β
Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure.
β
β
Stephen King (Rita Hayworth and Shawshank Redemption)
β
I could but esteem this moment of my departure as among the most happy of my life.
β
β
Meriwether Lewis
β
Protest beyond the law is not a departure from democracy; it is absolutely essential to it.
β
β
Howard Zinn
β
The hour of departure has arrived, and we go our separate ways, I to die, and you to live. Which of these two is better only God knows.
β
β
Socrates
β
There is a time for departure even when there's no certain place to go.
β
β
Tennessee Williams (Camino Real)
β
So the little prince tamed the fox. And when the hour of his departure drew near--
Ah," said the fox, "I shall cry."
It is your own fault," said the little prince. "I never wished you any sort of harm; but you wanted me to tame you . . ."
Yes, that is so," said the fox.
But now you are going to cry!" said the little prince.
Yes, that is so," said the fox.
Then it has done you no good at all!"
It has done me good," said the fox, "because of the color of the wheat fields.
β
β
Antoine de Saint-ExupΓ©ry (The Little Prince)
β
Sure, in a ninja's world, those who violate the rules and fail to follow orders...are lower than garbage. However...those who do not care for and support their fellows...are even lower than that!" - Obito Uchiha
β
β
Masashi Kishimoto (Naruto, Vol. 27: Departure (Naruto, #27))
β
I despised my arrival on this earth and I despise my departure; it is a tragedy.
β
β
Avicenna (A Compendiun On The Soul)
β
My dear Watson," said [Sherlock Holmes], "I cannot agree with those who rank modesty among the virtues. To the logician all things should be seen exactly as they are, and to underestimate one's self is as much a departure from truth as to exaggerate one's own powers.
β
β
Arthur Conan Doyle (The Adventure of the Greek Interpreter (The Memoirs of Sherlock Holmes, #9 ) (Sherlock Holmes))
β
Isnβt that the greatest tragedy? When someone rejects us, no matter how they abuse our love, we hope against reason that somehow they will come back to us.
β
β
Suzanne Elizabeth Anderson (Mrs. Tuesday's Departure)
β
Conventional people are roused to fury by departure from convention, largely because they regard such departure as a criticism of themselves.
β
β
Bertrand Russell
β
It is a long way off, sir"
"From what Jane?"
"From England and from Thornfield: and ___"
"Well?"
"From you, sir
β
β
Charlotte BrontΓ« (Jane Eyre)
β
...if I die suddenly, my gravestone might appropriately offer this insight into my departure: "God got tired." I require lots of work.
β
β
Beth Moore (Believing God)
β
to die tomorrow was no worse than dying on any other day. Every day was there to be lived or to mark oneβs departure from this world.
β
β
Paulo Coelho (The Alchemist)
β
Things turn out best for the people who make the best of the way things turn out.
β
β
Craig Lancaster (Quantum Physics and the Art of Departure)
β
Set out from any point. They are all alike. They all lead to a point of departure.
β
β
Antonio Porchia
β
One who has loved truly, can never lose entirely. Love is whimsical and temperamental. Its nature is ephemeral, and transitory. It comes when it pleases,and goes away without warning. Accept and enjoy it while it remains, but spend no time worrying about its departure. Worry will never bring it back.
β
β
Napoleon Hill (Think and Grow Rich)
β
For sailors who love the wind, memory is a good port of departure.
β
β
Eduardo Galeano (Walking Words)
β
A week after Fred and George's departure, Harry witnessed Professor McGonagall walking right past Peeves, who was determinedly loosening a crystal chandelier, and could have sworn he heard her tell the poltergeist out of the corner of her mouth, "It unscrews the other way.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
I wanted to say goodbye to someone, and have someone say goodbye to me. The goodbyes we speak and the goodbyes we hear are the goodbyes that tell us weΒ΄re still alive.
β
β
Stephen King (Wolves of the Calla (The Dark Tower, #5))
β
To understand what I am saying, you have to believe that dance is something other than technique. We forget where the movements come from. They are born from life. When you create a new work, the point of departure must be contemporary life -- not existing forms of dance.
β
β
Pina Bausch
β
I had hoped, at my departure, I would feel sure and knowledgeable about everything that lay ahead -- after all, I had been "analyzed." Instead, all I could see were question marks.
β
β
Sylvia Plath (The Bell Jar)
β
-β¦.when things seem to have reached that stage, merely say βI wonβt play any longerβ, and take your departure; but if you stay, stop lamenting.
β
β
Epictetus
β
Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a come losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. Itβs all very painful β as painful as actually being cut with a knife.
β
β
Haruki Murakami (1Q84 (1Q84, #1-3))
β
Migration can be triggered by the angle of sunlight, indicating a change in the season, temperature, plant life, and food supply. Female monarchs lay eggs along the route. Every history has more than one thread, each thread a story of division. The journey takes four thousand eight hundred and thirty miles, more than the length of this country. The monarchs that fly south will not make it back north. Each departure, then, is final. Only their children return; only the future revisits the past.
β
β
Ocean Vuong (On Earth We're Briefly Gorgeous)
β
When the clergy addressed General Washington on his departure from the government, it was observed in their consultation that he had never on any occasion said a word to the public which showed a belief in the Christian religion and they thought they should so pen their address as to force him at length to declare publicly whether he was a Christian or not. They did so. However [Dr. Rush] observed the old fox was too cunning for them. He answered every article of their address particularly except that, which he passed over without notice... I know that Gouverneur Morris, who pretended to be in his secrets & believed himself to be so, has often told me that General Washington believed no more of that system than he himself did.
