Spectral Quotes

The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life.

Gorgeous, glowing rays of light...This was what true beauty and goodness looked like-- a spectral, luminescent gathering of beings so pure it hurt to look directly at them, like the most glorious eclipse, or maybe Heaven itself.

I know this one pusher walks around humming a tune and everybody he passes takes it up. He is so grey and spectral and anonymous they don't see him and think it is their own mind humming the tune.

How does one kill fear, I wonder? How do you shoot a spectre through the heart, slash off its spectral head, take it by its spectral throat?

The Opera ghost really existed. He was not, as was long believed, a creature of the imagination of the artists, the superstition of the managers, or a product of the absurd and impressionable brains of the young ladies of the ballet, their mothers, the box-keepers, the cloak-room attendants or the concierge. Yes, he existed in flesh and blood, although he assumed the complete appearance of a real phantom; that is to say, of a spectral shade.

There is a coherence in things, a stability; something... is immune from change and shines out... in the face of the flowing, the fleeting, the spectral, like a ruby.

Masks. - There are women who, however you may search them, prove to have no content but are purely masks. The man who associates with such almost spectral, necessarily unsatisfied beings is to be commiserated with, yet it is precisely they who are able to arouse the desire of the man most strongly: he seeks for her soul - and goes on seeking.

This is why a tainted society has invented psychiatry to defend itself against the investigations of certain superior intellects whose faculties of divination would be troublesome. No, van Gogh was not mad, but his paintings were bursts of Greek fire, atomic bombs, whose angle of vision would have been capable of seriously upsetting the spectral conformity of the bourgeoisie. In comparison with the lucidity of van Gogh, psychiatry is no better than a den of apes who are themselves obsessed and persecuted and who possess nothing to mitigate the most appalling states of anguish and human suffocation but a ridiculous terminology. To a man, this whole gang of pected scoundrels and patented quacks are all erotomaniacs.

Beyond the fence the forest stood up spectrally in the moonlight, and through the dim stir, through the faint sounds of that lamentable courtyard, the silence of the land went home to one's very heart - its mystery, its greatness, the amazing reality of its concealed life.

When a spectral voice says, get out, you should do it. But in real life, you don't know that you're in a scary movie.

The void is a spectral realm; not even nothing can be free of ghosts.

Did you have one of those days today, like a nail in the foot? Did the pterodactyl corpse dropped by the ghost of your mother from the spectral Hindenburg forever circling the Earth come smashing through the lid of your glass coffin? Did the New York strip steak you attacked at dinner suddenly show a mouth filled with needle-sharp teeth, and did it snap off the end of your fork, the last solid-gold fork from the set Anastasia pressed into your hands as they took her away to be shot? Is the slab under your apartment building moaning that it cannot stand the weight on its back a moment longer, and is the building stretching and creaking? Did a good friend betray you today, or did that good friend merely keep silent and fail to come to your aid? Are you holding the razor at your throat this very instant? Take heart, comfort is at hand. This is the hour that stretches. Djan karet. We are the cavalry. We're here. Put away the pills. We'll get you through this bloody night. Next time, it'll be your turn to help us. "Eidolons" (1988)

The children looked like remnants of themselves. Spectral. Some were naked to the waist.Many of them had sores on their faces. None had shoes. He could see the structures of them through their skin. The bony residue of their lives.

See the exquisite contrast of the types of mind! The pragmatist clings to facts and concreteness, observes truth at its work in particular cases, and generalises. Truth, for him, becomes a class-name for all sorts of definite working-values in experience. For the rationalist it remains a pure abstraction, to the bare name of which we must defer. When the pragmatist undertakes to show in detail just why we must defer, the rationalist is unable to recognise the concretes from which his own abstraction is taken. He accuses us of denying truth; whereas we have only sought to trace exactly why people follow it and always ought to follow it. Your typical ultra-abstractions fairly shudders at concreteness: other things equal, he positively prefers the pale and spectral. If the two universes were offered, he would always choose the skinny outline rather than the rich thicket of reality. It is so much purer, clearer, nobler.

The multicolored leaves were softly glowing against the black sky, creating an untimely nocturnal rainbow which scattered its spectral tints everywhere and dyed the night with a harvest of hues: peach gold and pumpkin orange, honey yellow and winy amber, apple red and plum violet. Luminous within their leafy shapes, the colors cast themselves across the darkness and were splattered upon our streets and our fields and our faces. Everything was resplendent with the pyrotechnics of a new autumn.

We are each either among the demoralized showing the way to a future of eternal nightmare, or we are losers celebrating our moment in hell.

Ghost implies a whole lot of things that I am NOT. Do I look like Casper to you?" "Fine," said Nick. "We're not ghosts, we're Undefined Spectral Doohickies. USDs. Are you happy now?

It partook ... of eternity ... there is a coherence in things, a stability; something, she meant, is immune from change, and shines out (she glanced at the window with its ripple of reflected lights) in the face of the flowing, the fleeting, the spectral, like a ruby; so that again tonight she had the feeling she had had once today, already, of peace, of rest. Of such moments, she thought, the thing is made that endures.

In the City Market is the Meet Café. Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war... A place where the unknown past and the emergent future meet in a vibrating soundless hum... Larval entities waiting for a Live One...

..Moloch who entered my soul early. Moloch in whom I am a consciousness without a body. Moloch who frightened me out of my natural ecstasy. Moloch whom I abandon. Wake up in Moloch.. Light streaming out of the sky. Moloch! Moloch! Robot apartments! Invisible suburbs! Skeleton treasuries! Blind capitals! Demonic industries! Spectral nations! Invincible madhouses! Granite cocks! Monstrous bombs! They broke their backs lifting Moloch to Heaven.. Pavements, trees, radios, tons. Lifting the city to Heaven which exists and is everywhere about us.

Savannah is so beautiful that the dead never truly depart.

Looking back on it, it's like watching a horror flick and wondering why the characters are so determined to ignore the danger signs. When a spectral voice says, GET OUT, you should do it. But in real life, you don't know that you're in a scary movie. You think your wife is being overly emotional. You quietly hope it's because she's pregnant, because a baby is what you need to lock this thing in and throw away the key.

I don’t have any say in that. I love you because my heart says so.” He sent me a crooked smile. “I like you because I say so.

If we found a ticket to Disneyland would you think we should arrest Mickey Mouse?

The image of a wood has appeared often enough in English verse. It has indeed appeared so often that it has gathered a good deal of verse into itself; so that it has become a great forest where, with long leagues of changing green between them, strange episodes of poetry have taken place. Thus in one part there are lovers of a midsummer night, or by day a duke and his followers, and in another men behind branches so that the wood seems moving, and in another a girl separated from her two lordly young brothers, and in another a poet listening to a nightingale but rather dreaming richly of the grand art than there exploring it, and there are other inhabitants, belonging even more closely to the wood, dryads, fairies, an enchanter's rout. The forest itself has different names in different tongues- Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it.

The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life. Relatively few are free enough from the spell of the daily routine to respond to tappings from outside, and tales of ordinary feelings and events, or of common sentimental distortions of such feelings and events, will always take first place in the taste of the majority; rightly, perhaps, since of course these ordinary matters make up the greater part of human experience.

The moon rose in silver splendor into an October sky strewn with pale clouds and brilliant stars. The clouds churned, a white-foam sea, and the moon was a vast, graceful clipper ship, its sails full of spectral light as it ran before the strength of the cold autumn winds.

Tsula and Abbott spy the cabin in a clearing beyond the trees. It appears almost spectral through the gossamer mist—at first, just a hint of a shape. A blocky shadow rising from the ground.

Last time I checked, we’re cops. We can’t turn down donuts. People will talk, Daniel.

The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine.

The moonlight made ghosts of the bed hangings, and cast a spectral pool about my feet

A healthy woman is much like a wolf: robust, chock-full, strong life force, life-giving, territorially aware, inventive, loyal, roving. Yet, separation from the wildest nature causes a woman's personality to become meager, think, ghostly, spectral. We are not meant to be puny with frail hair and inability to leap up, inability to chase, to birth, to create a life.

The jellyfish come with the morning - a great beaching, bodies black on sand. The ocean empties, a thousand dead and dying invertebrates, jungled tentacles and fine, fragile membranes blanketing the shore two miles in each direction. They are translucent, almost spectral, as though the sea has exorcised its ghosts

Minds are not bits of clockwork, they are just bits of not-clockwork. As thus represented, minds are not merely ghosts harnessed to machines, they are themselves just spectral machines. . . . Now the dogma of the Ghost in the Machine does just this. It maintains that there exist both bodies and minds; that there occur physical processes and mental processes; that there are mechanical causes of corporeal movements and mental causes of corporeal movements. I shall argue that these and other analogous conjunctions are absurd.

After a sleepless night, the people in the street seem automatons. No one seems to breathe, to walk, Each looks as if he is worked by clockwork: nothing spontaneous; mechanical smiles, spectral gesticulations. Yourself a specter, how would you see others as alive?

Nothing need be said; nothing could be said. There it was, all round them. It partook, she felt, carefully helping Mr. Bankes to a specially tender piece, of eternity; as she had already felt about something different once before that afternoon; there is a coherence in things, a stability; something, she meant, is immune from change, and shines out (she glanced at the window with its ripple of reflected lights) in the face of the flowing, the fleeting, the spectral, like a ruby; so that again tonight she had the feeling she had had once today, already, of peace, of rest. Of such moments, she thought, the thing is made that endures.

I could never think of him in New England. When I lived in New England for a while and was separated from him by no more than fifty miles, I continued to imagine him as stuck in Italy somewhere, unreal and spectral.

Jeopardy, Mom! You have got to get on Jeopardy! Seriously! You could marry Alex Trebek! You could be Alex and Alex Trebek! You could be Alex SQUARED!

New York may end up being no more than a scrim, a spectral film that is none other than our craving for romance—romance with life, with masonry, with memory, sometimes romance with nothing at all. This longing goes out to the city and from the city comes back to us. Call it narcissism. Or call it passion. It has its flare-ups, its cold nights, its sudden lurches, and its embraces. It is our life finally revealed to us in the most lifeless hard objects we'll ever cast eyes on: concrete, steel, stonework. Our need for intimacy and love is so powerful that we'll look for them and find them in asphalt and soot.

After a sleepless night, the people in the street seem automatons. No one seems to breathe, to walk. Each looks as if he is worked by clockwork: nothing spontaneous; mechanical smiles, spectral gesticulations. Yourself a specter, how would you see others as alive?

We were a couple now, which was shorthand for your hell is my hell.

[In]the too solid three-dimensional city, I could never feel myself as anything but spectral, disintegrating, pointless, fluid.

Atal felt a spectral change in the air, as if the laws of earth were bowing to greater laws.

The act of vagabonding is not an isolated trend so much as it is a spectral connection between people long separated by place and time, but somehow speaking the same language.

Everyone in the room was so spectral-looking that Madeleine’s natural healthiness seemed suspect, like a vote for Reagan.

