“
A girl expecting rescue never learns to save herself. Even with the means, she will find her courage wanting.
”
”
Kate Morton (The Forgotten Garden)
“
Lunatics are similar to designated hitters. Often an entire family is crazy, but since an entire family can't go into the hospital, one person is designated as crazy and goes inside. Then, depending on how the rest of the family is feeling that person is kept inside or snatched out, to prove something about the family's mental health.
”
”
Susanna Kaysen (Girl, Interrupted)
“
How we see the world changes all the time. It all depends on our mood.
”
”
Sarah Addison Allen (The Girl Who Chased the Moon)
“
In Pakistan when women say they want independence, people think this means we don’t want to obey our fathers, brothers or husbands. But it does not mean that. It means we want to make decisions for ourselves. We want to be free to go to school or to go to work. Nowhere is it written in the Quran that a woman should be dependent on a man. The word has not come down from the heavens to tell us that every woman should listen to a man.
”
”
Malala Yousafzai (I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban)
“
Temperament, you'll find, is highly dependent on time of day, weather, frequency of naps, and whether one has had enough to eat.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
Sexist grammar burns into the brains of little girls and young women a message that the male is the norm, the standard, the central figure beside which we are all deviants, the marginal, the dependent variables. It lays the foundation for androcentric thinking, and leaves men safe in their solipsistic tunnel-vision.
”
”
Adrienne Rich (On Lies, Secrets, and Silence. Selected Prose 1966-1978)
“
Depend upon it, you are just the sort of girl a man would be glad to have for his sister! You don't even know how to swoon, and I daresay if you tried you would make wretched work of it, for all you have is common sense, and of what use is that, pray?
”
”
Georgette Heyer (The Quiet Gentleman)
“
Close your eyes, Maxon."
"What?"
"Close your eyes.
Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awake—"
"Stop it!"
"Sorry."
"Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?"
"Maxon, I..."
"Tell me the truth."
"Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate."
"A boy? How old?"
"Nine."
"Have you ever been like that? Starving?...How bad?"
"Maxon, it will only upset you more."
"Probably, but I'm only starting to realize how much I don't know about my own country. Please."
"We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon."
"Good God. When you said that you were only here for the food, you weren't kidding, were you?"
"Really, Maxon, we've been doing pretty well lately. I—"
"I'll see you at dinner.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
You are born, you grow up, you become a wife. But what if it wasn’t this way? What if a girl grew up like a boy, with marriage an abstract, someday thought, a thing to think about when she became an adult, a thing she could do, or not do, depending? What would that look and feel like?
”
”
Kate Bolick (Spinster: Making a Life of One's Own)
“
If only I had some grease I could fix some kind of a light," Ma considered. "We didn't lack for light when I was a girl before this newfangled kerosene was ever heard of."
"That's so," said Pa. "These times are too progressive. Everything has changed too fast. Railroads and telegraph and kerosene and coal stoves--they're good things to have, but the trouble is, folks get to depend on 'em.
”
”
Laura Ingalls Wilder (The Long Winter (Little House, #6))
“
Auntie told me once that a girl needs at least one grown man in her life who sees her worth as inherent. Values her just as she is, not dependent upon her appearance or accomplishments.
”
”
Angeline Boulley (Firekeeper’s Daughter (Firekeeper's Daughter, #1))
“
I’ve always been a slow learner in some areas of my life.mostly the areas known as myself. Or maybe I should say ‘selves.’because the fact is, I’ve never, even as a child, felt I’m only one self, only one person. I’ve always felt I’m quite a few more than one. For example, there’s my jokey self, there’s my morose and fed-up self,there’s my lewd and disgusting self. There’s my clever-clogs self, and my fading-violet-who-cant-make-up-her-mind-about-anything self. There’s my untidy-clothes-everywhere-all-over-my-room self, and my manically tidy self when I want my room to be minimalist and Zen to the nth degree. There’s my confidant, arrogant self and my polite and reasonable and good listener self. There’s my self-righteous self and my wickedly bad self, my flaky self and my bsentimental self. There are selfs I like and selfs I don’t like.there’s my little-girl selfnwhonlikes to play silly games and there’s my old-woman self when I’m quite sure I’m eighty and edging towards geriatric.
The self I show in action at any moment depends on where I am, who I’m with, the circumstances of the situation and the mood I’m in.
”
”
Aidan Chambers (This Is All: The Pillow Book of Cordelia Kenn)
“
Our hero status is not dependant on our human might or power or even our human spirit; it comes from the power of His spirit.
”
”
Lisa Bevere (Girls with Swords: How to Carry Your Cross Like a Hero)
“
This is was what their mothers would say if she and her cousins ever told them the things they folded inside their hearts. Twice as many paths to trouble, their mothers would whisper. As though their daughters loving both men and women meant they wanted all of them in the world. There was no way to tell their mothers the truth and make them believe it, that hearts that loved both boys and girls were no more reckless or easily won than any other heart. They loved who they loved. They broke how they broke. And the way it happened depended less on what was under their lovers' clothes and more on what was wrapped inside their spirits.
”
”
Anna-Marie McLemore (Wild Beauty)
“
She was too dependent on what other people thought of her, and that was her downfall. She cared too much. She was only what other people saw in her—-that is, what she imagined they saw in her.
”
”
Steph Bowe (Girl Saves Boy)
“
Don't get me wrong. I love a Denver omelette as much as the next girl. But I'm curious whether that’s your thing, or if you try to change up the routine depending on the specific woman. You know… like, green pepper because I have green eyes, ham because I’m so funny, and onions for all the tears you’ll shed after I leave.
”
”
Julie James (Love Irresistibly (FBI/US Attorney, #4))
“
You only had to choose which me to talk to, for, you know, we all change our manners, depending on who has come to chat. One doesn’t behave at all the same way to a grandfather as to a bosom friend, to a professor as to a curious niece.
”
”
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
“
Watching her eased my mind. Even from afar she was enough to help me breathe. I was becoming dependent on a girl I hardly knew.
”
”
Abbi Glines (Until Friday Night (The Field Party, #1))
“
Sean groaned. “What are you thinking? The future of Vamps around the world depends on this, and you’re subjecting those poor innocent girls to a playboy and the self-proclaimed Love Doctor?”
Phineas huffed. “Dude, I can be a perfect gentleman.”
“On what planet?” Sean growled.
”
”
Kerrelyn Sparks (Sexiest Vampire Alive (Love at Stake, #11))
“
Girls have all the same parts, basically, and so much of how they look depends on the attitude, expectations, and obsessions of those who are looking at them.
”
”
Frank Portman (King Dork (King Dork, #1))
“
I guess it depends on whether you want perfect. I hear some girls prefer their boyfriends a little more flawed and troubled.”, Loving Summer by Kailin Gow
”
”
Kailin Gow (Loving Summer (Loving Summer, #1))
“
Young girls today are very mistaken to be thinking that their sense of self-worth and their acknowledgment of their beauty depends on whether a man will give that to them or not. Such naïveté! And so what will happen when the man changes his mind about her? Tells her she's not beautiful enough? That she's not good enough? Cheats on her? Leaves her? Then what happens? She will lose all her self-worth, she will think she is not good enough, she is not beautiful enough, because all of those feelings depended on the man in the first place! And along with the loss of the man, it will all be lost as well! Mothers, teach your daughters better. It pains me to see such naive innocence right under my nose! Such naïveté does no good for any girl. It is better for a girl to be worldly-wise and have street-smarts! That's what a girl needs to have in life! Not wide-eyed delusional innocence! The sense of self-worth and acknowledgment of being beautiful must not come from a man, it must come from inside the woman herself, men will come and men will go and their coming and going must not take an effect on the woman's sense of worth and beauty.
”
”
C. JoyBell C.
“
But I needed to build up my loneliness tolerance, was all. The loneliness became like a friend, my constant companion. I could depend on it, and only it.
”
”
Jessica Knoll (Luckiest Girl Alive)
“
Girls “going wild” aren’t damaging a generation of women, the myth of sexual purity is. The lie of virginity—the idea that such a thing even exists—is ensuring that young women’s perception of themselves is inextricable from their bodies, and that their ability to be moral actors is absolutely dependent on their sexuality. It’s time to teach our daughters that their ability to be good people depends on their being good people , not on whether or not they’re sexually active…so while young women are subject to overt sexual messages everyday, they’re simultaneously being taught—by the people who are supposed to care for their personal and moral development, no less—that their only real worth is their virginity and ability to remain “pure”.
”
”
Jessica Valenti (The Purity Myth: How America's Obsession with Virginity is Hurting Young Women)
“
There is the vanity training, the obedience training, the self-effacement training, the deference training, the dependency training, the passivity training, the rivalry training, the stupidity training, the placation training. How am I to put this together with my human life, my intellectual life, my solitude, my transcendence, my brains, and my fearful, fearful ambition? I failed miserably and thought it was my own fault. You can't unite woman and human any more than you can unite matter and anti-matter; they are designed to not to be stable together and they make just as big an explosion inside the head of the unfortunate girl who believes in both.
”
”
Joanna Russ (The Female Man)
“
That depends. You’ve got to define ‘party girl.’ If you mean I’m a walking good time, then hells yeah. But I’m not wasted and stumbling out of clubs and getting DUIs. I’m not that kind of party girl. I may be blonde and fun as balls, but I’m not a moron.
”
”
Ke$ha
“
We have gone on too long blaming or pitying the mothers who devour their children, who sow the seeds of progressive dehumanization, because they have never grown to full humanity themselves. If the mother is at fault, why isn't it time to break the pattern by urging all these Sleeping Beauties to grow up and live their own lives? There never will be enough Prince Charmings or enough therapists to break that pattern now. It is society's job, and finally that of each woman alone. For it is not the strength of the mothers that is at fault but their weakness, their passive childlike dependency and immaturity that is mistaken for "femininity." Our society forces boys, insofar as it can, to grow up, to endure the pains of growth, to educate themselves to work, to move on. Why aren't girls forced to grow up - to achieve somehow the core of self that will end the unnecessary dilemma, the mistaken choice between femaleness and humanness that is implied in the feminine mystique?
”
”
Betty Friedan (The Feminine Mystique)
“
I [Lorna Craig] would say that teaching a girl that her salvation depends on her having sexual relations with a married man is inherently destructive." Such relationships, Craig argues bitterly, should be considered "a crime, not a religion.
”
”
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
“
It's not easy to diagnose because depending where the endometrial deposits are, the symptoms can be quite different. It's an unrecognized problem among teenage girls, and it's something that every young woman who has painful menstruation should be aware of ... it's a condition that is curable if it's caught early. If not, if it's allowed to run on, it can cause infertility, and it can really mess up your life.
[Author Hilary Mantel on being asked about being a writer with endometriosis, Nov 2012 NPR interview]
”
”
Hilary Mantel
“
We don't have any option. We are dependent on these mullahs to learn the Quran," he said. "But you just use him to learn the literal meaning of the words; don't follow his explanations and interpretation. Only learn what God says. His words are divine messages, which you are free and independent to interpret.
”
”
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
“
This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped on your own out in the middle of the country to wander around door to door, she was always the one you would have picked." - America
”
”
Kiera Cass (The Selection (The Selection, #1))
“
IT’S THE LESSON YOUNG GIRLS EVERYWHERE were taught their entire lives—don’t be seduced by the men you meet, protect your virtue—until, of course, their entire lives depended on seduction by the right man. It was an impossible situation, a trick of society as a whole: force women to live at the mercy of whichever man wants them but shame them for anything they might do to get a man to want them. Passivity was the ultimate virtue. Heaven forbid you turn into someone like Hyacinth Coldwater. Be patient, be silent, be beautiful and untouched as an orchid, and then and only then will your reward come: a bell jar to keep you safe.
”
”
Dana Schwartz (Anatomy: A Love Story (The Anatomy Duology, #1))
“
Looking at the room, I can tell that you are the most beautiful girl in the room.
(In the whole wide room)
And when you're on the street
(Depending on the street)
I bet you are definitely in the top three
”
”
Bret McKenzie
“
I told you the Bible was more to be depended on than newspapers!
”
”
L.M. Montgomery (The Story Girl (The Story Girl, #1))
“
The girl anchors the stage, sucks in the male gaze, and, depending on who she is, throws her own gaze back out into the audience.
”
”
Kim Gordon (Girl in a Band)
“
But why is it on the girls? Why is it just expected that we'll be the ones to say something and get all mad? Why can't we just depend on boys to not slap butts and snap bra straps?!
”
”
Claire Swinarski (What Happened to Rachel Riley?)
“
What is an adventure? That depends on where you are starting from. Little girls in your country, they hide in the gap between the washing machine and the refrigerator and they make believe they are in the jungle, with green snakes and monkeys all around them. Me and my sister, we used to hide in a gap in the jungle, with green snakes and monkeys all around us, and make believe that we had a washing machine and a refrigerator. You live in a world of machines and you dream off things with beating hearts. We dream of machines, because we see where beating hearts have left us.
”
”
Chris Cleave
“
Everything changed when I met the girl. She penetrated a corner of my soul that had been kept sealed and even I didn't know was there. With her gestures, the scent of her skin, her sudden, intense glances that filled me with overwhelming tenderness, with her dependence that was a kind of unthinking, absolute acceptance, she could rescue me instantly from my confusions and obsessions, my discouragement and failure, or my simple daily routine, and leave me inside a radiant circle made of throbbing energy and powerful certainty, like the effects of an unknown drug that produces unconditional happiness.
”
”
Álvaro Mutis (The Adventures and Misadventures of Maqroll)
“
I was too familiar with slavery not to know that promises made to slaves, though with kind intentions, and sincere at the time, depend on many contingencies for their fulfillment.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
[...] that hearts that loved boys and girls were no more reckless or easily won than any other heart. They loved who they loved. They broke how they broke. And the way it happened depended less on what was under their lovers’ clothes and more on what was wrapped inside their spirits. What secret halls and trapdoors their souls held, and what each one hid and guarded.
”
”
Anna-Marie McLemore (Wild Beauty)
“
Shall I tell her? Shall I be a kind and merciful narrator and take our girl aside? Shall I touch her new, red heart and make her understand that she is no longer one of the tribe of heartless children, nor even the owner of the wild and infant heart of thirteen-year-old girls and boys? Oh, September! Hearts, once you have them locked up in your chest, are a fantastic heap of tender and terrible wonders - but they must be trained. Beatrice could have told her all about it. A heart can learn ever so many tricks, and what sort of beast it becomes depends greatly upon whether it has been taught to sit up or to lie down, to speak or to beg, to roll over or to sound alarm, to guard or to attack, to find or to stay. But the trick most folk are so awfully fond of learning, the absolute second they've got hold of a heart, is to pretend they don't have one at all. It is the very first danger of the hearted. Shall I give fair warning, as neither you nor I was given?
”
”
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
“
Look, man, I get it. We don't do attachments. We depend on something or someone and the system rips it away from us. But Echo's not the system, man. She's a girl who looked like shit yesterday and chased you down when we all decided you should play the dick instead of being her friend.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Sometimes I felt that growing up and being a girl was about learning to be afraid. Not paranoid, exactly, but always alert and aware, like checking out the exits in the movie theatre or the fire escape in a hotel. You came to know, in a way you hadn't as a kid, that the body you inhabited was vulnerable, imperfectly fortified. On TV, in the papers, in books and movies, it isn't ever men being raped or kidnapped or bludgeoned or dismembered or burned with acid. But in stories and crime shows and TV series and movies and in life too, it's going on all the time, all around you. So you learn, in your mind, that your body needs to be protected. It's both precious and totally dispensable, depending on whom you encounter.
”
”
Claire Messud (The Burning Girl)
“
If the parent represses the girl's anger not just once but over and over again, a deeper injury occurs: the girl will eventually dismantle her anger response. Ultimately, it's safer for her to cut off a part of her being than to battle the person on whom her life depends.
”
”
Patricia Love (The Emotional Incest Syndrome: What to do When a Parent's Love Rules Your Life)
“
You claiming me?” The words were practically a growl and I realized our lips were now inches apart.
