Descent Into Hell Quotes

We've searched our database for all the quotes and captions related to Descent Into Hell. Here they are! All 100 of them:

Basia coquum," Simon said. "Or whatever their motto is." "It's 'Descensus Averno facilis est.' 'The descent into hell is easy," said Alec. "You just said "Kiss the cook." "Dammit," said Simon. "I knew Jace was screwing with me.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
The descent into Hell is easy
Virgil (The Aeneid)
The gates of Hell are open night and day; smooth the descent and easy is the way.
Virgil (The Aeneid)
The gates of hell are open night and day; Smooth the descent, and easy is the way: But to return, and view the cheerful skies, In this the task and mighty labor lies.
Virgil (The Aeneid)
Facilis descensus Averni," he whispered, his ominous and preternatural words striking her very soul. "The descent to Hell is easy.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
The descent into hell is easy." said Alec. "You just said kiss the cook" "Dammit" said Simon. "I knew Jace was screwing with me
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Facilis descensus Averno: Noctes atque dies patet atri ianua Ditis; Sed revocare gradium superasque evadere ad auras, Hoc opus, hic labor est. (The gates of Hell are open night and day; Smooth the descent, and easy is the way: But to return, and view the cheerful skies, In this task and mighty labor lies.)
Virgil (The Aeneid)
Only the descent into the hell of self-knowledge can pave the way to godliness.
Immanuel Kant (The Metaphysics of Morals)
You are my angel and my damnation; in your presence I reach divine ecstasy and in your absence I descent to hell.
Isabel Allende (Daughter of Fortune)
I sought to puncture Heaven and instead discovered Hell.
Kiersten White (The Dark Descent of Elizabeth Frankenstein)
He pointed at Brother Jeremiah, who had come to a halt in front of a statue just slightly taller than he was, its base overgrown with moss. The statue was of an angel. The marble of the statue was so smooth it was almost translucent. The face of the angel was fierce and beautiful and sad. In long white hands the angel held a cup, its rim studded with marble jewels. Something about the statue tickled Clary’s memory with an uneasy familiarity. There was a date inscribed on the base, 1234, and words inscribed around it: NEPHILIM: FACILIS DESCENSUS AVERNI. “Is that meant to be the Mortal Cup?” she asked. Jace nodded. “And that’s the motto of the Nephilim—the Shadowhunters—there on the base.” “What does it mean?” Jace’s grin was a white flash in the darkness. “It means ‘Shadowhunters: Looking Better in Black Than the Widows of our Enemies Since 1234.’” “Jace—” It means, said Jeremiah, The descent into Hell is easy.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
My only regret involved the sad knowledge that I could not handle the amount of alcohol I would have enjoyed. “Easy is the descent into Hell.
Robert A. Heinlein (Job: A Comedy of Justice)
Anaxagoras said to a man who was grieving because he lay dying in a foreign land, "The descent to hell is the same from every place.
Diogenes Laertius
I will follow him to hell, and that is saying not a little, as I believe him entirely capable of the descent.
Alexandre Dumas (Twenty Years After (The d'Artagnan Romances, #2))
Hell is a different place for each man, or each man has his own particular hell. My descent into the inferno is a descent into the irrational level of existence, where the instincts and blind emotions are loose, where one lives by pure impulse, pure fantasy, and therefore pure madness. No, that is not the inferno.
Anaïs Nin (The Diary of Anais Nin Volume 1 1931-1934)
Love was even more mathematical than poetry. It was the pure mathematics of the spirit.
Charles Williams (Descent into Hell)
It may be a movement towards becoming like little children to admit that we are generally nothing else.
Charles Williams (Descent into Hell)
Facilis descensus averno - The descent into hell is easy
Cassandra Clare
the Devil's hand directs our every move the things we loathed become the things we love; day by day we drop through stinking shades quite undeterred on our descent to Hell.
Charles Baudelaire (Flowers of Evil and Other Works/Les Fleurs du Mal et Oeuvres Choisies : A Dual-Language Book (Dover Foreign Language Study Guides) (English and French Edition))
She endured her own nature and supposed it to be the burden of another's.
Charles Williams (Descent into Hell)
There was no half-assing a descent into hell.
Robyn Schneider (The Beginning of Everything)
How easily such a thing can become a mania, how the most normal and sensible of women once this passion to be thin is upon them, can lose completely their sense of balance and proportion and spend years dealing with this madness.
Kathryn Hurn (HELL HEAVEN & IN-BETWEEN: One Woman's Journey to Finding Love)
In older myths, the dark road leads downward into the Underworld, where Persephone is carried off by Hades, much against her will, while Ishtar descends of her own accord to beat at the gates of Hell. This road of darkness lies to the West, according to Native American myth, and each of us must travel it at some point in our lives. The western road is one of trials, ordeals, disasters and abrupt life changes — yet a road to be honored, nevertheless, as the road on which wisdom is gained. James Hillman, whose theory of 'archetypal psychology' draws extensively on Greco–Roman myth, echoes this belief when he argues that darkness is vital at certain periods of life, questioning our modern tendency to equate mental health with happiness. It is in the Underworld, he reminds us, that seeds germinate and prepare for spring. Myths of descent and rebirth connect the soul's cycles to those of nature.
Terri Windling
Our lives aren't even about doing real things most of the time. We think and talk about people we've never met, pretend to visit places we've never actually been, to discuss things that are just names as though they were as real as rocks or animals or something. Information Age. Hell it's the Imagination Age. We're living in our own minds. No, she decided as the plane began its steep descent, really we're living in other people's minds.
Tad Williams (Mountain of Black Glass (Otherland, #3))
The steep descent into Hell is always paved with good intentions.
