Departure Hurts Quotes

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Do you know that there's a halfway world between each ending and each new beginning? It's called the hurting time, Jean Perdu. It's a bog; it's where your dreams and worries and forgotten plans gather. Your steps are heavier during that time. Don't underestimate the transition, Jeanno, between farewell and new departure. Give yourself the time you need. Some thresholds are too wide to be taken in one stride.
Nina George (The Little Paris Bookshop)
It was crucial to understand whether that moment was immensely hurtful or was awfully affectionate for me.
Suman Pokhrel
The truth is you can never truly make amends for the hurt you cause; you apologize, you try to atone, at best the scars lighten but they don't disappear. You live with the pain that you pained someone.
Justin A. Reynolds (Early Departures)
It's confusing-how your heart holds your love and your hurt in the same chamber.
Justin A. Reynolds (Early Departures)
She never knew her tender soul died daily as she helped him yo fix his broken pieces of life. His departure was no longer a pain but a slow death
Kshanasurya
Only Anna was sad. She knew that now, from Dolly's departure, no one again would stir up within her soul the feelings that had been roused by their conversation. It hurt her to stir up these feelings, but yet she knew that that was the best part of her soul, and that that part of her soul would quickly be smothered in the life she was leading.
Leo Tolstoy (Anna Karenina)
I mean, what are you going to do to him for shooting your dog?” “I will do nothing. I won’t hurt my brother. He acted like a child. He did a bad thing. But he is drunk and his head is not working well. He should not have hurt my dog. It is like my child.” Even when provoked, as Kaaboogí was now, the Pirahãs were able to respond with patience, love, and understanding, in ways rarely matched in any other culture I have encountered.
Daniel L. Everett (Don't Sleep, There Are Snakes: Life and Language in the Amazonian Jungle (Vintage Departures))
My little big friend Samy left me with one final scrap of wisdom. For once she didn’t shout—she tends to shout. She gave me a hug as I sat there, staring at the sea and counting the colors, and whispered very quietly to me: “Do you know that there’s a halfway world between each ending and each new beginning? It’s called the hurting time, Jean Perdu. It’s a bog; it’s where your dreams and worries and forgotten plans gather. Your steps are heavier during that time. Don’t underestimate the transition, Jeanno, between farewell and new departure. Give yourself the time you need. Some thresholds are too wide to be taken in one stride.
Nina George (The Little Paris Bookshop)
They felt certain that this baby was going to die. They felt it was suffering terribly. And they believed that my clever milk tubes contraption was hurting the child and prolonging its suffering. So they euthanized the child. The father himself put the baby to death, by forcing alcohol down its throat.
Daniel L. Everett (Don't Sleep, There Are Snakes: Life and Language in the Amazonian Jungle (Vintage Departures))
Only Anna was sad. She knew that now, from Dolly’s departure, no one again would stir up within her soul the feelings that had been roused by their conversation. It hurt her to stir up these feelings, but yet she knew that that was the best part of her soul, and that that part of her soul would quickly be smothered in the life she was leading.
Leo Tolstoy (Anna Karenina)
In my early twenties, I honed my skills on married men, men whose rejections and eventual departures it would be impossible to take personally. Even Jerome wasn’t someone I ever possessed completely, or wanted to. And look who I’d pined after at Granby: the hottest guy on the ski team, and Kurt Fucking Cobain. Men who could never hurt me, because I could remain invisible to them.
Rebecca Makkai (I Have Some Questions For You)
think you overestimate the maturity of adults, he wrote me in his final letter, a letter he sent only after I’d broken down and written him first, after a year of silence. Angry and hurt as I may have been by his departure, his observation was undeniably correct. This slice of truth, offered in the final hour, ended up beginning a new chapter of my adulthood, the one in which I realized that age doesn’t necessarily bring anything with it, save itself. The rest is optional.
