Departure Has Arrived Quotes

The hour of departure has arrived, and we go our separate ways, I to die, and you to live. Which of these two is better only God knows.

The hour of departure has arrived, and we go our ways—I to die, and you to live. Which is better God only knows.

The hour of departure has arrived, and we go our ways - I to die, and you to live. Which is better only god knows.

The first commandment for every good explorer is that an expedition has two points: the point of departure and the point of arrival. If your intention is to make the second theoretical point coincide with the actual point of arrival, don't think about the means -- because the journey is a virtual space that finishes when it finishes, and there are as many means as there are different ways of 'finishing.' That is to say, the means are endless.

As my wise friend Didi has more than once observed about life's passages, every departure entails an arrival elsewhere, every arrival implies a departure from afar.

Heaven has not learned of my arrival, and my departure will not in the least diminish it beauty and grandeur. I will sleep underground, for us ephemeral mortals, the only eternity is the moment and drinking to the moment is better than weeping for it.

Beauty is like the storm. Beauty has its natural motions. A calmness of spirit signals its arrival. Its departure is marked by misery.

The hour of departure has arrived, and we go our ways—I to die, and you to live. Which is better God only knows.

There is no arrival without a departure, and all progress is measured by how much has fallen away.

The hour of departure has arrived, and we go our ways – I to die, and you to live. Which is better God only knows. PLATO, Apology, trans. Benjamin Jowett

The hour of departure has arrived, and we go our ways - I to die, and you to live. Which is better God only knows.

The hour of departure has arrived, and we go our ways -- I to die, and you to live. Which is better God only knows.

The book which the reader has under his eye at this moment is, from one end to the other, as a whole and in detail, whatever may be its intermittences, exceptions and faults, the march from evil to good, from the unjust to the just, from night to day, from appetite to conscience, from rottenness to life, from hell to heaven, from nothingness to God. Point of departure: matter; point of arrival: the soul. The hydra at the beginning, the angel at the end.

Let us take a limited example and compare the war machine and the state apparatus in the context of the theory of games. Let us take chess and Go, from the standpoint of game pieces, the relations between the pieces and the space involved. Chess is a game of the State, or of the court: the emperor of China played it. Chess pieces are coded; they have an internal nature and intrinsic properties from which their movements, situations, and confrontations derive. They have qualities; a knight remains a knight, a pawn a pawn, a bishop a bishop. Each is like a subject of the statement endowed with relative power, and these relative powers combine in a subject of enunciation, that is, the chess player or the game’s form of interiority. Go pieces, I contrast, are pellets, disks, simple arithmetic units, and have only an anonymous, collective, or third-person function: “It” makes a move. “It” could be a man, a woman, a louse, an elephant. Go pieces are elements of a nonsubjectified machine assemblage with no intrinsic properties, only situational ones. Thus the relations are very different in the two cases. Within their milieu of interiority, chess pieces entertain biunivocal relations with one another, and with the adversary’s pieces: their functioning is structural. One the other hand, a Go piece has only a milieu of exteriority, or extrinsic relations with nebulas or constellations, according to which it fulfills functions of insertion or situation, such as bordering, encircling, shattering. All by itself, a Go piece can destroy an entire constellation synchronically; a chess piece cannot (or can do so diachronically only). Chess is indeed a war, but an institutionalized, regulated, coded war with a front, a rear, battles. But what is proper to Go is war without battle lines, with neither confrontation nor retreat, without battles even: pure strategy, whereas chess is a semiology. Finally, the space is not at all the same: in chess, it is a question of arranging a closed space for oneself, thus going from one point to another, of occupying the maximum number of squares with the minimum number of pieces. In Go, it is a question of arraying oneself in an open space, of holding space, of maintaining the possibility of springing up at any point: the movement is not from one point to another, but becomes perpetual, without aim or destination, without departure or arrival. The “smooth” space of Go, as against the “striated” space of chess. The nomos of Go against the State of chess, nomos against polis. The difference is that chess codes and decodes space, whereas Go proceeds altogether differently, territorializing and deterritorializing it (make the outside a territory in space; consolidate that territory by the construction of a second, adjacent territory; deterritorialize the enemy by shattering his territory from within; deterritorialize oneself by renouncing, by going elsewhere…) Another justice, another movement, another space-time.

