other and smile undepressed smiles, and they look at me with eyes of such pure opacity that I begin to doubt myself. I seem to myself a person who shrilly hates health. I'm only a phone call away from asking for a prescription of my own[.]
”
”
Jonathan Franzen (How to Be Alone)
“
He sent messages to all fifteen of my former suitors, asking if they were still interested in marrying me-“
“Oh, my God,” Alex breathed.
“-and, if they were, he volunteered to send me to them for a few days, properly chaperoned by Lucinda,” Elizabeth recited in that same strangled tone, “so that we could both discover if we still suit.”
“Oh, my God,” Alex said again, with more force.
“Twelve of them declined,” she continued, and she watched Alex wince in embarrassed sympathy. “But three of them agreed, and now I am to be sent off to visit them. Since Lucinda can’t return from Devon until I go to visit the third-suitor, who’s in Scotland,” she said, almost choking on the word as she applied it to Ian Thornton, “I shall have to pass Berta off as my aunt to the first two.”
“Berta!” Bentner burst out in disgust. “Your aunt? The silly widgeon’s afraid of her shadow.”
Threatened by another uncontrollable surge of mirth, Elizabeth looked at both her friends. “Berta is the least of my problems However, do continue invoking God’s name, for it’s going to take a miracle to survive this.”
“Who are the suitors?” Alex asked, her alarm increased by Elizabeth’s odd smile as she replied, “I don’t recall two of them. It’s quite remarkable, isn’t it,” she continued with dazed mirth, “that two grown men could have met a young girl at her debut and hared off to her brother to ask for her hand, and she can’t remember anything about them, except one of their names.”
“No,” Alex said cautiously, “it isn’t remarkable. You were, are, very beautiful, and that is the way it’s done. A young girl makes her debut at seventeen, and gentlemen look her over, often in the most cursory fashion, and decide if they want her. Then they apply for her hand. I can’t think it is reasonable or just to betroth a young girl to someone with whom she’s scarcely acquainted and then expect her to develop a lasting affection for him after she is wed, but the ton does regard it as the civilized way to manage marriages.”
“It’s actually quite the opposite-it’s rather barbaric, when you reflect on it,” Elizabeth stated, willing to be diverted from her personal calamity by a discussion of almost anything else.
“Elizabeth, who are the suitors? Perhaps I know of them and can help you remember.”
Elizabeth sighed. “The first is Sir Francis Belhaven-“
“You’re joking!” Alex exploded, drawing an alarmed glance from Bentner. When Elizabeth merely lifted her delicate brows and waited for information, Alex continued angrily, “Why, he’s-he’s a dreadful old roué. There’s no polite way to describe him. He’s stout and balding, and his debauchery is a joke among the ton because he’s so flagrant and foolish. He’s an unparalleled pinchpenny to boot-a nipsqueeze!”
“At least we have that last in common,” Elizabeth tried to tease, but her glance was on Bentner, who in his agitation was deflowering an entire healthy bush. “Benter,” she said gently, touched by how much he obviously cared for her plight, “you can tell the dead blooms from the live ones by their color.”
“Who’s the second suitor?” Alex persisted in growing alarm.
“Lord John Marchman.” When Alex looked blank, Elizabeth added, “The Earl of Canford.”
Comprehension dawned, and Alex nodded slowly. “I’m not acquainted with him, but I have heard of him.”
“Well, don’t keep me in suspense,” Elizabeth said, choking back a laugh, because everything seemed more absurd, more unreal by the moment.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
All right, then. While it might be beyond her power to stop desiring him entirely, she didn’t have to let him control the attraction. In her years of dreaming of him--the admittedly chaste dreams of a virgin--she had been in control, making him burn and yearn, making him regret that he’d ever put her aside.
Perhaps it was time to fulfill those dreams.
She opened her eyes to find him watching her with a heavy-lidded gaze that promised all manner of sensual pleasures if she would just give herself over to him. She would make him keep that promise…but without giving up herself.
Edwin would undoubtedly disapprove of this dalliance, but just now she didn’t care. Dom was about to learn that she wouldn’t be ruled by him or any other man.
Looping her arms about his neck, she rose up on tiptoe to kiss his mouth. This time she was the one to instigate the duel of tongues and lips that sent her senses reeling. This time she was the one in control.
Until Dom pulled down her bodice and corset and shift to bare her breasts. Oh, sweet Lord in heaven. He was more wicked--and more wonderful at this--than even she could have imagined.
But she could be wicked, too. Remembering what Nancy had told her about men, she reached down between them to cup the hard length of him through his trousers.
He jerked back. “What are you doing?”
How wonderful to be the one to shock him! Though she noticed he didn’t step away or pull her hand off him. And his flesh seemed to grow beneath her very fingers. “Don’t you like it?” she said in what she hoped was a sultry-sounding voice.
“Good God, yes.” He practically groaned the words. “But where the blazes did you learn to do it?”
“Nancy said men like to be touched…down there.”
“Wonderful. Now the sinner is instructing the saint,” he muttered before he took her mouth again, giving her no chance to protest that she wasn’t as saintly as he assumed.
But clearly he’d guessed because he leaned into her hand, letting her fully explore the male appendage that Nancy had only described in furtive whispers.
To Jane’s delight, the more she rubbed him through his trousers, the more his kiss changed, grew bolder, hotter, fiercer. How delicious! They had certainly never done anything like this in their youth. Perhaps if they had, he wouldn’t have been so content to toss her aside.
It was definitely making her ignite. Or perhaps it was his hands roaming her body doing that. Whichever the case, an unfamiliar ache began between her legs that made her want to squirm. So she focused on caressing him with renewed vigor, hoping to regain control over this…insanity.
He grabbed her hand to still it.
She tore her mouth from his. “What? Am I doing it wrong?”
“If you do it any more right, I will embarrass myself.” He fixed her with a dark stare. “Or perhaps that’s what you want. Another way to torture me.”
“I don’t know what you mean. Am I doing it right or am I torturing you? Which is it?”
He searched her face, then, apparently satisfied with what he saw there, smiled faintly. “Both.” Taking her by surprise, he dripped onto the pianoforte bench and tugged her across his lap. “Here, I’ll show you.”
As he drew her skirts up to her knees, she froze. “I don’t know if this is…such a good idea, Dom.”
“Oh, trust me, it’s a fine idea.” He smoothed his hands up her stockings and past her garters until he came to her drawers. “Before you go running off to seal your ‘arrangement’ with Blakeborough, you should at least have a taste of passion. Just so you’ll know how important it really is.” Pressing his mouth to her ear, he added, “Men aren’t the only ones who like to be touched there, sweeting.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
That Washer guy is gross,” Tory Vega’s voice caught my attention and my head snapped sideways as I spotted her and Darcy walking down the path with Geraldine Grus in tow.
“He’s the most bothersome babbalumbaduke I ever saw,” Geraldine agreed.
Tory rolled her eyes, looking away from her, clearly not enjoying the girl’s company nor in any mood to indulge it. And I knew exactly why. Darcy on the other hand, gave Geraldine a polite smile and answered her. Ever the sweetheart. You won’t be so sweet when you embrace your inner Fae, Blue.
“What’s a babbalumba-thing?” Darcy frowned and Geraldine flapped her arms and gasped like someone had just dropped dead in front of her.
“You haven’t heard of a babbalumbaduke!? My queen-”
“Darcy,” she interjected and my brows arched at her dismissal of the royalist’s bullshit.
“Pish-posh!” Geraldine waved a hand. “A babbalumbaduke is the most creepsome creature you can imagine. It crawls from sewers and pulls unsuspecting virgins into its grasp, never to let go. The legend says it feasts upon their innocent flesh with nothing but its two-pronged armensprout.”
“To be fair, that does sound like Washer,” Tory said with a smirk.
“Yeah, but what’s an armensprout?” Darcy wrinkled her nose and my lips twitched up at the corner at how fucking cute she looked. Then I murdered that lip twitch and gritted my jaw, replacing the curiosity within me about her with a healthy dose of hatred. She was a Vega. Their name alone was a curse on this land.
“My good lady!” Geraldine wailed. They were close now, about to pass me by on the path as they circled The Orb, probably headed for dinner. “An armensprout is a dilly dongle. A war-willy wingle. A goblin of the grouse. A terrible Leroy.”
“A dick?” Tory guessed and a snort escaped my lips that made Darcy’s head snap around to look into the trees. My heart bolted up into my throat even though I knew she couldn’t see me. But I swear her eyes found my fucking soul anyway.
“Wait, that monster thing eats people with its dick?” Darcy snorted.
“Why yes! That’s what I’ve been trying to tell you!” Geraldine guffawed.
Darcy suddenly tripped over her own feet and almost went flying to the ground, but my fingers flicked and I cast air magic before I knew what I was even doing, catching her so she didn’t hit the ground. She looked confused as hell and Tory chuckled, linking her arm through hers and pulling her along.
What the fuck did I just do?
I’d just spent the past ten minutes tripping up students and Darcy hadn’t even had her shirt tucked in. So why hadn’t I taken the opportunity to send her flying into the mud?
“Come on, clumsy butt,” Tory said and Darcy laughed.
“Are you okay, my sweet lady?” Geraldine gasped, hovering around her and Darcy’s cheeks pinked as she waved her away.
“Yup, just hungry,” she said brightly and the only way I could describe Geraldine’s next movement was a high-kneed gallop as she beckoned the girls after her down the path.
“Make way – make way!” she cried at the other students, blasting some of them off the path with her water magic. “The true queens are coming through!”
Tory whispered in Darcy’s ear and I tuned my senses on them to catch it. “Do you think we can outrun her if we turn back and skip dinner?”
“No chance. Look at those legs go,” Darcy said and they both fell into silent laughter, leaning on each other, their bond shining clearly between them.
(Orion POV)
”
”
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
“
He steered us across the ballroom and through a door that led into a low-lit room which I could only describe as a smoking room. Do people really still have those? Apparently they did because a bunch of cigar stubs sat in a golden ashtray on the nearest table and the thick scent of tobacco hung in the air. Blood red armchairs sat around the space and to the right of them stood Darius beside a large oak writing desk. A row of shots were laid out across it in front of a bottle of vodka and my heart pumped harder as Max released me, his gifts fizzling out of my system.
Darius picked up a shot and knocked it back, releasing a satisfied ah after he swallowed it. He grabbed two more, holding them out for Tory and I but neither of us moved.
“I think I'll get my drinks from a less shady room thanks,” I said, shaking my head.
“Yeah, I'm gonna decline the date rape.” Tory smiled hollowly and Darius scoffed.
“As if I'd need to drug you to get you in my bed,” Darius smirked.
“Keep dreaming, Dragon boy.” She planted a hand on her hip and I grinned.
We turned to leave and found Seth and Caleb stepping into the room. My heart juddered as they prowled forward, blocking our way out.
“Evening,” Caleb said, skirting around us, his eyes lingering on Tory.
Seth scratched behind his ear and I bit my lip to stop myself from laughing.
“Gimme one of those.” He moved around us, scratching more vigorously as he grabbed a shot from the desk. He swallowed one then another before pawing at the back of his shirt and scratching his head again.
“What's up with you, man?” Max frowned as Seth started raking under his arm.
“Nothing,” he spat, then let out a whine as he scratched himself too hard. I almost lost it when Tory hiccoughed a laugh.
“Almost seems like you've got fleas,” Darius said with a teasing smirk and Seth growled deeply.
“I do not have fleas,” he snarled and I couldn't help the laugh that finally tore free from my throat. He turned, eyes sharpening to slits, but he said nothing.
(Darcy)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
She could not have been described as Sex Incarnate, or “The Bust” or “The Torso.” She had been long and slim and willowy. The bones of her face and head had had some of the beauty associated with those of Garbo. She had brought personality to her pictures rather than mere sex. The sudden turn of her head, the opening of the deep lovely eyes, the faint quiver of her mouth, all these were what brought to one suddenly that feeling of breathtaking loveliness that comes not from regularity of feature but from sudden magic of the flesh that catches the onlooker unawares. She still had this quality though it was not now so easily apparent. Like many film and stage actresses she had what seemed to be a habit of turning off personality at will. She could retire into herself, be quiet, gentle, aloof, disappointing to an eager fan. And then suddenly the turn of the head, the movement of the hands, the sudden smile and the magic was there.
”
”
Agatha Christie (The Mirror Crack'd from Side to Side (Miss Marple, #8))
“
It was like dying a little every day. It was like being alive, too. It was joy so complete it was pain. It destroyed me and unmade me and forged me. I hated it, because I knew I couldn’t escape it, and knew it would forever change me. And that witchling … I loved her, too. I loved her in a way I cannot describe—other than to tell you that it was the most powerful thing I’ve ever felt, greater than rage, than lust, than magic.” A soft smile. “I’m surprised you’re not giving me the ‘Obedience. Discipline. Brutality’ speech.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass #0.1–0.5, 1–7))
“
An ache bloomed in my heart, but I still smiled reading Lilianna describe her dark-eyed babe
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”
L.J. Andrews (Curse of Shadows and Thorns (The Broken Kingdoms, #1))
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Mrs Slagg placed her finger at her lips and gave a smile which it would be impossible to describe. It was a mixture of the cunning and the maudlin.
