Derby Quotes

We've searched our database for all the quotes and captions related to Derby. Here they are! All 100 of them:

How’s the patient?” asked Derby. “Dead to the world.” “But not actually dead.” “No.” “How nice - to feel nothing, and still get full credit for being alive.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
And I know I'm sarcastic and defensive and I make a joke out of everything and am highly resistant to anything that reeks of sentimental corniness, but I'm giving you my heart anyway because being with you feels like home, and I know you won't break it.
Shauna Cross (Derby Girl)
The Boss will release the four horsemen.” I swallowed hard. “I guess you’re not talking about the Kentucky Derby kind of horsemen?
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
Twilight is to Vampires what My Little Pony is to Kentucky Derby Winning Horses.
Dennis Sharpe
Black Minx never moved. She seemed to know what this was all about. She accepted their offerings, their embraces, in a very queenly way. Her manner indicated that she was getting only what was long due her, and that she had known all along no colt would beat her in the Kentucky Derby. Perhaps she had known. Alec and Henry wouldn't have been surprised. She was that kind of girl.
Walter Farley (The Black Stallion's Filly (The Black Stallion, #8))
If she were meeting him for the first time and he looked at her like that, she would be spinning on her heel and on the run before you could say Kentucky Derby.
Thea Harrison (Dragon Bound (Elder Races, #1))
Only the wicked understand the ways of the wicked, my dear.
Red Tash (Troll Or Derby)
Whatever darkness lurks inside Jonathan Derby, Millicent tucked it in at night.
Stuart Turton (The 7½ Deaths of Evelyn Hardcastle)
I sneak a look over and consider a blow job, but even I know giving head in the middle of a demolition derby is risky,
John Waters (Carsick: John Waters Hitchhikes Across America)
So confusing. It was some kind of magic, I knew that for sure, but I didn't understand the subtleties of it all. You'd have thought all those years of HBO and shit would have prepared me better.
Red Tash (Troll Or Derby)
See that little stream — we could walk to it in two minutes. It took the British a month to walk to it — a whole empire walking very slowly, dying in front and pushing forward behind. And another empire walked very slowly backward a few inches a day, leaving the dead like a million bloody rugs. No Europeans will ever do that again in this generation.” “Why, they’ve only just quit over in Turkey,” said Abe. “And in Morocco —” “That’s different. This western-front business couldn’t be done again, not for a long time. The young men think they could do it but they couldn’t. They could fight the first Marne again but not this. This took religion and years of plenty and tremendous sureties and the exact relation that existed between the classes. The Russians and Italians weren’t any good on this front. You had to have a whole-souled sentimental equipment going back further than you could remember. You had to remember Christmas, and postcards of the Crown Prince and his fiancée, and little cafés in Valence and beer gardens in Unter den Linden and weddings at the mairie, and going to the Derby, and your grandfather’s whiskers.” “General Grant invented this kind of battle at Petersburg in sixty- five.” “No, he didn’t — he just invented mass butchery. This kind of battle was invented by Lewis Carroll and Jules Verne and whoever wrote Undine, and country deacons bowling and marraines in Marseilles and girls seduced in the back lanes of Wurtemburg and Westphalia. Why, this was a love battle — there was a century of middle-class love spent here. This was the last love battle.
F. Scott Fitzgerald (Tender is the Night)
The rules of the track work well for life. Roller derby is life in a tiny circle. You can only go forward, even if you find yourself turned around, facing the wrong way. There's speed, unpredictability, and danger. You can't be sure what's going to happen, you don't always know when you'll stop, and it appears most people are out to get you. You will fall. You will get hurt. But you will get up again.
Pamela Ribon (Going in Circles)
Oh, hell. You're a fairy," I said. "Yeah," he said. "You know, they call it 'being gay' nowadays, but sure, whatever.
Red Tash (Troll Or Derby)
And so the pair of them went on in the big, draughty house, with the carriages rushing in the square beyond, irritating each other as only two people who are united by blood and detached by temperament can do.
D.J. Taylor (Derby Day)
This western-front business couldn’t be done again, not for a long time. The young men think they could do it but they couldn’t. They could fight the first Marne again but not this. This took religion and years of plenty and tremendous sureties and the exact relation that existed between the classes. The Russians and Italians weren’t any good on this front. You had to have a whole-souled sentimental equipment going back further than you could remember. You had to remember Christmas, and postcards of the Crown Prince and his fiancée, and little cafés in Valence and beer gardens in Unter den Linden and weddings at the mairie, and going to the Derby, and your grandfather’s whiskers.
F. Scott Fitzgerald (Tender Is the Night)
It was a crypt where music played to masses of the dead, and McJagger was their desolate pharaoh, a walking mummified king. I remembered it well.
Red Tash (Troll Or Derby)
There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters. But old Derby was a character now.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
They weren’t creepy stalker binoculars. Because I wasn’t a stalker. He was. These were like fancy opera watching binoculars. Or ones you’d use to watch the Kentucky Derby. I wasn’t doing anything weird.
Ivy Smoak (Stalker Problems (The Society #1))
Derby described the incredible artificial weather that Earthlings sometimes create for other Earthlings when they don’t want those other Earthlings to inhabit Earth any more. Shells were bursting in the treetops with terrific bangs, he said, showering down knives and needles and razorblades. Little lumps of lead in copper jackets were crisscrossing the woods under the shellbursts, zipping along much faster than sound. A lot of people were being wounded or killed. So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
I was never one of those student who thought it was great to see their teaches outside of school, in their normal clothes, living their normal life like a normal person. I actually preferred to keep them as they were: smartly dressed and in charge, maybe even as role models. What I definitely did not want to do was see them getting smashed in Derby town center, smiling at women, and then getting pissy when the women didn't smile back, reminding me that none of the adults in my life really know what they're doing and that I too will never really figure anything out.