The book which the reader has under his eye at this moment is, from one end to the other, as a whole and in detail, whatever may be its intermittences, exceptions and faults, the march from evil to good, from the unjust to the just, from night to day, from appetite to conscience, from rottenness to life, from hell to heaven, from nothingness to God. Point of departure: matter; point of arrival: the soul. The hydra at the beginning, the angel at the end.” Volume V, Book I, Chapter XX This

Though Wilder blamed her family’s departure from Kansas on “blasted politicians” ordering white squatters to vacate Osage lands, no such edict was issued over Rutland Township during the Ingallses’ tenure there. Quite the reverse is true: only white intruders in what was known as the Cherokee Strip of Oklahoma were removed to make way for the displaced Osages arriving from Kansas. (Wilder mistakenly believed that her family’s cabin was located forty—rather than the actual fourteen—miles from Independence, an error that placed the fictional Ingalls family in the area affected by the removal order.) Rather, Charles Ingalls’s decision to abandon his claim was almost certainly financial, for Gustaf Gustafson did indeed default on his mortgage. The exception: Unlike their fictional counterparts, the historical Ingalls family’s decision to leave Wisconsin and settle in Kansas was not a straightforward one. Instead it was the eventual result of a series of land transactions that began in the spring of 1868, when Charles Ingalls sold his Wisconsin property to Gustaf Gustafson and shortly thereafter purchased 80 acres in Chariton County, Missouri, sight unseen. No one has been able to pinpoint with any certainty when (or even whether) the Ingalls family actually resided on that land; a scanty paper trail makes it appear that they actually zigzagged from Kansas to Missouri and back again between May of 1868 and February of 1870. What is certain is that by late February of 1870 Charles Ingalls had returned the title to his Chariton County acreage to the Missouri land dealer, and so for simplicity’s sake I have chosen to follow Laura Ingalls Wilder’s lead, contradicting history by streamlining events to more closely mirror the opening chapter of Little House on the Prairie, and setting this novel in 1870, a year in which the Ingalls family’s presence in Kansas is firmly documented.

In an industrial society that conflates work and productivity, the need to produce has always stood opposed to the desire to create. What spark of humanity, which is to say possible creativity, can remain alive in a being dragged from sleep at six every morning, jolted about in commuter trains, deafened by the racket of machinery, bleached and steamed by speed-up and meaningless gestures and production quotas, and tossed out at the end of the day into great railway-station halls—temples of arrival and departure for the hell of weekdays and the nugatory paradise of the weekend, where the masses commune in brutish weariness?

His biography is not relevant at all, because whenever a man becomes enlightened he has no biography. He is no more the form, so when he was born, when he died, are irrelevant facts. That’s why in the East we have never bothered about biographies, historical facts. That obsession has never existed here. That obsession has come from the West now; then people become interested more in irrelevant things. When a Sosan is born, what difference does it make – this year or that? When he dies, how is it important? Sosan is important, not his entry into this world and the body, not his departure. Arrivals and departures are irrelevant. The only relevance is in the being.

Be your own anchor, and sail along the shore of Life with a bunch of smiles. In a whirlwind of a thousand journeys, we flow through Life, as if crossing through an Ocean of an endless voyage. Sometimes we marvel at the ports we glide along, sometimes we chase the waves with our heart and soul, while sometimes we lose our way only to find a lighthouse guiding us along, always catching our breath at the majestic sunrises and sunsets. Our happy moments and connections are like those ports that cross our path while the moments of pain direct our steps to the lighthouse within our soul, as we keep growing ourselves through so many births and deaths of our soul just as the sunrises and sunsets. I want some of you to know and acknowledge the fact that it's absolutely okay to let go, to let the ship of your Life cross the port, because however beautiful that port might be, your journey shouldn't stop, it is not meant to stop. Well, the most brutal yet beautiful truth is, initially everyone stays but eventually no one does. It is brutal because it hurts, it sometimes makes you wonder why it has to end and it's beautiful because everything that ends often ends up gifting you with an invaluable experience filled with beautiful lessons and memories. Understand that it doesn't have to be chaotic, it can be a peaceful goodbye. And even when sometimes it might end in a turmoil, your soul would finally find the grace to give it a closure it demands. Understand that the pain that wrenches your heart in this, gradually tunes your soul to find an anchor, a flicker of Light that is forever guiding you Home. Understand that all of these arrivals and departures, detours and halts are Time's decision to make and we must embrace that with dignity and grace. The essential thing is to keep sailing, by letting go, by simply carrying on with the journey. Halt if you must, but while you halt, don't forget to gaze at how you have grown through each of those very experiences, just as how wonderful the journey gets along the path while you keep passing the ports one after another, steering nearer to the ultimate destination. So wave them a goodbye with a smile of gratitude for helping you in finding a piece of your soul back through a mad jest of pain, to gift you with another step closer to your destination, and sail along the shore of Life with a bunch of smiles.

