Departure Sad Quotes

A song of despair The memory of you emerges from the night around me. The river mingles its stubborn lament with the sea. Deserted like the dwarves at dawn. It is the hour of departure, oh deserted one! Cold flower heads are raining over my heart. Oh pit of debris, fierce cave of the shipwrecked. In you the wars and the flights accumulated. From you the wings of the song birds rose. You swallowed everything, like distance. Like the sea, like time. In you everything sank! It was the happy hour of assault and the kiss. The hour of the spell that blazed like a lighthouse. Pilot's dread, fury of blind driver, turbulent drunkenness of love, in you everything sank! In the childhood of mist my soul, winged and wounded. Lost discoverer, in you everything sank! You girdled sorrow, you clung to desire, sadness stunned you, in you everything sank! I made the wall of shadow draw back, beyond desire and act, I walked on. Oh flesh, my own flesh, woman whom I loved and lost, I summon you in the moist hour, I raise my song to you. Like a jar you housed infinite tenderness. and the infinite oblivion shattered you like a jar. There was the black solitude of the islands, and there, woman of love, your arms took me in. There was thirst and hunger, and you were the fruit. There were grief and ruins, and you were the miracle. Ah woman, I do not know how you could contain me in the earth of your soul, in the cross of your arms! How terrible and brief my desire was to you! How difficult and drunken, how tensed and avid. Cemetery of kisses, there is still fire in your tombs, still the fruited boughs burn, pecked at by birds. Oh the bitten mouth, oh the kissed limbs, oh the hungering teeth, oh the entwined bodies. Oh the mad coupling of hope and force in which we merged and despaired. And the tenderness, light as water and as flour. And the word scarcely begun on the lips. This was my destiny and in it was my voyage of my longing, and in it my longing fell, in you everything sank! Oh pit of debris, everything fell into you, what sorrow did you not express, in what sorrow are you not drowned! From billow to billow you still called and sang. Standing like a sailor in the prow of a vessel. You still flowered in songs, you still brike the currents. Oh pit of debris, open and bitter well. Pale blind diver, luckless slinger, lost discoverer, in you everything sank! It is the hour of departure, the hard cold hour which the night fastens to all the timetables. The rustling belt of the sea girdles the shore. Cold stars heave up, black birds migrate. Deserted like the wharves at dawn. Only tremulous shadow twists in my hands. Oh farther than everything. Oh farther than everything. It is the hour of departure. Oh abandoned one!

Change is certain. Peace is followed by disturbances; departure of evil men by their return. Such recurrences should not constitute occasions for sadness but realities for awareness, so that one may be happy in the interim

And, ah! his castle. The faery solitude of the place, with its turrets of mistly blue, its courtyard, its spiked gate, his castle that lay on the very bosom of the sea with seabirds mewing about its attics, the casements opening onto the green and purple, evanescent departures of the ocean, cut off by the tide from land for half a day . . . that castle, at home neither on the land nor on the water, a mysterious, amphibious place, contravening the materiality of both earth and waves, with the melancholy of a mermaiden who perches on her rocks and waits, endlessly, for a lover who had drowned far away, long ago. That lovely, sad, sea-siren of a place.

Packing up. The nagging worry of departure. When shutting drawers and flinging wide an hotel wardrobe, or the impersonal shelves of a furnished villa, I am aware of sadness, of a sense of loss. Here, I say, we have lived, we have been happy. This has been ours, however brief the time. Though two nights only have been spent beneath a roof, yet we leave something of ourselves behind. Nothing material, not a hair-pin on a dressing-table, not an empty bottle of Aspirin tablets, not a handkerchief beneath a pillow, but something indefinable, a moment of our lives, a thought, a mood. This house sheltered us, we spoke, we loved within those walls. That was yesterday. Today we pass on, we see it no more, and we are different, changed in some infinitesimal way. We can never be quite the same again.

My playlists are cluttered with sad songs and fractured memories, yet I unconvincingly claim I am trying to move on.

I shudder to speak of you, but sadly, that does not mean I dream of you any less.

even here, even at the beginning of love, her hand leaving his face makes an image of departure and they think they are free to overlook this sadness.

Look at her, touching his cheek to make a truce, her fingers cool with spring rain; in thin grass, bursts of purple crocus— even here, even at the beginning of love, her hand leaving his face makes an image of departure and they think they are free to overlook this sadness.

To be the mother of a grown-up child means that you don’t have a child anymore, and that is sad. When the grown-up child leaves home, that is sadder. I wanted Margaret to go to college, but when she actually went away it broke my heart. Maybe if you had enough children you could get used to those departures, but, having only three, I never did. I felt them like amputations. Something I needed was missing. Sometimes, even now, when I come into this house and it sounds empty, before I think I will wonder, “Where are they?