Maggie Nelson (The Argonauts)
Mom and Bob's problems were my first introduction to marital conflict resolution. Here were the takeaways: Never speak at a reasonable volume when screaming will do; if the fight gets a little too intense, it's okay to slap and punch, so long as the man doesn't hit first; always express your feelings in a way that's insulting and hurtful to your partner; if all else fails, take the kids to a local motel, and don't tell your spouse where to find you - if he or she knows where the children are, he or shoe won't worry as much, and your departure won't be as effective.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Be your own anchor, and sail along the shore of Life with a bunch of smiles. In a whirlwind of a thousand journeys, we flow through Life, as if crossing through an Ocean of an endless voyage. Sometimes we marvel at the ports we glide along, sometimes we chase the waves with our heart and soul, while sometimes we lose our way only to find a lighthouse guiding us along, always catching our breath at the majestic sunrises and sunsets. Our happy moments and connections are like those ports that cross our path while the moments of pain direct our steps to the lighthouse within our soul, as we keep growing ourselves through so many births and deaths of our soul just as the sunrises and sunsets. I want some of you to know and acknowledge the fact that it's absolutely okay to let go, to let the ship of your Life cross the port, because however beautiful that port might be, your journey shouldn't stop, it is not meant to stop. Well, the most brutal yet beautiful truth is, initially everyone stays but eventually no one does. It is brutal because it hurts, it sometimes makes you wonder why it has to end and it's beautiful because everything that ends often ends up gifting you with an invaluable experience filled with beautiful lessons and memories. Understand that it doesn't have to be chaotic, it can be a peaceful goodbye. And even when sometimes it might end in a turmoil, your soul would finally find the grace to give it a closure it demands. Understand that the pain that wrenches your heart in this, gradually tunes your soul to find an anchor, a flicker of Light that is forever guiding you Home. Understand that all of these arrivals and departures, detours and halts are Time's decision to make and we must embrace that with dignity and grace. The essential thing is to keep sailing, by letting go, by simply carrying on with the journey. Halt if you must, but while you halt, don't forget to gaze at how you have grown through each of those very experiences, just as how wonderful the journey gets along the path while you keep passing the ports one after another, steering nearer to the ultimate destination. So wave them a goodbye with a smile of gratitude for helping you in finding a piece of your soul back through a mad jest of pain, to gift you with another step closer to your destination, and sail along the shore of Life with a bunch of smiles.
Debatrayee Banerjee
First experiences in life are very important. I never analyzed you, I always saw you. I never judged you, I always grasped you. When I left, I became lost. I was working, living, performing but you were missing, I don’t know why? I seriously don't understand why you are impacting so much on me? Can you clear in future if you have answer? We never talked too much but why this pain of departure is there? I have tried to forget you a lot, tried to delete the contact, tried to full concentrate on my life, sometime cried but there was not a single day when I didn't think about you. Am I really over thinker? I failed in your case, I failed. I have to accept the reality that to be good with you is the only solution which can make me happy & stable. Wherever I'll be in life, but this connectivity is necessary now. It is a part of life. I have so many questions for you. Have you ever missed me like I do? Everyday? I felt it, was that true? Do you really like to hear me? Or you are also in me? Or you are trying to suggest me some future planning? Are you shy? Less talker? You always tried to be open up with me? I always maintained safe distance? Was I too reserved? Was I egoistic? Yes, I was, but only in your case. Whatever you did for me that all was unsaid, pure, clear, fair. You were always nice to me? You never scold me, is this your part of nature? I heard so many cases of your temper? I never asked about you to people, they used to tell me about you by their own. Can I suggest you something? You are smart thinker but be careful from the people. Never be too kind to anyone, not all people have value of it. People never learn from the mistakes; they don’t want to create; they want to copy. I would say, don’t kind to me too, I have said so many things to you. I never seen so calm person. How? Do you have emotions? neutral? You never think on the things? Are you so productive? Are you innocent (in case of people)? Why can’t you understand that people makes show off in front of you only? Why are you giving so much importance to commerce people? Are they intelligent than engineers? Do you think so? Am I asking you so many questions? I really care for you & your selection of people. What are you actually see in the people? Obviously it’s your choice to answer it or not? At least I can ask my questions. Did I make a mistake according to you? For me, I was right, but I never asked you about you. As you said, I never gave you chance. For me, you are the chance giver & I am chance taker. I was scared by you. Did I hurt you? Hope I never made loss of you in any manner. I want to clear you one thing that apart from all my shit thinking, if you need any kind of assistance then please feel free to share. So what I have confess my love to you? It’s fine? Right? It’s natural, I had tried to control it a lot. Now I am more transparent, shameless & confident. I can face you in any condition. This change has changed my life.