{The Anas, February 1, 1800, written shortly after the death of first US president George Washington}
β
β
Thomas Jefferson (The Complete Anas of Thomas Jefferson)
β
I watched her departure, as one watches a sunset. She went like a radiance through the dark wood, which was henceforth bright to me, from simply knowing that such a creature was in it.
β
β
George MacDonald (Phantastes)
β
The irony is that while God doesn't need us but still wants us, we desperately need God but don't really want Him most of the time. He treasures us and anticipates our departure from this earth to be with Him-and we wonder, indifferently, how much we have to do for Him to get by.
β
β
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
β
Do you know that there's a halfway world between each ending and each new beginning? It's called the hurting time, Jean Perdu. It's a bog; it's where your dreams and worries and forgotten plans gather. Your steps are heavier during that time. Don't underestimate the transition, Jeanno, between farewell and new departure. Give yourself the time you need. Some thresholds are too wide to be taken in one stride.
β
β
Nina George (The Little Paris Bookshop)
β
We rest; A dream has power to poison sleep.
We rise; One wandering thought pollutes the day.
We feel, conceive, or reason; laugh or weep,
Embrace fond woe, or cast our cares away;
It is the same: for, be it joy or sorrow,
The path of departure still is free.
Man's yesterday may ne'er be like his morrow;
Nought may endure but mutability!
β
β
Mary Wollstonecraft Shelley (Frankenstein)
β
Of the gladdest moments in human life, methinks, is the departure upon a distant journey into unknown lands. Shaking off with one mighty effort the fetters of Habit, the leaden weight of Routine, the cloak of many Cares and the slavery of Civilization, man feels once more happy.
β
β
Richard Francis Burton
β
The Departure Aria, a very important and romantic song -
This damn door sticks,
This damn door sticks
It sticks no matter what I do.
It is marked 'pull' and indeed I am pulling
Perhaps it should be marked 'push'?
β
β
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
β
Let us not glide through this world and then slip quietly into heaven, without having blown the trumpet loud and long for our Redeemer, Jesus Christ. Let us see to it that the devil will hold a thanksgiving service in hell, when he gets the news of our departure from the field of battle.
β
β
C.T. Studd
β
The idea is to remain in a state of constant departure, while always arriving.
β
β
Richard Linklater
β
What I mean to say is, we had been considerable. Had been loved. Not lonely, not lost, not freakish, but wise, each in his or her own way. Our departures caused pain. Those who had loved us sat upon their beds, heads in hand; lowered their faces to tabletops, making animal noises. We had been loved, I say, and remembering us, even many years later, people would smile, briefly gladdened at the memory.
β
β
George Saunders (Lincoln in the Bardo)
β
If it should turn out that we have mishandled our own lives as several civilizations before us have done, it seems a pity that we should involve the violet and the tree frog in our departure.
β
β
Loren Eiseley
β
What do you mean, Araluen? Death?"
Halt made a careless gesture. "The usual, I suppose: the sudden cessation of life. The end of it all. Departure for a happier place. Or oblivion, depending upon your personal beliefs.
β
β
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
β
There is no substitute for persistence. The person who makes persistence his watch-word, discovers that βOld Man Failureβ finally becomes tired, and makes his departure. Failure cannot cope with persistence.
β
β
Napoleon Hill (Think and Grow Rich)
β
Goodbye is a strange concept - if the person being left behind resents it and refuses to accept it, is it still goodbye, or simply a departure?
β
β
Marla Miniano (Table for Two)
β
I am calling to tell you that Colonel Yildiz has made travel arrangements for you, Tara, and me. We are flying to Istanbul tomorrow. Iβll call you back and with the departure time. Do you understand?
β
β
Karl Braungart (Counter Identity (Remmich/Miller, #2))
β
I had always liked the act of leaving, the expanse between departure and arrival when youβre seemingly nowhere, defined by another kind of time.
β
β
Tomasz Jedrowski (Swimming in the Dark)
β
She knew this man's smile, his gentle ways of love, but not his godlike fury in the storm. She might snare him in a fragile net of music, love and flowers, but, at each departure, he would break forth without, it seemed to her, the least regret.
β
β
Antoine de Saint-ExupΓ©ry (Night Flight)
β
Travellers understand, instinctively and by experience, that travel and adventure change and elongate time, even while navigating the deadlines of airline and train departures.
β
β
Paul Sheehan
β
Hey, I thought you wanted to know about the Sinsar Dubh!β I was so startled by his abrupt departure that I spoke without thinking. I regretted it immediately.
I had no idea where Vlane had gone, or why heβd disappeared so suddenly, but I decided Id be wise to do the same myself.
Before I could move, a hand closed on my shoulder. βI do, Ms. Lane,β Barrons said grimly. βBut first Iβd like to know what the fuck you were doing kissing him.
β
β
Karen Marie Moning (Faefever (Fever, #3))
β
After departure, only invisible things are left, perhaps the life of the world is held together by invisible chains of memory and loss and love. So many things, so many people, depart! And we can only repossess them in our minds.