It’s a sad and grotesque thing that you and your friends have become so accustomed to lies that the truth has to be prefaced because it’s inherently surprising, a startling departure from the lies that comprise your lives.

Ice upon ice, and yet, inside, she melted and mourned all the same.

Only Anna was sad. She knew that now, from Dolly's departure, no one again would stir up within her soul the feelings that had been roused by their conversation. It hurt her to stir up these feelings, but yet she knew that that was the best part of her soul, and that that part of her soul would quickly be smothered in the life she was leading.

General Garrison assembled all of the men for a memorial service, and captured their feelings of sadness, fear, and resolve with the famous martial speech from Shakespeare’s Henry V: Whoever does not have the stomach for this fight, let him depart. Give him money to speed his departure since we wish not to die in that man’s company. Whoever lives past today and comes home safely will rouse himself every year on this day, show his neighbor his scars, and tell embellished stories of all their great feats of battle. These stories he will teach his son and from this day until the end of the world we shall be remembered. We few, we happy few, we band of brothers; for whoever has shed his blood with me shall be my brother. And those men afraid to go will think themselves lesser men as they hear of how we fought and died together.

With ardent sadness he contemplated the scene of his death for a long time, endlessly revising it like a work of art and surrounding it with images of this world, images that still imbued his thoughts, but that, already slipping away from him in his gradual departure, became vague and beautiful.

Dear Alien, Thank you for asking. Here on my earth, unlove is among the deepest loves to give a person. It touches us in a way no other pain could reach. For as long as breath comes, the possibility of heart correspondence may come too. For the rest of our lives, we are left with the unknown, sailing in a sea of doubt contaminated with hope - scattered and shattered over nothing that mattered. In the world of unlove, fire thrives from the cold. After they've left, our brains speculate how that person is doing. Departure never really exists. It's almost like leaving a person ensures you'll always be with them. Hope I answered your question. Mine for you: how is she? Curiously, KKF

Let the Christian world forget or depart from this true gospel salvation; let anything else be trusted but the cross of Christ and the Spirit of Christ; and then, though churches and preachers and prayers and sacraments are everywhere in plenty, nothing can come of them but a Christian kingdom of pagan vices, along with a mouth-professed belief in the Apostles’ Creed and the communion of saints. To this sad truth all Christendom both at home and abroad bears full witness. Who need be told that no corruption or depravity of human nature, no kind of pride, wrath, envy, malice, and self-love; no sort of hypocrisy, falseness, cursing, gossip, perjury, and cheating; no wantonness of lust in every kind of debauchery, foolish jesting, and worldly entertainment, is any less common all over Christendom, both popish and Protestant, than towns and villages. What vanity, then, to count progress in terms of numbers of new and lofty cathedrals, chapels, sanctuaries, mission stations, and multiplied new membership lists, when there is no change in this undeniable departure of men’s hearts from the living God. Yea, let the whole world be converted to Christianity of this kind, and let every citizen be a member of some Protestant or Catholic church and mouth the creed every Lord’s day; and no more would have been accomplished toward bringing the kingdom of God among men than if they had all joined this or that philosophical society or social fraternity.

To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.

A few months ago on a school morning, as I attempted to etch a straight midline part on the back of my wiggling daughter's soon-to-be-ponytailed blond head, I reminded her that it was chilly outside and she needed to grab a sweater. "No, mama." "Excuse me?" "No, I don't want to wear that sweater, it makes me look fat." "What?!" My comb clattered to the bathroom floor. "Fat?! What do you know about fat? You're 5 years old! You are definitely not fat. God made you just right. Now get your sweater." She scampered off, and I wearily leaned against the counter and let out a long, sad sigh. It has begun. I thought I had a few more years before my twin daughters picked up the modern day f-word. I have admittedly had my own seasons of unwarranted, psychotic Slim-Fasting and have looked erroneously to the scale to give me a measurement of myself. But these departures from my character were in my 20s, before the balancing hand of motherhood met the grounding grip of running. Once I learned what it meant to push myself, I lost all taste for depriving myself. I want to grow into more of a woman, not find ways to whittle myself down to less. The way I see it, the only way to run counter to our toxic image-centric society is to literally run by example. I can't tell my daughters that beauty is an incidental side effect of living your passion rather than an adherence to socially prescribed standards. I can't tell my son how to recognize and appreciate this kind of beauty in a woman. I have to show them, over and over again, mile after mile, until they feel the power of their own legs beneath them and catch the rhythm of their own strides. Which is why my parents wake my kids early on race-day mornings. It matters to me that my children see me out there, slogging through difficult miles. I want my girls to grow up recognizing the beauty of strength, the exuberance of endurance, and the core confidence residing in a well-tended body and spirit. I want them to be more interested in what they are doing than how they look doing it. I want them to enjoy food that is delicious, feed their bodies with wisdom and intent, and give themselves the freedom to indulge. I want them to compete in healthy ways that honor the cultivation of skill, the expenditure of effort, and the courage of the attempt. Grace and Bella, will you have any idea how lovely you are when you try? Recently we ran the Chuy's Hot to Trot Kids K together as a family in Austin, and I ran the 5-K immediately afterward. Post?race, my kids asked me where my medal was. I explained that not everyone gets a medal, so they must have run really well (all kids got a medal, shhh!). As I picked up Grace, she said, "You are so sweaty Mommy, all wet." Luke smiled and said, "Mommy's sweaty 'cause she's fast. And she looks pretty. All clean." My PRs will never garner attention or generate awards. But when I run, I am 100 percent me--my strengths and weaknesses play out like a cracked-open diary, my emotions often as raw as the chafing from my jog bra. In my ultimate moments of vulnerability, I am twice the woman I was when I thought I was meant to look pretty on the sidelines. Sweaty and smiling, breathless and beautiful: Running helps us all shine. A lesson worth passing along.