Bianca Scardoni (Invidious (The Marked, #2))
A man cannot love himself; he can only idolize it, and over the idol delightfully tyrannize - without purpose. The great gift which the simple idolatry of self gives is lack of further purpose
Charles Williams (Descent into Hell)
But very few ordeals are redemptive and I doubt if the descent into hell teaches anything new. It can only hasten processes which are already in existence, and usually this just means that it degrades. You see, in hell one lacks the energy for any good change. This indeed is the meaning of hell.
Iris Murdoch (The Nice and the Good)
According to the mystics, the obscure matter that creation presupposes is nothing other than divine potentiality. The act of creation is God’s descent into an abyss that is simply his own potentiality and impotentiality, his capacity to and capacity not to . . . In this context, “abyss” is not a metaphor . . . It is the life of darkness in God, the divine root of Hell in which the Nothing is eternally produced. Only when we succeed in sinking into this Tartarus and experiencing our own impotentiality do we become capable of creating, truly becoming poets.
Giorgio Agamben
He’d never felt this protective of a woman before. Only she brought that out in him. That powerful, odd mixture of independence and vulnerability completely melted him. The fact that she flew a Black Hawk and could talk shop with the best of them? Hot as hell. And her laugh. God, she had the dirtiest laugh he’d ever heard. Every time he heard it he thought of sex. Hot, sweaty sex, the kind that left a man exhausted and weak and his partner unable to move.
Kaylea Cross (Deadly Descent (Bagram Special Ops, #1))
Jace’s grin was a white flash in the darkness. “It means ‘Shadowhunters: Looking Better in Black Than the Widows of our Enemies Since 1234.’” “Jace—” It means, said Jeremiah, The descent into Hell is easy.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
The implacable logic of retribution will prove as appalling as the crime itself, consisting of the soul’s slow agonizing descent into a state of such loneliness and despair as to be finally indistinguishable from Hell.
William Shakespeare (Macbeth: Ignatius Critical Editions)
The gates of Hell are open night and day Smooth the descent, and easy is the way But, to return, and view the cheerful skies In this, the task and mighty labor lies.
John Dryden
I would follow him to hell, and that is saying not a little, as I believe him entirely capable of the descent.
Alexandre Dumas (Twenty Years After (The D'Artagnan Romances, #2))
So long always as joy was not rashly pinned to the happening; so long as you accepted what joys the universe offered and did not seek to compel the universe to offer you joys of your own definition.
Charles Williams (Descent Into Hell)
your mind becomes a supercomputer capable of calculating the gyrations of your car, multiplying that by the speed of the fall over the angle of descent, factoring in Newton’s laws of motion and, in a split second, coming to the panicked conclusion that this is gonna hurt like hell.
Andrew Davidson (The Gargoyle)
There are people in the world all the time who know" the professor said. "But they keep quiet. They just move about quietly, saving the people who know they are in the trap. And then, for the ones who have got out, it's like coming around from chloroform. They realize that all their lives they've been asleep and dreaming. And then it's their turn to learn the rules and the timing. And they become the ones to live quietly in the world, just as human beings might if there were only a few human beings on a planet that had monkeys on it for inhabitants...
Doris Lessing (Briefing for a Descent Into Hell)
, Stanhope delayed a moment behind Miss Fox to add: "The substantive, of course, governs the adjective; not the other way round." "The substantive?" Pauline asked blankly. "Good. It contains terror, not terror good. I'm keeping you. Good-bye, Periel," and he was gone.
Charles Williams (Descent into Hell)
We were already damned to Hell; it was silly to not at least enjoy our descent.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
Pardon,Periel, like Love, is only ours for fun: essentially we don't and can't.
Charles Williams (Descent into Hell)
It means, said Jeremiah, The descent into Hell is easy. “Nice and cheery,” said Clary, but a shiver passed over her skin despite the heat.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Somehow I lost all ability to regulate not only my emotions but my behavior as well.... It was an alarmingly rapid and complete descent into hell.
Marsha M. Linehan (Building a Life Worth Living: A Memoir)
I suddenly see us from above. I do that all the time now. I think it’s because I’m losing my humanity and it’s my way of marking my descent into hell.
Karen Marie Moning (Iced (Fever, #6))
Sharp teeth flashed between his lips when he spoke. He was a real teddy bear, but he looked scary as hell, and he was meant to deter Zohak from sending fiends through the front door. Elise paused. “Go home, Ed.
S.M. Reine (Damnation Marked (Descent, #4))
At times we gasped for breath at an elevation beyond the albatross---at times became dizzy with the velocity of our descent into some watery hell, where the air grew stagnant, and no sound disturbed the slumbers of the kraken.
Edgar Allan Poe (Manuscrito hallado en una botella)
If you could see how I see by penetrating the superficial, you'd see the grand scheme of those co called "powerful" officials. It's disgust and deception at its deepest descent and yes, all those involved, it's hell where all reside.
Jose R. Coronado (The Land Flowing With Milk And Honey)
There was a date inscribed on the base, 1234, and words inscribed around it: NEPHILIM: FACILIS DESCENSUS AVERNI. “Is that meant to be the Mortal Cup?” she asked. Jace nodded. “And that’s the motto of the Nephilim—the Shadowhunters—there on the base.” “What does it mean?” Jace’s grin was a white flash in the darkness. “It means ‘Shadowhunters: Looking Better in Black Than the Widows of our Enemies Since 1234.’” “Jace—” It means, said Jeremiah, The descent into Hell is easy.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
My sense of urgency is very simple,' said the professor, 'I've remembered that much. It's because what I have to remember has to do with time running out. And that's what anxiety is, in a lot of people. They know they have to do something, they should be doing something else, not just living hand-to-mouth, putting paint on their faces and decorating their caves and playing nasty tricks on their rivals. No. They have to do something else before they die—and so the mental hospitals are full and the chemists flourishing.
Doris Lessing (Briefing for a Descent Into Hell)
The ward was the only true community of equals I have ever lived in. What I mean is that we all knew we had already lived through hell, that our lives were already over, and all we had was the final descent. The only thing to do on the way down was to radiate mercy.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
Visionary experience is not the same as mystical experience. Mystical experience is beyond the realm of contradictions. Visionary experience is still within that realm. Heaven entails hell, and 'going to heaven' is no more liberating than is the descent into horror.