β
β
James Baldwin (Going to Meet the Man)
β
Properly speaking, of course, there is no such thing as a return to nature, because there is no such thing as a departure from it. The phrase reminds one of the slightly intoxicated gentleman who gets up in his own dining room and declares firmly that he must be getting home.
β
β
G.K. Chesterton
β
I was young and love to me was a fuse that was lit, not a garden that was grown. Love was not concerned with any deep knowledge of its object, of their wants and dreams, but mainly with the joy felt in their presence and the sickness felt in their departure.
β
β
Ta-Nehisi Coates (The Water Dancer)
β
We rest; a dream has power to poison sleep.
We rise; one wand'ring thought pollutes the day.
We feel, conceive, or reason; laugh or weep,
Embrace fond woe, or cast our cares away;
It is the same: for, be it joy or sorrow,
The path of its departure still is free.
Man's yesterday may ne'er be like his morrow;
Nought may endure but Mutability!
β
β
Percy Bysshe Shelley (The Complete Poems)
β
Why should a man be scorned, if, finding himself in prison, he tries to get out and go home? Or if, when he cannot do so, he thinks and talks about other topics than jailers and prison-walls? The world outside has not become less real because the prisoner cannot see it. In using Escape in this way the critics have chosen the wrong word, and, what is more, they are confusing, not always by sincere error, the Escape of the Prisoner with the Flight of the Deserter. just so a Party-spokesman might have labeled departure from the misery of the Fuhrer's or any other Reich and even criticism of it as treachery .... Not only do they confound the escape of the prisoner with the flight of the deserter; but they would seem to prefer the acquiescence of the "quisling" to the resistance of the patriot.
β
β
J.R.R. Tolkien (Tolkien On Fairy-stories)
β
If one is but secure at the foundation, he will not be pained by departure from minor details or affairs that are contrary to expectation. But in the end, the details of a matter are important. The right and wrong of one's way of doing things are found in trivial matters.
β
β
Yamamoto Tsunetomo (Hagakure: The Book of the Samurai)
β
The hour of departure has arrived, and we go our waysβI to die, and you to live. Which is better God only knows.
β
β
Plato (Apology)
β
The love you left behind is so much greater than the regrets your departure created. You were more than worth the trouble. I pray I was too.
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β
Seth King (The Summer Remains (The Summer Remains, #1))
β
The first commandment for every good explorer is that an expedition has two points: the point of departure and the point of arrival. If your intention is to make the second theoretical point coincide with the actual point of arrival, don't think about the means -- because the journey is a virtual space that finishes when it finishes, and there are as many means as there are different ways of 'finishing.' That is to say, the means are endless.
β
β
Ernesto Che Guevara (The Motorcycle Diaries: Notes on a Latin American Journey)
β
Arrival in the world is really a departure and that, which we call departure, is only a return.
β
β
Dejan Stojanovic (The Sun Watches the Sun)
β
An idea is a point of departure and no more. As soon as you elaborate it, it becomes transformed by thought
β
β
Pablo Picasso
β
And these things
that keep alive on departure know that
you praise them; transient,
they look to us, the most transient,
to be their rescue.
They want us to change them completely,
in our invisible hearts,
into -- O endlessly -- us! Whoever,
finally, we may be.
β
β
Rainer Maria Rilke (Duino Elegies)
β
Mα»i lαΊ§n rα»i khα»i mα»t nΖ‘i nΓ o ΔΓ³, thαΊt khΓ³ Δα» phΓ’n biα»t, chΓΊng tΓ΄i bα» Δi hay chαΊ‘y trα»n.
β
β
Nguyα»
n Ngα»c TΖ° (CΓ‘nh Δα»ng BαΊ₯t TαΊn)
β
Being in love, she concluded, is simply the presentation of our pasts to another individual, mostly packages so unwieldy that we can no longer manage the loosened strings alone. Looking for love is like asking for a new point of departure, she thought, another chance in life.
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β
Zelda Fitzgerald (Save Me the Waltz)
β
You may ask me, as others have done before, whether it was kindness or cruelty to allow them to meet, so soon before his departure, with so little time to discover each other. Whether the pangs of loss do not invalidate the bliss of love. Especially where war is concerned, and Death runs rampant with his bloody scythe. You may say that it was wicked of me to allow James to find Hazel, and Hazel, James, if three days were all they would have. I donβt call it cruelty. I do not apologize.
β
β
Julie Berry (Lovely War)
β
Aunt Petunia burst into tears. Hestia Jones gave her an approving look that changed to outrage as Aunt Petunia ran forward and embraced Dudley rather than Harry.
'S-so sweet, Dudders...' she sobbed into his massive chest. 'S-such a lovely b-boy...s-saying thank you...'
'But he hadn't said thank you at all!' said Hestia indignantly. 'He only said he didn't think Harry was a waste of space!'
'Yeah, but coming from Dudley that's like "I love you.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
When you're sorting yourself out, family are not often the ones you can turn to. They represent the place of departure and not the place of arrival.
β
β
Witi Ihimaera (Nights in the Gardens of Spain)
β
The rainbow comes and goes. Enjoy it while it lasts. Don't be surprised by its departure, and rejoice when it returns.
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β
Anderson Cooper (The Rainbow Comes and Goes: A Mother and Son on Life, Love, and Loss)
β
Suddenness," he says. " You do not prepare, you do not explain, you do not apologize. Suddenly, you go. And with you, you take all contemplation, all consideration of your own departure. All the suffering that would have come from knowing comes after you are gone, and you are not a part of it.
