Deputy Mother Quotes

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FOR THE VOICELESS by El Niño Salvaje I speak for the ones who cannot speak, for the voiceless. I raise my voice and wave my arms and shout for the ones you do not see, perhaps cannot see, for the invisible. For the poor, the powerless, the disenfranchised; for the victims of this so-called “war on drugs,” for the eighty thousand murdered by the narcos, by the police, by the military, by the government, by the purchasers of drugs and the sellers of guns, by the investors in gleaming towers who have parlayed their “new money” into hotels, resorts, shopping malls, and suburban developments. I speak for the tortured, burned, and flayed by the narcos, beaten and raped by the soldiers, electrocuted and half-drowned by the police. I speak for the orphans, twenty thousand of them, for the children who have lost both or one parent, whose lives will never be the same. I speak for the dead children, shot in crossfires, murdered alongside their parents, ripped from their mothers’ wombs. I speak for the people enslaved, forced to labor on the narcos’ ranches, forced to fight. I speak for the mass of others ground down by an economic system that cares more for profit than for people. I speak for the people who tried to tell the truth, who tried to tell the story, who tried to show you what you have been doing and what you have done. But you silenced them and blinded them so that they could not tell you, could not show you. I speak for them, but I speak to you—the rich, the powerful, the politicians, the comandantes, the generals. I speak to Los Pinos and the Chamber of Deputies, I speak to the White House and Congress, I speak to AFI and the DEA, I speak to the bankers, and the ranchers and the oil barons and the capitalists and the narco drug lords and I say— You are the same. You are all the cartel. And you are guilty. You are guilty of murder, you are guilty of torture, you are guilty of rape, of kidnapping, of slavery, of oppression, but mostly I say that you are guilty of indifference. You do not see the people that you grind under your heel. You do not see their pain, you do not hear their cries, they are voiceless and invisible to you and they are the victims of this war that you perpetuate to keep yourselves above them. This is not a war on drugs. This is a war on the poor. This is a war on the poor and the powerless, the voiceless and the invisible, that you would just as soon be swept from your streets like the trash that blows around your ankles and soils your shoes. Congratulations. You’ve done it. You’ve performed a cleansing. A limpieza. The country is safe now for your shopping malls and suburban tracts, the invisible are safely out of sight, the voiceless silent as they should be. I speak these last words, and now you will kill me for it. I only ask that you bury me in the fosa común—the common grave—with the faceless and the nameless, without a headstone. I would rather be with them than you. And I am voiceless now, and invisible.
Don Winslow (The Cartel (Power of the Dog #2))
When I heard about the ease with which the Four had been removed, I felt a wave of sadness. How could such a small group of second-rate tyrants ravage 900 million people for so long? But my main feeling was joy. The last tyrants of the Cultural Revolution were finally gone. My rapture was widely shared. Like many of my countrymen, I went out to buy the best liquors for a celebration with my family and friends, only to find the shops out of stock there was so much spontaneous rejoicing. There were official celebrations as well exactly the same kinds of rallies as during the Cultural Revolution, which infuriated me. I was particularly angered by the fact that in my department, the political supervisors and the student officials were now arranging the whole show, with unperturbed self-righteousness. The new leadership was headed by Mao's chosen successor, Hua Guofeng, whose only qualification, I believed, was his mediocrity. One of his first acts was to announce the construction of a huge mausoleum for Mao on Tiananmen Square. I was outraged: hundreds of thousands of people were still homeless after the earthquake in Tangshan, living in temporary shacks on the pavements. With her experience, my mother had immediately seen that a new era was beginning. On the day after Mao's death she had reported for work at her depas'uuent. She had been at home for five years, and now she wanted to put her energy to use again. She was given a job as the number seven deputy director in her department, of which she had been the director before the Cultural Revolution. But she did not mind. To me in my impatient mood, things seemed to go on as before. In January 1977, my university course came to an end. We were given neither examinations nor degrees. Although Mao and the Gang of Four were gone, Mao's rule that we had to return to where we had come from still applied. For me, this meant the machinery factory. The idea that a university education should make a difference to one's job had been condemned by Mao as 'training spiritual aristocrats.