Somi
(I scream) 'Do you see my teardrops, that splash out of my blue eyes? Do you see everything I do? Do you see my brown hair that covers them and hides my true emotions in class? Do you even care? Do you feel what I felt right now? Can you feel my hurting insides? Nope, no one can feel that unless they exist!' 'Have you ever had to feel just like I do? Can you see my makeup mixing with my teardrops, as it all falls to the ground like my emotions, passions, and caring? If not you're just as heartless as them!' 'No one is born condemning another soul because of the sensuality of or skin or their background or their faith, it just seems that everything in my life is like trickling down my body, and away from me in every way imaginable.' 'As a result, the only thing I can do is get up and raise my hands to the heavens in the rain. While shouting the question- 'Why did you let this happen to me?' 'I hear that small voice in my head again it's a small whisper saying: 'End it! End it! As I was looking into the glow of the light of the envisioned angel of death.'' 'I have nothing but my split thoughts rushing in my head. Like a screaming bolt of lightning cracking in the sky above me.' ''Hum, should I just end it all?' I mean I'm only fourteen years old. Though there is not one person around here for me. Not one which is going to miss me at all.' 'I proceeded to that gloomy conclusion a long time ago. I would not be remembered. Would anyone remember me? Would anyone care? I should end it all right now?' 'I reminisce about me clutching my uniform, and how I would achieve my departure. The same awful uniform that I tugged, unsnapped, and ripped off myself, an hour ago, I see it over there like it's staring me down with a glint of evil.' 'Calling out as it's lying in the mud. I crawl over on my hands and knees, grabbing my minor skirt away from the button-down top, pulling the tie out of the collar. To do what must be fulfilled obeyed.' 'Holding the tie in my small hands. I pause and glance at my fingernails, which are painted lime green with pink straps, knowing this would be the last time I will.' ''Curse them all!' I say, will make the undone dark blue tie into a noose, looping, twisting, and coiling it through itself making it snugger around my neck.' 'Notwithstanding that pain is nothing like what they put me through. Just like chivalry is dead, just like everything I do is mainly felonies attached, by trying to live.' 'Notwithstanding that pain is nothing like what they put me through. Just like chivalry is dead, just like everything I do is mainly felonies attached, by trying to live.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
In Separation, the second volume of his great trilogy on attachment, John Bowlby described what had been observed when ten small children in residential nurseries were reunited with their mothers after separations lasting from twelve days to twenty-one weeks. The separations were in every case due to family emergencies and the absence of other caregivers, and in no case due to any intent on the parents’ part to abandon the child. In the first few days following the mother's departure the children were anxious, looking everywhere for the missing parent. That phase was followed by apparent resignation, even depression on the part of the child, to be replaced by what seemed like the return of normalcy. The children would begin to play, react to caregivers, accept food and other nurturing. The true emotional cost of the trauma of loss became evident only when the mothers returned. On meeting the mother for the first time after the days or weeks away, every one of the ten children showed significant alienation. Two seemed not to recognize their mothers. The other eight turned away or even walked away from her. Most of them either cried or came close to tears; a number alternated between a tearful and an expressionless face. The withdrawal dynamic has been called “detachment” by John Bowlby. Such detachment has a defensive purpose. It has one meaning: so hurtful was it for me to experience your absence that to avoid such pain again, I will encase myself in a shell of hardened emotion, impervious to love — and therefore to pain. I never want to feel that hurt again. Bowlby also pointed out that the parent may be physically present but emotionally absent owing to stress, anxiety, depression, or preoccupation with other matters. From the point of view of the child, it hardly matters. His encoded reactions will be the same, because for him the real issue is not merely the parent's physical presence but her or his emotional accessibility. A child who suffers much insecurity in his relationship with his parents will adopt the invulnerability of defensive detachment as his primary way of being. When parents are the child's working attachment, their love and sense of responsibility will usually ensure that they do not force the child into adopting such desperate measures. Peers have no such awareness, no such compunctions, and no such responsibility. The threat of abandonment is ever present in peer-oriented interactions, and it is with emotional detachment that children automatically respond. No wonder, then, that cool is the governing ethic in peer culture, the ultimate virtue. Although the word cool has many meanings, it predominately connotes an air of invulnerability. Where peer orientation is intense, there is no sign of vulnerability in the talk, in the walk, in the dress, or in the attitudes.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
While we were talking we had set up a video camera to record our interactions with the people. That evening as we watched bits of the video, we noticed that a toddler about two years old was sitting in the hut behind the man we were interviewing. The child was playing with a sharp kitchen knife, about nine inches in length. He was swinging the knife blade around him, often coming close to his eyes, his chest, his arm, and other body parts one would not like to slice off or perforate. What really got our attention, though, was that when he dropped the knife, his mother—talking to someone else—reached backward nonchalantly without interrupting her conversation, picked up the knife, and handed it back to the toddler. No one told him not to cut himself or hurt himself with the knife. And he didn’t. But I have seen other Pirahã children cut themselves severely with knives.