James Acaster (James Acaster's Classic Scrapes)
Say what you want about fairies, but you haven't rocked out until you've heard Smoke on the Water played on a harpsichord. ~Harlow
Red Tash (Troll Or Derby)
If sharks could smile, they'd smile like he was now.
Kathleen Peacock (Hemlock (Hemlock, #1))
There were lots of things in this lifetime that I'd doubted, precious little I'd known for sure. But in that moment, I knew I would save her, or die trying.
Red Tash (Troll Or Derby)
Neljännentoista vuosisadan lopulla matkusti tänne seurueineen englantilainen prinssi Henry Derby, kauan ennen kuin hänestä tuli Shakespearen henkilö, ottaakseen kristityn talvihuvina osaa pakanallisten liettualaisten jahtaamiseen.
Günter Grass (Der Butt)
I don't know much about football, but when I see one player take his opponent down with a gruesome flying tackle, I can’t help but have immediate, newfound respect. Any derby girl worth her skates would kill to throw a block like that.
Shauna Cross (Derby Girl)
They’re distracted. Good thing about living in the landfill,” he said. “Lots here to catch the attention of the fae. They’re so ADHD.
Red Tash (Troll Or Derby)
It was disquieting to Eddie, this jarring contrast between the bright, cheery atmosphere inside Palisades and the slowly darkening world outside it. As calliope music played and diapered babies crawled in derbies, bombs fell on the other side of the world, which no longer seemed so comfortably distant.
Alan Brennert (Palisades Park)
How can you kill something that never existed? We’re all winners in the ovarian derby, yet I never heard anyone crying about the—if you will excuse the biological term—the sperm who were the losers in the race.
Harry Harrison (Make Room! Make Room!)
I'm not engineer educated, but I am an adrenaline junkie. Demolition derbies, drag racing, driving fast--when I gave them up, I tried to think of something I could do to replace them, something that would give me that rush. I love the thrill of impending, weightless doom, so I built something to give me those feelings all the time." As he stands, hands on hips, nodding at the Blue Flash, I think about impending, weightless doom. It's a phrase I like and understand. I tuck it away in the corner of my mind to pull out later, maybe for a song. I say, "You may be the most brilliant man I have ever met." I like the idea of something that can give you those feelings all the time. I want something like that, and then I look at Violet and think: .
Jennifer Niven (All the Bright Places)
I envisioned him tied in a chair, an iron arrow pointed at his brow. Ah, the power of positive thinking.
Red Tash (Troll Or Derby)
You know your marriage is in trouble when your wife would rather listen to a cackling drug lord than accept your apology.
Red Tash (Troll Or Derby)
We must never forget that our small, daily acts can total a great sum of love. They can be the stars by which others find their way through the dark voyage of life.
Jamie Langston Turner (By the Light of a Thousand Stars (Derby Book 3))
Perhaps if I had said to myself, at any moment in the race, I am being competitive. I want to win and I care, I might’ve begun to find the whole competition boring. My competitiveness was like a kite I was refusing to pull down from the sky and examine. I think this increased its power over me. I rode with a mysterious compulsion, not knowing where it came from.
Lara Prior-Palmer (Rough Magic: Riding the World's Loneliest Horse Race)
What's coming out of the stereo is like a genre unto itself, a charming, fucked-up fairy tale that immediately breaks my heart in all the best ways. I stretch out on the floor with my ear parked next to the speaker, in a trance. I place the album cover over my face to block out any interruption as "I'll Be Your Mirror" seduces me. I immediately add the song to my mental list of top ten songs ever. And as I'm bobbing my head with dreamy abandon, I hear a voice. "Nice choice, DJ," it says. I slowly slide the album cover down past my eyes and look up. My eyes spy his shoes first--paint-splattered brogues. My heart stops when I look at his face. Pale skin, messy black hair, emerald eyes...Senor Smolder! He's eighteen, maybe nineteen. And no, my imagination didn't lie, he is just as devastating now as he was the first time I saw him. Only even more, because he just complimented my taste in music.
Shauna Cross (Derby Girl)
There is one person who can save you, sire.’ ‘Who is that?’ ‘Merlin. The great magician. He is the man who made the abbey church of Derby disappear into the earth. He will know how to heal you. He will find a cure.’ ‘Bring him before me. Let him work his magic on my poor bones.
