Deeply Missed Quotes

We've searched our database for all the quotes and captions related to Deeply Missed. Here they are! All 100 of them:

Don’t be flattered that he misses you. He should miss you. You are deeply missable. However, he’s still the same person who just broke up with you. Remember, the only reason he can miss you is because he’s choosing, every day, not to be with you.
Greg Behrendt (He's Just Not That Into You: The No-Excuses Truth to Understanding Guys)
I miss you deeply, unfathomably, senselessly, terribly.
Franz Kafka (Letters to Milena)
When I turn around, he cups my face in his hands and he kisses me so deeply that I don't know who is breathing for who, but his mouth and tongue taste like warm honey. I don't know how long it lasts, but when I let go of him, I miss it already.
Melina Marchetta (On the Jellicoe Road)
The highly sensitive [introverted] tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive. They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions--sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments--both physical and emotional--unusually deeply. They tend to notice subtleties that others miss--another person's shift in mood, say, or a lightbulb burning a touch too brightly.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
I missed her, deeply, painfully. But life goes on.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
I am deeply moved by things. I’d hate to miss the intense joy of that.
Elaine N. Aron (The Highly Sensitive Person: How to Thrive When the World Overwhelms You)
Only after Mom went missing did you realize that her stories were piled inside you, in endless stacks. Mom's everyday life used to go on in a repeating loop, without a break. Her everyday words, which you didn't think deeply about and sometimes dismissed as useless when she was with you, awoke in your heart, creating tidal waves.
Shin Kyung-Sook (Please Look After Mom)
Our reconnection was intense and deeply emotional, like much of our relationship had been. He muttered things to me while we made love—how beautiful he thought I was, how much he’d missed me, how much he needed me, how empty he’d been, how much he loved me. I couldn’t even speak to tell him I felt the exact same way. I was too overcome by the emotion in his voice. Then he said something that tore me. “Don’t leave…I don’t want to be alone.” He had actual tears in his eyes as he looked down on me. “I don’t want to be alone, anymore.” ~Kellan
S.C. Stephens (Thoughtless (Thoughtless, #1))
The moon is fat, but half of her is missing. A ruler-straight line divides her dark side from her light. She hangs low over the bustling Castro, noticeably earlier than the night before. Autumn is coming. For as long as I can remember, I’ve talked to the moon. Asked her for guidance. There’s something deeply spiritual about her pale glow, her cratered surface, her waxing and waning. She wears a new dress every evening, yet she’s always herself.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
The opposite of faith is not doubt, but certainty. Certainty is missing the point entirely. Faith includes noticing the mess, the emptiness and discomfort, and letting it be there until some light returns. Faith also means reaching deeply within, for the sense one was born with, the sense, for example, to go for a walk.
Anne Lamott (Plan B: Further Thoughts on Faith)
In all the ills that befall us, we are more concerned by the intention than the result. A tile that falls off a roof may injure us more seriously, but it will not wound us so deeply as a stone thrown deliberately by a malevolent hand. The blow may miss, but the intention always strikes home.
Jean-Jacques Rousseau (Reveries of the Solitary Walker)
For example, highly sensitive people tend to be keen observers who look before they leap. They arrange their lives in ways that limit surprises. They're often sensitive to sights, sounds, smells, pain, coffee. They have difficulty when being observed (at work, say, or performing at a music recital) or judged for general worthiness (dating, job interviews). But there are new insights. The highly sensitive tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive (just as Aron's husband had described her). They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions -- sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments -- both physical and emotional -- unusually deeply. They tend to notice subtleties that others miss -- another person's shift in mood, say, or a lightbulb burning a touch too brightly.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
What is best about our lives -the moments when we are, as we would put it, at our happiest- is both pleasant and deeply unpleasant. Happiness is not a feeling; it is a way of being. If we focus on the feelings, we will miss the point.
Mark Rowlands (The Philosopher and the Wolf)
The trouble with the merely unwise/deeply stupid line is that you often don’t know which side you’re on until it’s too late.