β
β
TΓ©a Obreht (The Tiger's Wife)
β
It was crucial to understand
whether that moment was
immensely hurtful or was
awfully affectionate for me.
β
β
Suman Pokhrel
β
The first morning after Westley's departure, Buttercup thought she was entitled to do nothing more than sit around moping and feeling sorry for herself. After all, the love of her life had fled, life had no meaning, how could you face the future, et cetera, et cetera.
β
β
William Goldman (The Princess Bride)
β
Some birds are not meant to be caged, thatβs all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure.
β
β
Stephen King (Different Seasons)
β
Why do travelers depart as they do, leaving an incomplete tale of footprints in the earth.
β
β
Suman Pokhrel
β
At moments of departure and a change of life, people capable of reflecting on their actions usually get into a serious state of mind. At these moments they usually take stock of the past and make plans for the future.
β
β
Leo Tolstoy (War and Peace)
β
Its really hard to recall the day you became friends with special people.
β
β
Michael Bassey Johnson
β
Loved ones are sometimes taken from us, either by death or other circumstances outside our control. Yes, we should lament their departure and yes, we should pray for them often. But we shouldn't dwell so deeply upon such vacancies that life itself becomes empty.
β
β
John Shors (Beneath a Marble Sky)
β
...I take as a point of departure the possibility and desirability of a fundamentally different form of society--call it communism, if you will--in which men and women, freed from the pressures of scarcity and from the insecurity of everyday existence under capitalism, shape their own lives. Collectively they decide who, how, when, and what shall be produced.
β
β
Michael Burawoy (Manufacturing Consent: Changes in the Labor Process Under Monopoly Capitalism)
β
I have drunk the night
and swallowed the stars.
I am dancing with abandon
and singing with rapture.
There is not a thing I do not love.
There is not a person I have not forgiven.
I feel a universe of love.
I feel a universe of light.
Tonight, I am with old friends
and we are returning home.
The moon is our witness.
β
β
Kamand Kojouri
β
Be aware of this truth that the people on this earth could be joyous, if only they would live rationally and if they would contribute mutually to each others' welfare.
This world is not a vale of sorrows if you will recognize discriminatingly what is truly excellent in it; and if you will avail yourself of it for mutual happiness and well-being. Therefore, let us explain as often as possible, and particularly at the departure of life, that we base our faith on firm foundations, on Truth for putting into action our ideas which do not depend on fables and ideas which Science has long ago proven to be false.
β
β
Kurt Vonnegut Jr. (Palm Sunday: An Autobiographical Collage)
β
A song of despair
The memory of you emerges from the night around me.
The river mingles its stubborn lament with the sea.
Deserted like the dwarves at dawn.
It is the hour of departure, oh deserted one!
Cold flower heads are raining over my heart.
Oh pit of debris, fierce cave of the shipwrecked.
In you the wars and the flights accumulated.
From you the wings of the song birds rose.
You swallowed everything, like distance.
Like the sea, like time. In you everything sank!
It was the happy hour of assault and the kiss.
The hour of the spell that blazed like a lighthouse.
Pilot's dread, fury of blind driver,
turbulent drunkenness of love, in you everything sank!
In the childhood of mist my soul, winged and wounded.
Lost discoverer, in you everything sank!
You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank!
I made the wall of shadow draw back,
beyond desire and act, I walked on.
Oh flesh, my own flesh, woman whom I loved and lost,
I summon you in the moist hour, I raise my song to you.
Like a jar you housed infinite tenderness.
and the infinite oblivion shattered you like a jar.
There was the black solitude of the islands,
and there, woman of love, your arms took me in.
There was thirst and hunger, and you were the fruit.
There were grief and ruins, and you were the miracle.
Ah woman, I do not know how you could contain me
in the earth of your soul, in the cross of your arms!
How terrible and brief my desire was to you!
How difficult and drunken, how tensed and avid.
Cemetery of kisses, there is still fire in your tombs,
still the fruited boughs burn, pecked at by birds.
Oh the bitten mouth, oh the kissed limbs,
oh the hungering teeth, oh the entwined bodies.
Oh the mad coupling of hope and force
in which we merged and despaired.
And the tenderness, light as water and as flour.
And the word scarcely begun on the lips.
This was my destiny and in it was my voyage of my longing,
and in it my longing fell, in you everything sank!
Oh pit of debris, everything fell into you,
what sorrow did you not express, in what sorrow are you not drowned!
From billow to billow you still called and sang.
Standing like a sailor in the prow of a vessel.
You still flowered in songs, you still brike the currents.
Oh pit of debris, open and bitter well.
Pale blind diver, luckless slinger,
lost discoverer, in you everything sank!
It is the hour of departure, the hard cold hour
which the night fastens to all the timetables.
The rustling belt of the sea girdles the shore.
Cold stars heave up, black birds migrate.
Deserted like the wharves at dawn.
Only tremulous shadow twists in my hands.
Oh farther than everything. Oh farther than everything.
It is the hour of departure. Oh abandoned one!
β
β
Pablo Neruda
β
I am magnificently prepared for the long littleness of life. There is diddley-squat for me to look forward to. Zilch, zero, zip-all, sweet lipperty-pipperty nothing. The only thought that will give me the energy to carry on is that someone has a life which would be diminished by my departure from it.
