Depth Of Sadness Quotes

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Tears, idle tears, I know not what they mean, Tears from the depths of some devine despair Rise in the heart, and gather to the eyes, In looking on the happy autumn fields, And thinking of the days that are no more.
Alfred Tennyson
Sadness gives depth. Happiness gives height. Sadness gives roots. Happiness gives branches. Happiness is like a tree going into the sky, and sadness is like the roots going down into the womb of the earth. Both are needed, and the higher a tree goes, the deeper it goes, simultaneously. The bigger the tree, the bigger will be its roots. In fact, it is always in proportion. That's its balance.
Osho (Everyday Osho: 365 Daily Meditations for the Here and Now)
Then there was Nico di Angelo. Dang, that kid gave Leo the freaky-deakies. He sat back in his leather aviator jacket, his black T-shirt and jeans, that wicked silver skull ring on his finger, and the Stygian sword at his side. His tufts of black hair struck up in curls like baby bat wings. His eyes were sad and kind of empty, as if he’d stared into the depths of Tartarus—which he had.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants...I am an animal like any other. Hazel is different. she walks lightly, old man. She walks lightly upon the earth. She knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either. People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad. It's triumphant. It's heroic. Isn't that the real heroism? The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention.
John Green (The Fault in Our Stars)
Never did anybody look so sad. Bitter and black, halfway down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waves swayed this way and that, received it, and were at rest. Never did anybody look so sad.
Virginia Woolf (To the Lighthouse)
The Indian Summer of life should be a little sunny and a little sad, like the season, and infinite in wealth and depth of tone, but never hustled.
Henry Adams
It slowly began to dawn on me that I had been staring at her for an impossible amount of time. Lost in my thoughts, lost in the sight of her. But her face didn't look offended or amused. It almost looked as if she were studying the lines of my face, almost as if she were waiting. I wanted to take her hand. I wanted to brush her cheek with my fingertips. I wanted to tell her that she was the first beautiful thing that I had seen in three years. The sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again. In that breathless second I almost asked her. I felt the question boiling up from my chest. I remember drawing a breath then hesitating--what could I say? Come away with me? Stay with me? Come to the University? No. Sudden certainty tightened in my chest like a cold fist. What could I ask her? What could I offer? Nothing. Anything I said would sound foolish, a child's fantasy. I closed my mouth and looked across the water. Inches away, Denna did the same. I could feel the heat of her. She smelled like road dust, and honey, and the smell the air holds seconds before a heavy summer rain. Neither of us spoke. I closed my eyes. The closeness of her was the sweetest, sharpest thing I had ever known.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
I am a superficial woman of depth.
Melissa Broder (So Sad Today: Personal Essays)
If love makes you sad, you acquire a little depth, a little compassion. If it makes you happy, you learn how to be joyous. Every relationship should color your soul to a certain degree, don't you think? Every friendship, every love affair - each one should build up the chambers of your heart the way a sea creature builds the chamber of his shell.
Sharon Shinn (Jovah's Angel (Samaria, #2))
Still, somewhere in the depths of ourselves we all harbor an ashamed, unsatisfied melancholy that quietly awaits a funeral.
Jean-Paul Sartre (The Reprieve)
There are more benefits to happiness. The power of happiness enables more success in marriages, added friendships, higher incomes, and better work performance. With more friends, happy people have a superior support system. They have an easier time navigating through life because their optimistic outlook eases pain, sadness, and grief. They smile more and engage in more in-depth and more meaningful conversations.
Robert Gill Jr. (Happiness Power: How to Unleash Your Power and Live a More Joyful Life)
Love, experienced thus, is a constant challenge; it is not a resting place, but moving, growing, working together; even when there is harmony or conflict, joy or sadness, is secondary to the fundamental fact that two people experience themselves, rather than by fleeing from themselves. There is only one proof for the presence of love: the depth of the relationship, and the aliveness and strength in each person concerned; this is the fruit by which love is recognized.
Erich Fromm (The Art of Loving)
You are feeling sad? Befriend it. Have compassion for it. Sadness also has a being. Allow it, embrace it, sit with it, hold hands with it. Be friendly. Be in love with it. Sadness is beautiful! Nothing is wrong with it. Who told you that something is wrong in being sad? In fact, only sadness gives you depth. Laughter is shallow; happiness is skin-deep. Sadness goes to the very bones, to the marrow. Nothing goes as deep as sadness.
Osho (Emotions)
Body of a woman, white hills, white thighs, you look like a world, lying in surrender. My rough peasant's body digs in you and makes the son leap from the depth of the earth. I was lone like a tunnel. The birds fled from me, and nigh swamped me with its crushing invasion. To survive myself I forged you like a weapon, like an arrow in my bow, a stone in my sling. But the hour of vengeance falls, and I love you. Body of skin, of moss, of eager and firm milk. Oh the goblets of the breast! Oh the eyes of absence! Oh the roses of the pubis! Oh your voice, slow and sad! Body of my woman, I will persist in your grace. My thirst, my boundless desire, my shifting road! Dark river-beds where the eternal thirst flows and weariness follows, and the infinite ache.
Pablo Neruda (Selected Poems)
Between the shadows of the earth and the dark depths of the sky, human life lay slumbering, with all its unsolved puzzles.
Theodor Storm (Immensee)
There is stability in self-destruction, in prolonging sadness as a means of escaping abstractions like happiness. Rock bottom is a surprisingly comfortable place to lay your head. Looking up from the depths of another low often seems a lot safer than wondering when you'll fall again. Falling feels awful. I'd rather fucking fly.
Kris Kidd
Love is possible only if two persons communicate with each other from the center of their existence, hence if each one of them experiences himself from the center of his existence. Only in this “central experience” is human reality, only here is aliveness, only here is the basis for love. Love, experienced thus, is a constant challenge; it is not a resting place, but a moving, growing, working together; even whether there is harmony or conflict, joy or sadness, is secondary to the fundamental fact that two people experience themselves from the essence of their existence, that they are one with each other by being one with themselves, rather than by fleeing from themselves. There is only one proof for the presence of love: the depth of the relationship, and the aliveness and strength in each person concerned; this is the fruit by which love is recognized.
Erich Fromm (The Art of Loving)
He is so beautiful," she thought, aching from the sadness that she saw in his eyes. In the late-afternoon sunlight, those eyes were almost green. She took his face in her hands and pulled him to her, claiming the kiss she had so desperately wanted the day before but had forgotten in the heat of the moment. She closed her eyes and felt him respond to her mouth, his tongue seeking hers.
Shira Anthony (From the Depths)
His face was sad and stern because of the doom that was laid on him, and yet hope dwelt ever in the depths of his heart, from which mirth would arise at times like a spring from a rock.
J.R.R. Tolkien
Some of us have a hard time believing that we are actually able to face our own pain. We have convinced ourselves that our pain is too deep, too frightening, something to avoid at all costs. Yet if we finally allow ourselves to feel the depth of that sadness and gently let it break our hearts, we may come to feel a great freedom, a genuine sense of release and peace, because we have finally stopped running away from ourselves and from the pain that lives within us.
Wayne Muller (Legacy of the Heart: The Spiritual Advantage of a Painful Childhood)
Oh, the pathos of it! - haggard, drawn into fixed lines of unutterable sadness, with a look of loneliness, as of a soul whose depth of sorrow and bitterness no human sympathy could ever reach. The impression I carried away was that I had seen, not so much the President of the United States, as the saddest man in the world.
George Saunders (Lincoln in the Bardo)
The observations and encounters of a devotee of solitude and silence are at once less distinct and more penetrating than those of the sociable man; his thoughts are weightier, stranger, and never without a tinge of sadness. Images and perceptions which might otherwise be easily dispelled by a glance, a laugh, an exchange of comments, concern him unduly, they sink into mute depths, take on significance, become experiences, adventures, emotions.
Thomas Mann (Death in Venice)
There was once, in the country of Alifbay, a sad city, the saddest of cities, a city so ruinously sad that it had forgotten its name. It stood by a mournful sea full of glumfish, which were so miserable to eat that they made people belch with melancholy even though the skies were blue... And in the depths of the city, beyond an old zone of ruined buildings that look like broken hearts, there lived a happy young fellow by name of Haroun, the only child of the storyteller Rashid Khalifa, whose cheerfulness was famous throughout that unhappy metropolis, and whose never-ending stream of tall, and winding tales had earned him not one but two nicknames. To his admirers he was Rashid the Ocean of Notions, as stuffed with cheery stories as the sea was full of glumfish; but to his jealous rivals he was the Shah of Blah.
Salman Rushdie (Haroun and the Sea of Stories (Khalifa Brothers, #1))
Pain is transitory despite its depths. Hate eventually eats itself into a hollow void. Sadness can last only as long as life itself. But love, love extends beyound reason and time. -- Excerpt from the Lost Chapters of the Ecliptic Scrolls
Aja James (Dark Longing (Pure/ Dark Ones #2))
What he'd like to say is that he's lived it, if not the entire breadth and depth of the Christian faith then certainly the central thrust of it. The mystery, the awe, that huge sadness and grief. Oh my people.
Ben Fountain (Billy Lynn's Long Halftime Walk)
I can't really remember the days. The light of the sun blurred and annihilated all color. But the nights, I remember them. The blue was more distant than the sky, beyond all depths, covering the bounds of the world. The sky, for me, was the stretch of pure brilliance crossing the blue, that cold coalescence beyond all color. Sometimes, it was in Vinh Long, when my mother was sad she'd order the gig and we'd drive out into the country to see the nighta s it was in the dry season. I had that good fortune- those nights, that mother. The light fell from the sky in cataracts of pure transparency, in torrents of silence and immobility. The air was blue, you could hold it in your hand. Blue. The sky was the continual throbbing of the brilliance of the light. The night lit up everything, all the country on either bank of the river as far as the eye could reach. Every night was different, each one had a name as long as it lasted. Their sound was that of the dogs, the country dogs baying at mystery. They answered on another from village to village, until the time and space of the night were utterly consumed.
Marguerite Duras (The Lover)
Pain, too, comes from depths that cannot be revealed. We do not know whether those depths are in ourselves or elsewhere, in a graveyard, in a scarcely dug grave, only recently inhabited by withered flesh. This truth, which is banal enough, unravels time and the face, holds up a mirror to me in which I cannot see myself without being overcome by a profound sadness that undermines one's whole being. The mirror has become the route through which my body reaches that state, in which it is crushed into the ground, digs a temporary grave, and allows itself to be drawn by the living roots that swarm beneath the stones. It is flattened beneath the weight of that immense sadness which few people have the privilege of knowing. So I avoid mirrors.
Tahar Ben Jelloun (The Sand Child)
In the serenity and quiet of this lovely place, touch the depths of truth, feel the hem of Heaven. And when you leave, don't forget why you came...
Oksana Rus
From the depths of his memory arose a tingling sadness, fragile and pure like morning dew, tinged with a rosy hue.
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
A person with a melancholy temperament had been fated with both an awful burden and what Byron called “a fearful gift.” The burden was a sadness and despair that could tip into a state of disease. But the gift was a capacity for depth, wisdom—even genius.
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
It’s hard to imagine two more different women than Kathy or Alicia. Kathy makes me think of light, warmth, colour and laughter. When I think of Alicia, I think only of depth, of darkness, of sadness. Of silence.
Alex Michaelides (The Silent Patient)
t nightfall, at the oppressive moment of transition, a storm of carnivorous mosquitoes rose out of the swamps, and a tender breath of human shit, warm and sad, stirred the certainty of death in the depths of one’s soul.
Gabriel García Márquez
Manfried imagined the stars to be jewels shining in the depths of a long-sealed crypt and, drifting off, he almost glimpsed himself prying open the lid of night and stuffing his pockets with the glittering gems.
Jesse Bullington (The Sad Tale of the Brothers Grossbart)
What is left after war is silence: The silence of the death; the silence of the debris; the silence of the birds! After war even the screams of sadness are silent because the pain is in the very depths of the soul!
Mehmet Murat ildan
The pain is stronger than ever. I've seen bits of lost Paradises and I know I'll be hopelessly trying to return even if it hurts. The deeper I swing into the regions of nothingness the further I'm thrown back into myself, each time more and more frightening depths below me, until my very being becomes dizzy. There are brief glimpses of clear sky, like falling out of a tree, so I have some idea where I'm going, but there is still too much clarity and straight order of things, I am getting always the same number somehow. So I vomit out broken bits of words and syntaxes of the countries I've passed through, broken limbs, slaughtered houses, geographies. My heart is poisoned, my brain left in shreds of horror and sadness. I've never let you down, world, but you did lousy things to me. (from "As I was moving ahead occasionally I saw brief glimpses of beauty", 2000)
Jonas Mekas
His eyes looked sad and cautious.  I recognized the grief, but there seemed to be more to it, a depth beyond what even I had experienced, a regret I couldn’t quite grasp.
Tyra Lynn (Tempus (Tempus, #1))
I felt her come by later, as I was dozing off. Her standing, by my bed. The depth of shadow of a person felt behind closed eyelids.
Aimee Bender (The Particular Sadness of Lemon Cake)
How strange! This bed on which I shall lie has been slept on by more than one dying man, but today it does not repel me! Who knows what corpses have lain on it and for how long? But is a corpse any worse than I? A corpse too knows nothing of its father, mother or sisters or Titus. Nor has a corpse a sweetheart. A corpse, too, is pale, like me. A corpse is cold, just as I am cold and indifferent to everything. A corpse has ceased to live, and I too have had enough of life…. Why do we live on through this wretched life which only devours us and serves to turn us into corpses? The clocks in the Stuttgart belfries strike the midnight hour. Oh how many people have become corpses at this moment! Mothers have been torn from their children, children from their mothers - how many plans have come to nothing, how much sorrow has sprung from these depths, and how much relief!… Virtue and vice have come in the end to the same thing! It seems that to die is man’s finest action - and what might be his worst? To be born, since that is the exact opposite of his best deed. It is therefore right of me to be angry that I was ever born into this world! Why was I not prevented from remaining in a world where I am utterly useless? What good can my existence bring to anyone? … But wait, wait! What’s this? Tears? How long it is since they flowed! How is this, seeing that an arid melancholy has held me for so long in its grip? How good it feels - and sorrowful. Sad but kindly tears! What a strange emotion! Sad but blessed. It is not good for one to be sad, and yet how pleasant it is - a strange state…
Frédéric Chopin
Nothing ever happens like you imagine it will," she says. The sky is like a monochromatic contemporary painting, drawing me in with its illusion of depth, pulling me up. "Yeah, that's true," I say. But then after I think about it for a second, I add, "But then again, if you don't imagine, nothing ever happens at all.