Um, I think I left my handkerchief on the table,” Jane said. “I’ll just run down and fetch it. There’s no need to wait for me--you go on to bed.” Lisette stopped to stare at her in bewilderment. “Your handkerchief will be perfectly fine where it is. A footman will find it and give it to you in the morning.” “No, I dare not leave it or I’ll forget about it in the confusion of our departure.” She was already turning to descend the stairs. “And it’s my favorite.” Jane didn’t stop to see if Lisette believed that nonsense. She just hastened down, trying to figure out how to get Dom alone. Fortunately, just as she approached the dining room, she heard the duke say from inside, “Sorry to be a wet blanket, old chap, but I shall turn in, too. Lisette and I don’t usually rise as early as we did this morning.” “So I’ve noticed.” Then Dom added hastily, “Not that it matters, mind you. Everyone has his own habits.” “Yes, that’s true.” The duke’s puzzled tone showed he was unaware of what his wife had said yesterday about his “habits.” “Don’t forget that we must leave as early tomorrow as possible.” “Of course.” “I’m hoping Tristan will have arrived by then, but if not, we’ll press on without him.” “Certainly,” Max said, rather stiffly now. He probably wasn’t used to being ordered about by anyone, even his brother-in-law. “Well, good night, then.” Hearing footsteps approaching, Jane darted quickly into an alcove and waited with heart pounding as the duke emerged from the dining room. He strode, with a surprisingly quick step for a man who claimed to be tired, in the direction his wife had gone. Only after he’d disappeared up the stairs did Jane relax. This was her chance.

a serious contender for my book of year. I can't believe I only discovered Chris Carter a year ago and I now consider him to be one of my favourite crime authors of all time. For that reason this is a difficult review to write because I really want to show just how fantastic this book is. It's a huge departure from what we are used to from Chris, this book is very different from the books that came before. That said it could not have been more successful in my opinion. After five books of Hunter trying to capture a serial killer it makes sense to shake things up a bit and Chris has done that in best possible way. By allowing us to get inside the head of one of the most evil characters I've ever read about. It is also the first book based on real facts and events from Chris's criminal psychology days and that makes it all the more shocking and fascinating. Chris Carter's imagination knows no bounds and I love it. The scenes, the characters, whatever he comes up with is both original and mind blowing and that has never been more so than with this book. I feel like I can't even mention the plot even just a little bit. This is a book that should be read in the same way that I read it: with my heart in my mouth, my eyes unblinking and in a state of complete obliviousness to the world around me while I was well and truly hooked on this book. This is addictive reading at its absolute best and I was devastated when I turned the very last page. Robert Hunter, after the events of the last few books is looking forward to a much needed break in Hawaii. Before he can escape however his Captain calls him to her office. Arriving, Hunter recognises someone - one of the most senior members of the FBI who needs his help. They have in custody one of the strangest individuals they have ever come across, a man who is more machine than human and who for days has uttered not a single word. Until one morning he utters seven: 'I will only speak to Robert Hunter'. The man is Hunter's roommate and best friend from college, Lucien Folter, and found in the boot of his car are two severed and mutilated heads. Lucien cries innocence and Hunter, a man incredibly difficult to read or surprise is played just as much as the reader is by Lucien. There are a million and one things I want to say but I just can't. You really have to discover how this story unfolds for yourself. In this book we learn so much more about Hunter and get inside his head even further than we have before. There's a chapter that almost brought me to tears such is the talent of Chris to connect the reader with Hunter. This is a character like no other and he is now one of my favourite detectives of all time. We go back in time and learn more about Hunter when he was younger, and also when he was in college with Lucien. Lucien is evil. The scenes depicted in this book are some of the most graphic I've ever read and you know what, I loved it. After five books of some of the scariest and goriest scenes I've ever read I wondered whether Chris could come up with something even worse (in a good way), but trust me, he does. This book is horrifying, terrifying and near impossible to put down until you reach its conclusion. I spent my days like a zombie and my nights practically giving myself paper cuts turning the pages. If when reading this book you think you have an idea of where it will go, prepare to be wrong. I've learnt never to underestimate Chris, keeping readers on their toes he takes them on an absolute rollercoaster of a ride with the twistiest of turns and the biggest of drops you will finish this book reeling. I am on a serious book hangover, what book can I read next that can even compare to this? I have no idea but if you are planning on reading An Evil Mind I cannot reccommend it enough. Not only is this probably my book of the year it is probably the best crime fiction book I have ever read. An exaggeration you might say but my opinion is my own and this real

Hartsfield-Jackson, which serves 104 million passengers a year, is the world’s busiest airport, a distinction it has held since 1998. A sudden power outage caused by a fire in an underground electrical facility serving it, brought the airport to a standstill. All outgoing flights were halted, and arriving planes were held on the ground at their point of departure. With, International flights diverted elsewhere. Such is the impact of the lack of proper Business Continuity Planning-BCP. Something still considered alien, as time progresses. One wonders, what will it take the International Aviation leadership to begin propagating for its inclusion into industrial best practices?

The hour of departure has arrived, and we go our ways—I to die, and you to live. Which is better, God only knows.

The last of our summer visitants has taken his departure. About a fortnight ago a Chiff-chaff was constantly to be seen hopping about the Goose-berry bushes in the garden: - the last t leave us, he is usually the first to arrive.