Aldous Huxley
For suddenly it had changed into that gear when time is slower - as when, falling off a ladder, one has time to think: I shall land so, just there, and I must turn in the air slightly... All this in a space of time normally too short for any thought at all. But we are wrong in dividing the mind's machinery from time: they are the same. It is only in such sharp emphatic moments that we recognize this fact.
Doris Lessing (Briefing for a Descent Into Hell)
They have not yet evolved into an understanding of their individual selves as merely parts of a whole, first of all humanity, their own species, let alone achieving a conscious knowledge of humanity as part of Nature; plants, animals, birds, insects reptiles, and all these together making a small chord in the Cosmic Harmony
Doris Lessing (Briefing for a Descent Into Hell)
A hundred years of scholarly thinking has stretched back a million-fold the age of the Earth. But these same diviners, antiquarians and scholars are thinking now as they did a hundred years ago, when it comes to the age of civilizations; they can't even begin to concede that civilizations might have very old histories. The Earth is allowed to be millions of millions of years old, but the birth of civilization is still set somewhere between two thousand B.C., depending on the bias of the archaeological school and the definition of civilization.
Doris Lessing (Briefing for a Descent Into Hell)
No, this is wonderful!” Mrs. Hernandez’ face turned into a wrinkle mosaic when she smiled. “It’s not what you give, but the spirit in which you give. That’s what’s important.” Rise was on the fast track to hell, if that was the standard. Her neighbor had trouble with a heavy box, so she reached to help, thinking it might slow her descent into the fiery pit of eternal damnation.
Dawn Jayne (Uprising (Fires of Providence, #1))
I do not wish upon anyone a descent into hell. But if your life has to be turned inside out in order for you to know yourself—if the shadow of a shaman crosses your path and you turn and follow it down—I pray that you use its force wisely. I hope that you take the ultimate responsibility for your actions and that you consecrate any destruction to the rebuilding of your higher self and a more radiant life.
Elizabeth Lesser (Broken Open: How Difficult Times Can Help Us Grow)
There are tales that can give you yourself completely and the world could never treat you so badly then that you wouldn’t neglect it. One can get everything by listening or looking in the right way: there are all sorts of turns.
Charles Williams (Descent into Hell)
Because you could not talk to the world. You could not pray to it or love it or damn it to hell. With the world there could be no discussion, and with no discussion there could be no terms, and with no terms there could be no grace.
Tim Johnston (Descent)
Each day was the same, an infinite parade of degradations and torture accomplished by unyielding women overseen by the condescension of uncaring men. If not mad already upon internment, surely no mind could withstand the torment of this hell.
Kiersten White (The Dark Descent of Elizabeth Frankenstein)
The human ripples of pain are still heartbreaking when made visible to us now. Our friend Agnolo the Fat wrote: “Father abandoned child, wife husband, one brother another; for this illness seemed to strike through the breath and sight. And so they died. And none could be found to bury the dead for money or friendship. Members of a household brought their dead to a ditch as best they could, without priest, without divine offices.” The essence of that account is of an epidemic destroying the very bonds of human society. When was the last time the developed world experienced such a rapid descent into a microbial hell? And if parents abandoning children wasn’t destabilizing enough, other support elements in society were shattered by the justifiable fear of the pestilence. The natural human inclination to seek companionship and support from one’s neighbors was short-circuited. No one wanted to catch whatever was killing everybody. In an era when people congregating together was so much more important than it is in our modern, so-called connected world, people kept their distance from one another, creating one of the silent tragedies of this plague: that they had to suffer virtually alone.
Dan Carlin (The End is Always Near: Apocalyptic Moments, from the Bronze Age Collapse to Nuclear Near Misses)
He had hoped she would assume he had succumbed again to methamphetamine hydrochloride and was sparing her the agony of his descent back into the hell of chemical dependence. What it really was was that he had again decided those 50 grams of resin-soaked dope, which had been so potent that on the second day it had given him an anxiety attack so paralyzing that he had gone to the bathroom in a Tufts University commemorative ceramic stein to avoid leaving his bedroom, represented his very last debauch ever with dope, and that he had to cut himself off from all possible future sources of temptation and supply,
David Foster Wallace (Infinite Jest)
. Nature's so terribly good. Don't you think so, Mr. Stanhope?" Stanhope was standing by, silent, while Mrs. Parry communed with her soul and with one or two of her neighbours on the possibilities of dressing the Chorus. He turned his head and answered, "That Nature is terribly good? Yes, Miss Fox. You do mean 'terribly'?" "Why, certainly," Miss Fox said. "Terribly--dreadfully--very." "Yes," Stanhope said again. "Very. Only--you must forgive me; it comes from doing so much writing, but when I say 'terribly' I think I mean 'full of terror'. A dreadful goodness." "I don't see how goodness can be dreadful," Miss Fox said, with a shade of resentment in her voice. "If things are good they're not terrifying, are they?" "It was you who said 'terribly'," Stanhope reminded her with a smile, "I only agreed." "And if things are terrifying," Pauline put in, her eyes half closed and her head turned away as if she asked a casual question rather of the world than of him, "can they be good?" He looked down on her. "Yes, surely," he said, with more energy. "Are our tremors to measure the Omnipotence?
Charles Williams (Descent into Hell)
they seem unable to retain this very simple truth for long, although they have been told again and again, and this is because of another and most powerful feature of their thinking, which is that anything they are told is distorted to fit their own particular personal or group bias and then added, like another pebble to the pile of the half-truths they already cherish.