It was a spectral Manhattan, a double-exposed landscape where the past folded back over on itself in overlapping decades.

Night fell long and cool through the woods about him and a spectral quietude set in. As if something were about that crickets and nightbirds held in dread.

Its aura distorts hard edges. Shimmering vortices of discoloration boil off, swirling, licking the cold night air with bright spectral fire. Violence and death, this one’s still hot.

The grey nurse resumed her knitting as Peter Walsh, on the hot seat beside her, began snoring. In her grey dress, moving her hands indefatigably yet quietly, she seemed like the champion of the rights of sleepers, like one of those spectral presences which rise in twilight in woods made of sky and branches. The solitary traveler, haunter of lanes, disturber of ferns, and devastator of hemlock plants, looking up, suddenly sees the giant figure at the end of the ride.

By day fantastic birds fly through the petrified forest, and jeweled crocodiles glitter like heraldic salamanders on the banks of the crystalline river, and where by night the illuminated man races among the trees, his arms like golden cartwheels and his head like a spectral crown.

I peer through the spectral, polluted, nicotine-sodden windows of my sock at these old lollopers in their kiddie gear. Go home, I say. Go home, lie down, and eat lots of potatoes. I had three handjobs yesterday. None was easy. Sometimes you really have to buckle down to it, as you do with all forms of exercise. It's simply a question of willpower. Anyone who's got the balls to stand there and tell me that a handjob isn't exercise just doesn't know what he's talking about. I almost had a heart-attack during number three. I take all kinds of other exercise too. I walk up and down the stairs. I climb into cabs and restaurant booths. I hike to the Butcher's Arms and the London Apprentice. I cough a lot. I throw up pretty frequently, which really takes it out of you. I sneeze, and hit the tub and the can. I get in and out of bed, often several times a day.

Many today have difficulty understanding how the Puritans could execute people based on something like spectral evidence. Yet modern moral panics are more like witch hunts than one might suppose.

In the folklore of science, there is the often-told story of the moment of discovery: the quickening of the pulse, the spectral luminosity of ordinary facts, the overheated, standstill second when observations crystallize and fall together into patterns, like pieces of a kaleidoscope. The apple drops from the tree. The man jumps up from a bathtub; the slippery equation balances itself. But there is another moment of discovery—its antithesis—that is rarely recorded: the discovery of failure. It is a moment that a scientist often encounters alone. A patient’s CT scan shows a relapsed lymphoma. A cell once killed by a drug begins to grow back. A child returns to the NCI with a headache.

Her invisible remains would combine, over time, with all the wonders under the sun. When it snowed she would be part of it, falling softly to earth, rising up again with the snow's evaporation, When it rained, she would be there in the spectral arch that spanned from firth to ground. She would help to wreathe the fields in mists, and yet would always be transparent to the stars. She would live forever.

Quantum mechanics. What a repository, a dump, of human aspiration it was, the borderland where mathematical rigor defeated common sense, and reason and fantasy irrationally merged. Here the mystically inclined could find whatever they required and claim science as their proof. And for these ingenious men in their spare time, what ghostly and beautiful music it must be--spectral asymmetry, resonances, entanglement, quantum harmonic oscillators--beguiling ancient airs, the harmony of the spheres that might transmute a lead wall into gold and bring into being the engine that ran on virtually nothing, on virtual particles, that emitted no harm and would power the human enterprise as well as save it. Beard was stirred by the yearnings of these lonely men. And why should he think they were lonely? It was not, or not only, condescension that made him think them so. They did not know enough, but they knew too much to have anyone to talk to. What mate waiting down the pub or in the British Legion, what hard-pressed wife with job and kids and housework, was going to follow them down these warped funnels in the space-time continuum, into the wormhole, the shortcut to a single, final answer to the global problem of energy?

Didn’t Danny know the rules? You always side with the guy who warms up the lube before he jams it in your ass.

I thought of relationships as a mosaic, and I put more stock in the overall picture, not the individual tiles. Life was too damned short to make every moment poignant, and too damned long to make every moment perfect. You fought, you made up, you cried, you laughed, and hopefully, when you stepped back, the picture was still beautiful.

I began to doubt that I would ever know the truth of what transpired, or who those people really were. But all that changed one rainy August afternoon, when I was surprised by a dead man who had answers.

..., imagine a loamy earth that starts with genocide, then adds a mix of further disease, wars, hurricanes, murder, great fires, dueling, insurrection and slavery, just to name a few of the many instances of tragedy. What dark seed would take root in such a disturbed and twisted soil?

The grey nurse resumed her knitting as Peter Walsh, on the hot seat beside her, began snoring. In her grey dress, moving her hands indefatigably yet quietly, she seemed like the champion of the rights of sleepers, like one of those spectral presences which rise in twilight in woods made of sky and branches.

Realizing its fundamental importance in understanding spectral lines, in atomic physics and in the theory of how light and electrons interact, quantum electrodynamics, Pauli and Heisenberg were determined to derive it from quantum theory rather than introducing it from the start. They believed that if they could find a version of quantum electrodynamics capable of producing the fine structure constant, it would not contain the infinities that marred their theories.

In Russia, the land of spectral ideas and disembodied aspirations, many brave minds have turned away at last from the vain and endless conflict to the one great historical fact of the land. They turned to autocracy for the peace of their patriotic conscience as a weary unbeliever, touched by grace, turns to the faith of his fathers for the blessing of spiritual rest. Like other Russians before him, Razumov, in conflict with himself, felt the touch of grace upon his forehead.

I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach. Oh, tell me I may sponge away the writing on this stone!” In his agony, he caught the spectral hand. It sought to free

He had entered an endless subterranean cavern, where jeweled rocks loomed out of the spectral gloom like marine plants, the sprays of glass forming white fountains. Several times he crossed and recrossed the road. The spurs were almost waist-high, and he was forced to climb over the brittle stems. Once, as he rested against the trunk of a bifurcated oak, an immense multi-colored bird erupted from a bough over his head, and flew off with a wild screech, aureoles of light cascading from its red and yellow wings. At last the storm subsided, and a pale light filtered through the stained-glass canopy. Again, the forest was a place of rainbows, a deep, iridescent light glowing from within.

Baseball’s oh so simple. You tag a man, he’s out. How different from being it. What spectral genius in the term, that curious part of childhood that sees through the rhymes and nonsense words, past the hidings and seekings and pretendings to something old and dank, some medieval awe, he thought, or earlier, even, that crawls beneath the midnight skin.

I wasn’t very good at just floating along. I didn’t like upheaval. I liked security and schedules and stability because they appeased the squarest parts of my heart

Fate leads the willing, and drags along the reluctant.” -Seneca

Will is a spectral, bedraggled figure, backlit by a great shaft of light, he would look like a ghost at the best of times, and this is the worst.

How does one kill fear, I wonder? How do you shoot a spectre through the heart, slash off its spectral head, take it by the spectral throat? —Joseph Conrad         We

I’m not spectral, but I’ve been told I can be pretty damn phenomenal.

Tales began to circulate around Ebbing and Geso. About the Wild Hunt. About the Three Spectral Riders.

The sound is pristine, riverlike, spectral, hypnotic... intimately familiar. Luisa stands, entranced, as if living in a stream of time. "I know this music".

The day is wound up and begins even before the last haunted dreams, the last of the fog, those spectral and evanescent residues, have faded away.

It was common to be exposed to smashed mercury filled spectral calibration lamps in astronomy.

spectral connection between people long separated by place and time, but somehow speaking the same language.

Well, I should say that the really weird artist has a kind of vision which makes models, or summons up what amounts to actual scenes from the spectral world he lives in.

We fly above the spectral shield that shall never be quite finished, but it's all right. We are our own prism of light now.

When a certain degree of miser is reached, one is overpowered with a sort of spectral indifference, and one regards beings as though they were spectres.

There is something spectral about me - and this is both the good and the bad in me - something that makes it impossible for anyone to endure having to see me every day and thus have a real relationship with me. Of course, in the light cloak in which I generally show myself, it is another matter. But at home it would be noted that I fundamentally dwell in a spirit world. I had been engaged to her for 1 year, and she did not really know me. - So she would have been shattered. In turn, she would probably have made a mess of me, for I was constantly overstraining myself with her because in a certain sense reality was too light. I was too heavy for her, and she was too light for me, but both can truly lead to overstraining myself.

Night is brushed aside like so much cobweb. The day is wound up and begins even before the last haunted dreams, the last of the fog, those spectral and evanescent residues, have faded away.

Darkness makes the brain giddy. Man needs light. Whoever plunges into the opposite of day feels his heart chilled. When the eye sees blackness, the mind sees trouble. In an eclipse, in night, in the sooty darkness, there is an anxiety even to the strongest. Nobody walks alone at night in the forest without trembling. Darkness and trees, two formidable depths - a reality of chimeras appears in the indistinct distance. The Inconceivable outlines itself a few steps from you with a spectral clearness. You see floating in space or in your brain something strangely vague and unseizable as the dreams of sleeping flowers. There are fierce phantoms in the horizon. You breathe in the odours of the great black void. You are afraid, and tempted to look behind you. The hollowness of night, the haggardness of all things, the silent profiles that fade away as you advance, the obscure dishevelments, angry clumps, livid pools, the gloomy reflected in the funeral, the sepulchral immensity of silence, the possible unknown beings, the swaying of mysterious branches, the frightful twistings of the trees, long spires of shivering grass - against all this you have no defence. There is no bravery which does not shudder and feel the nearness of anguish. You feel something hideous as if the soul were amalgamating with the shadow. This penetration of the darkness is inexperessibly dismal for a child. Forests are apocalypses; and the beating of the wings of a little soul makes an agonising sound under their monstrous vault.

Shrouded as he was for a decade in an apparent cloak of anonymity and obscurity, Osama bin Laden was by no means an invisible man. He was ubiquitous and palpable, both in a physical and a cyber-spectral form, to the extent that his death took on something of the feel of an exorcism. It is satisfying to know that, before the end came, he had begun at least to guess at the magnitude of his 9/11 mistake. It is essential to remember that his most fanatical and militant deputy, Abu Musab al-Zarqawi, did not just leave his corpse in Iraq but was isolated and repudiated even by the minority Sunnis on whose presumed behalf he spilled so much blood and wrought such hectic destruction. It is even more gratifying that bin Laden himself was exposed as an excrescence on the putrid body of a bankrupt and brutish state machine, and that he found himself quite unable to make any coherent comment on the tide—one hopes that it is a tide, rather than a mere wave—of demand for an accountable and secular form of civil society. There could not have been a finer affirmation of the force of life, so warmly and authentically counterposed to the hysterical celebration of death, and of that death-in-life that is experienced in the stultifications of theocracy, where womanhood and music and literature are stifled and young men mutated into robotic slaughterers.