After you interact with Ginevra de’ Benci long enough, what at first seem like a vacant face and distant stare begin to appear suffused with a haunting tinge of emotion. She seems pensive and ruminating, perhaps about her marriage or the departure of Bembo, or because of some deeper mystery. Her life was sad; she was sickly and remained childless. But she also had an inner intensity. She wrote poetry, one line of which survives: “I ask your forgiveness; I am a mountain tiger.

Packing up. The nagging worry of departure. Lost keys, unwritten labels, tissue paper lying on the floor. I hate it all. Even now, when I have done so much of it, when I live, as the saying goes, in my boxes. Even to-day, when shutting drawers and flinging wide a hotel wardrobe, or the impersonal shelves of a furnished villa, is a methodical matter of routine, I am aware of sadness, of a sense of loss. Here, I say, we have lived, we have been happy. This has been ours, however brief the time. Though two nights only have been spent beneath a roof, yet we leave something of ourselves behind. Nothing material, not a hair-pin on a dressing-table, not an empty bottle of aspirin tablets, not a handkerchief beneath a pillow, but something indefinable, a moment of our lives, a thought, a mood.

He spent long and charming hours reclining and having a tête-à-tête with himself, the only guest he had neglected to ask to supper in his lifetime. He tried to adorn his suffering body, to lean in resignation on the windowsill, gazing at the sea, a melancholy joy. With ardent sadness he contemplated the scene of his death for a long time, endlessly revising it like a work of art and surrounding it with images of this world, images that still imbued his thoughts, but that, already slipping away from him in his gradual departure, became vague and beautiful.

Human life is sadly fertile in situations where, as a result of either too much meditation or of some catastrophe, our thoughts seem to hold to nothing; they have no substance, no point of departure, and the present has no hooks by which to hold to the past or fasten on the future.

His departure was a sad disappointment to those hands who had been preparing their testimony for the trial. Some of them were old shipmates of Jack's, and they were perfectly ready to swear through a nine-inch plank so long as their evidence led in the right direction: the court would have heard a lively description of the Honourable Sod's furious assault upon the Captain with a brace of pistols, a boarding-axe, a naked sword and a topmast fid, together with all the warm or pathetic expressions used on either side, such as Somers' 'Rot your vitals, you infernal bugger,' and Jack's 'Pray, Mr Somers, consider what you are about.

For the last year and a half this room had been my 'pensive citadel:' here I had read and studied through all the hours of the night: and, though true it was, that for the latter part of this time I, who was framed for love and gentle affections, had lost my gaiety and happiness, during the strife and fever of contention with my guardian; yet, on the other hand, as a boy, so passionately fond of books, and dedicated to intellectual pursuits, I could not fail to have enjoyed many happy hours in the midst of general dejection. I wept as I looked round on the chair, hearth, writing-table, and other familiar objects, knowing too certainly, that I looked upon them for the last time.

Only Anna was sad. She knew that now, from Dolly’s departure, no one again would stir up within her soul the feelings that had been roused by their conversation. It hurt her to stir up these feelings, but yet she knew that that was the best part of her soul, and that that part of her soul would quickly be smothered in the life she was leading.

But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In

During my railway-journey back to Paris the conviction of my lack of literary gifts again assailed me. This conviction which I believed I had discovered formerly on the Guermantes side, that I had recognised still more sorrowfully in my daily walks at Tansonville with Gilberte before going back to dinner or far into the night, and which on the eve of departure I had almost identified, after reading some pages of the Mémoires of the Goncourts, as being synonymous with the vanity and lie of literature, a thought less sad perhaps but still more dismal if its reason was not my personal incompetence but the non-existence of an ideal in which I had believed, that conviction which had not for long re-entered my mind, struck me anew and with more lamentable force than ever.