John Green (Paper Towns)
There are mainly nine emotions: Joy, Sadness, Anger, Fear, Pity, Disgust, Expectation, Surprise, and Trust. You are attached to those who give you joy. You are attached to those who make you sad. You are attached to those you fear. You are attached to those you are full of pity for. You are attached to those who disgust you. You are attached to those you expect from. You are attached to those who surprise you. You are attached to those you trust. In short, you are attached to those who evoke any kind of emotion in you. You should consider them all as mermaids, or the infected souls out to sink you in the depths of their bad Karma.
Shunya (Immortal Talks (- Book 1))
He found it so easy and so pleasant to cry that he didn't try to stop for a while, until he realized he was forcing his sobs a little, exaggerating their depth with unnecessary shudders. Then, ashamed of himself, he bent over and carefully set his drink on the grass, go out his handkerchief and blew his nose. The whole point of crying was to quit before you cornied it up. The whole point of grief was to cut it out while it was still honest, while it still meant something. Because the thing was so easily corrupted: let yourself go and you started embellishing your own sobs, or you started telling about the Wheelers with a sad, sentimental smile and saying Frank was courageous, and then what the hell did you have?
Richard Yates (Revolutionary Road)
My Sadness is Deeper than Yours My sadness is deeper than yours. My interior life is richer than yours. I am more interesting than you. I don’t care about anybody else’s problems. They are not as serious as mine. Nobody knows the weight I carry, the trouble I’ve seen. There are worlds in my head that nobody has access to: fortunately for them, fortunately for me. I have seen things that you will never see, and I have feelings that you are incapable of feeling, that you would never allow yourself to feel, because you lack the capacity and the curiosity. Once you felt the hint of such a feeling, you would stamp it out. I am a martyr to futility and I don’t expect to be shut down by a pretender. Mothballs are an aphrodisiac to me, beauty depresses me. You could never hope to fathom the depth of my feelings, deeper than death. I look down upon you all from my lofty height of lowliness. The fullness of your satisfaction lacks the cadaverous purity of my pain. Don’t talk to me about failure. You don’t know the meaning of the word. When it comes to failure, you’re strictly an amateur. Bush league stuff. I’m ten times the failure you’ll ever be. I have more to complain about than you, and regrets: more than a few, too many to mention. I am a fully-qualified failure, I have proven it over and over again. My credentials are impeccable, my resume flawless. I have worked hard to put myself in a position of unassailable wretchedness, and I demand to be respected for it. I expect to be rewarded for a struggle that produced nothing. I want the neglect, the lack of acknowledgment. And I want the bitterness that comes with it too.
John Tottenham
Perhaps many things inside you have been transformed; perhaps somewhere, someplace deep inside your being, you have undergone important changes while you were sad. The only sadnesses that are dangerous and unhealthy are the ones that we carry around in public in order to drown them out with the noise; like diseases that are treated superficially and foolishly, they just withdraw and after a short interval break out again all the more terribly; and gather inside us and are life, are life that is unlived, rejected, lost, life that we can die of.
Rainer Maria Rilke (Letters to a Young Poet)
It is much, much worse to receive bad news through the written word than by somebody simply telling you, and I’m sure you understand why. When somebody simply tells you bad news, you hear it once, and that’s the end of it. But when bad news is written down, whether in a letter or a newspaper or on your arm in felt tip pen, each time you read it, you feel as if you are receiving the news again and again. For instance, I once loved a woman, who for various reasons could not marry me. If she had simply told me in person, I would have been very sad, of course, but eventually it might have passed. However, she chose instead to write a two-hundred-page book, explaining every single detail of the bad news at great length, and instead my sadness has been of impossible depth. When the book was first brought to me, by a flock of carrier pigeons, I stayed up all night reading it, and I read it still, over and over, and it is as if my darling Beatrice is bringing me bad news every day and every night of my life. The Baudelaire orphans
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events #4))
We are so unused to emotion that we mistake any depth of feeling for sadness, any sense of the unknown for fear, and any sense of peace for boredom.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Now I understand the depth of the sadness.” William turned and looked at her. “In the painting? Adele’s eyes look as though they go deeper than the back of the canvas. It’s because of what she saw, because of all the people who walked by her and she was powerless to stop it.
Kristy Cambron (The Butterfly and the Violin (Hidden Masterpiece, #1))
The free spirit again draws near to life - slowly, to be sure, almost reluctantly, almost mistrustfully. It again grows warmer about him, yellower as it were; feeling and feeling for others acquire depth, warm breezes of all kind blow across him. It seems to him as if his eyes are only now open to what is close at hand. he is astonished and sits silent: where had he been? These close and closest things: how changed they seem! what bloom and magic they have acquired! He looks back gratefully - grateful to his wandering, to his hardness and self-alienation, to his viewing of far distances and bird-like flights in cold heights. What a good thing he had not always stayed "at home," stayed "under his own roof" like a delicate apathetic loafer! He had been -beside himself-: no doubt about that. Only now does he see himself - and what surprises he experiences as he does so! What unprecedented shudders! What happiness even in the weariness, the old sickness, the relapses of the convalescent! How he loves to sit sadly still, to spin out patience, to lie in the sun! Who understands as he does the joy that comes in winter, the spots of sunlight on the wall! They are the most grateful animals in the world, also the most modest, these convalescents and lizards again half-turned towards life: - there are some among them who allow no day to pass without hanging a little song of praise on the hem of its departing robe. And to speak seriously: to become sick in the manner of these free spirits, to remain sick for a long time and then, slowly, slowly, to become healthy, by which I mean "healthier," is a fundamental cure for all pessimism.
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
The stars stare back In that deep, Soul-shattering blackness And from the depths of existence Comes a cruel, icy wind Raising the hairs On the back of your neck And suddenly it feels Like you’re walking a tightrope Over that endless abyss On one sad, fraying, thin Violin string.
Justin Wetch (Bending The Universe)
Is it that the joy that comes from other people always risks sadness, because even when love doesn't fail, mortality enters in; is it that there is a place where sadness and joy are not distinct, where all emotion lies together, a sort of ocean into which the tributary streams of distinct emotions go, a faraway deep inside; is it that such sadness is only the side effect of art that describes the depths of our lives, and to see that described in all its potential for loneliness and pain is beautiful?
Rebecca Solnit (A Field Guide to Getting Lost)
The eyes are the ocean of soul, Behind those eyes lies an untold story, Which is silent and buried in the depths of the ocean of soul, Holding a billion tear drops in its rim, And those eyes that cry for love and for the sake of loved ones are sapphires, And those tear drops of love are precious pearls.
Luffina Lourduraj
The thing that I was experiencing and dwelling on the entire time is that there are so many things that are not OK and that will never be OK again. But there’s also so many things that are OK and good that sometimes it makes you crumple over with being alive. We are allowed such an insane depth of beauty and enjoyment in this lifetime. It’s what my dad talks about sometimes. He says the only way that he knows there’s a God is that there’s so much gratuitous joy in this life. And that’s his only proof. There’s so many joys that do not assist in the propagation of the race or self-preservation. There’s no point whatsoever. They are so excessively, mind-bogglingly joy-producing that they distract from the very functions that are supposed to promote human life. They can leave you stupefied, monastic, not productive in any way, shape or form. And those joys are there and they are unflagging and they are ever-growing. And still there are these things that you will never be able to feel OK about–unbearably awful, sad, ugly, unfair things.
Joanna Newsom
It's too short,' she said, 'ever so much too short.' Never did anybody look so sad. Bitter and black, half-way down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waters swayed this way and that, received it, and were at rest. Never did anybody look so sad.
Virginia Woolf (To the Lighthouse)
You see, there's some blues for folks ain't never had a thing, and that's a sad blues ... but the saddest kind of blues is for them that's had everything they ever wanted and has lost it, and knows it won't come back no more. Ain't no sufferin' in this world worse than that; and that's the blue we call 'I Had It But It's All Gone Now.
Ken Grimwood (Replay)
All those encouragements from others about having so much to live for, that there's still goodness to come in your life --- they feel irrelevant. They kind of are irrelevant. You can't cheerlead yourself out of the depths of grief.
Megan Devine (It's OK That You're Not OK: Meeting Grief and Loss in a Culture That Doesn't Understand)
No evening I had passed at Bly had the portentous quality of this one; in spite of which—and in spite also of the deeper depths of consternation that had opened beneath my feet—there was literally, in the ebbing actual, an extraordinarily sweet sadness.
Henry James (The Turn of the Screw)
Invitation to Eternity Say, wilt thou go with me, sweet maid, Say, maiden, wilt thou go with me Through the valley-depths of shade, Of bright and dark obscurity; Where the path has lost its way, Where the sun forgets the day, Where there's nor light nor life to see, Sweet maiden, wilt thou go with me? Where stones will turn to flooding streams, Where plains will rise like ocean's waves, Where life will fade like visioned dreams And darkness darken into caves, Say, maiden, wilt thou go with me Through this sad non-identity Where parents live and are forgot, And sisters live and know us not? Say, maiden, wilt thou go with me In this strange death of life to be, To live in death and be the same, Without this life or home or name, At once to be and not to be— That was and is not—yet to see Things pass like shadows, and the sky Above, below, around us lie? The land of shadows wilt thou trace, Nor look nor know each other's face; The present marred with reason gone, And past and present both as one? Say, maiden, can thy life be led To join the living and the dead? Then trace thy footsteps on with me: We are wed to one eternity.
John Clare (Poems Chiefly from Manuscript)
A scream is a sound we make that is born of intense feeling. A scream of fear, of being startled, is often high-pitched. It may be short or prolonged. A scream may also accompany delight or amusement, though often that is more of a squeal. And a scream of sorrow or rage ... well, that is an entirely different thing. That comes from a darker place, from the depths of our souls, and when we scream in those times, because we are sad or angry, there is a terrible knowledge that accompanies it, that we are giving voice to our emotions, to what is simply too big for our hearts to contain. And as Li Wei cries out, I know Feng Ji is right. It is his heart I am hearing, a way of expressing what he feels over his father's loss that is both primal and beautiful, and it comes from his soul and reaches something within mine. It is the sound my own heart made when my parents died, only I didn't know it until now.
Richelle Mead (Soundless)
Never did anybody look so sad. Bitter and black, half-way down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waters swayed this way and that, received it, and were at rest. Never did anybody look so sad.
It is a measure of a nation their cunning! It is a measure of a nation their strength! And it is a measure of a nation," I leaned forward and screeched, "their mercy!" I leaned back and surveyed the crowd and for some bizarre reason kept right on shouting. The condemned you see before you have been tried justly and meet their sentence fairly. They have done wrong and they will pay for it. But I am not the Winter Princess of a nation who does not see that even the condemned deserve to be treated with respect as they face death. You may think they do not deserve it but it is your duty as Lunwynians to rise above their actions not fall to their depths. They will hang for their crimes and you will watch this sentence carried out.How could that not be enough for you?" I tore my eyes away from the now whispering crowd as those close sent my words far,feeling Frey’s arm still tight around my middle but I ignored it and looked down at the scaffold. Bring her to her feet,” I ordered the guardstanding around Viola and they shifted andstared up at me in stupefaction so I snapped,“ Bring her to her feet! ”They jumped toward Viola who I avoidedlooking at as they helped her up and movedher to her noose. Instead, I looked back tothe crowd and, yep, you guessed it, kept right on shouting. "Today, you witness something infinitely sad. Three people who have gone wrong somewhere in their lives, done wrong be-cause of it and therefore are paying the ulti-mate price. Do not stand there shouting and jeering, demonstrating that they were right to move against this great nation, those for-tunate enough to inhabit her ice-bound earth and those privileged to wear her crowns.Stand there and, as the Lunwynians I know you to be, stand strong, stand proud and stand filled with mercy.
Kristen Ashley (Wildest Dreams (Fantasyland, #1))
A heavy thunder shattered the deep sleep in my head, so that I came to myself, like someone woken by force, and standing up, I moved my eyes, now refreshed, and looked round, steadily, to find out what place I was in. I found myself, in truth, on the brink of the valley of the sad abyss that gathers the thunder of an infinite howling. It was so dark, and deep, and clouded, that I could see nothing by staring into its depths.
Dante Alighieri (The Divine Comedy (Translated, Annotated, Illustrated))
It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
Molly Harper (And One Last Thing ...)
My Favorite rapper Tupac Shakur.. Philosophical... The emotional depth of his lyricism. Rest in peace. So sad when I listen your music. I understand the struggle, I know exactly how you feel... Been there a million times. Wanting to change the world and Everytime you speak up, only your echo answers you back
Crystal Evans
But I knew it wasn't just the cute girl on the screen that had made Eunice cry. It was her father laughing, being kind, the family momentarily loving and intact - a cruel side trip into the impossible, an alternate history. The dinner was over. The waiters were clearing the table with resignation and without a word. I knew that, according to tradition, I had to allow Dr. Park to pay for the meal, but I went into my apparat and transferred him three hundred yuan, the total of the bill, out of an unnamed account. I did not want his money. Even if my dreams were realised and I would marry Eunice someday, Dr. Park would always remain to me a stranger. After thirty-nine years of being alive, I had forgiven my own parents for not knowing how to care for a child, but that was the depth of my forgiveness.