Daniel L. Everett (Don't Sleep, There Are Snakes: Life and Language in the Amazonian Jungle (Vintage Departures))
Do you know that there's a halfway world between each ending and each new beginning? It's called the hurting time, Jean Perdue. It's a bog; it's where your dreams and worries and forgotten plans gather. Your steps are heavier during that time. Don't underestimate the transition, Jeanno, between farewell and new departure. Give yourself the time you need. Some thresholds are too wide to be taken in one stride.
Nina George (The Little Paris Bookshop)
He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire. “Your hands are cold,” he said, looking at her fingers. She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands. “So…” she said. “I suppose we know our scene, more or less,” he said. Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt. “We should probably return. Curtain, or bedsheet, I should say, is in two hours.” “Right. Of course,” he said, though he seemed a little sorry. The evening had pulled down over them, laying chill like morning dew on her arms, right through her clothes and into her bones. Though she was wearing her wool pelisse, she shivered as they walked back to the house. He gave her his jacket. “This theatrical hasn’t been as bad as you expected,” Jane said. “Not so bad. No worse than idle novel reading or croquet.” “You make any entertainment sound like taking cod liver oil.” “Maybe I am growing weary of this place.” He hesitated, as though he’d said too much, which made Jane wonder if the real mad had spoken. He cleared his throat. “Of the country, I mean. I will return to London soon for the season, and the renovations on my estate will be completed by summer. It will be good to be home, to feel something permanent. I tire of the guests who come and go in the country, their only goal to find some kind of amusement, their sentiments shallow. It wears on a person.” He met her eyes. “I may not return to Pembrook Park. Will you?” “No, I’m pretty sure I won’t.” Another ending. Jane’s chest tightened, and she surprised herself to identify the feeling as panic. It was already the night of the play. The ball was two days away. Her departure came in three. Not so soon! Clearly she was swimming much deeper in Austenland waters than she’d anticipated. And loving it. She was growing used to slippers and empire waists, she felt naked outside without a bonnet, during drawing room evenings her mouth felt natural exploring the kinds of words that Austen might’ve written. And when this man entered the room, she had more fun than she had in four years of college combined. It was all feeling…perfect.
Shannon Hale (Austenland (Austenland, #1))
Arius certainly had unexpected news for me when he gave me Oscar’s contact information. I had never intended to relive my teenage years, which had brought an abundance of joy and also a load of heartache during and after my Harem services. Men I loved and had been in love with during those young years were neatly packaged into a lock box, banished to the recesses of my mind; I never intended to reopen that which had hurt irrevocably after Oscar and Andy’s departure. In
Young (Unbridled (A Harem Boy's Saga, #2))
An unusually clear statement of the secular view of evil and suffering is made by Richard Dawkins in his book "River out of Eden: A Darwinian View of Life"- He writes: “The total amount of suffering per year in the natural world is beyond all decent contemplation....In a universe of blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won't find any rhyme or reason in it, nor any justice. The universe that we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil, no good, nothing but pitiless indifference.” This is a complete departure from every other cultural view of suffering. Each one sees evil as having some purpose as a punishment, or a test, or an opportunity. But in Dawkin's view, the reason people struggle so mightily in the face of suffering is because they will not accept that it never has any purpose. It is senseless, neither bad nor good- because categories such as good and evil are meaningless in the universe we live in. "We humans have purpose on the brain," he argues. "Show us almost any object or process and it is hard for us to resist the 'Why' question...It is an almost universal delusion...The old temptation comes back with a vengeance when tragedy strikes..."Why oh why, did the cancer/earthquake/hurricane have to strike my child?" But he argues that this agony happens because "we cannot admit that things might be neither good nor evil, neither cruel nor kind, but simply callous-indifferent to all suffering, lacking purpose....DNA neither knows nor cares. DNA just is. And we dance to its music.