”
”
Mervyn Peake (Titus Groan (Gormenghast, #1))
“
As for me, I got what someone once described as the only reliable friend a politician can have in Washington. Bo also gave me an added excuse to put off my evening paperwork and join my family on meandering after-dinner walks around the South Lawn. It was during those moments—with the light fading into streaks of purple and gold, Michelle smiling and squeezing my hand as the dog bounded in and out of the bushes with the girls giving chase, Malia eventually catching up to us to interrogate me about things like birds’ nests or cloud formations while Sasha wrapped herself around one of my legs to see how far I could carry her along—that I felt normal and whole and as lucky as any man has a right to expect.
”
”
Barack Obama (A Promised Land)
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That’s cute,” I said, forcing a smile. I didn’t doubt he loved me, but I’d never forgotten those years I’d spent listening to him describe how losing Kate had been like losing part of his body and that he was only half a person without her.
”
”
Lucinda Berry (When She Returned)
“
The response of most patients in the depression trial... has been remarkably positive, as least in the short term. Over dinner at a restaurant in West London, Robin told me about one severely depressed woman in the trial whom over the course of several meetings he had never once seen smile. As he sat with her during her psilocybin journey, "she smiled for the very first time.
"'It's nice to smile,' she said.
"After it was over, she told me she had been visited by a guardian angel. She described a presence of some kind, a voice that was entirely supportive and wanted her to be well. It would say things like 'Darling, you need to smile more, hold your head up high, stop looking down at the ground. Then it reached over and pushed up my cheeks,' she said, 'lifting the corners of my mouth.'
"That must have been what was happening in her mind when I observed her smiling," Robin said, now smiling himself, broadly if a bit sheepishly. In the aftermath of her experience, the woman's depression score dropped from thirty-six to four.
"I have to say, that was a very nice feeling." p330
”
”
Michael Pollan (How to Change Your Mind: The New Science of Psychedelics)
“
It was true; for some reason I wanted terribly to see Urara. That expression on her face - it made my heart stop. She had been gentle and smiling with me, and then, as soon as she was alone again, she… if I had to describe it, I’d say the expression on her face was like that of a demon turned into a human who suddenly caught herself feeling emotions and was warning herself that she wasn’t permitted to. It was unforgettable. I felt that my own pain and sadness had never even come close to hers. Perhaps there was still much worse in store for me.
”
”
Banana Yoshimoto (Kitchen)
“
You can’t describe light very easily. You can tell where it is, but not what it is. Light was where she was. There may have been prettier girls, but there have never been lovelier ones. It came from inside and out both; it was a blend. She was everyone’s first love, as he looks back later once she is gone and tells himself she must have been. She was the promise made to everyone at the start, that can never quite be carried out afterward, and never is.
Cynics, seeing her go by, might have said, “Why, she’s just another pretty girl; they’re all about like that.” Cynics don’t know about these things. The way she walked, the way she talked, the little slow smile she had for him as they drew toward one another upon meeting, or the same smile in reverse, going backward as they parted—those things were only for Johnny Marr to see. He had special eyes for her, just as she had for him.
”
”
Cornell Woolrich (Rendezvous in Black)
“
You don’t have to… kiss… or anything like that. Just… be friendly, smile at each other, don’t act like… like… you think the other has cooties,” she offered, as if that was better. I was going to ignore the fact she’d used the word cooties to describe what we thought of each other. I thought he was the devil, or at least an immediate family member to him… or her; I didn’t think Ivan had cooties.
”
”
Mariana Zapata (From Lukov with Love)
“
There is a long history of male journalists fetishizing their female subjects, and Carolyn was described by her physical attributes again and again. Assumptions were made based on whether she smiled or frowned and narratives were spun, and none put her in a positive light.
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Elizabeth Beller (Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy)
“
In the terrible years of the Yezhov terror I spent seventeen months waiting in line outside the prison in Leningrad . . . Standing behind me was a woman, with lips blue from cold . . . Now she started out of the torpor common to us all and asked me in a whisper (everyone whispered there): “Can you describe this?” And I said: “I can.” Then something like a smile passed fleetingly over what had once been her face. • Anna Akhmatova, “Requiem, 1935–1940
”
”
Celeste Ng (Our Missing Hearts)
“
How do you two know each other?”
“Will is Nikole’s husband’s—”
“I saved her from some duct tape.”
“You didn’t save me,” I cried. “You removed the duct tape and then left. That’s hardly—”
“Wait! Is Will the hot guy you were telling me about?”
I snapped my head toward Gabby. The traitor. “I did not call him hot!” I shrieked, and I immediately regretted my outburst.
She raised her eyebrows. “You said his cologne did strange things to your insides, and you described his upper body in great detail.”
“Well, I’m a very detail-oriented person.”
Will covered his mouth with his hand, pretending to rub a spot on his lower lip while Gabby smiled openly.
”
”
Eve Marian (Protecting Christina (Billionaire Bodyguards #2))
“
February 2 Donna Made a Difference Whatever you do, do it all for the glory of God.—1 Corinthians 10:31b Donna’s big brown eyes and sweet smile were like magnets drawing people to her. Her face had a glow that just can’t be described. Donna and I became good friends after meeting each other in a Bible study several years ago. My dear friend battled cancer for four years. She lost her battle, one day past her fifty-second birthday. Donna lived to glorify God. She always put God and others first in her life. Donna never complained about her years of suffering. When I telephoned her to see how she was doing, she always blessed me more than I blessed her. Donna never missed an opportunity to tell others the good news of Jesus Christ. Because her face glowed with God’s love, people listened to her. She shared the good news of Jesus to waitresses, to physicians, to nurses, to hospital employees. Instead of being consumed with her sad situation, she was concerned about others knowing how to have eternal life. Many people will be in heaven because Donna made a difference. I want to be more like Donna—patient, kind, uplifting, and always ready to tell someone about Jesus Christ. She was his faithful servant. She studied the Word, she claimed the Word, she lived the Word, and she shared the Word. Christians have the responsibility of representing Christ in all we do. We all need to be more like Donna. She did everything in the name of her Lord Jesus. She lived as Christ’s ambassador while on this earth. Today’s Scripture tells us that we should do everything for the glory of God. Glorifying God means that we give honor and praise to God. It means that we recognize His power and His importance. A good question that we might ask ourselves as a guiding principle is this: Will these words or this action bring glory to God? Do you make a difference?
”
”
The writers of Encouraging.com (God Moments: A Year in the Word)
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And you, Ivanhoe,' Skaggs said, 'intend to find her and fetch her home?'
'I do intend to find her. If she is at the ends of the earth, I shall find her. And to stay with her forever if she'll allow me.'
Duff stared in admiration: the ends of the earth. He had never heard anyone but a priest use that phrase. He felt a wave of love for Ben, and suddenly saw his chance. 'I'll come along with you,' he said, practically shouting, he was so excited. 'West.'
Ben smiled, and clasped Duff's hand, thumb hooked to thumb.
'Wait, wait, wait...' It had fallen to Skaggs, of all people, to challenge their quest on practical grounds. 'How shall you possibly find her? She has been two weeks on the road already. They might be anywheres between Ohio and the desert.'
'We shall obtain from Mr. Brisbane a copy of his little guide,' Ben said, 'and follow it like a map from east to west. The only question is our fastest route. Speed is paramount.'
Skaggs saw that his friend would not be deterred. 'Well, a steamboat to Albany, railways to Buffalo, then a steamer across Lake Erie. It sickens me even to describe the route. But you could be in Cleveland before the end of the week.'
He paused. 'I cannot believe that I am describing a speedy arrival in Cleveland as a desirable thing.
”
”
Kurt Andersen (Heyday)
“
She aimed her smile at him, and he had to push the last bite of tart down his throat with a concerted swallow. Despite the awful black clothing, despite her hair being scraped back into a nondescript bun, despite the complete lack of anything approaching feminine adornment, that smile charmed. It made him aware her mouth was generous and her lips were full. Her eyes, he noticed, were a soft gray blue, and her features were actually pretty. Not classically pretty—her nose was by no means small, but rather would be accurately described as giving her face character. Her chin was cast in the same, probably Teutonic, mold, and her jaw followed suit. But graced with that smile, the whole was pleasing, winsome, and utterly, arrestingly feminine. “Start
”
”
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
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It’s a sort of build up. You have to describe —” “You don’t build up this sort of story. You don’t describe the scenery and the characters. This sort of story is an entertainment for people who can’t be bothered with long and detailed explanations. You must plunge straight into the middle of the story on the very first page.” She smiled and added, “Here am I telling you how to write a novel … and I couldn’t write a novel to save my life.” All
”
”
D.E. Stevenson (Anna and Her Daughters)
“
Damn and blast Lucas Denning for needling her, for that’s exactly what he’d done. Eve drew up sharply in the mews and dropped her escort’s arm. “Deene, where are your footmen, where is your driver?” “Probably enjoying a merry pint or two despite the hour of the day.” He started toward the landau while Eve resisted the urge to clobber him with her parasol. When he turned back to her a few paces away, he wore a smile that could only be described as taunting. “Eve Windham, I am competent to drive you the less than two hours it will take to get to The Downs. For that matter, you are competent to drive me as well. You know this team, they’re perfect gentlemen, and it’s a calm day. Get into the carriage.” The gleam in his blue eyes suggested he knew exactly what manner of challenge he’d just posed, both in referring to her driving skill and in ordering her into the carriage. She
”
”
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
“
Thank you,” she finally shouted, blowing kisses to her staunch supporters. “I am so lucky,” Friedrich said, curling his arms around her. “Not as lucky as I am. Luck doesn’t even begin to describe it. I am blessed.” Cinderella smiled up at him. His
”
”
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
“
Right,” she said. “Come down off that chair. I think we are ready for the next step.”
“What do you mean?”
“I am going to see Mrs. Carter tomorrow. I shall tell her that you are not able to keep up with the twins in lessons.”
“But--”
Miss Minton held up her hand. “Don’t interrupt, please. I shall tell her that I will set you to work separately because you are holding the twins back. That means I am trusting you to work on your own. I shall, of course, help you whenever I can, but you must keep up the deception.” She gave one of her tight smiles. “I don’t see why we shouldn’t have an interesting time. I have a book about the history of Brazil, and one by Bates, the explorer who first described this part of the Amazon. And another by Humboldt--a very great scientist. The twins may live as though they are still in Littleford-on-Sea, but there is no need for us to do so.”
Maia jumped from the chair. “Oh, Minty,” she said, and threw her arms around her governess. “Thank you. I’m sorry…I thought--”
“Well don’t,” said Miss Minton briskly. And then: “Come along, it’s time we opened my trunk.”
Miss Minton had been poor all her life. She had no trinkets, no personal possessions; her employers underpaid her when they paid her at all--but her trunk was an Aladdin’s cave. There were travel books and fairy tales, novels and dictionaries and collections of poetry…
“How did you get them all?” Maia asked wonderingly. “How did you manage?”
Miss Minton shrugged.
“If you want something enough you usually get it. But you have to take what goes with it”--and she pointed to her shabby blouse and mended skirt. “Now, let’s see---what shall we start with? Ah yes, here is Bates. He must have sailed down this very river not sixty years ago. Look at that drawing of a sloth…
”
”
Eva Ibbotson (Journey to the River Sea)
“
You’ve made yourself quite at home, I see.”
“You’ve a nice one here, Kerry,” he said quite sincerely, his smile still sparkling with equal sincerity. “Good people, nice little town. I find I’m liking it a great deal. Your ocean is everything you described and more. I’d like to see more of it, through your eyes. When you have the time.”
She debated the wisdom of trying to put him off as long as possible, but hell, he’d talked to half the town already and even had Fergus playing wingman for him. “Apparently I have time today,” she said dryly. “I don’t know how long this meeting will go, and I have errands to run. I still have to buy tonight’s special--unless you’re about to tell me that’s already been handled, too.”
“Not that I’m aware of,” he replied easily. “But then, I just got into town late yesterday, so I’m not fully up to speed yet.”
Oh, he was speedy all right. “It scares me to think what you’ll know after a full twenty-four hours. If you want to go with me to Blue’s to look at the early morning catch, I can meet you down in Half Moon around two.”
He grinned. “We have a date, then.”
“We have a meeting. Blue’s is--”
“I’ll find it.”
“I’m sure you will.” She went to climb in the cab of her truck, then paused. “I don’t guess it will do me any good to ask you to stop talking to people about me, will it?”