Doris Lessing (Briefing for a Descent Into Hell)
Like many fellow travelers who’ve crossed the Styx and returned, I view the itinerary as transformational. On the one hand, I won’t join that cohort claiming gratitude for their time in hell; on the other, I can say that in the wake of my depression, I’m pierced by other people as I wasn’t before, that I waste less time entertaining myself, and that I hear my thoughts with a useful attention to their tenor, fairness, and sanity. I feel equanimous most of the time, and have a strong impulse to give. My life has become, if you will, intentional, in a way it might not be if I hadn’t made my plummet. William Styron died in 2006. During the last third of his life, after the publication of Darkness Visible, he became a mental health advocate. I’m among those aided by his account, who found in it succor, but I’m also mindful of complaints such as those in Joel P. Smith’s essay “Depression: Darker Than Darkness”—that Styron was depressed for months, not years; that he was never alone; that he had the best of treatment; that he stayed in a hospital “as comfortable as they come”; and that he didn’t have to rely on radical remedies like electroshock therapy: all of this to say that Styron didn’t plumb the depths and can’t represent the depressed, and neither can I. Others have and have had it worse. For them, depression never yields or lessens. For them there’s no rising into the light of day, no edifications, and no gains, nothing but the wish to be dead, which is, after a marathon of untenable suffering, granted. “E
David Guterson (Descent: A Memoir of Madness (Kindle Single))
She said, still perplexed at a strange language: "But how can I cease to be troubled? will it leave off coming because I pretend it wants you? Is it your resemblance that hurries up the street?" "It is not," he said, "and you shall not pretend at all. The thing itself you may one day meet-never mind that now, but you'll be free from all distress because that you can pass on to me. Haven't you heard it said that we ought to bear one another's burdens?" "But that means-" she began, and stopped. "I know," Stanhope said. "It means listening sympathetically, and thinking unselfishly, and being anxious about, and so on. Well, I don't say a word against all that; no doubt it helps. But I think when Christ or St. Paul, or whoever said bear, or whatever he Aramaically said instead of bear, he meant something much more like carrying a parcel instead of someone else. To bear a burden is precisely to carry it instead of. If you're still carrying yours, I'm not carrying it for you--however sympathetic I may be.
Charles Williams (Descent into Hell)
Something in every person objects to acknowledging the fact that he is not even "master in his own house". The unconscious is un-conscious, and there's no bargaining on that score. The whole analytic therapy is based on the principle of making the unconscious conscious through an emotional therapeutic process, thus changing the unfavorable inner structure. All the misconceptions current about "self-analysis" via book knowledge are empty talk; self-analysis is a fancy word for arriving at wrong conclusions about one's own wonderful self. A psychiatric guide is needed for the descent into one's "inner hell". Psychoanalysis has always had the distinction of presenting unpalatable ideas. This fact is not based on some peculiar predilection of analysts but is inherent in analytic discoveries. Since our science deals with psychic material typically repressed (expelled from consciousness because too painful and shameful to remain conscious) the reaction of the conscious ego is an indignant "no". Facts, however, do not change by simple denial of them.
Edmund Bergler (Curable and Incurable Neurotics)
It was a grief and a fear too ancient for me, it was a sorrow bred into the essence of the race. I saluted it, and passed on, for like the early all-pervading nausea, this was part of my living, kneaded into my fibres, a necessity like breathing and associated with it: this cold, this weight, this pulling and dragging and compelling. It was too old a lodestone for any individual to fight away from, or even to accurately know or place. It was there. [...] There it lay, just out of sight, deadly and punishing, for its pulse was that of a cold heaviness, it had to be a counterweight to joy.
Doris Lessing (Briefing for a Descent Into Hell)
the voluntary evil we do one another can be profoundly and permanently damaging, even to the strong. And what is it, precisely, that motivates such evil? It doesn’t make itself manifest merely in consequence of the hard lot of life. It doesn’t even emerge, simply, because of failure itself, or because of the disappointment and bitterness that failure often and understandably engenders. But the hard lot of life, magnified by the consequence of continually rejected sacrifices (however poorly conceptualized; however half-heartedly executed)? That will bend and twist people into the truly monstrous forms who then begin, consciously, to work evil; who then begin to generate for themselves and others little besides pain and suffering (and who do it for the sake of that pain and suffering). In that manner, a truly vicious circle takes hold: begrudging sacrifice, half-heartedly undertaken; rejection of that sacrifice by God or by reality (take your pick); angry resentment, generated by that rejection; descent into bitterness and the desire for revenge; sacrifice undertaken even more begrudgingly, or refused altogether. And it’s Hell itself that serves as the destination place of that downward spiral.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Okay, drop.” He nodded in satisfaction at her clean descent. “Again, Harper.” Biting back a curse, she did it again. And again. And again. And a-fucking-gain. “Better. Much better. Now, do it once more. This time, I’m going to ask you to go higher and hold it a lot longer.” When she slumped, Knox arched a brow. “Do you want to try flying or not? We’ll do it today, but only if you master this move.” Harper rolled back her shoulders. “I’ll do it,” she bit out. She wanted to punch him square in the face for grinning at her. “What’s so funny?” “I’m not laughing.” “Not out loud.” “You’re just cute when you’re agitated.” She was back to being a hissing, spitting kitten that amused the hell out of Knox and his demon.
Suzanne Wright (Blaze (Dark in You, #2))
Know your heart - whether it is good or evil, whether the source of your actions is pure or impure. Know what can be imputed to you and what belongs to your moral state, whether as something inherent in man's substance or as something derived (acquired or admitted). Moral self-knowledge, which requires one to penetrate into the unfathomable depths and abyss of one's heart, is the beginning of all human wisdom. For wisdom consists in the harmony of the will of a being with his final end, and in the case of man this requires him first to remove the inner obstacle (an evil will actually present in him) and then to develop his inalienable and inherent disposition of a good will. "Only the descent into the hell of self-knowledge can pave the way to deification.