Gary Shteyngart (Super Sad True Love Story)
The War on Men Through the Degradation of Woman” - "How is man to recognize his full self, his full power through the eye’s of an incomplete woman? The woman who has been stripped of Goddess recognition and diminished to a big ass and full breast for physical comfort only. The woman who has been silenced so she may forget her spiritual essence because her words stir too much thought outside of the pleasure space. The woman who has been diminished to covering all that rots inside of her with weaves and red bottom shoes. I am sure the men, who restructured our societies from cultures that honored woman, had no idea of the outcome. They had no idea that eventually, even men would render themselves empty and longing for meaning, depth and connection. There is a deep sadness when I witness a man that can’t recognize the emptiness he feels when he objectifies himself as a bank and truly believes he can buy love with things and status. It is painful to witness the betrayal when a woman takes him up on that offer. He doesn’t recognize that the [creation] of a half woman has contributed to his repressed anger and frustration of feeling he is not enough. He then may love no woman or keep many half women as his prize. He doesn’t recognize that it’s his submersion in the imbalanced warrior culture, where violence is the means of getting respect and power, as the reason he can break the face of the woman who bore him 4 four children. When woman is lost, so is man. The truth is, woman is the window to a man’s heart and a man’s heart is the gateway to his soul. Power and control will NEVER out weigh love. May we all find our way.
Jada Pinkett Smith
Emilia held Sarah's hands and looked at her. She could see now the depth of sadness in Sarah's eyes. And she could feel the warmth and kindness that Julius must have been drawn to. And she was grateful to Sarah, for her compassion and honesty. It must have been a painful confession. She felt honored to be trusted with the secret. She supposed when she had time to think about it, she might be shocked, but she wasn't going to judge. She found it a comfort, that Julius had this woman's devotion. And she knew, from all the books she had ever read, that life was complicated, that love sprang from nowhere sometimes, and that forbidden love wasn't always something to be ashamed of.
Veronica Henry (How to Find Love in a Bookshop)
He knows her like man knows earth, touching the surface but unaware of her depth.
Piper Payne
And in the depths of my soul — the only reality of the moment — there is an intense, invisible pain, a sadness like the sound of someone weeping in a dark room.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
She imagined herself drowning along the tides of Sumendu Lake, down own into the depths of solemn solitude, splashing into the serenity of forever silence.
Ashmita Acharya (The Beginning: The Tears of My Heart)
Yūgen's hallmarks [are] mystery and depth .. . . it is characterized by sadness, unspoken connotations, imagery of a veiled, monochromatic nature, and an atmosphere of haunting beauty.
Jane Hirshfield (Nine Gates: Entering the Mind of Poetry)
On the day when the lotus bloomed, alas, my mind was straying, and I knew it not. My basket was empty and the flower remained unheeded. Only now and again a sadness fell upon me, and I started up from my dream and felt a sweet trace of a strange fragrance in the south wind. That vague sweetness made my heart ache with longing and it seemed to me that is was the eager breath of the summer seeking for its completion. I knew not then that it was so near, that it was mine, and that this perfect sweetness had blossomed in the depth of my own heart.
Rabindranath Tagore (Gitanjali)
the very discourse of colorblindness—created by neoconservatives and neoliberals in order to trivialize and disguise the depths of black suffering in the 1980s and ‘90s’has left America blind to the New Jim Crow. How sad it is that this blindness has persisted under both Republican and Democratic administrations and remains to this day hardly acknowledged or examined in our nation’s public discourse.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness (Revised Edition))
O the sad frugality of the middle-income mind. O the humorless neatness of an intellectuality which buys mass-produced candlesticks and carefully puts one at each end of every philosophical mantlepiece! How far it lies from the playfulness of Him who composed such odd and needless variations on the themes of leaf and backbone, eye and nose! A thousand praises that it has only lately managed to lay its cold hand on the wines, the sauces, and the cheeses of the world! A hymn of thanksgiving that it could not reach into the depths of the sea to clamp its grim simplicities over the creatures that swim luminously in the dark! A shout of rejoicing for the fish who wears his eyeballs at the ends of long stalks, and for the jubilant laughter of the God who holds him in life with a daily bravo at the bravura of his being!
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection)
A Tear And A Smile - I would not exchange the sorrows of my heart For the joys of the multitude. And I would not have the tears that sadness makes To flow from my every part turn into laughter. I would that my life remain a tear and a smile. A tear to purify my heart and give me understanding Of life's secrets and hidden things. A smile to draw me nigh to the sons of my kind and To be a symbol of my glorification of the gods. A tear to unite me with those of broken heart; A smile to be a sign of my joy in existence. I would rather that I died in yearning and longing than that I live Weary and despairing. I want the hunger for love and beauty to be in the Depths of my spirit,for I have seen those who are Satisfied the most wretched of people. I have heard the sigh of those in yearning and Longing, and it is sweeter than the sweetest melody. With evening's coming the flower folds her petals And sleeps, embracingher longing. At morning's approach she opens her lips to meet The sun's kiss. The life of a flower is longing and fulfilment. A tear and a smile. The waters of the sea become vapor and rise and come Together and area cloud. And the cloud floats above the hills and valleys Until it meets the gentle breeze, then falls weeping To the fields and joins with brooks and rivers to Return to the sea, its home. The life of clouds is a parting and a meeting. A tear and a smile. And so does the spirit become separated from The greater spirit to move in the world of matter And pass as a cloud over the mountain of sorrow And the plains of joy to meet the breeze of death And return whence it came. To the ocean of Love and Beauty----to God.
Kahlil Gibran (A Tear and a Smile)
To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
William Cullen Bryant (Thanatopsis)
Jurassic Park where the freaked-out humans are told to stay still, because if they don’t move, then the T. rex can’t see them. Nonsense—because it could sense depth, a real Rex would have made an easy meal out of those sad, misinformed people.
Stephen Brusatte (The Rise and Fall of the Dinosaurs: A New History of a Lost World)
I'm lonely, Yes! I'm so lonely. I'm Just a sad tear that came out of the depths of pain. I have neither friend nor a lover. I live in an empty dark shell. Punctuated by the lights of my dreams. I hear a whisper. I hear an echo. Why everything I love in this world. It's expensive, or it makes me sad. Beyond my shell, there is an empty world. A world filled with hatred and lies. A world filled with vanity and treason. A world filled with injustice and selfishness. There is a noise in my silence, but I shout quietly. So as to your pure heart can hear me. I tried to escape from my bitter reality. A reality that walks against my dreams. I found out that sleep is my best shelter. Because life is easy when eyes are closed. So I give up my eyes, and went to sleep. Then suddenly! I felt a call, something tried to wake me up. I felt whispers caressing my soul. That together we stand, divided we fall. That you are the king of my thrown, And only beside you, I feel like I have everything. I love you my shell, my home.
Eyden I. (Kiss Friendzone Goodbye)
A person with a melancholy temperament had been fated with both an awful burden and what Byron called “a fearful gift.” The burden was a sadness and despair that could tip into a state of disease. But the gift was a capacity for depth, wisdom—even genius.   In
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
Ars Poetica To gaze at the river made of time and water And recall that time itself is another river, To know we cease to be, just like the river, And that our faces pass away, just like the water. To feel that waking is another sleep That dreams it does not sleep and that death, Which our flesh dreads, is that very death Of every night, which we call sleep. To see in the day or in the year a symbol Of mankind's days and of his years, To transform the outrage of the years Into a music, a rumor and a symbol, To see in death a sleep, and in the sunset A sad gold, of such is Poetry Immortal and a pauper. For Poetry Returns like the dawn and the sunset. At times in the afternoons a face Looks at us from the depths of a mirror; Art must be like that mirror That reveals to us this face of ours.
Jorge Luis Borges
This took place in the depths of a forest, at night, in winter, far from all human sight; she was a child of eight: no one but God saw that sad thing at the moment. And her mother, no doubt, alas! For there are things that make the dead open their eyes in their graves.
Victor Hugo (Les Misérables)
Alas! alas!" the naked woman exclaimed. "What have you done?" I said to her: "I prefer you to him. Because I pity the unhappy. It is not your fault eternal justice has created you." And she said: "One day men will do me justice; I will say no more to you. Let me go and hide my infinite sadness at the bottom of the sea. Only you, and the hideous monsters who swarm in those black depths do not despise me. You are good. Adieu, you who have loved me." I, to her: " Adieu, once more adieu! I will always love you. From today, I abandon virtue.
Comte de Lautréamont (Maldoror and Poems)
An ambulance, lights and sirens blaring, sped past us, going in the opposite direction, towards the school, and for an instant, I felt a nervous excitement and thought, it could be someone I know. I almost wished it was someone I knew, to give new form and depth to the sadness I felt.
John Green (Looking for Alaska)
I told myself this was a very, very dumb idea. I’m physically annoyed with myself for stooping this low. The world has come to a sad place, and the depths of Hell might actually be freezing over right now as I step into the main office before first period. Yes, I’m ordering a love gram.
Natalie Decker (Right Kiss Wrong Guy (Offsides Book 2))
There was, I thought, something calling to me from out in the dark. It came from out in the tempest, even from the lights of the fishing boats a mile out at sea. You can be called to a last effort, a final heroic statement, because I doubt you call yourself to leave comforts and certainties for an open road. But the call is inside your own head. It's a sad summons from the depths of your own wasted past. You could call it the imperative to go out with full-tilt trumpets and gunshots instead of the quietly desperate sound of the hospital ventilator. Victory instead of defeat.
Lawrence Osborne (Only to Sleep)
And perhaps, Mrs. Morgan on Lanypwll Farm put all this much better in the speech of symbolism, when she murmured about the children of the pool. For if there is a landscape of sadness, there is certainly also a landscape of a horror of darkness and evil; and that black and oily depth, overshadowed with twisted woods, with its growth of foul weeds and its dead trees and leprous boughs, was assuredly potent in terror. To Roberts, it was a strong drug, a drug of evocation; the black deep without calling to the black deep within, and summoning the inhabitant thereof to come forth.
Arthur Machen (The Terror and Other Stories (The Best Weird Tales of Arthur Machen #3))
Remarkably, studies of visual perception have found that two-dimensional images projected onto the retina only achieve full dimensionality as a result of our perception: we infer the third dimension of depth. Sadly, though, as the urgency to expedite all communicative transactions usurps out customary patterns of exchange, perception is accelerated as well. There does not seem to be a great deal of time left over to infer--or interpret, or imagine--much of anything at all. In the end, of course, there is nothing real about this at all, except for our propensity to let it happen.
Jessica Helfand (Screen: Essays on Graphic Design, New Media, and Visual Culture)
Letter Thirteen In Case I Never See You Again I know we didn’t say goodbye but I know this is the end. I’ve seen this movie before. I know when it’s time to roll the credits. I know it all too well. So, in case you never come back, I want to you know that I truly cared. I want you to know that the first time I met you, I didn’t want to leave; I wanted to talk to you all night. I want you to know that I liked your smile, I liked your eyes, I liked your depth and all I wanted was to hear your story. I wanted to know your soul. I want you to know that the second time I met you, I knew I wanted to see you again, I wanted to be around you more, I wanted to hold your hand. I felt safe with you. You made me happy. You took me out of my darkness. I saw someone special. I saw someone delicate. I thought we made sense. I didn’t anticipate any plot twists. But that was my movie and I wanted a happy ending. But I guess your movie wins, your ending is climactic, your ending is more realistic. And that’s the thing about movies; they don’t always end up the way you want them to. And that’s the thing about endings; they can sometimes be sad. They sometimes end in tears. They end and they don’t always have a sequel.
Rania Naim (All the Letters I Should Have Sent)
By then I’d been watching shadow selves for many years. They’d rescued me from boredom, from sadness. From tables full of rich, awful people. They’d given depth to the shallow, dimensions to the simpleminded. Mystery to the blatant. They were my own secret project. But Z knew about them, too. He was looking for mine. A spy. Like me.
Jennifer Egan (Look at Me)
Wang walked past the three happily playing children and entered the room that Ye had indicated. He paused in front of the door, seized by a strange feeling. It was as if he had returned to his dream-filled youth. From the depths of his memory arose a tingling sadness, fragile and pure like morning dew, tinged with a rosy hue. Gently,
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
Bittersweet is the idea that in all things there is both something broken and something beautiful, that there is a sliver of lightness on even the darkest of nights, a shadow of hope in every heartbreak, and that rejoicing is no less rich when it contains a splinter of sadness. Bittersweet is the practice of believing that we really do need both the bitter and the sweet, and that a life of nothing but sweetness rots both your teeth and your soul. Bitter is what makes us strong, what forces us to push through, what helps us earn the lines on our faces and the calluses on our hands. Sweet is nice enough, but bittersweet is beautiful, nuanced, full of depth and complexity. Bittersweet is courageous, gutsy, earthy.
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
I remember the sad case of a very godly man whom I knew who had two daughters who were the most excellent women. They had reached middle life when I met them. They lived, in a sense, for the things of God, and yet neither of them had ever become a member of a Christian church, or ever taken communion at the Lord's Table. As regards their life and conduct, you could not think of better people, and yet they had never become members of the church and they had never partaken of the bread and the wine. Why? They said they did not feel they were good enough. What was the matter with them? They were looking at themselves instead of at the finished, perfect work of Christ. You look at yourself and, of course, you will miserable, for within there is blackness and darkness. The best saint when he looks at himself becomes unhappy; he sees things that should not be there, and if you and I spend our whole time looking at ourselves we shall remain in misery, and we shall lose the joy. Self-examination is all right, but introspection is bad. Let us draw the distinction between these two things. We can examine ourselves in the light of Scripture, and if we do that we shall be driven to Christ. But with introspection a man looks at himself and continues to do so, and refuses to be happy until he gets rid of the imperfections that are still there. Oh, the tragedy that we should spend our lives looking at ourselves instead of looking at Him who can set us free!