Jung Chang (Wild Swans: Three Daughters of China)
The list of frequently used nouns included: struggle for peace, woman, love, constitution, deputy, congress, delegation, friend, mother, little girl, salmon, sturgeon, red (black) caviar, champagne, vodka, watermelon, cherry, sour cherry, horseradish, and beefsteak. “Fini!” exclaimed Piri happily: she was done gluing the mirror.
Elif Batuman (The Idiot)
As the move went on, the woman slowed down. At first, she had borne down on the emergency with focus and energy, almost running through the house with one hand grabbing something and the other holding up the phone. Now she was wandering through the halls aimlessly, almost drunkenly. Her face had that look. The movers and the deputies knew it well. It was the look of someone realizing that her family would be homeless in a matter of hours. It was something like denial giving way to the surrealism of the scene: the speed and violence of it all; sheriffs leaning against your wall, hands resting on holsters; all these strangers, these sweating men, piling your things outside, drinking water from your sink poured into your cups, using your bathroom. It was the look of being undone by a wave of questions. What do I need for tonight, for this week? Who should I call? Where is the medication? Where will we go? It was the face of a mother who climbs out of the cellar to find the tornado has leveled the house.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
It stopped being private the moment the two of you started brawling in public,” Joanna returned. “And it became my concern as soon as the two of you attacked my deputies.” “You shouldn’t talk to us like that,” Sandy said. “Aren’t you supposed to say ‘allegedly attacked’? After all, we haven’t been convicted yet.” “Sorry,” Joanna said. “It’s my jail, my rules.” “But I’m old enough to be your mother,” Samantha objected. “More than old enough,” Joanna countered. “Too bad neither one of you has brains enough to act your age.
J.A. Jance (Damage Control (Joanna Brady, #13))
Interestingly, a point that never emerged in the press but that Tim Donovan revealed to the police was that Annie had specifically "asked him to trust her" for that night's doss money. This "he declined to do." Had this incident become common knowledge, it's likely that Donovan would have faced an even worse public backlash for his role in Annie's demise. "You can find money for your beer, and you can't find money for your bed." the deputy keeper is said to have spoken in response to her request. Annie, not quite willing to admit defeat, or perhaps in a show of pride, responded with a sigh: "Keep my bed for me. I shan't be long." Ill and drunk, she went downstairs and "stood in the door for two or three minutes," considering her options. Like the impecunious lodger described by Goldsmith, she too would have been contemplating from whom among her "pals" it might have been "possible to borrow the halfpence necessary to complete {her} doss money." More likely, Annie was mentally preparing "to spend the night with only the sky for a canopy." She then set off down Brushfield Street, toward Christ Church, Spitalfields, where the homeless regularly bedded down. Her thoughts as she stepped out onto Dorest Street, as the light from Crossingham's dimmed at her back, can never be known. What route she wove through the black streets and to whom she spoke along the will never be confirmed. All that is certain is her final destination. Of the many tragedies that befell Annie Chapman in the final years of her life, perhaps one of the most poignant was that she needn't have been on the streets on that night, or on any other. Ill and feverish, she needn't have searched the squalid corners for a spot to sleep. Instead, she might have lain in a bed in her mother's house or in her sisters' care, on the other side of London. She might have been treated for tuberculosis; she might have been comforted by the embraces of her children or the loving assurances of her family. Annie needn't have suffered. At every turn there had been a hand reaching to pull her from the abyss, but the counter-tug of addiction was more forceful, and the grip of shame was just as strong. It was this that pulled her under, that had extinguished her hope and then her life many years earlier. What her murderer claimed on that night was simply all that remained of what drink had left behind.
Hallie Rubenhold (The Five: The Lives of Jack the Ripper's Women)
a tragic roster of activists and innocents had died for the crime of being black or supporting blacks in their state. There was Willie Edwards Jr., the truck driver forced off a bridge to his death by four Klansmen in Montgomery. There was William Lewis Moore, the man from Baltimore shot and killed in Attalla while trying to walk a letter denouncing segregation 385 miles to the governor of Mississippi. There were four young girls, Addie Mae Collins, Denise McNair, Carole Robertson, and Cynthia Wesley, killed by the bombing of the Sixteenth Street Baptist Church in Birmingham. There was thirteen-year-old Virgil Lamar Ware, shot to death on the handlebars of his brother’s bicycle in the same city. There was Jimmie Lee Jackson, beaten and shot by state troopers in Marion while he tried to protect his mother and grandfather during a protest. There was the Reverend James Reeb, the Unitarian minister beaten to death in Selma. There was Viola Gregg Liuzzo, shot by Klansmen while trying to ferry marchers between Selma and Montgomery. There was Willie Brewster, shot to death while walking home in Anniston. There was Jonathan Myrick Daniels, a seminarian registering black voters who was arrested for participating in a protest and then shot by a deputy sheriff in Hayneville. There was Samuel Leamon Younge Jr., murdered by a gas station owner after arguing about segregated restrooms.