This was how the end must look. No deluge, no rains of fire, no Auschwitz, no comet. This is how the world will look when God has deserted it, whoever he is. Like an abandoned house, everything coated in cosmic dust, muggy and steeped in silence. Everything living will congeal and grow mold in the light that has no pulse and therefore is dead. In this spectral light everything will crumble.

I had neither proof nor explanation, only that mad inner surety that I suspect is characteristic of all those who hear voices in an empty room, whether those voices be spectral or merely delusional.

Night-time is being brushed aside like so much cobweb. The day is wound up and begins even before the last haunted dreams, the last of the fog, those spectral and evanescent residues, have faded away.

Somehow I cannot let it go yet, funeral though it is, Let it remain back there on its nail suspended, With pink, blue, yellow, all blanch'd, and the white now gray and ashy, One wither'd rose put years ago for thee, dear friend; But I do not forget thee. Hast thou then faded? Is the odor exhaled? Are the colors, vitalities, dead? No, while memories subtly play—the past vivid as ever; For but last night I woke, and in that spectral ring saw thee, Thy smile, eyes, face, calm, silent, loving as ever: So let the wreath hang still awhile within my eye-reach, It is not yet dead to me, nor even pallid.

Mais tout restait dissous dans une délicatesse et une pâleur spectrales, exempt de toute ligne que l'œil aurait pu suivre avec certitude ; les contours des cimes se perdaient, s'embrumaient, s'en allaient en fumée.

Some time after midnight on the twenty-first of December it began to snow. By morning in the gray spectral light of a brief and obscure winter sun the fields lay deadwhite and touched with a phosphorous glow as if producing illumination of themselves, and the snow was still wisping down thickly, veiling the trees beyond the creek and the mountain itself, falling softly, and softly, faintly sounding in the immense white silence.

Caging the compass, he rotated it towards himself, without realising it sank into a momentary reverie in which his entire consciousness became focused on the serpentine terminal touched by the pointer, on the confused, uncertain but curiously potent image summed up by the concept 'South', with all its dormant magic and mesmeric power, diffusing outwards from the brass bowl held in his hands like the heady vapours of some spectral grail.

When I told him about the [recent discovery of spectral lines where Bohr’s theory had predicted they should appear] the big eyes of Einstein looked still bigger and he told me “Then it is one of the greatest discoveries.

I will take you by the hand and lead you through all the stages of hell. All of us will flinch as we glimpse the spectral lakes of napalm, full of the charred souls of the damned. But we must go on. There is no way back.

The Opera ghost really existed. He was not, as was long believed, a creature of the imagination of the artists, the superstition of the managers, or a product of the absurd and impressionable brains of the young ladies of the ballet, their mothers, the box-keepers, the cloak-room attendants or the concierge. Yes, he existed in flesh and blood, although he assumed the complete appearance of a real phantom; that is to say, of a spectral shade. When

The humanists also lived double lives, in their own way: they had their officia, their negotia, and could only dedicate the best of their otium to solitary study and savant sociability. It was the model of the devout brotherhood, rather than the guild of artisans, that gave meetings between savants their regularity, festive rites, and a climate of literary zeal that warmed and familiarized those remnants of antiquity that seemed spectral or affected.

I'm Level Eighty on Warcraft." The clerk was stunned. "You're Level Eighty?! Are you Horde, or Alliance?" "What, are you kidding me? I'm Horde, of course! I'm a Level Eighty Undead Priestess. What Guild are you in?" "I'm a Horde Blood Elf Paladin. Level 30. I'm in the Blood Roses Guild." "Have you ever seen a 'Spectral Tiger' loot card? I bet you never have." The museum clerk thought about her situation. The psychic pressure was mounting on her. She was in a state of moral anguish. "Look, Signora, I'd love to help your American clients there... But if my director knew I was Warcrafting here at work, she'd kill me! Besides, you don't have any 'Spectral Tiger' in your purse, I bet.

« Il faut dire qu’un séjour continuel dans un État bien organisé a quelque chose d’absolument fantômal ; on ne peut sortir dans la rue, boire un verre d’eau ou monter dans le tram sans toucher aux leviers subtilement équilibrés d’un gigantesque appareil de lois et de relations, les mettre en branle ou se faire maintenir par eux dans la tranquillité de son existence ; on n’en connaît qu’un très petit nombre, ceux qui pénètrent profondément dans l’intérieur et se perdent à l’autre bout dans un réseau dont aucun homme, jamais, n’a débrouillé l’ensemble ; c’est d’ailleurs pourquoi on le nie, comme le citadin nie l’air, affirmant qu’il n’est que du vide ; mais il semble que ce soit justement parce que tout ce que l’on nie, tout ce qui est incolore, inodore, insipide, sans poids et sans moeurs, comme l’eau, l’air, l’espace, l’argent et la fuite du temps, est en réalité l’essentiel que la vie prend ce caractère spectral. »

The night was so very sultry, that although they sat with doors and windows open, they were overpowered by heat. When the tea-table was done with, they all moved to one of the windows, and looked out into the heavy twilight. Lucie sat by her father; Darnay sat beside her; Carton leaned against a window. The curtains were long and white, and some of the thunder-gusts that whirled into the corner, caught them up to the ceiling, and waved them like spectral wings.

As I regard physics and psychology as complementary types of examination, I am certain that there is an equally valid way that must lead the psychologist 'from behind' (namely, through investigating the archetypes) into the world of physics. As an example of background physics, I shall discuss a motif that occurs regularly in my dreams - namely, fine structure, in particular doublet structure of spectral lines and the separation of a chemical element into two isotopes.

The German astronomer Johannes Kepler coined the term “camera obscura” in the early seventeenth century, but by then the phenomenon had been known for millennia; in fact, it is perhaps the oldest known optical illusion. Some form of camera obscura was most likely behind a popular illusion performed in ancient Greece and Rome, in which spectral images were cast upon the smoke of burning incense by performers using concave metal mirrors—hence the expression “smoke and mirrors.

The spectral soldier was at his side like a stalking reproach. The man's eyes were still fixed in a stare into the unknown. His gray, appalling face had attracted attention in the crowd, and men, slowing to his dreary pace, were walking with him. They were discussing his plight, questioning him and giving him advice. In a dogged way he repelled them, signing to them to go on and leave him alone. The shadows of his face were deepening and his tight lips seemed holding in check the moan of great despair. There could be seen a certain stiffness in the movements of his body, as if he were taking infinite care not to arouse the passion of his wounds. As he went on, he seemed always looking for a place, like one who goes to choose a grave.

The rain had let up and leveled out to its usual winter-long pace . . . not so much a rain as a dreamy smear of blue-gray that wipes over the land instead of falling on it, making patient spectral shades of the tree trunks and a pathic, placid, and cordial sighing sound all along the broad river. A friendly sound, even. It was nothing fearful after all. The same old rain, and, if not welcomed, at least accepted—an old gray aunt who came to visit every winter and stayed till spring. You learn to live with her.

The Atlantean Road by Stewart Stafford A snake of stones beneath the waters Soldiers march past spectral daughters Phantom travellers To work or home Atlantean lives replay in foam The water drowned out extinct times Of joy and war Of love and crime The divers rapt by sound immemorial Echoes entombed Sweet voices choral The flame of Erasmus and barking sounds Of canine guards and strangers found The road roused from silent sleep To tell explorers how ancients weep © Stewart Stafford, 2023. All rights reserved.

Imagine all of L.A. filled with windup men wandering empty-headed and waiting for orders and directions and purpose. That’s L.A. in a nutshell. A city of driven creatures, but no one is a hundred percent sure what they’re driven toward. Wealth. Fame. Power. Love. Revenge. These are all the obvious end points for the citizens of a spectral city, but none of them quite encompass a final goal. That’s more fragile. Something that slips away like smoke the moment it’s in your hands. It’s a moonshine cocktail of desperation and desire, the certainty that you can find perfection through sheer willpower and the cold terror that if you do reach the goal it will have twisted into something new. A new fevered need born of the search for this one. Searching for the next goal will breed another. And on and on. L.A. and Kill City full of Pinocchios with whirring gears for brains, all wanting to be real boys but sunk in the certainty that they’ll never become anything because they’re nothing. They came from nothing and are headed for a further and harder nothing.

All integral laws of spectral lines and of atomic theory spring originally from the quantum theory. It is the mysterious organon on which Nature plays her music of the spectra, and according to the rhythm of which she regulates the structure of the atoms and nuclei.

… rock ‘n’ roll may be more than anything a continuum of associations, a drama of direct and spectral connections between songs and performers It may be a story about the way a song will continue speaking in a radically different setting than the one that, it may have seemed, gave rise to it, a story in which someone may own the copyright but the voice of the song is under no one’s control. Rock ‘n’ roll may be most of all a language that, it declares can say anything: divine all truths, reveal all mysteries, escape all restrictions.

In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!

A eulogy is a life lived with a loved one or friend condensed into a few moments relating poignant and witty stories about them to a hushed congregation. The deceased has then an eternity to ponder the remarks with the possibility of spectral visitations to request a retraction.

A midwife once told Erszébet of the üszögös gyermek, the stunted child, a premature fetus born alive, a scurrying spectral thing with a rat's feet and ears.Unless the stunted child is immediately destroyed, it will return to its mother's womb. It is something monstrous, grown in secret.

I now live in a ghost world, and not everyone who was once close to me wants to venture into this shadowy place to hang out with me. Some people are clearly spooked. I remind them of their own frailty and mortality. I get it; it’s understandable. But it confirms my spectral status to me.

Piazza Piece —I am a gentleman in a dustcoat trying To make you hear. Your ears are soft and small And listen to an old man not at all, They want the young men's whispering and sighing. But see the roses on your trellis dying And hear the spectral singing of the moon; For I must have my lovely lady soon, I am a gentleman in a dustcoat trying. —I am a lady young in beauty waiting Until my truelove comes, and then we kiss. But what gray man among the vines is this Whose words are dry and faint as in a dream? Back from my trellis, Sir, before I scream! I am a lady young in beauty waiting.

Twenty minutes later, Three Body’s Von Neumann architecture human-formation computer had begun full operations under the Qin 1.0 operating system. “Run solar orbit computation software ‘Three Body 1.0’!” Newton screamed at the top of his lungs. “Start the master computing module! Load the differential calculus module! Load the finite element analysis module! Load the spectral method module! Enter initial condition parameters … and begin calculation!” The motherboard sparkled as the display formation flashed with indicators in every color. The human-formation computer began the long computation.

remembered my first sponsor saying her Higher Power was just the fact that trees could grow from seeds. Her notion of divinity lived not in the spectral body of an old man with a beard, but in the fact of this absurd, stupendous transformation—at once radical and commonplace, happening in plain sight.

He passed the dead in all their ranks, in all their spectral attitudes. Some lay supine, mouths open in attitudes of near ecstasy, one upon the next, embracing. Some had bowed their heads as if in deep meditation or prayer. Others had been ground to pulp against the concrete and conveyed no expression at all.