“Are you saying you’re claimable?” she murmured.
“Depends on the girl…”
“I thought it was just sex.”
“Those were your words, babe. Not mine.
”
”
Kimberly Lauren (Beautiful Broken Promises (Broken, #3))
“
Not only do you carry the side effects of others, but their side effects are contagious. This affects you mentally to the point where you lose yourself in the process of trying to fix a situation or a person that is beyond repair.
You find yourself helping others who solely depend on you for their mental state and their ability to think for themselves. Foolishly, you do not see how often you carry their burdens. Their side effects begin to poison your life.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
You see, whether you can draw like this or not, being able to think up this kind of design, it depends on whether or not you can say to yourself, "Oh, yeah, girls like this exist in real life." If you don’t spend time watching real people, you can’t do this, because you’ve never seen it. Some people spend their lives interested only in themselves. Almost all Japanese animation is produced with hardly any basis taken from observing real people, you know. It’s produced by humans who can’t stand looking at other humans. And that’s why the industry is full of otaku!
”
”
Hayao Miyazaki
“
From now until the end of your days, you must lie. Your life depends on it, little lightning girl.
”
”
Victoria Aveyard (Red Queen (Red Queen, #1))
“
A great deal of intellectual intelligence depends on emotional intelligence.
”
”
Michael Gurian (Boys and Girls Learn Differently!: A Guide for Teachers and Parents)
“
Your life still depends on my survival. If the prince perishes on your watch, you’ll be the one to pay for it. Tell me, wolf-girl, who belongs to whom?
”
”
Ava Reid (The Wolf and the Woodsman)
“
Many neglected and abused children grow up to be adults who are afraid to take risks of striking out on their own. Many will remain dependent on their abusive parents and unable to separate from them. Others leave their abusive parents only to attach themselves to a partner who is controlling.
”
”
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
“
She tried to be calm, and leave things to take their course;
and tried to dwell much on this argument of rational dependence-
'Surely, if there be constant attachment on each side, our hearts must understand each other ere long.
We are not boy and girl, to be captiously irritable, misled by every moment's inadvertence, and wantonly playing with our own happiness.'
”
”
Jane Austen (Persuasion)
“
She’s an original! She doesn’t need to compete, copy, or envy other women. The confidence that’s within her won’t allow her to stoop that low. She’s a Queen! And jealousy isn’t something that she cares to entertain. Insecurity isn’t in her DNA. She shines! She succeeds! She’s a quality woman with purpose! She empowers, inspires, motivates, and celebrates other women. But depending on how you feel about yourself, you’ll either admire and respect her or hate on her. Listen, it’s okay to acknowledge other Queens! Don’t be an undercover hater. Have self-confidence and allow YOUR light to shine.
”
”
Stephanie Lahart
“
So it's not all that important who people really are. Honestly, you could end up spending your life with almost anyone, and it wouldn't matter who - because the person they are to you is totally dependent on your view of them.
”
”
Steph Bowe (Girl Saves Boy)
“
Have you lost the girl you love?’ ‘That’s what I’m trying to figure out. I can’t make up my mind. It all depends what construction you place on the words “I never want to see or speak to you again in this world or the next, you miserable fathead.”’ ‘Did she say that?
”
”
P.G. Wodehouse (Joy in the Morning (Jeeves and Wooster #8))
“
I have leveled with the girls - from Anchorage to Amarillo.
I tell them that all marriages are happy
It's the living together afterward that's tough.
I tell them that a good marriage is not a gift,
It's an achievement.
that marriage is not for kids It takes guts and maturity.
It separates the men from the boys and the women from the girls.
I tell them that marriage is tested dily by the ability to compromise.
Its survival can depend on being smart enough to know what's worth fighting about.
Or making an issue of or even mentioning.
Marriage is giving - and more important, it's forgiving.
And it is almost always the wife who must do these things.
Then, as if that were not enough, she must be willing to forget what she forgave.
Often that is the hardest part.
Oh, I have leveled all right.
If they don't get my message, Buster,
It's because they don't want to get it.
Rose-colored glasses are never made in bifocals
Because nobody wants to red the small print in dreams.
”
”
Ann Landers
“
It's one of those rare Splenda moments in here. Little imitations of life that, depending on your tastes, can be a kind of substitute for what you're missing on the outside, like real friends, real family, and something really worth celebrating.
”
”
Anissa Gray (The Care and Feeding of Ravenously Hungry Girls)
“
Ma was heavy, but not fat; thick with child-bearing and work. She wore a loose Mother Hubbard of gray cloth in which there had once been colored flowers, but the color was washed out now, so that the small flowered pattern was only a little lighter gray than the background. The dress came down to her ankles, and he strong, broad, bare feet moved quickly and deftly over the floor. Her thin, steel-gray hair was gathered in a sparse wispy knot at the back of her head. Strong, freckled arms were bare to the elbow, and her hands were chubby and delicate, like those of a plump little girl. She looked out into the sunshine. Her full face was not soft; it was controlled, kindly. Her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding. She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials. But better than joy was calm. Imperturbability could be depended upon. And from her great and humble position in the family she had taken dignity and a clean calm beauty. From her position as healer, her hands had grown sure and cool and quiet; from her position as arbiter she had become as remote and faultless in judgment as a goddess. She seemed to know that if she swayed the family shook, and if she ever really deeply wavered or despaired the family would fall, the family will to function would be gone.
”
”
John Steinbeck (The Grapes of Wrath)
“
The greatest barrier preventing us from fully challenging sexism is the pervasive antifeminine sentiment that runs wild in both the straight and queer communities, targeting people of all genders and sexualities. The only realistic way to address this issue is to work toward empowering femininity itself. We must rightly recognize that feminine expression is strong, daring, and brave - that it is powerful - and not in an enchanting, enticing, or supernatural sort of way, but in a tangible, practical way that facilitates openness, creativity, and honest expression. We must move beyond seeing femininity as helpless and dependent, or merely as masculinity's sidekick, and instead acknowledge that feminine expression exists of its own accord and brings its own rewards to those who naturally gravitate toward it. By embracing femininity, feminism will finally be able to reach out to the vast majority of feminine women who have felt alienated by the movement in the past.
”
”
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
“
The little girl's dependency on her father made [his] abuse more insidious.
”
”
Joan Frances Casey (The Flock: The Autobiography of a Multiple Personality)
“
A true leader cannot be dependent on companionship for his or her security, but must learn to trust in God alone.
”
”
Eric Ludy (When God Writes Your Love Story: The Ultimate Approach to Guy/Girl Relationships)
“
My mother once told me a girl's success in this world was dependent on how well she could pretend
”
”
Sasha Peyton Smith (The Witch Haven (The Witch Haven, #1))
“
The colonists, the aid workers, the NGOs -- they're all in a single progression: paternalistic foreigners, assuming they are better and brighter, offering shiny, destabilizing, dependence producing gifts. How can one accept anything from so-called rescuers when their predecessors helped your people destroy one another?
”
”
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
“
So we get a karaoke machine.
On the first night, the year tens stage a competition, insisting that every member of the House has to be involved, so we clear the year-seven and -eight dorms and wait for our turn. Raffy is on second and does an impressive job of "I Can''t Live, If Living Means Without You" but then one of the seniors points out to her that she's chosen a dependency song and Raffy spends the whole night neuroticising about it.
"I just worked out that I don't have ambition," she says while one of the year eights sings tearfully, "Am I Not Pretty Enough?" I start compiling a list of all the kids I should be recommending to the school counsellor, based on their song choices.
"I think she's reading a little to much into it, Raf."
"No she isn't. Because do you know what my second and third choices were? 'Don't Leave Me This Way' and 'I Just Don't Know What To Do With Myself.'"
"Mary Grace chose 'Brown-eyed Girl' and she's got blue eyes and Serina sang 'It's Raining Men' and she's a lesbian. You're taking this way too seriously. Let it go.
”
”
Melina Marchetta (On the Jellicoe Road)
“
Close your eyes, Maxon."
"What?"
"Close your eyes."
He frowned at me but obeyed. I waited until his eyes were shut and his face looked relaxed before I started.
"Somewhere in this palace, there is a woman who will be your wife."
I saw his mouth twitch, the beginnings of a hopeful smile.
"Maybe you don't know which face it is yet, but think of the girls in that room. Imagine the one who loves you the most. Imagine your 'dear.'"
His hand was resting next to mine on the seat, and his fingers grazed mine for a second. I shied away from the touch.
"Sorry," he mumbled, looking my way.
"Keep 'em closed!"
He chuckled and went back to his original position.
"This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped on your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Well, now there is a very excellent, necessary, and womanly accomplishment that my girl should not be without, for it is a help to rich and poor, and the comfort of families depends upon it. This fine talent is neglected nowadays and considered old-fashioned, which is a sad mistake and one that I don't mean to make in bringing up my girl. It should be part of every girl's eductation, and I know of a most accomplished lady who will teach you in the best and pleasantest manner."
"Oh, what is it?" cried Rose eagerly, charmed to be met in this helpful and cordial way.
"Housekeeping!"
"Is that an accomplsihment?" asked Rose, while her face fell, for she had indulged in all sorts of vague, delightful daydreams.
”
”
Louisa May Alcott (Eight Cousins (Eight Cousins, #1))
“
Lunatics are similar to designated hitters. Often an entire family is crazy, but since an entire family can’t go into the hospital, one person is designated as crazy and goes inside. Then, depending on how the rest of the family is feeling, that person is kept inside or snatched out, to prove something about the family’s mental health.
”
”
Susanna Kaysen (Girl, Interrupted)
“
Depending on what the body you’re born into looks like, you get put in a box marked either Boy or Girl. That box is packed with expectations and requirements, demands and obligations. The box says you can like This, but not That. The box says you can wear This, but not That. The box might fit you perfectly. In that case, everything will be wonderful. Alternately, the box might be so cramped and tight and full of horrible things that you’d rather be dead than spend another minute in it.
”
”
Sam J. Miller (The Art of Starving)
“
Speaking of tongues, they are the main reason I'm a nervous wreck. Ryan is a senior and well, sadly, I'm not all that experienced with boys. I mean, I'm a freshman and have been to dances with boys my age and even have gone out with boys, but I've never really kissed them. Not like I hope to kiss Ryan anyway. Bobby Robinson did shove his tongue into my mouth one time, when we were kissing under the bleachers at a football game, but it didn't feel so good. I'm pretty sure he didn't have it exactly right. So I talked to my friends, Katie and Lisa, about how to properly make out. But, well, here is just a bit of their unhelpful advice.
Just let him take the lead, do what ever he does.
Um, couldn't that get me into a lot of trouble?
Just sort of kiss his tongue, but try not to drool.
Don't open your mouth too wide.
And then, just open your mouth wide.
See?
Stupid, conflicting information.
And this from girls who supposedly know how to do this!
I feel like I'm an undercover CIA agent trying to wrestle vital information out of a ruthless double agent, and the fate of the free world depends upon it. All the while, the President is yelling at me in a panic, saying, Somebody! Anybody! Just get me the truth!
”
”
Jillian Dodd (That Boy (That Boy, #1))
“
Adolescent girls discover that it is impossible to be both feminine and adult. Psychologist I. K. Broverman’s now classic study documents this impossibility. Male and female participants in the study checked off adjectives describing the characteristics of healthy men, healthy women and healthy adults. The results showed that while people describe healthy men and healthy adults as having the same qualities, they describe healthy women as having quite different qualities than healthy adults. For example, healthy women were described as passive, dependent and illogical, while healthy adults were active, independent and logical. In fact, it was impossible to score as both a healthy adult and a healthy woman.
”
”
Mary Pipher (Reviving Ophelia)
“
I was a pretty cheerful person by nature. Emotionally dependable, like a good horse. Perhaps if I had been a more melancholy girl I would have been able to recognize that I was in the middle of a trauma, a word that still feels like it's for other people.
”
”
Caroline O'Donoghue (The Rachel Incident)
“
Whether or not [a] story has a happy ending depends, of course, on who is reading it. Whether you are a wolf or a girl. A girl or a monster or both. Not everyone in a story gets a happy ending. Not everyone who reads a story feels the same way about how it ends. And if you go back to the beginning and read it again, you may discover it isn't the same story you thought you'd read. Stories shift their shape.
”
”
Kelly Link
“
What would it be like really and absolutely to believe? (...) To know, really and absolutely know, that there's a Divine Being not set in time or space who reads your thoughts better than you ever did, and probably before you even have them? To believe that God sends you to war, God bends the path of bullets, decides which of his children will die, or have their legs blown off, or make a few hundred million on Wall Street, depending on today's Grand Design? (ch. 14)
”
”
John le Carré (The Little Drummer Girl)
“
There was no way to tell their mothers the truth and make them believe it, that hearts that loved boys and girls were no more reckless or easily won than any other heart. They loved who they loved. They broke how they broke. And the way it happened depended less on what was under their lovers’ clothes and more on what was wrapped inside their spirits. What secret halls and trapdoors their sounds held, and what each one hid and guarded.
”
”
Anna-Marie McLemore (Wild Beauty)
“
Darkness is not a bad place; it depends on how one looks at it. It keeps me from going insane and losing my mind. Darkness rejuvenates my mind, restores peace and teaches me how to pray and ask for help. When we prepare for rest, we want the room to be dark; therefore, we close the blinds, cut off the lights and television, and eliminate any distractions so we can get a peaceful night’s rest. Darkness renews your mind. It restores your energy and it gives you the strength you need to get through another day.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
Laura knew then that she was not a little girl any more. Now she was alone; she must take care of herself. When you must do that, then you do it and you are grown up. Laura was not very big, but she was almost thirteen years old, and no one was there to depend on. Pa and Jack had gone, and Ma needed help to take care of Mary and the little girls, and somehow to get them all safely to the west on a train.
”
”
Laura Ingalls Wilder
“
If [his] peace of mind depended on me promising to be a sweet and careful little girl, he'd be smart to get used to chaos.
”
”
Sharon Green (Dark Mirror, Dark Dreams)
“
Well, a little girl is more likely to trust a person who reminds her of her momma, right?” Depends on what her momma’s like, I thought.
”
”
Gillian Flynn (Sharp Objects)
“
As Gill says, "every man is called to give love to the work of his hands. Every man is called to be an artist." The small family farm is one of the last places - they are getting rarer every day - where men and women (and girls and boys, too) can answer that call to be an artist, to learn to give love to the work of their hands. It is one of the last places where the maker - and some farmers still do talk about "making the crops" - is responsible, from start to finish, for the thing made. This certainly is a spiritual value, but it is not for that reason an impractical or uneconomic one. In fact, from the exercise of this responsibility, this giving of love to the work of the hands, the farmer, the farm, the consumer, and the nation all stand to gain in the most practical ways: They gain the means of life, the goodness of food, and the longevity and dependability of the sources of food, both natural and cultural. The proper answer to the spiritual calling becomes, in turn, the proper fulfillment of physical need.
”
”
Wendell Berry (Bringing it to the Table: On Farming and Food)
“
Here, that food is Middle Eastern food. Baguettes are French food. Spaghetti is Italian food. Pizza is both American and Italian, depending on which restaurant you go to. Every food has a label. It is sorted and assigned. Just like I am no longer a girl. I am a Middle Eastern girl. A Syrian girl. A Muslim girl. Americans love labels. They help them know what to expect. Sometimes, though, I think labels stop them from thinking.
”
”
Jasmine Warga (Other Words for Home)
“
I think I'll stay in pieces. I can shift them, rearrange, depending on the day, depending on what I need to be. I can change on a whim and be so many different girls and none of them has to be me.