D. Martyn Lloyd-Jones (Out of the Depths)
I would not exchange the sorrows of my heart For the joys of the multitude. And I would not have the tears that sadness makes To flow from my every part turn into laughter. I would that my life remain a tear and a smile. A tear to purify my heart and give me understanding Of life's secrets and hidden things. A smile to draw me nigh to the sons of my kind and To be a symbol of my glorification of the gods. A tear to unite me with those of broken heart; A smile to be a sign of my joy in existence. I would rather that I died in yearning and longing than that I live Weary and despairing. I want the hunger for love and beauty to be in the Depths of my spirit,for I have seen those who are Satisfied the most wretched of people. I have heard the sigh of those in yearning and Longing, and it is sweeter than the sweetest melody
Kahlil Gibran (A Tear and a Smile)
Now we can understand the meaning of Tereza’s secret vice, her long looks and frequent glances in the mirror. It was a battle with her mother. It was a longing to be a body unlike other bodies, to find that the surface of her face reflected the crew of the soul charging up from below. It was not an easy task: her soul – her sad, timid, self-effacing soul – lay concealed in the depths of her bowels and was ashamed to show itself.
Milan Kundera (The Unbearable Lightness of Being)
I saw her reflection behind me, in the mirror. I was speechless. Somehow I knew I wasn’t allowed to turn around—it was against the rules, whatever the rules of the place were—but we could see each other, our eyes could meet in the mirror, and she was just as glad to see me as I was to see her. She was herself. An embodied presence. There was psychic reality to her, there was depth and information. She was between me and whatever place she had stepped from, what landscape beyond. And it was all about the moment when our eyes touched in the glass, surprise and amusement, her beautiful blue eyes with the dark rings around the irises, pale blue eyes with a lot of light in them: hello! Fondness, intelligence, sadness, humor. There was motion and stillness, stillness and modulation, and all the charge and magic of a great painting. Ten seconds, eternity. It was all a circle back to her. You could grasp it in an instant, you could live in it forever: she existed only in the mirror, inside the space of the frame, and though she wasn’t alive, not exactly, she wasn’t dead either because she wasn’t yet born, and yet never not born—as somehow, oddly, neither was I. And I knew that she could tell me anything I wanted to know (life, death, past, future) even though it was already there, in her smile, the answer to all questions
Donna Tartt (The Goldfinch)
I hope i never grow to be a person that loses inspiration in the smallest things, a person that takes sunsets for granted and laughs less and less as they age. That would be the greatest tragedy, letting this hasty world steal the beauty of a small blessing and the way a good old cackle with those you love can liven the senses back into you. The sad part is, so many already live this way, and i hope i never alter my path to follow that suit.
Nikki Rowe
I’ve often thought that a planet without water would be a dull, sad place. Most, if not all, water on this planet came from countless small comets thumping against the atmosphere (which continues at about ten thousand comets or pieces of comets per day, enough to add a twenty-five-foot depth of water across the entire globe every half a million years). That it comes from space suggests why it is so peculiar and fascinating here on earth. It is a substance from far beyond our reach.
Craig Childs (The Secret Knowledge of Water : There are Two Easy Ways to Die in the Desert: Thirst and Drowning)
Furthermore, the sense of passion or of power, of depth and vibrancy, feeling and vision, we take away from any work is the result of the intermingling, balance, play, and antagonism between these: it is the arrangement of blues, not any blue itself, which lets us see the mood it formulates, whether pensive melancholy or thoughtless delight, so that one to whom aesthetic experience comes easily will see, as Schopenhauer suggested, sadness in things as readily as smoky violet or moist verdigris.
William H. Gass (On Being Blue: A Philosophical Inquiry (New York Review Books Classics))
Challenges teach and evolve us and develop certain qualities and traits, such as patience, responsibility, caution, compassion, and perseverance, that wouldn’t be developed if our circumstances were always easy. Challenges make us better people if we can learn to handle them well and not become bitter, angry, or defeated. This is just how it is on planet earth; challenges are part of life and part of having an ego. We can trust life to be full of challenges. Life is dependable that way. It was designed to be that way. We can’t trust, or expect, life to be easy all the time. If we want or expect that, as the ego does, we’ll feel angry, sad, betrayed, and persecuted by life. But life isn’t persecuting us by bringing us challenges. They aren’t proof of an unloving universe. We all have our share of them, and there’s more wisdom and depth to be gained from them than we may realize. Our challenges were designed for us or created by our choices, and our task is to meet them with love and acceptance and grow from them.  
Gina Lake (Trusting Life: Overcoming the Fear and Beliefs That Block Peace and Happiness)
The Word Wonder or dream from distant land I carried to my country's strand And waited till the twilit norn Had found the name within her bourn— Then I could grasp it close and strong It blooms and shines now the front along... Once I returned from happy sail, I had a prize so rich and frail, She sought for long and tidings told: "No like of this these depths enfold." And straight it vanished from my hand, The treasure never graced my land... So I renounced and sadly see: Where word breaks off no thing may be.
Stefan George (Das Neue Reich (Sämtliche Werke, #9))
And in the depths of the city, beyond an old zone of ruined buildings that looked like broken hearts, there lived a happy young fellow by the name of Haroun, the only child of the storyteller Rashid Khalifa, whose cheerfulness was famous throughout that unhappy metropolis, and whose never-ending stream of tall, short and winding tales had earned him not one but two nicknames. To his admirers he was Rashid the Ocean of Notions, as stuffed with cheery stories as the sea was full of glumfish; but to his jealous rivals he was the Shah of Blah. To his wife, Soraya, Rashid was for many years as loving a husband as anyone could wish for, and during these years Haroun grew up in a home in which, instead of misery and frowns, he had his father’s ready laughter and his mother’s sweet voice raised in song. Then something went wrong. (Maybe the sadness of the city finally crept in through their windows.) The day Soraya stopped singing, in the middle of a line, as if someone had thrown a switch, Haroun guessed there was trouble brewing. But he never suspected how much.
Salman Rushdie (Haroun and the Sea of Stories)
When Dillon's loss had aged us both; there was no doubt about that when I looked at photographs of the two of us in Tangier, we seemed to be kids. We were students when we first met. Bright-eyed and all that. Now, well, yes, there were lines of age on her face, lines of sadness. In the dark blue-gray of her eyes, I saw an extra depth of melancholy, but not despair; instead, there was a depthless sympathy, a forgiving and timeless patience. The difference between us was, whereas I looked ragged and rough around the edges, Robin had aged gracefully.
Karen Perry (The Innocent Sleep)
I looked; and the unseen figure, which still grasped me by the wrist, bad caused to be thrown open the graves of all mankind; and from each issued the faint phosphoric radiance of decay; so that I could see the innermost recesses, and there view the shrouded bodies in their dead and solemn slumber with the worm. But alas! the real sleepers were fewer, by many millions, than those who slumbered not at all; and there was a feebly struggling; and there was a general and sad unrest; and from out of the depths of the countless pits there came a melancholy rustling from the garments of the buried.
Edgar Allan Poe (The Premature Burial)
He hadn't left any of the stretches that he'd done of me. But he did leave a sketch of my rocking chair. It was perfect. A rocking chair against the bare walls of my room. He'd captured the afternoon light streaming into the room, the way the shadows fell on the chair and gave it depth and made it appear as if it was something more than an inanimate object. There was something sad and solitary about the sketch and I wondered if that's the way he saw the world or if that's the way he saw my world. I starred at the sketch for a long time. It scared me. Because there was something true about it.
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
How sad to be lying now on a sick bed, and to be in danger of dying! This world is pleasant–it would be dreary to be called from it, and to have to go who knows where?" And then my mind made its first earnest effort to comprehend what had been infused into it concerning heaven and hell: and for the first time it recoiled, baffled; and for the first time glancing behind, on each side, and before it, it saw all around an unfathomed gulf: it felt the one point where it stood–the present; all the rest was formless cloud and vacant depth: and it shuddered at the thought of tottering , and plunging amid that chaos.
Charlotte Brontë (Jane Eyre)
Then He who loves me drew me very near Him, and there in the stillness he reminded me about the time He prayed in the garden under the shadow of the cross-shaped cloud. He had prayed until He literally sweat blood; He prayed for another way if possible, and yet He prayed for God's will to be done and not His own. I looked at Him and noticed the thorn scars on His brow, which in the shadowed light of clouds seemed more pronounced, and I thought of Him hanging in agony on the cross as His Father turned His face away and He cried from the depths of His soul, "My God, my God, why have you forsaken me?" I wondered about the disciples and Jesus' friends who stood that day at the foot of the cross. They must have felt so sad and frightened and alone as Jesus breathed His last, and the cloud of death engulfed them and took their beloved Jesus from them, along with all their hopes and dreams. When the clouds seemed darkest and the storm raged about them, behind it all God was working out His plan with precision timing and perfection. Three days later as the clouds of grief hung thick and heavy, Mary Magdalene went early to the tomb; and it was there, as the eastern sky was just waking up, it revealed with breathtaking beauty that Jesus had walked out of the tomb: the stone rolled away, the cloud of death lifted.
Diana Morgan (Conversations at the Well Heart-to-Heart Conversations With God)
I wonder if all these bad things will change when I’m a high schooler…” “At the very least, they most certainly won’t change if you intend to remain the way you are.” Way to go, Yukinoshita-san! Not going easy on the young'un just after you finished apologizing to her! “But it’s enough if the people around you change,” I remarked. “There’s no need to force yourself to hang out with others.” “But things are hard on Rumi­-chan right now and if we don’t do something about it…” Yuigahama looked at Rumi with eyes full of concern. In response, Rumi winced slightly. “Hard, you say… I don’t like that. It makes me sound pathetic. It makes me feel inferior for being left out.” “Oh,” said Yuigahama. “I don’t like it, you know. But there’s nothing you can do about it.” “Why?” Yukinoshita questioned her. Rumi seemed to have some trouble speaking, but she still managed to form the right words. “I… got abandoned. I can’t get along with them anymore. Even if I did, I don’t know when it’ll start again. If the same thing were to happen, I guess I’m better off this way. I just­” She swallowed. “­don’t wanna be pathetic…” Oh. I get it. This girl was fed up. Of herself and of her surroundings. If you change yourself, your world will change, they say, but that’s a load of crap. When people already have an impression of you, it’s not easy to change your pre­existing relationships by adding something to the mix. When people evaluate each other, it’s not an addition or subtraction formula. They only perceive you through their preconceived notions. The truth is that people don’t see you as who you truly are. They only see what they want to see, the reality that they yearn for. If some disgusting guy on the low end of the caste works his arse off on something, the higher ones just snicker and say, “What’s he trying so hard for?” and that would be the end of it. If you stand out for the wrong reasons, you would just be fodder for criticism. That wouldn’t be the case in a perfect world, but for better or worse, that’s how things work with middle schoolers. Riajuu are sought for their actions as riajuu, loners are obligated to be loners, and otaku are forced to act like otaku. When the elites show their understanding of those beneath them, they are acknowledged for their open-mindedness and the depth of their benevolence, but the reverse is not tolerated. Those are the fetid rules of the Kingdom of Children. It truly is a sad state of affairs. "You can’t change the world, but you can change yourself". The hell was up with that? Adapting and conforming to a cruel and indifferent world you know you’ve already lost to – ultimately, that’s what a slave does. Wrapping it up in pretty words and deceiving even yourself is the highest form of falsehood.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。4)
A story is told about David as a young boy in King Saul’s court. He asked permission to play on a beautiful harp that was sitting unused in the throne room. King Saul said: “It’s useless. I have been cheated. I paid a great deal for that harp because it was spoken of highly. But the best harpists have tried it, and it was painful to hear the ugly sounds it produced. It’s the worst harp that you could imagine.” David persisted; and because the king loved him greatly, he granted David permission to play it. The music was so beautiful that all the court wept. They had been moved to the depths of their hearts. “How is it,” demanded King Saul, “that so many tried to play this harp, and only you succeeded?” David replied, “All the others tried to play their own songs, and the harp refused to yield to their wishes. I played to the harp its own song. You saw its joy when I reminded it of the days when it was a young tree in the forest. I told it about sunbeams playing in its branches, about chirping birds and about lovers embracing each other in its shadow. The harp was glad to remember those days. “I told the story of the evil men who came and cut down the innocent tree. It was a sad day. Its life as a tree had finished. However, I told the harp that death cannot triumph over life. The tree has died as a tree, but its wood has become a harp, which can sing forever the glories of the eternal God. And the harp, which had wept when I told about her death, now rejoiced.
Richard Wurmbrand (The Midnight Bride)
I envy Johnny and at the same time I get sore as hell watching him destroy himself, misusing his gifts, and the stupid accumulation of nonsense the pressure of his life requires. I think that if Johnny could straighten out his life, not even sacrificing heroin, if he could pilot that plane better, maybe he’d end up worse, maybe go crazy altogether, or die, but not without having played it to the depth, what he’s looking for in those sad a posteriori monlogues, in his retelling of great, fascinating experiences which, however, stop right there, in the middle of the road. And all this I back up with my own cowardice, and maybe basically I want Johnny to wind up all at once like a nova that explodes into a thousand pieces and turns astronomers into idiots for a whole week, and then one can go off to sleep and tomorrow is another day.
Julio Cortázar (Blow-Up and Other Stories)
In all jazz, and especially the blues, there is something tart and ironic, authoritative and double-edged. White Americans seem to feel that happy songs are happy and sad songs are sad, and that, God help us, is exactly the way most white Americans sing them—sounding, in both cases, so helplessly, defenselessly fatuous that one dare not speculate on the temperature of the deep freeze from which issue their brave and sexless little voices. Only people who have been “down the line,” as the song puts it, know what this music is about…. White Americans do not understand the depths out of which such an ironic tenacity comes, but they suspect that the force is sensual, and they are terrified of sensuality, and do not any longer understand it. The word “sensual” is not intended to bring to mind quivering dusky maidens or priapic black studs. I am referring to something much simpler and much less fanciful. To be sensual, I think, is to respect and rejoice in the force of life, of life itself, and to be present in all that one does, from the effort of loving to the breaking of bread. It will be a great day for America, incidentally, when we begin to eat bread again, instead of the blasphemous and tasteless foam rubber that we have substituted for it. And I am not being frivolous here, either.