The soul which fathoms every league of the celestial arc--knows, as a mariner the sea, the distant latitudes where comets flame, and worlds career, and constellations shake their awful clusters--wanders amid the spectral nebula, and makes suns and systems to be but glittering beads upon the aspiring thread of its induction, cannot perish. There is a future life. In a universe so spherical and whole as this, reason argues that its own incompleteness and capacity for more are suggestive--are prophetical. Under-shadows and cross-lights of mystery, these filmy depths of present being, shudder in sympathy with something beyond.

And thus far it was a life: in the void. Wragby was there, the servants . . . but spectral, not really existing. Connie went for walks in the park, and in the woods that joined the park, and enjoyed the solitude and the mystery, kicked the brown leaves of autumn, and picked the primroses of spring. But it was all a dream; or rather it was the simulacrum of reality. The oak-leaves were to her like oak-leaves seen ruffling in a mirror, she herself was a figure somebody had read about, picking primroses that were only shadows or memories, or words. No substance to her or anything . . . no touch, no contact! Only this life with Clifford, this endless spinning of webs of yarn, of the minutiae of consciousness, these stories Sir Malcolm said there was nothing in, and they wouldn't last. Why should there be anything in them, why should they last? Sufficient unto the day is the evil thereof. Sufficient unto the moment is the appearance of reality.

There was no moon at all, and a faint silver peppering of starts fardly showed through the scrim of high clouds. The sea itself seemed to give off light, a spectral, colorless light that was more like the sea's breath. The night was soft and thick and black and warm as velvet, silky on my skin, smelling of iodine and salt and crepe myrtle and that ineffable, skin-prickling saline emanation that says 'ocean' to me whenever I smell it, hundreds of miles inland. It always moves me close to tears, so visceral, so old and tidal is its pull. I have often thought that it is the first smell we know, the amniotic smell of our first, secret sea.

Actually, the Sniper's sense of humor frightened Amy more than anything else. The parody of Carla's poem had been witty, the rudeness of Marvy's critique outlandish, and she was still, for some reason, focused on that "youse" in the Sniper's counterfeit email. "Youse" was like a spectral elbow to Amy's ribs. Dangerous, malevolent people should not be amusing. In order to be humorous, you had to have perspective, to be able to stand outside yourself and your own needs and grudges and fears and see yourself for the puny ludicrous creature you really are. How could somebody do that and still imagine himself entitled to harry, to wound, to kill?

Nothing easier than to say, Have no fear! Nothing more difficult. How does one kill fear, I wonder? How do you shoot a spectre through the heart, slash off its spectral head, take it by its spectral throat? It is an enterprise you rush into while you dream, and are glad to make your escape with wet hair and every limb shaking.

It would be years before it was operating the way a proper city should - which is to say, messily, but more or less freely and honestly, with its citizens accountable to one another and to those they've chosen to represent them, rather than to entities, spectral or otherwise, whose own interests are not in the interest of the people.

So when nobody's watching, is the rainbow there? No, it is not. Your eyes are needed to complete the geometry. The triad of Sun, water droplets, and observer are all required for a rainbow. When no one is present, we can picture the situation as an infinity of potential rainbows, each slightly offset from the others with various color emphases (since bigger droplets produce more vivid rainbows but rob them of blue). Moreover, only when neurons in the retina and brain are stimulated by light's invisible magnetic and electrical pulses do they conjure the subjective experience of spectral colors. For both reasons, we are as necessary for rainbows as the Sun and the rain.

What we face is not a loss of books but the loss of a world. As in Alexandria after Aristotle’s time, or the universities and monasteries of the early Renaissance, or the cluttered-up research libraries of the nineteenth century, the Word shifts again in its modes, tending more and more to dwell in pixels and bits instead of paper and ink. It seems to disappear thereby, as it must have for the ancient Peripatetics, who considered writing a spectral shibboleth of living speech; or the princely collectors of manuscripts in the Renaissance, who saw the newly recovered world of antiquity endangered by the brute force of the press; or the lovers of handmade books in the early nineteenth century, to whom the penny dreadful represented the final dilution of the power of literature. And yet, the very fact that the library has endured these cycles seems to offer hope. In its custody of books and the words they contain, the library has confronted and tamed technology, the forces of change, and the power of princes time and again.

Quantum mechanics. What a repository, a dump, of human aspiration it was, the borderland where mathematical rigor defeated common sense, and reason and fantasy irrationally merged. Here the mystically inclined could find whatever they required and claim science as their proof. And for these ingenious men in their spare time, what ghostly and beautiful music it must be—spectral asymmetry, resonances, entanglement, quantum harmonic oscillators—beguiling ancient airs, the harmony of the spheres that might transmute a lead wall into gold and bring into being the engine that ran on virtually nothing, on virtual particles, that emitted no harm and would power the human enterprise as well as save it.

Thus the electromagnetic information entering our eyes at each image point is infinite-dimensional twice over, because for each spectral color there are two possible polarizations, each of which can occur with an independent strength. Human vision overlooks that doubling because human eyes cannot distinguish between different polarizations of light.

No one understands broken people like broken people.

I’m a visibly queer woman, Zack,” said Osgood. “The world is my stalker.

They should just rename the Internet “what the fuck happened to my day” and be done with it.

Don’t you think he’d want some closure?” “Closure is a myth,” I said tiredly. “Just like fairness and justice.” And hope. Hope was the most dangerous of all.

Gran had always called the space between life and death "the two walks", a corridor where souls came and went from between worlds.

You don’t have a middle name.” No, I did not. Rainstorm only went with so much, thank God. My parents had offered to amend the oversight, but I declined. Mostly because my mother was overly fond of the name Moonbeam, and two wrongs do not make a right. They just make one very irritated Dr Rainstorm Moonbeam Christiansen marching to the courthouse with name-change forms.

They had three cadences, these spectral drummers, which they called First Kings, Second Kings, and Revelations. Going into a fight, they went from one cadence to another with no apparent signal until the officers began to shout commands and men began to fall. Then the drummers began a solemn drill beat that Bushrod believed would be the muttering undertone of every nightmare he would ever have.

The acceleration of gravity g is a measure of cumulative effect of change in energy density per odd frequency mode summed over the gravitational frequency bandwidth. Modification of the naturally occurring spectral energy density profile enables a change in the local acceleration of gravity. Acceleration is proportional to the frequency differential which is a function of the gradient in EM energy density.

History is often imagined as a series of events, unfolding one after the other like a sequence of falling dominoes. But most human experiences are processes, not events. Divorce may be an event, but it almost always results from a lengthy process—and the same could be said for birth, or battle, or infection. Similarly, much of what some imagine as dichotomous turns out to be spectral, from neurodivergence to sexuality, and much of what appears to be the work of individuals turns out to be the work of broad collaborations. We love a narrative of the great individual whose life is shot through with major events and who turns out to be either a villain or a hero, but the world is inherently more complex than the narratives we impose upon it, just as the reality of experience is inherently more complex than the language we use to describe that reality.

Here at the creek mouth the fields run on to the river, the mud deltaed and baring out of its rich alluvial harbored bones and dread waste, a wrack of cratewood and condoms and fruitrinds. Old tins and jars and ruined household artifacts that rear from the fecal mire of the flats like landmarks in the trackless vales of dementia praecox. A world beyond all fantasy, malevolent and tactile and dissociate, the blown lightbulbs like shorn polyps semitranslucent and skullcolored bobbing blindly down and spectral eyes of oil and now and again the beached and stinking forms of foetal humans bloated like young birds mooneyed and bluish or stale gray. Beyond in the dark the river flows in a sluggard ooze toward southern seas, running down out of the rain flattened corn and petty crops and riverloam gardens of upcountry land keepers, grating along like bonedust,

She watched the shiny motes of dust floating through the air, following them as they came in on the light and disappeared into the shadow. Pursing her lips, she blew toward them, as if by creating an eddy in the air she could bring back the tiny particles that had vanished. Nothing disappears forever. Everything leaves behind an essence that comes and goes. From time to time it glows brightly, but mostly its existence is spectral.

But it is meet I should, in the true spirit of romantic story, give some account of the looks and equipments of my hero and his steed. The animal he bestrode was a broken-down plow-horse, that had outlived almost everything but its viciousness. He was gaunt and shagged, with a ewe neck, and ahead like a hammer; his rusty mane and tail were tangled and knotted with burs; one eye had lost its pupil, and was glaring and spectral, but the other had the gleam of a genuine devil in it. Still he must have had fire and mettle in his day, if we may judge from the name he bore of Gunpowder. He had, in fact, been a favorite steed of his master's, the choleric Van Ripper, who was a furious rider, and had infused, very probably, some of his own spirit into the animal; for, old and broken-down as he looked, there was more of the lurking devil in him than in any young filly in the country.

That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips. She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest. Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani. She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.

Kris,” Harey whispered even more softly than before. I felt rather than heard her coming noiselessly up to me, and I pretended I hadn’t noticed. At that moment I wanted to be alone. I had to be alone. I still hadn’t found strength inside myself. I’d reached no decision, no resolution. As I stared at the darkening sky, at the stars that were only a spectral shadow of terrestrial stars, I stood there motionless; in the emptiness that was gradually

Iată scriitorul care-a avut puţine femei: gata mereu să mitizeze... De fapt, cu Ester am avut o legătură de câteva luni, în care n-am vorbit despre dragoste şi n-am făcut dragoste, deşi am ajuns uneori foarte aproape de asta. Dar ne-am plimbat zilnic ore-n şir, am fost la cenacluri unde prezenţa ei era hipnotică, unde părul ei foarte lung se-nfoia aspru atrăgând toate privirile („băi, norocosule, cine-i gagica?"), am fost şi la ştranduri sordide, unde nu se putea intra în apele băloase. Când o conduceam spre casă, noaptea târziu (fireşte, pe sub stele cu şase colţuri), ne opream pe drum, luminaţi spectral de vreun bec sau de vitrinele vreunui troleibuz care trecea greoi, şi ne sărutam în disperare. Niciodată nu ţinusem în braţe un corp atât de frumos, o fată atât de simplă şi atât de, totuşi, misterioasă. Nu s-a-ntâmplat nimic deosebit în tot acest timp. Zilele-ncepuseră să se răcească, şi în seara în care Ester mi-a spus că va emigra cu familia ei în Israel mi se făcuse frig dinainte să-i aud cuvintele. Apoi am îngheţat. Ne propuseserăm tacit să nu ne-ndrăgostim unul de altul dar probabil că, fără să-mi fi dat seama, eu sau ceva din mine transgresase limitele impuse. Eram într-un parc mizer şi pustiu, sprijiniţi de o masă de şah din ciment. Am condus-o acasă, ca-ntotdeauna, ne-am sărutat ca-ntotdeauna, nu ne-am spus adio, nici măcar la revedere, apoi nu ne-am mai văzut niciodată.