After the departure of her cousin and his companions she roamed more than usual; she carried her somber spirit from one familiar shrine to the other. Even when Pansy and the Countess were with her she felt the touch of a vanished world. The carriage, leaving the walls of Rome behind, rolled through narrow lanes where the wild honeysuckle had begun to tangle itself in the hedges, or waited for her in quiet places where the fields lay near, while she strolled further and further over the flower-freckled turf, or sat on a stone that had once had a use and gazed through the veil of her personal sadness at the splendid sadness of the scene — at the dense, warm light, the far gradations and soft confusions of colour, the motionless shepherds in lonely attitudes, the hills where the cloud-shadows had the lightness of a blush.

During a recent lunch with a close friend who is also the mother of two young children, Diana told of an incident which underlines not only the current state of her relationship with her husband but also the protective nature of her son William. She told her friend that the week that Buckingham Palace decided to announce the separation of the Duke and Duchess of York was understandably a trying time for her. She had lost an amicable companion and was acutely aware that the public spotlight would once again fall on her marriage. Yet her husband seemed unmoved by the furore surrounding the separation. He had spent a week touring various stately homes, gathering material for a book he is writing on gardening. When he returned to Kensington Palace he failed to see why his wife should feel strained and rather depressed. He airily dismissed the departure of the Duchess of York and launched, as usual, into a disapproving appraisal of Diana’s public works, especially her visit to see Mother Teresa in Rome. Even their staff, by now used to these altercations, were dismayed by this attitude and felt some sympathy when Diana told her husband that unless he changed his attitude towards her and the job she is doing she would have to reconsider her position. In tears, she went upstairs for a bath. While she was regaining her composure, Prince William pushed a handful of paper tissues underneath the bathroom door. “I hate to see you sad,” he said.

You’re as beautiful as you were the night we made our son,” she whispered, bending to kiss him tenderly. His fingers traced her dark eyebrows, her cheeks, her mouth. “I wish we could have another baby,” he said heavily. “So do I. But I’m too old,” she said sadly. She lay her cheek against his broad, damp chest and stroked the silver-tipped hair that covered it. “We’ll have to hope for grandchildren, if he ever forgives us.” He held her tightly, as if by holding her he could keep her safe. What he felt for her was ferociously protective. She misunderstood the tightening of his arms. She smiled and sighed. “We can’t, again. Cecily will think we’ve deserted her.” His hand smoothed her long hair. “She probably knows exactly what we’re doing,” he said on a chuckle. “She loves you.” “She likes you. Maybe we could adopt her.” “Better if our son marries her.” She grinned. “We can hope.” She sat up and stretched, liking the way he watched her still-firm breasts. “The last time I felt like this was thirty-six years ago,” she confided. “The same is true for me,” he replied. She searched his eyes, already facing her departure. She would have to go back to the reservation, home. He could still read her better than she knew. He drew her hand to his mouth. “It’s too late, but I want to marry you. This week. As soon as possible.” She was surprised. She didn’t know what to say. “I love you,” he said. “I never stopped. Forgive me and say yes.” She considered the enormity of what she would be agreeing to do. Be his hostess. Meet his friends. Go to fund-raising events. Wear fancy clothes. Act sophisticated. “Your life is so different from mine,” she began. “Don’t you start,” he murmured. “I’ve seen what it did to Cecily when Tate used that same argument with her about all the differences. It won’t work with me. We love each other too much to worry about trivial things. Say yes. We’ll work out all the details later.” “There will be parties, benefits…” He pulled her down into his arms and kissed her tenderly. “I don’t know much about etiquette,” she tried again. He rolled her over, pinning her gently. One long leg inserted itself between both of hers as he kissed her. “Oh, what the hell,” she murmured, and wrapped her legs around his, groaning as the joints protested. “Arthritis?” he asked. “Osteoarthritis.” “Me, too.” He shifted, groaning a little himself as he eased down. “We’ll work on new positions one day. But it’s…too late…now. Leta…!” he gasped. She didn’t have enough breath to answer him. He didn’t seem to notice that she hadn’t. Bad joints notwithstanding, they managed to do quite a few things that weren’t recommended for people their ages. And some that weren’t in the book at all.

J Abrams was driving off into the big stupid vermilion sky, and even though the color had been my favorite, I was sure that from now on, every time I looked at it I would feel nothing but sadness.

The pattern is sadly familiar in church history: a cooling of the church’s love for Christ, then its replacement by a love for the things of the world, resulting in compromise and spiritual corruption, followed by a departure from the faith and loss of effective spiritual testimony.

When Oscar announced he was leaving to pursue his medical studies at the University of Vienna, specializing in Plastic and Reconstructive Surgery after his Sekham service, I was sad that our triplet relationship was coming to an end. After his departure, Andy consoled and comforted me, guiding me to regain an emotionally stable footing. My Valet loved me unconditionally and had hoped I would follow him to Christchurch, New Zealand when he left to pursue his engineering studies. I did not.