β
β
Stephen Fry (The Liar)
β
Packing up. The nagging worry of departure. When shutting drawers and flinging wide an hotel wardrobe, or the impersonal shelves of a furnished villa, I am aware of sadness, of a sense of loss. Here, I say, we have lived, we have been happy. This has been ours, however brief the time. Though two nights only have been spent beneath a roof, yet we leave something of ourselves behind. Nothing material, not a hair-pin on a dressing-table, not an empty bottle of Aspirin tablets, not a handkerchief beneath a pillow, but something indefinable, a moment of our lives, a thought, a mood. This house sheltered us, we spoke, we loved within those walls. That was yesterday. Today we pass on, we see it no more, and we are different, changed in some infinitesimal way. We can never be quite the same again.
β
β
Daphne du Maurier (Rebecca)
β
And, ah! his castle. The faery solitude of the place, with its turrets of mistly blue, its courtyard, its spiked gate, his castle that lay on the very bosom of the sea with seabirds mewing about its attics, the casements opening onto the green and purple, evanescent departures of the ocean, cut off by the tide from land for half a day . . . that castle, at home neither on the land nor on the water, a mysterious, amphibious place, contravening the materiality of both earth and waves, with the melancholy of a mermaiden who perches on her rocks and waits, endlessly, for a lover who had drowned far away, long ago. That lovely, sad, sea-siren of a place.
β
β
Angela Carter (The Bloody Chamber and Other Stories)
β
This principle - that your spouse should be capable of becoming your best friend - is a game changer when you address the question of compatibility in a prospective spouse. If you think of marriage largely in terms of erotic love, then compatibility means sexual chemistry and appeal. If you think of marriage largely as a way to move into the kind of social status in life you desire, then compatibility means being part of the desired social class, and perhaps common tastes and aspirations for lifestyle. The problem with these factors is that they are not durable. Physical attractiveness will wane, no matter how hard you work to delay its departure. And socio-economic status unfortunately can change almost overnight. When people think they have found compatibility based on these things, they often make the painful discovery that they have built their relationship on unstable ground. A woman 'lets herself go' or a man loses his job, and the compatibility foundation falls apart.
β
β
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
β
My life will end someday, but it will end at my convenience.
β
β
Michael Bassey Johnson
β
Nature proceeds by blunders; that is its way. It is also ours. So if we have blundered by regarding consciousness as a blunder, why make a fuss over it? Our self-removal from this planet would still be a magnificent move, a feat so luminous it would bedim the sun. What do we have to lose? No evil would attend our departure from this world, and the many evils we have known would go extinct along with us. So why put off what would be the most laudable masterstroke of our existence, and the only one?
β
β
Thomas Ligotti (The Conspiracy Against the Human Race)
β
I had turned away from the picture and was going back to the world where events move, men change, light flickers, life flows in a clear stream, no matter whether over mud or over stones.
β
β
Joseph Conrad (Lord Jim)
β
Meditation upon death does not teach one how to die; it does not make the departure more easy, but ease is not what I seek. Beloved boy, so willful and brooding, your sacrifice will have enriched not my life but my death.
...
Centuries as yet unborn within the dark womb of time would pass by thousands over that tomb without restoring life to him, but likewise without adding to his death, and without changing the fact that he had been.
β
β
Marguerite Yourcenar (Memoirs of Hadrian)
β
Sometimes the wind along the Pacific shore blows so hard it steals your breath before you can inhale it.
β
β
Timothy Egan (The Good Rain: Across Time and Terrain in the Pacific Northwest (Vintage Departures))
β
As well, they used their B-52 bombers to drop thousands of tons of bombs which included napalm and cluster bombs. In a particularly vile attack, they used poisonous chemicals on our base regions of Xuyen Moc, the Minh Dam and the Nui Thi Vai mountains. They sprayed their defoliants over jungle, and productive farmland alike. They even bull-dozed bare, both sides along the communication routes and more than a kilometre into the jungle adjacent to our base areas.
This caused the Ba Ria-Long Khanh Province Unit to send out a directive to D445 and D440 Battalions that as of 01/November/1969, the rations of both battalions would be set at 27 litres of rice per man per month when on operations. And 25 litres when in base or training.
So it was that as the American forces withdrew, their arms and lavish base facilities were transferred across to the RVN. The the forces of the South Vietnamese Government were with thereby more resources but this also created any severe maintenance, logistic and training problems.
The Australian Army felt that a complete Australian withdrawal was desirable with the departure of the Task Force (1ATF), but the conservative government of Australia thought that there were political advantages in keeping a small force in south Vietnam.
Before his election, in 1964, Johnston used a line which promised peace, but also had a policy of war. The very same tactic was used by Nixon. Nixon had as early as 1950 called for direction intervention by American Forces which were to be on the side of the French colonialists.
The defoliants were sprayed upon several millions of hectares, and it can best be described as virtual biocide. According to the figure from the Americans themselves, between the years of 1965 to 1973, ten million Vietnamese people were forced to leave their villages ad move to cities because of what the Americans and their allies had done.
The Americans intensified the bombing of whole regions of Laos which were controlled by Lao patriotic forces. They used up to six hundred sorties per day with many types of aircraft including B52s.