Here at the creek mouth the fields run on to the river, the mud deltaed and baring out of its rich alluvial harbored bones and dread waste, a wrack of cratewood and condoms and fruitrinds. Old tins and jars and ruined household artifacts that rear from the fecal mire of the flats like landmarks in the trackless vales of dementia praecox. A world beyond all fantasy, malevolent and tactile and dissociate, the blown lightbulbs like shorn polyps semitranslucent and skullcolored bobbing blindly down and spectral eyes of oil and now and again the beached and stinking forms of foetal humans bloated like young birds mooneyed and bluish or stale gray. Beyond in the dark the river flows in a sluggard ooze toward southern seas, running down out of the rainflattened corn and petty crops and riverloam gardens of upcountry landkeepers, grating along like bonedust, afreight with the past, dreams dispersed in the water someway, nothing ever lost.

And this also,” said Marlow suddenly, “has been one of the dark places of the earth.” He was the only man of us who still “followed the sea.” The worst that could be said of him was that he did not represent his class. He was a seaman, but he was a wanderer, too, while most seamen lead, if one may so express it, a sedentary life. Their minds are of the stay-at-home order, and their home is always with them—the ship; and so is their country—the sea. One ship is very much like another, and the sea is always the same. In the immutability of their surroundings the foreign shores, the foreign faces, the changing immensity of life, glide past, veiled not by a sense of mystery but by a slightly disdainful ignorance; for there is nothing mysterious to a seaman unless it be the sea itself, which is the mistress of his existence and as inscrutable as destiny. For the rest, after his hours of work, a casual stroll or a casual spree on shore suffices to unfold for him the secret of a whole continent, and generally he finds the secret not worth knowing. The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine.

Finally, Elizabeth understood that she had been orphaned not once but twice when her mother passed away. She lost her father as surely as her mother on the day of her birth. All those years, she idealized the earl’s devotion to her mother’s memory and ignored the price she herself paid. She grew up a lonely child, envying a beloved spectral being and wishing someday for an undying, perfect love of her own in compensation.   Her next thought stunned her: she would never wish that childhood on any child of hers.

Cecilia’s spectral nature surprised me. I have always felt connected to animals. I think it’s because, unlike people, they are easy for me to read. Their needs are finite, physical as often as emotional, and I know how to meet them. Animals don’t get puzzled or angry when I say the wrong thing. They have short memories. They don’t cast judgments or see weakness in difference. They don’t take my energy and concentration; they give those precious things to me. Animals are blind to everything but love. Animals forgive.

Elves can couch everything in pretty words,’ he muttered drowsily, running his lips over her shoulder. ‘It’s not a legend at all, Yen. It’s a pretty description of the hideous phenomenon that is the Wild Hunt, the curse of several regions. An inexplicable, collective madness, compelling people to join a spectral cavalcade rushing across the sky. I’ve seen it. Indeed, it often occurs during the winter. I was offered rather good money to put an end to that blight, but I didn’t take it. There’s no way of dealing with the Wild Hunt…

On our walks, I learned the names of trees I’d been walking past for years without noticing at all. London plane tree, silver maple, Siberian elm. I watched the branches beyond the nursery window turn from bare to bud to bloom, and remembered my first sponsor saying her Higher Power was just the fact that trees could grow from seeds. Her notion of divinity lived not in the spectral body of an old man with a beard, but in the fact of this absurd, stupendous transformation—at once radical and commonplace, happening in plain sight.

If depression has a feature that redeems it, it’s that it can sensitize a person to the sorrows of the world. The suffering self, while trapped in its own prison, feels at the same time more porous and connected to the sufferings of others — though never to their joys. Boundaries blur at axes of pain. The image of oneself as a vital, intact object is replaced by something spectral and transpersonal. In the worst time of my sadness, I remember saying to my therapist: “I feel like I don’t have any skin.” The living human is a spirit too.

The forest itself has different names in different tongues — Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it.

Against a set of desolate scenery, amid spectral crags and livid mountains of ash, beneath the funereal daylight of slopes illuminated in blue, she personified the spirit of the witches' sabbat. Morbid and voluptuous, sometimes with extenuated grace and infinite lassitude, she seemed to carry the burden of a criminal beauty, a beauty charged with all the sins cf the multitude. She fell again and again upon her pliant legs, and as she outlined the symbolic gestures of her two beautiful dead arms she seemed to be towing them behind her. Then, the vertigo of the abyss took hold of her again, and like one possessed she stood on point, holding herself fully erect from top to toe, like a spike of flesh and shadows. Her arms, weighed down just a few moments earlier, became menacing, demoniac, and audacious. Twisting like a screw, she whirled around, like a winnowing-machine - no, like a great lily stirred by a storm-wind. Clownish and macabre, a nacreous gleam showed between her lips... oh, that cruel and sardonic smile, and the two deep pools of her terrible eyes! Ize Kranile!

He saw a chamber, broad and low, designed, in its every rich stain of picture and slumberous hanging, to appeal to the sensuous. And here the scent was thick and motionless. Costly marqueterie; Palissy candlesticks reflected in half-concealed mirrors framed in embossed silver; antique Nankin vases brimming with pot-pourri; in one comer a suit of Milanese armour, fluted, damasquinee, by Felippo Negroli; in another a tripod table of porphyry, spectrally repeating in its polished surface the opal hues of a vessel of old Venetian glass half filled with some topaz-coloured liqueur - such and many more tokens of a luxurious aestheticism wrought in the observer an immediate sense of pleasurable enervation. He noticed, with a swaying thrill of delight, that his feet were on a padded rug of Astrakhan - one of many, disposed eccentrically about the yellow tassellated-marble floor; and he noticed that the sole light in the chamber came from an iridescent globed lamp, fed with some fragrant oil, that hung near an alcove traversed by a veil of dark violet silk. ("The Accursed Cordonnier")

I know what love is, Rainstorm.” He leaned over and dropped a kiss on my downturned mouth. “Love is this unstoppable force that you have very little control over. Sometimes you love the people that you shouldn’t. Sometimes you love people who’ve hurt you over and over again.

The generalized theory of relativity has furnished still more remarkable results. This considers not only uniform but also accelerated motion. In particular, it is based on the impossibility of distinguishing an acceleration from the gravitation or other force which produces it. Three consequences of the theory may be mentioned of which two have been confirmed while the third is still on trial: (1) It gives a correct explanation of the residual motion of forty-three seconds of arc per century of the perihelion of Mercury. (2) It predicts the deviation which a ray of light from a star should experience on passing near a large gravitating body, the sun, namely, 1".7. On Newton's corpuscular theory this should be only half as great. As a result of the measurements of the photographs of the eclipse of 1921 the number found was much nearer to the prediction of Einstein, and was inversely proportional to the distance from the center of the sun, in further confirmation of the theory. (3) The theory predicts a displacement of the solar spectral lines, and it seems that this prediction is also verified.

So strangely clouded were these refinements by the prison manners and gloom, so spectral did they become in the inappropriate squalor and misery through which they were seen, that Charles Darnay seemed to stand in a company of the dead. Ghosts all! The ghost of beauty, the ghost of stateliness, the ghost of elegance, the ghost of pride, the ghost of frivolity, the ghost of wit, the ghost of youth, the ghost of age, all waiting their dismissal from the desolate shore, all turning on him eyes that were changed by the death they had died in coming there.

How does one kill fear, I wonder? How do you shoot a spectre through the heart, slash off its spectral head, take it by its spectral throat? It is an enterprise you rush into while you dream, and are glad to make your escape with wet hair and every limb shaking. The bullet is not run, the blade not forged, the man not born; even the winged words of truth drop at your feet like lumps of lead. You require for such a desperate encounter an enchanted and poisoned shaft dipped in a lie too subtle to be found on earth. An enterprise for a dream, my masters!

After the discovery of spectral analysis no one trained in physics could doubt the problem of the atom would be solved when physicists had learned to understand the language of spectra. So manifold was the enormous amount of material that has been accumulated in sixty years of spectroscopic research that it seemed at first beyond the possibility of disentanglement. An almost greater enlightenment has resulted from the seven years of Röntgen spectroscopy, inasmuch as it has attacked the problem of the atom at its very root, and illuminates the interior. What we are nowadays hearing of the language of spectra is a true 'music of the spheres' in order and harmony that becomes ever more perfect in spite of the manifold variety. The theory of spectral lines will bear the name of Bohr for all time. But yet another name will be permanently associated with it, that of Planck. All integral laws of spectral lines and of atomic theory spring originally from the quantum theory. It is the mysterious organon on which Nature plays her music of the spectra, and according to the rhythm of which she regulates the structure of the atoms and nuclei.

I remember as a child scrambling among the brilliants of books or, battered with agonies, or in the spectral half-life that requires loneliness, retiring to the attic, to lie curled in a great body-molded chair in the violet-lavender light from the window. There I could study the big adze-squared beams that support the roof--see how they are mortised on into another and pined in place with oaken dowels. When it rains from rustling drip to roar on the roof, it i s a fine secure place. Then the books, tinted with light, the picture books of children grown, seeded, and gone...

It was definitely strange going to bed knowing someone was going to be sitting there, watching me sleep. But after I got used to the idea, it was sort of nice, knowing he was there with Spike on the daybed, reading a book called A Thousand Years he'd found in Doc's room, by the light of his own spectral glow. It would have been more romantic if he'd just sat there gazing longingly at my face, but beggars can't be choosers, and how many other girls do you know who have boys perfectly willing to sit in their bedrooms and watch for evil trespassers all night? I bet you can't even name one.

Nothing need be said; nothing could be said. There it was, all around them. It partook, she felt, helping Mr. Bankes to a specially tender piece, of eternity; as she had already felt about something different once before that afternoon; there is a coherence in things, a stability; something, she meant, is immune from change, and shines out in the face of the flowing, the fleeting, the spectral, like a ruby; so that again to-night she had the feeling she had had once to-day already, of peace, of rest. Of such moments, she thought, the thing is made that remains for ever after. This would remain.

But there's only one other person besides me in the Monterey Bay area who could pick up on spectral sound waves-especially now that Jesse is going to school so far away-and that person happened to be away at a seminarian retreat in New Mexico. I knew because Father Dominic likes to keep his present (and former) students up to date on his daily activities on Facebook. The day my old high school principal started his own Facebook account was the day I swore off social media forever. So far this has worked out fine since I prefer face-to-face interactions. It's easier to tell when people are lying.

The graphics of Israeli life, death, and detention are more vibrant; it conforms to the norm of human life already established, is then more of a life, is life, whereas Palestinian life is either no life, a shadow-life, or a threat to life as we know it. In this last form, it has undergone a full transformation into arsenal or spectral threat, figuring an infinite threat against which a limitless “defense” formulates itself. That defense without limit then embodies the principles of attack without limit (without shame, and without regard for established international protocols regarding war crimes).