James Baldwin (The Fire Next Time)
A long time ago Ian had told her he was half in love with her, yet now that they were betrothed he’d never spoken a word of it, had not even pretended. She wasn’t certain of his motives or his feelings; she wasn’t certain of her own, either. All she really knew was that the sight of his hard, handsome face with its chiseled features, and hold amber eyes never failed to make her entire being feel tense and alive. She knew he liked to kis her, and that she very much liked being kissed by him. Added to his other attractions was something else that drew her inexorably to him: From their very first meeting, Elizabeth had sensed that beneath his bland sophistication and rugged virility Ian Thornton had a depth that most people lacked. “It’s so hard to know,” she whispered, “how I ought to feel or what I ought to think. And I have the worst feeling it’s not going to matter what I know or what I think,” she added almost sadly, “because I am going to love him.” She opened her eyes and looked at Alex. “It’s happening, and I cannot stop it. It was happening two years ago, and I couldn’t stop it then, either. So you see,” she added with a sad little smile, “it would be so much nicer for me if you could love him just a little, too.” Alex reached across the table and took Elizabeth’s hands in hers. “If you love him, then he must be the very best of men. I shall henceforth make it a point to see all his best qualities!” Alex hesitated, and then she hazarded the question: “Elizabeth, does he love you?” Elizabeth shook her head. “He wants me, he says, and he wants children.” Alex swallowed embarrassed laughter. “He what?” “He wants me, and he wants children.” A funny, knowing smile tugged at Alexandra’s lips. “You didn’t tell me he said the first part. I am much encouraged,” she teased while a rosy blush stole over her cheeks. “I think I am, too,” Elizabeth admitted, drawing a swift, searching look from Alex. “Elizabeth, this is scarcely the time to discuss this-in fact,” Alex added, her flush deepening. “I don’t think there is a really good time to discuss it-but has Lucinda explained to you how children are conceived?” “Yes, of course,” Elizabeth said without hesitation. “Good, because I would have been the logical one otherwise, and I still remember my reaction when I found out. It was not a pretty sight,” she laughed. “On the other hand, you were always much the wiser girl than I.” “I don’t think so at all,” Elizabeth said, but she couldn’t imagine what there was, really, to blush about. Children, Lucinda had told her when she’d asked, were conceived when a husband kissed his wife in be. And it hurt the first time. Ian’s kisses were sometimes almost bruising, but they never actually hurt, and she enjoyed them terribly. As if speaking her feelings aloud to Alexandra had somehow relieved her of the burden of trying to deal with them, Elizabeth was so joyously relaxed that she suspected Ian noticed it at once when the men joined them in the drawing room. Ian did notice it; in fact, as they sat down to play a game of cards in accordance with Elizabeth’s cheery suggestion, he noticed there was a subtle but distinct softening in the attitudes of both ladies toward him.
Judith McNaught (Almost Heaven (Sequels, #3))
Right now, the world you are inheriting is locked in a struggle between love and fear. Fear manifests as anger, insecurity, and loneliness. Fear eats away at our society, leaving all of us less whole, so we teach you that every healthy relationship inspires love, not fear. Love shows up as kindness, generosity, and compassion. It is healing. It makes us more whole. The greatest gift to ever receive will come through these relationships. The most meaningful connections may last for a few moments, or for a lifetime, but each will be a reminder that we were meant to be a part of one another's lives, to lift one another up, to reach heights together, greater than any of us could reach on our own. Our hope is that you will always have friends in your lives who love and remind you of your innate beauty, strength, and compassion. Equally as important, we hope you will do the same for others. It pains us that we won't always be there for you when you feel lonely and sad, but we offer this simple prescription to remind you, you are loved. When those moments of loneliness and suffering arise, take both your hands and place them on your heart and close your eyes. Think about the friends and family who have been there for you throughout your life, in moments of joy, and also in the depths of disappointment, the people who have listened to you when you were sad, the people who believed in you, even when you lost faith in yourself, the people who have held you up, lifted you, and seeing you for who you really are. Feel their warmth and their kindness washing over you, filling you with happiness. Now, open your eyes.
Vivek H. Murthy (Together: Why Social Connection Holds the Key to Better Health, Higher Performance, and Greater Happiness)
In 1919, 1920, 1921, the entire Jewish press was assaulting the Romanian state, unleashing disorder everywhere, urging violence against the regime, the form of government, the church, Romanian order, the national idea, patriotism. Now, as if by a miracle, the same press, controlled by the same men, changed into a defender of the state’s order, of laws; declares itself against violence. While we become: ‘the country’s enemies’, ‘extremists of the Right’, ‘in the pay and service of Romania’s enemies’, etc. And in the end we will hear also this: that we are financed by the Jews. ... We have endured outrage after outrage, ridicule after ridicule, slap after slap, until we have come to see ourselves in this frightening situation: Jews are considered to be defenders of Romanianism, sheltered from any unpleasantness, leading a life of peace and plenty, while we are considered enemies of our nation, with our liberty and life endangered, and we are hunted down like rabid dogs by all the Romanian authorities. I witnessed with my own eyes these times and lived through them, and I was saddened to the depths of my soul. It is dreadful to fight for years on end for your fatherland, your heart as pure as tears, while enduring misery and hunger, then find yourself suddenly declared an enemy of your country, persecuted by your own kind, told that you fight because you are in the pay of foreigners, and see the entire Jewry master your land, assuming the role of defender of Romanianism and caretaker of the Romanian state, menaced by you, the youth of the country. Night after night we were troubled by these thoughts, occasionally feeling disgusted and immensely ashamed and we were seized by sadness.
Corneliu Zelea Codreanu (The Prison Notes)
Footsteps came to her, nearly invisible in the worn carpet. There were no words, just the creaking of old joints as they approached the bed, the lifting of expensive and fragrant sheets, and an understanding between two living ghosts. Jahns's breath caught in her chest. Her hand groped for a wrist as it clutched her sheets. She slid over on the small convertible bed to make room, and pulled him down beside her. Marnes wrapped his arms around her back, wiggled beneath her until she was lying on his side, a leg draped over his, her hands on his neck. She felt his moustach brush against her cheek, heard his lips purse and peck the corner of hers. Jahns held his cheeks and burrowed her face into his shoulder. She cried, like a schoolchild, like a new shadow who felt lost and afraid in the wilderness of a strange and terrifying job. She cried with fear, but that soon drained away. It drained like the soreness in her back as his hands rubbed her there. It drained until numbness found its place, and then, after what felt like a forever of shuddering sobs, sensation took over. Jahns felt alive in her skin. She felt the tingle of flesh touching flesh, of just her forearm against his hard ribs, her hands on his shoulder, his hands on her hips. And then the tears were some joyous release, some mourning of the lost time, some welcomed sadness of a moment long delayed and finally there, arms wrapped around it and holding tight. She fell asleep like that, exhausted from far more than the climb, nothing more than a few trembling kisses, hands interlocking, a whispered word of tenderness and appreciation, and then the depths of sleep pulling her down, the weariness in her joints and bones succumbing to a slumber she didn't want but sorely needed. She slept with a man in her arms for the first time in decades, and woke to a bed familiarly empty, but a heart strangely full.
Hugh Howey (Wool Omnibus (Silo, #1))
Ione III. TO-DAY my skies are bare and ashen, And bend on me without a beam. Since love is held the master-passion, Its loss must be the pain supreme — And grinning Fate has wrecked my dream. But pardon, dear departed Guest, I will not rant, I will not rail; For good the grain must feel the flail; There are whom love has never blessed. I had and have a younger brother, One whom I loved and love to-day As never fond and doting mother Adored the babe who found its way From heavenly scenes into her day. Oh, he was full of youth's new wine, — A man on life's ascending slope, Flushed with ambition, full of hope; And every wish of his was mine. A kingly youth; the way before him Was thronged with victories to be won; so joyous, too, the heavens o'er him Were bright with an unchanging sun, — His days with rhyme were overrun. Toil had not taught him Nature's prose, Tears had not dimmed his brilliant eyes, And sorrow had not made him wise; His life was in the budding rose. I know not how I came to waken, Some instinct pricked my soul to sight; My heart by some vague thrill was shaken, — A thrill so true and yet so slight, I hardly deemed I read aright. As when a sleeper, ign'rant why, Not knowing what mysterious hand Has called him out of slumberland, Starts up to find some danger nigh. Love is a guest that comes, unbidden, But, having come, asserts his right; He will not be repressed nor hidden. And so my brother's dawning plight Became uncovered to my sight. Some sound-mote in his passing tone Caught in the meshes of my ear; Some little glance, a shade too dear, Betrayed the love he bore Ione. What could I do? He was my brother, And young, and full of hope and trust; I could not, dared not try to smother His flame, and turn his heart to dust. I knew how oft life gives a crust To starving men who cry for bread; But he was young, so few his days, He had not learned the great world's ways, Nor Disappointment's volumes read. However fair and rich the booty, I could not make his loss my gain. For love is dear, but dearer, duty, And here my way was clear and plain. I saw how I could save him pain. And so, with all my day grown dim, That this loved brother's sun might shine, I joined his suit, gave over mine, And sought Ione, to plead for him. I found her in an eastern bower, Where all day long the am'rous sun Lay by to woo a timid flower. This day his course was well-nigh run, But still with lingering art he spun Gold fancies on the shadowed wall. The vines waved soft and green above, And there where one might tell his love, I told my griefs — I told her all! I told her all, and as she hearkened, A tear-drop fell upon her dress. With grief her flushing brow was darkened; One sob that she could not repress Betrayed the depths of her distress. Upon her grief my sorrow fed, And I was bowed with unlived years, My heart swelled with a sea of tears, The tears my manhood could not shed. The world is Rome, and Fate is Nero, Disporting in the hour of doom. God made us men; times make the hero — But in that awful space of gloom I gave no thought but sorrow's room. All — all was dim within that bower, What time the sun divorced the day; And all the shadows, glooming gray, Proclaimed the sadness of the hour. She could not speak — no word was needed; Her look, half strength and half despair, Told me I had not vainly pleaded, That she would not ignore my prayer. And so she turned and left me there, And as she went, so passed my bliss; She loved me, I could not mistake — But for her own and my love's sake, Her womanhood could rise to this! My wounded heart fled swift to cover, And life at times seemed very drear. My brother proved an ardent lover — What had so young a man to fear? He wed Ione within the year. No shadow clouds her tranquil brow, Men speak her husband's name with pride, While she sits honored at his side —
Paul Laurence Dunbar
But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In
Thomas Wolfe (Look Homeward, Angel)
Forgas and his colleagues have demonstrated diverse benefits of a sad mood. It can improve memory performance, reduce errors in judgment, make people slightly better at detecting deception in others, and foster more effective interpersonal strategies, such as increasing the politeness of requests.
Jonathan Rottenberg (The Depths)
After thirty-nine years of being alive, I had forgiven my own parents for not knowing how to care for a child, but that was the depth of my forgiveness.
Gary Shteyngart (Super Sad True Love Story)
I thought of how Midori had once articulated the idea of mono no aware, a sensibility that, though frequently obscured during cherry blossom viewing by the cacophony of drunken doggerel and generator-powered television sets, remains steadfast in one of the two cultures from which I come. She had called it “the sadness of being human.” A wise, accepting sadness, she had said. I admired her for the depths of character such a description indicated. For me, sad has always been a synonym for bitter, and I suspect this will always be so.
Barry Eisler (A Lonely Resurrection (John Rain, #2))
One night I went for a walk by the sea along the empty shore. It was not gay, but neither was it sad; it was- beautiful. The deep blue sky was flicked with clouds of a blue deeper than the fundamental blue of intense cobalt, and others of a clearer blue, like the blue whiteness of the Milky Way. On the blue depth the stars were sparkling, greenish, yellow, white, rose, brighter, flashing more like jewels than they do even in Paris. The sea was a very deep ultramarine.
Vincent van Gogh (Dear Theo: The Autobiography of Vincent Van Gogh)
Ars Poetica To look at the river made of time and water And remember that time is another river, To know that we are lost like the river And that faces dissolve like water. To be aware that waking dreams it is not asleep While it is another dream, and that the death That our flesh goes in fear of is that death Which comes every night and is called sleep. To see in the day or in the year a symbol Of the days of man and of his years, To transmute the outrage of the years Into a music, a murmur of voices, and a symbol, To see in death sleep, and in the sunset A sad gold—such is poetry, Which is immortal and poor. Poetry returns like the dawn and the sunset. At times in the evenings a face Looks at us out of the depths of a mirror; Art should be like that mirror Which reveals to us our own face. They say that Ulysses, sated with marvels, Wept tears of love at the sight of his Ithaca, Green and humble. Art is that Ithaca Of green eternity, not of marvels. It is also like the river with no end That flows and remains and is the mirror of one same Inconstant Heraclitus, who is the same And is another, like the river with no end.
Jorge Luis Borges
The evening is so sad that a desire to weep surges from the depths of the soul.
José Saramago (The Year of the Death of Ricardo Reis)
Taking trauma to be a primary route to growth and depth, Rabih wants his own sadness to find an echo in his partner’s character. He therefore doesn’t much mind, initially, that Kirsten is sometimes withdrawn and hard to read, or that she tends to seem aloof and defensive in the extreme after they’ve had an argument. He entertains a confused wish to help her without, however, understanding that help can be a challenging gift to deliver to those who are most in need of it. He interprets her damaged aspects in the most obvious and most lyrical way: as a chance for him to play a useful role. We believe we are seeking happiness in love, but what we are really after is familiarity. We are looking to re-create, within our adult relationships, the very feelings we knew so well in childhood and which were rarely limited to just tenderness and care. The love most of us will have tasted early on came entwined with other, more destructive dynamics: feelings of wanting to help an adult who was out of control, of being deprived of a parent’s warmth or scared of his or her anger, or of not feeling secure enough to communicate our trickier wishes. How logical, then, that we should as adults find ourselves rejecting certain candidates not because they are wrong but because they are a little too right—in the sense of seeming somehow excessively balanced, mature, understanding, and reliable—given that, in our hearts, such rightness feels foreign and unearnt. We chase after more exciting others, not in the belief that life with them will be more harmonious, but out of an unconscious sense that it will be reassuringly familiar in its patterns of frustration.