Timothy J. Keller (Walking with God through Pain and Suffering)
Go. The word is my last and most beautiful gift.
Anne Fall (Rosa Scriptum)
Shit. What the hell was he supposed to do now? Though she hadn’t set a departure date, he had a gut feeling he’d just accelerated her leaving. Words. Just hurtful words. But it was how he felt. He was on the downhill of his forties. Did he really want to have a baby now? Be responsible for another living being now? Anxiety rolled through him and he wondered what the hell he could do to change it all. For
J.M. Madden (Embattled Ever After (Lost and Found #5))
The support of her family is matched by the encouragement of the small group of friends and counsellors who see the real Diana, not the glowing image presented for public consumption. They are under no illusions that, while the Princess is a woman of considerable virtues, her character is prone to pessimism and despair, qualities which increase the likelihood of her leaving the system. The departure of the Duchess of York from the royal scene has exacerbated that defeatist side of her personality. As she has admitted to friends: “Everyone said I was the Marilyn Monroe of the 1980s and I was adoring every minute of it. Actually I’ve never sat down and said: ‘Hooray how wonderful. Never.’ The day I do we’re in trouble. I am performing a duty as the Princess of Wales as long as my time is allocated but I don’t see it any longer than fifteen years.” While she has the right to feel sorry for herself, all too often this spills over into self-imposed martyrdom. As James Gilbey says: “When she is confident she extends herself and pushes out the barriers. As soon as there is a chink in the armour she immediately retreats away from the fray.” At times it is almost as though she wants to engineer a hurt or a rejection before she is deserted by those she trusts and loves. This has resulted in her blocking out her allies at crucial periods in her royal life when she has most needed support.
Andrew Morton (Diana: Her True Story in Her Own Words)
Deanna was up and out of her chair like it was spring-loaded.Thankfully, Lucky had excellent reflexes. It also didn’t hurt that he’d already been anticipating her quick departure, so he was right behind her. As soon as they made it outside, her phone buzzed in her purse. She pulled it out and said, “Shit!” “Everything okay?” he asked. Apparently, she hadn’t realized he was hot on her tail, because she screamed and threw her arms up in the air, sending her phone flying. Thanks to his aforementioned great reflexes, he caught it in midair. Gripping her chest, she asked, wild-eyed, “What are you doing?” “I want to talk to you.” “I don’t want to talk to you,” her response was so fast, it felt like it’d been rehearsed. Maybe it had. Maybe she’d planned on saying that if he ever showed interest in having a conversation with her. Handing her phone back, he ignored her protest and repeated, “Everything okay?” Looking flustered, Deanna replied, “I just… I forgot that Eli is my ride.” “I’ll take you home,” Lucky offered. Pulling her head back, she scoffed. “What? No. Thanks, but no. I’ll walk.” Then she turned on her heel and started hightailing out of the parking lot. In two strides, he was beside her. “What are you doing?” Deanna asked, which was becoming a running theme in their relationship. Lucky smiled. “Walking you home.” “Thanks, but I’m fine. This is Hope Falls.” She dramatically stretched her arms out. “Seriously, I can take care of myself.” “Really?” He continued walking beside her. “Yes, really.” Her feet moved faster. “Like you did back there when you screamed and threw your phone in the air?” Stopping, she spun towards him and crossed her arms. She was mad—or, at the very least, irritated—so he tried not to let the fact that she looked cuter than anything he’d ever seen in his life show on his face. “I didn’t know you were there,” she said in a defiant explanation. He knew that he might just piss her off more, but that didn’t stop him from saying, “Oh, right. And I guess most attackers announce their presence. Give you plenty of time to prepare your retaliation.” Taking a deep breath, she tried to calm down. Or stay mad. He couldn’t really tell, but he was enjoying the show. Between her arms pushing her breasts up so they were spilling over her revealing neckline, and the motion of her chest rising and falling, he could’ve stood there and watched her breathe all night and not get bored. “Look, this is a safe town. I’ve studied self-defense, and I was just distracted.” “Okay,” he agreed. She narrowed her gaze as if she didn’t accept his easy answer. “Okay?” Shrugging casually, he repeated, “Okay.” Nodding, she smoothed her hands over her dress and started walking again. So, naturally, he followed. “You said okay!” she exclaimed indignantly as she once again stopped. “Yes, I did. Just because I agreed with the points you made doesn’t mean I’m going to let you walk home alone.” He grinned, trying to disguise the fact that she was so damn adorable when flustered from irritation.