Immanuel Kant (The Doctrine of Virtue: Part 2 of The Metaphysic of Morals)
There was presented to him at once and clearly an opportunity for joy--casual, accidental joy, but joy. If he could not manage joy, at least he might have managed the intention of joy, or (if that also were too much) an effort towards the intention of joy. The infinity of-grace could have been contented and invoked by a mere mental refusal of anything but such an effort. He knew his duty--he was no fool--he knew that the fantastic recognition would please and amuse the innocent soul of Sir Aston, not so much for himself as in some unselfish way for the honour of history. Such honours meant nothing, but they were part of the absurd dance of the world, and to be enjoyed as such. Wentworth knew he could share that pleasure. He could enjoy; at least he could refuse not to enjoy. He could refuse and reject damnation. With a perfectly clear, if instantaneous, knowledge of what he did, he rejected joy instead. He instantaneously preferred anger, and at once it came; he invoked envy, and it obliged him. He crushed the paper in a rage, then he tore it open, and looked again and again-there it still was. He knew that his rival had not only succeeded, but succeeded at his own expense; what chance was there of another historical knighthood for years? Till that moment he had never thought of such a thing. The possibility had been created and withdrawn simultaneously, leaving the present fact to mock him. The other possibility--of joy in that present fact--receded as fast. He had determined, then and for ever, for ever, for ever, that he would hate the fact, and therefore facts.
Charles Williams (Descent into Hell)
I am not I in myself alone, but only in all others. If, then, anyone is in hell, I too am partly in hell. Happily, however, if the Christian story is true, that love cannot now end in failure or tragedy. The descent into those depths--where we seek out and find those who are lost, and find our own salvation in so doing--is not a lonely act of spiritual heroism, or a futile rebellion of our finite wills against a merciless eternity. For the whole substance of Christian faith is the conviction that another has already an decisively gone down into that abyss for us, to set all the prisoners free, even from the chains of their own hatred and despair; and hence the love that has made all of us who we are, and that will continue throughout eternity to do so, cannot ultimately be rejected by anyone. Thus all shall have their share in--as Gregory [of Nyssa] says in his great mystical commentary On the Song of Songs--"the redeemed unity of all, united one with another by their convergence upon the One Good." Only thus will humanity "according the the devine image" come into being, and only thus will God be truly all in all.
David Bentley Hart (That All Shall Be Saved: Heaven, Hell, and Universal Salvation)
You need to add a quiet room down here," Bastien drawled. Yes, they did. "Why?" Chris asked. "For interrogation purposes?" "Okay," Bastien replied, voice bland. A moment passed. Then..."Oh hell no," Reordon blurted. "I am not spending tens of thousands of dollars to soundproof a room down here so you two can have sex without the vampires hearing you." "You want the vampires to hear us?" Cliff and the other vampires laughed. "No," Chris sputtered. "I mean, I don't want you having sex! Not while you're both on the clock. Melanie is supposed to be working-" "She is." Bastien defended her, an edge entering his voice. "Long hours." "And you are supposed to be serving as guard. Seven vampires live across the hallway. What are you going to do if a couple of them have psychotic breaks and try to escape while you two are having a quickie?" "Chase them down bare-ass naked and give the human guards an eyeful." That was one hell of an incentive not to escape. "I don't know about you," one fo the new vamps said in his apartment down the hallway, "but I'm pretty sure even total mind-fuck madness wouldn't make me risk that guy chasing me down and tackling me while he's naked and has a hard-on.
Dianne Duvall (Cliff's Descent (Immortal Guardians, #11))
SILVER CITY IS NO PLACE FOR AMATEURS I left Colorado Springs the next morning and got back in the fucking car for another day of driving for the Tour of the Gila. I’d never driven in snow before, but I made it to Santa Fe and then Albuquerque in the afternoon, careful to dodge all the tumbleweeds on the highway in New Mexico. I hadn’t known that those existed outside of cartoons. Already exhausted when I got off the interstate, I was surprised when my GPS said “48 miles remaining, 1.5 hours’ drive time”—I was sure that couldn’t be right. Then I saw the steep climbs, bumpy cattle guards, and dangerous descents on the road into Silver City. I drove as fast as I could, sliding my poor car around hairpins in the dark. I made it to the host house, fell asleep, and found two flat tires when I went outside to unpack the car in the morning. They probably weren’t meant for drifting. My luck didn’t improve when the race started. I got a flat tire when I went off the road to dodge a crash, and I chased for over an hour to get back to the field. Between the dry air and altitude, I got a major nosebleed. My car was parked at the base of the finishing climb, and I got there several minutes behind the field, my new white Cannondale and all my clothes covered in blood. The course turned right to go up the climb, and I turned left, climbed into my car, and got the hell out of there. I might have made the time cut, but for the second time in two weeks, I opted to climb in the car instead. I got out of that town like I was about to turn into a pumpkin, and made it back to San Diego nine hours later. If there wasn’t a Pacific Ocean to stop me, I’d have driven another day, just to get farther from Gila.