Peter Ackroyd (The Death of King Arthur: The Immortal Legend (Penguin Classics Deluxe Edition))
Noah didn’t walk, he stalked and I loved the mischievous glint in his eye when he stalked me. He placed his hands on my hips and nuzzled my hair. “I love the way you smell.” I swallowed and tried to reign in the mutant pterodactyls having a roller derby in my stomach as I dared to think about a future for the two of us. The moment Aires’ car rumbled beneath me, I’d known that I needed Noah in my life. Aires’ death had left a gaping hole in my heart. I thought all I needed was that car to run. Wrong. A car would never fill the emptiness, but love could. “I hope your future includes me. I mean, someone has to continue to kick your butt in pool.” Noah laughed as he snagged his fingers around my belt loops and dragged me closer. “I was letting you win.” “Please.” His eyes had about fallen out of his head when I’d sunk a couple of balls off the break. “You were losing. Badly.” I wondered if he also reveled in the warmth of being this close again. “Then I guess I’ll have to keep you around. For good. You’ll be useful during a hustle.” He lowered his forehead to mine and his brown eyes, which had been laughing seconds ago, darkened as he got serious. “I have a lot I want to say to you. A lot I want to apologize for.” “Me, too.” And I touched his cheek again, this time letting my fingers take their time. Noah wanted me, for good. “But can we hash it all out some other time? I’m sort of talked out and I’ve still gotta go see my dad. Do you think we can just take it on faith right now that I want you, you want me, and we’ll figure out the happy ending part later?” His lips curved into a sexy smile and I became lost in him. “I love you, Echo Emerson.” I whispered the words as he brought his lips to mine. “Forever.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I was promised eight hosts to solve this mystery, and I’ve been given them, except that Bell was a coward, the butler was beaten half to death, Donald Davies fled, Ravencourt could barely move, and Derby can’t hold a thought. It’s like I’ve been asked to dig a hole with a shovel made of sparrows.
Stuart Turton (The 7½ Deaths of Evelyn Hardcastle)
There are girls who are so fierce that wearing pink makes them look that much cooler (especially when paired with black-and-white-striped tights or a skull choker). On those badass vixens, pink becomes an in-your-face dare that says “hey, world, even in the girliest of colors, I’m still cool as hell, so don’t fuck with me.
Shauna Cross (Derby Girl)
You are an ungrateful bitch. Since all I do is chauffeur you around and make sure your fees are paid.” “I didn’t ask for any of that!” “Then don’t fucking take it, Sabrina. Go out and do the thing I did. Don’t go to school, quit your precious roller derby—let’s see how much your little buddy McKenzie likes you when she’s in college and you aren’t!
Ali Hazelwood (Check & Mate)
I would have said sacrificing one of his own kind was a new low for Jag, but honestly? Jag was a bottomless pit of low.
Red Tash (Troll Or Derby)
He guffawed. Motherfucker seriously guffawed.
Red Tash (Troll Or Derby)
Social media is the ultimate soapbox derby...
Nanette L. Avery
The people, they need someone to live through. Trust me, I used to be in roller derby back in the day. People need a hero.
Mat Johnson (Pym)
The first thing I ever learned in roller derby is to fall, and in the author world I believe that same rule applies.
Elizabeth J. Kolodziej
Latke was a formidable force in the fairy roller derby league.
Shira Glassman (Eitan's Chord)
Streoneshalch was renamed as Whitby, and Northworthig became Derby.
Peter Ackroyd (Foundation: The History of England from Its Earliest Beginnings to the Tudors (History of England #1))
His derby was tilted at its usual insouciant angle, and there was a cigarette parked behind one ear.
Stephen King (Joyland)
Es schien mir recht bedauerlich, dass Derby sich gerade für sie interessierte, sagte aber nichts dazu, da Vernarrtheit an Widerstand bloß gedeiht.
H.P. Lovecraft (Tales of the Cthulhu Mythos, Vol 2)
It was generally called the "powder puff derby" and those who flew in it variously as "Ladybirds", "Angels" or "Sweethearts of the Air". (We are still trying to get ourselves called just "pilots".)
Amelia Earhart (The Fun of It)
I lost count of the number of referees who came to me both at Derby and Forest and said, 'I'd just like to express my thanks. I love matches involving your team. We never have any trouble with them.
Brian Howard Clough (Cloughie: Walking on Water)
Whites forced out African Americans from major league baseball not because they couldn't play well, but because they could. Whites expelled black jockeys from the Kentucky Derby not because they were incompetent, but because they won 15 of the first 28 derbies. They drove blacks our of the job of postal carrier so they could do it themselves, not because blacks couldn't do it. The foregoing seems obvious, but when it comes to housing, even today, deep inside white culture as a legacy from the Nadir is the sneaking suspicion that African Americans are a problem, so it is best to keep them out.
James W. Loewen (Sundown Towns: A Hidden Dimension of American Racism)
There's no denying Bird-man's well-intentioned heart. He's a good guy, not the type of prick who would take your favorite Stryper t-shirt on tour and bequeath it to some random trollop he hooks up with while conveniently forgetting you ever existed.
Shauna Cross (Derby Girl)
And then it developed that Campbell was not going to go unanswered after all. Poor old Derby, the doomed high school teacher, lumbered to his feet for what was probably the finest moment in his life. There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters. But old Derby was a character now.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
A sign read "Free drinks for billiards competitors only." Hand-lettered below read "All others will pay." It was written in blood. I could tell because a red fairy with what looked like black insect wings was writing it at the time, with his own dismembered finger.