On 07/January/1979, the Vietnamese Army using Russian built T-54 and T-59 tanks, assisted by some Cambodian patriots liberated Phnom Penh while the Pol Pot Government and its agencies fled into the jungle. A new government under Hun Sen was installed and the Khmer Rougeβs navy was sunk nine days later in a battle with the Vietnamese Navy which resulted in twenty-two Kampuchean ships being sunk.
β
β
Michael G. Kramer (A Gracious Enemy)
β
God was gone; it was the silence of his departure. It was a rainy night. It was the myth of the rainy night. Dean was popeyed with awe. This madness would lead nowhere. I didn't know what was happening to me, and I suddenly realized it was only the tea that we were smoking; Dean had bought some in New York. It made me think that everything was about to arrive - the moment when you know all and everything is decided forever.
β
β
Jack Kerouac (On the Road)
β
It never bored them to hear words, words; they breathed them with the cool night air, never stopping to analyse; the name of the poet, Hafiz, Hali, Iqbal, was sufficient guarantee. Indiaβa hundred Indiasβwhispered outside beneath the indifferent moon, but for the time India seemed one and their own, and they regained their departed greatness by hearing its departure lamented, they felt young again because reminded that youth must fly.
β
β
E.M. Forster (A Passage to India)
β
Fiddler briefly wondered about those three dragons - where they had gone, what tasks awaited them - then he shrugged. Their appearance, their departure and, in between and most importantly, their indifference to the four mortals below was a sobering reminder that the world was far bigger than that defined by their own lives, their own desires and goals. The seemingly headlong plunge this journey had become was in truth but the smallest succession of steps, of no greater import than the struggles of a termite.
The worlds live on, beyond us, countless unravelling tales.
In his mind's eye he saw his horizons stretch out on all sides, and as they grew ever vaster he in turn saw himself as ever smaller, ever more insignificant.
We are all lone souls. It pays to know humility, lest the delusion of control, of mastery, overwhelms. And indeed, we seem a species prone to that delusion, again and ever again ...
β
β
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
β
The Thought of Death. It gives me a melancholy happiness to live in the midst of this confusion of streets, of necessities, of voices: how much enjoyment, impatience and desire, how much thirsty life and drunkenness of life comes to light here every moment! And yet it will soon be so still for all these shouting, lively, life- loving people! How everyone's shadow, his gloomy travelling companion stands behind him! It is always as in the last moment before the departure of an emigrant- ship: people have more than ever to say to one another, the hour presses, the ocean with its lonely silence waits impatiently behind all the noise-so greedy, so certain of its prey! And all, all, suppose that the past has been nothing, or a small matter, that the near future is everything: hence this haste, this crying, this self-deafening and self-overreaching! Everyone wants to be foremost in this future-and yet death and the stillness of death are the only things certain and common to all in this future! How strange that this sole thing that is certain and common to all, exercises almost no influence on men, and that they are the furthest from regarding themselves as the brotherhood of death! It makes me happy to see that men do not want to think at all of the idea of death! I would fain do something to make the idea of life to us to be more than friends in the sense of that sublime possibility. And so we will believe in our even a hundred times more worthy of their attention.
β
β
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
β
At this second appearing to take the oath of the Presidential office there is less occasion for an extended address than there was at the first. Then a statement somewhat in detail of a course to be pursued seemed fitting and proper. Now, at the expiration of four years, during which public declarations have been constantly called forth on every point and phase of the great contest which still absorbs the attention and engrosses the energies of the nation, little that is new could be presented. The progress of our arms, upon which all else chiefly depends, is as well known to the public as to myself, and it is, I trust, reasonably satisfactory and encouraging to all. With high hope for the future, no prediction in regard to it is ventured.
On the occasion corresponding to this four years ago all thoughts were anxiously directed to an impending civil war. All dreaded it, all sought to avert it. While the inaugural address was being delivered from this place, devoted altogether to saving the Union without war, insurgent agents were in the city seeking to destroy it without war--seeking to dissolve the Union and divide effects by negotiation. Both parties deprecated war, but one of them would make war rather than let the nation survive, and the other would accept war rather than let it perish, and the war came.
One-eighth of the whole population were colored slaves, not distributed generally over the Union, but localized in the southern part of it. These slaves constituted a peculiar and powerful interest. All knew that this interest was somehow the cause of the war. To strengthen, perpetuate, and extend this interest was the object for which the insurgents would rend the Union even by war, while the Government claimed no right to do more than to restrict the territorial enlargement of it. Neither party expected for the war the magnitude or the duration which it has already attained. Neither anticipated that the cause of the conflict might cease with or even before the conflict itself should cease. Each looked for an easier triumph, and a result less fundamental and astounding. Both read the same Bible and pray to the same God, and each invokes His aid against the other. It may seem strange that any men should dare to ask a just God's assistance in wringing their bread from the sweat of other men's faces, but let us judge not, that we be not judged. The prayers of both could not be answered. That of neither has been answered fully. The Almighty has His own purposes. "Woe unto the world because of offenses; for it must needs be that offenses come, but woe to that man by whom the offense cometh." If we shall suppose that American slavery is one of those offenses which, in the providence of God, must needs come, but which, having continued through His appointed time, He now wills to remove, and that He gives to both North and South this terrible war as the woe due to those by whom the offense came, shall we discern therein any departure from those divine attributes which the believers in a living God always ascribe to Him? Fondly do we hope, fervently do we pray, that this mighty scourge of war may speedily pass away. Yet, if God wills that it continue until all the wealth piled by the bondsman's two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn with the lash shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said "the judgments of the Lord are true and righteous altogether."