Ransom Riggs (Library of Souls (Miss Peregrine's Peculiar Children, #3))
Avery had previously thought love was built on large, visible gestures, but a marriage turned out to be the accrual of ordinary, almost inconsequential, acts of daily devotion—washing the mugs left in the sink before bed, taking the time to run up or downstairs to kiss each other quickly before one left the house, cutting up an extra piece of fruit to share—acts easy to miss, but if ever gone, deeply missed.
Coco Mellors (Blue Sisters)
If there's one thing Regulus hates, it's missing something he was looking forward to- even unknowingly. Was he aware that he would have liked to see James go mental and beat Mulciber to a pulp? No, not at all. Is he furious that he missed it? Absolutely fucking livid. "I want a pensive," Regulus states firmly, looking deeply into Pandora's eyes. "It's absolutely necessary that i see it.
Zeppazariel (Just Lovers [Like We Were Supposed to Be])
One: He's Michael. Two: he's scheduled for a meltdown. Three: Lia had been miss Rosy Sunshine since she got downstairs, and Lia doesn't do roses or sunshine unless she's screwing with someone or deeply upset. -Dean Redding
Jennifer Lynn Barnes (Bad Blood (The Naturals, #4))
The English language lacks the words to mourn an absence. For the loss of a parent, grandparent, spouse, child or friend, we have all manner of words and phrases, some helpful some not. Still we are conditioned to say something, even if it is only “I’m sorry for your loss.” But for an absence, for someone who was never there at all, we are wordless to capture that particular emptiness. For those who deeply want children and are denied them, those missing babies hover like silent ephemeral shadows over their lives. Who can describe the feel of a tiny hand that is never held?
Laura Bush (Spoken from the Heart Collector's Edition)
Ross believed in past lives. Moreover, he believed that the person you fell in love with in each life was the same person you fell in love with in the life before, and the one before that. Sometimes, you might miss her - she'd be reborn in post-World War I generation, and you wouldn't come back until the fifties. Sometimes, your paths would cross and you wouldn't recognize each other. Get it right - that is: fall madly, truly, deeply - and perhaps there'd be an eternity carved out solely for the two of you.
Jodi Picoult (Second Glance)
Digital minimalists see new technologies as tools to be used to support things they deeply value—not as sources of value themselves. They don’t accept the idea that offering some small benefit is justification for allowing an attention-gobbling service into their lives, and are instead interested in applying new technology in highly selective and intentional ways that yield big wins. Just as important: they’re comfortable missing out on everything else.
Cal Newport (Digital Minimalism: Choosing a Focused Life in a Noisy World)
Never miss an opportunity to be truly and deeply humiliated! The shame will carve you down to an individual of exquisite layering, and in the process, etch within you the arcs of exceptional narrative.
Ashim Shanker (Sinew of the Social Species)
We love our dear ones deeply and miss them when they leave us. But we know that the bond of love is greater than death.
Harold Klemp
Mr. Haverbink bowed deeply, muscles rippling all up and down his back, and lumbered from the room. Miss Hisselpenny sighed and fluttered her fan. "Ah, for the countryside, what scenery there abides..., " quoth she. Miss Tarabotti giggled. "Ivy, what a positively wicked thing to say. Bravo.
Gail Carriger (Soulless (Parasol Protectorate, #1))
Of all weapons in the world, I now know love to be the most dangerous. For I have suffered a mortal wound. When did I fall so deeply under your spell, Miss Bennet? I cannot fix the hour or the spot or the look or the words which lay the foundation. I was in the middle before I knew I began. But a proud fool I was. I have faced the harsh truth: that I can never hope to win your love in this life.
Seth Grahame-Smith (Pride and Prejudice and Zombies (Pride and Prejudice and Zombies, #1))
I’ve apologized for that a million times.” He inhaled deeply. “I miss you, all right.” “You should. I’m fucking awesome.
Suzanne Wright (Burn (Dark in You, #1))
I continue to stare, my eyes missing nothing, remembering the moments we just shared together. But in all that time she does not look back, and I am haunted by the visions of her struggling with unseen enemies. I sit by the bedside with an aching back and start to cry as I pick up the notebook. Allie does not notice. I understand, for her mind is gone. A couple pages fall to the floor, and I bend over to pick them up. I am tired now, so I sit, alone and apart from my wife. And when the nurses come in they see two people they must comfort. A woman shaking in fear from demons in her mind, and the old man who loves her more deeply than life itself, crying softly in the corner, his face in his hands.