“I don’t guess it would, no.”
His accent, the way it wrapped around the os, making them sound like two delicious syllables in one, shouldn’t affect her like it always had. Like it still did. To be fair, given her protracted stay Down Under, she’d grown accustomed to the accent in general. It was the deep, smooth timbre of his voice, speaking in that vowel-curling way of his, that rolled right through her like ocean waves relentlessly lapping at the shore. Lapping at her.
“Well, be warned,” she told him, trying to ignore the delicious little shiver that was snaking its way down her spine, and all she was doing was looking at him. “Folks here can tell you everything you ever wanted to know about me, my family, and the entire history of Blueberry Cove, but just know that they’ll also be telling everyone in the Cove every last detail they learn about you, too.”
“Not much different from life in the Downs, then.
”
”
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
I gather you weren't keen on going back to Scotland with your brother at this time of year. I don't say I blame you. Terribly bleak and cutoff in the winter."
"Oh no, Mom," I said, as her words sunk in. "My brother is not going back to Scotland. He and my sister-in-law are going to the Riviera."
The Riviera? I had no idea."
"For my sister-in-law's health. She's feeling rather frail at the moment."
"I don't think that frail would ever be a word to describe your sister-in-law," the Queen said, looking up with a half smile on her lips as a tray of coffee was reeled into the room.
"I managed to have six children without making a fuss. One just got on with it.
”
”
Rhys Bowen (Naughty in Nice (Her Royal Spyness Mysteries, #5))
“
Poppy . . .” He was forced to stop by the necessity of taking an extra breath. “Do you think you could be expecting?” She smiled, her excitement tempered with a flutter of nervousness. “Yes, I think it’s possible. We won’t know for certain until a bit more time has passed.” Her smile turned uncertain as Harry remained silent. Perhaps it was too soon . . . perhaps he wasn’t entirely receptive to the idea. “Of course,” she said, trying to sound prosaic, “it may take some time for you to become accustomed to the idea, and that’s only natural—” “I don’t need time.” “You don’t?” Poppy gasped as she was snatched off the chair and hauled into his lap. His arms went fast around her. “You want a baby, then?” she asked. “You wouldn’t mind?” “Mind?” Harry pressed his face against her chest, feverishly kissing her exposed skin, her shoulder, her throat. “Poppy, there are no words to describe how much I want it.” His head lifted, the depth of emotion in his eyes making her breath catch. “For most of my life, I thought I’d always be alone. And now to have you . . . and a baby . . .” “It’s not entirely certain yet,” Poppy said, smiling as he scattered kisses over her face. “I’ll make certain, then.” Still holding her, Harry stood from the chair and began to carry her back into the bedroom. “What about the morning schedule?” she protested. And Harry Rutledge uttered three words he had never said in his life. “Damn the schedule.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
John Bunyan describes this Madam Bubble for us. She has a winning way. She drops a smile at the end of her sentences. She talks a lot about honorable things and tries to win our respect. Oh believe me, Christians are not in as much danger when they are persecuted as when they are admired. We should tremble and fear when we stand on the summit of popularity. It is not when we are hissed and jeered that we should be alarmed. It is when the world loves us, speaks well of us, and wants to help us, that trouble is headed our way. It is not in the cold wintry wind that I take off my coat of righteousness and throw it away. It is when the sun is out, the weather pleasant, and the temperature warm, that I unguardedly strip off my robes and become naked. Only God knows how many have been made naked by the love of this world!
”
”
Charles Haddon Spurgeon (Peace and Purpose in Trial and Suffering)
“
Sorry about that. For years, my sister has labored under the impression that she’s funny. My father and I have humored her in this.”
Rylann waved this off. “No apology necessary. She’s just protective of you. That’s what siblings do—at least, I assume it is.”
“No brothers or sisters for you?” Kyle asked.
Rylann shook her head. “My parents had me when they were older. I asked for a sister every birthday until I was thirteen, but it wasn’t in the cards.” She shrugged. “But at least I have Rae.”
“When did you two meet?”
“College. We were in the same sorority pledge class. Rae is…” Rylann cocked her head, trying to remember. “What’s that phrase men always use when describing their best friend? The thing about the hooker and the hotel room.”
“If I ever woke up with a dead hooker in my hotel room, he’d be the first person I’d call. A truer test of male friendship there could not be.”
Rylann smiled. “That’s cute. And a little scary, actually, that all you men have planned ahead for such an occasion.” She waved her hand. “Well, there you go. If I ever woke up with a dead hooker in my hotel room, Rae would be the first person I’d call.”
Kyle rested his arms on the table and leaned in closer. “Counselor, you’re so by the book, the first person you’d call if you woke up next to a dead hooker would be the FBI.”
“Actually, I’d call the cops. Most homicides aren’t federal crimes, so the FBI wouldn’t have jurisdiction.”
Kyle laughed. He reached out and tucked back a lock of hair that had fallen into her eyes. “You really are a law geek.”
At the same moment, they both realized what he was doing. They froze, eyes locked, his hand practically cupping the side of her cheek.
Then they heard someone clearing her throat.
Rylann and Kyle turned and saw Jordan standing at their table.
“Wine, anyone?” With her blue eyes dancing, she set two glasses in front of them. “I’ll leave you two to yourselves now.”
Rylann watched as Jordan strolled off. “I think you’re going to have some explaining to do after I leave,” she whispered to Kyle.
“Oh, without a doubt, she’s going to be all up in my business over this.
”
”
Julie James (About That Night (FBI/US Attorney, #3))
“
I hear her smiling when she describes her outfit: “I made myself fashionable. And diplomatic. They all took my picture. The BBC, Voice of America, and Tolo TV. I had the turquoise scarf—the one you saw the other day. You know it. And the black jacket.” She pauses. “And a lot of makeup. Big makeup.” I breathe in deeply. I am the journalist. She is the subject. The rule is to show no emotion.
”
”
Jenny Nordberg (The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan)
“
I’ve just been to see Audrey,” Beatrix said breathlessly, entering the private upstairs parlor and closing the door. “Poor Mr. Phelan isn’t well, and--well, I’ll tell you about that in a minute, but--here’s a letter from Captain Phelan!”
Prudence smiled and took the letter. “Thank you, Bea. Now, about the officers I met last night…there was a dark-haired lieutenant who asked me to dance, and he--”
“Aren’t you going to open it?” Beatrix asked, watching in dismay as Prudence laid the letter on a side table.
Prudence gave her a quizzical smile. “My, you’re impatient today. You want me to open it this very moment?”
”Yes.” Beatrix promptly sat in a chair upholstered with flower-printed fabric.
“But I want to tell you about the lieutenant.”
“I don’t give a monkey about the lieutenant, I want to hear about Captain Phelan.”
Prudence gave a low chuckle. “I haven’t seen you this excited since you stole that fox that Lord Campdon imported from France last year.”
“I didn’t steal him, I rescued him. Importing a fox for a hunt…I call that very unsporting.” Beatrix gestured to the letter. “Open it!”
Prudence broke the seal, skimmed the letter, and shook her head in amused disbelief. “Now he’s writing about mules.” She rolled her eyes and gave Beatrix the letter.
Miss Prudence Mercer
Stony Cross
Hampshire, England
7 November 1854
Dear Prudence,
Regardless of the reports that describe the British soldier as unflinching, I assure you that when riflemen are under fire, we most certainly duck, bob, and run for cover. Per your advice, I have added a sidestep and a dodge to my repertoire, with excellent results. To my mind, the old fable has been disproved: there are times in life when one definitely wants to be the hare, not the tortoise.
We fought at the southern port of Balaklava on the twenty-fourth of October. Light Brigade was ordered to charge directly into a battery of Russian guns for no comprehensible reason. Five cavalry regiments were mowed down without support. Two hundred men and nearly four hundred horses lost in twenty minutes. More fighting on the fifth of November, at Inkerman.
We went to rescue soldiers stranded on the field before the Russians could reach them. Albert went out with me under a storm of shot and shell, and helped to identify the wounded so we could carry them out of range of the guns. My closest friend in the regiment was killed.
Please thank your friend Prudence for her advice for Albert. His biting is less frequent, and he never goes for me, although he’s taken a few nips at visitors to the tent.
May and October, the best-smelling months? I’ll make a case for December: evergreen, frost, wood smoke, cinnamon. As for your favorite song…were you aware that “Over the Hills and Far Away” is the official music of the Rifle Brigade?
It seems nearly everyone here has fallen prey to some kind of illness except for me. I’ve had no symptoms of cholera nor any of the other diseases that have swept through both divisions. I feel I should at least feign some kind of digestive problem for the sake of decency.
Regarding the donkey feud: while I have sympathy for Caird and his mare of easy virtue, I feel compelled to point out that the birth of a mule is not at all a bad outcome. Mules are more surefooted than horses, generally healthier, and best of all, they have very expressive ears. And they’re not unduly stubborn, as long they’re managed well. If you wonder at my apparent fondness for mules, I should probably explain that as a boy, I had a pet mule named Hector, after the mule mentioned in the Iliad.
I wouldn’t presume to ask you to wait for me, Pru, but I will ask that you write to me again. I’ve read your last letter more times than I can count. Somehow you’re more real to me now, two thousand miles away, than you ever were before.
Ever yours,
Christopher
P.S. Sketch of Albert included
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Smile
By the time an observer has taken in the information conveyed by how you stand, you are likely to have noticed his or her attention. The next step? Smile. A natural, spontaneous smile indicates friendliness or willingness to communicate. We smile to say hello, and we smile to indicate approval or interest. A frown, of course, indicates unhappiness or a bad mood, as well as lack of receptivity or skepticism.
The great thing about smiling at someone is that the person usually smiles back. Smiling is an easy way to say hello, and most likely will make another person more receptive and friendly toward you. But try not to act—the smile should be genuine. Be real, and others will recognize your sincerity.
A precautionary note: Make sure you combine smelling (and the other “accessible” behaviors described in this chapter) with an approach or attempt at conversation—or at least a warm hello at the right moment. If you smile for too long without further action, you may scare the other person away.
”
”
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
“
I did at that.” His blue eyes twinkled, and Taylor couldn’t help but smile. Robust and full of life, that’s how she would describe Frank Richardson. Her
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”
J.T. Ellison (14 (Taylor Jackson, #2))
“
But it’s not going to be like that with you.” His eyes drifted around her hair and her face and her bare breasts. “To me…you’re everything I need, all that I want. I can’t describe it. Just when you kiss me, that’s all I’m after—What?” She smiled as she stroked him slowly. “You make me feel precious.” “Come up here and let me show you exactly how precious.” He
”
”
J.R. Ward (Covet (Fallen Angels, #1))
“
Pick an act or task. Think back on your day and choose one self-contained, seemingly insignificant act that you performed. (Hint: pick something you think is routine and boring.) This could be saying hi to another person, smiling at someone, or having a conversation in line for coffee. The key is that you choose an act that happened only once. Try to avoid general actions that span a longer time frame like, “I went to work.” Be very specific. Now, write down what you did or said. Imagine. Albert Einstein once said, “Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.” This is where the fun starts. Start to imagine and follow the “ripple” of the act that you wrote down. Who did and could the act impact? How? Did it change someone’s emotions? Did it change someone’s mind-set? Someone’s perception? Did it change the simple direction they were walking or what flavor latte they ordered? Now, start thinking about one step removed from your act. What changed as a result of the initial change the act caused? Now keep imagining, step by step, how each act builds on the former, describing what and who changed after each successive act. Keep going until you reach a point of global impact. Now, if you’re like me, you will inevitably get to the point of saying to yourself “no way this would ever happen” or “this is so cheesy.” This is the precise barrier you need to break through. Our doubt can consume us and bring us down into a nice, comfortable place called complacency. Map it. As you trace your act, literally draw it out. Draw one arrow or path leading from one effect to the next and write out a short description of each effect as you go. Try to imagine at least ten steps removed from the original act until you reach a global level of impact. The first time you do this, it will be very hard. But do it daily, weekly, or monthly and it can change your thinking. Believe it. Once you finish your map, you’re not done. Now, you have to believe it. Do you believe that this is all possible? What if you did this exercise for every moment in your day? Imagine if just one of those trajectories turned out the way you imagined. One will. I never imagined that when I said, “Hey, how’s it going?” to a fellow student during my summer job it would completely transform her entire life trajectory. But I wish I had every day. My alarm clock would have meant much more.