Red Tash (Troll Or Derby)
the reservation population turned out. As Smith walked the horse by, an ancient Indian leaned up and looked the horse over. “Racehorse?” he said. Smith nodded. “Looks like a cow pony to me.”1 Smith was pleased. The rumors followed them west. The backstretch at Hollywood was thick with stories, chief among them that Seabiscuit was lame. The stewards listened and worried that they would be burned by Seabiscuit as Belmont and Suffolk Downs had been. They had some reason to be wary. Earlier in the meet, a much-anticipated meeting between Kentucky Derby winner Lawrin and Preakness winner Dauber had to be canceled at the last moment when Dauber suffered a minor injury. The event had been traumatic for the Hollywood Park officials and seemed to make them overly concerned about Smith. On July 11, 1938, Smith walked Seabiscuit onto the track for his first workout at Hollywood. The trainer didn’t like the looks of the track, which was so deep and crumbly that it was playing at least a second slower than usual.2 “It looked like they were trying to grow corn on the track,” he said.3
Laura Hillenbrand (Seabiscuit: An American Legend)
It was he who had given Billy morphine. There wasn’t a real doctor in the compound, so the doctoring was up to him. “How’s the patient?” he asked Derby. “Dead to the world.” “But not actually dead.” “No.” “How nice—to feel nothing, and still get full credit for being alive.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
These are the little losers in the bunny derby, but they lose on a different route than the Mariannes, or the ones you see in the supermarket on the nights when they double the green stamps, coming in junk cars, plodding the bright aisles, snarling at their cross sleepy kids.
John D. MacDonald (The Deep Blue Good-By)
Running along the back wall was a long glass trophy case filled with loving cups, ribbons, school and sports memorabilia; in ominous proximity were several large funeral wreaths which, in conjunction with the trophies, gave that corner of the room a Kentucky Derby sort of look.
Donna Tartt (The Secret History)
There’s the story of the Kentucky Derby party when a group of famous people, including baseball star Cal Ripken, had cornered Julian to talk whiskey and Wayne Gretzky kept coming up and interrupting, until Julian finally wheeled around and said, “Why don’t you shut the fuck up, Wayne?
Wright Thompson (Pappyland: A Story of Family, Fine Bourbon, and the Things That Last)
almost open my mouth to tell her that scholarships pay for you to go to college, but not for the house’s mortgage, or your sister’s roller derby camp, or your other sister’s kidnapped pet’s vitamin-C-reinforced pellets, or whatever it takes to melt the guilt that sticks to the bottom of your stomach.
Ali Hazelwood (Check & Mate)
And, honestly, if I can give you one teeny, tiny piece of advice, it is this: DO NOT DATE A BOY IN A BAND! But if you insist on blithely ignoring the above wisdom, DO NOT GIVE HIM YOUR BELOVED STRYPER SHIRT. You will never see it again. Trust me. I had to learn the hard way. (And hell yes, it still hurts, but it does get better.)
Shauna Cross (Derby Girl)
Those who think thy have no time for bodily exercise, will sooner or later have to find time for illness.
Edward Stanley Derby
They were just two people. Warm and solid and flawed and colorful, and that was enough.
Tamara Morgan, The Derby Girl
Mark Twain once said, “I want to be in Kentucky when the end of the world comes, because it’s always twenty years behind.
Abigail Keam (Death By Derby (Josiah Reynolds Mysteries #8))
When and if I wish to yield my privacy to the scrutiny of others, you will be the first to be invited to the exhibition.
Jamie Langston Turner (Some Wildflower In My Heart (Derby Book 2))
And then they saw bearded Billy Pilgrim in his blue toga and silver shoes, with his hands in a muff. He looked at least sixty years old. Next to Billy was little Paul Lazzaro with a broken arm. He was fizzing with rabies. Next to Lazzaro was the poor old high school teacher, Edgar Derby, mournfully pregnant with patriotism and middle age and imaginary wisdom.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
And if a collection of bad cells no bigger than a walnut could destroy all those things, those things that are so personal that they can never be properly articulated, so personal you hardly dared admit their existence to yourself, what did that leave? How could you trust life again? How could you see it as anything more meaningful than a Saturday night demolition derby?
Richard Bachman (Roadwork)
Danielle Elizabeth Henderson! Get your ass over here!' she shouted. Grandma always used my full name when she was angry. None of the shoppers around her turned a head or lifted a finger to help; in the 1980s, department stores were full of people shouting the names of temporarily lost children, a cacophony of negligent parenting always ringing out like the last act of an opera.
Danielle Henderson (The Ugly Cry)
I think the climax of the book will be the execution of poor old Edgar Derby,” I said. “The irony is so great. A whole city gets burned down, and thousands and thousands of people are killed. And then this one American foot soldier is arrested in the ruins for taking a teapot. And he’s given a regular trial, and then he’s shot by a firing squad.” “Um,” said O’Hare. “Don’t you think that’s really where the climax should come?” “I don’t know anything about it,” he said. “That’s your trade, not mine.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
I also wanted to present the idea of the Stork Derby as metaphor: for the ways in which women are often on unofficial public trial for the decisions they make in private. It’s a strange dichotomy that women’s domestic lives are often ignored (and that fictional presentations of these lives are often dismissed or trivialized). And yet these are some of the lives that are most harshly judged by the media: for stepping outside the unspoken constraints of the domestic ideal, women are often ruthlessly condemned.
Caroline Lea (Prize Women)
Dashed if I don't think he's begun to get queer in his attic! Well, what I mean is, hubble-bubble! I don't set up as one of these clever coves, but I've got more sense in my knowledge-box than to say such an addle-brained thing as that! Seems to me it don't make a ha'porth of difference whether you keep the dashed mill, or whether you don't, because that's where all your gingerbread came from, whichever way you look at it. And don't you tell me it's repugnant to him to have you coming down with the derbies, because all I've got to say to that is, Gammon!
Georgette Heyer (The Unknown Ajax)
Emily sighed and accepted the proffered U-shaped metal. Stepping up to the line Marion indicated, Emily swung her arm back with force. When she raised her left arm to swing the horseshoe, the weight of it surprised her, and she lost her balance. The horseshoe flew high into the air, flipped three times, and came down with amazing speed. Before anyone could react, it conked Marion Wormsley on top of his derby-covered bald head, and he slumped to the ground. Emily stared at the dazed man lying prone at her feet. Slowly he sat up, drew off his hat, and rubbed the egg-shaped swelling on the top of his head.