Phil Gaimon (Pro Cycling on $10 a Day: From Fat Kid to Euro Pro)
Reaching the door of his mother’s apartments, Marcus found it locked. He rattled the handle violently. “Open it,” he bellowed. “Open it now!” Silence, and then a maid’s frightened reply from within. “Milord… the countess bade me to tell you that she is resting.” “I’ll send her to her eternal fucking rest,” Marcus roared, “if this door isn’t opened now.” “Milord, please—” He drew back three or four paces and hurled himself against the door, which shook on its hinges and partially gave with a splintering sound. There were fearful cries in the hallway from a pair of female guests who happened to witness the astonishing display of raging frenzy. “Dear God,” one exclaimed to the other, “he’s gone berserk!” Marcus drew back again and lunged at the door, this time sending chunks of paneling flying. He felt Simon Hunt’s hands grasp him from behind, and he whirled with his fist drawn back, ready to launch an attack on all fronts. “Jesus,” Hunt muttered, retreating a step or two with his hands raised in a defensive gesture. His face was taut and his eyes were wide, and he stared at Marcus as if he were a stranger. “Westcliff—” “Stay the hell out of my way!” “Gladly. But let me point out that if our positions were reversed, you would be the first to tell me to keep a cool—” Ignoring him, Marcus swerved back to the door and targeted the disjointed lock with a powerful, accurately aimed blow of his boot heel. The housemaid’s scream shot through the doorway as the ruined portal swung open. Bursting into the receiving room, Marcus charged toward the bedchamber, where the countess sat in a chair by a small hearth fire. Fully dressed and swathed in ropes of pearls, she stared at him with amused disdain. Breathing heavily, Marcus advanced on her with bloodlust racing through his veins. It was certain that the countess had no idea that she was in mortal danger, or she would not have received him so calmly. “Full of animal spirits today, are we?” she asked. “Your descent from gentleman to savage brute has been accomplished so very quickly. I must offer Miss Bowman my compliments on her efficacy.” “What have you done with her?” “Done with her?” Her expression taunted him with its innocent perplexity. “What the devil do you mean, Westcliff?” “You met with her at Butterfly Court this morning.” “I never walk that far from the manor,” the countess said haughtily. “What a ridiculous asser—” She let out a strident cry as Marcus seized her, his fingers wrapping around the pearl ropes and tightening them around her throat. “Tell me where she is, or I’ll snap your neck like a wishbone!” Simon Hunt seized him from behind once more, determined to prevent a murder from occurring. “Westcliff!” Marcus closed his hand in a harder grip around the pearls. He glared without blinking into his mother’s face, not missing the flicker of vindictive triumph that lurked in her eyes. He did not take his gaze from hers even as he heard his sister Livia’s voice. “Marcus,” she said urgently. “Marcus, listen to me! You have my permission to throttle her later. I’ll even help. But at least wait until we’ve found out what she’s done.” Marcus tightened the tension of the pearls until the elderly woman’s eyes seemed to protrude from their shallow sockets. “Your only value to me,” he said in a low tone, “is your knowledge of Lillian Bowman’s whereabouts. If I can’t obtain that from you, I’ll send you to the devil. Tell me, or I’ll choke it from you. And believe that I have enough of my father in me to do it without a second thought.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
It means, said Jeremiah, “The descent into Hell is easy.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Did it ever occur to you,” Kai said, “how overblown that sounds? Final descent. Poets take a final descent into the hells. Emperors have a final descent from the throne before someone chops off their heads. We’re about to land, which we will presumably survive, to descend again.
Max Gladstone (The Ruin of Angels (Craft Sequence, #6))
The logic of hell is nothing other than the logic of human free will, in so far as this is identical with freedom of choice. The theological argument runs as follows: “God, whose being is love, preserves our human freedom, for freedom is the condition of love. Although God’s love goes, and has gone, to the uttermost, plumbing the depth of hell, the possibility remains for each human being of a final rejection of God, and so of eternal life.” Let us gather some arguments against this logic of hell. The first conclusion, it seems to me, is that it is inhumane, for there are not many people who can enjoy free will where their eternal fate in heaven or hell is concerned. Anyone who faces men and women with the choice of heaven or hell, does not merely expect too much of them. It leaves them in a state of uncertainty, because we cannot base the assurance of our salvation on the shaky ground of our own decision. Is the presupposition of this logic of hell perhaps an illusion—the presupposition that it all depends on the human beings’ free will? The logic of hell seems to me not merely inhumane but also extremely atheistic: here the human being in his freedom of choice is his own lord and god. His own will is his heaven—or his hell. God is merely the accessory who puts that will into effect. If I decide for heaven, God must put me there; if I decide for hell, he has to leave me there. If God has to abide by our free decision, then we can do with him what we like. Is that “the love of God?” Free human beings forge their own happiness and are their own executioners. They do not just dispose over their lives here; they decide on their eternal destinies as well. So they have no need of any God at all. After God has perhaps created us free as we are, he leaves us to our fate. Carried to this ultimate conclusion, the logic of hell is secular humanism, as Feuerbach, Marx and Nietzsche already perceived a long time ago. The Christian doctrine of hell is to be found in the gospel of Christ’s descent into hell. In the crucified Christ we see what hell is, because through him it has been overcome. Judgment is not God’s last word. Judgment established in the world the divine righteousness on which the new creation is to be built. But God’s last word is “Behold I make all things new” (Rev 21: 5). From this no one is excluded. Love is God’s compassion with the lost. Transforming grace is God’s punishment for sinners. It is not the right to choose that defines the reality of human freedom. It is the doing of the good.
Robert Wild (A Catholic Reading Guide to Universalism)
The descent into hell can be an exhilarating ride, but it is a one-way trip.
Various (Playboy Interview: Killers, Assassins and Revolutionaries)
Everything lovely in you for a perpetual companion, so that you'd never be frightened or disappointed or ashamed any more. There are tales that can give you yourself completely and the world could never treat you so badly then that you wouldn't neglect it. One can get everything by listening or looking in the right way: there are all sorts of turns.
Charles Williams (Descent into Hell)
but he did not change his purpose, nor did the universe invite him to change. It accepted the choice; no more preventing him than it prevents a child playing with fire or a fool destroying his love. It has not our kindness or our decency; if it is good, its goodness is of another kind than ours.
Charles Williams (Descent into Hell)
To such ignorance of God and His divine commandments were they brought down who were begotten of dust from the man of dust, that the honor which they ought to have rendered to God they gave instead to this visible creation, and not just to earth and sky and sun, moon and stars, fire and water and the rest, but they even made gods of those shameful passions themselves which ought not even to be imagined, let alone practiced, and which God had forbidden them. These they set up and – O, the shamelessness! – worshipped as gods. What were they? Fornication, adultery, homosexuality, murder, and whatever else is similar which, not God – away with the blasphemy! – but the devil enjoins and suggests and approves, by which the whole race of mankind was and is enslaved, by which the devil has made and makes us his slaves and subject to his control. Whence, even if there were someone among those thousands and tens of thousands who had not stooped to these shameful ordinances and precepts, since he, too, because of his descent from the seed of those who had sinned, was yet a slave of the tyrant, death, he would also be given over to its corruption and sent without mercy to hell. There was no one, you see, who was able to save and redeem him. For this very reason, therefore, God the Word Who had made us had pity on us and came down.