These stories are real, the dreams are real, yet the dilemmas each person faces are founded on the presences that haunt from their past. We see again the twin mechanisms present in all relationships: projection and transference. Each of them, meeting any stranger, reflexively scans the data of history for clues, expectations, possibilities. This scanning mechanism is instantaneous, mostly unconscious, and then the lens of history slips over one's eyes. This refractive lens alters the reality of the other and brings to consciousness a necessarily distorted picture. Attached to that particular lens is a particular history, the dynamics, the script, the outcomes of which are part of the transferred package. Freud once humorously speculated that when a couple goes to bed there are six people jammed together because the spectral presences of the parents are unavoidable. One would have to add to this analogy the reminder that those parents also import their own relational complexes from their parents, so we quickly have fourteen underfoot, not to mention the persistence of even more ancestral influences. How could intimate relationships not be congested arenas? As shopworn as the idea seems, we cannot overemphasize the importance of primal imagoes playing a domineering role in our relational patterns. They may be unconscious, which grants them inordinate power, or we may flee them, but they are always present. Thus, for example, wherever the parent is stuck—such as Damon's mother who only equates sexuality with the perverse and the unappealing, and his father who stands de-potentiated and co-opted—so the child will feel similarly constrained or spend his or her life trying to break away (“anything but that”) and still be defined by someone else's journey. How could Damon not feel depressed, then, at his own stuckness, and how could he not approach intimacy with such debilitating ambivalence?

Every easy solution, pushed to its extreme - Integral Reality, integral freedom, integral happiness, integral information (the highest stage of intelligence, the highest stage of reality, the highest stage of freedom, the highest stage of happiness) - finds a response in a violent abreaction: disavowal of reality, disavowal of freedom, disavowal of happiness, viruses and dysfunctions, spectrality of real time, mental resistance; all the forms of secret repulsion in respect of this ideal normalization of existence. Which proves that there still exists everywhere, in each of us, resisting the universal beatification, an intelligence of evil.

Nothing need be said; nothing could be said. There it was, all round them. It partook, she felt, helping Mr Bankes to a specially tender piece, of eternity; as she had already felt about something different once before that afternoon; there is a coherence in things, a stability; something, she meant, is immune from change, and shines out (she glances at the window with its ripple of reflected lights) in the face of the flowing, the fleeting, the spectral, like a ruby; so that again tonight she had the same she had had once today already, of peace, of rest. Of such moments, she thought, the thing is made that remains forever after. This would remain.

Nothing need be said; nothing could be said. There it was, all round them. It partook, she felt, helping Mr Bankes to a specially tender piece, of eternity; as she had already felt about something different once before that afternoon; there is a coherence in things, a stability; something, she meant, is immune from change, and shines out (she glanced at the window with its ripple of reflected lights) in the face of the flowing, the fleeting, the spectral, like a ruby; so that again tonight she had the same she had had once today already, of peace, of rest. Of such moments, she thought, the thing is made that remains forever after. This would remain.

Nothing need be said; nothing could be said. There it was, all round them. It partook, she felt, helping Mr Bankes to a specially tender piece, of eternity; as she had already felt about something different once before that afternoon; there is a coherence in things, a stability; something, she meant, is immune from change, and shines out (she glanced at the window with its ripple of reflected lights) in the face of the flowing, the fleeting, the spectral, like a ruby; so that again tonight she had the feeling she had had once today already, of peace, of rest. Of such moments, she thought, the thing is made that remains forever after. This would remain.

Linc remembered the dark thrill he felt. It started in his chest, just below his heart, and traveled down his body, ending at his groin. It was like a seed had been planted in him, and it now bloomed. The tendrils snaked through his veins, the leaves unfurling in his bloodstream. He couldn't speak, afraid that he would spit up leaves and petals.

Aperitif--- Spectral Sour (Library of Spirits, Fall 2016) Amuse-bouche--- Sautéed Liver and Onions (Saveur Fare, Winter 2016) Potage--- Buffalo Chicken & Baked Potato Chowder (Hell's Kitchen, Winter 2017) Entrée--- Fried Sardines with Preserved Lemon on Toast (Hell's Kitchen, Winter 2017) Special Seatings--- Chef's Tastings (Limited) Once he realized what it was, Kostya had to take a minute. They were all aftertastes, dishes rooted in the Dead that he, Konstantin, had shepherded back to life. Frankie had seen the possibilities; he'd believed in him. Always. So much, apparently, that he'd imagined what a restaurant serving Kostya's food would look like. How he could structure his courses.

Different kinds of gases (e.g., gases based on different chemical elements) absorb different spectral colors. So if one has a gas of unknown composition, one can deduce what it's made of by seeing what light it absorbs! In the language of our generalized chemistry, the message of Fraunhofer's dark lines, as interpreted by Bunsen and Kirchhoff, is that a given atom of substance will combine with-that is, absorb-only specific elements of light-that is, spectral colors-while ignoring others. There is also a converse effect, that heated gas will emit light in preferential colors, creating bright lines in the spectrum. Altogether, these dark and bright lines are like fingerprints identifying the responsible substances.

I must confess that the oddness of these three old pensioners in whose charge her ladyship had left the castle, and the deep-toned, old-fashioned furniture of the housekeeper’s room in which they foregathered, affected me in spite of my efforts to keep myself at a matter-of-fact phase. They seemed to belong to another age, an older age, an age when things spiritual were different from this of ours, less certain; an age when omens and witches were credible, and ghosts beyond denying. Their very existence was spectral; the cut of their clothing, fashions born in dead brains. The ornaments and conveniences of the room about them were ghostly — the thoughts of vanished men, which still haunted rather than participated in the world of today.

There was a stirring among the watching women. One came forward holding a chalice that was like thin leaves turned to green crystal. She paused beside the trunk of one of the spectral trees, reached up and drew down to her a branch. A slim girl with half-frightened, half-resentful eyes glided to, her side and threw her arms around the ghostly bole. The woman with the chalice bent the branch and cut it deep with what seemed an arrow-shaped flake of jade. From the wound a faintly opalescent liquid slowly filled the cup. When it was filled the woman beside McKay stepped forward and pressed her own long hands around the bleeding branch. She stepped away and McKay saw that the stream had ceased to flow. She touched the trembling girl and unclasped her arms. "The Women Of The Woods

It is not even remotely a matter of rehabilitating the Aboriginals, or finding them a place in the chorus of human rights, for their revenge lies elsewhere. It lies in their power to destabilize Western rule. It lies in their phantom presence, their viral, spectral presence in the synapses of our brains, in the circuitry of our rocketship, as 'Alien'; in the way in which the Whites have caught the virus of origins, of Indianness, of Aboriginality, of Patagonicity. We murdered all this, but now it infects our blood, into which it has been inexorably transfused and infiltrated. The revenge of the colonized is in no sense the reappropriation by Indians or Aboriginals of their lands, privileges or autonomy: that is our victory. Rather, that revenge may be seen in the way in which the Whites have been mysteriously made aware of the disarray of their own culture, the way in which they have been overwhelmed by an ancestral torpor and are now succumbing little by little to the grip of 'dreamtime'. This reversal is a worldwide phenomenon. It is now becoming clear that everything we once thought dead and buried, everything we thought left behind for ever by the ineluctable march of universal progress, is not dead at all, but on the contrary likely to return - not as some archaic or nostalgic vestige (all our indefatigable museumification notwithstanding), but with a vehemence and a virulence that are modern in every sense - and to reach the very heart of our ultrasophisticated but ultra-vulnerable systems, which it will easily convulse from within without mounting a frontal attack. Such is the destiny of radical otherness - a destiny that no homily of reconciliation and no apologia for difference is going to alter.

There is no real reason why Disney should not buy up the human genome, which is currently being sequenced, to turn it into a genetic attraction. Why not cryogenize the whole planet, exactly as Walt Disney had himself cryogenized in liquid nitrogen, with a view to some kind of resurrection or other in the real world? But there no longer is a real world, and there won’t be one – not even for Walt Disney: if he wakes up one day he’ll get the shock of his life. In the meantime, from the depths of his liquid nitrogen he goes on annexing the world – both imaginary and real – subsuming it into the spectral universe of virtual reality in which we have all become extras. The difference is that, as we slip on our data suits or our sensors, or tap away at our keyboards, we are moving into living spectrality, whereas he, the brilliant precursor, has moved into the virtual reality of death.

You are a three-part being - body, mind and spirit - and you never, ever are anything less or anything else. As you move from the metaphysical to the physical and back again, you simply disintegrate and reintegrate these aspects of Who You Are. To help you understand how such a thing is possible, think of what you call "white light". This is actually a combination of lights of different wave-lenghts in the electromagnetic spectrum. If you send white light through a dispersive prism, you will see its spectral colors, which are its constituent parts. Now think of physicality as the "prism" of Ultimate Reality. When the soul passes through the prism into physicality, it breaks into its constituent parts: body, mind and spirit. When it passes back through the prism the other way - or as humans put it, when you "pass away" - the soul becomes one element again. That one element is You.

The houses crowding along the wide shining sweep without ripple or glitter, stepping into the water in a line of jostling, vague, grey, silvery forms mingled with black masses of shadow, were like a spectral herd of shapeless creatures pressing forward to drink in a spectral and lifeless stream. Here and there a red gleam twinkled within the bamboo walls, warm, like a living spark, significant of human affections, of shelter, of repose. ‘He confessed to me that he often watched these tiny warm gleams go out one by one, that he loved to see people go to sleep under his eyes, confident in the security of to-morrow. “Peaceful here, eh?” he asked. He was not eloquent, but there was a deep meaning in the words that followed. “Look at these houses; there’s not one where I am not trusted. Jove! I told you I would hang on. Ask any man, woman, or child . . .” He paused. “Well, I am all right anyhow.

At all times and in all places, in season and out of season, time is now and England, place is now and England; past and present inter-penetrate. The best days an angler spends upon his river – the river which is Heraclitus’ river, which is never the same as the angler is never the same, yet is the same always – are those he recollects in tranquillity, as wintry weather lashes the land without, and he, snug and warm, ties new patterns of dry-fly, and remembers the leaf-dapple upon clear water and the play of light and the eternal dance of ranunculus in the chalk-stream. A cricket match between two riotously inexpert village Second XIs is no less an instance of timeless, of time caught in ritual within an emerald Arcadia, than is a Test at Lord’s, and we who love the greatest of games know that we do indeed catch a fleeting glimpse of a spectral twelfth man on every pitch, for in each re-enactment of the mystery there is the cumulation of all that has gone before and shall come after. Et ego in Arcadia.

Above all, political discussion is stunned by a delusion about science. This term has come to mean an institutional enterprise rather than a personal activity, the solving of puzzles rather than the unpredictably creative activity of individual people. Science is now used to label a spectral production agency which turns out better knowledge just as medicine produces better health. The damage done by this misunderstanding about the nature of knowledge is even more fundamental than the damage done to the conceptions of health, education, or mobility by their identification with institutional outputs. False expectations of better health corrupt society, but they do so in only one particular sense. They foster a declining concern with healthful environments, healthy life styles, and competence in the personal care of one's neighbor. Deceptions about health are circumstantial. The institutionalization of knowledge leads to a more general and degrading delusion. It makes people dependent on having their knowledge produced for them. It leads to a paralysis of the moral and political imagination.