Lorna Seilstad (A Great Catch)
God’s grace, he told himself firmly, is big enough to cover the blackest sins. It’s strong enough to lift the heaviest load of guilt, to blow the dirt of shame from the darkest corner and scatter it to the four winds. It’s good and bright enough to shine into a man’s heart and clean out all the filth of the past forever and ever.
Jamie Langston Turner (No Dark Valley (Derby Book 5))
A number of Ford engineers arrived at Derby, and spent some months examining and familiarizing themselves with the drawings and manufacturing methods. One day their Chief Engineer appeared in Lovesey’s office, which I was then sharing, and said, ‘You know, we can’t make the Merlin to these drawings’. I replied loftily, ‘I suppose that is because the drawing tolerances are too difficult for you, and you can’t achieve the accuracy’. ‘On the contrary’, he replied, ‘the tolerances are far too wide for us. We make motor cars far more accurately than this. Every part on our car engines has to be interchangeable with the same part on any other engine, and hence all parts have to be made with extreme accuracy, far closer than you use. That is the only way we can achieve mass production’.
Stanley Hooker (Not Much of an Engineer)
Here are three elements we often see in town names: If a town ends in “-by”, it was originally a farmstead or a small village where some of the Viking invaders settled. The first part of the name sometimes referred to the person who owned the farm - Grimsby was “Grim’s village”. Derby was “a village where deer were found”. The word “by” still means “town” in Danish. If a town ends in “-ing”, it tells us about the people who lived there. Reading means “The people of Reada”, in other words “Reada’s family or tribe”. We don’t know who Reada was, but his name means “red one”, so he probably had red hair. If a town ends in “-caster” or “-chester”, it was originally a Roman fort or town. The word comes from a Latin words “castra”, meaning a camp or fortification. The first part of the name is usually the name of the locality where the fort was built. So Lancaster, for example, is “the Roman fort on the River Lune”.
David Crystal (A Little Book of Language)
Briefcase A scientist named Tim Berra wrote a book called Evolution and the Myth of Creationism in 1990. In it, he said that Corvettes can help us understand evolution, because we can see how they changed from year to year. Whoops! Somebody forgot to tell Professor Berra that Corvettes don’t have baby Corvettes. And that Corvettes are designed by intelligent people. So Tim Berra scored a goal for the other side, since his argument was really for intelligent design! Today, it’s called Berra’s Blunder. No one is quite sure when the first demolition derbies were held. Some think a stock-car driver named Larry Mendelsohn organized the first one in Long Island, New York, in the late 1950s. But the Merriam-Webster’s dictionary first included the term “demolition derby” in their 1953 edition. That means there were probably demolition derbies at county fairs at least back in the late 1940s. Anyway, people have been smashing cars for a long time.
Lee Strobel (Case for a Creator for Kids)
In the process of building an inspiring and attractive alternative government, Liberals will not follow in Lord Derby's oft-quoted advice, given in 1841, that 'the duty of an Opposition is to oppose everything, and propose nothing'. The British Tories did not win a parliamentary majority for the next thirty-three years, and if the Liberals adopted such a strategy, we too could be in the political wilderness for a long time. As Menzies once put it: 'The duty of an Opposition, if it has no ambition to be permanently on the left-hand side of the Speaker, is not to Oppose for Opposition's sake, but to oppose selectively. No Government is always wrong on everything, whatever the critics may say. The Opposition must choose the grounds on which to attack. To attack indiscriminately is to risk public opinion, which has a reserve of fairness not always understood'. Indeed, simply opposing the government may create headlines, but to win an election you need to present an alternative.
Brendan Nelson
Lefty hands a coin to the old lady selling candles, lights one, stands it upright in sand. He takes a seat in a back pew. And in the same way my mother will later pray for guidance over my conception, Lefty Stephanides, my great-uncle (among other things) gazes up at the unfinished Christ Pantocrator on the ceiling. His prayer begins with words he learned as a child, Kyrie eleison, Kyrie eleison, I am not worthy to come before Thy throne, but soon it veers off, becoming personal with I don’t know why I feel this way, it’s not natural . . . and then turning a little accusatory, praying You made me this way, I didn’t ask to think things like . . . but getting abject finally with Give me strength, Christos, don’t let me be this way, if she even knew . . . eyes squeezed shut, hands bending the derby’s brim, the words drifting up with the incense toward a Christ-in-progress. He prayed for five minutes. Then came out, replaced his hat on his head, and rattled the change in his pockets.