Casey Cep (Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee)
All the time you spend tryin to get back what's been took from you there's more goin out the door. After a while you just try and get a tourniquet on it. Your grandad never asked me to sign on as a deputy with him. I done that my own self. Hell, I didn't have nothin else to do. Paid about the same as cowboyin. Anyway, you never know what worse luck your bad luck has saved you from. I was too young for one war and too old for the next one. But I seen what come out of it. You can be patriotic and still believe that some things cost more than they're worth. Ask them Gold Star mothers what they paid and what they got for it. You always pay too much. Particularly for promises. There aint no such thing as a bargain promise. You'll see. Maybe you have done.
Cormac McCarthy (No Country for Old Men)
All the time you spend tryin to get back what’s been took from you there’s more goin out the door. After a while you just try and get a tourniquet on it. Your grandad never asked me to sign on as deputy with him. I done that my own self. Hell, I didnt have nothin else to do. Paid about the same as cowboyin. Anyway, you never know what worse luck your bad luck has saved you from. I was too young for one war and too old for the next one. But I seen what come out of it. You can be patriotic and still believe that some things cost more than what they’re worth. Ask them Gold Star mothers what they paid and what they got for it. You always pay too much. Particularly for promises. There aint no such thing as a bargain promise. You’ll see. Maybe you done have.
Cormac McCarthy (No Country for Old Men)
A mover started in on a girl’s bedroom, painted pink with a sign on the door announcing THE PRINCESS SLEEPS HERE. Another took on the disheveled office, packing Resumes for Dummies into a box with a chalkboard counting down the remaining days of school. The eldest child, a seventh-grade boy, tried to help by taking out the trash. His younger sister, the princess, held her two-year-old sister’s hand on the porch. Upstairs, the movers were trying not to step on the toddler’s toys, which when kicked would protest with beeping sounds and flashing lights. As the move went on, the woman slowed down. At first, she had borne down on the emergency with focus and energy, almost running through the house with one hand grabbing something and the other holding up the phone. Now she was wandering through the halls aimlessly, almost drunkenly. Her face had that look. The movers and the deputies knew it well. It was the look of someone realizing that her family would be homeless in a matter of hours. It was something like denial giving way to the surrealism of the scene: the speed and violence of it all; sheriffs leaning against your wall, hands resting on holsters; all these strangers, these sweating men, piling your things outside, drinking water from your sink poured into your cups, using your bathroom. It was the look of being undone by a wave of questions. What do I need for tonight, for this week? Who should I call? Where is the medication? Where will we go? It was the face of a mother who climbs out of the cellar to find the tornado has leveled the house.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
The corollary of new crimes that only some people can commit is to exempt others from punishment for standard crimes—indeed, to pro vide a license to kill. Harriet Harman, deputy leader of the British Labour Party and Minister for Women, proposes allowing women to kill their “intimate partners” with impunity if they kill while “claiming past, or fear of future, abuse from male partners.” Murder would thus be condoned if a woman claimed to have suffered “conduct which caused the defendant to have a justifiable sense of being seriously wronged.” How the dead (and unproven) “abusers” could establish their innocence is not discussed in the proposal. “Effectively, what Harman and the ultra-feminist lobby want is a licence for women to kill,” writes Erin Pizzey, a long-time advocate for domestic violence victims, who has reacted in horror at the hijacking of the movement by ideological extremists. “Women can murder as long as their sense of victimhood is sufficiently powerful. . . . Rather than reducing violence, Harriet Harman’s proposals could become a charter for domestic chaos, as vengeful women believe they can butcher partners they come to loathe, inventing incidents of abuse or exaggerating fears of assault.” Robert Whelan of the Civitas think-tank accused the government of introducing “gang law” into the legal system. Lyn Costello of Mothers Against Murder and Aggression described the changes as “utter madness.” “We need clear laws, not more grey areas. . . . Unless there are really exceptional circumstances, such as self-defence or protecting yourself or family, then there is no excuse for killing someone, and it should be murder.