The immigrants pour into the cities, and the edges of the neighborhoods fray, then braid themselves into new American patterns. These new Americans push out into this country one step ahead of ancestors touching spectral fingers to the generations of the diaspora. Go, they whisper, but do not forget us. Outside a redbrick prison, protestors set up for another day of placards and marches, cries for justice that go unheard by the two Italian anarchists inside—a fishmonger and a shoemaker, seekers of the American dream now appealing their fate in its court while the electric chair bides its time. The lady in the harbor hoists her torch. The Gold Mountain twinkles in the early-morning fog hugging the shoreline of California, a pretty mirage. The atoms vibrate, always on the verge of some new shift. Shift and the electrons lean toward particle or wave. Shift and the action requires a reaction. Shift and the stroke of a typewriter elevates i to I, changes God to god. Shift and the beast acquires a thumb; the thumb, a weapon. Shift and rights become wrongs; the wrongs, justification. It’s all in the perspective.

I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.

I was dressed to leave the house, and was crossing the stage on my way out, when he tapped me on the shoulder. Never shall I forget the repulsive sight that met my eye when I turned round. He was dressed for the pantomimes in all the absurdity of a clown’s costume. The spectral figures in the Dance of Death, the most frightful shapes that the ablest painter ever portrayed on canvas, never presented an appearance half so ghastly. His bloated body and shrunken legs — their deformity enhanced a hundredfold by the fantastic dress — the glassy eyes, contrasting fearfully with the thick white paint with which the face was besmeared; the grotesquely-ornamented head, trembling with paralysis, and the long skinny hands, rubbed with white chalk — all gave him a hideous and unnatural appearance, of which no description could convey an adequate idea, and which, to this day, I shudder to think of. His voice was hollow and tremulous as he took me aside, and in broken words recounted a long catalogue of sickness and privations, terminating as usual with an urgent request for the loan of a trifling sum of money. I put a few shillings in his hand, and as I turned away I heard the roar of laughter which followed his first tumble on the stage.

The darkness was bewildering. Man requires light. Whoever buries himself in the opposite of day feels his heart contract. When the eye sees black, the heart sees trouble. In an eclipse in the night, in the sooty opacity, there is anxiety even for the stoutest of hearts. No one walks alone in the forest at night without trembling. Shadows and trees—two formidable densities. A chimerical reality appears in the indistinct depths. The inconceivable is outlined a few paces distant from you with a spectral clearness. One beholds floating, either in space or in one's own brain, one knows not what vague and intangible thing, like the dreams of sleeping flowers. There are fierce attitudes on the horizon. One inhales the effluvia of the great black void. One is afraid to glance behind him, yet desirous of doing so. The cavities of night, things grown haggard, taciturn profiles which vanish when one advances, obscure dishevelments, irritated tufts, livid pools, the lugubrious reflected in the funereal, the sepulchral immensity of silence, unknown but possible beings, bendings of mysterious branches, alarming torsos of trees, long handfuls of quivering plants,—against all this one has no protection. There is no hardihood which does not shudder and which does not feel the vicinity of anguish. One is conscious of something hideous, as though one's soul were becoming amalgamated with the darkness.

Oedipa spent the next several days in and out of libraries and earnest discussions with Emory Bortz and Genghis Cohen. She feared a little for their security in view of what was happening to everyone else she knew. The day after reading Blobb's Peregrinations she, with Bortz, Grace, and the graduate students, attended Randolph Driblette's burial, listened to a younger brother's helpless, stricken eulogy, watched the mother, spectral in afternoon smog, cry, and came back at night to sit on the grave and drink Napa Valley muscatel, which Driblette in his time had put away barrels of. There was no moon, smog covered the stars, all black as a Tristero rider. Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a ' letter, another lover. She tried to reach out, to whatever coded tenacity of protein might improbably have held on six feet below, still resisting decay-any stubborn quiescence perhaps gathering itself for some last burst, some last scramble up through earth, just-glimmering, holding together with its final strength a transient, winged shape, needing to settle at once in the warm host, or dissipate forever into the dark. If you come to me, prayed Oedipa, bring your memories of the last night. Or if you have to keep down your payload, the last five minutes-that may be enough. But so I'll know if your walk into the sea had anything to do with Tristero. If they got rid of you for the reason they got rid of Hilarius and Mucho and Metzger-maybe because they thought I no longer needed you. They were wrong. I needed you. Only bring me that memory, and you can live with me for whatever time I've got. She remembered his head, floating in the shower, saying, you could fall in love with me. But could she have saved him? She looked over at the girl who'd given her the news of his death. Had they been in love? Did she know why Driblette had put in those two extra lines that night? Had he even known why? No one could begin to trace it. A hundred hangups, permuted, combined-sex, money, illness, despair with the history of his time and place, who knew. Changing the script had no clearer motive than his suicide. There was the same whimsy to both. Perhaps-she felt briefly penetrated, as if the bright winged thing had actually made it to the sanctuary of her heart-perhaps, springing from the same slick labyrinth, adding those two lines had even, in a way never to be explained, served him as a rehearsal for his night's walk away into that vast sink of the primal blood the Pacific. She waited for the winged brightness to announce its safe arrival. But there was silence. Driblette, she called. The signal echoing down twisted miles of brain circuitry. Driblette! But as with Maxwell's Demon, so now. Either she could not communicate, or he did not exist.

The population, who are, ultimately, indifferent to public affairs and even to their own interests, negotiate this indifference with an equally spectral partner and one that is similarly indifferent to its own will: the government [Ie pouvoir] . This game between zombies may stabilize in the long term. The Year 2000 will not take place in that an era of indifference to time itself - and therefore to the symbolic term of the millennium - will be ushered in by negotiation. Nowadays, you have to go straight from money to money, telegraphically so to speak, by direct transfer (that is the viral side of the matter). A viral revolution, then, more akin to the Glass Bead Game than to the steam engine, and admirably personified in Bernard Tapie's playboy face. For the look of money is reflected in faces. Gone are the hideous old capitalists, the old-style industrial barons wearing the masks of the suffering they have inflicted. Now there are only dashing playboys, sporty and sexual, true knights of industry, wearing the mask of the happiness they spread all around themselves. The world put on a show of despair after 1968. It's been putting on a big show of hope since 1980. No more tears, alright? Reaganite optimism, the pump ing up of the dollar. Fabius's glossy new look. Patriotic conviviality. Reluctance prohibited. The old pessimism was produced by the idea that things were getting worse and worse. The new pessimism is produced by the fact that everything is getting better and better. Supercooled euphoria. Controlled anaesthesia. I should like to see the equivalent of Bernard Tapie in the world of business emerge in the world of concepts. Buying up failing concepts, swallowing them up, dusting them off (firing all the deadbeats who are in the way), putting them back into circulation with a dynamic virginity, sending them shooting up on the Stock Exchange and then abandoning them afterwards like dogs. Some people do this very well. It is perhaps better to save tired concepts by maintaining them in a super cooled state like unemployed labour, or locking them away in interactive data banks kept alive on a respirator.

Mirrors I have been horrified before all mirrors not just before the impenetrable glass, the end and the beginning of that space, inhabited by nothing but reflections, but faced with specular water, mirroring the other blue within its bottomless sky, incised at times by the illusory flight of inverted birds, or troubled by a ripple, or face to face with the unspeaking surface of ghostly ebony whose very hardness reflects, as if within a dream, the whiteness of spectral marble or a spectral rose. Now, after so many troubling years of wandering beneath the wavering moon, I ask myself what accident of fortune handed to me this terror of all mirrors– mirrors of metal and the shrouded mirror of sheer mahogany which in the twilight of its uncertain red softens the face that watches and in turn is watched by it. I look on them as infinite, elemental fulfillers of a very ancient pact to multiply the world, as in the act of generation, sleepless and dangerous. They extenuate this vain and dubious world within the web of their own vertigo. Sometimes at evening they are clouded over by someone's breath, someone who is not dead. The glass is watching us. And if a mirror hangs somewhere on the four walls of my room, I am not alone. There's an other, a reflection which in the dawn enacts its own dumb show. Everything happens, nothing is remembered in those dimensioned cabinets of glass in which, like rabbits in fantastic stories, we read the lines of text from right to left. Claudius, king for an evening, king in a dream, did not know he was a dream until the day on which an actor mimed his felony with silent artifice, in a tableau. Strange, that there are dreams, that there are mirrors. Strange that the ordinary, worn-out ways of every day encompass the imagined and endless universe woven by reflections. God (I've begun to think) implants a promise in all that insubstantial architecture that makes light out of the impervious surface of glass, and makes the shadow out of dreams. God has created nights well-populated with dreams, crowded with mirror images, so that man may feel that he is nothing more than vain reflection. That's what frightens us.

Islam tells us that on the unappealable Day of Judgment, all who have perpetrated images of living things will reawaken with their works, and will be ordered to blow life into them, and they will fail, and they and their works will be cast into the fires of punishment. As a child, I knew that horror of the spectral duplication or multiplication of reality, but mine would come as I stood before large mirrors. As soon as it began to grow dark outside, the constant, infallible functioning of mirrors, the way they followed my every movement, their cosmic pantomime, would seem eerie to me. One of my insistent pleas to God and my guardian angel was that I not dream of mirrors; I recall clearly that I would keep one eye on them uneasily. I feared sometimes that they would begin to veer off from reality; other times, that I would see my face in them disfigured by strange misfortunes. I have learned that this horror is monstrously abroad in the world again. The story is quite simple, and terribly unpleasant. In 1927, I met a grave young woman, first by telephone (because Julia began as a voice without a name or face) and then on a corner at nightfall. Her eyes were alarmingly large, her hair jet black and straight, her figure severe. She was the granddaughter and greatgranddaughter of Federalists, as I was the grandson and great-grandson of Unitarians,* but that ancient discord between our lineages was, for us, a bond, a fuller possession of our homeland. She lived with her family in a big run-down high-ceiling'd house, in the resentment and savorlessness of genteel poverty. In the afternoons— only very rarely at night—we would go out walking through her neighbor-hood, which was Balvanera.* We would stroll along beside the high blank wall of the railway yard; once we walked down Sarmien to all the way to the cleared grounds of the Parque Centenario.*Between us there was neither love itself nor the fiction of love; I sensed in her an intensity that was utterly unlike the intensity of eroticism, and I feared it. In order to forge an intimacy with women, one often tells them about true or apocryphal things that happened in one's youth; I must have told her at some point about my horror of mirrors, and so in 1928 I must have planted the hallucination that was to flower in 1931. Now I have just learned that she has gone insane, and that in her room all the mirrors are covered, because she sees my reflection in them— usurping her own—and she trembles and cannot speak, and says that I am magically following her, watching her, stalking her. What dreadful bondage, the bondage of my face—or one of my former faces. Its odious fate makes me odious as well, but I don't care anymore.