Jeffrey Eugenides (Middlesex)
A Conversation with the Author What was your inspiration for The 7½ Deaths of Evelyn Hardcastle? Inspiration is a flash-of-lightning kind of word. What happens to me is more like sediment building. I love time travel, Agatha Christie, and the eighties classic Quantum Leap, and over time a book emerged from that beautiful quagmire. Truthfully, having the idea was the easy part, keeping track of all the moving parts was the difficulty. Which character was the most interesting to write, and in which host do you feel Aiden truly flourishes? Lord Cecil Ravencourt, by miles. He occupies the section of the book where the character has to grapple with the time travel elements, the body swapping elements, and the murder itself. I wanted my most intelligent character for that task, but I thought it would be great to hamper him in some way, as well. Interestingly, I wanted to make him really loathsome—which is why he’s a banker. And yet, for some reason, I ended up quite liking him, and feeding a few laudable qualities into his personality. I think Derby ended up getting a double dose of loathsome instead. Other than that, it’s just really nice seeing the evolution of his relationship with Cunningham. Is there a moral lesson to Aiden’s story or any conclusion you hope the reader walks away with as they turn the final page? Don’t be a dick! Kind, funny, intelligent, and generous people are behind every good thing that’s ever happened to me. Everybody else you just have to put up with. Like dandruff. Or sunburn. Don’t be sunburn, people. In one hundred years, do you believe there will be something similar to Blackheath, and would you support such a system? Yes, and not exactly. Our prison system is barbaric, but some people deserve it. That’s the tricky part of pinning your flag to the left or right of the moral spectrum. I think the current system is unsustainable, and I think personality adjustment and mental prisons are dangerous, achievable technology somebody will abuse. They could also solve a lot of problems. Would you trust your government with it? I suppose that’s the question. The book is so contained, and we don’t get to see the place that Aiden is escaping to! Did you map that out, and is there anything you can share about the society beyond Blackheath’s walls? It’s autocratic, technologically advanced, but they still haven’t overcome our human weaknesses. You can get everywhere in an hour, but television’s still overrun with reality shows, basically. Imagine the society that could create something as hateful as Annabelle Caulker.
Stuart Turton (The 7½ Deaths of Evelyn Hardcastle)
Accanto a questi uomini di passione stavano i sognatori. L'utopia fioriva in tutte le sue forme, da quella bellicosa che giustificava il patibolo, a quella innocente che sosteneva l'abolizione della pena di morte. Spettri per i troni, angeli per il popolo. In faccia a uomini di lotta, spiriti che maturano sogni. Gli uni pensano alla guerra, gli altri invocano la pace; un cervello, Carnot, crea quattro armate; un altro, Jean Derby, medita una federazione democratica universale. […] altri si occupavano di questioni di minor conto e di maggior praticità. Gyuton-Morveau studiava misure per migliorare l'attrezzatura negli ospedali, Maire l'abolizione delle servitù reali, Jean-Bon-Saint-André la soppressione delle pene restrittive per debiti e la detenzione costrittiva. […] L'arte contava fanatici e anche monomaniaci; il 21 gennaio, mentre la testa di un re cadeva sulla piazza della Rivoluzione, Bézard correva ad ammirare una testa dipinta da Rubens, quadro scoperto in un solaio di rue Saint-Lazare. Artisti, orafi, profeti, colossi come Danton e fanciulli come Cloots, gladiatori e filosofi, tutti aspiravano a una sola conquista, quella del progresso. Nulla li intiepidiva. La vera grandezza della Convenzione fu di ricreare il reale nell'impossibile. Agli estremi, Robespierre, fanatico del Diritto e Condorcet, fanatico del dovere.
Victor Hugo (Ninety-Three)
Of all the stupid and destructive products of 1960s-style liberation politics, the effective abolition of marriage (and hence of family, properly understood) will, in the end, turn out to be the worst. And spare me your banal self-justifications: “I divorced my child’s mother, but I’m a good father!” “I was never married to my child’s father, but I’m a good mother.” I’m sure you think you are. You aren’t. Statistically speaking, your domestic situation is about as healthy for your children as would be your picking up a drug habit. (Yes, yes, I’m sure that you are the special-snowflake exception to the rule. One of these days, a three-legged horse might win the Kentucky Derby, too.) The numbers are the numbers. Strange thing: Wildly different philosophical and religious orientations all point to the same central fact of human life. In Genesis, it’s “male and female he created them.” In Plato, we spend our lives seeking the lost half of ourselves from which we were separated by the gods. In good ol’ Darwinian terms, the getting of healthy offspring is the very purpose of life itself. We parted ways with the chimps a few eons ago, and somewhere along the way we developed habits and institutions that helped us to connect our libidos with one of our most useful and uniquely human traits: the ability to engage in long-term planning, even beyond our own lives. And then, around 1964, we said: “To Hell with it, let’s just be chimps.” And here we are.
Kevin D. Williamson
The terrible thing happened when the Board of Regents were being shown through the campus. The Regents were the supreme rulers of the University; they were bankers and manufacturers and pastors of large churches; to them even the president was humble. Nothing gave them more interesting thrills than the dissecting-room of the medical school. The preachers spoke morally of the effect of alcohol on paupers, and the bankers of the disrespect for savings-accounts which is always to be seen in the kind of men who insist on becoming cadavers. In the midst of the tour, led by Dr. Stout and the umbrella-carrying secretary of the University, the plumpest and most educational of all the bankers stopped near Clif Clawson's dissecting-table, with his derby hat reverently held behind him, and into that hat Clif dropped a pancreas. Now a pancreas is a damp and disgusting thing to find in your new hat, and when the banker did so find one, he threw down the hat and said that the students of Winnemac had gone to the devil. Dr. Stout and the secretary comforted him; they cleaned the derby and assured him that vengeance should be done on the man who could put a pancreas in a banker's hat. Dr. Stout summoned Clif, as president of the Freshmen. Clif was pained. He assembled the class, he lamented that any Winnemac Man could place a pancreas in a banker's hat, and he demanded that the criminal be manly enough to stand up and confess. Unfortunately the Reverend Ira Hinkley, who sat between Martin and Angus Duer, had seen Clif drop the pancreas. He growled, "This is outrageous! I'm going to expose Clawson, even if he is a frat-brother of mine." Martin protested, "Cut it out. You don't want to get him fired?" "He ought to be!" Angus Duer turned in his seat, looked at Ira, and suggested, "Will you kindly shut up?" and, as Ira subsided, Angus became to Martin more admirable and more hateful than ever.