Stephen Baskerville
Roderick Sutton, Earl of Westerham, owner of Farleigh Place, a stately home in Kent Lady Esme Sutton, Roderick’s wife Lady Olivia “Livvy” Sutton, twenty-six, the Suttons’ eldest daughter, married to Viscount Carrington, mother of Charles Lady Margaret “Margot” Sutton, twenty-three, the second daughter, now living in Paris Lady Pamela “Pamma” Sutton, twenty-one, the third daughter, currently working for a “government department” Lady Diana “Dido” Sutton, nineteen, the fourth daughter, a frustrated debutante Lady Phoebe “Feebs” Sutton, twelve, the fifth daughter, too smart and observant for her own good Servants at Farleigh (a skeleton staff) Soames, butler Mrs. Mortlock, cook Elsie, parlourmaid Jennie, housemaid Ruby, scullery maid Philpott, Lady Esme’s maid Nanny Miss Gumble, governess to Lady Phoebe Mr. Robbins, gamekeeper Mrs. Robbins, gamekeeper’s wife Alfie, a Cockney boy, now evacuated to the country Jackson, groom Farleigh Neighbours Rev. Cresswell, vicar of All Saints Church Ben Cresswell, the vicar’s son, now working for a “government department” At Nethercote Sir William Prescott, city financier Lady Prescott, Sir William’s wife Jeremy Prescott, Sir William and Lady Prescott’s son, RAF flying ace At Simla Colonel Huntley, formerly of the British Army Mrs. Huntley, the colonel’s wife Miss Hamilton, spinster Dr. Sinclair, doctor Sundry villagers, including an artist couple, a builder, and a questionable Austrian Officers of the Royal West Kent Regiment Colonel Pritchard, commanding officer Captain Hartley, adjutant Soldiers under command At Dolphin Square Maxwell Knight, spymaster Joan Miller, Knight’s secretary At Bletchley Park Commander Travis, deputy
Rhys Bowen (In Farleigh Field)
The tiny tortoiseshell kit blinked up at him. “Sootkit and Rainkit were asleep in the nursery,” she began in a faint voice. “But I wasn’t sleepy. My mother wasn’t watching, so I went to play in the ravine. I wanted to catch a mouse. And then I saw Darkstripe.” Her voice shook and she hesitated. “Go on,” Firestar encouraged her. “He was coming up the ravine by himself. I knew he should have had Brackenfur with him, and I . . . I wondered where he was going. I followed him—I remembered the time he took Bramblepaw and Tawnypaw out of the camp, and I thought I might have an adventure like that, too.” Firestar felt a pang of sadness as he remembered how Sorrelkit was always so bright and curious, getting into trouble because of her misguided courage. This limp scrap of fur didn’t look at all adventurous now, and Firestar could only hope that with Cinderpelt’s care she would soon be her lively self again. “I followed him a long way,” Sorrelkit went on, sounding rather proud of herself. “I’d never been so far from the camp. I hid from Darkstripe too—he didn’t know I was there. And then he met another cat—a cat I’d never seen before.” “What other cat? What did it look like? What scent did it have?” Firestar questioned her urgently. Sorrelkit looked bewildered. “I didn’t recognize the scent,” she mewed. Her nose wrinkled. “But it was yucky. He was a big white cat—bigger than you, Firestar. And he had black paws.” Firestar stared at her as he realized whom she had seen. “Blackfoot!” he exclaimed. “Tigerstar’s deputy. That was ShadowClan scent you smelled, Sorrelkit.” “And what’s Darkstripe doing, meeting the ShadowClan deputy on our territory?” Sandstorm growled. “That’s what I’d like to know.” “So what happened then?” Firestar prompted the kit. “I got scared,” Sorrelkit admitted, looking down at her paws. “I ran back to camp, but I think Darkstripe must have heard me, because he caught up with me in the ravine. I thought he would be angry because I spied on him, but he told me how clever I was. He gave me some red berries for a special treat. They looked tasty, but when I ate them I started to feel really ill. . . . And I don’t remember anything else, except waking up here.” She sank her head on her paws again as she finished, as if telling the long story had exhausted her. Cinderpelt nosed her gently, checking her breathing. “Those were deathberries,” she mewed. “You must never, ever touch them again.” “I won’t, Cinderpelt, I promise,