”
”
Katja Millay (The Sea of Tranquility)
“
I think I’m getting a notion of how to do this. O.K., a carnival works because people pay to feel amazed and scared. They can nibble around a midway getting amazed here and scared there, or both. And do you know what else? Hope. Hope they’ll win a prize, break the jackpot, meet a girl, hit a bull’s-eye in front of their buddies. In a carnival you call it luck or chance, but it’s the same as hope. Now hope is a good feeling that needs risk to work. How good it is depends on how big the risk is if what you hope doesn’t happen. You hope your old auntie croaks and leaves you a carload of shekels, but she might leave them to her cat. You might not hit the target or win the stuffed dog, you might lose your money and look like a fool. You don’t get the surge without the risk. Well. Religion works the same way. The only difference is that it’s more amazing than even Chick or the twins. And it’s a whole lot scarier than the Roll-a-plane or the Screamer, or any simp twister. This scare stuff laps over into the hope department too. The hope you get from religion is a three-ring, all-star hope because the risk is outrageous. Bad! Well, I’m working on it. I’ve got the amazing part down. And the scary bits are a snap. But I’ve got to come up with a hope.
”
”
Katherine Dunn (Geek Love)
“
Depending on your point of view, Ashley (or Leslie Howard) was sensitive, poetic, and enigmatic-- or wan and a wimp. Rhett/Clark Gable was sexy, virile, and funny or just crude and unmannerly. The outcome was a crucial barometer of taste that would reveal a great deal, possibly too much, about a girl's temperament and predilections.
”
”
Molly Haskell
“
The eternal feminine is a massive joke. It seems that male identity depends on keeping up this lie...femme fatale, bunny girl, nurse, Lolita, whore, kindly mother, or ball-breaker. All of it an act. A carefully choreographed and costumed production. And what comfort does it all provide? We don't know exactly what they fear, should these artificial archetypes collapse: whores are just average individuals, mothers are not intrinsically good or brave or loving, and the same goes for fathers. It depends on the person, the situation, the moment.
”
”
Virginie Despentes (King Kong théorie)
“
Myths tend to spiral out of control. Do you howl at the full moon and steal maidens to devour?"
"Depends on the maiden," he said.
Was he flirting with me? Devouring didn't really go with flirting, but his tone of voice did. Was this how werewolves flirted? Hey, baby, if I had to kill any girl and eat her flesh, it would be you...
clean sweep
”
”
Ilona Andrews
“
Girls like Caroline and Lily are constantly performing, as much for the Good Girl they think they should be as for the adults and peers who look on. They have spent their lives growing internally dependent on external rewards: pats on the back A's, club presidencies, Most Valuable Player trophies. They become more concerned with how they appear and should be than who they are What other think and feel replaces what is true for them.
”
”
Rachel Simmons (The Curse of the Good Girl: Raising Authentic Girls with Courage and Confidence)
“
She tried to be calm, and leave things to take their course; and tried to dwell much on this argument of rational dependence – “Surely, if there be constant attachment on each side, our hearts must understand each other ere long. We are not boy and girl, to be captiously irritable, misled by every moment’s inadvertence, and wantonly playing with our own happiness.” And yet, a few minutes afterwards, she felt as if their being in company with each other, under their present circumstances, could only be exposing them to inadvertencies and misconstructions of the most mischievous kind.
”
”
Jane Austen
“
Can you understand this? Shooting dope is all about getting warm and fuzzy. Dependably so. But the Daddy-rush... Forget about it! I've never felt anything so terrifying! It's so real, even the pleasure can break your heart. Which, in the grand scheme of things, is what separates shooting smack from loving your little girl. Heroin may kill you, but it'll never break your heart. Not like a child.
”
”
Jerry Stahl (Permanent Midnight)
“
A girl's sense of her womanly self depends only in part on how closely she has followed her mother's example in attire and actions, or how much she loves or hates or respects her. It is from both parents that a girl gains her basic identity.
”
”
Victoria Secunda (Women And Their Fathers: The Sexual and Romantic Impact of the First Man In Your Life)
“
I wanted a song that would touch me, touch my life and theirs. A portuguese song, but not a portuguese. song. A new world song. A song branded with the new world. I thought of the girl who had to sleep with her master and mistress. Her father, the master. Her daughter's father. The father of her daughter's daughter. How many generations. Days that were pages of hysteria. their survival depended on suppressed hysteria.
”
”
Gayl Jones (Corregidora)
“
Our whole culture is based on the appetite for buying, on the idea of a mutually favorable exchange. Modern man's happiness consists in the thrill of looking at the shop windows, and in buying all that he can afford to buy, either for cash or on installments. He (or she) looks at people in a similar way. For the man an attractive girl—and for the woman an attractive man—are the prizes they are after. 'Attractive' usually means a nice package of qualities which are popular and sought after on the personality market. What specifically makes a person attractive depends on the fashion of the time, physically as well as mentally. During the twenties, a drinking and smoking girl, tough and sexy, was attractive; today the fashion demands more domesticity and coyness. At the end of the nineteenth and the beginning of this century, a man had to be aggressive and ambitious—today he has to be social and tolerant—in order to be an attractive 'package'. At any rate, the sense of falling in love develops usually only with regard to such human commodities as are within reach of one's own possibilities for exchange. I am out for a bargain; the object should be desirable from the standpoint of its social value, and at the same time should want me, considering my overt and hidden assets and potentialities. Two persons thus fall in love when they feel they have found the best object available on the market, considering the limitations of their own exchange values. Often, as in buying real estate, the hidden potentialities which can be developed play a considerable role in this bargain. In a culture in which the marketing orientation prevails, and in which material success is the outstanding value, there is little reason to be surprised that human love relations follow the same pattern of exchange which governs the commodity and the labor market.
”
”
Erich Fromm (The Art of Loving)
“
Once established, the young girl's dependency is systematically supported as she proceeds through childhood. For being "nice" - nonchallenging, nonconfronting, noncomplaining - she's rewarded with good grades, the approval of her parents and teachers, and the affection of her peers. What reason is there for her to turn deviant or nonconformist? The going is good, so she conforms. Increasingly, she patterns herself after what's expected of her.
”
”
Colette Dowling (The Cinderella Complex: Women's Hidden Fear of Independence)
“
If you have read this far in the chronicle of the Baudelaire orphans - and I certainly hope you have not - then you know we have reached the thirteenth chapter of the thirteenth volume in this sad history, and so you know the end is near, even though this chapter is so lengthy that you might never reach the end of it. But perhaps you do not yet know what the end really means. "The end" is a phrase which refers to the completion of a story, or the final moment of some accomplishment, such as a secret errand, or a great deal of research, and indeed this thirteenth volume marks the completion of my investigation into the Baudelaire case, which required much research, a great many secret errands, and the accomplishments of a number of my comrades, from a trolley driver to a botanical hybridization expert, with many, many typewriter repairpeople in between. But it cannot be said that The End contains the end of the Baudelaires' story, any more than The Bad Beginning contained its beginning. The children's story began long before that terrible day on Briny Beach, but there would have to be another volume to chronicle when the Baudelaires were born, and when their parents married, and who was playing the violin in the candlelit restaurant when the Baudelaire parents first laid eyes on one another, and what was hidden inside that violin, and the childhood of the man who orphaned the girl who put it there, and even then it could not be said that the Baudelaires' story had not begun, because you would still need to know about a certain tea party held in a penthouse suite, and the baker who made the scones served at the tea party, and the baker's assistant who smuggled the secret ingredient into the scone batter through a very narrow drainpipe, and how a crafty volunteer created the illusion of a fire in the kitchen simply by wearing a certain dress and jumping around, and even then the beginning of the story would be as far away as the shipwreck that leftthe Baudelaire parents as castaways on the coastal shelf is far away from the outrigger on which the islanders would depart. One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it. We might even say that the world is always in medias res - a Latin phrase which means "in the midst of things" or "in the middle of a narrative" - and that it is impossible to solve any mystery, or find the root of any trouble, and so The End is really the middle of the story, as many people in this history will live long past the close of Chapter Thirteen, or even the beginning of the story, as a new child arrives in the world at the chapter's close. But one cannot sit in the midst of things forever. Eventually one must face that the end is near, and the end of The End is quite near indeed, so if I were you I would not read the end of The End, as it contains the end of a notorious villain but also the end of a brave and noble sibling, and the end of the colonists' stay on the island, as they sail off the end of the coastal shelf. The end of The End contains all these ends, and that does not depend on how you look at it, so it might be best for you to stop looking at The End before the end of The End arrives, and to stop reading The End before you read the end, as the stories that end in The End that began in The Bad Beginning are beginning to end now.
”
”
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
“
She is both hellfire and holy water,
And the flavour you taste depends on
How you treat her.
”
”
R.A. Bentinck (Underneath the Poetry and Bad Girl Stricken)
“
By now I can recognize the women at a glance...with faces that are either grim
or good-humored, depending on the mood of their husbands.
”
”
Anne Frank (The Diary of a Young Girl)
“
Temperament, you’ll find, is highly dependent on time of day, weather, frequency of naps, and whether one has had enough to eat. The
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
De girl baby ain’t born and her mama is dead, dat can git me tuh spend our money on her. Ah told yo’ before dat you got de keys tuh de kingdom. You can depend on dat.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
From now until the end of your days, you must lie. Your life depends on it, little lightning girl.
”
”
Victoria Aveyard (Red Queen (Red Queen, #1))
“
There’s something else I’m curious about, Kelsey.”
I smiled at him. “Sure, what else do you want to know?”
“What exactly is going on between you and Ren?”
A vise clamped down on my chest, but I tried to play it cool. “What do you mean?”
“I mean, are you two more than just traveling companions? Are you together?”
I clipped off a fast, “No. Definitely not.”
He grinned. “Good!” He grabbed my hand and kissed it. “Then that means you’re free to go out with me. No girl in her right mind would want to be with Ren, anyway. He’s very…stuffy. Cold, as far as relationships go.”
My mouth hung open for a minute, shocked, and then I felt anger shove the shock aside and take over. “First of all, I am not going to be with either one of you. Second, a girl would have to be crazy not to want Ren. You’re wrong about him. He’s not stuffy or cold. In fact, he’s considerate, warm, drop-dead gorgeous, dependable, loyal, sweet, and charming.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Eurydice"
It’s more like the sound
a doe makes
when the arrowhead
replaces the day
with an answer to the rib’s
hollowed hum. We saw it coming
but kept walking through the hole
in the garden. Because the leaves
were bright green & the fire
only a pink brushstroke
in the distance. It’s not
about the light—but how dark
it makes you depending
on where you stand.
Depending on where you stand
his name can appear like moonlight
shredded in a dead dog’s fur.
His name changed when touched
by gravity. Gravity breaking
our kneecaps just to show us
the sky. We kept saying Yes—
even with all those birds.
Who would believe us
now? My voice cracking
like bones inside the radio.
Silly me. I thought love was real
& the body imaginary.
But here we are—standing
in the cold field, him calling
for the girl. The girl
beside him. Frosted grass
snapping beneath her hooves.
”
”
Ocean Vuong
“
I had to remind myself of the truth of who I was and the reality that success wasn’t defined by a result but by faithfulness. I had to remember that my identity and healing weren’t dependent on the voices that surrounded me and that the truth wasn’t dependent on popular opinion or cultural responses. I had to focus on what was real and true. The straight line instead of the crooked.
”
”
Rachael Denhollander (What Is a Girl Worth?: My Story of Breaking the Silence and Exposing the Truth about Larry Nassar and USA Gymnastics)
“
If I was going to put myself into a situation wherein I had no one to depend on, I needed to step up and be the one to actually take good care of myself.The universe wouldn't simply do it for me.
”
”
Aspen Matis (Girl in the Woods: A Memoir)
“
I think I'll stay in pieces. I can shift them, rearrange, depending on the day, depending on what I need to be, I can change on a whim and be so many different girls and none of them has to be me.
”
”
Katja Millay (The Sea of Tranquility)
“
Men love to work hard to get and help a woman they like (this final part being the crucial part). It’s been engrained in their instincts to want to take care of their woman. However, men hate it when a woman doesn’t hold her own, when she becomes dependent on him. Not financially, of course, but emotionally. He wants to know what you’re passionate about, what makes you tick, and what makes you love life. That’s why any man quickly gets bored of the nice girl who makes her life revolve around him.
”
”
Brian Keephimattracted (F*CK Him! - Nice Girls Always Finish Single)
“
Then men were not dependent upon women after all, as she had thought—women were dependent upon men. Boys were frail, boys cried, boys were tender, boys were helpless. Mary Anne knew this, because she was the eldest girl among her three young brothers, and the baby Isobel did not count at all. Men also were frail, men also cried, men also were tender, men also were helpless. Mary Anne knew this because her stepfather, Bob Farquhar, was all of these things in turn. Yet men went to work. Men made the money—or frittered it away, like her stepfather, so that there was never enough to buy clothes for the children, and her mother scraped and saved and stitched by candlelight, and often looked tired and worn. Somewhere there was injustice. Somewhere the balance had gone. “When I’m grown up I shall marry a rich man,” she said.
”
”
Daphne du Maurier (Mary Anne)
“
Tonight, though, he could not help seeing his mother as a spiritual sister to the beautiful, needy and depressive girl who had broken apart on a frozen road, and to the plain, homeless outsider now lying in the chilly morgue. Leda, Lula and Rochelle had not been women like Lucy, or his Aunt Joan; they had not taken every reasonable precaution against violence or chance; they had not tethered themselves to life with mortgages and voluntary work, safe husbands and clean-faced dependants: their deathsm therefore, were not classed as "tragic", in the same way as those of staid and respectable housewives.
How easy it was to capitalise on a person's own bent for self-destruction; how simple to nudge them into non-being, then to stand back and shrug and agree tnat it had been the inevitable result of a chaotic, catastrophic life.
”
”
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
“
It's a different story depending on where you start: who's good, who's bad, what it all means. Each of us shapes our stories so they make sense of who we think we are. I can begin when Cassie and I were best friends; or I can begin when we weren't anymore; or I can begin at the dark end and tell it all backward.
”
”
Claire Messud (The Burning Girl)
“
And here's a cliché' that's earned its status as a cliché': whether you're free or locked up depends, all and only, on what you want. What you have matters about as much as the color of your sky. Or your bars.
”
”
David Foster Wallace (Girl with Curious Hair)
“
Damaged little girls are exactly what the porn industry preys upon and depends upon. It is estimated that 90% of porn performers are sexual abuse survivors and the average age of a porn actress is 22.8 years old.
”
”
Shelley Lubben (Truth Behind the Fantasy of Porn)
“
Little girls are taught fairy tales that are filled with magic. Cinderella is taught to wait in the kitchen for a guy with the right shoe! Snow White is given the message that if she waits long enough, her prince will come. On a literal level, that story tells women that their destiny depends on waiting for a necrophile (someone who likes to kiss dead people) to stumble through the woods at the right time. Not a pretty picture!
”
”
John Bradshaw (Homecoming: Reclaiming and Healing Your Inner Child)
“
Rachel was a girl who depended on small, recurrent rituals - that was one of the things he'd come to know about her, and his very ability to identify so specific a trait made him proud of his own capacity for tenderness.
”
”
Richard Yates (Cold Spring Harbor)
“
But I knew no one. I was alone. No one cared. You might as well have left me to die.”
“You didn’t, did you?”
“Die? No, I didn’t. No thanks to you. Now I know I can only depend on myself.”
“Exactly.” Natasha shrugged. “You’re welcome.”
Ava didn’t respond.
Natasha sat down next to her. “Such Russian problems.” She settled her back against the wall. “I know you’re angry. Be as angry as you want. But no matter how you feel, we need to get out of here. Fair enough?”
“Why should I do anything you say?”
“Because you can trust me.”
“Are you crazy? You’re the one person I can’t trust. You taught me not to trust you.”
“No. I taught you not to trust anyone,” Natasha said. “And that’s something everyone has to learn. Especially every girl.” She sounded as stubborn as Ava felt.
”
”
Margaret Stohl (Black Widow Forever Red (A Black Widow Novel))
“
Lunatics are similar to designated hitters. Often an entire family is crazy, but since an entire family can't go into the hospital, one person is designated as crazy and goes inside. Then, depending on how the rest of the family is feeling, that person is kept inside of snatched out, to prove something about the family's mental health.