The Sacred Place of A Loving Mother It felt so unreal The atmosphere surreal Yet, you had serenity As you said your final goodbyes With conviction, you waved at us Until you gave your last breath That was the end of you on Earth Years go by and I realise I hope to see you one more time So, I keep looking around Your departure left in me a gaping wound That wound sometimes bleeds No matter how much I try to hide it I cannot help but long for you Mommy Your beautiful smile calmed my nerves Your warm presence gave me calmness Your gentle kindness changed who I am Your wealth of wisdom helped me grow Your staunch support kept me strong Your sincere sacrifices brought me hope Your powerful prayers made me a conqueror If you could hear my voice I would whisper the words “I love you.” If you could see my face You would realise that I miss you If you could look at me now You would understand how much I need you If you could notice my tears I know you would wipe them there and there If you could get closer to me You would give me a hug and say, “It is okay.” Because right now, I feel it is not Mama! Deep in my heart, there is a vacuum A vacuum that no one can ever fill Every time I am at crossroads I wonder what you would say or do Living next to you was a great blessing You were an amazing parent to me And you will always be my inspiration In sadness, I recall how you prayed In happiness, I recount how you praised the Lord In the wilderness, I remember how you trusted God It is still hard to believe you are gone I will cherish you forever My loving Mother No one can ever take your sacred place

Through love's relentless departure, I've become a seasoned companion to solitude. Yet, my heart remains open, holding onto hope for a love that defies the patterns of abandonment.

Anyway, she had had such moments before, and besides, she was not killing herself because she was a sad, embittered woman, constantly depressed. She had spent many afternoons walking joyfully along the streets of Ljubljana or gazing— from the window in her convent room—at the snow falling on the small square with its statue of the poet. Once, for almost a month, she had felt as if she were walking on air, all because a complete stranger, in the middle of that very square, had given her a flower. She believed herself to be completely normal. Two very simple reasons lay behind her decision to die, and she was sure that, were she to leave a note explaining, many people would agree with her. The first reason: Everything in her life was the same and, once her youth was gone, it would be downhill all the way, with old age beginning to leave irreversible marks, the onset of illness, the departure of friends. She would gain nothing by continuing to live; indeed, the likelihood of suffering would only increase. The second reason was more philosophical: Veronika read the newspapers, watched TV, and she was aware of what was going on in the world. Everything was wrong, and she had no way of putting things right—that gave her a sense of complete powerlessness.

The final agreement took shape during the final two days of Carter’s presidency. The president slept on the Oval Office couch as he desperately hoped for the hostages’ release on his watch. While the hostages had boarded an Algerian aircraft on Reagan’s inauguration day, January 20, 1981, communications between the plane’s cockpit and the tower indicated nothing would happen until Reagan finished his oath. Aides told Carter of the hostages’ departure from Tehran when he arrived at Andrews Air Force Base to board a flight home to Georgia. During a post-inauguration luncheon in the Capitol, Reagan hoisted a champagne toast and announced to the world that the hostages had left Iranian airspace. Sadly, Carter made the same statement in front of a few folks in Plains, Georgia.

boy, Jack?” he asked, the look on his face unreadable. Jack was the boy who’d helped restore the spirit orb which powered the ancestral spirit. “Yes,” Kitsune admitted, her expression faltering slightly. A pang of sadness washed over her at the reminder of Jack, Bruce, and Ricardo's departure. Despite her stoic exterior, she couldn't help but miss them. Together they'd adventured and fought and braved dangers, and now they were gone, just like that, leaving her in a world she still struggled to understand. As if reading her thoughts, Goro shared a pointed glance with Sota. There was a silent conversation there, an unspoken agreement. Sota nodded, and Goro turned his attention back to Kitsune. “You say you

It Never Goes Away I will try to know your death exactly As you do. The moon has shown up tonight, Coin in the palm of one we wait for, sunset Long gone. So hard this practice to wake Into no more light, not even in the place You left it. Then each morning comes And you are followed by the rise Of landscape everywhere. We never know How much it takes, this business Of departure; you stare into ocean Outdone by all you want. Enough Of what continues. Here it comes again, The turning of dark and dirt, unable to stop; Love, even with everything to be sad about.

Are you Afraid of Sadness?" In an old interview with a famous and talented Iraqi actress, the interviewer asked her: “Why are you afraid of sadness?” The actress responded: “I am afraid of it because it quickly takes you to a place from which you can never return.” And exactly as she was answering, an insightful viewer could notice a sadness on her face indicating that the famous and talented actress herself wasn’t really present in the interview for sadness had long taken her with no return… [Original poem published in Arabic on November 19, 2023 at ahewar.org]

I closed my eyes and leaned my head back to face the boundless sky above covered by the darkness of my eyelids, and asked for mercy when there was none; ask for justice where there was corruption; for fleeting light in the sinking darkness; for life when there was only death and an accompanying silence; for rain in the blazing fire, where flames rose and burned and became a paroxysm of war and peace, of beauty and ugliness, of arrival and departure, of the awakened and those asleep, of content and sorrow, of sun and moon.