Sinclair Lewis (Arrowsmith)
CRUNCH! Izzy jumped off the bench, which made Alex laugh all over again. “Chill out.” He pointed at a cloud of smoke. “Look, it’s over, see? Number fifty-seven won.” Terrific. The driver of a purple-and-gray wreck waved at the cheering crowd as he circled the other dead and crunched cars. “Survival of the fittest, huh?” Alex put on that smirk that signaled he was about to pass out a little more college wisdom. “Just one more example of how evolution works.” “You’re kidding, right?” This was too lame. He actually believed that smashed cars at the demolition derby proved…what? “No, look.” Alex pointed to a big green car with the back end curled up. “See that Chevy there?” The one with all the smoke coming out of it? He went on. “That’s a ‘79. You can tell by the front end.” What was left of it. But Professor Alex wasn’t done. “Then look at that Chevy right next to it. It’s a ‘77, but it came from the same assembly line. The body is almost the same.” “Okay…” “So that’s the example my professor at Tech used to explain it. Cars that look alike. It’s how scientists look at fossils too. How they can tell that one life-form comes from the next…You know, evolution.” Oh. By that time they had followed the crowd off the grandstands and were making their way to Uncle John’s minivan out in the parking lot. Who was she to argue with a college kid? And yet…something occurred to Izzy about what her cousin was trying to tell her. She turned to him after they’d piled into the backseat. “Those cars you pointed out…” she started. “Yup.”Alex knew the answers. “Just another illustration of evolution.” “Whatever.” This time she couldn’t just smile and nod. “I was just wondering, though. Do you think a real person designed the older car?” “Well, sure.” This time Alex’s face clouded a bit. “And did a real person design the newer car too?” “Sure, but—” “And would there be a chance the designer might have used some of the same ideas, or maybe some of the same drawings, for both cars?” Alex frowned and sighed this time. “That’s not the point.” Wasn’t it? Izzy tried not to rub it in, just let her cousin stew on it. Yeah, so if the cars looked like they were related, that could mean the same person thought them up. Couldn’t it? Just like in creation. Only in creation it would be the same God who used the same kind of plans for the things—and the people—he made. Good example, Alex, she thought, and she tried to keep from smiling as they drove away from the fairgrounds. “Thanks for taking us to the derby,” she told her uncle John. “Maybe we should do it again next year.
Lee Strobel (Case for a Creator for Kids)
Some folks swear, though not at all, that, using chains, he sliced his head off--derby and all--and that the head sailed like a cannon ball through the air a quarter mile, bounced another quarter mile, and still had enough steam to cripple a horse some fellow was riding into New Marsails.
William Melvin Kelley (A Different Drummer)
A notorious dandy, Ray was wearing a derby hat and a plaid vest with a matching suit and a long plaid overcoat. As a final flourish, he was carrying a gnarled corkscrew-shaped shillelagh.
Robert P. Kolker (Lost Girls: An Unsolved American Mystery)
I exited the bedroom with my head spinning, wondering what had happened to my plan from a few short hours ago. I was going to avoid relationships. Be the cool aunt to Sienna and Cali’s kids. Now I had bar owner-slash-arrogant Neanderthal declaring I was his, and I didn’t have a choice in the matter. I’d have run faster than a Kentucky Derby winner if the thought of being Nate’s woman didn’t make my insides shudder just a little.
C.P. Smith (One Heart Remains (Wallflowers #3))
QUEEN OF THE TURTLE DERBY AND OTHER SOUTHERN PHENOMENA BY JULIA REED
Reese Witherspoon (Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits)
John Turner lived at Saltersford Hall, where his father was a tenant farmer. He was born in 1706 and became a packman, or jagger, with a train of four horses. His main occupation was from Chester and Northwich, carrying salt, to Derby, from where he would return with malt. His home in Saltersford was ideally placed on this prehistoric trade route. On Christmas Eve, 1735, (that is, when John was twenty-nine), he was on his way back from Northwich. It was snowing. But packmen were used to being on the road in all weathers and at all hours. They knew the hills better than anyone. They took no risks. Jaggers were essential to their communities and yet at the same time mistrusted. Travel in eighteenth century England was not for ordinary folk. Most people didn’t move more than four miles from their birthplace in their entire lives. Jaggers were looked on as boundary-striders, as Grendel is described in Beowulf, wild men, wodwose, as in Sir Gawain and the Green Knight. They belonged more to the hills than to the valleys. Yet on that Christmas Eve, John Turner did not reach home. The next morning he was found dead, though his team of horses survived, covered by drifts. And by him, on the white, wind-smoothed land, was the single print of a woman’s shoe in the snow.
Alan Garner (The Voice That Thunders)
the song “My Old Kentucky Home” during the Derby always made me feel like crying.
Sejal Badani (Trail of Broken Wings)
Next to Lazzaro was the poor old high school teacher, Edgar Derby, mournfully pregnant with patriotism and middle age and imaginary wisdom. And so on.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Behind Closed Doors 1, a fantastic book about management from Esther Derby and Johanna Rothman.