Alain de Botton (The Course of Love)
After Mrs. Culpepper, Max probably knew more about her than any other person in her life. They were the only two people who knew of her dream to buy a country cottage. And he was the only one to know of her silly wish for a hound. Which, now that she thought on it, was a sad state of affairs, indeed. She had no better claim to friendship outside of Mrs. Culpepper than a man with whom she'd spent such a nominal amount of time? And who had been read to toss her bodily from Caldwell Manor only yesterday? Surely she had more depth of character than what could be mined in the course of an evening. She did not begin and end with her dreams of a thousand pounds, a hound, and a home. She was vastly more complex, far more interesting than that. She had to be. The alternative was too depressing to entertain. Almost as depressing as never having known a friend who'd not been paid to keep her company. But that, at least, could be changed.
Alissa Johnson (Practically Wicked)
The first steps toward improvement involve recognizing weaknesses, making corrections, and cultivating strengths. Many reasons explain why church leadership is less than the best, and some of the following considerations may apply to you. • Perhaps we lack a clearly defined goal that will stretch us, challenge faith, and unify life’s activities. • Perhaps our faith is timid, and we hesitate to take risks for the kingdom. • Do we show the zeal of salvation in Christ, or is our demeanor morbid and sad? Enthusiastic leaders generate enthusiastic followers. • We may be reluctant to grasp the nettle of a difficult situation and deal courageously with it. Or we may procrastinate, hoping that problems will vanish with time. The mediocre leader postpones difficult decisions, conversations, and letters. Delay solves nothing, and usually makes problems worse. • Perhaps we sacrifice depth for breadth, and spreading ourselves thin, achieve only superficial results.
J. Oswald Sanders (Spiritual Leadership: Principles of Excellence for Every Believer (Sanders Spiritual Growth Series))
O’ Mighty sea—the mirror of our human thoughts,by the vastness and your depth; captivated all to gain an Earthly name and flown over our hearts with your emotions,secrets,the spirit and fall.
Nithin Purple (Venus and Crepuscule: Beauty and Violence on Me Thrown)
I recently read a spec script by a young writer, and I could just tell that he was very mad at his characters and he had great contempt for his subject matter. But here's the thing: if the writer doesn't like his characters, why should the viewers? At The Golden Girls, I was writing for these characters who were fifty years older than me. What did I know about being in my seventies? Absolutely nothing. But even being much younger, I could show compassion for these characters by empathizing with what they were going through. That's all you have to do: show compassion. My grandmother once looked in a mirror and said, "This is not what I really look like." I always thought that was such a sad and beautiful thing to have said. She was old, and she looked old. But inside, she felt young. I later borrowed that moment for The Golden Girls. You don't need to live through an experience, necessarily, to write about it with depth and compassion.
Mitch Hurwitz
Paul, like us, never knew Jesus in the flesh. Like him, we only know the Christ through observing and honoring the depth of our own human experience. When you can honor and receive your own moment of sadness or fullness as a gracious participation in the eternal sadness or fullness of God, you are beginning to recognize yourself as a participating member of this one universal Body. You are moving from I to We.
Richard Rohr (The Universal Christ: How a Forgotten Reality Can Change Everything We See, Hope For and Believe)
I : Body of a Woman" Body of a woman, white hills, white thighs, you look like a world, lying in surrender My rough peasant's body digs into you and makes the son leap from the depth of the earth. I was alone like a tunnel. The birds fled from me, and night swamped me with its crushing invasion. To survive myself I forged you like a weapon, like an arrow in my bow, a stone in my sling. But the hour of vengeance falls, and a love you. Body of skin, of moss, of eager and firm milk. Oh the goblets of the breast! Oh the eyes of absence! Oh the pink roses of the pubis! Oh your voice, slow and sad! Body of my woman, I will persist in your grace. My thirst, my boundless desire, my shifting road! Dark River-beds where the eternal thirst flows and weariness follows, and the infinite ache.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Heralds of the Gospel are needed, who are experts in humanity, who know the depths of the heart of man in to-day’s world, who share his joys and hopes, his concern and his sadness, and who at the same time are contemplatives, people in love with God. For this, new saints are needed. We must beg God to increase the spirit of sanctity in the Church and to send us saints to evangelise to-day’s world.[172
Francisco Fernández-Carvajal (In Conversation with God - Volume 2 Part 1: Lent & Holy Week)
Tahiti is a lofty green island, with deep folds of a darker green, in which you divine silent valleys; there is mystery in their sombre depths, down which murmur and plash cool streams, and you feel that in those umbrageous places life from immemorial times has been led according to immemorial ways. Even here is something sad and terrible. But the impression is fleeting, and serves only to give a greater acuteness to the enjoyment of the moment. It is like the sadness which you may see in the jester's eyes when a merry company is laughing at his sallies; his lips smile and his jokes are gayer because in the communion of laughter he finds himself more intolerably alone. For Tahiti is smiling and friendly; it is like a lovely woman graciously prodigal of her charm and beauty; and nothing can be more conciliatory than the entrance
W. Somerset Maugham (The Moon and Sixpence)
I am crawling like one of those children who pulled coal wagons in the depths of the earth. I am on my hands and knees and listening to the boom boom above, or is it my pulse, my heart? I don’t know. I must pull this weight strapped behind me, this cart filled with my own fears and inadequacies, and if there is a way out, perhaps I will find it, but not until my hands and knees have worn away the sadness in me, sadness so deep that a whale could swim in its waters and never be found. I do not know anymore what is inside and what is outside. Am I inside the whale or is the whale inside me? He is the largest mammal on the planet. He is a mammal, not a fish. He is a mammal like me. He is me, this whale. Wait. Slowly I stopped thinking of bus-stops and supermarket check-outs and I began to think of spring waiting until winter has done its work, its dark underground work.
Jeanette Winterson
Aging brings out the flavors of a personality. The individual emerges over time, the way fruit matures and ripens. In the Renaissance view, depression, aging, and individuality all go together: the sadness of growing old is part of becoming an individual. Melancholy thoughts carve out an interior space where wisdom can take up residence. Saturn
Thomas Moore (Care of the Soul: Guide for Cultivating Depth and Sacredness in Everyday Life)
Love can take one over the clouds, out to space And also to the depths of the Earth where you get trapped and coming back feels like a forgotten dream..
Luna Marym
And I grew in depth through sadness and self-doubt.
Anaïs Nin
I've noticed that everything I'm inspired by the most at this stage is very different from what inspired me when I was younger. There's significantly little romance and significantly more depth. At first I was sad and worried about this. I thought there was something emptied or broken with me for a while, that the experiences of life had really damaged that part of me. But I think I've been misunderstanding the purpose of that. Maybe everything is exactly right with me now for what I have to create. And maybe the best and highest art I can ever make will come from this version of myself.
Jennifer DeLucy
Sonnet Macabre" I love you for the grief that lurks within Your languid spirit, and because you wear Corruption with a vague and childish air, And with your beauty know the depths of sin; Because shame cuts and holds you like a gin, And virtue dies in you slain by despair, Since evil has you tangled in its snare And triumphs on the soul good cannot win. I love you since you know remorse and tears, And in your troubled loveliness appears The spot of ancient crimes that writhe and hiss: I love you for your hands that calm and bless, The perfume of your sad and slow caress, The avid poison of your subtle kiss.
Theodore Wratislaw (Orchids)
… I’ll take the sadness in my eyes and bury it into depths I’ll withstand with courage, every shadow of my harmful past And I will never lose again, just learn and win ... (Excerpted from My kind of resilience, chapter Resilience)
Claudia Pavel (The odyssey of my lost thoughts)
I fear our sad culture has replaced the servants with the stars and that we need to refocus. If you've been unfortunate enough to read scandalous headline in the checkout line lately, I think you agree. Recently I began receiving phone calls from the editorial staff st Life & Style, a Hollywood tabloid, asking me to comment on various goings-on in the unnatural lives of celebrities like Brad Pitt, Britney Spears, and Angelina Jolie. I joked with them a little, then asked why they'd called me. "You're on file as one of our experts," an editor said. I'm not sure if she could hear me laughing. At this time in my life, I cannot afford to be sidetracked by the trivial. If I am going to write about people, there needs to be some depth, some honor, something bothering on nobility. And that's what I found in the lives of [people] whose love for others propels me to love deeper.
Phil Callaway (Family Squeeze: Tales of Hope and Hilarity for a Sandwiched Generation)
After the accident, depression had drowned Zidane's thoughts and emotions as waves of sadness had consumed and engulfed him and his heart had then plummeted rapidly into the murky depths of despair.
Jill Thrussell (Spectrum (Glitches #5))
The reduction of the universe to a single being, the expansion of a single being even to God, that is love. Love is the salutation of the angels to the stars. How sad is the soul, when it is sad through love! What a void in the absence of the being who, by herself alone fills the world! Oh! how true it is that the beloved being becomes God. One could comprehend that God might be jealous of this had not God the Father of all evidently made creation for the soul, and the soul for love. The glimpse of a smile beneath a white crape bonnet with a lilac curtain is sufficient to cause the soul to enter into the palace of dreams. God is behind everything, but everything hides God. Things are black, creatures are opaque. To love a being is to render that being transparent. Certain thoughts are prayers. There are moments when, whatever the attitude of the body may be, the soul is on its knees. Free eBooks at Planet 1577 Parted lovers beguile absence by a thousand chimerical devices, which possess, however, a reality of their own. They are prevented from seeing each other, they cannot write to each other; they discover a multitude of mysterious means to correspond. They send each other the song of the birds, the perfume of the flowers, the smiles of children, the light of the sun, the sighings of the breeze, the rays of stars, all creation. And why not? All the works of God are made to serve love. Love is sufficiently potent to charge all nature with its messages. Oh Spring! Thou art a letter that I write to her. The future belongs to hearts even more than it does to minds. Love, that is the only thing that can occupy and fill eternity. In the infinite, the inexhaustible is requisite. Love participates of the soul itself. It is of the same nature. Like it, it is the divine spark; like it, it is incorruptible, indivisible, imperishable. It is a point of fire that exists within us, which is immortal and infinite, which nothing can confine, and which nothing can extinguish. We feel it burning even to the very marrow of our bones, and we see it beaming in the very depths of heaven. Oh Love! Adorations! voluptuousness of two minds which understand each other, of two hearts which exchange with each other, of two glances which penetrate each other! You will come to me, will you not, bliss! strolls by twos in the solitudes! Blessed and radiant days! I have sometimes dreamed that from time to time hours detached themselves from the lives of the angels and came here below to traverse the destinies of men. 1578 Les Miserables God can add nothing to the happiness of those who love, except to give them endless duration. After a life of love, an eternity of love is, in fact, an augmentation; but to increase in intensity even the ineffable felicity which love bestows on the soul even in this world, is impossible, even to God. God is the plenitude of heaven; love is the plenitude of man. You look at a star for two reasons, because it is luminous, and because it is impenetrable. You have beside you a sweeter radiance and a greater mystery, woman. All of us, whoever we may be, have our respirable beings. We lack air and we stifle. Then we die. To die for lack of love is horrible. Suffocation of the soul. When love has fused and mingled two beings in a sacred and angelic unity, the secret of life has been discovered so far as they are concerned; they are no longer anything more than the two boundaries of the same destiny; they are no longer anything but the two wings of the same spirit. Love, soar. On the day when a woman as she passes before you emits light as she walks, you are lost, you love. But one thing remains for you to do: to think of her so intently that she is constrained to think of you. What love commences can be finished by God alone.
Victor Hugo
Many of us are so quick to deny and cover up the true roots of our unhappiness that we are unaware of the depths of our buried suffering. We lose track of the patterns that haunt us, and we fail to find meaning and purpose in our experience. We get mired in our guilt or anxiety; we get overwhelmed by our sadness.
Surya Das (Letting Go of the Person You Used to Be: Lessons on Change, Loss, and Spiritual Transformation)
But now, discontinuity ruled. Yesterday meant nothing and could not help you build tomorrow. Life had become a series of vanishing photographs, posted every day, gone the next. One had no story anymore. Character, narrative, history, were all dead. Only the flat caricature of the instant remained, and that was what one was judged by. To have lived long enough to witness the replacement of the depth of her chosen world's culture by its surfaces was a sad thing.
Salman Rushdie (Quichotte)
In the winter of the heart...we experience a wide gap between what we know of God and what we taste and see of God. Our theology says one thing - God is loving, faithful, righteous, bestowing wonders. But our experience says another - that he's aloof, angry, capricious, dealing bruises. And we feel deeply alone; even when we're with others, we're estranged from them. Sadness is a room we can't find the door out of. And worst of all, we feel the encroachment of death. Everything looks dead. We feel dead. Sometimes we wish we were dead. But Christ, the Man for All Seasons, meets us even here, in the depth of our wintertime. He waits with us. He prunes us. He breaks our self-dependency and deepens our God-dependency. He brings us into a fresh encounter with the God who raises the dead. And always, the Man for All Seasons leads us out of winter.
Mark Buchanan (Spiritual Rhythm: Being with Jesus Every Season of Your Soul)
At nightfall, at the oppressive moment of transition, a storm of carnivorous mosquitoes rose out of the swamps, and a tender breath of human shit, warm and sad, stirred the certainty of death in the depths of one’s soul.
Gabriel García Márquez (Love in the Time of Cholera)
Tell me, why is real love always sad? I understand that a love thwarted, whether by God or man, should become sad. That’s not what I’m talking about. I’m talking about love always being sad, deep down. Even if there are no external objections, even if there are no hurdles before it, it is still sad. In true love, even when the lovers meet, they still think they have not met. They have a feeling that they have not met the Beloved. Baran and I have slept together dozens of times. Every time after we made love, we had that profound feeling of a vacuum, the feeling that we were not together, that there was something we couldn’t give each other, that there was a depth we couldn’t reach.