Erin Hunter (The Darkest Hour)
Sootkit and Rainkit were asleep in the nursery,” she began in a faint voice. “But I wasn’t sleepy. My mother wasn’t watching, so I went to play in the ravine. I wanted to catch a mouse. And then I saw Darkstripe.” Her voice shook and she hesitated. “Go on,” Firestar encouraged her. “He was coming up the ravine by himself. I knew he should have had Brackenfur with him, and I . . . I wondered where he was going. I followed him—I remembered the time he took Bramblepaw and Tawnypaw out of the camp, and I thought I might have an adventure like that, too.” Firestar felt a pang of sadness as he remembered how Sorrelkit was always so bright and curious, getting into trouble because of her misguided courage. This limp scrap of fur didn’t look at all adventurous now, and Firestar could only hope that with Cinderpelt’s care she would soon be her lively self again. “I followed him a long way,” Sorrelkit went on, sounding rather proud of herself. “I’d never been so far from the camp. I hid from Darkstripe too—he didn’t know I was there. And then he met another cat—a cat I’d never seen before.” “What other cat? What did it look like? What scent did it have?” Firestar questioned her urgently. Sorrelkit looked bewildered. “I didn’t recognize the scent,” she mewed. Her nose wrinkled. “But it was yucky. He was a big white cat—bigger than you, Firestar. And he had black paws.” Firestar stared at her as he realized whom she had seen. “Blackfoot!” he exclaimed. “Tigerstar’s deputy. That was ShadowClan scent you smelled, Sorrelkit.” “And what’s Darkstripe doing, meeting the ShadowClan deputy on our territory?” Sandstorm growled. “That’s what I’d like to know.” “So what happened then?” Firestar prompted the kit. “I got scared,” Sorrelkit admitted, looking down at her paws. “I ran back to camp, but I think Darkstripe must have heard me, because he caught up with me in the ravine. I thought he would be angry because I spied on him, but he told me how clever I was. He gave me some red berries for a special treat. They looked tasty, but when I ate them I started to feel really ill. . . . And I don’t remember anything else, except waking up here.” She sank her head on her paws again as she finished, as if telling the long story had exhausted her. Cinderpelt nosed her gently, checking her breathing. “Those were deathberries,” she mewed. “You must never, ever touch them again.” “I won’t, Cinderpelt, I promise,
Erin Hunter (The Darkest Hour)
The thing about living in a town of roughly 16,000 residents is that you tend to know everybody. I don't mean that you know their name, exactly, or have had a conversation with them. I mean that you see the same people at Target a lot. You “know” the woman who slices up a pound of smoked turkey for your mother at the deli counter every week. You “know” who Barry Jennings is because your dad used to work at the glove compartment lightbulb factory with him. His son, Wyatt, is in your class at school and has the lead in the spring musical. Now your dad runs a construction crew for a developer and Mr. Jennings is a deputy for the county sheriff's department.
Aaron Hartzler (What We Saw)
know that’s not the outcome you wanted. And I know I don’t know much about that man’s situation. But he was really lucky to have you as a friend today.” Nick looked over at the deputy. The deputy continued, “My mother had this puzzling saying she used on us kids after my grandmother died. After my grandfather died too. She’d say, ‘When it comes to the end, being dead is only a problem for the living. What’s important is the dying.’ After today, I finally understand what she meant.