To certain disciples who complained that men were leaving him and going to Jesus, John had said if effect: "Jesus is the Bridegroom, I am but the Bridegroom's friend; therefore it is right that men should leave me and join Jesus." Jesus now takes up the Baptist's words, and turns them to account for the purpose of defending the way of life pursued by His disciples. His reply, freely paraphrased, is to this effect: "I am the Bridegroom, as your master said; it is right that the children of the bride-chamber come to me; and it is also right that, when they have come, they should adapt their mode of life to their altered circumstances. Therefore they do well not to fast, for fasting is the expression of sadness, and how should they be sad in my company? As well might men be sad at a marriage festival. The days will come when the children of the bride-chamber shall be sad, for the Bridegroom will not always be with them; and at the dark hour of His departure it will be natural and seasonable for them to fast, for then they shall be in a fasting mood--weeping, lamenting, sorrowful, and disconsolate.

What I miss most from home is shopping. It sounds a bit silly, I know. If ever I couldn’t grasp that something was happening, like when I got the job here and departure time was coming up, I’d go out and buy stuff in preparation for it, and in that way I understood it was for real. I understood impending events through shopping. I understood the circumstances through the items that characterized them. Shopping had a kind of numbing effect on me, and now that it’s no longer something I do, I’ve started having thoughts and feelings that have turned out to be sad.

Every melody is based on the same seven notes, but some melodies make you happy, some make you sad, and some can terrify you. Well, this was a roar which makes your blood go cold in your veins and your hair stand up on your head. You could call it a ‘premonition of death.

He would momentarily relive all the joyous and sad moments of his life and understand their deeper significance. He would recognize an overall pattern that is the essential structure informing his mode of existence in the hereafter and his eventual rebirth. Self-transcending spiritual practitioners will undoubtedly have many of the above experiences in common with worldly individuals. But they will presumably look back upon fewer missed opportunities for self-improvement and inner growth. In their depth-mind there will be powerful impressions that are incompatible with re-embodiment in the material realm. If the practitioners are advanced, these subliminal activators (samskāra) will outweigh all others. Individuals who have always lived typical human lives invite rebirth (punar-janman) as typical human beings. But those Yoga practitioners who model their whole existence not on mere human standards but on the ultimate Reality will, if they have succeeded in setting up incisive enough impressions in their depth-memory, merge with that Reality. And if these practitioners are sufficiently advanced on the spiritual path, they will be able to monitor the process of dying and so ensure that no vestiges remain in their depth-mind, which would force them to assume another physical body. In fact, the conscious departure from this world is one of the sure marks by which one can recognize a genuine yogin or yoginī. The Self-realized adept regards the body like a vessel that is engulfed by space, both within and without, the space being the omnipresent Reality itself. Death does not shake an adept in the least. Many moving stories are told by disciples who have witnessed their guru’s exit from the world—“with a single breath” and a smile. A dying yogin in agony or a state of stupor is almost a contradiction in terms. The maxim holds: Show me how you die, and I show you who you are. But, the reader may ask, what if the Yoga adept drowns unexpectedly or is killed by a stray bullet? Will the element of surprise not outwit him or her? The traditional answer is a most emphatic No. There can be no surprise for the enlightened being—hence the smile. Otherwise we would have to assume that the universe is ruled by chance, which is an assumption that is explicitly rejected by the Yoga masters. In whichever way the masters of Yoga take leave from this world—and, as the poet knew, death has ten thousand doors—they will have foreknowledge of their death. There are too many well-attested examples for this to be purely fictional icing on the cake of hagiolatry. How such knowledge is obtained remains a mystery that need not concern us here. The process of conscious exit from the body, however, is not a secret—at least not in principle. The archaic Chāndogya-Upanishad (8.6.5–6) discloses the following: Now, when he thus departs from this body, then he ascends upward with these rays [of the Sun]. Uttering [the sacred syllable] om, he dies. As soon as the mind is cast off, he goes to the Sun.

Sir Charles shook his head sadly and they took their departure, going round by the road to the spot where the car awaited them.

think of Halley—the first time we met, on the first day of Basic, bunkmates by the luck of the alphabet—and I feel a profound gratitude for the interrupted, hectic, and strange relationship we’ve had, intense and exciting despite all the obstacles thrown into our path by an uncaring military. I think of Mom, and about the sadness she will feel at the loss of her only child, but I’m glad that we got to spend some time together just before I shipped out on this particular goat rope.