”
”
Zach Mercurio (The Invisible Leader: Transform Your Life, Work, and Organization with the Power of Authentic Purpose)
“
You do understand what I mean!” he exclaimed, pleased to see Maude responding to his song. “I chose Nina Simone to show you something else. Just like you, Nina Simone had a classical background. When she was younger, she wanted to become a concert pianist. Her skill was beyond measure and she used it in a wide repertoire of jazz, blues, and R&B songs. And I think you can do the same. Music knows no limits and I truly understand why James insisted on signing you, Maude.” Maude remained silent, still thinking about his rendition of Nina Simone. “All you have to do is dig deeper. Try finding some suffering in you. Don’t sing the Cenerentola with a smile. Although you look like a girl who’s had it all. You know, the nice girl from the North of France, who grew up in a quiet, small town with her loving mom and dad and brothers and sisters, always top of her class, quick-tempered when things didn’t go her way. A bit spoiled, I guess. You have to put all that—” “Spoiled?” Maude blurted in utter disbelief, the word echoing through her mind. Of all the things he could’ve said about her, spoiled was the last word that could have appeared remotely appropriate to describe her. As for suffering, she’d had plenty of that, too, which is why she didn’t want to think about it. Not while she was so happy in New York and Carvin and the Ruchets were the last thing she wanted in her head. She painfully pushed the Ruchets away from her mind and turned to Matt, eyes flaring up again. “You know nothing about me, Matt,” she said, her voice quivering with emotion. “And you obviously know nothing about suffering, or you wouldn’t idealize it the way that you do. You see it as a romantic notion that seemingly gives depth to songwriting. And it does. Not because the singers actually thought of woe in a purely aesthetic way, but because that’s how they actually lived. You will never understand that,” she finished, trembling from head to toe. And with that, she grabbed her bag, coat, gloves, scarf, and stormed out of Matt’s Creation Room, slamming the door behind her.
”
”
Anna Adams (A French Girl in New York (The French Girl, #1))
“
You look . . . spellbinding,' he breathed, his smile so wide it damn near touched his ears. 'Breathtaking. Divine. Avoir le coeur qui bat la chamade.' French, sweet as honey, dripped off his tongue, yet he shook his head as if he'd fallen short. 'There simply aren't enough words in any language to describe what a vision you are, my dear.'
Nikki smiled. She'd worried for days whether or not Louis was Apophys, or at least one of his servants. But in his presence, she felt only genuine emotion--his excitement and tenderness. It would have been easier the other way around. Knowing these were his true feelings broke her heart.
”
”
Lana Hart (The Bejeweled Bottle (The Curious Collectibles Series #3))
“
After a week of moping around London like a sick dog, I decided that the only cure for my humiliating disease was to see you in the flesh and prove that nothing uncanny had taken place when I saw that miniature.” “And what happened?” she asked, praying for him to say he hadn’t been disappointed. He’d spoken lightly of falling in love, but he was yet to say the words that every inch of her soul longed to hear. He gave her that smile that always made her silly. “You know precisely what happened. Miss Flora opened the door, and my fate was sealed.” “Oh,” she said, too stirred up to summon anything more meaningful. “Straightaway I saw the qualities I’d observed in the picture, the qualities your father had described. They were all there in the lassie who tried to leave me out in the rain.” “So you thought you’d found the perfect wife.” He burst out laughing and caught her hand. “My darling Charlotte, you’re bonny, but nobody in their right mind would call you a perfect wife.” “Is that so?” she asked in a dangerous voice. “I’ll have you know that—” Her scolding ended in a gasp as he lunged forward and tumbled her back against the rumpled bedding. “Now, before you fly up into the boughs, let me finish. You’re an impatient wee lass, my love.” She regarded him with sulky displeasure, even as happiness flowed through her veins, turning the cold night to bright summer. The sheet separated their bodies, but she could feel that, like her, he was becoming interested in more than conversation. However fascinating. “It had better be good.” “It is.” He kissed her with a thoroughness that stole her breath. When he raised his head, they were both panting. “I don’t want perfection, Charlotte. I want a wife who will stand up to me, and make me crazy with wanting her, and set me laughing with joy, and turn every day into an adventure. I doubt we’ll lead a quiet life, but by God, it will be interesting and worthwhile, and purposeful and passionate.” “And
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
So why do you think that?” Chase said. “That, you know, it’s not casual?” “Oh,” Vince said. “It’s just, you know. A little bit … baroque?” He waved one hand merrily, sending a small glob of garbage flying through the air and onto my shoe. “Oops,” he said. “Baroque,” Chase said thoughtfully. “Like what. You mean, um … what?” Vince kept smiling. Nothing Chase said, no matter how stupid, could put a dent in his bright and shiny armor. “Complicated,” Vince said. “Like, you know. He didn’t just want to kill her. He had to do stuff to her.” Chase nodded, and even in the shadows of the alley, I thought he turned a few shades paler. “What, um,” he said, and he swallowed. “What kind of stuff?” “Take a look,” Vince said. “It’s kind of hard to describe.
”
”
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
“
Looping her arms about his neck, she rose up on tiptoe to kiss his mouth. This time she was the one to instigate the duel of tongues and lips that sent her senses reeling. This time she was the one in control.
Until Dom pulled down her bodice and corset and shift to bare her breasts. Oh, sweet Lord in heaven. He was more wicked--and more wonderful at this--than even she could have imagined.
But she could be wicked, too. Remembering what Nancy had told her about men, she reached down between them to cup the hard length of him through his trousers.
He jerked back. “What are you doing?”
How wonderful to be the one to shock him! Though she noticed he didn’t step away or pull her hand off him. And his flesh seemed to grow beneath her very fingers. “Don’t you like it?” she said in what she hoped was a sultry-sounding voice.
“Good God, yes.” He practically groaned the words. “But where the blazes did you learn to do it?”
“Nancy said men like to be touched…down there.”
“Wonderful. Now the sinner is instructing the saint,” he muttered before he took her mouth again, giving her no chance to protest that she wasn’t as saintly as he assumed.
But clearly he’d guessed because he leaned into her hand, letting her fully explore the male appendage that Nancy had only described in furtive whispers.
To Jane’s delight, the more she rubbed him through his trousers, the more his kiss changed, grew bolder, hotter, fiercer. How delicious! They had certainly never done anything like this in their youth. Perhaps if they had, he wouldn’t have been so content to toss her aside.
It was definitely making her ignite. Or perhaps it was his hands roaming her body doing that. Whichever the case, an unfamiliar ache began between her legs that made her want to squirm. So she focused on caressing him with renewed vigor, hoping to regain control over this…insanity.
He grabbed her hand to still it.
She tore her mouth from his. “What? Am I doing it wrong?”
“If you do it any more right, I will embarrass myself.” He fixed her with a dark stare. “Or perhaps that’s what you want. Another way to torture me.”
“I don’t know what you mean. Am I doing it right or am I torturing you? Which is it?”
He searched her face, then, apparently satisfied with what he saw there, smiled faintly. “Both.” Taking her by surprise, he dripped onto the pianoforte bench and tugged her across his lap. “Here, I’ll show you.”
As he drew her skirts up to her knees, she froze. “I don’t know if this is…such a good idea, Dom.”
“Oh, trust me, it’s a fine idea.” He smoothed his hands up her stockings and past her garters until he came to her drawers. “Before you go running off to seal your ‘arrangement’ with Blakeborough, you should at least have a taste of passion. Just so you’ll know how important it really is.” Pressing his mouth to her ear, he added, “Men aren’t the only ones who like to be touched there, sweeting.”
That remark really made her want to squirm, but before she could ask about it, he kissed her mouth again and she gave herself up to the kiss. And then he was stroking her between her legs, right where she ached.
Her legs fell open, she wasn’t even sure how. Then his clever fingers were inside her drawers and finding the delicate flesh beneath her curls and doing outrageous things to it that made her shimmy and wriggle on his lap.
“Feels good, doesn’t it?” he rasped against her lips.
“Yes. Is it…too very wicked?”
He gave a strained laugh. “Not too very wicked.” He delved inside her with one finger.
“Dom!” she squeaked, but he continued the caress, and her heart felt as if it might leap from her chest, it raced so hard. “Dom…That’s…oh…”
“God, sweeting,” he said as he slid his finger in and out, driving her insane, “don’t ever tell me again that passion means nothing to you. You’re so warm and wet. Perfect. So beautifully perfect.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
She is dead now, so I can say that she laughed like us, played like us and her adult life turned out okay- so I heard. But then when we were all twelve or less, it seemed as though she floated behind a scrim. Markedly pretty, she had eyes full of distance- a smile made more attractive by what it withheld; some knowingness it appeared unwilling to share. In the early forties "cool" was our word to describe her, although, at the time, I thought she was simply sad. Something treasured had been irretrievably lost, and there was nothing to be done about it. Her attitude reminded me of what I saw in the eyes of scary old people sitting in rocking chairs on the porch or leaning forward on a fence looking at us as though in a little while we would know the doom and catastrophe they already knew. "Uh huh", they murmured when we tripped over the door saddle or ruined our clothes. "where is your mind" they asked when we dropped the milk bottle, let the coal fire go out. Seriously asking a serious question, they showed no surprise. They knew we would always fall down, drop things, be ruined, and forget. And it was possible to lose your mind. She too seemed aware of our haplessness, but she did not wear their frown. A mournful sympathy infected her smile.
”
”
Toni Morrison
“
Everything always changes. It is unavoidable. Some of the intensity of resonance gets lost, but it is replaced by new things. Better things.” I sit back, wiping my hands clean of blood as I take a brief pause. Thoughts of Meh-gan fill my mind and I smile to myself. “I love to hear my mate’s laugh. I love to take care of her. I do not mind when she is tired, because then I will pull her against me and hold her all night. I live to please her, and when you feel your son kick in her belly…” I spread my hands, helpless to describe the joy of it. “Everything in the world is perfect.