Bakhtiyar Ali (I Stared at the Night of the City)
Lying in me, as though it were a white Stone in the depths of a well, is one Memory that I cannot, will not, fight: It is happiness, and it is pain. Anyone looking straight into my eyes Could not help seeing it, and could not fail To become thoughtful, more sad and quiet Than if he were listening to some tragic tale. I know the gods changed people into things, Leaving their consciousness alive and free. To keep alive the wonder of suffering, You have been metamorphosed into me.
Anna Akhmatova
Dr. Luskin lifts forgiveness out of the purely psychological and religious domains and anchors it in science, medicine, and health. This book is vitally needed.” —Larry Dossey, M.D., author of Healing Words “Simply the best book on the subject, adding sophistication and depth to our instinctive but sometimes uncertain understanding of how forgiveness heals both those forgiven and those who forgive. Luskin’s research also shows how modern psychology can enrich traditional moral teachings. His book will stand as a modern classic in psychology.” —Michael Murphy, cofounder of the Esalen Institute and author of Future of the Body “Combining groundbreaking research with a proven methodology, Forgive for Good is an accessible and practical guide to learning the power of forgiveness.” —John Gray, Ph.D., author of Men Are from Mars, Women Are from Venus “Straightforward, sincere, and essential.” —Dave Pelzer, author of A Child Called It and Help Yourself “A rare and marvelous book—warm, loving, solidly researched, and wise. It could change your life.” —George Leonard, author of Mastery and president of the Esalen Institute “Dr. Luskin’s wise and clinically astute methods for finding forgiveness could not be more timely … a sure-handed guide through the painful emotions of hurt, sadness and anger towards a resolution that makes peace with the past, soothes the present, and liberates the future.
Fred Luskin (Forgive for Good)
January 28 MORNING “Perfect in Christ Jesus.” — Colossians 1:28 DO you not feel in your own soul that perfection is not in you? Does not every day teach you that? Every tear which trickles from your eye, weeps “imperfection;” every sigh which bursts from your heart, cries “imperfection;” every harsh word which proceeds from your lip, mutters “imperfection.” You have too frequently had a view of your own heart to dream for a moment of any perfection in yourself. But amidst this sad consciousness of imperfection, here is comfort for you — you are “perfect in Christ Jesus.” In God’s sight, you are “complete in Him;” even now you are “accepted in the Beloved.” But there is a second perfection, yet to be realized, which is sure to all the seed. Is it not delightful to look forward to the time when every stain of sin shall be removed from the believer, and he shall be presented faultless before the throne, without spot, or wrinkle, or any such thing? The Church of Christ then will be so pure, that not even the eye of Omniscience will see a spot or blemish in her; so holy and so glorious, that Hart did not go beyond the truth when he said — With my Saviour’s garments on, Holy as the Holy One.” Then shall we know, and taste, and feel the happiness of this vast but short sentence, “Complete in Christ.” Not till then shall we fully comprehend the heights and depths of the salvation of Jesus. Doth not thy heart leap for joy at the thought of it? Black as thou art, thou shalt be white one day; filthy as thou art, thou shalt be clean. Oh, it is a marvellous salvation this! Christ takes a worm and transforms it into an angel; Christ takes a black and deformed thing and makes it clean and matchless in His glory, peerless in His beauty, and fit to be the companion of seraphs. O my soul, stand and admire this blessed truth of perfection in Christ.
Charles Haddon Spurgeon (Morning and Evening-Classic KJV Edition)
I'm still sad, but you've given my sadness a richness and depth it has never known before.
Don DeLillo
As a colored man I felt greatly encouraged and strengthened for my cause while listening to these men, in the presence of the ablest men of the Caucasian race. Mr. Ward especially attracted attention at that convention. As an orator and thinker he was vastly superior, I thought, to any of us, and being perfectly black and of unmixed African descent, the splendors of his intellect went directly to the glory of race. In depth of thought, fluency of speech, readiness of wit, logical exactness, and general intelligence, Samuel R. Ward has left no successor among the colored men amongst us, and it was a sad day for our cause when he was laid low in the soil of a foreign country.
This Ebook Features Dynamic Links for Ease of Navigation Plus Bonus Audiobook (Frederick Douglass: The Most Complete Collection of His Written Works & Speeches)
The crowd listened all the more closely for having waited and despaired, especially since this time the bells, ringing softly, demanded a deeper hush. The prelude was muted, a blend in which one could no longer distinguish bells alternating then coming together, it was a concert of bronze united, as if far off and very old. Music in a dream! It did not come from the tower, but from much farther away, from the depths of the sky, from the depths of time. This carillonneur had had the idea of playing some old Christmas carols, Flemish carols born of the race, mirrors in which it recognises itself. Like everything that has passed through the centuries, it was very solemn and a little sad.
Georges Rodenbach (The Bells of Bruges)
I lived inscrutable hours, a succession of disconnected moments, in my night-time walk to the lonely shore of the sea. All the thoughts that have made men live and all their emotions that have died passed through my mind, like a dark summary of history, in my meditation that went to the seashore. I suffered in me, with me, the aspirations of all eras, and every disquietude of every age walked with me to the murmuring shore of the sea. What men wanted and didn’t achieve, what they killed in order to achieve, and all that souls have secretly been – all of this filled the feeling soul with which I walked to the seashore. What lovers found strange in those they love, what the wife never revealed to her husband, what the mother imagines about the son she didn’t have, what only had form in a smile or opportunity, in a time that wasn’t the right time or in an emotion that was missing – all of this went to the seashore with me and with me returned, and the waves grandly churned their music that made me live it all in a sleep. We are who we’re not, and life is quick and sad. The sound of the waves at night is a sound of the night, and how many have heard it in their own soul, like the perpetual hope that dissolves in the darkness with a faint plash of distant foam! What tears were shed by those who achieved, what tears lost by those who succeeded! And all of this, in my walk to the seashore, was a secret told me by the night and the abyss. How many we are! How many of us fool ourselves! What seas crash in us, in the night when we exist, along the beaches that we feel ourselves to be, inundated by emotion! All that was lost, all that should have been sought, all that was obtained and fulfilled by mistake, all that we loved and lost and then, after losing it and loving it for having lost it, realized we never loved; all that we believed we were thinking when we were feeling; all the memories we took for emotions; and the entire ocean, noisy and cool, rolling in from the depths of the vast night to ripple over the beach, during my nocturnal walk to the seashore …
Fernando Pessoa (The Book of Disquiet)
The system had dehumanized them completely. Us. The sad thing was that I was starting to think the same way myself. But Young’s behavior reminded me what it was to be a human being. And I came to recognize that, no matter how difficult the reality, you mustn’t let yourself be beaten. You must have a strong will. You have to summon what you know is right from your innermost depths and follow it.
Masaji Ishikawa (A River in Darkness: One Man's Escape from North Korea)
DeVontay touched his left eye and wiggled the glass prosthetic. “You got that right. My depth perception is for the birds.” “That wasn’t funny even before Doomsday. Now it’s just sad.” “You didn’t marry me for my wit.” “We’re not married yet, remember. All the priests seem to be either dead or Zap.” DeVontay shouldered his M16 and caught up with her so they could walk side by side. He took her slim right hand with his left and gave it a squeeze. “Living in sin is okay with me.” Rachel squinted up at the hidden sun and whatever force, if any, lay
Scott Nicholson (Afterburn (Next, #1))
Along the rough cobbled streets that had served so well in surprise attacks and buccaneer landings, weeds hung from the balconies and opened cracks in the whitewashed walls of even the best-kept mansions, and the only signs of life at two o’clock in the afternoon were languid piano exercises played in the dim light of siesta. Indoors, in the cool bedrooms saturated with incense, women protected themselves from the sun as if it were a shameful infection, and even at early Mass they hid their faces in their mantillas. Their love affairs were slow and difficult and were often disturbed by sinister omens, and life seemed interminable. At nightfall, at the oppressive moment of transition, a storm of carnivorous mosquitoes rose out of the swamps, and a tender breath of human shit, warm and sad, stirred the certainty of death in the depths of one’s soul. And
Gabriel García Márquez (Love in the Time of Cholera)
No one cries very much unless something of real worth is lost. So grieving is a celebration of the depth of the union. Tears are the jewels of remembrance-sad, but glistening with the beauty of the past.
Susan J. Zonnebelt-Smeenge (Getting to the Other Side of Grief: Overcoming the Loss of a Spouse)
He noted a depth and sadness in Sun Moon's eyes, the faint lines around them bespeaking a resoluteness in the face of loss, and it took everything in him to suppress the memory of Rumina. And then the idea of a portrait, of any person, placed over your heart, forever, seemed irresisitible. How was it that we didn't walk around with every person who mattered tattoed on us forever?
Adam Johnson (The Orphan Master's Son)
Neither the spiritual nor the material repression of sadness reflects the depth of contemplative life. The great irony is that the very effort to feel joy (or relief) prevents its fruition. Perhaps counterintuitively, it is the surrender to sadness that causes it to pass—not the suppression of it. The gestures of opening, making-space, giving-way—these enable a delicious relinquishment, a setting down of the burden, even, perhaps, a kind of wisdom.
Jay Michaelson (The Gate of Tears: Sadness and the Spiritual Path)
Amos Bronson Alcott was another author of Concord, a sweet philosopher whom I shall ever remember with deepest gratitude as the only person who in my early youth ever imagined any literary capacity in me (and in that he was sadly mistaken, for he fancied I would be a poet). I have read very faithfully all his printed writings, trying to believe him a great man, a seer; but I cannot, in spite of my gratitude for his flattering though unfulfilled prophecy, discover in his books any profound signs of depth or novelty of thought. In his Tablets are some very pleasant, if not surprisingly wise, essays on domestic subjects; one, on "Sweet Herbs," tells cheerfully of the womanly care of the herb garden, but shows that, when written—about 1850—borders of herbs were growing infrequent.
Alice Morse Earle (Old-Time Gardens Newly Set Forth)
OUGHT TO TELL Beautiful sight inhibited the depths of my soul, Like the feeling of the sadness of the first dawn A romantic scene encasing me at that moment, A moment where music played harmony in the air. Happiness, Blessed, Fulfilment… Name all the best feelings of the world. As our eyes landed to each other’ I was locked at the dilemma of the love-at-first-sight. My fairy-tale was not that perfect’ But I have always believed in our love story. He- as my cycle, and yet- Seasons may come and go, But our memories will never melt like snow. As he held my hand and say…. “I Treasure You” The world stops for a moment’ Then... it continues revolving keeping this man In the treasure box of my precious heart. Thus, as long as I have him, my life rocks!!!....
There is another duty of strict Justice which regards children; they are obliged to pray for their deceased parents. Reciprocally in their turn parents are bound by natural right not to forget before God those of their children who have preceded them into eternity. Alas! there are parents who are inconsolable at the loss of a son or of a dearly beloved daughter, and who, instead of praying for them, bestow upon them nothing but a few fruitless tears. Let us hear what Thomas of Cantimpré relates on this subject; the incident happened in his own family. The grandmother of Thomas had lost a son in whom she had centred her fondest hopes. Day and night she wept for him and refused all consolation. In the excess of her grief she forgot the great duty of Christian love, and did not think of praying for that soul so dear to her. The unfortunate object of this barren tenderness languished amid the flames of Purgatory, receiving no alleviation in his sufferings. Finally God took pity on him. One day, whilst plunged in the depths of her grief, this woman had a miraculous vision. She saw on a beautiful road a procession of young men, as graceful as angels, advancing full of joy towards a magnificent city. She understood that they were souls from Purgatory making their triumphal entry into Heaven. She looked eagerly to see if among their ranks she could not discover her son. Alas! the child was not there; but she perceived him approaching far behind the others, sad, suffering, and fatigued, his garments drenched with water. “Oh, dear object of my grief,” she cried out to him, “how is it that you remain behind that brilliant band? I should wish to see you at the head of your companions.” “Mother,” replied the child in a plaintive tone, “it is you, it is these tears which you shed over me that moisten and soil my garments, and retard my entrance into the glory of Heaven. Cease to abandon yourself to a blind and useless grief. Open your heart to more Christian sentiments. If you truly love me, relieve me in my sufferings; apply some indulgences to me, say prayers, give alms, obtain for me the fruits of the Holy Sacrifice of the Mass. It is by this means that you will prove your love; for by so doing you will deliver me from prison where languish, and bring me forth to eternal life, which is far more desirable than the life terrestrial which you have given me.” Then the vision disappeared, and that mother, thus admonished and brought back to true Christian sentiments, instead of giving way to immoderate grief, applied to the practice of every good work which could give relief to the soul of her son. The
F.X. Schouppe (Purgatory Illustrated by the Lives and Legends of the Saints)
At the Ball I chanced to see you. Music played, Vain chatter filled the place. It seemed as though a veil were laid Across your secret face. Your eyes alone were sad; your way Of speaking ravished me, As though I heard a far pipe play, And on the shores the sea. How welcome was your look of thought, Your figure tall and slight; And that clear laugh with sadness fraught Is in my heart to-night. And when the noise of day is stilled Once more they come to me, Those eyes with so much sadness filled, That voice, with gaiety. Down to the depths of sleep I go, Where dreams uncaptured move. But do I love you? Who can know? Yet this, I think, is love.
Aleksey Nikolayevich Tolstoy
Happiness is composed with short lived shallow feelings whereas sadness is deep with a long life; often happiness dies and resurrects, and sadness just falls dormant when we are happy knowing that we will wake it up sooner than later. Happiness is like a wave, sadness is like innermost depth of an ocean.
Pramudith D. Rupasinghe (Bayan)
We don’t get much time to read the papers.” “No, I suppose you don’t. I envy you. There’s nothing in them but lies,” he added sadly. “You can’t believe a word they say. But it’s all good. Very good indeed. It helps to keep one’s spirits up,” he said from the depths of his gloom.