Nicholas Sparks (The Notebook (The Notebook, #1))
We are not men. We are women. We feel more deeply, express our emotions more frequently, and get moody monthly. It’s normal. It’s nature’s way. And we don’t necessarily have to medicate away the essence of who we are to make others more comfortable.
Julie Holland (Moody Bitches: The Truth About the Drugs You're Taking, The Sleep You're Missing, The Sex You're Not Having, and What's Really Making You Crazy)
I have to tell you that equality has nothing to do with marriage. The basis of a good marriage, a reasonably happy marriage-don't delude yourself, there is no such thing as an entirely happy marriage-is, precisely, inequality. It's essential if two people are to feel mutual admiration. ................................ if you reflected a little more deeply you'd realize that you can only admire that which you do not possess. You do not admire in another a quality you have yourself, you admire what you don't have and which you see shining in another in all its splendor.
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
How did one even fraternize with people who could not entertain vivid scenarios of self-mutilation? How was the sexual act even possible if one's partner could not entertain being crushed under a truck, just as a cathartic exercise? What important piece of her brain was missing that deprived her of such, well, deeply necessary acts of physical editing?
Ben Marcus
Whenever you want to know what’s wrong or missing in your inner relationship with the Divine, stop, breathe deeply, and observe how is your relationship with the opposite sex.
Nityananda Das (Divine Union)
I don't see any hint of you missing me, It's time to put sense in this misery I love you too much, too deeply Now it's time to bring that love back to me.
Miss Rainbow Moonfire
Aodhan glanced over,the faint smile on his face deeply welcome after two painful centuries when Illium hadn't been able to reach his friend, no matter how hard he tried. Aodhan's psychic scars might never fade, but he was rising past them in a show of grit and strength no one who didn't know him could fully understand. The twenty-three months Aodhan had been missing had been the most horrific period of Illium's life... worse than when he'd lost his mortal lover. He'd survived losing her. He didn't know if he could survive losing Aodhan. Never before had he seen that truth so clearly and it shook him.
Nalini Singh, Archangel's Enigma
I think about cutting my hair. How nice it would be to wash it, run a quick comb through it, and presto! all set, ready to rock and roll. I sigh. Henry loves my hair almost as though it were a creature unto itself, as though it has a soul to call its own, as though it could love him back. I know he loves it as a part of me, but I also know he would be deeply upset if I cut it off. And I would miss it, too… it's just so much effort, sometimes I want to take it off like a wig and set it aside while I go out and play.
Audrey Niffenegger (The Time Traveler's Wife)
LET’S GO BACK HOME I can't think about you, Without smiling. What I wouldn’t give, To go back there, Take you in my arms, Kiss you, And tell you, "I still love you." It's been three decades now, And still your smile's with me, Your wave goodbye, The love in your eyes, And everything else you gave me, Before that highway fog swept in, And stole your spirit away. Oh- to return by your side again, Fish beside the Pleasant Hill Dam, Hike through the Mayer's woods, Hang out on your big hill, Sleep naked in your twin bed, Fill your room with laughter- And marijuana smoke. You returned home- And I traveled on down the road, Found new loves, Safely took them under my wing, And deeply into my heart. But you know, as I do- This wasn’t always possible. I didn’t always have the fire- The courage to stand tall, The joy to expand, Nor the love to give deeply. These were all your gifts-- To me. Someday- When I close my eyes for good, And cry out- "Lord- forgive me for I have sinned-" I'll joyously return by your side, Take you into my arms, Kiss you, And tell you, "I still love you.
Giorge Leedy (Uninhibited From Lust To Love)
Trump is missing the point when he says that Kaepernick should “find a country that works better for him.” Instead, Kaepernick believes so deeply in this country that he is willing to offer correction rather than abandon the nation—and to donate a million dollars in support of racial justice causes.