Richard DeGrandpre (The Knackerman (The Bone Hunter Series Book 2))
It was her concern and commitment to a friend which last year involved her in perhaps the most emotional period of her life. For five months she secretly helped to care for Adrian Ward-Jackson who had discovered that he was suffering from AIDS. It was a time of laughter, joy and much sorrow as Adrian, a prominent figure in the world of art, ballet and opera, gradually succumbed to his illness. A man of great charisma and energy, Adrian initially found it difficult to come to terms with his fate when in the mid-1980s he was diagnosed as HIV positive. His word as deputy chairman of the Aids Crisis Trust, where he first met the Princess, had made him fully aware of the reality of the disease. Finally he broke the news in 1987 to his great friend Angela Serota, a dancer with the Royal Ballet until a leg injury cut short her career and now prominent in promoting dance and ballet. For much of the time, Angela, a woman of serenity and calm practicality, nursed Adrian, always with the support of her two teenage daughters. He was well enough to receive a CBE at Buckingham Palace in March 1991 for his work in the arts--he was a governor of the Royal Ballet, chairman of the Contemporary Arts Society and a director of the Theatre Museum Association--and it was at a celebratory lunch held at the Tate Gallery that Angela first met the Princess. In April 1991 Adrian’s condition deteriorated and he was confined to his Mayfair apartment where Angela was in almost constant attendance. It was from that time that Diana made regular visits, once even brining her children Princes Willian and Harry. From that time Angela and the Princess began to forge a supportive bond as they cared for their friend. Angela recalls: “I thought she was utterly beautiful in a very profound way. She has an inner spirit which shines forth though there was also a sense of pervasive unhappiness about her. I remember loving the way she never wanted me to be formal.” When Diana brought the boys to see her friends, a reflection of her firmly held belief that her role as mother is to bring them up in a way that equips them for every aspect of life and death, Angela saw in William a boy much older and more sensitive than his years. She recalls: “He had a mature view of illness, a perspective which showed awareness of love and commitment.” At first Angela kept in the background, leaving Diana alone in Adrian’s room where they chatted about mutual friends and other aspects of life. Often she brought Angela, whom she calls “Dame A”, a gift of flowers or similar token. She recalls: “Adrian loved to hear about her day-to-day work and he loved too the social side of life. She made him laugh but there was always the perfect degree of understanding, care and solicitude. This is the point about her, she is not just a decorative figurehead who floats around on a cloud of perfume.” The mood in Mount Street was invariably joyous, that sense of happiness that understands about pain. As Angela says: “I don’t see death as sad or depressing. It was a great journey he was going on. The Princess was very much in tune with that spirit. She also loved coming for herself, it was an intense experience. At the same time Adrian was revitalized by the healing quality of her presence.” Angela read from a number of works by St. Francis of Assisi, Kahil Gibran and the Bible as well as giving Adrian frequent aromatherapy treatments. A high spot was a telephone call from Mother Teresa of Calcutta who also sent a medallion via Indian friends. At his funeral they passed Diana a letter from Mother Teresa saying how much she was looking forward to meeting her when she visited India. Unfortunately Mother Teresa was ill at that time so the Princess made a special journey to Rome where she was recuperating. Nonetheless that affectionate note meant a great deal to the Princess.
Andrew Morton (Diana: Her True Story in Her Own Words)
In these happy times, when we poor blacks are being uplifted by the mighty western civilization, with its manifold blessings such as the cinematograph, machine-guns, syphilis, etc., what subject could be more inspiring than the private lives of our European benefactors? We think therefore that it may interest our readers to hear something of events in the up-country district of Kyauktada. And especially of Mr Macgregor, honoured Deputy Commissioner of said district. Mr Macgregor is of the type of the Fine Old English Gentleman, such as, in these happy days, we have so many examples before our eyes. He is ‘a family man’ as our dear English cousins say. Very much a family man is Mr Macgregor. So much so that he has already three children in the district of Kyauktada, where he has been a year, and in his last district of Shwemyo he left six young progenies behind him. Perhaps it is an oversight on Mr Macgregor’s part that he has left these young infants quite unprovided for, and that some of their mothers are in danger of starvation, etc., etc., etc. There
George Orwell (Burmese Days: A Powerful Exploration of Colonialism and Identity from George Orwell)
It so happened that Osborne had a colleague called Richard W. Blair who also brought his family to live in a small town in Bihar, where he was posted as Sub-Deputy Opium Agent. It was there, in Motihari, near the Nepal border, that Eric Blair, who later took the name George Orwell, was born in 1903. Orwell was still an infant when his mother, prompted by concerns about her children’s education, left for England with him and his sisters. But a Sub-Deputy Opium Agent’s salary was hardly adequate for a good school, and even though the boy did succeed in gaining entry into a ‘snobbish and expensive’ preparatory school, he was haunted throughout his life by memories of his straitened childhood.20 Later, as an officer with the Indian Imperial Police in Burma, Orwell probably smoked opium himself. ‘What are the pleasures of opium?’ he once wrote. ‘Like other pleasures, they are, unfortunately, indescribable.