The last of our summer visitants has taken his departure. About a fortnight ago a Chiff-chaff was constantly to be seen hopping about the Goose-berry bushes in the garden: - the last to leave us, he is usually the first to arrive.

Scott ejected the disc. The Club Red disc was by far the superior, which left Scott wondering what the missing disc showed. He dug out Melon’s interview with Richard Levin to make sure he had it right, and reread the handwritten note: R. Levin—deliv sec vid—2 discs— EV # H6218B Scott decided to phone Cowly. “Joyce? Hey, it’s Scott James. Hope you don’t mind. I have a question about these discs.” “Sure. What’s up?” “I was wondering why you gave me only one of the Club Red discs and not both.” Cowly was silent for a moment. “I gave you two discs.” “Yeah, you did. One from Tyler’s and one from Club Red, but there are supposed to be two from Club Red. Melon has a note here saying two discs were logged.” Cowly was silent some more. “I don’t know what to tell you. There was only the one disc from Club Red. We have the LAX stuff, the disc from Tyler’s, and the disc from Club Red.” “Melon’s note says there were two.” “I hear you. Those things were screened, you know? All we got was a confirmation of arrival and departure times. Nobody saw anything unusual.” “Why is it missing?” She sounded exasperated. “Shit happens. Things get lost, misplaced, people take stuff and forget they have it. I’ll check, okay? These things happen, Scott. Is there anything else?” “No. Thanks.” Scott felt miserable. He hung up, put away the discs, and stretched out on the couch. Maggie came over, sniffed for a spot, and lay down beside the couch. He rested his hand on her back. “You’re the only good part of this.” Thump thump.

York boss William Barnes issued an acid personal attack: “Mr. Roosevelt’s departure for Chicago was inevitable. Undignified as it is, and impotent as it will prove to be, its chief interest lies in the disclosure of the mania for power over which Mr. Roosevelt has no control.” The people of Chicago greeted the arrival of Theodore Roosevelt quite differently; word that Roosevelt was en route drove the city “plum crazy” with excitement. Ordinary business was suspended as tens of thousands made plans to celebrate Roosevelt’s arrival.

The most common cycle used is the sixteen beat cycle, called teentaal or tritaal. Dha dhin dhin dha. Dha dhin dhin dha. Dha tin tin ta. Ta dhin dhin dha…sixteen beats divided neatly into four times four. The sixteen-beat cycle starts and ends and stars and ends, creating a repetitive circularity; the melody has to accommodate itself within its scaffolding; it has to negotiate with the parameters to find a happy balance between freedom and responsibility, rights and duties, exhilaration and restraint. There is scope for risk-taking, within reason, as long as one came back to the line of control in time, and hit sama, the drum stroke where one cycle ended and the new one began; a point of arrival and of departure. This is a musical metaphor for life as it should be lived. Truly great musicians can swerve into unchartered bylanes, but still find their way back to the destination. On time

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Eventually, the current airline industry strategy of shameless fee charging is going to collapse under its own weight. It’s the depressing result of a product mindset that prioritizes add-ons and revenue extraction and devalues customers. What could a flying experience look like in the future? Well, to start with, it might also include cars and trains. Maybe United sends you a cobranded Uber car with a monitor that includes all your hotel and flight details, a drop-down menu to preselect all your entertainment and dining options, and light rail information for your destination city. Maybe that car’s arrival time at your house is synchronized to your flight’s actual departure time. Maybe you can start binge-watching Narcos in the car and pick it up on the plane where you left off. Maybe when you arrive at the airport, a service like Clear can speed you through security lines with a swipe of your boarding pass and a thumb scan, because all your standard ID information has already been paired with your biometric details. Maybe all these services could be wrapped up in a flat annual frequent-flier membership plan.

Of all the problems that the Revolution faced from the very beginning, the racial problem was the only one that did not receive specific, systematic, and consistent attention. • As a result of the above, the social policy of the Revolution never specifically addressed the question with reference to the different points of social departure from which blacks, whites, and mulattos arrived. • After intervention on the matter in March 1959 by Fidel Castro, Commander in chief of the Revolution, and a few initial attempts to promote the discussion, a zone of silence surrounded the racial question, which did not help at all to an understanding that it required an extensive and specific methodology. No doubt it was thought that including it within the general context of social justice for all would be sufficient. • The predominant thought that the racial problem would be resolved solely on the basis of a redistributive equity, framed by the great humanist work of the Revolution, generated an idealist error that has yet to be overcome. • The black and racially mixed population, feeling represented and protected by revolutionary work, plunged into forgetfulness of all the long years of suffering and discrimination. The Revolution had given them clear guarantees that such situations would not return. How are we to explain why such a position on the racial question was taken and accepted by the immense majority of the people, in particular blacks and mulattos?

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