I think of Mom, and about the sadness she will feel at the loss of her only child, but I’m glad that we got to spend some time together just before I shipped out on this particular goat rope. I conclude that I have no regrets, and that I’d do it all again, in exactly the same fashion, if I had the choice. If my life was short, at least I managed to live the last part of it on my own terms.

Victoria melted against him as they kissed. Ramsay’s arms around her swept away the sadness that had been plaguing her since his departure and made her all the more certain of her feelings. Somewhere

Cal studied Savvy as the C-130 sped down the runway. The plane held a half-dozen marines and supplies bound for Manda Bay. She'd chosen the seat across from him near the tail of the aircraft and donned protective headphones. Between the headphones and other passengers, there was no way for them to discuss the mission during the flight. He’d been released from the brig at two thirty in the morning and was told he’d be departing on the transport as scheduled. Savvy hadn't stopped by his CLU to offer an explanation, and he’d decided not to go to hers. He needed to sleep. They'd have time to sort things out before departure. But daylight brought no communication from her, and he’d been surprised to find himself alone in the vehicle that delivered him to the airstrip the US military shared with the international airport. He’d begun to wonder if the op would be canceled, when she arrived seven minutes before their scheduled takeoff. She’d dropped into the seat across from him with little more than a nod in his direction, donned the headphones, and cracked open a file. She stared at the papers on her lap as if they held the meaning of the universe. They reached cruising altitude. The interior was loud, but not so loud the headphones were necessary. Still, she kept them on. He’d been watching her for twenty minutes, noting that she had yet to turn a page. He’d been looking forward to seeing her. He’d wanted to check the bruises on her neck, make sure she was okay. But the concern had evaporated in the wake of her avoidance. Her utter lack of acknowledgment of what had transpired last night. He reminded himself she’d been assaulted. It was wrong of him to expect her to be rational, cool, and calm today. She’d said the man had assaulted her before, and Evers had indicated the same with his words and actions. She had the right to be messed up. If this were a normal situation. But nothing about this was normal. They were heading into a covert op, and he knew next to nothing of their plan. Worse, he needed to know if she was on her game. He needed Savannah James, Paramilitary Operations Officer for the Special Operations Group within SAD. He needed the covert operator who could do everything he could do, backward and in high heels. He didn’t know if that woman had boarded this turboprop. Flights always took longer on C-130s, and he estimated they’d be in the air about three and a half hours. Too long to wait to find out what was going on in that complex brain of hers. He unbuckled his harness and moved to the empty seat next to her. Her fingers tightened on the files in her lap. He reached over and extracted the papers from her grip and set them aside. He slid a hand down her arm and took her hand, interlocking his fingers with hers. Her hand was tight, stiff, then all at once, she relaxed and squeezed his hand. After a moment, she pulled off the protective headphones and leaned her head on his shoulder. Something in his chest shifted. He was holding hands with Savvy as she leaned on him, and it felt…right. Good. Like something he’d needed forever but hadn't known. Several marines sat too close for them to attempt conversation, and a guy sitting across the empty fuselage watched with unabashed curiosity. Cal didn't care. He liked the way she leaned on him. The way she was willing to accept comfort. The way her hand felt in his. And he was thankful he hadn't been cut from this mission, no matter how much he hadn't wanted it at first. The idea of her having to pretend to be a sexual plaything to anyone but him made his blood pressure spike. It was messed up, but he couldn't deny it. The fact that he didn't like the idea of any other man touching her—even if it was only an act—was a problem to deal with when they returned to Camp Citron. Right now, he was a soldier embarking on a mission, and as he would on any mission, he’d protect his teammate at all costs.

Compared to other emotions (joy, sadness, anger), there is a lot of physical evidence that love is actually a concept closer to hormone activity than emotion. Biologically, love is a powerful neurotic condition. Desire to love is accompanied by sexual desire, but it is similar to hunger and thirst for hormonal reasons. When you fall in love, the brain releases several chemicals: pheromone, dopamine, norepinephrine, serotonin, oxytocin, vasopressin, and so on. Just by hugging a loved one or simply looking at a photograph of a boyfriend, the hormone oxytocin is released in the body and acts as an analgesic for headaches. What is interesting is that if you break up, the symptoms you experience are similar to the withdrawal symptoms of drug addicts. In some cases, withdrawal from the demonstration may release a chemical that weakens the heart in the body. Biochemically, phenylethylamine , which secretes in the brain's limbic system, acts as a stimulant, a kind of natural amphetamine. The phrase love is a drug is no longer a metaphor but an explanatory note in this scene. But it takes 2 seconds to look at the opponent and take the so-called saying at first sight. In just two seconds, phenylethylamine is secreted and becomes full, stimulating the brain, making the opponent look barefaced. If you can make your opponent secrete phenylethylamine, this is the birth of XXX, a grossly outbreak of creatures. However, the secretion of phenylethylamine has a shelf life and generally does not exceed 2 years. [10] After that period, I will get back to my mind. From this time on, love has passed through the stages of chemistry and sociology. But a new fact has been announced. It is said that there are quite a couple who secrete this phenylethylamine throughout life. (...) In this case, however, it is not the same as the whole life, but the period when it is secreted like other normal couples, and the time when the secretion is diminished repeatedly. However, the cycle of this pattern is similar to the two people, so it is a good fit for a lifetime. If you think about it a little differently, you will come back bump bang for a while and then fall back to each other. On the contrary, the broken couples still have one secretion, and the other side breaks into the resting period, and the secretion side considers that the other's love has cooled, Perhaps the main pattern that a man and a woman make and break is confessing - fellowship - Confession feels that the opponent is obsessed with the pattern of departure - separation, It may be that the action of the opponent, who started the pause more quickly and began to climax at the apex of the secretion at that point, is regarded as an obsession. However, it is difficult to justify the feeling of love as a simple hormonal change. It is not possible to reveal what kind of change is happening in any situation, even if it is revealed that what kind of hormone change occurs when feeling love, and it is impossible to tell. Just as you do not secrete phenylethylamine, which is one of the most common types of phenylethylamine you encounter on the roadside, you can not say that this research has 'revealed the principles of love' and 'why you fall in love'. The latter is influenced by individual values, experience and situation, first impressions, and the conditions of the opponent.