Michael Eric Dyson (Tears We Cannot Stop: A Sermon to White America)
That would never do, I'm sure,' said Alice: `the governess would never think of excusing me lessons for that. If she couldn't remember my name, she'd call me "Miss!" as the servants do.' Well. if she said "Miss," and didn't say anything more,' the Gnat remarked, `of course you'd miss your lessons. That's a joke. I wish YOU had made it.' Why do you wish I had made it?' Alice asked. `It's a very bad one.' But the Gnat only sighed deeply, while two large tears came rolling down its cheeks. You shouldn't make jokes,' Alice said, `if it makes you so unhappy.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
I missed you, Kitten,” he growled. Then his mouth crushed over mine, his kiss more filled with raw need than romantic welcome. That was fine; I felt the same way. Aside from my compulsive urge to run my hands over him to assure myself that he was really here, relief, happiness, and the most profound feeling of rightness zoomed through me, settling all the way to my core. I hadn’t realized how deeply I’d missed Bones until that very moment, hadn’t let myself acknowledge how everything felt off when I was apart from him. On some levels, it was frightening how much a part of me he’d become. It let me know just how much I’d crumble if anything happened to him. “Why didn’t you answer your mobile earlier?” Bones murmured once he lifted his head. “I tried you several times. Tried Mencheres, too. Even Tepesh. None of you answered. Scared the wits out of me, so I stowed away on a FedEx plane to make sure you were all right.” “You came all the way from Ohio because I didn’t answer the phone?” I was torn between laughter and disbelief. “God, Bones, that’s a little crazy.” And it was, except the part of me that had had images of his tombstone dancing in my head because he hadn’t answered his phone earlier was nodding in complete understanding. Despite all our protestations, we were so alike when it came to fear over the other’s safety, and I doubted we’d ever change. “Crazy,” I repeated, my voice roughening with the surge of emotion in me. “And have I told you lately. that your crazy side . . . is your sexiest side?” He chuckled before his mouth swooped back over mine in another dizzying kiss. Then he picked me up, brushing past Vlad and Mencheres without even a hello, though I doubted either of them was surprised.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Marked.” My face was on fire, my limbs shaking. “All of you. I will take all of you out with my own bare hands!” There was laughter building in Bram’s voice as he responded. “As cute as I’m sure that would be, your attempt…if we thought the people who might try to trace that chip could make you absolutely, one hundred percent safe, I would carry you to them and hand you over myself.” I gingerly rested my fingertips against my forehead, breathing deeply, trying to calm myself down. “There are some very bad men out to get you, Miss Dearly.” “You have got to be kidding me.” “By the way, you have quite the vocabulary, for a princess.” He still sounded amused. This statement was random enough to get my attention. “Princess?” I asked, confused. “You know, a princess. A New Victorian girl.” My lips parted to fire off another question before it clicked. “You’re a Punk.” “Born and bred.” “Fantastic.
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
I can hurt too; I can miss people in my own way; I can care about things deeply; I am not a machine or a superhero or a miracle and that is exactly how it should be.
Tyler James Smith (Unstoppable Moses)
I am one of the growing number of people whose lives have been touched by the irreligious spirituality of the rabbi from Nazareth. At the same time, I am deeply saddened and sometimes angered by the variety of ways his teaching and example have been codified, conceptualized, and institutionalized by a religion that bears his name but all too often misses his message.
Bruxy Cavey (The End of Religion: Encountering the Subversive Spirituality of Jesus)
Looking at those photographs, I remembered how my parents had never said “I love you” to each other. How they had said only “I miss you.” At the time, I hadn’t been able to figure out what this meant. But now it seemed clear: this was how they defined their love—by how deeply they missed each other when they were together. They felt the loss before it happened, and their love was defined by that loss. They hungered even as they ate, thirsted even as they drank. My mother once told me to live my life as if I were already dead. “Live each day as if you know it’s gonna be gone tomorrow,” she had said. That was how my parents loved each other, with a desperate, melancholy love, a fierce nostalgia for the present.