”
”
Susanna Kaysen (Girl, Interrupted)
“
So, just act normal and we wait to see what information comes.'
Sade wasn't sure she knew what normal was anymore. Her normal looked very different depending on the day. Sometimes her normal involved constant panic attacks throughout the day, Sometimes it was low moods and a lack of energy, and other times her normal was feeling haunted by the dead.
”
”
Faridah Àbíké-Íyímídé (Where Sleeping Girls Lie)
“
More than once I have tried to picture myself in the position of a boy or man with an honoured and distinguished ancestry which I could trace back through a period of hundreds of years, and who had not only inherited a name, but fortune and a proud family homestead; and yet I have sometimes had the feeling that if I had inherited these, and had been a member of a more popular race, I should have been inclined to yield to the temptation of depending upon my ancestry and my colour to do that for me which I should do for myself. Years ago I resolved that because I had no ancestry myself I would leave a record of which my children would be proud, and which might encourage them to still higher effort.
”
”
Solomon Northup (Twelve Years a Slave: Plus Five American Slave Narratives, Including Life of Frederick Douglass, Uncle Tom's Cabin, Life of Josiah Henson, Incidents in the Life of a Slave Girl, Up From Slavery)
“
When you’re married, you’re privy to the misunderstanding. When you’re not married, it’s overrated.” I try to smile. “You rush in, headlong, full of dreams and wishes, so far removed from reality that you never even realize you’ve married into a family and the Navy. One refers to you as the girl from L.A., and the other refers to you as the dependent spouse.
”
”
Katherine Owen (When I See You)
“
Girls, here's the truth about the Ban Bossy campaign: It's being spearheaded by a privileged group of elite feminists who have a very vested interest in stoking victim politics and exacerbating the gender divide. They actually encourage dependency and groupthink while paying lip service to empowerment and self-determination. They traffic in bogus wage disparity statistics, whitewashing the fact that what's actually left of that dwindling pay gap is due to the deliberate, voluntary choices women in the workforce make.
”
”
Michelle Malkin
“
Rescuing girls from brothels is the easy part, however. The challenge is keeping them from returning. The stigma that girls feel in their communities after being freed, coupled with drug dependencies or threats from pimps, often lead to return to the re-light district.
”
”
Nicholas D. Kristof (Half the Sky: Turning Oppression into Opportunity for Women Worldwide)
“
Her attraction to that solid type depended to some extent on a belief in herself as its opposite-a girl still cut out for unusual adventures and unusual personalities...Yes, it was time to put an end to her girlhood, but she couldn't yet put an end to this sense of herself...
”
”
Thomas Mallon (Fellow Travelers)
“
Perfect crime,' he said softly.
'Yes?'
'Persuade an innocent, idealistic young girl that the future of the human race depends on her sacrificing her own life. She will come into hospital as trustingly as a lamb to the slaughter. She will welcome the implantation of a baby that will kill her. She'll lie there while her brain is destroyed for nine whole months, and no police will arrest you, no court will judge you, you'll get away scot free. At the end of nine months she'll be taken off life support and she'll be completely dead. And no one will be blamed.
”
”
Jane Rogers (The Testament of Jessie Lamb)
“
There are no such things as "girl toys" and "boy toys," but when a girl plays, it's somehow different. A boy does what he does because he has a passion, he follows his heart. It's a worthy pursuit, with inherent, universal, and lasting value, so we'd better support and protect it. When a girl does what she does, it's merely the by-product of outside forces. She's being manipulated into have inauthentic, disposable feelings for something with dubious appeal. Boys can enjoy play for a lifetime; girls are expected to mature out of it. It passes, just like their fads.
”
”
Tabitha Carvan (This Is Not a Book About Benedict Cumberbatch: The Joy of Loving Something--Anything--Like Your Life Depends On It)
“
It’s important to love our friends, to cherish them, and to be committed to them. Girls and women are good at that—and it’s a beautiful side to our friendships. But we need to learn to be dependent, leaning on God, because He’s the only One who will never betray us or die or move away.
”
”
Dee Brestin (The Friendships of Women: The Beauty and Power of God's Plan for Us (Dee Brestin's Series))
“
In Pakistan when women say they want independence, people think this means we don't want to obey our fathers, brothers or husbands. But it does not mean that. It means we want to make decisions for ourselves. We want to be free to go to school or to go to work. Nowhere is it written in the Quran that a woman should be dependent on a man. The word has not come down from heavens to tell us that every woman should listen to a man.
”
”
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
“
After considering the matter from every angle I decided that the best strategy I could adopt would be to treat my blindness as if it were a minor detail rather than a major catastrophe. I would thus be turning the tables on my handicap; in fact, striking at its very potency. I was careful, however, not to delude myself; the way would not be easy. Although I was over the wall, there was a wilderness beyond it, one totally unknown to me, and I would have to remind myself constantly that the manner in which I traveled through this wilderness depended a great deal on my attitude.
”
”
Sonora Carver (A Girl and Five Brave Horses)
“
The icy water hit hard as earth. She thrashed on instinct, but Jacks held her tightly. His arms were unyielding, dragging her up through the crashing waves. Salt water snaked up her nose, and the cold filled her veins. She was coughing and sputtering, barely able to take down air as Jacks swam to shore with her in tow. He held her close and carried her from the ocean as if his life depended on it instead of hers.
'I will not let you die.' A single bead of water dripped from Jacks' lashes on to her lips. It was raindrop soft, but the look in his eyes held the force of a storm.
It should have been too dark to his expression, but the crescent moon burned brighter with each second, lining edges of Jacks' cheekbones as he looked at her with too much intensity.
The crashing ocean felt suddenly quiet in contrast to her pounding heart, or maybe it was his heart.
Jacks' chest was heaving, his clothes were soaked, his hair was a mess across his face- yet in that moment, Evangeline knew he would carry her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds. And for one brittle heartbeat, Evangeline understood why so many girls died from his lips. If Jacks hadn't betrayed her, if he hadn't set her up for murder, she might have been a little bewitched by him.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
This was the part the president left out of her speech this morning. She said that everyone in the old country got rid of their baby girls, but this is a lie. The rich could afford to pay the steep fines and the poor weren't afraid to hide them in places the officials didn't want to look. The president doesn't want to remind people of this. She wants them to believe that obedience is the only option. Like all leaders, her reign depends on it.
”
”
Holly Bodger (5 to 1)
“
I learned how to survive in the cutthroat world of girl-hood, where are all strangeness was unrooted as ruthlessly as weeds from a garden. I domesticated my own wildness, starved the odd appetites inside me. I remade myself into Laura the saint, Laura who is reliable and dependable, if a little boring.
”
”
S.T. Gibson (An Education in Malice)
“
For women raised to fear, too often anger threatens annihilation. In the male construct of brute force, we were taught that our lives depended upon the good will of patriarchal power. The anger of others was to be avoided at all costs because there was nothing to be learned from it but pain, a judgment that we had been bad girls, come up lacking, not done what we were supposed to do. And if we accept our powerlessness, then of course any anger can destroy us.
”
”
Audre Lorde (Sister Outsider: Essays and Speeches)
“
On this thanksgiving, I would like to thank that one girl, who never lost hope despite all odds were against her, who always worked, and moved on, despite losing all friends just after leaving school, a time when you need friends the most! Who had immense strength and will-power and so much inspiration inside her that she ended up being happy, satisfied, and successful, all alone.
That one girl who always smiles in the mirror, and says, 'Bitch, you have a long way to go, and you gotta travel all alone, depending upon anyone will make you weak, so buck up, there's a lot you gotta do!' On this thanksgiving, I thank myself, my soul for being so majestically robust!
I would have thanked other people, but sadly, nobody ever helped me, more than I helped myself...
”
”
Mehek Bassi
“
Illness and death are not the only consequences of the lack of access to water; it also hinders education and economic development. Widespread illness makes countries less productive, more dependent on outside aid, and less able to lift themselves out of poverty. According to the United Nations, one of the main reasons girls do not go to school in sub-Saharan Africa is that they have to spend so much time fetching water from distant wells and carrying it home.
”
”
Tom Standage (A History of the World in 6 Glasses)
“
[I]magine what would happen if, instead of centering our beliefs about heterosexual sex around the idea that the man “penetrates” the woman, we were to say that the woman’s vagina “consumes” the man’s penis. This would create a very different set of connotations, as the woman would become the active initiator and the man would be the passive and receptive party. One can easily see how this could lead to men and masculinity being seen as dependent on, and existing for the benefit of, femaleness and femininity. Similarly, if we thought about the feminine traits of being verbally effusive and emotive not as signs of insecurity or dependence, but as bold acts of self-expression, then the masculine ideal of the “strong and silent” type might suddenly seem timid and insecure by comparison.
”
”
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
“
Desire becomes overlaid with shame, and as a result, girls start to conceal their “vital, curious, pleasure-loving soul.” We dissociate ourselves from her, erase her from our histories, because it’s easier to make our way in the world that way. On some level, Gilligan says, we’re aware of what we’re sacrificing by dissociating from our desires, but this “awareness of complicity is so shameful that it often seems easier to justify it than to experience and question what has been sacrificed.
”
”
Tabitha Carvan (This Is Not a Book About Benedict Cumberbatch: The Joy of Loving Something--Anything--Like Your Life Depends On It)
“
You will find two kinds of people in the world. Some say that there are the bad and the good. But it isn’t like that. Since what is good for one may be bad for another. No, that doesn’t work. You have to depend on your intuition.
“There are those who make you feel inside as if you are drinking a good, warm soup – even if you are hungry and the two of you have nothing to eat. In spite of that they nourish you.
“And then there are those who cause you to freeze inside, even if you are sitting before a roaring fire and have eaten your fill. Those you should keep away from. They are not good for you, even though others might say that they are good people…
”
”
Bodil Bredsdorff (The Crow-Girl: The Children of Crow Cove (The Children of Crow Cove Series, 1))
“
The past is an inheritance, and how it reaches you depends on many things—how conscientious your family is, the presence or absence of public libraries, what they teach in schools, whether you’re from a caste whose privileges include owning their history or from a caste low on the totem pole, deprived of its own history along with so much else.
”
”
Nilanjana Roy (The Girl Who Ate Books: Adventures in Reading)
“
When you’re a girl who really loves a thing, it’s never just about you and your thing. Everyone else makes it their problem. You can’t love the thing unseen, not even in your bedroom, alone. You either point-blank love the wrong thing (Take That), or you love the right thing (Blur) but in the wrong way (screaming at concerts) or for the wrong reasons (ogling).
”
”
Tabitha Carvan (This Is Not a Book About Benedict Cumberbatch: The Joy of Loving Something--Anything--Like Your Life Depends On It)
“
In bed at night, as I ponder my many sins and exaggerated shortcomings, I get so confused by the sheer amount of things I have to consider that I either laugh or cry, depending on my mood. Then I fall asleep with the strange feeling of wanting to be different than I am or being different than I want to be, or perhaps of behaving differently than I am or want to be.
”
”
Anne Frank (The Diary of a Young Girl)
“
What is an adventure? That depends on where you are starting from. Little girls in your country, they hide in the gap between the washing machine and the refrigerator and they make believe they are in the jungle, with green snakes and monkeys all around them. Me and my sister, we used to hide in a gap in the jungle, with green snakes and monkeys all around us, and make believe that we had a washing machine and a refrigerator. You live in a world of machines and you dream of things with beating hearts. We dream of machines, because we see where beating hearts have left us.
”
”
Chris Cleave (Little Bee)
“
The second most common misconception about love is the idea that dependency is love. This is a misconception with which psychotherapists must deal on a daily basis. Its effect is seen most dramatically in an individual who makes an attempt or gesture or threat to commit suicide or who becomes incapacitatingly depressed in response to a rejection or separation from spouse or lover. Such a person says, “I do not want to live, I cannot live without my husband [wife, girl friend, boyfriend], I love him [or her] so much.” And when I respond, as I frequently do, “You are mistaken; you do not love your husband [wife, girl friend, boyfriend].” “What do you mean?” is the angry question. “I just told you I can’t live without him [or her].” I try to explain. “What you describe is parasitism, not love. When you require another individual for your survival, you are a parasite on that individual. There is no choice, no freedom involved in your relationship. It is a matter of necessity rather than love. Love is the free exercise of choice. Two people love each other only when they are quite capable of living without each other but choose to live with each other.
”
”
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
“
They asked me to tell you what it was like to be twenty and pregnant in 1950 and when you tell your boyfriend you’re pregnant, he tells you about a friend of his in the army whose girl told him she was pregnant, so he got all his buddies to come and say, “We all fucked her, so who knows who the father is?” And he laughs at the good joke…. What was it like, if you were planning to go to graduate school and get a degree and earn a living so you could support yourself and do the work you loved—what it was like to be a senior at Radcliffe and pregnant and if you bore this child, this child which the law demanded you bear and would then call “unlawful,” “illegitimate,” this child whose father denied it … What was it like? […] It’s like this: if I had dropped out of college, thrown away my education, depended on my parents … if I had done all that, which is what the anti-abortion people want me to have done, I would have borne a child for them, … the authorities, the theorists, the fundamentalists; I would have born a child for them, their child. But I would not have born my own first child, or second child, or third child. My children. The life of that fetus would have prevented, would have aborted, three other fetuses … the three wanted children, the three I had with my husband—whom, if I had not aborted the unwanted one, I would never have met … I would have been an “unwed mother” of a three-year-old in California, without work, with half an education, living off her parents…. But it is the children I have to come back to, my children Elisabeth, Caroline, Theodore, my joy, my pride, my loves. If I had not broken the law and aborted that life nobody wanted, they would have been aborted by a cruel, bigoted, and senseless law. They would never have been born. This thought I cannot bear. What was it like, in the Dark Ages when abortion was a crime, for the girl whose dad couldn’t borrow cash, as my dad could? What was it like for the girl who couldn’t even tell her dad, because he would go crazy with shame and rage? Who couldn’t tell her mother? Who had to go alone to that filthy room and put herself body and soul into the hands of a professional criminal? – because that is what every doctor who did an abortion was, whether he was an extortionist or an idealist. You know what it was like for her. You know and I know; that is why we are here. We are not going back to the Dark Ages. We are not going to let anybody in this country have that kind of power over any girl or woman. There are great powers, outside the government and in it, trying to legislate the return of darkness. We are not great powers. But we are the light. Nobody can put us out. May all of you shine very bright and steady, today and always.
”
”
Ursula K. Le Guin
“
would not, could not, make a significant overture. My pride depended on this. She would have needed to make the effort, enough to be openly vulnerable; she would have had to risk my revenge. I like to think I wouldn’t have rebuffed her, but it’s possible that I would have. It’s possible that I would have felt the need to exercise the power if I’d had it. But she didn’t grant me the opportunity
”
”
Claire Messud (The Burning Girl)
“
The thing you don't realize, my dear girl, is that I have been forced by the economic realities to start taking publishing very seriously. For example, it has been brought to my attention that our ability to continue to pay the hordes of people employed by M&S (God knows how many mouths have to be fed) depends directly on the number of copies of your new book [Life Before Man] that we are able to sell between September and Christmas. In past I have been able to treat this whole thing as a fun game. I have never been troubled by the cavalier explanations about lost manuscripts and fuck-ups of various sorts. Now I have learned that this is a deadly serious game. I don't laugh at jokes about the Canadian postal service. I cry. (in a letter to author Margaret Atwood, dated February, 1979)
”
”
Jack McClelland (Imagining Canadian Literature: The Selected Letters)
“
Much of what is considered "good" in little girls is considered downright repulsive in little boys. Physical timidity or hypercautiousness, being quietly "well behaved", and depending on others for help and support are thought to be natural - if not outright charming - in girls. Boys, however, are actively discouraged from the dependent forms of relating, which are considered "sissyish" in male children.