Evelyn Waugh (Sword of Honor Trilogy)
There should be a measure for happiness or sadness, like the width of your smile, the twinkle in your eyes, the depth of your laughter or the salt of your tears.
Srividya Srinivasan
We cannot 100 percent know the depth of another person’s heart. We cannot know the whys and whats of his soul. This idea could be sad, but it doesn’t have to be. Instead of rendering human beings powerless, it could render them more compassionate. Knowing that the stranger who just bumped you in the hall or that the awkward loner who sits behind you in class each have a story, makes it easier to chose kindness — again, again, and again.
Chelsey Philpot
Matthieu answered with a metaphor: “Think of happiness as a deep ocean. The surface may be choppy, but the bottom is always calm. Similarly, there are days when a deeply happy person may feel sad—for example, he sees people suffering—but underneath that sadness, there is a large depth of unwavering happiness.
Chade-Meng Tan (Search Inside Yourself: The Unexpected Path to Achieving Success, Happiness (And World Peace))
In an instant I was in her arms, her lips against my cheek. I cupped her face in my hands and stared into those eyes, dancing eyes, warm and smiling, filled with tears and love, a combination I couldn’t lose, couldn’t walk away from again. She pulled me inside and closed the door behind me, locking it. I tried to speak, but words wouldn’t come, and she put her finger to my lips to calm me. She turned with her shoulder blades against my chest and drew my arms around her, holding the backs of my hands in her palms. Placing my palms just under her collarbone, she ran my hands down her body. As they passed over her breasts, I could tell they were larger, full and tight, swollen with fluid, and she gasped slightly as I touched her nipples. I closed my eyes, resting my chin on her shoulder, and she continued downward. They moved under her breasts, and I lifted up slightly, feeling their weight, the heaviness, wondering how tired her shoulders were at the end of the day, reminding myself to give her a good backrub. She turned my wrists and drew my hands downward. They immediately began to move forward, over the place where her slim waist used to be, out farther and farther, until they stopped even with her navel. Her skin under the cotton dress was tight, and I spread my fingers wide, taking in the size of her tummy, the width, the depth, moving around it like gripping a basketball. And then it happened. It kicked, a good, hard kick. I could feel it rolling around inside her, stretching and moving, moving deep in her as I had just a few months before on that first night, asking her how it felt to carry a child inside her. I remembered, and she was right. It did feel the very same. My moving inside her had created this movement, and I bit my lip to keep from crying out, from shouting, from wailing in joy as I’d heard her wail in sorrow. She pivoted in my arms and stared into my face, her eyes sad, pain an inch thick over her expression. “Steve, I wanted to tell you, really I did. I wanted to tell you about the baby. And I wanted to tell you about . . .” I put my hand up to quiet her. “I knew, Diana. I already knew.” She looked at me, puzzled. I drew her over to the sofa and sat down beside her. “Remember when we first met?” She nodded. “Well, I lied. The real reason we were here was to look for Nick Roberts.” She was still, quiet, waiting for the rest of the explanation. “When I first came here, I was looking for Nick Roberts. Before I left here the first time, I knew you’d written that book. But I didn’t say anything because by that time I didn’t care. I came to find Nick Roberts. What I found was a beautiful woman, the love of my life. Nick Roberts and anything associated with Nick Roberts just didn’t matter anymore.” “Why didn’t you tell me you knew?” she asked, looking down at her hands, unable to meet my eyes. “Because. Because it didn’t matter. Because I knew I’d have to explain to you why I was here in the first place. Because I was afraid you’d be afraid, afraid I was just playing you, afraid I’d expose you and give you up to the media. But I didn’t, I swear to god. It wasn’t me.
Deanndra Hall (The Celtic Fan)
In the depth of deep sadness, I was able to appreciate the beauty of life.
Debasish Mridha
It feels like somehow our hearts have become intertwined. Like when she feels something, my heart moves in tandem. Like we're two boats tied together with rope. Even if you want to cut the rope, there's no knife sharp enough to do it. Later on, of course, we all thought he'd tied himself to the wrong boat. But who can really say? Just as that woman likely lied to him with her independent organ, Dr. Tokai - in a somewhat different sense - used this independent organ to fall in love. A function beyond his will. In hindsight it's very easy for someone else to sadly shake his head and smugly criticize another's actions. But without the intervention of that kind of organ - the kind that elevates us to new heights, thrusts us down to the depths, throws our minds into chaos, reveals beautiful illusions, and sometimes even drives us to our death - our lives would indeed be indifferent and brusque. Or simply end up as a series of contrivances.
Haruki Murakami (Men Without Women)
The healing message Sevens need to hear and believe is God will take care of you. I know, easier said than done. It will take courage, determination, honesty, the help of a counselor or a spiritual director, and understanding friends to help Sevens confront painful memories and to encourage them to stay with afflictive feelings as they arise in the present moment. If Sevens cooperate with the process, they’ll grow a deep heart and become a truly integrated person. Ten Paths to Transformation for Sevens Practice restraint and moderation. Get off the treadmill that tells you more is always better. You suffer from “monkey mind.” Develop a daily practice of meditation to free yourself from your tendency to jump from one idea, topic or project to the next. Develop and practice the spiritual discipline of solitude on a regular basis. Unflinchingly reflect on the past and make a list of the people who have hurt you or whom you have hurt; then forgive them and yourself. Make amends where necessary. Give yourself a pat on the back whenever you allow yourself to feel negative emotions like anxiety, sadness, frustration, envy or disappointment without letting yourself run away to escape them. It’s a sign you’re starting to grow up! Bring yourself back to the present moment whenever you begin fantasizing about the future or making too many plans for it. Exercise daily to burn off excess energy. You don’t like being told you have potential because it means you’ll feel pressure to buckle down and commit to cultivating a specific talent, which will inevitably limit your options. But you do have potential, so what career or life path would you like to commit yourself to for the long haul? Take concrete steps to make good on the gifts God has given you. Get a journal and record your answers to questions like “What does my life mean? What memories or feelings am I running from? Where’s the depth I yearn to have that will complement my intelligence?” Don’t abandon this exercise until it’s finished. Make a commitment that when a friend or partner is hurting, you will try to simply be present for them while they are in pain without trying to artificially cheer them up.
Ian Morgan Cron (The Road Back to You: An Enneagram Journey to Self-Discovery)
The thought of leaving her alone haunted me. The sadness was suffocating me and twisting my chest and my heart and I couldn't breathe properly. I wanted to escape my own body as the sadness drowned me. I felt like I could barely keep my head above water. This was a new depth of sadness.
Bernadette Sutherland (Dear Mum in Heaven)
It was not an easy task: her soul - her sad, timid, self-effacing soul - lay concealed in the depths of her bowels and was ashamed to show itself.
Milan Kundera
Yes, in the very beginning of her life the girl-child is full of herself. Her days are meaningful and unfold according to a deep wisdom that resides within her. It faithfully orchestrates her movements from crawling to walking to running, her sounds from garbles to single words to sentences, and her knowing of the world through her sensual connection to it. Her purpose is clear: to live fully in the abundance of her life. With courage, she explores her world. Her ordinary life is interesting enough. Every experience is filled with wonder and awe. It is enough to listen to the rain dance and count the peas on her plate. Ordinary life is her teacher, challenge, and delight. She says a big YES to Life as it pulsates through her body. With excitement, she explores her body. She is unafraid of channeling strong feelings through her. She feels her joy, sadness, anger, and fear. She is pregnant with her own life. She is content to be alone. She touches the depths of her uniqueness. She loves her mind. She expresses her feelings. She likes herself when she looks in the mirror. She trusts her vision of the world and expresses it. With wonder and delight, she paints a picture, creates a dance, and makes up a song. To give expression to what she sees is as natural as her breathing. And when challenged, she is not lost for words. She has a vocabulary to speak about her experience. She speaks from her heart. She voices her truth. She has no fear, no sense that to do it her way is wrong or dangerous. She is a warrior. It takes no effort for her to summon up her courage, to arouse her spirit. With her courage, she solves problems. She is capable of carrying out any task that confronts her. She has everything she needs within the grasp of her mind and imagination. With her spirit, she changes what doesn’t work for her. She says “I don’t like that person” when she doesn’t, and “I like that person” when she does. She says no when she doesn’t want to be hugged. She takes care of herself.
Patricia Lynn Reilly (A Deeper Wisdom: The 12 Steps from a Woman's Perspective)
And when I looked away for a second and then looked back, I saw her reflection behind me, in the mirror. I was speechless. Somehow I knew I wasn't allowed to turn around--it was against the rules, whatever the rules of the place were--we could see each other, our eyes could meet in the mirror, and she was just as glad to see me as I was to see her. She was herself. An embodied presence. There was psychic reality to her, there was depth and information. She was between me and whatever place she had stepped from, what landscape beyond. And it was all about the moment when our eyes touched in the glass, surprise and amusement, her beautiful blue eyes with the dark rings around the irises, pale blue eyes with a lot of light in them: hello! Fondness, intelligence, sadness, humor. There was motion and stillness, stillness and modulation, and all the charge and magic of a great painting. Ten seconds, eternity. It was all a circle back to her. You could grasp it in an instant, you could live in it forever: she existed only in the mirror, inside the space of the frame, and through she wasn't alive, not exactly, she wasn't dead either because she wasn't yet born, and yet never not born--as somehow, oddly, neither was I. And I knew that she could tell me anything I wanted to know (life, death, past, future) even though it was already there, in her smile, the answer to all questions, the before-Christmas smile of someone with a secret too wonderful to let slip, just yet: well, you'll just have to wait and see, won't you? But just as she was about to speak--drawing an affectionate exasperated breath I knew very well, the sound of which I can hear even now--I woke up.
Donna Tartt (The Goldfinch)
We’re joined today by law enforcement professionals and community leaders. Though we may all come from different places and different backgrounds, we’re united by our desire to ensure peace and dignity and equality for all Americans. I’ve just concluded a meeting with incredible families — just incredible families that have been through so much. The families of Ahmaud Arbery, Botham Jean, Antwon Rose, Jemel Roberson, Atatiana Jefferson, Michael Dean, Darius Tarver, Cameron Lamb, and Everett Palmer. These are incredible people. Incredible people. And it’s so sad. Many of these families lost their loved ones in deadly interactions with police. To all of the hurting families, I want you to know that all Americans mourn by your side. Your loved ones will not have died in vain. We are one nation. We grieve together, and we heal together. I can never imagine your pain or the depth of your anguish, but I can promise to fight for justice for all of our people.
President Donald J. Trump, presiden
And thank you all for being here as we take historic action to deliver a future of safety and security for Americans of every race, religion, color, and creed. We’re joined today by law enforcement professionals and community leaders. Though we may all come from different places and different backgrounds, we’re united by our desire to ensure peace and dignity and equality for all Americans. I’ve just concluded a meeting with incredible families — just incredible families that have been through so much. The families of Ahmaud Arbery, Botham Jean, Antwon Rose, Jemel Roberson, Atatiana Jefferson, Michael Dean, Darius Tarver, Cameron Lamb, and Everett Palmer. These are incredible people. Incredible people. And it’s so sad. Many of these families lost their loved ones in deadly interactions with police. To all of the hurting families, I want you to know that all Americans mourn by your side. Your loved ones will not have died in vain. We are one nation. We grieve together, and we heal together. I can never imagine your pain or the depth of your anguish, but I can promise to fight for justice for all of our people. And I gave a commitment to all of those families today with Senator Tim Scott and Attorney General Bill Barr. We are going to pursue what we said. We will be pursuing it, and we will be pursuing it strongly, Tim. -Remarks by President Trump at Signing of an Executive Order on Safe Policing for Safe Communities
Donald J. Trump
When Phoebe died a piece of me went along with her. Nothing had prepared me for the depth of sadness that followed her passing. Until that time, I had no idea that losing an animal friend could hurt so much.
Ken Dolan-Del Vecchio (The Pet Loss Companion)
Once you've washed a man's underwear you realize the sad truth about hidden depths.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
Oh, the pathos of it!—haggard, drawn into fixed lines of unutterable sadness, with a look of loneliness, as of a soul whose depth of sorrow and bitterness no human sympathy could ever reach. The impression I carried away was that I had seen, not so much the President of the United States, as the saddest man in the world.
George Saunders (Lincoln in the Bardo)
Silently and sadly, the village lived its simple life.
Amos Oz (Suddenly in the Depths of the Forest)
What we discipline, then, is this movement of awareness, training ourselves to stay with rather than run from all that we experience. When we choose to stay with our practice despite the inevitable highs and lows in our lives, we are actively choosing to focus our awareness on that part of us that is unchanging. With each practice session, we start to identify with this steady part of ourselves. When we’re feeling sad, we practice anyway. When we’re happy and excited, we practice anyway. When we’re in the depths of grief, we practice anyway. When we have a thousand things to do, we practice anyway. We do not practice to rid ourselves of these feelings or to suppress them. Neither do we practice out of stoic denial. When we practice through thick and thin, happy and unhappy times, we are saying, “Sadness is moving through me, but sadness is not who I am; excitement is moving through me, but excitement is not who I am; grief is moving through me, but grief is not only who I am.” When we practice anyway, we make room to fully experience all our feelings while at the same time not allowing those feelings to paralyze or solidify into our identity.
Donna Farhi (Bringing Yoga to Life: The Everyday Practice of Enlightened Living)
The thought of all the bewildered sturgeons and barracudas dodging depth bombs is a sad one, as is the end of that wistful little Japanese who wrote so tenderly of the first succulent taste of bonito in the spring.
MFK Fisher
In the end, you are nothing but a fading memory.
Alistair Abram Akrofi-Mantey (The Depths of A Mad Mind)
As cruel as it may seem, attachments make you weak. To truly withstand pain, one must forget how to love.
Alistair Abram Akrofi-Mantey (The Depths of A Mad Mind)
Loneliness is not the absence of people but the absence of like-minded people.
Alistair Abram Akrofi-Mantey (The Depths of A Mad Mind)