There is something sad about traveling, because as you discover the enormous amount of life and living that exist in all these places and hidden corners, you are left with two contradictory feelings: first, traveling strongly confirms the idea that one can only see what one is intellectually, spiritually, and physically prepared to see…Everything we encounter depends on our palate in the same way tasting food is that encounter between the food and the palate. Second, there is something excruciatingly painful about leaving a place as soon as you begin to feel at home. There is a deep sorrow in knowing that all the things, places, lakes, wildflowers, animals, and people that we encounter will continue their lives without us. Even more painful is the realization that there are many more lives and much more beauty that we will never get to experience." [From “Can We Travel Without Being Tourists?” published on CounterPunch on March 15, 2024]

[Earlier in the novel, Anodos meets a girl with the lightness of a child, carrying her prized possession - a precious globe that made music when touched. As the Shadow took over him, he reached out and broke her globe. This excerpt happens toward the end of the novel]: Hardly knowing what I did, I opened the door. Why had I not done so before? I do not know. At first I could see no one; but when I had forced myself past the tree which grew across the entrance, I saw, seated on the ground, and leaning against the tree, with her back to my prison, a beautiful woman. Her countenance seemed known to me, and yet unknown. She looked at me and smiled, when I made my appearance. “Ah! were you the prisoner there? I am very glad I have wiled you out.” “Do you know me then?” “Do you not know me? But you hurt me, and that, I suppose, makes it easy for a man to forget. You broke my globe. Yet I thank you. Perhaps I owe you many thanks for breaking it. I took the pieces, all black, and wet with crying over them, to the Fairy Queen. There was no music and no light in them now. But she took them from me, and laid them aside; and made me go to sleep in a great hall of white, with black pillars, and many red curtains. When I woke in the morning, I went to her, hoping to have my globe again, whole and sound; but she sent me away without it, and I have not seen it since. Nor do I care for it now. I have something so much better. I do not need the globe to play to me; for I can sing. I could not sing at all before. Now I go about everywhere through Fairy Land, singing till my heart is like to break, just like my globe, for very joy at my own songs. And wherever I go, my songs do good, and deliver people. And now I have delivered you, and I am so happy.” She ceased, and the tears came into her eyes. All this time, I had been gazing at her; and now fully recognised the face of the child, glorified in the countenance of the woman. I was ashamed and humbled before her; but a great weight was lifted from my thoughts. I knelt before her, and thanked her, and begged her to forgive me. “Rise, rise,” she said; “I have nothing to forgive; I thank you. But now I must be gone, for I do not know how many may be waiting for me, here and there, through the dark forests; and they cannot come out till I come.” She rose, and with a smile and a farewell, turned and left me. I dared not ask her to stay; in fact, I could hardly speak to her. Between her and me, there was a great gulf. She was uplifted, by sorrow and well-doing, into a region I could hardly hope ever to enter. I watched her departure, as one watches a sunset. She went like a radiance through the dark wood, which was henceforth bright to me, from simply knowing that such a creature was in it. She was bearing the sun to the unsunned spots. The light and the music of her broken globe were now in her heart and her brain. As she went, she sang; and I caught these few words of her song; and the tones seemed to linger and wind about the trees after she had disappeared: Thou goest thine, and I go mine– Many ways we wend; Many days, and many ways, Ending in one end. Many a wrong, and its curing song; Many a road, and many an inn; Room to roam, but only one home For all the world to win. And so she vanished. With a sad heart, soothed by humility, and the knowledge of her peace and gladness, I bethought me what now I should do.