O God of heaven! The dream of horror, The frightful dream is over now; The sickened heart, the blasting sorrow, The ghastly night, the ghastlier morrow, The aching sense of utter woe. The burning tears that would keep welling, The groan that mocked at every tear, That burst from out their dreary dwelling, As if each gasp were life expelling, But life was nourished by despair. The tossing and the anguished pining, The grinding teeth and starting eye; The agony of still repining, When not a spark of hope was shining From gloomy fate's relentless sky. The impatient rage, the useless shrinking From thoughts that yet could not be borne; The soul that was for ever thinking, Till nature maddened, tortured, sinking, At last refused to mourn. It's over now—and I am free, And the ocean wind is caressing me, The wild wind from the wavy main I never thought to see again. Bless thee, bright Sea, and glorious dome, And my own world, my spirit's home; Bless thee, bless all—I cannot speak; My voice is choked, but not with grief, And salt drops from my haggard cheek Descend like rain upon the heath. How long they've wet a dungeon floor, Falling on flagstones damp and grey: I used to weep even in my sleep; The night was dreadful like the day. I used to weep when winter's snow Whirled through the grating stormily; But then it was a calmer woe, For everything was drear to me. The bitterest time, the worst of all, Was that in which the summer sheen Cast a green lustre on the wall That told of fields of lovelier green. Often I've sat down on the ground, Gazing up to the flush scarce seen, Till, heedless of the darkness round, My soul has sought a land serene. It sought the arch of heaven divine, The pure blue heaven with clouds of gold; It sought thy father's home and mine As I remembered it of old. Oh, even now too horribly Come back the feelings that would swell, When with my face hid on my knee, I strove the bursting groans to quell. I flung myself upon the stone; I howled, and tore my tangled hair; And then, when the first gust had flown, Lay in unspeakable despair. Sometimes a curse, sometimes a prayer, Would quiver on my parchèd tongue; But both without a murmur there Died in the breast from whence they sprung. And so the day would fade on high, And darkness quench that lonely beam, And slumber mould my misery Into some strange and spectral dream, Whose phantom horrors made me know The worst extent of human woe. But this is past, and why return O'er such a path to brood and mourn? Shake off the fetters, break the chain, And live and love and smile again. The waste of youth, the waste of years, Departed in that dungeon thrall; The gnawing grief, the hopeless tears, Forget them—oh, forget them all!

Two kingfishers frolicking amidst branches of a small fig tree. Fleshy petals with streaks of pale yellow hiding a spread of fine black dots, embroidered in gradient with dark shades of saffron gradually giving way to yellow. Two birds alighting from the flower bush: one with its spindly beak , looking upwards- wings spread out, over sized head with a gay blue breast. The creature looked skywards, poised for a higher flight. The one below hovered over stalks of lilies. Its prussian blue head highlighted with lighter shades of blue and its orange body tapering in a stubby tail. One more fig blossom seemingly at a distance from the main frame looked more of a spectral double of its full bodied cousin, while a whole array of vegetation with stalky leaves seen two notches away as shadows embroidered in grey.

As a child, she had hated the room. Back then, Alexandra had known for a fact that ghostly, spectral monsters lurked in the corners ready to pounce on unsuspecting children. It took many years before she would enter the room again. Even the name …muniment room … held ethereal and haunted overtones.

Sartre threw away the entire content of thebourgeois subject, maintaining only its pure form, and the next stepwas to throw away this form itself—is it not that,mutatis mutandis,Der-rida threw away all the positive ontological content of messianism, re-taining nothing but the pure form of the messianic promise, and thenext step is to throw away this form itself? And, again, is this not alsothe passage from Judaism to Christianity? Judaism reduces the prom-ise of Another Life to a pure Otherness, a messianic promise whichwill never become fully present and actualized (the Messiah is always “to come”); while Christianity, far from claiming full realization ofthe promise, accomplishes something far more uncanny: the Messiahis here, he has arrived, the final Event has already taken place,yet the gap(the gap which sustained the messianic promise) remains....Here I am tempted to suggest a return to the earlier Derrida ofdifférance:what if (as Ernesto Laclau, among others, has already ar-gued17) Derrida’s turn to “postsecular” messianism is not a necessaryoutcome of his initial “deconstructionist” impetus? What if the ideaof infinite messianic Justice which operates in an indefinite suspen-sion, always to come, as the undeconstructible horizon of decon-struction, already obfuscates “pure”différance,the pure gap whichseparates an entity from itself? Is it not possible to think this pure in-between priorto any notion of messianic justice? Derrida acts as ifthe choice is between positive onto-ethics, the gesture of transcend-ing the existing order toward another higher positive Order, andthe pure promise of spectral Otherness—what, however, if we dropthis reference to Otherness altogether? What then remains is eitherSpinoza—the pure positivity of Being—or Lacan—the minimal con-tortion of drive, the minimal “empty” (self-)difference which is op-erative when a thing starts to function as a substitute for itself. As Freud observed, the very acts that are forbidden by religion arepracticed in the name of religion. In such cases—as, for instance, mur-der in the name of religion—religion also can do entirely withoutminiaturization.Those adamantly militant advocates of human life, forexample, who oppose abortion, will not stop short of actually mur-dering clinic personnel. Radical right-wing opponents of male homo-sexuality in the USA act in a similar way.They organize so-called “gaybashings” in the course of which they beat up and finally rape gays. What we have here, yet again, is the Hegelian “oppositional determi-nation”: in the figure of the gay-basher raping a gay, the gay encoun-ters himself in its oppositional determination; that is to say, tautology(self-identity) appears as the highest contradiction.This threshold canalso function as the foreign gaze itself: for example, when a disen-chanted Western subject perceives Tibet as a solution to his crisis, Ti-bet loses its immediate self-identity, and turns into a sign of itself,its own “oppositional determination.

All we do in psychodrama - the psychodrama of contacts, of psychological tests, of interfacing - is acrobatically simulate and dramatize the absence of the other. Not only is otherness absent everywhere in this artificial dramaturgy, but the subject has also quietly become indifferent to his own subjectivity, to his own alienation, just as the modern political animal has become indifferent to his own political opinions. This subject becomes transparent, spectral (to borrow Marc Guillaume's word) - and hence interactive. For in interactivity the subject is the other to no one. Inasmuch as he is indifferent to himself, it is as though he had been reified alive - but without his double, without his shadow, without his other. Having paid this price, the subject becomes a candidate for all possible combinations, all possible connections. The interactive being is therefore born not through a new form of exchange but through the disappearance of the social, the disappearance of otherness.

I, Daniel McKenna, promise to love, hold, honor, and cherish you. And always say yes to shower sex.” His voice was a deep rumble, laced with threads of amusement. “There will always be room in my bed for you and only you, as long as you shut the fuck up and go to sleep.

I woke alone. I wasn´t surprised. Mostly because Danny seemed to think sleeping over four hours at a time was high treason. He also thought that getting up early was a wonderful thing. And I´m the one they sent to the department shrink?

You cannot read mathematics the way you read a novel. If you zip through a page in less than an hour, you are probably going too fast.

There is an anguish, based on desire impossible to realize, that is so unrequited, and therefore so intense, that it tends to fuse all people into one person in a so-to-speak spectral unity.

The Oxford scholar and apologist C. S. Lewis, whose spirit will accompany us through this book, once closed a lecture to a group of apologists like this: 'I have found that nothing is more dangerous to one’s own faith than the work of an apologist. No doctrine of that faith seems to me so spectral, so unreal as the one that I have just successfully defended in a public debate. For a moment, you see, it has seemed to rest on oneself: as a result when you go away from the debate, it seems no stronger than that weak pillar.' Lewis understood what it was like to know an argument like the back of your hand and win with it. But he also understood what it was like to still be haunted by lingering questions: What if I’ve missed something? Am I just playing intellectual games?

we should not reduce primordial repression only to the form of a gap: something insists, a weird positivity of an excessive “content” not only impervious to negation but even produced by the very process of redoubled (self-relating) negation. Consequently, this something is not simply a remainder of the pre-symbolic real that resists symbolic negation, but a spectral X called by Lacan objet a or surplus-enjoyment.

A short distance away from him stood the shimmering, spectral form of Obi-Wan Kenobi. To make sure he wasn’t hallucinating, Luke said aloud, “Ben?” “You will go to the Dagobah system,” Ben said. “Dagobah system?” Luke repeated. I’m not hallucinating. I’m sure of it. “There you will learn from Yoda, the Jedi Master who instructed me.” Luke groaned as he tried not to go into shock. “Ben…Ben.

Thanks to a threatening tropical storm, air traffic control had made us unwilling participants in the world’s strangest version of Red Rover. There had to be a rhyme and reason to the complicated airport rituals that kept things orderly and safe but quite frankly, I was over it. Red rover, red rover, send Delta the fuck over.

There was a correspondence course he failed to complete; a trip to the castles on the Rhine, Rhone, and Danube that took six years of his savings. Weekend flights to New England in desperate search of spectral Arkham, spring vacations in Haiti, Christmas in rural England, and a cold white dawn at Stonehenge. Midnights walking the streets in storms. And a year ago, the beginning of the collection that walled his study, reading and examining, hunting for a clue to the authors’ ability to write eloquently about the unspeakable, darkly about the commonplace; over and over and over again until he had memorized nearly every florid, majestic, purple, and bitter bitten paragraph. Nightmares. Sweat. The sounds of blood dripping whenever he turned a page.

When a farm or a family is stricken, nature destroys what humankind has made. Houses peel and crumble. Tilled fields are subsumed by weeds and grasses. Well-tended orchards become knotted, spectral forests. The earth, given an opening, always reclaims itself and obliterates order—erasing the outward evidence of an agrarian society.

subject’s non-appropriation of the catastrophic memories. In this respect, such memories remain unincorporated by the subject. It is not within her/his powers to contain or even retain them. Instead, their status of being is “hauntological,” or “spectral.” The subject “cannot control [the] comings and goings” of these memories,

Gyuri’s return home from the camp (which occurs to the extent that the home does not, and has never, exist/existed) is like a return from an after-death place. It is an unexpected, spectral and a haunting appearance. For

Of course, the situation is hopeless for those who wish an alteration in affairs that by their very nature are fixed and define the world in which we are all chained.

By looking at tetrachromats among modern animals and working backward, scientists can deduce that the first vertebrates were likely tetrachromats, too. Mammals, probably because they were all initially nocturnal, lost two of their ancestral cones and became dichromats. But they scurried beneath the feet of dinosaurs, which were almost certainly tetrachromats and “probably saw all kinds of cool non-spectral colors,” Stoddard says. It’s ironic that for the longest time, illustrators and filmmakers portrayed dinosaurs in dull shades of brown, gray, and green. Only recently have artists started painting these animals with bright colors, inspired by the revelation that they are the ancestors of birds. But even these vivid hues, applied with a trichromat’s eye, capture just a tiny proportion of the colors that dinosaurs probably wore or saw.