”
”
Colette Dowling (The Cinderella Complex: Women's Hidden Fear of Independence)
“
What is an adventure? That depends on where you are starting from. Little girls in your country, they hide in the gap between the washing machine and the refrigerator and they make believe they are in the jungle, with green snakes and monkeys all around them. Me and my sister, we used to hide in a gap in the jungle, with green snakes and monkeys all around us, and make believe that we had a washing machine and a refrigerator.
”
”
Chris Cleave (Little Bee)
“
He may not be obsessive about it enough to log his data into a spreadsheet, but he’s mindful and aware of what he’s doing. He understands the mechanism behind charm and can often turn it on or off depending on what he wants. He has learned the type of humor and story-telling that gets a positive response in women. The last thing you can say about him was that he was born into the world with the “automatic” ability to fuck a lot of girls.
”
”
Rollo Tomassi (The Rational Male)
“
He thrust his hands into the pool, his fingers brushing the soft skin of her cheek. He grasped at her, clawing with his fingers and pulling like his life depended on it. Finally, he managed to grab her shawl. The girl flailed out with her arm and it touched his hand.
"No! I'm not letting you go!"
Now the girl's face was above the swirling darkness. She gasped for breath, half drowned. The fear on her face sent a fresh jolt of energy through Ico. 'I've got to save her!
”
”
Miyuki Miyabe (Ico: Castle in the Mist)
“
I can see that your thoughts are deeper than you yourself are able to express. But since this is so, you know, don't you, that you've never lived what you are thinking and that isn't good. Only the ideas that we actually live are of any value. You knew all along that your sanctioned world was only half the world and you tried to suppress the second half the same way the priests and teachers do. You won't succeed. No one succeeds in this once he has begun to think." This went straight to my heart. "But there are forbidden and ugly things in the world!" I almost shouted. "You can't deny that. And they are forbidden, and we must renounce them. Of course I know that murder and all kinds of vices exist in the world but should I become a criminal just because they exist?" "We won't be able to find all the answers today," Max soothed me. "Certainly you shouldn't go kill somebody or rape a girl, no! But you haven't reached the point where you can understand the actual meaning of 'permitted' and 'forbidden.' You've only sensed part of the truth. You will feel the other part, too, you can depend on it. For instance, for about a year you have had to struggle with a drive that is stronger than any other and which is considered 'forbidden.' The Greeks and many other peoples, on the other hand, elevated this drive, made it divine and celebrated it in great feasts. What is forbidden, in other words, is not something eternal; it can change. Anyone can sleep with a woman as soon as he's been to a pastor with her and has married her, yet other races do it differently, even nowadays. That is why each of us has to find out for himself what is permitted and what is forbidden -forbidden for him. It's possible for one never to transgress a single law and still be a bastard. And vice versa. Actually it's only a question of convenience. Those who are too lazy and comfortable to think for themselves and be their own judges obey the laws. Others sense their own laws within them; things are forbidden to them that every honorable man will do any day in the year and other things are allowed to them that are generally despised. Each person must stand on his own feet.
”
”
Hermann Hesse (Demian)
“
The contents of this letter threw Elizabeth into a flutter of spirits in which it was difficult to determine whether pleasure or pain bore the greatest share. The vague and unsettled suspicions which uncertainty had produced of what Mr. Darcy might have been doing to forward her sister's match which she had feared to encourage as an exertion of goodness too great to be probable and at the same time dreaded to be just from the pain of obligation were proved beyond their greatest extent to be true He had followed them purposely to town he had taken on himself all the trouble and mortification attendant on such a research in which supplication had been necessary to a woman whom he must abominate and despise and where he was reduced to meet frequently meet reason with persuade and finally bribe the man whom he always most wished to avoid and whose very name it was punishment to him to pronounce. He had done all this for a girl whom he could neither regard nor esteem. Her heart did whisper that he had done it for her. But it was a hope shortly checked by other considerations and she soon felt that even her vanity was insufficient when required to depend on his affection for her—for a woman who had already refused him—as able to overcome a sentiment so natural as abhorrence against relationship with Wickham. Brother-in-law of Wickham Every kind of pride must revolt from the connection. He had to be sure done much. She was ashamed to think how much. But he had given a reason for his interference which asked no extraordinary stretch of belief. It was reasonable that he should feel he had been wrong he had liberality and he had the means of exercising it and though she would not place herself as his principal inducement she could perhaps believe that remaining partiality for her might assist his endeavours in a cause where her peace of mind must be materially concerned. It was painful exceedingly painful to know that they were under obligations to a person who could never receive a return. They owed the restoration of Lydia her character every thing to him. Oh how heartily did she grieve over every ungracious sensation she had ever encouraged every saucy speech she had ever directed towards him. For herself she was humbled but she was proud of him. Proud that in a cause of compassion and honour he had been able to get the better of himself. She read over her aunt's commendation of him again and again. It was hardly enough but it pleased her. She was even sensible of some pleasure though mixed with regret on finding how steadfastly both she and her uncle had been persuaded that affection and confidence subsisted between Mr. Darcy and herself.
”
”
Jane Austen (Pride and Prejudice)
“
The only grown-up other than Jacob who ever came into his schoolroom was Eli Willard.
School was in session one day when the Connecticut itinerant reappeared after long absence, bringing Jacob's glass and other merchandise. Jacob seized him and presented him to the class. 'Boys and girls, this specimen here is a Peddler. You don't see them very often. They migrate, like the geese flying over. This one comes maybe once a year, like Christmas. But he ain't dependable, like Christmas. He's dependable like rainfall. A Peddler is a feller who has got things you ain't got, and he'll give 'em to ye, and then after you're glad you got 'em he'll tell ye how much cash money you owe him fer 'em. If you ain't got cash money, he'll give credit, and collect the next time he comes 'round, and meantime you work hard to git the money someway so's ye kin pay him off. Look at his eyes. Notice how they are kinder shiftly-like. Now, class, the first question is: why is this feller's eyes shiftly-like?
”
”
Donald Harington (The Architecture of the Arkansas Ozarks (Stay More))
“
North Koreans my age and younger are sometimes called the Jangmadang Generation, because we grew up with markets, and we couldn’t remember a time when the state provided for everyone’s needs. We didn’t have the same blind loyalty to the regime that was felt by our parents’ generation. Still, while the market economy and outside media weakened our dependence on the state, I couldn’t make the mental leap to see the foreign movies and soap operas I loved to watch as models for a life I could lead.
”
”
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
“
THE SINGLE WOMAN, far from being a creature to be pitied and patronized, is emerging as the newest glamour girl of our times . . . She is engaging because she lives by her wits. She supports herself. She has had to sharpen her personality and mental resources to a glitter in order to survive in a competitive world and the sharpening looks good. Economically, she is a dream. She is not a parasite, a dependent, a scrounger, a sponger or a bum. She is a giver, not a taker, a winner and not a loser.
”
”
Eric Klinenberg (Going Solo: The Extraordinary Rise and Surprising Appeal of Living Alone)
“
Anglo-Saxon Protestant, otherwise known as WASP, and American Black is always on the bottom, and what’s in the middle depends on time and place. (Or as that marvelous rhyme goes: if you’re white, you’re all right; if you’re brown, stick around; if you’re black, get back!) Americans assume that everyone will get their tribalism. But it takes a while to figure it all out. So in undergrad, we had a visiting speaker and a classmate whispers to another, “Oh my God, he looks so Jewish,” with a shudder, an actual shudder. Like Jewish was a bad thing. I didn’t get it. As far as I could see, the man was white, not much different from the classmate herself. Jewish to me was something vague, something biblical. But I learned quickly. You see, in America’s ladder of races, Jewish is white but also some rungs below white. A bit confusing, because I knew this straw-haired, freckled girl who said she was Jewish. How can Americans tell who is Jewish? How did the classmate know the guy was Jewish? I read somewhere how American colleges used to ask applicants for their mother’s surnames, to make sure they weren’t Jewish because they wouldn’t admit Jewish people. So maybe that’s how to tell? From people’s names? The longer you are here, the more you start to get it.
”
”
Chimamanda Ngozi Adichie (Americanah)
“
Just as girls are pressured to yield that half of their human potential consonant with assertive action, just as they have been systematically discouraged from developing and celebrating the self-concepts and skills that belong to the public world, so are boys pressured to yield attributes of dependency, expressiveness, affiliation—all the self-concepts and skills that belong to the relational, emotive world. These wholesale excisions are equally damaging to the healthy development of both girls and boys. The price for traditional socialization of girls is oppression, as Lyn Brown and Carol Gilligan put it, “the tyranny of the kind and nice.” The price of traditional socialization for boys is disconnection—from themselves, from their mothers, from those around them.
”
”
Terrence Real (I Don't Want to Talk About It: Overcoming the Secret Legacy of Male Depression)
“
And this is the Marilyn section,” says Budge. “You can have five different hairstyles, and in the outfits you get a choice too, depending on what movie. That’s from Gentlemen Prefer Blondes, the pink dress; there’s the black suit from Niagara, and over there is the all-girl jazz band one from Some Like It Hot…” “Where are these headed for?” says Stan. “The Oprahs. Are they that into Oprah, in Holland?” “You name it, someone’s gonna be fetishistic about it,” says Derek. “Our biggest customers are the casino operations,
”
”
Margaret Atwood (The Heart Goes Last)
“
Sorry I kept calling you Sandra; she was the last girl. What’s your real name?” “Robin.” “Robin,” he repeated. “That’ll be easy to remember.” He had some notion of making a jocular allusion to Batman and his dependable sidekick, but the feeble jest died on his lips as her face turned brilliantly pink. Too late, he realized that the most unfortunate construction could be put on his innocent words. Robin swung the swivel chair back towards the computer monitor, so that all Strike could see was an edge of a flaming cheek.
”
”
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
“
Too many religions are patriarchal and imbued with misogyny. Because of this I am often asked how I can be a Muslim feminist. My response is that I am both of Muslim descent and a feminist, and the two identities are not connected. One does not depend on the other.
”
”
Mona Eltahawy (The Seven Necessary Sins for Women and Girls)
“
Studies show that girls - especially smarter ones - have severe problems in the area of self-confidence.
They consistently underestimate their own ability. When asked how they think they'll do on different tasks - whether the tasks are untried or ones they've encountered before - they give lower estimates than boys do, and in general underestimate their actual performance as well. One study even showed that the brighter the girl, the less expectations she has of being successful at intellectual tasks. (...)
Low self-confidence is the plague of many girls, and it leads to a host of related problems. Girls are highly suggestible and tend to change their minds about perceptual judgments if someone disagrees with them. They set lower standards for themselves. While boys are challenged by difficult tasks, girls try to avoid them. (...) Given her felt incompetence, it's not surprising that the little girl would hotfoot it to the nearest Other and cling for dear life. (...) As we can see, the problems of excessive dependence follow female children right into adulthood.
”
”
Colette Dowling (The Cinderella Complex: Women's Hidden Fear of Independence)
“
And they were always young, Air Corps pilots and ensigns, and good-looking girls in fur coats, and always the government secretary or two, the working girl as a carry-over from the fraternity parties when she was always the girl who could be made because in some mysterious way the women of the lower classes could be depended upon to copulate like jack rabbits. And they all knew they were going to die soon with a sentimental and unstated English attitude which was completely phony. It came from books they had never read, and movies they shouldn’t have seen; it was fed by the tears of their mothers, and the knowledge quite shocking, quite unbelievable, that a lot of them did die when they went overseas. Its origins were spurious; they never could connect really the romance of their impending deaths with the banal mechanical process of flying an airplane and landing and living in the barren eventless Army camps that surrounded their airfields. But nevertheless they had discovered it was a talisman, they were going to die soon, and they wore it magically until you believed in it when you were with them. And they did magical things like pouring whisky on each other’s hair, or setting mattresses afire, or grabbing hats on the fly from the heads of established businessmen. Of all the parties those were perhaps the best, but he had come to them too old.
”
”
Norman Mailer (The Naked and the Dead)
“
My work is just beginning. The easy part is over—the initial capture. It will be far more challenging from this point on. I need to set the stage for her to bond with her captor -- me. I know it will take time for her to accept her fate. In the coming weeks she’ll move through predictable stages, much like the stages of grief: shock, anger, fear, even bargaining. Eventually, she’ll realize that she depends on me – requires me -- for her day-to-day, most basic needs. Then will come the final stage, a coup de grace that is to be savored and celebrated: acceptance. Her will to survive will break down her resistance and bring her walls crashing down. That’s my favorite part—the giving over of her will.
I straighten the cuffs on my tailored shirt as I peer through the door’s window pane. It’s interesting to watch her as she shuffles across the floor on her knees, blindfolded—the chains on her feet and wrists impede her attempts to move about freely. Her wrists are bruised and bloodied from her attempts to free herself, her vision hampered by a blindfold. And yet she fights. My brave girl.
”
”
Suzanne Steele (Cellar Door)
“
Lunatics are similar to designated hitters. Often an entire family is crazy, but since an entire family can’t go into the hospital, one person is designated as crazy and goes inside. Then, depending on how the rest of the family is feeling, that person is kept inside or snatched out, to prove something about the family’s mental health. Most families were proving the same proposition: We aren’t crazy; she is the crazy one. Those families kept paying. But some families had to prove that nobody was crazy, and they were the ones who threatened to stop paying.
”
”
Susanna Kaysen (Girl, Interrupted)
“
I want happiness, guaranteed, joy all round, covers with nurses on them or brides, intelligent girls but not too intelligent, with regular teeth and pluck and both breasts the same size and no excess facial hair, someone you can depend on to know where the bandages are and to turn the hero, that potential rake and killer, into a well-groomed country gentleman with clean fingernails and the right vocabulary. Always, he has to say. Forever. I no longer want to read books that don’t end with the word forever. I want to be stroked between the eyes, one way only.
”
”
Margaret Atwood (Murder in the Dark: Short Fictions and Prose Poems)
“
It was degrading to play with girls and in our talk we relegated them to a remote island of life. We had somehow caught the spirit of the role of our sex and we flocked together for common moral schooling. We spoke boastfully in bass voices; we used the word “nigger” to prove the tough fiber of our feelings; we spouted excessive profanity as a sign of our coming manhood; we pretended callousness toward the injunctions of our parents; and we strove to convince one another that our decisions stemmed from ourselves and ourselves alone. Yet we frantically concealed how dependent we were upon one another.
”
”
Richard Wright (Black Boy)
“
The sudden and uncalled for coldness with which you treated me just before I left last night, both surprised and deeply hurt me - surprised because I could not have believed that such sullen and inflexible obstinacy could exist in the breast of any girl in whose heart love had found place; and hurt me, because I feel for you more than I have ever professed and feel a slight from you more than I care to tell.
My object in writing to you is this: if hasty temper produces this strange behaviour, acknowledge it when I give you the opportunity - not once or twice, but again and again. If a feeling of you know not what - a capricious restlessness of you can't tell what, and a desire to tease, you don't know why, give rise to it - overcome it; it will never make you more amiable, I more fond or either of us, more happy. Depend upon it, whatever be the cause of your unkindness - whatever gives rise to these wayward fancies - that what you do not take the trouble to conceal from a Lover's eyes, will be frequently acted before those of a husband's.
I know as well, as if I were by your side at this moment, that your present impulse on reading this letter is one of anger - pride perhaps, or to use a word more current with your sex - 'spirit'. My dear girl, I have not the most remote intention of awakening any such feeling, and I implore you, not to entertain it for an instant.... I have written these few lines in haste, but not anger.... If you knew but half the anxiety with which I watched your recent illness, the joy with which I hailed your recovery, and the eagerness with which I would promote your happiness, you could more readily understand the extent of the pain so easily inflicted, but so difficult to be forgotten.
- Excerpts from a letter by Charles Dickens to his fiancee of three weeks, 1835
”
”
Charles Dickens
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"
...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
Now sing!”
“You little witch.” He looks around to see if anyone is listening, and then he softly sings, “I need someone older and wiser telling me what to do…You are seventeen going on eighteen…I’ll depend on you.”
I clap my hands in delight. Is there anything more intoxicating than making a boy bend to your will? I roll closer to him and throw my arms around his neck.