”
”
Ruby Dixon (Having the Barbarian's Baby (Ice Planet Barbarians, #6.1))
“
He slid back beneath the covers, smiling like a fool. It was rather nice, being the hero of the hour ... and there were no words to describe how he'd felt when Miss Juliet Paige had come in to say good night to him and bent down to touch her cool, sweet lips to his brow. He sighed and lay back in bed with a happy grin. Such attentions made him feel quite special, indeed. And, appreciated. He wasn't used to anyone appreciating him. He closed his eyes. The blackbird was still singing, and as he began to drift away, he allowed himself to imagine that Juliet Paige was gazing reverently down at him, standing watch over him as though he were some mighty fallen warrior-hero and she, heaven's dearest angel. When Lucien came quietly in to check on him an hour later, Gareth was fast asleep ... and still smiling. ~~~~
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
“
My heart sunk. I never understood why people felt sorry for me. Yes it hurt knowing I’d never meet my mom, but I hadn’t had the chance to lose her. She was already gone. But this? I would never understand Brandon’s hurt, and I didn’t know how to try, but I wanted to take it away. What I did know, was that he didn’t need my condolences right now, so I reached my hand across the table and rested it on top of his. He made slow circles on my thumb causing my entire hand to heat up. “Tell me about him.” He glanced up and my breath caught at his expression. If a masculine man could be described as beautiful, then his expression was just that. “He was amazing. Hard worker, but always home for dinner with us. Brought my mom flowers every other weekend, never missed one of our games. Taught me how to play football and surf. He made sure to let us know we could have anything we wanted if we worked hard enough for it. I always wanted to be like him when I grew up. Everyone loved him, he was a great man.” “Sounds like it. I’m sure he would be very proud of you.” He smiled at me and sat back into the chair, looking at me intently. “What?” “I’ve never had someone ask me that. Normally people just tell me they’re sorry and get uncomfortable. It’s awkward and to be honest, gets kind of old.” “Does it bother you that I asked?” “Not at all. It’s nice to talk about him sometimes. Your dad ever talk about your mom?” “Um, not exactly. Just said enough to let me know I reminded him too much of her. It never made sense to me, he always kept me close, like with the home-schooling, but he always made it clear he didn’t want me.” I snapped my mouth shut before I could say anything else. I exhaled in relief when he didn’t ask me to explain that further. “Well it’s his loss.” Yeah,
”
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Molly McAdams (Taking Chances (Taking Chances, #1))
“
But really, my lord, ’tis a nerve-wracking situation and I would . . . well . . . If we could get it over?” Connall stared at her blankly, clearly taken completely by surprise at this outburst, then he frowned and echoed, “Get it over?” “Aye . . . well . . .” She forced a smile and began wringing her hands together as she explained, “Tis rather like knowing that someday soon, though you are not sure when exactly, you will have to approach the blacksmith about knocking a rotten tooth out.” “Knockin’ a rotten tooth . . .” Connall was staring at her with disbelief, though she didn’t understand why. Nor did she understand why, when he finally spoke, he sounded somewhat upset. “Me lady wife, I realize ye havenae—What on earth makes ye think—‘Knockin ’ out a rotten tooth’?” Eva bit her lip, unsure what she should say to improve the situation. He seemed rather offended by the comparison. “Well, I have never—I mean, from what I have been told, it does not sound like something to look forward to, my lord.” “What ha’e ye been told?” He sounded as if he were forcing patience. Eva considered whether she had the courage to repeat Mavis’s description and was quite sure she didn’t. It was one thing to be told that by another woman, it was quite another to repeat it to the man with the boiled sausage he intended to use on you. She shook her head helplessly, but Connall apparently wasn’t in the mood to humor her. “What’d that useless brother o’ yers tell ye?” “Oh, it was not Jonathan,” she assured him quickly. “It was my maid, Mavis . . . Well, she was not truly my maid. She worked in the kitchens, but did occasionally act as lady’s maid to me . . . Well, once or twice. She traveled to court with us because Jonathan said I needed a lady’s maid there,” Eva explained lamely, then fell silent, aware she’d been babbling. “I see, and what did this Mavis tell ye aboot what goes on between a husband and wife?” Connall was sounding a little less angry now, she noted with relief. Still, it was difficult to imagine telling him so she said instead, “Well she was describing what went on between the servants, not necessarily between husband and wife, if you see what I mean?” “Stop stalling,” he said quietly. “A wife shouldnae fear telling her husband ought.” Eva sighed at these words, it was becoming obvious that he wasn’t going to let this pass and she was going to have to repeat what Mavis had said. She was beginning to wish that she had never opened her mouth, but had simply awaited his pleasure in silent suspense. Unfortunately, she hadn’t done so. Deciding that there was nothing for it, she gathered her courage and blurted, “She said it appeared that the man and woman wrestled a bit and then he stuck his boiled sausage up between her legs.” Connall made an odd sound, somewhere between a cough and snort, then turned his head abruptly away so that she could not see his expression. Eva was not certain at first if he were angry or shocked, but then she noted the way his shoulders were shaking and suspected the man was actually laughing at her. Indignation quickly rose up in her, but before she could say anything, there was a knock at the door. Eva glared at her husband as he glanced around, then stood and headed for the door. “Yer flouncin’!” Connall crowed with amusement. “Damn me, I’d ha’e sworn ye were no a flouncer, but yer flouncin’!” Realizing
”
”
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
“
Lord Charles?" "Amy." He smiled sleepily and rose up on one elbow, the blanket sliding down one shoulder. "Good morning." Temporary silence. Charles was unaware that Amy had a friend with her, and he was totally oblivious to the sight he presented to the two girls, his hair tousled by sleep, his pale blue eyes clear as aquamarine as a shaft of sunlight drove through the window and caught him full in the face. A sighted man would, of course, have squinted; Charles did not, and instead, Mira and Amy were treated to a brilliant, wide-open view of clear, intelligent eyes, romantically down turned at the outer corners and fringed by long straight lashes tinged with gold. "Hell and tarnation above, Amy, ye sure weren't jokin'! He's bleedin' gorgeous!" "Mira!" cried Amy, horrified. Charles was hard-pressed to hide his amusement. He knew, of course, or had at least suspected, that Amy had a girlish infatuation for him, and he'd tried his best not to embarrass her by calling attention to it. He determined not to do so now. "And whom do I have the pleasure of addressing?" he asked, still supporting himself on one elbow and blinking the sleep from his eyes. Mira, standing there with her mouth open, was transfixed by that slow, deliberate blink. In a heartbeat, she saw what Amy had described: studied thoughtfulness, kindness, compassion. The way the man lowered those long eyelashes over those translucently clear eyes, then slowly brought them back up again, did something funny to her insides. Cripes, no wonder Amy was smitten! "Mira Ashton, patriot," she announced. "I'm Amy's friend. She tells me ye're a blasted Brit who took it upon himself to be merciful to Will, so I guess I'll take it upon myself to be merciful to you. Besides, I hear ye're being nice to Amy, and since everyone else in this house treats her like donkey dung, I figger the least I can do is be civil to ye — redcoat or not." "Mira!" Amy gasped. "Well, it's true. Where are those two bleedin' leeches, anyhow?" Despite himself, and his irritation with both the girl's language and her rather vexing use of the word "Brit," Charles got to his feet and bowed, his spirits suddenly quite buoyed. If Amy had friends like this, maybe he shouldn't be worrying about her, after all. "Still in bed, I daresay," he said.
”
”
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
“
Well, he was a bit intimidating." "A bit?" Juliet laughed. "We're talking about a man who conceals a rapier in his walking stick, who appears to be as omniscient as God, who faithfully practices his dueling skills every week, and who loves nothing more than to move and manipulate those around him as he might the pieces in a game of chess. Add to that the fact he is one of the most powerful — and dangerous — men in England, and I fear that intimidating doesn't even begin to describe him! But he loves and is very protective of his family, I'll give him that. If you could have seen him when he found out that Gareth had taken up pugilism for a living . . ." Humming to herald her imminent arrival, Nerissa reappeared, all smiles. "Well, well, I see that you two Yankee Doodles have found something to talk about!" "Yes, your infamous brother," Juliet said wryly. "Lucien? He wasn't unkind to you, was he, Amy?" Amy nearly laughed. "I don't understand why everyone thinks he's such a monster!" The other two exchanged knowing glances. "You will," they chorused.
”
”
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
“
He won’t have long, daughter.’
‘Who won’t?’ she replies, puzzled.
Without another word, the entity’s eyes close and Eight’s body begins to tremble. To my surprise, the energy actually recedes from his body. The cracks along the backs of his hands stop glowing and close up, as does the one that opened across his forehead. After a few seconds, the only thing left glowing on Eight is the wound over his heart. He floats out of the column of energy and ends up right in front of Marina.
When Eight opens his eyes, they don’t glow. They’re green, just like I remember them, serene, but with a spark of that old mischief. Eight’s lips curl into a slow smile as he sees Marina.
‘Wow, hi,’ Eight says, and when he speaks it’s with his own voice.
It’s him. It’s really him.
Marina nearly doubles over with a delighted sob. She collects herself quickly, though, and grabs Eight first by the shoulders, then on the sides of his face. She pulls him in close.
‘You’re warm,’ she says in wonder. ‘You’re so warm.’
Eight laughs easily. He puts his hand over Marina’s and gently kisses the side of it.
‘You’re warm, too,’ he says.
‘I’m so sorry, Eight. I’m sorry I couldn’t heal you.’
Eight shakes his head. ‘Stop, Marina. It’s okay. You brought me here. It’s – I can’t even describe it. It’s amazing in there.’
Already, I see the energy spreading outward from Eight’s heart. It races through his body, fissures opening on his arms and legs. He doesn’t seem to be in any pain. He just smiles at Marina and looks at her like he’s trying to memorize her face.
‘Can I kiss you?’ Marina asks him.
‘I really wish you would.’
Marina kisses him, pressing in close, squeezing him. As she does, the energy swells up from within Eight and, slowly, his body begins to break apart. It’s different from when a Mogadorian disintegrates. It’s as if, for a moment, I can see every cell in Eight’s body and see how the energy from the well glows in between each of them. One by one, those pieces of Eight dissolve, and he becomes one with the light. Marina tries to cling to him, but her fingers pass right through the energy.
And then, he’s gone.
”
”
Pittacus Lore (The Revenge of Seven (Lorien Legacies, #5))
“
So…” My mom says in a voice that is distinctly meddling. “Chess is nice.”
A smile pulls at my lips. “Nice isn’t how I’d describe her.”
“Oh? And how would you describe her?” …
Perfect. Fuckable. Stunning. Funny. Mine.
Mine.
Mine.
”
”
Kristen Callihan (The Hot Shot (Game On, #4))
“
I am so lucky,” Friedrich said, curling his arms around her. “Not as lucky as I am. Luck doesn’t even begin to describe it. I am blessed.” Cinderella smiled up at him. His smile was so warm, it made her stomach tumble. “Can we spend the rest of our lives arguing who is more blessed?” “Let’s.
”
”
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
“
I was tired of being a smiling size-two who never broke curfew and was described by all her teachers as 'quiet, serious, a dream come true.' Mostly, I felt small everyday and blamed the city, thought maybe if I went somewhere unlike anywhere I knew I could be fixed and new and like I'd always wanted to be.
”
”
Jean Kyoung Frazier (Pizza Girl)
“
name, but he lives around the corner.’ Mary sighed. ‘He works in a law firm — or a finance brokerage — or something like that—’ she lifted her left hand and moved her wrist in circles ‘—on the next street over. Of course, when you walk past a shelter wearing a Rolex you’re going to be asked if you can spare some change.’ She shook her head. ‘But yes, I know who you mean, and I’ve heard him say those things.’ ‘He mean anything by them you think?’ She studied Roper for a second. ‘Are you asking if I think he could have murdered Ollie?’ Roper stayed quiet. He couldn’t lead her into anything. After a second, he said, ‘I’m not asking anything other than whether you think that he’s worth speaking to.’ Diplomatic he wasn’t. ‘I don’t know. I’ve never spoken to him — only heard his voice, had him described to me.’ Jamie cut in now. ‘Has he ever assaulted any of the people who come here? Any violence, or direct threat?’ ‘Direct threat?’ Roper sucked his teeth. ‘As in, I’m going to drown you versus you should be drowned.’ Mary’s mouth crumped into a wrinkled line. ‘I don’t know that I can really say whether… I… I don’t know is the simple answer. Lots of people take offence to the shelter being here. It wouldn’t be out of the question for someone to act rashly — but him? I don’t know.’ She was being careful not to say anything that would incriminate the possibly innocent man. She turned to Roper, trying to sound casual. There was no need to worry Mary. ‘We’ll get some uniformed officers to canvas the area — ask around to see whether the shelter has had an impact on anyone in particular.’ She smiled at Mary now. ‘But don’t worry, it’s just eliminating the most improbable suspects first, narrowing down the scope of the investigation, you know?’ ‘Am I a suspect?’ Mary asked, stopping
”
”
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
“
Who was the artist? The line of her body was slim and softly feminine in a way that spoke to every one of his senses. Her hair, a rich mahogany had smelled wonderful, though he'd be hard-pressed to describe just exactly what it smelled like... fresh, he would have said, Or clean. Or sweet. But none of those words really seemed to apply, precisely. How he loved discovering the unique smell of a woman... a good place to start discovering it, he knew, was the nape of the neck. But there were other delightful places, too.
He smiled, a wicked, private smile, which faded when he remembered he was not to be discovering the smells of females while he was in Barnstables.
You were bloody quiet, she'd said. As though he'd thwarted her.
He gave a bark of delighted laughter. It rather sounded like something he would have said.
”
”
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
“
Superstring theory in the thirteenth century?!” Katherine wasn’t buying it. “Come on!” Superstring theory was a brand-new cosmological model. Based on the most recent scientific observations, it suggested the multidimensional universe was made up not of three . . . but rather of ten dimensions, which all interacted like vibrating strings, similar to resonating violin strings. Katherine waited as her brother heaved open the book, ran through the ornately printed table of contents, and then flipped to a spot near the beginning of the book. “Read this.” He pointed to a faded page of text and diagrams. Dutifully, Katherine studied the page. The translation was old-fashioned and very hard to read, but to her utter amazement, the text and drawings clearly outlined the exact same universe heralded by modern superstring theory—a ten-dimensional universe of resonating strings. As she continued reading, she suddenly gasped and recoiled. “My God, it even describes how six of the dimensions are entangled and act as one?!” She took a frightened step backward. “What is this book?!” Her brother grinned. “Something I’m hoping you’ll read one day.” He flipped back to the title page, where an ornately printed plate bore three words. The Complete Zohar. Although Katherine had never read the Zohar, she knew it was the fundamental text of early Jewish mysticism, once believed so potent that it was reserved only for the most erudite rabbis. Katherine eyed the book. “You’re saying the early mystics knew their universe had ten dimensions?” “Absolutely.” He motioned to the page’s illustration of ten intertwined circles called Sephiroth. “Obviously, the nomenclature is esoteric, but the physics is very advanced.” Katherine didn’t know how to respond. “But . . . then why don’t more people study this?” Her brother smiled. “They will.” “I don’t understand.” “Katherine, we have been born into wonderful times. A change is coming. Human beings are poised on the threshold of a new age when they will begin turning their eyes back to nature and to the old ways . . . back to the ideas in books like the Zohar and other ancient texts from around the world. Powerful truth has its own gravity and eventually pulls people back to it. There will come a day when modern science begins in earnest to study the wisdom of the ancients . . . that will be the day that mankind begins to find answers to the big questions that still elude him.