Melanie Shawn
Some of the bishops or pastors began to assume authority not given them in the New Testament. They began to claim authority over other and smaller churches. They, with their many elders, began to lord it over God's heritage (III John 9). Here was the beginning of an error which has grown and multiplied into many other seriously hurtful errors. Here was the beginning of different orders in the ministry running up finally to what is practiced now by others as well as Catholics. Here began what resulted in an entire change from the original democratic policy and government of the early churches. This irregularity began in a small way, even before the close of the second century. This was possibly the first serious departure from the New Testament church order.
J.M. Carroll (The Trail of Blood: Following the Christians down through the centuries -- or, The history of Baptist churches from the time of Christ, their founder, to the present day)
Deciding to stay where you're hurting mentally never guarantees that things will get better, it only means you're extending your deadline, either way, in the end you will just leave. Clinging to a place that bruises your soul won’t heal the wounds; it only deepens them. Staying isn’t bravery; it’s prolonging the inevitable departure. Choosing to stay in a place that harms you mentally isn’t about faith, it’s about denial. Staying where your mind suffers isn’t a promise of better days—it’s an extension of your suffering. Leaving isn’t failure; it’s the first step toward recovery.
Carson Anekeya
[Earlier in the novel, Anodos meets a girl with the lightness of a child, carrying her prized possession - a precious globe that made music when touched. As the Shadow took over him, he reached out and broke her globe. This excerpt happens toward the end of the novel]: Hardly knowing what I did, I opened the door. Why had I not done so before? I do not know. At first I could see no one; but when I had forced myself past the tree which grew across the entrance, I saw, seated on the ground, and leaning against the tree, with her back to my prison, a beautiful woman. Her countenance seemed known to me, and yet unknown. She looked at me and smiled, when I made my appearance. “Ah! were you the prisoner there? I am very glad I have wiled you out.” “Do you know me then?” “Do you not know me? But you hurt me, and that, I suppose, makes it easy for a man to forget. You broke my globe. Yet I thank you. Perhaps I owe you many thanks for breaking it. I took the pieces, all black, and wet with crying over them, to the Fairy Queen. There was no music and no light in them now. But she took them from me, and laid them aside; and made me go to sleep in a great hall of white, with black pillars, and many red curtains. When I woke in the morning, I went to her, hoping to have my globe again, whole and sound; but she sent me away without it, and I have not seen it since. Nor do I care for it now. I have something so much better. I do not need the globe to play to me; for I can sing. I could not sing at all before. Now I go about everywhere through Fairy Land, singing till my heart is like to break, just like my globe, for very joy at my own songs. And wherever I go, my songs do good, and deliver people. And now I have delivered you, and I am so happy.” She ceased, and the tears came into her eyes. All this time, I had been gazing at her; and now fully recognised the face of the child, glorified in the countenance of the woman. I was ashamed and humbled before her; but a great weight was lifted from my thoughts. I knelt before her, and thanked her, and begged her to forgive me. “Rise, rise,” she said; “I have nothing to forgive; I thank you. But now I must be gone, for I do not know how many may be waiting for me, here and there, through the dark forests; and they cannot come out till I come.” She rose, and with a smile and a farewell, turned and left me. I dared not ask her to stay; in fact, I could hardly speak to her. Between her and me, there was a great gulf. She was uplifted, by sorrow and well-doing, into a region I could hardly hope ever to enter. I watched her departure, as one watches a sunset. She went like a radiance through the dark wood, which was henceforth bright to me, from simply knowing that such a creature was in it. She was bearing the sun to the unsunned spots. The light and the music of her broken globe were now in her heart and her brain. As she went, she sang; and I caught these few words of her song; and the tones seemed to linger and wind about the trees after she had disappeared: Thou goest thine, and I go mine– Many ways we wend; Many days, and many ways, Ending in one end. Many a wrong, and its curing song; Many a road, and many an inn; Room to roam, but only one home For all the world to win. And so she vanished. With a sad heart, soothed by humility, and the knowledge of her peace and gladness, I bethought me what now I should do.