Amitav Ghosh (Smoke and Ashes: Opium's Hidden Histories)
ghastly, high-pitched whining sound. This happened whenever it idled. The group of five jumped—obviously startled—and glared at me. Soon their glares morphed into wrinkled squints of befuddlement, their eyes moving over my appearance from my perch. It took them a few minutes, but they recognized me. Everyone in Green Valley, Tennessee knew who I was. Nevertheless, I imagined they were not expecting to see Jessica James, the twenty-two-year-old daughter of Sheriff Jeffrey James and sister of Sheriff’s Deputy Jackson James, dressed in a long, white beard sitting behind the wheel of an ancient Ford Super Duty F-350 XL. In my defense, it wasn’t my monster truck. It was my mother’s. I was currently between automobiles, and she’d just upgraded to a newer, bigger, more intimidating model. Something she could
Penny Reid (Truth or Beard (Winston Brothers, #1))
You really want to know?” Beatrice nodded. Catherine simply waited. If he wanted to tell them, he would. Clarence was not the sort of man you could persuade or plead with. “All right. It was the year I graduated from law school. Like the other black men in my class, I was inspired by Judge Ruffin, the first black man to graduate from Harvard Law and the first to become a judge in Massachusetts. I thought I was going to be just like him. Me, a poor boy raised by a widowed mother who used to clean other people’s houses to pay the rent. Well, I went through Howard on scholarship, then Harvard on scholarship, and my first year out I worked for an organization offering legal aid to other poor folk—black, Irish, Italian, all sorts. I was sent to one of the counties in the western part of the state, to defend a black man accused of raping a white woman. That was the first time a judge called me ‘boy.’ I got my client off all right—the woman herself stood in the witness stand to say it wasn’t rape. They wanted to get married. That was legal in Massachusetts, and she was of age, but her father didn’t want her to marry a black man, so he told the sheriff that my client had raped her. She was visibly pregnant. “My client walked out of that courthouse a free man, but there was a crowd waiting for him outside, and suddenly her brother stepped out of that crowd. He was the sheriff’s deputy. He had a gun, and he said he was going to shoot that damn . . . his language isn’t fit to repeat. He was determined to kill my client. Without thinking, I jumped on him and wrestled with him for the gun. It went off. . . . He bled to death in my arms. So I was tried for manslaughter in that courthouse, in front of that judge. Despite his jury instructions, I was acquitted—you could almost see him frothing at the mouth with fury and tearing his hair out, the day I walked out of that courtroom, a free man. Everyone in that crowd had seen it was an accident, but who was going to give me a job after that? It didn’t matter that I was innocent. My face had been on the cover of the Boston Globe as the black man who’d killed a white policeman.
Theodora Goss (European Travel for the Monstrous Gentlewoman (The Extraordinary Adventures of the Athena Club, #2))
Actually, despite his earlier vow to one day raid Eastham, Clyde Barrow tried to go straight when he was paroled. He first helped his father make preparations to put an addition onto the service station, then traveled to Framingham, Massachusetts, to take a job and get away from his past in Texas. However, he quickly grew homesick and returned to Dallas to work for United Glass and Mirror, one of his former employers. It was then that local authorities began picking Barrow up almost daily, often taking him away from his job. There was a standing policy at the time to basically harass excons. Barrow was never charged with anything, but he soon lost his job. He told his mother, in the presence of Blanche Barrow and Ralph Fults, 'Mama, I'm never gonna work again. And I'll never stand arrest, either. I'm not ever going back to that Eastham hell hole. I'll die first! I swear it, they're gonna have to kill me.' ... Mrs. J. W. Hays, wife of former Dallas County Sheriff's Deputy John W. “Preacher” Hays, said, 'if the Dallas police had left that boy [Clyde Barrow] alone, we wouldn't be talking about him today.
John Neal Phillips (My Life with Bonnie and Clyde)