Symeon the New Theologian (On the Mystical Life: The Ethical Discourses : On Virtue and Christian Life Vol. 2)
He clung to flying twigs and underbrush to steady his uncertain descent, his bruised hip aching when he slipped.
Elizabeth Bear (Hell and Earth (Promethean Age, #4))
Passion is a downward inclination and tendency, and thus God says, “by the star when it declines,”¹⁴ that is, “when it descends.” It is also said that this verse refers to the return of the Prophet, upon whom be peace, from his ascension, and his descent to the lower from the higher world. This downward inclination and tendency is a property of water and earth. Anger, by contrast, is self-exaltation, arrogance, and dominance, these being the attributes of wind and fire. The two essential attributes of passion and anger are, then, inherited by the soul from its mother. They are also the substance of which hellfire is made and from them are derived the degrees of hell. Nonetheless, they must of necessity be present in the soul so that through passion it may attract benefit and through anger repel harm. Thus its being survives and is nurtured in the world of generation and corruption.
Najm Razi (Path of God's Bondsmen: From Origin to Return)
Heaven entails hell, and ‘going to heaven’ is no more liberation than is the descent into horror. Heaven is merely a vantage point from which the divine Ground can be more clearly seen than on the level of ordinary individualized existence.
Aldous Huxley (The Doors of Perception & Heaven and Hell)
a disciplined team can slow down the pace of its descent toward monolithic hell. Team members can work hard to maintain the modularity of their application. They can write comprehensive automated tests. On the other hand, they can’t avoid the issues of a large team working on a single monolithic application. Nor can they solve the problem of an increasingly obsolete technology stack. The best a team can do is delay the inevitable.
Chris Richardson (Microservices Patterns: With examples in Java)
188 In the Old Testament the word “hell” usually referred to sheol, or the abode of the dead. The Church teaches that after his Crucifixion, Christ preached to the spirits in sheol (1 Pet. 4:6), an event the Apostles’ Creed refers to as Christ’s “descent into hell.” Regarding this event, the Catechism clearly says, “Jesus did not descend into hell to deliver the damned, nor to destroy the hell of damnation, but to free the just who had gone before him” (CCC 633).
Trent Horn (Why We're Catholic: Our Reasons for Faith, Hope, and Love)
If I'm going to Hell, I might as well have a good time on my descent.
Jen Stevens (Prey Drive (Parallel Prey, #1))
When I was writing my novel The Ground Beneath Her Feet, I became enthralled by the myth of Orpheus, the greatest poet who was also the greatest singer, the personage in whom song and story became one. You can recount the myth of Orpheus in a hundred words or less: his love for the nymph Eurydice, her pursuit by the beekeeper Aristaeus, the snakebite that killed her, her descent into hell, his pursuit of her beyond the doors of death, his attempt to rescue her, his being granted by the lord of the underworld -- as a reward for the genius of his singing -- the possibility of leading her back to life as long as he didn't look back, and his fatal backward look. And yet when you begin to delve into the story it seems almost inexhaustibly rich, for at its heart is a great triangular tension between the grandest matters of life: love, art and death. You can turn and turn the story and the triangle tells you different things. It tells you that art, inspired by love, can have a greater power than death. It tells you, contrariwise, that death, in spite of art, can defeat the power of love. And it tells you that art alone can make possible the transaction between love and death that is at the centre of all human life.
Salman Rushdie (Languages of Truth: Essays 2003-2020)
We began this book with a passage from Lucian's Dialogues of the Dead, in which we accompanied Antisthenes in his descent to Hades. We now conclude this chapter with yet another passage from Lucian, in which we find Antisthenes already in Hades. Antisthenes, Diogenes, and other Cynics, Lucian tells us, persist in doing in the underworld exactly what they did while in this physical world, namely, raising hell about whatever they saw and heard. That and only that is what they are still doing after death, in fact, in so loud and harsh a fashion that those whose fate has been to share with them the same place in Hades beg the gods of the underworld to segregate the Cynics to some remote comer where their shouting cannot be heard. The gods, however, ignore this request, because they know that an important component of the punishment for those who passed their time on earth seeking pleasure, amassing fortunes, exploiting the weak and the poor, confusing people through deceptive language, and in other subhuman forms of behavior, is that they need to be reminded of how empty their lives were on earth. The Cynics wait at the gates of Hades for new arrivals, men and women who, while alive, turned themselves into less than human creatures and who now are about to suffer the unhappy consequences of their actions. As Diogenes invites Antisthenes to rush with him to the gates because new arrivals are entering, Antisthenes remarks: Let us be off at once, Diogenes, for, indeed, the spectacle will surely be an amusing one-to see them weeping and lamenting, and some begging to be let go, and some making their entrance with reluctance, and, regardless of how hard Hermes pushes them in, resisting and struggling, but all to no purpose.
Luis E. Navia (Antisthenes of Athens: Setting the World Aright (Contributions in Philosophy))
It tasted like ass, and Rick knew ass. They considered human anuses to be a gourmet treat in Hell.
S.M. Reine (Damnation Marked (Descent, #4))
ONE DISCOVERY It is easy to go down into Hell …; but to climb back again, to retrace one’s steps to the upper air—there’s the rub.… —VIRGIL, Aeneid
Jeff Long (The Descent)
And Colton used her, treated her like a muddy little dog.
Kathryn Casey (A Descent Into Hell)
In front of the woman, there was a white ceramic plate with a chunk of bloody meat on top. There was a bloody fork and knife on the right side. Russell's bottom lip quivered from the shocking sight – a woman reduced to a slab of bloodied flesh for a man's sick appetite. He was utterly appalled by the discovery. The descent was never-ending. He was being led to the pits of hell – torture, rape, murder, incest, necrophilia, and cannibalism.