Danzy Senna (Caucasia)
Kaladin spun through the last motions of the kata, chasm forgotten, bridgemen forgotten, fatigue forgotten. For a moment, it was just him. Him and the wind. He fought with her, and she laughed. He snapped the spear back into place, holding the haft at the one-quarter position, spearhead down, bottom of the haft tucked underneath his arm, end rising back behind his head. He breathed in deeply, shivering. Oh, how I’ve missed that. He opened his eyes. Sputtering torchlight revealed a group of stunned bridgemen standing in a damp corridor of stone, the walls wet and reflecting the light. Moash dropped a handful of spheres in stunned silence, staring at Kaladin with mouth agape. Those spheres plopped into the puddle at his feet, causing it to glow, but none of the bridgemen noticed. They just stared at Kaladin, who was still in a battle stance, half crouched, trails of sweat running down the sides of his face. He blinked, realizing what he’d done. If word got back to Gaz that he was playing around with spears…Kaladin stood up straight and dropped the spear into the pile of weapons. “Sorry,” he whispered to it, though he didn’t know why. Then, louder, he said, “Back to work! I don’t want to be caught down here when night falls.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Miss Bingley was very deeply mortified by Darcy's marriage; but as she thought it advisable to retain the right of visiting at Pemberley, she dropt all her resentment; was fonder than ever of Georgiana, almost as attentive to Darcy as heretofore, and paid off every arrear of civility to Elizabeth. Pemberley was now Georgiana's home; and the attachment of the sisters was exactly what Darcy had hoped to see. They were able to love each other, even as well as they intended. Georgiana had the highest opinion in the world of Elizabeth; though at first she often listened with an astonishment bordering on alarm at her lively, sportive manner of talking to her brother. He, who had always inspired in herself a respect which almost overcame her affection, she now saw the object of open pleasantry. Her mind received knowledge which had never before fallen in her way. By Elizabeth's instructions she began to comprehend that a woman may take liberties with her husband which a brother will not always allow in a sister more than ten years younger than himself. Lady Catherine was extremely indignant on the marriage of her nephew; and as she gave way to all the genuine frankness of her character, in her reply to the letter which announced its arrangement, she sent him language so very abusive, especially of Elizabeth, that for some time all intercourse was at an end. But at length, by Elizabeth's persuasion, he was prevailed on to overlook the offence, and seek a reconciliation; and, after a little farther resistance on the part of his aunt, her resentment gave way, either to her affection for him, or her curiosity to see how his wife conducted herself: and she condescended to wait on them at Pemberley, in spite of that pollution which its woods had received, not merely from the presence of such a mistress, but the visits of her uncle and aunt from the city. With the Gardiners they were always on the most intimate terms. Darcy, as well as Elizabeth, really loved them; and they were both ever sensible of the warmest gratitude towards the persons who, by bringing her into Derbyshire, had been the means of uniting them.
Jane Austen (Pride and Prejudice)
I’m realizing for the first time how exhausting it is to constantly curate my natural tendencies, responses, thoughts, and actions into whatever version Mom would like most. Without her around, I don’t have to. I miss her deeply, and my heart aches over what she’s going through, and I certainly feel a lot of guilt about the ease I feel these days, but that ease is undeniable.
Jennette McCurdy (I'm Glad My Mom Died)
The more beautiful world my heart knows is possible is a world with a lot more pleasure: a lot more touch, a lot more lovemaking, a lot more hugging, a lot more deep gazing into each other’s eyes, a lot more fresh-ground tortillas and just-harvested tomatoes still warm from the sun, a lot more singing, a lot more dancing, a lot more timelessness, a lot more beauty in the built environment, a lot more pristine views, a lot more water fresh from the spring. Have you ever tasted real water, springing from the earth after a twenty-year journey through the mountain? None of these pleasures is very far away. None requires any new inventions, nor the subservience of the many to the few. Yet our society is destitute of them all. Our wealth, so-called, is a veil for our poverty, a substitute for what is missing. Because it cannot meet most of our true needs, it is an addictive substitute. No amount can ever be enough. Many of us already see through the superficial substitute pleasures we are offered. They are boring to us, or even revolting. We needn’t sacrifice pleasure to reject them. We need only sacrifice the habit, deeply ingrained, of choosing a lesser pleasure over a greater. Where does this habit come from? It is an essential strand of the world of separation, because most of the tasks that we must do to keep the world-devouring machine operating do not feel very good at all. To keep doing them, we must be trained to deny pleasure.