”
”
Dan Brown (The Lost Symbol (Robert Langdon, #3))
“
As 1:00 a.m. approached, Second Officer Lightoller was feeling frustrated. None of the lifeboats on the port side had yet been launched, despite his best efforts. He had managed to get Lifeboat 4 swung out and lowered half an hour ago, even though Chief Officer Wilde had twice told him to wait. Both times Lightoller had jumped rank and gone directly to Captain Smith to get the go-ahead to proceed. The captain had also suggested that Lifeboat 4 be lowered to A deck since he thought it would be easier for the passengers to board from there. But a crewman had just shouted up that the A-deck windows were locked. (Smith may have forgotten that, unlike the Olympic, the Titanic had a glassed-in forward promenade.) Lightoller sent someone to unlock the windows and to recall the passengers who had been sent down there. Meanwhile, he moved aft to prepare Lifeboats 6 and 8, ordering that the masts and sails be lifted out of them. Just then the roaring steam was silenced and Lightoller was slightly startled by the sound of his own voice. Arthur Peuchen overheard the order and, ever handy around boats, jumped in to help cut the lashings and lift the masts out onto the deck. After that the call went out for women and children to come forward. The “women and children only” order would be more strictly enforced here than on the starboard side where men were being allowed into boats. When a crowd of grimy stokers and firemen suddenly appeared carrying their dunnage bags, Chief Officer Wilde was spurred into action. “Down below, you men! Every one of you, down below!” he bellowed in a stern, Liverpool-accented voice. Major Peuchen was very impressed with Wilde’s commanding manner as he drove the men right off the deck, and thought it “a splendid act.” Helen Candee, however, felt sympathy for the stokers whom she later described as a band of unknown heroes who had accepted their fate without protest. She was waiting by Lifeboat 6 with Hugh Woolner, who had been by her side ever since he had gone down to her cabin from the smoking room after the collision. “The Two” had then walked together on the boat deck, amid the roar of venting steam, and had noticed that the ship was listing to starboard. They went into the lounge to escape the cold and the noise, and there a young man came over to them with something in his hand. “Have some iceberg!” he said with a smile as he dropped a piece of ice into Helen’s palm. The ice soon chilled Helen’s fingers, so Woolner dashed it from her and rubbed her hand and then kept it clasped in his.
”
”
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
“
Resting her head on her bent arm, she closed her eyes and tried to focus on something else. Like getting the hell out of here.
I’m not going to urinate in my canteen. I have to drink out of that.
She smiled when Jak’ri’s disgruntled voice came to her. She was too tired to block other people’s thoughts. And the Gathendiens all dosed themselves with some herb to keep their minds private. So Jak’ri’s and Ziv’ri’s were the ones she inadvertently found herself immersed in.
For once, she didn’t mind.
I don’t know why that would bother you, his brother responded dryly. After you drank that liquor from Promeii 7, I would think urine would be a vast improvement.
Though they spoke aloud, their thoughts mirrored their words, enabling her to listen in.
Jak’ri laughed. It probably would. That bura was revolting.
Yet you still drank it.
And won the wager.
Ziv’ri made a grumbly sound. I never should’ve wagered my hovercycle.
Best cycle I ever owned, Jak’ri crowed.
His brother grunted. Did you tell Ava about that?
She raised her eyebrows, surprised to hear Ziv’ri mention her.
No. I think I’ll spare her that one.
Why? Don’t want to tarnish your virile image by describing the week afterward that you spent hanging your head in the lav and regurgitating everything you ate?
Jak’ri laughed. I already tarnished my image when I showed her what I look like now.
Not a wise move. Even Shek’ra wouldn’t want you if she could see you now. You’re far too scrawny to attract a female.
Drek you.
Low masculine laughter accompanied the siblings’ teasing.
What does she look like? Ziv’ri asked.
Ava?
Yes. All you’ve told me is she looks Lasaran.
A moment passed, and Ava found herself holding her breath as she awaited his answer.
She’s beautiful, Jak’ri said, something like affection tingeing his voice.
Warmth filled her.
Small and delicate like the Lasaran princess.
She was actually three inches taller than Ami. But Jak’ri had been a head taller than her or more, so she supposed anyone a foot shorter would seem small and delicate to him.
She isn’t built like our women, he continued. Her shoulders aren’t as broad. And her chest and back aren’t as muscled.
What about her breasts?
You don’t need to know about her breasts, Jak’ri chastised him. But they’re perfect, plump and round.
She didn’t think he said that last part out loud, thankfully.
Ava glanced down at her modest bosom. She’d always considered her breasts small by society’s standards. Certainly nothing that would stop traffic. But it seemed as though they were actually larger than most Purveli women’s.
And Jak’ri liked them, judging by the way his thoughts drifted to memories of her lacy bra cupping her breasts while they swam and played together in the ocean.
You’re thinking about her breasts now, aren’t you? Ziv’ri asked.
She grinned. Yes, he is, she answered telepathically.
Jak’ri gasped.
Oh ho! Ziv’ri crowed on a laugh. You’ve made my brother blush, Ava. I haven’t seen his face this red since Mother caught him—
Do not finish that sentence! Jak’ri ordered.
Ava laughed.
”
”
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
“
of Peter’s?” Elizabeth asked. Tracy smiled. “I wouldn’t describe us as friends. We were lovers in the seventies. A long time ago,” she added wistfully, “before he married Reka. I haven’t seen him in many years. Now tell me what brings you here?” Elizabeth chose her words carefully, not wanting to give too much away. “Peter was an international businessman, and he died under mysterious circumstances. My editor thinks
”
”
Allan Topol (Russian Resurgence: A Craig Page Thriller)
“
Is Imani scared of anyone? How did you describe her to me once? Ah yes. A grande dame who has no time for anyone’s bullshit. That is Imani. Raphael wanted to smile. I have always liked her for that.
”
”
Nalini Singh (Archangel's War (Guild Hunter #12))
“
Matthew’s smile vanished as his gaze slid over her and lingered on the torn seam at her shoulder. “What happened to your dress?”
“It was nothing. I had a sort of… well, a scuffle, you might call it, with Lord Llandrindon.”
It was the most innocent way Daisy could think of to describe the encounter, which of course had been harmless. She was certain no lurid connotations could be attached to “scuffle.”
However, it appeared that Swift’s definition of the word was far more expansive than hers. Suddenly his expression turned dark and frightening, and his blue eyes blazed.
“I’m going to kill him,” he said in a guttural voice. “He dared to— where is he?”
“No, no,” Daisy said hastily, “you misunderstood— it wasn’t like that—” Dropping the sketchbook, she threw her arms around him, using all her weight to restrain him as he headed toward the garden. She might as well have tried to hold back a charging bull. With the first few steps she was carried bodily with him. “Wait! What gives you the right to do anything where I’m concerned?”
Breathing heavily, Matthew stopped and glared down into her flushed face. “Did he touch you? Did he force you to—”
“You’re nothing but a dog in the manger,” Daisy cried hotly. “You don’t want me— why should you care if someone else does? Leave me alone and go back to your plans for building your big sodding factory and making mountains of money! I hope you become the richest man in the world. I hope you get everything you want, and then someday you’ll look around and wonder why no one loves you and why you’re so unh—”
Her words were crushed into silence as he kissed her, his mouth hard and punishing. A wild thrill shot through her, and she turned her face away with a gasp. “— happy,” she managed to finish, just before he clasped her head in his hands and kissed her again.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
When I say you're mine.
A butterfly flies so soft,
Wings silent but tender,
The Roses dance gentle in the wind,
Flows love into the fields,
My face hits the sweet air in a feeling I cannot describe,
Only touch with my heart,
Only feel in my spirit,
Only hear in a silent smile.
When I say you're mine,
Longing in a world,
Tenderness gone away as dried dust in the winds,
Feet walked on sands of despair,
Sore from love gone,
Legs tired from walking on ever ending roads,
Roads to longing for a hand,
Longing for a touch,
Longing vote a voice in this cold world,
To say, 'I love you'.
When I say you're mine.
Once the passing of many moons,
So long ago, so far ago,
Making the world not a home,
Making the so life so barren,
Dry, loveless, careless,
The moon no longer had her beauty of sliver,
No longer had magic in the shine,
Now dull, now dark, now lonely,
When I say you're mine,
Sun and earth together,
One needs the other,
The sun needs earth,
The earth needs the sun,
Life, love..balance out,
Love grows, love flows,
Perfect, perfect as you,
Orbit, love, life,
From heaven, from destiny,
For eternity.
When I call you mine.
You, are my world,
You, are my moon,
You, are my sun,
You, are my earth,
Back, perfect, love..is back..
When I say you're mine,
It is because my dear,
I am all yours.....
”
”
Ravinder Singh (Like It Happened Yesterday)
“
You okay?” he asked quietly.
“Sure. Why wouldn’t I be?”
“Brad. I know you were crushing on him, and now he’s packed it up and moved next door. I wanted to make sure you weren’t having trouble dealing with it.”
“I can’t believe Allie told you about my crush.”
“Give me a break, Kate. I’ve known since family weekend. When was the last time you wanted to take a picture of me? Document my freshman year? What? Do I have clueless tattooed across my forehead?”
Narrowing my eyes, I leaned toward him. “Yeah, I think maybe you do.”
Even in the shadows I could see him grin. This was so totally weird. Sitting out here, having an almost normal conversation with my brother.
“He’s not your type, Kate.”
I scoffed. “How do you know my type? I don’t even know my type.”
“Trust me, when you do figure your type out, you’re gonna realize it’s not Brad. I mean, I like him, and he’s a great roommate, but what I want in a friend and what you need in a boyfriend aren’t the same. He’d just end up hurting you. Then I’d have to beat the crap out of him.”
I couldn’t stop myself from smiling. “Would you really do that for me, Sam?”
“You know I would.” His voice was totally serious.
And I realized that he was so not joking. His revelation stunned me almost as much as Joe’s kiss. No, wait, nothing would ever throw me off balance as much as that kiss.
“You do know that, don’t you, Kate?” Sam asked. “You’re my sister and I . . .” He waved his hand. “That L-word. You know.”
“Love?” I asked.
“Don’t make me say it, okay? Just know it’s true. I know I give you a hard time, but hey, that’s what brothers do. It’s part of our genetic makeup, a little chip inside our brains that gets activated when our parents shove a screaming baby sister in our face.”
“Like you’d have a memory of that moment. You were only fifteen months old.”
“Whatever. Look, I’m out here right now because I’ve been a little worried about you, and I haven’t really been able to get you alone to talk.”
“You’ve been able to get Allie alone.” And for a lot more than conversation.
He grimaced. “Yeah, she told me you know about us. Are you okay with that?”
“What if I’m not?”
“Then tough. Get over it.”
“Some understanding brother you are.”
“I’ve got my limits.”
“So you really like her, huh?”
“Yeah, I have for a long time, but geez, she’s my sister’s best friend. How weird is that?”
“Totally weird. When she described the way you kiss—”
“What?” Horror echoed his voice. His eyes were wide, his mouth open.
“Payback for the snowball,” I said snidely.
“I already paid you back for that.”
“So? Maybe there’s a little chip inside a girl’s brain that gets activated when her brother is a jerk and erases paybacks as soon as they happen so we need a steady stream of them.”
“You’re definitely not playing nice, Kate.” I heard him heave a sigh. “You know, that’s part of the reason I’ve steered clear of Allie. I don’t want her discussing my . . . moves with my sister.”
“Yeah, like you’ve got moves.”
He gave me a cocky look. “Hey, I’ve got moves.”
I held up a hand. “Definitely don’t want to hear about them.”
“Definitely don’t want you to hear about them.
”
”
Rachel Hawthorne (Love on the Lifts)
“
He smiled at her stubborn belief. “There was no spark, no connection. A mate bond isn’t just about
attraction. It is…” He stopped, unsure of how to describe such a supernatural occurrence to a human.
“It’s a soul-deep connection,” she said. “It’s finding someone who is your equal, your match.
Someone who excites you every day for eternity. The one person in the world you can’t live without.
A mate is your support, your home. They are a lover, friend, helpmate, and confidant. Finding your
mate is like finding the piece of yourself you always knew was missing but couldn’t do anything
about.
”
”
Victoria Davies (Love at Stake (Fated Match, #1))
“
To Helen’s mingled consternation and excitement, Winterborne accepted an invitation to dinner the very next evening. She wanted very much to see him, almost as much as she dreaded it.
Winterborne arrived punctually and was shown to the main floor drawing room, where the Ravenels had gathered. His powerful form was dressed with elegant simplicity in a black coat, gray trousers, and a gray waistcoat. Although his broken leg was still healing, the cast had been removed and he walked with the use of a wooden cane. One could have easily singled him out in a crowd, not only from his distinctive height and size, but also from his raven hair and swarthy complexion. The coloring, thought to be the result of Spanish Basque influence in Wales, was not considered aristocratic…but Helen thought it very handsome and striking.