Jon Athan (Mr. Snuff (The Snuff Network Book 1))
But no verse, not Stanhope's, not Shakespeare's, not Dante's could rival the original, and this was the original, and the verse was but the best translation of a certain manner of its life. The glory of poetry could not outshine the clear glory of the certain fact, and not any poetry could hold as many meanings as the fact.
Charles Williams (Descent into Hell)
On June 23 the Detroit Free Press printed Jimmy’s last letter to the editor under the title “Race: The Issue Isn’t Black and White.” This letter said: It is no longer useful to look at the racial climate of this country only in terms of black and white. People from more than 100 ethnic groups live here. By 2040 European Americans and African Americans will be among the many minorities who make up the United States. Blacks in Detroit are a majority; they need to stop thinking like a minority or like victims. Both African Americans and European Americans should be thinking of how to integrate with Detroiters of Latino and Arab descent. To the very end Jimmy was striking out at two of his favorite targets: racial (or what he called biological) thinking, and blacks viewing themselves as a minority. When Ossie and Ruby stopped by to see us in June, he met them at the door with a three-page memo suggesting things for them to work on. The next week Ruby sent him a big batch of rich dark gingerbread that she had baked. A few weeks before his death he called Clementine to alert her to the killing of children that was going on in Liberia and to instruct her how to intervene. A few days later he spoke at a Detroit Summer gathering. The next day he went out with a friend (without his oxygen tank) to supervise the moving of a refrigerator. The week before he died he did a two-hour interview with a local radio reporter. Up to two days before his death, he was grooming himself as carefully as always. Then, suddenly on Tuesday night, July 20, he began to stumble, sat down in a bedroom chair, and never got up or spoke again. I was all alone and wasn’t sure what I should do. There didn’t seem to be any point in calling anybody. So I kept stroking him and saying to him over and over: You are a helluva guy. You raised a whole lot of hell—and a helluva lot of questions. You made a helluva lot of friends—and a helluva lot of enemies. You had a helluva lot of ideas— And wrote a helluva lot of books and pamphlets. You made a helluva lot of difference to a helluva lot of people.
Grace Lee Boggs (Living for Change: An Autobiography)
The great design of Jesus' descent into hell is to rouse people out of their deep sleep, to deliver them from sin and death.
Tim Liwanag (Why Jesus Came To Hell)
I don’t know whether to punch you or kiss you.” “A combination of both is usually the best,” Prophet advised. “Might want to wait until later, though.” They were about to start their descent, according to Mitch’s call over the loudspeaker. But Tom gave Prophet a quick, hard slam with his fist to Prophet’s biceps before grabbing his face and yanking him close . . . and kissing the shit out of him. He pinned Prophet against the seat, ground against him . . . both knowing they didn’t have much time before they’d need to be officially seat-belted. A hard, hot grind, and both of them yanked their pants down. He caught their cocks in his hand and stroked them together. Prophet reached down and tweaked one of Tom’s piercings and that was enough to make him shoot. Prophet was right behind him, shuddering, murmuring into Tom’s mouth, since they hadn’t stopped kissing at all. Tom only pulled back slightly to breathe—they remained, foreheads together, panting. Smiling. And he decided that yes, Prophet’s surprises could actually be good for him.
S.E. Jakes (Daylight Again (Hell or High Water, #3))
So you should continually keep in mind the great humiliation which the Lord took upon Himself in His ineffable love for us: how the divine Logos dwelt in a womb; how He took human nature upon Himself; His birth from a woman; His gradual bodily growth; the shame He suffered, the insults, vilification, ridicule and abuse; how He was scourged and spat upon, derided and mocked; the scarlet robe, the crown of thorns; His condemnation by those in power; the outcry of the unruly Jews, men of His own race, against Him: 'Away with him, away with him, crucify him' (John 19:15); the cross, the nails, the lance, the drink of vinegar and gall; the scorn of the Gentiles; the derision of the passers-by who said: 'If you are the Son of God, come down from the cross and we will believe you' (cf Matt. 27:39-42); and the rest of the sufferings which He patiently accepted for us: crucifixion; death; the three-day burial; the descent into hell.
Saint Nikodimos (The Philokalia: The Complete Text)
Facilis descensus Averno," he quoted from Virgil's Aeneid. Ryan found himself answering, by rote, The gates of hell are open night and day; Smooth the descent, and easy is the way: But to return, and view the cheerful skies, In this the task and mighty labor lies.
Kenneth Atchity (The Messiah Matrix)
Implicit in Torres's statement, and worked out in great detail by many contextual theologians is, third, an emphasis on commitment as “the first act of theology” (Torres and Fabella 1978:269)—more specifically, commitment to the poor and marginalized. The point of departure is therefore orthopraxis, not orthodoxy. Orthopraxis, says Lamb, aims at transforming human history, redeeming it through a knowledge born of subject-empowering, life-giving love, which heals the biases needlessly victimizing millions of our brothers and sisters. Vox victimarum vox Dei. The cries of the victims are the voice of God. To the extent that those cries are not heard above the din of our political, cultural, economic, social, and ecclesial celebrations or bickerings, we have already begun a descent into hell (1982:22f).
David J. Bosch (Transforming Mission: Paradigm Shifts in Theology of Mission)
In the beginning, there was the earth, formless and empty. Darkness hung over the surface of the deep. And then there was light. It spilled over the waters, vast and powerful, and its creation severed the unity that had come before. This light was a separate entity from the darkness. Something novel and cruelly different. The spirits called it “day.” Its opposite was called “night.” Between them was evening and morning—the First Day. This division marked the end of peace in the universe. Everything has been pretty much fucked up since then.
S.M. Reine (Paradise Damned (Descent, #7))