With malice toward none, with charity for all, with firmness in the right as God gives us to see the right, let us strive on to finish the work we are in, to bind up the nation's wounds, to care for him who shall have borne the battle and for his widow and his orphan, to do all which may achieve and cherish a just and lasting peace among ourselves and with all nations.
β
β
Abraham Lincoln (Great Speeches / Abraham Lincoln: with Historical Notes by John Grafton)
β
I grieve to leave Thornfield: I love Thornfield - I love it, because I have lived in it a full and delightful life, -momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright and energetic, and high. I have talked, face to face, with what I reverence; with what I delight in, -with an original, a vigorous, an expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you for ever. I see the necessity of departure; and it is like looking on the necessity of death.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
It can hardly be a coincidence that no language on Earth has ever produced the expression "as pretty as an airport". Airports are ugly. Some are very ugly. Some attain a degree of ugliness that can only be the result of a special effort. This ugliness arises because airports are full of people who are tired, cross, and have just discovered that their luggage has landed in Murmansk (...) and the architects have on the whole tried to reflect this in their designs.
They have sought to highlight the tiredness and crossness motif with brutal shapes and nerve jangling colours, to make effortless the business of separating the traveller from his or her luggage or loved ones, to confuse the traveller with arrows that appear to point at the windows, distant tie racks, or the current position of the Ursa Minor in the night sky, and wherever possible to expose the plumbing on the grounds that it is functional, and conceal the location of the departure gates, presumably on the grounds that they are not".
β
β
Douglas Adams (The Long Dark Tea-Time of the Soul (Dirk Gently, #2))
β
There are friends, I think we can't imagine living without. People who are sisters to us, or brothers. Jimmy was one of those. I never thought I might have to go through life without him. I never thought he might be killed by a drunken driver or anything else. Who thinks about things like that when you're seventeen? If I had known ahead of time what was going to happen to him, I would have gone crazy. I guess I did go a little crazy. My Aunt Lo, who's a hospital psychiatrist, says grief travels a certain route-that if you could plot it out on a map you'd have a line that twists and weaves and eventually ends up near the point of departure. I say "near" because although
you may survive the grief, you won't ever be exactly the same. It took me a long time to learn that, and sometimes the whole experience comes back on me and I have to learn it all over again.
β
β
Julie Reece Deaver (Say Goodnight, Gracie)
β
When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writerβs assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a manβs life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
β
β
Ernest Hemingway (Death in the Afternoon)
β
We are as clouds that veil the midnight moon;
How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly!--yet soon
Night closes round, and they are lost for ever;
Or like forgotten lyres, whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.
We rest. -- A dream has power to poison sleep;
We rise. -- One wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep;
Embrace fond woe, or cast our cares away:
It is the same!--For, be it joy or sorrow,
The path of its departure still is free:
Man's yesterday may ne'er be like his morrow;
Nought may endure but Mutability.
β
β
Percy Bysshe Shelley
β
And when the hour of his departure drew near--
"Ah," said the fox, "I shall cry."
"It is your own fault," said the little prince. "I never wished you any sort of harm; but you wanted me to tame you . . ."
"Yes, that is so," said the fox.
"But now you are going to cry!" said the little prince.
"Yes, that is so," said the fox.
"Then it has done you no good at all!"
"It has done me good," said the fox, "because of the color of the wheat fields." And then he added:
"Go and look again at the roses. You will understand now that yours is unique in all the world. Then come back to say goodbye to me, and I will make you a present of a secret."
The little prince went away, to look again at the roses.
....
And he went back to meet the fox.
"Goodbye," he said.
"Goodbye," said the fox. "And now here is my secret, a very simple secret: It is only with the heart that one can see rightly; what is essential is invisible to the eye."
"What is essential is invisible to the eye," the little prince repeated, so that he would be sure to remember.
"It is the time you have wasted for your rose that makes your rose so important."
"It is the time I have wasted for my rose--" said the little prince, so that he would be sure to remember.
"Men have forgotten this truth," said the fox. "But you must not forget it. You become responsible, forever, for what you have tamed. You are responsible for your rose . . ."
"I am responsible for my rose," the little prince repeated, so that he would be sure to remember.
β
β
Antoine de Saint-ExupΓ©ry (The Little Prince)
β
I regard anti-Semitism as ineradicable and as one element of the toxin with which religion has infected us. Perhaps partly for this reason, I have never been able to see Zionism as a cure for it. American and British and French Jews have told me with perfect sincerity that they are always prepared for the day when 'it happens again' and the Jew-baiters take over. (And I don't pretend not to know what they are talking about: I have actually seen the rabid phenomenon at work in modern and sunny Argentina and am unable to forget it.) So then, they seem to think, they will take refuge in the Law of Return, and in Haifa, or for all I know in Hebron. Never mind for now that if all of world Jewry did settle in Palestine, this would actually necessitate further Israeli expansion, expulsion, and colonization, and that their departure under these apocalyptic conditions would leave the new brownshirts and blackshirts in possession of the French and British and American nuclear arsenals. This is ghetto thinking, hardly even fractionally updated to take into account what has changed. The important but delayed realization will have to come: Israeli Jews are a part of the diaspora, not a group that has escaped from it. Why else does Israel daily beseech the often-flourishing Jews of other lands, urging them to help the most endangered Jews of all: the ones who rule Palestine by force of arms? Why else, having supposedly escaped from the need to rely on Gentile goodwill, has Israel come to depend more and more upon it? On this reckoning, Zionism must constitute one of the greatest potential non sequiturs in human history.