His gaze came to Helen, dark heat framed with black lashes, and she felt a nervous flutter. Maintaining her composure, she gave him a neutral smile, wishing she had the confidence to say something charming or flirtatious. To her chagrin, Pandora and Cassandra--two years younger than she--were both far more comfortable with Winterborne. They amused him with nonsense such as asking whether there was a sword concealed in his cane (regrettably, no) and describing the mummified dogs in the Egyptian gallery.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
If you’re still reading this…well, I have no idea what must be going through your mind right now. Maybe you’ll find the contents unforgivable and decide that there is no future for us. Perhaps you’ll find it flattering that I weaved you into yet another tale. Please know that this is the story that has had my mind preoccupied as of late. One that started as a journal so many years ago, and was resuscitated when you returned to Jupiter Falls. I’m not sure it’s one for anyone else’s eyes, and I certainly have no plans to submit it to my publisher, but she commands my attention and demands to be written, only to run off at the most inconvenient times. She refuses to tell me where to take her, or what her ending might be. A damn tease is what she is. A tease…which might be how you feel about me right now. Please know it was never my intent to seem so indecisive for so long, but this is the final piece that I felt you needed to know about before things went too far. It might already be too late for me, as I’ve come to the realization that every smile, every laugh, every song we (badly) sing along to…all of it reminds me that I loved you in another time and I love you today. I can put the words here that try to explain how I feel when I’m with you, but they’ll all fall short. I feel like I’m at home when we’re together, safe with the woman I’m meant to spend my life with. When you look at me with any one of your numerous smiles…I can’t describe how easily I read each of them, or how each one sends a different sensation surging through my system. Even the simplest touch from you elicits the feeling that you’re unraveling me, stripping me to the very core of who I am, laying me bare. And when you do…the love that radiates from you feels like nourishment that I could sustain myself on
”
”
Diana Kane (Separate Like Stars)
“
You said ‘if the baby needs blood,’ not ‘if the baby needs to kill.’ Does that mean we can just give her blood? Can you soak your cap in blood you didn’t shed? Will that sate the urge?”
“Yes.” But he didn’t look happy about where I was clearly taking the conversation. “In a pinch, that would keep me alive, but I doubt it would satisfy the need to rend flesh and break bones.”
“Again with the graphic descriptors.”
“Killing is an art, Delilah.” He gave me a grim smile. “Describing the act properly is a skill that requires colorful words.”
“I remember a time when you didn’t speak much. Fondly.
”
”
Rachel Vincent (Fury (Menagerie, #3))
“
Son of a bitch. Blake probably knew something like this would happen. He set me up. He did it on purpose.
“I don’t have to negotiate in good faith,” I tell his father. “You brought money into this in the first place. That was a dick move. Why should I play fair?”
“You’ve admitted that you’d sell him out,” he snaps. “That at some point, money is more important than he is.”
“You’ve admitted the same thing. If I’m a faithless whore because I’ll take a check to break up with Blake, you’re the asshole who values his company and lifestyle more than your son.”
“That’s not just my company. That’s my life. It’s his life. It’s—”
“Oh, and you think it’s just money for me?” I glare at him. “You think that you’d give me fifty thousand dollars and I’d spend it all on shoes and diamond-studded cat collars? Fifty thousand dollars would pay for the rest of my college tuition. It would buy my dad a lawyer so that the next time his knee acted up, he could finally get disability instead of scrambling to find some job he can manage. It would make it so I didn’t have to work for the next year and could concentrate on my schoolwork. That’s a really ugly double standard, Mr. Reynolds. When money exists to make your life more pleasant, it’s not just money. But when it’s my family and my dreams at stake, it’s just pieces of green paper.”
Blake smiles softly.
His father reaches across the table and flicks Blake’s forehead. “Stop grinning.”
“No way.” Blake is smiling harder. “She’s kicking your ass. This is the best day ever.”
His father grunts.
“The day I first went to lunch with Blake, I had less than twenty dollars in my possession. Total,” I tell his father. “I would completely sell Blake out for fifty thousand dollars. Some days I’d do it for ten. Dollars. Not thousands. None of this makes me a gold digger. It just means that I’m poor. When times get desperate, I’ll pawn anything of value to survive. I might cry when I do it, but I’m going to be realistic about it. So take your stupid does-she-love-Blake test and shove it.”
Mr. Reynolds looks at me. He looks at Blake. And then, very slowly, he holds out his hands, palms up. “Well. Fuck me twice on Sundays,” he says. From the expression on his face, I take it that this is intended to be a good thing.
“First time I talked to her,” Blake says with a nod that could only be described as prideful. “Before I asked her out. I knew I had to introduce her to you.”
“Shit,” Mr. Reynolds says. He holds up a fist, and Blake fist bumps him in return.
Now they’re both being dicks.
“Smile,” Blake’s dad says to me. “You pass the test.”
“Oh, thank goodness.” I put on a brilliant smile. “Do you really mean it? Do you mean that you, the one, the only, the incomparable Adam Reynolds, has deigned to recognize me as a human being? My life is changed forever.”
Mr. Reynolds’s expression goes completely blank. “Why is she being sarcastic, Blake?”
“Why is he talking to you like I’m not here, Blake?”
Mr. Reynolds turns to me. “Fine. Why are you being sarcastic?”
“You don’t get to test me,” I tell him. “You’re not my teacher. You don’t get to act like you’re the only one with a choice, and I have to be grateful if you accept me. I don’t have any illusions about me and Blake. Fitting our lives together is like trying to finish a thousand-piece puzzle with Lego bricks. But you know what? Bullshit like this is what’s going to break us up. You had a test, too. You could have treated me like a human being. You failed.”
Blake reaches out and twines his fingers with mine.
”
”
Courtney Milan
“
That’s nice.” Nicole’s hands are trembling. She grips her coffee mug hard to make them stop. “That they’d do that for strangers.”
“Yes. Maybe. I mean, I don’t see it as people helping strangers.”
“What do you see it as?”
“I see it as people helping people who can’t help themselves at a particular moment in their lives. We all have times that we fall down and hit the dirt. Sometimes it’s just harder to get up than others. That’s where they come in. Helping hands I guess you could call it.”
Nicole nods, thinking about that. Agnes makes it sound so normal, to check out of life and give up, to stay in John’s house and suffer the abuse for another week, another month, another year. Just like falling down and having a hard time getting up. Yeah, right. Wouldn’t you like to believe that.
Nicole snorts in disgust at herself.
“What? You don’t agree?” Agnes turns to face her.
“No.” Nicole stares into her cup. “It’s one thing to fall down in the dirt. It’s another to lie down in it and refuse to get up.”
“The point is, you do get up. You got up. You’re up.” She smiles and nudges Nicole’s leg. “Right?”
Nicole wants to smile. She really does. But her face will only twitch. “I got up because someone picked me up, not because I did it on my own.”
“Pish posh. Up is up. Doesn’t matter how you got there. Besides, doesn’t it feel glorious to know that someone cares enough to do the heavy lifting?” She sighs loudly and dramatically. “Oh to be young again and have a strong, handsome Galahad to come by and sweep me off my feet.” She looks at Nicole and smiles. “You’re such a lucky girl.”
Lucky is the very last word in the English language Nicole would have used to describe herself a month ago, but now that Agnes mentions it, it’s impossible to deny how much it applies today. “Are you talking about Brian?”
“Of course I’m talking about Brian. Do you see any other Galahads around these parts?” She sweeps her arm out towards the yard.
The smile won’t stay away now. Nicole feels her face turning pink with it. “It’s not like that with him.”
“Fiddlesticks. That boy is ripe for the picking. What’s stopping you?”
Nicole’s smile fades. “I would think that’s fairly obvious.”
Agnes stands. “You know, there’s a reason why certain expressions never go away and endure the test of time. It’s because they’re as real today as they were a hundred years ago.”
“What expressions?” Nicole asks, confused.
“Love is blind.” Agnes reaches out a hand and strokes Nicole’s cheek. “Love sees inside the person. It doesn’t stop at the surface. That stuff is all just window dressing, anyway. It says nothing about what you’re really getting. If a man loves you when you look your worst, you know he’s a keeper. They’re a rare breed, too, so I don’t recommend walking away from it easily.”
”
”
Elle Casey (Don't Make Me Beautiful)
“
In Tulsa, Oklahoma, two pediatric nurses—Donna Wong and her colleague, Connie Baker—sought a way of assessing pain in children who had trouble describing what they felt. Wong was incorrectly diagnosed with leukemia as a child, and subjected to painful operations without the aid of analgesics. She became a nurse. In the 1980s, with the smiley face fad in recent memory, the women devised a series of six faces a child could point to. The chart begins with a smiling face and ends with a tearful, grimacing face. The Wong-Baker FACES scale is now a standard in gauging pain in children. There are other versions for adults. Patients are asked to quantify their pain according to a scale—numbered from 0 to 10, 10 being worst. These scales were highly subjective, but they were about the only pain-measurement tools medicine had to offer.
”
”
Sam Quinones (Dreamland: The True Tale of America's Opiate Epidemic)
“
De Montaigne. He described marriage as much like a cage full of birds, where the unmarried struggle to get in and the married struggle to get out. Do you agree, Signorina?”
Cass struggled to swallow a mouthful of the sour ale, then set her goblet down on the warped tabletop and met Paolo’s challenging gaze. “As you know, there is no conversation more boring than one in which everybody agrees,” she said, firing back some of de Montaigne’s exact words. “Personally I have no desire to force my way into the cage of marriage.” Cass took another long drink of ale. It tasted better the second time.
Paolo’s dark eyes widened. “The lady also read de Montaigne. Impressive.”
Falco squeezed her hand. She cast a glance sideways to see that he was looking at he with a mix of surprise and admiration. She wondered what Agnese would do if she found out Cass was using her tutoring to impress boys at the local taverna. The thought made her laugh out loud. “Well, was it not de Montaigne himself who said, ‘There is no desire more natural than the desire for knowledge’?” Cass drained her goblet and smiled triumphantly.
Paolo broke into a grin--the first time Cass had seen him smile. “Learned and lovely,” he said. “I see now why you’ve been spending time with her, Falco. Just because she cannot be your bride doesn’t mean she cannot be your muse.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
The pie pantry had a familiar scent, warm and earthy like flour, yeast, and dough, with top notes of apples and spices.
Sam unconsciously wrapped her arms around her body- the smells greeting her like a warm hug- and smiled.
I actually just used the words "top notes," Sam laughed to herself, thinking of her roommate, Lily, who had worked at Yankee Candle while in college, and- although she never purchased a single grocery item save for Oreos- bought candles for their tiny apartment constantly, describing the scents in flowery,, over-the-top descriptions.
A cinnamon stick candle didn't just smell like cinnamon, Sam mused, trying to remember how Lily had described it. Oh, yes: its top notes were cinnamon, its middle notes were clove and cardamom, and its base notes were cedarwood and bay leaf.
”
”
Viola Shipman (The Recipe Box)
“
I once heard a group of boys say “she is always smiling” when describing a girl from our school. I
don’t know who the girl was, but I wish I was her.
”
”
J.B. English (Fireflies (Light, #1))
“
identify your employee adjectives, (2) recruit through proper advertising, (3) identify winning personalities, and (4) select your winners. Step One: Identify Your Employee Adjectives When you think of your favorite employees in the past, what comes to mind? A procedural element such as an organized workstation, neat paperwork, or promptness? No. What makes an employee memorable is her attitude and smile, the way she takes the time to make sure a customer is happy, the extra mile she goes to ensure orders are fulfilled and problems are solved. Her intrinsic qualities—her energy, sense of humor, eagerness, and contributions to the team—are the qualities you remember. Rather than relying on job descriptions that simply quantify various positions’ duties and correlating them with matching experience as a tool for identifying and hiring great employees, I use a more holistic approach. The first step in the process is selecting eight adjectives that best define the personality ideal for each job or role in your business. This is a critical step: it gives you new visions and goals for your own management objectives, new ways to measure employee success, and new ways to assess the performance of your own business. Create a “Job Candidate Profile” for every job position in your business. Each Job Candidate Profile should contain eight single- and multiple-word phrases of defining adjectives that clearly describe the perfect employee for each job position. Consider employee-to-customer personality traits, colleague-to-colleague traits, and employee-to-manager traits when making up the list. For example, an accounting manager might be described with adjectives such as “accurate,” “patient,” “detailed,” and “consistent.” A cocktail server for a nightclub or casual restaurant would likely be described with adjectives like “energetic,” “fun,” “music-loving,” “sports-loving,” “good-humored,” “sociable conversationalist,” “adventurous,” and so on. Obviously, the adjectives for front-of-house staff and back-of-house staff (normally unseen by guests) will be quite different. Below is one generic example of a Job Candidate Profile. Your lists should be tailored for your particular bar concept, audience, location, and style of business (high-end, casual, neighborhood, tourist, and so on). BARTENDER Energetic Extroverted/Conversational Very Likable (first impression) Hospitable, demonstrates a Great Service Attitude Sports Loving Cooperative, Team Player Quality Orientated Attentive, Good Listening Skills SAMPLE ADJECTIVES Amazing Ambitious Appealing Ardent Astounding Avid Awesome Buoyant Committed Courageous Creative Dazzling Dedicated Delightful Distinctive Diverse Dynamic Eager Energetic Engaging Entertaining Enthusiastic Entrepreneurial Exceptional Exciting Fervent Flexible Friendly Genuine High-Energy Imaginative Impressive Independent Ingenious Keen Lively Magnificent Motivating Outstanding Passionate Positive Proactive Remarkable Resourceful Responsive Spirited Supportive Upbeat Vibrant Warm Zealous Step Two: Recruit through Proper Advertising The next step is to develop print or online advertising copy that will attract the personalities you’ve just defined.