“Now you’re the one making PDAs!” he says.
“You really do have a pretty voice, Peter. You never should’ve quit chorus.”
“The only reason I ever took chorus is because all the girls were in chorus.”
“Well, then forget about joining a chorus at UVA. No a cappella groups either.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
For a young woman today, developing femininity successfully requires meeting three basic demands. The first of these is that she must defer to others, the second that she must anticipate and meet the needs of others, and the third, that she must seek self-definition through connection with another. The consequences of these requirements frequently mean that in denying themselves, women are unable to develop an authentic sense of their needs or a feeling of entitlement for their desires. Preoccupied with others' experience and unfamiliar with their own needs, women come to depend on the approval of those to whom they give. The imperative of affiliation, the culture demand that a woman must define herself through association with another, means that many aspects of self are under-developed, producing insecurity and a shaky sense of self. Under the competent carer who gives to the world lives a hungry, deprived and needy little girl who is unsure and ashamed of her desires and wants.
”
”
Susie Orbach (Hunger Strike: Starving Amidst Plenty)
“
Humans: such a brilliant model of emotional self-awareness," Aineko says with a theatrical sigh. "You're as stupid as it's possible for an intelligent species to be - there being no evolutionary pressure to be any smarter - but you still don't internalize that and act accordingly around your superiors. Listen, girl, everything you remember is true. That doesn't mean you remember it because it actually happened, just that you remember it because you experienced it internally. Your memories of experiences are accurate, but your emotional responses to those experiences were manipulated. Get it? One ape's hallucination is another ape's religious experience, it just depends on which one's god module is overactive at the time. That goes for all of you." Aineko looks around at them in mild contempt. "But I don't need you anymore, and if you do this one thing for me, you're going to be free. Understand? Say yes, Manfred; if you leave your mouth open like that, a bird will nest on your tongue.
”
”
Charles Stross (Accelerando)
“
Alfie was consistent, and, because of that, I wasn't crazy. I was calm, I was chill - I was all the things you wanted me to be, Reese. But I was incapable of being those things with you. The more you wanted me to be that "chill" girl - the more you made it clear that your love for me depended on it - the less chill and more crazy I got. Because you weren't consistent.
One day you’d be all over me, making my anxiety disappear, being kind and considerate and amazing and everything I’d always wanted. “God I love you, I love you so much,” you’d tell everyone at the lunch table, and the rest of the band would groan while I glowed. But then, later that afternoon, we’d walk past a girl and you’d say, “Wow, she’s so pretty,” then get in a mood with me if I dared to be upset.
I’m starting to realize that craziness may not always come from within. I’m starting to think lows aren’t worth the highs - not in love. Not in something where the most important thing is to feel safe. Consistency is underrated.
”
”
Holly Bourne (The Places I've Cried in Public)
“
...when we talk about curing addiction in secular culture, it's predicated on this capitalist idea of a self-regulating subject, someone who, if left to their own devices, could control their own behavior and decisions. Denise talked about how indigenous communities where people are more heavily connected to one another and dependent on the community to regulate their bodies and behaviors (rather than being alienated like white and/or capitalist communities and just having to do self-regulation) often have different relationships to substances and addiction, but that when those same communities become colonized and people start having more alienated capitalist first-world lives, addiction problems suddenly spring up.
”
”
Hannah Baer (trans girl suicide museum)
“
Why do old houses creak so much?" he asked idly, playing with her braid and drawing the silky end across her cheek.
"When all the warmth fades at night, it makes the old boards contract and slip against each other."
"A bloody massive house, it is. And you were left to your own devices in this place for too long. I didn't understand before, how alone you were."
"I had the twins for company. I watched over them."
"But there was no one to watch over you."
A sense of uneasiness came over her, as it always did whenever she reflected on her childhood. It had seemed as if her very survival had depended on never complaining or drawing attention to herself. "Oh I- I didn't need that."
"All little girls need to feel safe and wanted.
”
”
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
“
More than any other major religion, Islam formalizes the subordination of women. Islamic religious law, as codified by the “official” schools of Sunni Islamic law (the Hanbali, Shafi’i, Hanafi, and Maliki schools), insists on male guardianship over women. In Islam, “any woman must have a ‘guardian,’ wali; her closest male relative if she is unmarried, her husband if she is not.”16 This remnant of seventh-century Arab culture—which has spread through Islam to the other parts of the world that are now Muslim majority—has never been revised in official schools of Islamic law.17 Imams and other Islamic religious leaders today continue to chastise women for disobeying the modesty doctrine. They cite passages in the Quran to assign girls a position in the family that requires them to be docile, to depend on male relatives for money, and to submit to their husband’s dominion over their bodies. Marriage is typically arranged, and there is often an exchange of money in the process. Under the religious rule of Islam, it is still common today that a woman’s rights are essentially sold to a man she may not even know.
”
”
Ayaan Hirsi Ali (Prey: Immigration, Islam, and the Erosion of Women's Rights)
“
Alessandro watched as Luke burrowed his nose in the snow and then shook his small body. “Well, that depends on whether you want a male or a female horse.” “Mmm. I tink I want a boy horsie. Girl horsies have babies and dat’s too much trouble.” Alessandro bit back a laugh. “Male horse it is then. Let’s see. My favourite horse’s name is Abbott.” “A But?” Will asked laughing. “Abbott,” Alessandro corrected. “Chimney,” Will suddenly decided, stopping. Alessandro blinked in confusion. “I’m sorry, did you say ‘Chimney’?” “It make sense,” Will assured him. “Santa come down da chimney and he is my pesent, right? So his name be Chimney.” “I agree. Quite logical,” Alessandro nodded. “Well, dat one ting on my list. Der be more.” “Duly noted,” he said.
”
”
E. Jamie (The Betrayal (Blood Vows, #2))
“
I begin to learn there are certain things I shouldn't tell her. Like when we meet boys at Dorrian's and I give mine a blow job, or the time I messed around with a boy in the back near the bathrooms. Amy wants to be intimate with boys too, but to her this kind of conduct is slutty. I suppose it is. She, like most girls, including the Jennifers, has a different relationship to boys than I do. She engages in sexual acts with them if she wants, but from my vantage point it looks like she can take them or leave them if they are not just right. She considers whether she actually likes someone before she jumps into bed with him. She isn't wracked with anxiety when there aren't any boys around. And she doesn't need them to live, which is what it feels like for me.
”
”
Kerry Cohen (Loose Girl: A Memoir of Promiscuity)
“
Lise was on only the first day of what would be a three-day bicycle ride over small back roads “through thick enemy formations” to the combat zone. She slept in ditches when she tired, then picked up her vélo and began traveling again to her headquarters. She was nowhere near a radio when the communiqué from General Dwight D. Eisenhower, supreme commander of Allied forces, aired for the people of Normandy: The lives of many of you depend on the speed with which you obey. Leave your towns at once—stay off the roads—go on foot and take nothing with you that is difficult to carry. Do not gather in groups which may be mistaken for enemy troops. The largest armada the world had ever known was minutes away from landing on the northern beaches of France. The hour of your liberation is approaching.
”
”
Sarah Rose (D-Day Girls: The Spies Who Armed the Resistance, Sabotaged the Nazis, and Helped Win World War II)
“
Riders on the storm"
Riders on the storm
Riders on the storm
Into this house we're born
Into this world we're thrown
Like a dog without a bone
An actor out on loan
Riders on the storm
There's a killer on the road
His brain is squirmin' like a toad
Take a long holiday
Let your children play
If ya give this man a ride
Sweet FAMILY will die
Killer on the road, yeah
Girl ya gotta love your man
Girl ya gotta love your man
Take him by the hand
Make him understand
The world on you depends
Our life will never end
Gotta love your man, yeah
Riders on the storm
Riders on the storm
Into this house we're born
Into this world we're thrown
Like a dog without a bone
An actor out on loan
Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
”
”
The Doors
“
Liberation of the Spirit
As a girl, touched by the mystical dimensions of Christian faith, I felt the presence of the Beloved in my heart: the oneness of our life. At that time, when I had not yet learned the right language, I knew only that despite the troubles of my world, the suffering I witnessed around and within me, there was always available a spiritual force that could lift me higher, that could give me moments of transcendent bliss wherein I could surrender all thought of the world and know profound peace.
Early on, my heart had been touched by its delight. I knew its rapture. Early on, I made a commitment to be a seeker on the path: a seeker after truth. I was determined to live a life in the spirit. The black theologian James Cone says that our survival and liberation depend upon our recognition of the truth when it is spoken and lived:
'If we cannot recognize the truth, then it cannot liberate us from untruth. To know the truth is to prepare for it; for it is not mainly reflection and theory. Truth is divine action entering our lives and creating the human action of liberation.'
In reflecting on my youth, I emphasize the mystical dimension of the Christian faith because it was that aspect of religious experience that I found to be truly liberatory. The more fundamental religious beliefs that were taught to me urging blind obedience to authority and acceptance of oppressive hierarchies-- this didn't move me. no, it was those mystical experiences that enabled me to understand and recognize the realm of being in a spiritual experience that transcends both authority and law.
”
”
bell hooks (Teaching Community)
“
It is standard for academics to subject their work to rigorous critique by peers: papers get torn to shreds in seminars and referee reports, and experiments pored over to look for potentially confounding variables. And for good reason: history is littered with bad theories and empty theoretical concepts, from inner demons to bodily humours to phlogiston. There’s no reason to think there isn’t room for similar error here – in fact, there is extra reason to think there is, inasmuch as some (though not all) trans people so clearly desperately want gender identity theory to work, which might be affecting their neutrality. Many trans people assume – wrongly, as I will eventually argue – that the existence and recognition of their political and legal rights depends upon gender identity theory’s correctness.
”
”
Kathleen Stock (Material Girls: Why Reality Matters for Feminism)
“
I hate your kind."
"Because someone like me made you?" He laughs again. "I'm surprised you aren't more pleased to meet me. You're as close as anyone ever comes to meeting God. Come now, don't you have any questions for God?"
Emiko scowls at him, nods at the cheshires. "If you were my God, you would have made New People first."
The old gaijin laughs. "That would have been exciting."
"We would have beaten you. Just like the cheshires."
"You may yet." He shrugs. "You do not fear cibiscosis or blister rust."
"No." Emiko shakes her head. "We cannot breed. We depend on you for that." She moves her hand. Telltale stutter-stop motion. "I am marked. Always, we are marked. As obvious as a ten-hands or a megodont."
He waves a hand dismissively. "The windup movement is not a required trait. There is no reason it couldn't be removed. Sterility. . ." He shrugs. "Limitations can be stripped away. The safeties are there because of lessons learned, but they are not required; some of them even make it more difficult to create you. Nothing about you is inevitable." He smiles. "Someday, perhaps, all people will be New People and you will look back on us as we now look back at the poor Neanderthals."
Emiko falls silent. The fire crackles. Finally she says, "You know how to do this? Can make me breed true, like the cheshires?"
The old man exchanges a glance with his ladyboy.
"Can you do it?" Emiko presses.
He sighs. "I cannot change the mechanics of what you already are. Your ovaries are non-existent. You cannot be made fertile any more than the pores of your skin supplemented."
Emiko slumps.
The man laughs. "Don't look so glum! I was never much enamored with a woman's eggs as a source of genetic material anyway." He smiles. "A strand of your hair would do. You cannot be changed, but your children—in genetic terms, if not physical ones—they can be made fertile, a part of the natural world."
Emiko feels her heart pounding. "You can do this, truly?"
"Oh yes. I can do that for you." The man's eyes are far away, considering. A smile flickers across his lips. "I can do that for you, and much, much more.
”
”
Paolo Bacigalupi (The Windup Girl)
“
The world is divided into those who can shit and those who cannot.” On the basis of this dogma the Doctor had elaborated an entire theory of character, which he considered more accurate than astrology. But with what he had learned over the years, Florentino Ariza stated it another way: “The world is divided into those who screw and those who do not.” He distrusted those who did not: when they strayed from the straight and narrow, it was something so unusual for them that they bragged about love as if they had just invented it. Those who did it often, on the other hand, lived for that alone. They felt so good that their lips were sealed as if they were tombs, because they knew that their lives depended on their discretion. They never spoke of their exploits, they confided in no one, they feigned indifference to the point where they earned the reputation of being impotent, or frigid, or above all timid fairies, as in the case of Florentino Ariza. But they took pleasure in the error because the error protected them. They formed a secret society, whose members recognized each other all over the world without need of a common language, which is why Florentino Ariza was not surprised by the girl’s reply: she was one of them, and therefore she knew that he knew that she knew.
”
”
Gabriel García Márquez (Love in the Time of Cholera)
“
Yes, I wanted you to see how the comfort of all depends on each doing her share faithfully. While Hannah and I did your work, you got on pretty well, though I don't think you were very happy or amiable. So I though, as a little lesson, I would show you what happens when everyone thinks only of herself. Don't you feel that it is pleasanter to help one another, to have daily duties which make leisure sweet when it comes, and to bear and forbear, that home may be comfortable and lovely to us all?"
"We do, Mother, we do!" cried the girls.
"Then let me advise you to take up your little burdens again, for though they seem heavy sometimes, they are good for us, and lighten as we learn to carry them. Work is wholesome, and there is plenty for everyone. It keeps us from ennui and mischief, is good for health and spirits, and gives us a sense of power and independence better than money or fashion.
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
Everything is being torn up and destroyed and if you want to be honest, you have to admit that you can’t figure things out anymore. And particularly an educated man can’t build anything for himself anymore, and everything is uncertain. The whole world is uncertain and life and the future and what we used to believe in and what we believe in now, and work isn’t fun anymore, because you always have a bad conscience because there are so many people who don’t have any. And so a man has nothing but his wife and he’s very dependent on her because he wants to be able to believe in something, and that’s the love for his wife — and then she doesn’t want all that love and that way you’re not worth anything at all anymore. And because you’re nothing but a burden on humanity these days — that’s why you need that special someone so badly to whom you can be a joy. And then all of a sudden you’re no joy anymore. And true elegance is disappearing in this day and age and in times like that, women are the first ones to slide, and men are held by the law and they hold women too — and once all the laws of humanity have disappeared, man has nothing more to hold onto,
”
”
Irmgard Keun (The Artificial Silk Girl)
“
She squints into the shadows between the trees, but there is no shape, no god to be found—only that voice, close as a breath against her cheek. “Adeline, Adeline,” it says, mocking, “… they are calling for you.” She turns again, finding nothing but deep shadow. “Show yourself,” she orders, her own voice sharp and brittle as a stick. Something brushes her shoulder, grazes her wrist, drapes itself around her like a lover. Adeline swallows. “What are you?” The shadow’s touch withdraws. “What am I?” it asks, an edge of humor in that velvet tone. “That depends on what you believe.” The voice splits, doubles, rattling through tree limbs and snaking over moss, folding over on itself until it is everywhere. “So tell me—tell me—tell me,” it echoes. “Am I the devil—the devil—or the dark—dark—dark? Am I a monster—monster—or a god—god—god—or…” The shadows in the woods begin to pull together, drawn like storm clouds. But when they settle, the edges are no longer wisps of smoke, but hard lines, the shape of a man, made firm by the light of the village lanterns at his back. “Or am I this?” The voice spills from a perfect pair of lips, a shadow revealing emerald eyes that dance below black brows, black hair that curls across his forehead, framing a face Adeline knows too well. One that she has conjured up a thousand times, in pencil and charcoal and dream. It is the stranger. Her stranger. She knows it is a trick, a shadow parading as a man, but the sight of him still robs her breath. The darkness looks down at his shape, seeing himself as if for the first time, and seems to approve. “Ah, so the girl believes in something after all.” Those green eyes lift. “Well now,” he says, “you have called, and I have come.” Never pray to the gods that answer after dark.
”
”
Victoria Schwab (The Invisible Life of Addie LaRue)
“
Listen. How long you been going around with her, this sculpture babe?" I asked him. I was really interested. "Did you know her when you were at Whooton?"