β
β
Christopher Hitchens (Hitch 22: A Memoir)
β
It was Joss Whedon's Buffy the Vampire Slayer (the television series, 1997-2003, not the lackluster movie that preceded it) that blazed the trail for Twilight and the slew of other paranormal romance novels that followed, while also shaping the broader urban fantasy field from the late 1990s onward.
Many of you reading this book will be too young to remember when Buffy debuted, so you'll have to trust us when we say that nothing quite like it had existed before. It was thrillingly new to see a young, gutsy, kick-ass female hero, for starters, and one who was no Amazonian Wonder Woman but recognizably ordinary, fussing about her nails, her shoes, and whether she'd make it to her high school prom. Buffy's story contained a heady mix of many genres (fantasy, horror, science-fiction, romance, detective fiction, high school drama), all of it leavened with tongue-in-cheek humor yet underpinned by the serious care with which the Buffy universe had been crafted. Back then, Whedon's dizzying genre hopping was a radical departure from the norm-whereas today, post-Buffy, no one blinks an eye as writers of urban fantasy leap across genre boundaries with abandon, penning tender romances featuring werewolves and demons, hard-boiled detective novels with fairies, and vampires-in-modern-life sagas that can crop up darn near anywhere: on the horror shelves, the SF shelves, the mystery shelves, the romance shelves.
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Ellen Datlow (Teeth: Vampire Tales)
β
I do not believe that God has given us this trial to not purpose. I know that the day will come when we will clearly understand why this persecution with all it's sufferings has been bestowed upon us -- for everything that Our Lord does is for our good. And yet, even as I write these words I feel the oppressive weight in my heart of those last stammering words of Kichijiro in the morning of his departure: "Why has Deus Sama imposed this suffering on us?" and then the resentment in those eyes that he turned upon me. "Father", he had said "what evil have we done?"
I suppose I should simply cast from my mind these meaningless words of the coward; yet why does his plaintive voice pierce my breast with tall the pain of a sharp needle? Why has Our Lord imposed this torture and this persecution on poor Japanese peasants? No, Kichijiro was trying to express something different, something even more sickening. The silence of God. Already twenty years have passed since the persecution broke out; the black soil of Japan has been filled with the lament of so many Christians; the red blood of priests has flowed profusely; the walls of churches have fallen down; and in the face of this terrible and merciless sacrifice offered up to Him, God has remained silent.
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β
ShΕ«saku EndΕ (Silence)
β
Say to my friends, when they look upon me, dead,
Weeping for me and mourning me in sorrow,
βDo not believe that this corpse you see is myself,
In the name of God, I tell you, it is not I,
I am a spirit, and this is naught but flesh,
It was my abode and my garment for a time.
I am a treasure, by a talisman kept hid,
Fashioned of dust, which served me as a shrine,
I am a pearl, which has left itβs shell deserted,
I am a bird, and this body was my cage,
Whence I have now flown forth and it is left as a token,
Praise to God, who hath now set me free,
And prepared for me my place in the highest of the Heavens,
Until today I was dead, though alive in your midst.
Now I live in truth, with the grave β clothes discarded.
Today I hold converse with the Saints above,
With no veil between, I see God face to face.
I look upon βLoh-i-Mahfuzβ and there in I read,
Whatever was and is, and all that is to be.
Let my house fall in ruins, lay my cage in the ground,
Cast away the talisman, it is a token no more,
Lay aside my cloak, it was but my outer garment.
Place them all in the grave, let them be forgotten,
I have passed on my way and you are left behind,
Your place of abode was no dwelling place for me.
Think not that death is death, nay, it is life,
A life that surpasses all we could dream of here,
While in this world, here we are granted sleep,
Death is but sleep, sleep that shall be prolonged
Be not frightened when death draweth nigh,
It is but the departure for this blessed home,
Think of the mercy and love of your Lord,
Give thanks for His Grace and come without fear.
What I am now, even so shall you be,
For I know that you are even as I am,
The souls of all men come forth from God,
The bodies of all are compounded alike,
Good and evil, alike it was ours.
I give you now a message of good cheer
May Godβs peace and joy forever more be yours.
β
β
Abu Hamid al-Ghazali
β
To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;β
Go forth, under the open sky, and list
To Natureβs teachings, while from all aroundβ
Earth and her waters, and the depths of airβ
Comes a still voiceβ
Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,
To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.
Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant worldβwith kings,
The powerful of the earthβthe wise, the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun,βthe vales
Stretching in pensive quietness between;
The venerable woodsβrivers that move
In majesty, and the complaining brooks
That make the meadows green; and, poured round all,
Old Oceanβs gray and melancholy waste,β
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom.βTake the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashingsβyet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleepβthe dead reign there alone.
So shalt thou rest, and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glide away, the sons of men,
The youth in lifeβs green spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed manβ
Shall one by one be gathered to thy side,
By those, who in their turn shall follow them.
So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.
β
β
William Cullen Bryant (Thanatopsis)