Charles Eisenstein (The More Beautiful World Our Hearts Know Is Possible (Sacred Activism Book 2))
I miss more loving someone so deeply that I can't imagine a forever without her kisses.
Thomm Quackenbush (Pagan Standard Times: Essays on the Craft)
In a culture where busyness is a fetish and stillness is laziness, rest is sloth. But without rest, we miss the rest of God: the rest he invites us to enter more fully so that we might know him more deeply. “Be still, and know that I am God.” Some knowing is never pursued, only received. And for that, you need to be still. Sabbath is both a day and an attitude to nurture such stillness. It is both time on a calendar and a disposition of the heart. It is a day we enter, but just as much a way we see. Sabbath imparts the rest of God—actual physical, mental, spiritual rest, but also the rest of God— the things of God’s nature and presence we miss in our busyness.
Mark Buchanan (The Rest of God: Restoring Your Soul by Restoring Sabbath)
Highly sensitive people tend to be keen observers who look before they leap. They arrange their lives in ways that limit surprises. They're often sensitive to sights, sounds, smells, pain, coffee. They have difficulty when being observed (at work, say, or performing at a music recital) or judged for general worthiness (dating, job interviews). But there are new insights. The highly sensitive tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive (just as Aron's husband had described her). They dream vividly, and can often recall their dreams the next day. They love music, nature, art. They feel exceptionally strong emotions -sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments -both physical and emotional -unusually deeply. They tend to notice subtleties that others miss - another person's shift in mood, say, or a lightbulb burning a touch too brightly.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
The conference is geared to people who enjoy meaningful discussions and sometimes "move a conversation to a deeper level, only to find out we are the only ones there." . . . When it's my turn, I talk about how I've never been in a group environment in which I didn't feel obliged to present an unnaturally rah-rah version of myself. . . . Scientists can easily report on the behavior of extroverts, who can often be found laughing, talking, or gesticulating. But "if a person is standing in the corner of a room, you can attribute about fifteen motivations to that person. But you don't really know what's going on inside." . . . So what is the inner behavior of people whose most visible feature is that when you take them to a party they aren't very pleased about it? . . . The highly sensitive tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive . . . . They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions--sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments--both physical and emotional--unusually deeply. They tend to notice subtleties that others miss--another person's shift in mood, say, or a lightbulb burning a touch too brightly. . . . [Inside fMRI machines], the sensitive people were processing the photos at a more elaborate level than their peers . . . . It may also help explain why they're so bored by small talk. "If you're thinking in more complicated ways," she told me, "then talking about the weather or where you went for the holidays is not quite as interesting as talking about values or morality." The other thing Aron found about sensitive people is that sometimes they're highly empathic. It's as if they have thinner boundaries separating them from other people's emotions and from the tragedies and cruelties of the world. They tend to have unusually strong consciences. They avoid violent movies and TV shows; they're acutely aware of the consequences of a lapse in their own behavior. In social settings they often focus on subjects like personal problems, which others consider "too heavy.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
It took Lucy forty hours to die and we hardly left her side. . . .We spent those last hours kissing her frequently and telling her how deeply we loved her. Then I began to read Leah’s children’s books out loud to her. She had lived a storyless childhood, so I read in the last day of her life the books she had missed. I told her about Winnie the Pooh and Yertle the Turtle, took her Where the Wild Things Are, introduced her to Peter Rabbit and Alice in Wonderland. Each of us took turns reading to her out of Grimm’s Fairy Tales, and, at the very last, Leah insisted that I tell all the Great Dog Chippie stories I had told her during our year of exile from the family in Rome.
Pat Conroy (Beach Music)
That was our friendship: equal parts irritation and cooperation... That he made my parents deeply uncomfortable was merely a bonus...He was, I suppose, my best friend, which is a less pathetic way of saying he was my only friend.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
I don’t have the urge to call my friends and share my highs and lows. I don’t miss them with an ache so deeply etched inside that it keeps me awake at night, and I sure as fuck don’t drive for hours in hopes they’ll spend a few days with me. And I definitely don’t jerk off to the image of them coming on my cock. I don’t feel this way for my friends, Natalie—close or otherwise—so I dare you to call me your close friend again,” he warns. “I fucking dare you.