George (Phantastes)
Above the bar was a large motto: La selva es nuestra alidad (“The jungle is our ally”). It was one of those sentences you know is untrue on the face of it, sentences like “The policeman is your friend” or “The dentist won’t hurt you.
Tim Cahill (Jaguars Ripped My Flesh (Vintage Departures))
A leaf and you! A leaf from tree, in Autumn fell, It had a story to tell, As it swayed in the lap of air, Nobody noticed the act unfair, For it alone fell, The rest clung to the branches and didn’t experience hell, Which they all would someday, Few early, few later, few did yesterday and the leaf that just fell, experienced it today, It did not shout, it did not scream or yell, As it thought of moments, few lived in agony and few lived so well, Finally it rested on the surface of the bare ground, And every natural force leapt on it like a famished hound, To consume it in their own ways, For death has a game that it with all plays, So time kissed it, life forsook it, gravity constricted it; and finally it was lost, there was nothing left of it, Just a memory of a falling leaf that everyone consumed bit by bit, bit by bit, Surprising that time sometimes moans its departure, Because it had reared it in its lap with love and composure, Alas time the greatest force of all, is the most cursed of all, For in the end it loses everything to its own existential virtues, and kills us all, Then it lies there moaning the loss, Whenever a beautiful corner of life that it loved it does happen to pass, Just like the leaf that fell and was forever lost, There on the branch a moment of time hangs still seeking the past, For it loved the leaf, but it had duty to perform as well, So it mournfully stood there as the leaf fell, It buried it too, And then it hurried too, For it had new leaves to tend, A new leaf to break and bend, To keep gravity happy, who blames time for all crimes, But it is someone else who in shadows creates these moments of depraved times, And lays the blame on time, the eternal subject of everyone's hate, But time has a companion who shares this blame, we all know it as fate, However, the real force lies in the shadows always plotting to bend and break a leaf, And blame it all on time, the eternal and infamous thief, Who actually steals nothing, because it is always losing a part of it, Whenever present becomes past, it loses its own precious bit, It always has been so, and maybe it will always be so, until time has nothing to spare any more, Then the Universe shall fall apart because then it shall not be needed anymore, And a new order shall rise, a new leaf shall emerge and grow, Then time shall rule every place high and low, Then my darling Irma, I will love you again, and again, Because then my love, a moment of love, shall be a lifelong gain, Where every kiss shall be remembered and felt again and again, And you shall not hurt me, and I shall not have the power to cause you any pain, Because now time will be judging us all in the present, A gift that indeed is the precious moment in the present, So my love Irma, love me now, but love me true, Before another leaf falls and as long as the sky is still happy and blue!
Javid Ahmad Tak (They Loved in 2075!)
Do you know that there’s a halfway world between each ending and each new beginning? It’s called the hurting time, Jean Perdu. It’s a bog; it’s where your dreams and worries and forgotten plans gather. Your steps are heavier during that time. Don’t underestimate the transition, Jeanno, between farewell and new departure. Give yourself the time you need. Some thresholds are too wide to be taken in one stride.
Nina George (The Little Paris Bookshop)