Jason Little (Lean Change Management: Innovative practices for managing organizational change)
Riot comes up in a quiet whirl of flames stirring on the concrete floor. They build into a small burning tornado that solidifies into thousands of pounds of smoldering horse. Broad. Red. All raw power. If he were a real horse, he’d be a medium draft horse, or a warmblood. Not a Budweiser Clydesdale, but you wouldn’t see him winning the Kentucky Derby, either. The guys joke because he’s the biggest of our mounts. A lightweight tank with an attitude. But he’s the greatest companion. The best. I can’t even picture what my life was like before he came along. His amber eyes find me first, then look around, checking things out, eventually coming back to me. I smile. It’s not that I hear his thoughts. It’s more that I know them. Bad day, Gideon? That’s too bad. But I’m here now so you’ll be better. Hey, nice view. “Come here, horse,” I say, but I’m the one who goes to him. I call up my armor so I don’t have to be careful about burning my clothes. Then I bury my hands deep into his mane, sending a shiver of embers into the night sky. He makes a low deep sound, telling me he’s listening. That I can tell him what I’d never say to anyone, not even Marcus. “I screwed up, Riot. Didn’t stick with the plan. Said some really stupid things. Really stupid.” Ohhh. That’s not good, Gideon. But it happens. Especially with Daryn. Don’t worry. Tomorrow you’ll do your best and try to fix it. I like Wyoming. I laugh. Then I let my face fall forward, and rest my forehead on his broad neck. Letting his fire spread over me, and through me, and around me. Warm. True. Like peace.
Veronica Rossi (Seeker (Riders, #2))
You call it Hell. We know it to be the birth place of all power.
Liptaj
Old Firm match. It’d be a two-day shift since there was another Glasgow derby the following day.
David F. Ross (Welcome to the Heady Heights)
How's the patient?" he asked Derby. "Dead to the world." "But not actually dead." "No." "How nice - to feel nothing, and still get full credit for being alive.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
For instance, one night he took a left turn onto a tiny little icy path and had the car stuck, pointing sideways, under a railroad trestle by the time the O’Connells and Duchess finally awoke to the spinning wheels. “It said ‘left,’” Donovan explained, as he got out to push. “At the road, you crazy sonuvabitch,” Charlie replied. “You only take lefts when you come to the road. It says left, you just don’t turn left right away, wherever the hell you are. You wait till you get a road that goes left.
Frank Deford (Five Strides on the Banked Track: The Life and Times of the Roller Derby)
Seltzer says that Robert Kintner of ABC—later president of NBC—declared adamantly, “No sports will ever be on television on Sunday.” Then Seltzer adds: “Yes, he said that. He told me that.
Frank Deford (Five Strides on the Banked Track: The Life and Times of the Roller Derby)
We can see American English downtown in any city in the States. We would look up a block of “apartments” to a “penthouse,” be deluged by the “mass media,” go into a “chain store,” breakfast on “cornflakes,” avoid the “hot dog,” see the “commuters” walking under strips of “neon,” not “jaywalking,” which would be “moronic,” but if they were “executives” or “go-getters” (not “yes-men” or “fat cats”), they would be after “big business,” though unlikely to have much to do with an “assembly line” or a “closed shop.” There’s likely to be a “traffic jam,” so no “speeding,” certainly no space for “joy-riding” and the more “underpasses” the better. And of course in any downtown city we would be surrounded by a high forest of “skyscrapers.” “Skyscraper” started life as an English naval term — a high light sail to catch the breeze in calm conditions. It was the name of the Derby winner in 1788, after which tall houses became generally called skyscrapers. Later it was a kind of hat, then slang for a very tall person. The word arrived in America as a baseball term, meaning a ball hit high in the air. Now its world meaning is very tall building, as typified by those in American cities. Then you could go into a “hotel” (originally French for a large private house) and find a “lobby” (adopted from English), find the “desk clerk” and the “bell boy,” nod to the “hat-check girl” as you go to the “elevator.” Turn on the television, flick it all about and you’re bound to find some “gangsters” with their “floozies” in their “glad rags.” In your bedroom, where the English would have “bedclothes,” the Americans have “covers”; instead of a “dressing gown” you’ll find a “bathrobe,” “drapes” rather than “curtains,” a “closet” not a “wardrobe,” and in the bathroom a “tub” with a “faucet” and not a “bath” with a “tap.
Melvyn Bragg (The Adventure of English: The Biography of a Language)
4. Random examples of items which are part of the canon of Camp: Zuleika Dobson Tiffany lamps Scopitone films The Brown Derby restaurant on Sunset Boulevard in LA The Enquirer, headlines and stories Aubrey Beardsley drawings Swan Lake Bellini's operas Visconti's direction of Salome and 'Tis Pity She's a Whore certain turn-of-the-century picture postcards Schoedsack's King Kong the Cuban pop singer La Lupe Lynn Ward's novel in woodcuts, God's Man the old Flash Gordon comics women's clothes of the twenties (feather boas, fringed and beaded dresses, etc.) the novels of Ronald Firbank and Ivy Compton-Burnett stag movies seen without lust
Susan Sontag (Notes on Camp)
Choose activities that support the goal of the retrospective. If there’s no way to discuss the activity that makes a connection between the activity and the work, omit it. We’re not against games and simulations—in fact we use them often—when they serve a purpose and move the retrospective forward. Icebreakers, energizers, and games that don’t relate to the work don’t fit in retrospectives. There’s only so much time, so don’t waste it with activities that are “just for fun.” Have fun, but have a purpose.
Esther Derby (Agile Retrospectives: Making Good Teams Great)