”
”
Jon Taffer (Raise the Bar: An Action-Based Method for Maximum Customer Reactions)
“
Same way, blonde is a rather general category. You narrow it when you make the gal a brassy blonde, or a raucous blonde, or a hard-faced blonde, or a blowsy blonde. How about a brassy, raucous, hard-faced, blowsy blonde? Yes, you can run anything into the ground if you really try! So much for adjectives. Adverbs? They modify verbs . . . describe the manner in which an act is performed: angrily, wearily, animatedly, gloomily, delightedly, smilingly. It does get a little tiresome, doesn’t it? Remedy: Wherever practical, substitute action for the adverb. “Angrily, she turned on him”? Or, “Her face stiffened, and her hands clenched to small, white-knuckled fists”? “Wearily, he sat down”? Or, “With a heavy sigh, he slumped into the chair and let his head loll back, eyes closed”? Vividness outranks brevity. At least, sometimes. So much for adverbs. To live through your story, experience it, your reader must capture it with his own senses.
”
”
Dwight V. Swain (Techniques of the Selling Writer)
“
Nina looked at her. 'Everyone describes him so differently.' She paused, unsure. 'He was one guy, but there's no consensus about what he was like. For Peter's mom, he was a blowhard who drank too much; for Millie, he was the kindest man in the world who made endless time for her.'
Eliza shrugged. 'People change. There's forty years between the William that Peter's mom knew and the William that Millie knew. Parents get stuck in the amber of childhood, right? Whenever my parents visit, I feel myself becoming a cranky fourteen-year-old. I saw William through the lens of being his wife; I look at Millie only as her mother... You see what I mean?'
'Sure. So I'll never see my dad properly, only through the filter of other people's opinions.'
'Or maybe it'll average out and you'll be the only one who sees the real him.'
Nina laughed. 'Maybe there is no real thing for anyone. Maybe all of us change depending on where we are and who we're with.'
'And that's why you like to be alone.' Eliza looked at her and smiled.
'How do you mean?'
'Because you prefer who you are when you're alone.'
Nina shrugged. 'It takes a lot of energy to be with other people. It's easier to be myself when there's no one else there.'
'Some people take energy; some people give energy... Occasionally, you get lucky and find someone whose energy balances your own and brings you into neutral.' She paused. 'My God, I've been in Malibu too long. I said that completely without irony.'
Nina laughed. 'It was really convincing. I think I even heard a tiny temple bell ringing somewhere...'
Eliza made a face at herself. 'Your dad used to say being with me was as good as being alone.' Eliza laughed. 'I think he meant it as a compliment.' The two women looked at each other. 'I think we're overthinking this,' said Eliza. 'More wine?
”
”
Abbi Waxman (The Bookish Life of Nina Hill)
“
Pg 200/201 I’m willing to loose anything that requires me to hide any part of myself. I learned that there is a type of pain in life that I want to feel. It’s the inevitable, excruciating, necessary pain of loosing beautiful things: trust, dreams, health, animals, relationships, people. This kind of pain is the price of love, the cost of living a brave openhearted life - and I’ll pay it. There is another kind of pain that comes from not losing beautiful things but from never even trying for them. I’ve felt that kind of pain in my life. I recognize it on other’s faces. I see the longing in the eyes of a woman who is next to her lover but feels totally alone. I see the rage in the eyes of a woman who is not happy but smiles anyways. I see the resignation in the eyes of a woman who is slowly dying for her children instead of living for them. And I hear it. I hear it in the bitterness of a woman who describes faking it so she can get up and finish folding the laundry. I hear it in the desperate tone of a woman who has something to say but has never said it. In the cynicism of a woman who has accepted the injustice she could help change if she were braver. It’s the pain of a woman who has slowly abandoned herself.
”
”
Glennon Doyle (Untamed)
“
What was it like?” Manon asked quietly. “To love.” For love was what it had been—what Asterin perhaps alone of all the Ironteeth witches had felt, had learned. “It was like dying a little every day. It was like being alive, too. It was joy so complete it was pain. It destroyed me and unmade me and forged me. I hated it, because I knew I couldn’t escape it, and knew it would forever change me. And that witchling … I loved her, too. I loved her in a way I cannot describe—other than to tell you that it was the most powerful thing I’ve ever felt, greater than rage, than lust, than magic.” A soft smile. “I’m surprised you’re not giving me the ‘Obedience. Discipline. Brutality’ speech.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
According to Palates of Personality—and before you object, yes it is a real book, and that is its title—a fondness for simberries indicates a spontaneous, impulsive personality. And also a preference for—” He cut off as a wadded-up piece of paper bounced off his forehead. He blinked. “Sorry,” Shallan said. “It just kind of happened. Must be all that impulsiveness and spontaneity I have.” He smiled. “You disagree with the conclusions?” “I don’t know,” she said with a shrug. “I’ve had people tell me they could determine my personality based on the day I was born, or the position of Taln’s Scar on my seventh birthday, or by numerological extrapolations of the tenth glyphic paradigm. But I think we’re more complicated than that.” “People are more complicated than the numerological extrapolations of the tenth glyphic paradigm?” Kabsal said, spreading jam on a piece of bread for himself. “No wonder I have such difficulty understanding women.” “Very funny. I mean that we’re more complex than mere bundles of personality traits. Am I spontaneous? Sometimes. You might describe my chasing Jasnah here to become her ward that way. But before that, I spent seventeen years being about as unspontaneous as someone could be. In many situations—if I’m encouraged—my tongue can be quite spontaneous, but my actions rarely are. We’re all spontaneous sometimes, and we’re all conservative sometimes.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
Roses are beautiful. Classic. Refined. But then they've got this whole other side of them that sort of counteracts all that. Like, they can grow pretty wild. They're tough and thorny. You have to be careful with them because of how fragile they can be, but you'd be surprised how much they can withstand, too."
Rose stepped out of the tunnel, no barrier between her and Hart anymore. She liked hearing him describe a rose. And as his eyes gleamed with a warm playfulness, it was easy to believe that he wasn't just talking about a flower anymore. "Sorry," he said. "Rambling about rambling roses."
Rose bit her lip to keep from smiling. Corny--- his own word. But she liked it. She cupped a pale pink bloom in her hands, her thumbs brushing its countless velvety folds, like pushing back the fur on a sheepdog's face. She tipped her nose to its center and breathed in deep. Musky. Earthy. Like a soothing dark tea.
”
”
Goldy Moldavsky (Of Earthly Delights)
“
Pam described how everyone in the office had felt like this event was both retraumatizing because of the reckoning at work and how much care and concern they had for the students—they were all acutely aware of how dangerous these years were for young women—but also poignant in a solemn way, as if the pain of these things’ being brought to light was a necessary part of everyone’s healing. She said she found the woman’s testimony incredibly moving, and she found the woman herself to be incredibly brave. “I mean, I can’t imagine having to be in a room with someone who had done something like that to you, it’s disgusting, and it’s disgusting to think of him sitting next to Ruth Bader Ginsburg, too, of all people—I mean it all makes me sick, and I’m so angry on her behalf but also so grateful for her testimony and her strength and for what this will do in terms of moving the conversation forward. But, yeah, it was just a hard day overall,” she said, smiling sadly and breathing out in a way that Moddie found slightly theatrical.
Moddie had very much wanted to have a nice time at this dinner, and to look forward, not back, but the way that Pam was speechifying was beginning to get under her skin, was beginning to seem self-satisfied, and was beginning to seem like dangling bait. Moddie had liked it when Craig said she seemed to be holding it together, and she wanted to keep her shit together, but each borrowed and obvious statement from Pam was like a turn of the crank on an emotional vise, until it seemed as if she had no choice but to abandon this fleeting idea of herself as a calm, strong, and proud presence, because hearing Pam describe these as desirable attributes in the abstract—strength, bravery, etc.—made Moddie want to take a hammer to the stupid mental statue Pam was constructing, this sort of benevolent, martyred, middlebrow Venus, and smash it until it was dust.
”
”
Halle Butler (Banal Nightmare)
“
Why are you so happy when Dad is dead? Aren’t you sad?” Tomako, who knew that Kei described death as the very dark box, answered, “Well, if your father could see us from that very dark box, what do you suppose he would be thinking?” With nothing but the kindest of thoughts for Kei’s father, Tomako was trying her best to answer the accusatory question that Kei was asking: “Why are you so happy?” “Your father didn’t go in that box because he wanted to. There was a reason. He had to go. If your father could see from his box and see you crying every day, what do you think he would think? I think it would make him sad. You know how much your father loved you. Don’t you think it would be painful for him to see the unhappy face of someone he loved? So why don’t you smile every day so that your father can smile from his box? Our smiles allow him to smile. Our happiness allows your father to be happy in his box.” On hearing this explanation, Kei’s eyes welled up with tears.
”
”
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
“
Lily gives her a knowing smile. “You think you’re going to see him again.” “No!” It comes out automatically: she is a skeptic, has been since before she knew the word to describe it. She is an accident of atoms, and when life is done with her, she will disperse. But Lily is right. Deeper than thought, deeper than her deepest principles, is that irritating conviction, like his faith is a virus that has been incubating silently inside her. It is unthinkable that she won’t see him again.
”
”
Catriona Silvey (Meet Me in Another Life)
“
You killed all those people with your bare hands,” she whispered, her gaze still locked on his lips. “You ripped a man’s throat out with those teeth. And you are everything so many have described a monster to be.” “And yet?” She smiled. A real, true smile that made her cheeks ache. She was so rusty with smiling, Ace wasn’t even sure if it looked like a genuine smile or if it was all wrong. “I know these hands will not hurt me. I know that your teeth will never rip at my flesh. And I suppose I can admit that I trust you. Even if you have the hands of a murderer.” His hands flexed on her sides, and then he let out a low, grumbling sound. It rumbled in his chest like the sound of a motor before he suddenly pushed down on her hips. She went from standing to sitting. There was no fighting that grip. She thought she was going to tumble to the ground, but instead, she landed on his coiled up tail. The scales pressed between her legs, rubbing against the ache that had built while she touched him, and she was suddenly struck by their position. She had one hand still on his gills, one hand tracing his lips. Her legs were wrapped around him, and his hands were on her hips. If she rocked even slightly, she’d be grinding herself against the ridges of his scales. Seeking out that friction that she desperately needed but that he likely didn’t even understand. Maketes must know very little about her kind. There was no reason for him to learn anatomy, and she’d never even asked him if he was interested in humans or what he thought about her people. Cheeks flaming bright red, she drew her hands back to herself. Planting them on her thighs so she didn’t touch him anymore, she cleared her throat. “Would you like me to stitch you up?
”
”
Emma Hamm (Echoes of the Tide (Deep Waters, #3))
“
I went to that meet.' She waves a hand. 'For Barry. And I cannot describe to you how sexy the girn on your face was when you landed your last jump in that first round. Oh my God.' Her fingers tangle in her hair, bunching it up. 'I can picture it. You were wearing your cute tank top team jersey and these tiny athletic shorts, and you did that little backward jumpy thing you guys do, you know?'
I nod, amused by her description of the Fosbury Flop.
'And you were upside down.' Her mouth quriks up on one side. 'And I swear to God, you smiled right at me. Just this huge shit-eating grin, like, 'Screw you, look what I can do.' I remember watching you stretch on the track after and thinking that a girl like you could ruin my whole goddamn life.
”
”
Erin Baldwin (Wish You Weren't Here)
“
I went to that meet.' She waves a hand. 'For Barry. And I cannot describe to you how sexy the girn on your face was when you landed your last jump in that first round. Oh my God.' Her fingers tangle in her hair, bunching it up. 'I can picture it. You were wearing your cute tank top team jersey and these tiny athletic shorts, and you did that little backward jumpy thing you guys do, you know?'
I nod, amused by her description of the Fosbury Flop.
'And you were upside down.' Her mouth quirks up on one side. 'And I swear to God, you smiled right at me. Just this huge shit-eating grin, like, 'Screw you, look what I can do.' I remember watching you stretch on the track after and thinking that a girl like you could ruin my whole goddamn life.
”
”
Erin Baldwin (Wish You Weren't Here)