"Hardly. She just arrived in this country a few months ago."
"She did? Where's she from?
"She happens to be from Shanghai."
"No kidding! She Chinese, for Chrissake?"
"Obviously."
"No kidding! Do you like that? Her being Chinese?"
"Obviously."
"Why? I'd be interested to know. I really would."
"I simply happen to find Eastern philosophy more satisfactory than Western. Since you ask."
"You do? Wuddaya mean 'philosophy'? Ya mean sex and all? You mean it's better in China? That what you mean?"
"Not necessarily in China, for God's sake. The East I said. Must we go on with this inane conversation?"
" Listen, I'm serious," I said. "No kidding. Why's it better in the East?"
"It's too involved to go into, for God's sake," old Luce said. "They simply happen to regard sex as both a physical and spiritual experience. If you think I'm -"
"So do I! So do I regard it was a wuddayacallit - a physical and spiritual experience and all. I really dop. But it depends on who the hell I'm doing it with. If I'm doing it with somebody I don't even-"
"Not so loud, for God's sake, Caulfield. If you can't manage to keep your voice down, let's drop the whole -"
"All right, but listen," I said. I was getting excited and I was talking too loud. Sometimes I talk a little loud when I get excited. "This is what I mean, though," I said. "I know it's supposed to be physical and spiritual and artistic and all. But what I mean is, you can't do it with everybody - every girl you neck with and all - and make it come out that way. Canyou?"
"Let's drop it," Old Luce said. "Do you mind?"
"All right, but listen. Take you and this Chinese babe. What's so good about you two?"
"Drop it, I said.
”
”
J.D. Salinger (The Catcher in the Rye)
“
But there’s never been anyone? Really?”
Sarah shrugs. “Penny and I were tutored at home when we were young . . . but in year ten, there was this one boy.”
I rub my hands together. “Here we go—tell me everything. I want all the sick, lurid details. Was he a footballer? Big and strong, captain of the team, the most popular boy in school?”
I could see it. Sarah’s delicate, long and lithe, but dainty, beautiful—any young man would’ve been desperate to have her on his arm. In his lap. In his bed, on the hood of his car, riding his face . . . all of the above.
“He was captain of the chess team.”
I cover my eyes with my hand.
“His name was Davey. He wore these adorable tweed jackets and bow ties, he had blond hair, and was a bit pale because of the asthma. He had the same glasses as I and he had a different pair of argyle socks for every day of the year.”
“You’re messing with me, right?”
She shakes her head.
“Argyle socks, Sarah? I am so disappointed in you right now.”
“He was nice,” she chides. “You leave my Davey alone.”
Then she laughs again—delighted and free. My cock reacts hard and fast, emphasis on hard. It’s like sodding granite.
“So what happened to old Davey boy?”
“I was alone in the library one day and he came up and started to ask me to the spring social. And I was so excited and nervous I could barely breathe.”
I picture how she must’ve looked then. But in my mind’s eyes she’s really not any different than she is right now. Innocent, sweet, and so real she couldn’t deceive someone if her life depended on it.
“And then before he could finish the question, I . . .”
I don’t realize I’m leaning toward her until she stops talking and I almost fall over.
“You . . . what?”
Sarah hides behind her hands.
“I threw up on him.”
And I try not to laugh. I swear I try . . . but I’m only human. So I end up laughing so hard the car shakes and I can’t speak for several minutes.
“Christ almighty.”
“And I’d had fish and chips for lunch.” Sarah’s laughing too. “It was awful.”
“Oh you poor thing.” I shake my head, still chuckling. “And poor Davey.”
“Yes.” She wipes under her eyes with her finger. “Poor Davey. He never came near me again after that.”
“Coward—he didn’t deserve you. I would’ve swam through a whole lake of puke to take a girl like you to the social.”
She smiles so brightly at me, her cheeks maroon and round like two shiny apples.
“I think that’s the nicest thing anyone’s ever said to me.”
I wiggle my eyebrows. “I’m all about the compliments.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
Dreaming is impossible without myths. If we ll latch onto those of others -- even if don't have enough myths of our own, we'll latch onto those of others -- even if those myths make us believe terrible or false things about ourselves... Call it superego, call it common sense, call it pragmatism, call it learned helplessness, but the mind craves boundaries. Depending on the myths we believe in, those boundaries can be magnificently vast or crushingly tight.
Throughout my life as I've sought to become a published writer of speculative fiction, my strongest detractors and discouragers have been other African Americans...
Having swallowed these ideas, people regurgitate them at me at nearly every turn. And for a time, I swallowed them, too...
Myths tell us what those like us have done, can do, should do. Without myths to lead the way, we hesitate to leap forward. Listen to the wrong myths, and we might even go back a few steps...
Because Star Trek takes place five hundred years from now, supposedly long after humanity has transcended racism, sexism, etc. But there's still only one black person on the crew, and she's the receptionist.
This is disingenuous. I know now what I did not understand then: That most science fiction doesn't realistically depict the future; it reflects the present in which it is written. So for the 1960s, Uhura's presence was groundbreaking - and her marginalization was to be expected. But I wasn't watching the show in the 1960s. I was watching it in the 1980s... I was watching it as a tween/teen girl who'd grown up being told that she could do anything if she only put her mind to it, and I looked to science fiction to provide me with useful myths about my future: who I might become, what was possible, how far I and my descendants might go...
In the future, as in the present, as in the past, black people will build many new worlds.
This is true. I will make it so. And you will help me.
”
”
Glory Edim (Well-Read Black Girl: Finding Our Stories, Discovering Ourselves)
“
You ever choked? You know what I mean, fumbled at the goal line, stuck your foot in your mouth when you were trying to ask that girl on a date, had a brain freeze on the final exam you were totally prepared for, lipped out a three-foot putt to win the golf tournament, or been paralyzed by the feeling of “Oh my god life can’t get any better, do I really deserve this?” I have. What happens when we get that feeling? We clench up, get short of breath, self-conscious. We have an out-of-body experience where we observe ourselves in the third person, no longer present, now not doing well what we are there to do. We become voyeurs of our moment because we let it become bigger than us, and in doing so, we just became less involved in it and more impressed with it. Why does this happen? It happens because when we mentally give a person, place, or point in time more credit than ourselves, we then create a fictitious ceiling, a restriction, over the expectations we have of our own performance in that moment. We get tense, we focus on the outcome instead of the activity, and we miss the doing of the deed. We either think the world depends on the result, or it’s too good to be true. But it doesn’t, and it isn’t, and it’s not our right to believe it does or is. Don’t create imaginary constraints. A leading role, a blue ribbon, a winning score, a great
”
”
Matthew McConaughey (Greenlights)
“
Two fears alternate in marriage, of loneliness and of bondage. The dread of loneliness being keener than the fear of bondage, we get married. For one person who fears being thus tied there are four who dread being set free. Yet the love of liberty is a noble passion and one to which most married people secretly aspire, -- in moments when they are not neurotically dependent -- but by then it is too late; the ox does not become a bull, not the hen a falcon.
The fear of loneliness can be overcome, for it springs from weakness; human beings are intended to be free, and to be free is to be lonely, but the fear of bondage is the apprehension of a real danger, and so I find it all the more pathetic to watch young men and beautiful girls taking refuge in marriage from an imaginary danger, a sad loss to their friends ad a sore trial to each other. First love is the one most worth having, yet the best marriage is often the second, for we should marry only when the desire for freedom be spent; not till then does a man know whether he is the kind who can settle down. The most tragic breakings-up are of those couples who have married young and who have enjoyed seven years of happiness, after which the banked fires of passion and independence explode -- and without knowing why, for they still love each other, they set about accomplishing their common destruction.
”
”
Cyril Connolly (The Unquiet Grave: A Word Cycle by Palinurus)
“
Tobias,” I say anyway. My hands shake, but not from fear this time—from anger. “Where is he? What are you doing to him?”
“I see no reason to provide that information,” says Jeanine. “And since you are all out of leverage, I see no way for you to give me a reason, unless you would like to change the terms of our agreement.”
I want to scream at her that of course, of course I would rather know about Tobias than about my Divergence, but I don’t. I can’t make hasty decisions. She will do what she intends to do to Tobias whether I know about it or not. It is more important that I fully understand what is happening to me.
I breathe in through my nose, and our through my nose. I shake my hands. I sit down in the chair.
“Interesting,” she says.
“Aren’t you supposed to be running a faction and planning a war?” I say. “What are you doing here, running tests on a sixteen-year-old girl?”
“You choose different ways of referring to yourself depending on what is convenient,” she says, leaning back in her chair. “Sometimes you insist that you are not a little girl, and sometimes you insist that you are. What I am curious to know is: How do you really view yourself? As one or the other? As both? As neither?”
I make my voice flat and factual, like hers. “I see no reason to provide that information.”
I hear a faint snort. Peter is covering his mouth. Jeanine glares at him, and his laughter effortlessly transforms into a coughing fit.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Dr. Kerry said he'd been watching me. "You act like someone who is impersonating someone else. And it's as if you think your life depends on it."
I didn't know what to say, so I said nothing.
"It has never occurred to you," he said, "that you might have as much right to be here as anyone." He waited for an explanation.
"I would enjoy serving the dinner," I said, "more than eating it."
Dr. Kerry smiled. "You should trust Professor Steinberg. If he says you're a scholar-'pure gold,' I heard him say-then you are."
"This is a magical place," I said. "Everything shines here."
"You must stop yourself from thinking like that," Dr. Kerry said, his voice raised. "You are not fool's gold, shining only under a particular light. Whomever you become, whatever you make yourself into, that is who you always were. It was always in you. Not in Cambridge. In you. You are gold. And returning to BYU, or even to that mountain you came from, will not change who you are. It may change how others see you, it may even change how you see yourself-even gold appears dull in some lighting-but that is the illusion. And it always was."
I wanted to believe him, to take his words and remake myself, but I'd never had that kind of faith. No matter how deeply I interred the memories, how tightly I shut my eyes against them, when I thought of my self, the images that came to mind were of that girl, in the bathroom, in the parking lot.
I couldn't tell Dr. Kerry about that girl. I couldn't tell him that the reason I couldn't return to Cambridge was that being here threw into great relief every violent and degrading moment of my life. At BYU I could almost forget, allow what had been to blend into what was. But the contrast here was too great, the world before my eyes too fantastical. The memories were more real-more believable-than the stone spires.
To myself I pretended there were other reasons I couldn't belong at Cambridge, reasons having to do with class and status: that it was because I was poor, had grown up poor. Because I could stand in the wind on the chapel roof and not tilt. That was the person who didn't belong in Cambridge: the roofer, not the whore. I can go to school, I had written in my journal that very afternoon. And I can buy new clothes. But I am still Tara Westover. I have done jobs no Cambridge student would do. Dress us any way you like, we are not the same. Clothes could not fix what was wrong with me. Something had rotted on the inside.
Whether Dr. Kerry suspected any part of this, I'm not sure. But he understood that I had fixated on clothes as the symbol of why I didn't, and couldn't, belong. It was the last thing he said to me before he walked away, leaving me rooted, astonished, beside that grand chapel.
"The most powerful determinant of who you are is inside you," he said. "Professor Steinberg says this is Pygmalion. Think of the story, Tara." He paused, his eyes fierce, his voice piercing. "She was just a cockney in a nice dress. Until she believed in herself. Then it didn't matter what dress she wore.
”
”
Tara Westover (Educated)
“
You came to claim Tamlin?' Amarantha said- it wasn't a question, but a challenge. 'Well, as it happens, I'm bored to tears of his sullen silence. I was worried when he didn't flinch while I played with darling Clare, when he didn't even show those lovely claws...
'But I'll make a bargain with you, human,' she said, and warning bells pealed in my mind. Unless your life depends on it, Alis had said. 'You complete three tasks of my choosing- three tasks to prove how deep that human sense of loyalty and love runs, and Tamlin is yours. Just three little challenges to prove your dedication, to prove to me, to darling Jurian, that your kind can indeed love true, and you can have your High Lord.' She turned to Tamlin. 'Consider it a favour, High Lord- these human dogs can make our kind so lust-blind that we lose all common sense. Better for you to see her true nature now.'
'I want his curse broken, too,' I blurted. She raised a brow, her smile growing, revealing far too many of those white teeth. 'I complete all three of your tasks, and his curse is broken, and we- and all his court- can leave here. And remain free forever,' I added. Magic was specific, Alis had said- that was how Amarantha had tricked them. I wouldn't let loopholes be my downfall.
'Of course,' Amarantha purred. 'I'll throw in another element, if you don't mind- just to see if you're worthy of one of our kind, if you're smart enough to deserve him.' Jurian's eye swivelled wildly, and she clicked her tongue at it. The eye stopped moving. 'I'll give you a way out girl,' she went on. 'You'll complete all the tasks- or, when you can't stand it anymore, all you have to do is answer one question.' I could barely hear her above the blood pounding in my ears. 'A riddle. You solve the riddle, and his curse will be broken. Instantaneously. I won't even need to lift my finger and he'll be free. Say the right answer, and he's yours. You can answer it at any time- but if you answer incorrectly...' She pointed, and I didn't need to turn to know she gestured to Clare.
I turned her words over, looking for traps and loopholes within her phrasing. But it all sounded right. 'And what if I fail your tasks?'
Her smile became almost grotesque, and she rubbed a thumb across the dome of her ring. 'If you fail a task, there won't be anything left of you for me to play with.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
get out on the rocks or the fields or the water and spout them." Captain Jim had come up that afternoon to bring Anne a load of shells for her garden, and a little bunch of sweet-grass which he had found in a ramble over the sand dunes. "It's getting real scarce along this shore now," he said. "When I was a boy there was a-plenty of it. But now it's only once in a while you'll find a plot—and never when you're looking for it. You jest have to stumble on it—you're walking along on the sand hills, never thinking of sweet-grass—and all at once the air is full of sweetness—and there's the grass under your feet. I favor the smell of sweet-grass. It always makes me think of my mother." "She was fond of it?" asked Anne. "Not that I knows on. Dunno's she ever saw any sweet-grass. No, it's because it has a kind of motherly perfume—not too young, you understand—something kind of seasoned and wholesome and dependable—jest like a mother. The schoolmaster's bride always kept it among her handkerchiefs. You might put that little bunch among yours, Mistress Blythe. I don't like these boughten scents—but a whiff of sweet-grass belongs anywhere a lady does." Anne had not been especially enthusiastic over the idea of surrounding her flower beds with quahog shells; as a decoration they did not appeal to her on first thought. But she would not have hurt Captain Jim's feelings for anything; so she assumed a virtue she did not at first feel, and thanked him heartily. And when Captain Jim had proudly encircled every bed with a rim of the big, milk-white shells, Anne found to her surprise that she liked the effect.
”
”
L.M. Montgomery (The Anne Stories (Anne of Green Gables, #1-3, 5, 7-8) (Story Girl, #1-2))
“
He hooks his finger into the soft cup of my bra and lowers it. His forehead presses against mine and he looks down, to the hard point of my nipple. “Jesus,” he mutters. “I can take it off—” “No.” He groans softly and thumbs the pebble back and forth. Pinches it just this side of too much, making me gasp. “I’m not going to fuck you, but God, I could.” His entire palm rubs against my breast, and my whimper is humiliating. This is going to feel good. Really, really good. It’s already much better than . . . than anything. Pulling embarrassing, unfortunate noises out of me. “What do I do?” he asks, fitting his fingers in the dips of my ribs. I look up at him, glossy-eyed, already a little dazed. “What?” “What do you like?” He’s looking down at my body like it’s a beautiful space oddity, something belonging to a minor goddess, to be investigated in filthy, methodical, obscene ways. His hand traces my flat stomach. Skims the place where my thigh highs transition into tender skin. Brushes reverently against the pod right above my panties, like this little thing my life depends on is as much a part of me as my navel. J.J. asked me to take it off, said he found it off-putting. Made bionic woman jokes. And then there’s Jack. Licking his lips and asking, “Where do I start?” I have no clue. “Um . . .” He kisses me again, this time slow and gentle, pulling back from that initial brink. He uncovers my other breast, and his fingers are back, playing with my nipple like it’s an instrument. Liquid warmth hooks low in my belly. “Trial and error, then.” “What do you do with other girls?” “Other girls?” “Normal girls.” He laughs into my collarbone, then starts sucking on it. “Elsie.” “I just want to know. If I . . . if I weren’t me, what would you do?” “No.