Kate Stewart (Reverse (The Bittersweet Symphony Duet, #2))
About ten degrees upslope of Fiction, I could see our nearest neighbor: Artistic Criticism. It was an exceptionally beautiful island, yet deeply troubled, confused and suffused with a blanketing layer of almost impenetrable bullshit.
Jasper Fforde (One of Our Thursdays Is Missing (Thursday Next, #6))
I don't think of it as suicide. I like to think of it as leaving. She didn't want to stay, so she left. What if I want to leave? Sometimes I wonder if I need help. Suicidal thoughts aren't normal, right? constant depression isn't healthy, right? But I smile all the time. I have my moments. Lately I've been falling deeply into something I can't get out of. I don't like the life I'm living. I don't like the person I am. I love many people, but I don't feel as though I'm as important to them. I don't feel like I'll be missed. I wonder if I'll ever be able to tell anyone I need help.
Anna Akana (Surviving Suicide)
Highly sensitive people also process information about their environments—both physical and emotional—unusually deeply. They tend to notice subtleties that others miss—another person’s shift in mood, say, or a lightbulb burning a touch too brightly.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
I felt ignorant, self-deprived, incredibly isolated, deeply and profoundly lonely and missing people, absolutely starved for affection, physically weary from alcohol, very depressed about my physical appearance, my weak muscles. Hurt and angry and sad
Augusten Burroughs (Possible Side Effects)
Do you realize how deeply I feel about you?” I slowly shook my head, needing her to tell me. She placed my hand over her heart and her hand over mine. I felt its steady beat under my palm, the steady beat that got faster as my eyes locked on hers. “It’s like music,” she explained. “When I look at you, when you touch me, when I see your face … when we kiss, my heart plays a song. It sings that it needs you like I need air. It sings to me that I adore you. It sings that I’ve found its perfect missing part.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Anne had wandered down the the Dryard's Bubble and was curled up among the ferns at the root of the n=big white birch where sher and Gilbert had so often sat ion summers gone by. Hew had gone into the newspaper office again when college was closed, and Avonlea seemed very dull without him. He never wrote to her, and Anne missed the letters that neer came. To be sure, Roy wrote twice a week; his letters were exquisite compositions which would have read beautifully in a memoir or biography. Anne felt herself more deeply in love with him that ever when she read the; but her heart never game that queer, quick, painful bound at sight of his letters which had given one day when Mrs. Hiram Sloane had handed her out an envelope addressed in Gilbert's black, upright handwriting. Anne had hurried home to the east gable and opened it eagrly--to find a typewritten copy of some college society report--"only that and nothing more." Anne flung the harmless screed across her room and sat down to write and especially nice epistle to Roy
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
Another strike of lightening – now accompanied by the deep-bellied rumble, and the horse reared, incidentally setting Henry very picturesquely against the inconstant moon. Alas, Catherine was deeply engaged in her argument with Old Edric and this missed entirely the melodramatic display. But we may assume that, possessing so strong an imagination, Catherine had often pictured Henry thus...
Emily C.A. Snyder (Nachtstürm Castle: A Gothic Austen Novel)
Credomancy may seek to exploit the human desire for a tidy narrative where an unblemished romantic hero vanquishes all obstacles, but such ideals have very little to with reality. Reality requites pragmatism and compromise. Men fail. Women fail. There are no heroes, only human beings who somehow find the strength to behave heroically, no matter how many times they have been unable to do so in the past. If you understand that, Miss Edwards - if you truly and deeply understand that, then you will understand the most powerful thing anyone with a heart can understand.” “And what’s that?” Emily said softly. “That love is not enough. But it’s a start.
M.K. Hobson (The Hidden Goddess (Veneficas Americana, #2))
My dear Miss Prim, if you reflected a little more deeply you'd realize that you can only admire that which you do not possess. You do not admire in another a quality you have yourself, you admire what you don't have and which you see shining in another in all its splendor... If two people admire each other, they're not equals. If they were, they wouldn't admire each other. They're different, as each admires in the other what they don't find in themselves. It's difference, not similarity, that fosters admiration between two people.