”
”
Ali Hazelwood (Love, Theoretically)
“
Independent Women
Lucy Liu... with my girl, Drew... Cameron D. and Destiny
Charlie's Angels, Come on
Uh uh uh
Question: Tell me what you think about me
I buy my own diamonds and I buy my own rings
Only ring your cell-y when I'm feelin lonely
When it's all over please get up and leave
Question: Tell me how you feel about this
Try to control me boy you get dismissed
Pay my own fun, oh and I pay my own bills
Always 50/50 in relationships
The shoes on my feet
I've bought it
The clothes I'm wearing
I've bought it
The rock I'm rockin'
'Cause I depend on me
If I wanted the watch you're wearin'
I'll buy it
The house I live in
I've bought it
The car I'm driving
I've bought it
I depend on me
(I depend on me)
All the women who are independent
Throw your hands up at me
All the honeys who makin' money
Throw your hands up at me
All the mommas who profit dollas
Throw your hands up at me
All the ladies who truly feel me
Throw your hands up at me
Girl I didn't know you could get down like that
Charlie, how your Angels get down like that
Girl I didn't know you could get down like that
Charlie, how your Angels get down like that
Tell me how you feel about this
Who would I want if I would wanna live
I worked hard and sacrificed to get what I get
Ladies, it ain't easy bein' independent
Question: How'd you like this knowledge that I brought
Braggin' on that cash that he gave you is to front
If you're gonna brag make sure it's your money you flaunt
Depend on noone else to give you what you want
The shoes on my feet
I've bought it
The clothes I'm wearing
I've bought it
The rock I'm rockin'
'Cause I depend on me
If I wanted the watch you're wearin'
I'll buy it
The house I live in
I've bought it
The car I'm driving
I've bought it
I depend on me
(I depend on me)
All the women who are independent
Throw your hands up at me
All the honeys who makin' money
Throw your hands up at me
All the mommas who profit dollas
Throw your hands up at me
All the ladies who truly feel me
Throw your hands up at me
Girl I didn't know you could get down like that
Charlie, how your Angels get down like that
Girl I didn't know you could get down like that
Charlie, how your Angels get down like that
Destiny's Child
Wassup?
You in the house?
Sure 'nuff
We'll break these people off Angel style
Child of Destiny
Independent beauty
Noone else can scare me
Charlie's Angels
Woah
All the women who are independent
Throw your hands up at me
All the honeys who makin' money
Throw your hands up at me
All the mommas who profit dollas
Throw your hands up at me
All the ladies who truly feel me
Throw your hands up at me
Girl I didn't know you could get down like that
Charlie, how your Angels get down like that
[repeat until fade]
”
”
Destiny's Child
“
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that??
'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back.
'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up
for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.'
'He only wins if you let him.' 'What can I do about it?' she asked.
'From listening to your podcast, sounds to me like there's not much you can't do.'
'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -'
'Do you care?' Charlie asked. 'Do you care what people
think, if you know you're right?'
She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true.
And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life.
'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that."
'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might
”
”
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that's what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo
“
Pointsman is the only one here maintaining his calm. He appears unruffled and strong. His lab coats have even begun lately to take on a Savile Row serenity, suppressed waist, flaring vents, finer material, rather rakishly notched lapels. In this parched and fallow time, he gushes affluence. After the baying has quieted down at last, he speaks, soothing: “There’s no danger.”
“No danger?” screams Aaron Throwster, and the lot of them are off again muttering and growling.
“Slothrop’s knocked out Dodson-Truck and the girl in one day!”
“The whole thing’s falling apart, Pointsman!”
“Since Sir Stephen came back, Fitzmaurice House has dropped out of our scheme, and there’ve been embarrassing inquires down from Duncan Sandys—“
“That’s the P.M.’s son-in-law, Pointsman, not good, not good!”
“We’ve already begun to run into a deficit—“
“Funding,” IF you can keep your head, “is available, and will be coming in before long… certainly before we run into any serious trouble. Sir Stephen, far from being ‘knocked out,’ is quite happily at work at Fitzmaurice House, and is At Home there should any of you wish to confirm. Miss Borgesius is still active in the program, and Mr. Duncan Sandys is having all his questions answered. But best of all, we are budgeted well into fiscal ’46 before anything like a deficit begins to rear its head.”
“Your Interested Parties again?” sez Rollo Groast.
“Ah, I noticed Clive Mossmoon from Imperial Chemicals closeted with you day before yesterday,” Edwin Treacle mentions now. “Clive Mossmoon and I took an organic chemistry course or two together back at Manchester. Is ICI one of our, ah, sponsors, Pointsman?”
“No,” smoothly, “Mossmoon, actually, is working out of Malet Street these days. I’m afraid we were up to nothing more sinister than a bit of routine coordination over the Schwarzkommando business.”
“The hell you were. I happen to know Clive’s at ICI, managing some sort of polymer research.”
They stare at each other. One is lying, or bluffing, or both are, or all of the above. But whatever it is Pointsman has a slight advantage. By facing squarely the extinction of his program, he has gained a great of bit of Wisdom: that if there is a life force operating in Nature, still there is nothing so analogous in a bureaucracy. Nothing so mystical. It all comes down, as it must, to the desires of men. Oh, and women too of course, bless their empty little heads. But survival depends on having strong enough desires—on knowing the System better than the other chap, and how to use it. It’s work, that’s all it is, and there’s no room for any extrahuman anxieties—they only weaken, effeminize the will: a man either indulges them, or fights to win, und so weiter. “I do wish ICI would finance part of this,” Pointsman smiles.
“Lame, lame,” mutters the younger Dr. Groast.
“What’s it matter?” cries Aaron Throwster. “If the old man gets moody at the wrong time this whole show can prang.”
“Brigadier Pudding will not go back on any of his commitments,” Pointsman very steady, calm, “we have made arrangements with him. The details aren’t important.”
They never are, in these meetings of his.
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
1. Start with your base. Bases come in convenient stick form, but I prefer a liquid one. A sallow skin need a pinkish tone. For a ruddy complexion, beige is flattering. Smooth the base right up to the hairline (you can always wipe spots off the hair with a tissue later) and blend it around the ears, on the earlobe, and down over the neck.
2. If your face is very round, smooth a darker shade at the sides, below the cheekbone, to narrow it. If your nose is too long, put the darker shade at the tip, and at the sides of the nostrils,. There are a number of possibilities depending on your bone structure.
3. A lighter shade will bring out receding features. [...]Use pale pink just under the brow and under the brow and under the eyes to bring out deep-set eyes. I don't use white under my brows because my bone structure doesn't lend itself to that. [...] I hate to see girls with TOO much white under the brow - or too much eye makeup of any kind, for that matter. If the forehead protrudes they shouldn't use the white under the brows at all. It exaggerates it. And if they have a tendency to be puffy - and everybody has puffy days - they look worse with great white blobs under the eyes.
4. The important thing about shading and contouring is to blend so carefully that you can never see where one shade ends and the other begins.
5. So start with three shades of base for the redesigning, plus white if you need it. Add a blusher that you brush on with a large soft brush made for the purpose. I like a brownish shade. It matches my natural complexion and I brush it on under my cheekbones to accent my bone structure. But a very fair skin could use a bluish pink blusher...
5. Translucent powder goes on next. It must be translucent or your careful job of shading will be covered over. And not too much. Just light dusting of it to cover the shine...
6. After powdering, take a tissue and BLOT. Then clothes won't get soiled.
7. I put on the lipstick and smooth it over with my finger - I never rub my lips together. Then I outline the lips carefully with a lipstick pencil. I never use a brush. Then BLOT. There's nothing uglier than lipstick on the teeth.
”
”
Joan Crawford (My Way of Life)
“
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress?
Well, there was his native charm.
People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners.
The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man."
There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words."
But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable.
Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat."
Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle."
Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it."
But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
”
”
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
“
Are you sure you don't remember? Your mind seems to be working just fine to me."
"You know what? Just forget it. Whatever it was, I forgive you. Give me my backpack so I can go back to the office. We're about to get busted anyway, just standing here."
"If you really do forgive me, then you wouldn't still be going to the office." He tightens his hold on the strap of my backpack.
"Ohmysweetgoodness, Galen, why are we even having this conversation? You don't even know me. What do you care if I change my schedule?" I know I'm being rude. The guy offered to carry my things and walk me to class. And depending on which version of the story I believe, he either asked me out on Monday already, or he did it indirectly a few seconds ago. None of it makes any sense. Why me? Without any effort, I can think of at least ten girls who beat me out in looks, personality, and darker foundation. And Galen could pull any of them.
"What, you don't have a question for my question?" I ask after a few seconds.
"It just seems silly for you to change your schedule over a disagreement about when the Titanic-"
I throw my hands up at him. "Don't you see how weird this is for me?"
"I'm trying to, Emma. I really am. But I think you've had a tough couple of weeks, and it's taking a toll on you. You said every time you're around me something bad happens. But you can't really know for sure that's true, unless you spend more time with me. You should at least acknowledge that."
Something is wrong with me. Those cafeteria doors must have really worked me over. Otherwise, I wouldn't be pushing Galen away like this. Not with him pleading, not with the way he's leaning toward me, not with the way he smells. "See? You're taking it personally, when there's really nothing personal about it," I whisper.
"It's personal to me, Emma. It's true, I don't know you well. But there are some things I do know about you. And I'd like to know more."
A glass full of ice water wouldn't cool my cheeks. "The only thing you know about me is that I'm life threatening in flip-flops."
That I won't meet his eyes obviously bothers him, because he lifts my chin with the crook of his finger. "That's not all I know," he says. "I know your biggest secret."
This time, unlike at the beach, I don't swat his hand away. The electric current in my feet prove that we're really standing so close to each other that our toes touch. "I don't have any secrets," I say, mesmerized."
He nods. "I finally figured that out. That you don't actually know about your secret."
"You're not making any sense." Or I just can't concentrate because I accidentally looked up at his lips. Maybe he did talk me into swimming...
The door to the front office swings open, and Galen grabs my arm and ushers me around the corner. He continues to drag me down the hall, toward world history.
"That's it?" I say, exasperated. "You're just going to leave it at that?"
He stops us in front of the door. "That depends on you," he says. "Come with me to the beach after school, and I'll tell you."
He reaches for the knob, but I grab his hand. "Tell me what? I already told you that I don't have any secrets. And I don't swim."
He grins and opens the door. "There's plenty to do at the beach besides swim." Then he pulls me by the hand so close I think he's going to kiss me. Instead, he whispers in my ear, "I'll tell you where your eye color comes from." As I gasp, he puts a gentle hand on the small of my back and propels me into the classroom. Then he ditches me.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
She keeps her fingers on Faye’s face. Faye closes her eyes against tears. When she opens them Julie is still looking at her. She’s smiling a wonderful smile. Way past twenty. She takes Faye’s hands.“‘Then tell them to look closely at men’s faces. Tell them to stand perfectly still, for time, and to look into the face of a man. A man’s face has nothing on it. Look closely. Tell them to look. And not at what the faces do–men’s faces never stop moving–they’re like antennae. But all the faces do is move through different configurations of blankness.’
Faye looks for Julie’s eyes in the mirror.
Julie says, ‘Tell them there are no holes for your fingers in the masks of men. Tell them how could you ever even hope to have what you can’t grab onto.’
Julie turns her makeup chair and looks up at Faye. ‘That’s when I love you, if I love you,’ she whispers, running a finger down her white powdered cheek, reaching to trace an angled line of white onto Faye’s own face. 'Is when your face moves into expression. Try to look out from yourself, different, all the time. Tell people that you know your face is at least pretty at rest.’
'You asked me once how poems informed me,’ she says. Almost a whisper–her microphone voice. 'And you asked whether we, us, depended on the game, to even be. Baby?’–lifting Faye’s face with one finger under the chin–'Remember? Remember the ocean? Our dawn ocean, that we loved? We loved it because it was like us, Faye. That whole ocean was obvious. We were looking at something obvious, the whole time.’ She pinches a nipple, too softly for Faye even to feel. 'Oceans are only oceans when they move,’ Julie whispers. 'Waves are what keep oceans from just being very big puddles. Oceans are just their waves. And every wave in the ocean is finally going to meet what it moves toward, and break. The whole thing we looked at, the whole time you asked, was obvious. It was obvious and a poem because it was us. See things like that, Faye. Your own face, moving into expression. A wave, breaking on a rock, giving up its shape in a gesture that expresses that shape. See?’
It wasn’t at the beach that Faye had asked about the future. It was in Los Angeles. And what about the anomalous wave that came out of nowhere and broke on itself?
Julie is looking at Faye. 'See?’
Faye’s eyes are open. They get wide. 'You don’t like my face at rest?
”
”
David Foster Wallace (Girl with Curious Hair)
“
The traditional reluctance in this country to confront the real nature of racism is once again illustrated by the manner in which the majority of American whites interpreted what the Kerner Commission had to say about white racism.
It seems that they have taken the Kerner Report as a call merely to examine their individual attitudes. The examination of individual attitudes is, of course, an indispensable requirement if the influence of racism is to be neutralized, but it is neither the only nor the basic requirement.
The Kerner Report took great pains to make a distinction between racist attitudes and racist behavior. In doing so, it was trying to point out that the fundamental problem lies in the racist behavior of American institutions toward Negroes, and that the behavior of these institutions is influenced more by overt racist actions of people than by their private attitudes. If so, then the basic requirement is for white Americans, while not ignoring the necessity for a revision of their private beliefs, to concentrate on actions that can lead to the ultimate democratization of American institutions.
By focusing upon private attitudes alone, white Americans may come to rely on token individual gestures as a way of absolving themselves personally of racism, while ignoring the work that needs to be done within public institutions to eradicate social and economic problems and redistribute wealth and opportunity.
I mean by this that there are many whites sitting around in drawing rooms and board rooms discussing their consciences and even donating a few dollars to honor the memory of Dr. King. But they are not prepared to fight politically for the kind of liberal Congress the country needs to eradicate some of the evils of racism, or for the massive programs needed for the social and economic reconstruction of the black and white poor, or for a revision of the tax structure whereby the real burden will be lifted from the shoulders of those who don't have it and placed on the shoulders of those who can afford it.
Our time offers enough evidence to show that racism and intolerance are not unique American phenomena. The relationship between the upper and lower classes in India is in some ways more brutal than the operation of racism in America. And in Nigeria black tribes have recently been killing other black tribes in behalf of social and political privilege.
But it is the nature of the society which determines whether such conflicts will last, whether racism and intolerance will remain as proper issues to be socially and politically organized. If the society is a just society, if it is one which places a premium on social justice and human rights, then racism and intolerance cannot survive —will, at least, be reduced to a minimum.
While working with the NAACP some years ago to integrate the University of Texas, I was assailed with a battery of arguments as to why Negroes should not be let in. They would be raping white girls as soon as they came in; they were dirty and did not wash; they were dumb and could not learn; they were uncouth and ate with their fingers.
These attitudes were not destroyed because the NAACP psychoanalyzed white students or held seminars to teach them about black people. They were destroyed because Thurgood Marshall got the Supreme Court to rule against and destroy the institution of segregated education. At that point, the private views of white students became irrelevant.
So while there can be no argument that progress depends both on the revision of private attitudes and a change in institutions, the onus must be placed on institutional change.
If the institutions of this society are altered to work for black people, to respond to their needs and legitimate aspirations, then it will ultimately be a matter of supreme indifference to them whether white people like them, or what white people whisper about them in the privacy of their drawing rooms.
”
”
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)