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
BE STILL IN MY PRESENCE, even though countless tasks clamor for your attention. Nothing is as important as spending time with Me. While you wait in My Presence, I do My best work within you: transforming you by the renewing of your mind. If you skimp on this time with Me, you may plunge headlong into the wrong activities, missing the richness of what I have planned for you. Do not seek Me primarily for what I can give you. Remember that I, the Giver, am infinitely greater than any gift I might impart to you. Though I delight in blessing My children, I am deeply grieved when My blessings become idols in their hearts. Anything can be an idol if it distracts you from Me as your First Love. When I am the ultimate Desire of your heart, you are safe from the danger of idolatry. As you wait in My Presence, enjoy the greatest gift of all: Christ in you, the hope of Glory! Do not conform any longer to the pattern of this world, but be transformed by the renewing of your mind. Then you will be able to test and approve what God’s will is—his good, pleasing and perfect will. ROMANS 12 : 2
Sarah Young (Jesus Calling, with Scripture References: Enjoying Peace in His Presence (A 365-Day Devotional) (Jesus Calling®))
He did things to her, she realized. Strange, shivery things that left her breathless. He need only to look at her—not in his usual, conversational way, but to really look at her, to let his eyes settle on hers, deeply blue and insightful, and she felt naked, her soul bared.
Julia Quinn (The Secret Diaries of Miss Miranda Cheever (Bevelstoke, #1))
I was asked to talk to a roomful of undergraduates in a university in a beautiful coastal valley. I talked about place, about the way we often talk about love of place, but seldom how places love us back, of what they give us. They give us continuity, something to return to, and offer familiarity that allows some portion of our lives to remain collected and coherent. They give us an expansive scale in which our troubles are set into context, in which the largeness of the world is a balm to loss, trouble, and ugliness. And distant places give us refuge in territories where our own histories aren't so deeply entrenched and we can imagine other stories, other selves, or just drink up quiet and respite. The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest. Being able to travel in both ways matters, and sometimes the way back into the heart of the question begins by going outward and beyond. This is the expansiveness that comes literally in a landscape or that tugs you out of yourself in a story..... I told the student that they were at an age when they might begin to choose the places that would sustain them the rest of their lives, that places were much more reliable than human beings, and often much longer-lasting, and I asked each of them where they felt at home. They answered, each of them, down the rows, for an hour, the immigrants who had never stayed anywhere long or left a familiar world behind, the teenagers who'd left the home they'd spent their whole lives in for the first time, the ones who loved or missed familiar landscapes and the ones who had not yet noticed them. I found books and places before I found friends and mentors, and they gave me a lot, if not quite what a human being would. As a child, I spun outward in trouble, for in that inside-out world [of my family], everywhere but home was safe. Happily, the oaks were there, the hills, the creeks, the groves, the birds, the old dairy and horse ranches, the rock outcroppings, the open space inviting me to leap out of the personal into the embrace of the nonhuman world.
Rebecca Solnit (The Faraway Nearby)
I felt confused about my own life, as if I were living in the mind of a stranger. I wanted to understand her heart. I just wanted to be certain it was the right decision. Love was something I felt deeply but couldn't express, and now that I've said goodbye, I suddenly realize all the things I should have said.
Rolf van der Wind
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there. What are you doing here? I was taking a walk and I saw you and I followed you. What do you want. I want you to stop. I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks. It's okay. I breathe hard, close my eyes, let myself be held. It's okay. Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says. Okay. Okay. Okay. Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry. It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying. She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything. It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken. THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers. You're okay. You're okay. You're okay.
James Frey
Do you enjoy your life? Or are you so focused on the future that you're missing out on the present? So obsessed with what you don't have that you forget what you do have? Life is a gift. Deeply enjoy every moment you can. A good night's sleep. Laughter. Plant your feet on the ground and take it all in. Because what you're doing now will set the stage for your future.
John Mark Comer (Loveology: God. Love. Marriage. Sex. And the never-ending story of male and female.)
Because your mine." I snuggled in tighter to his muscular chest. "And I don't want the Jennas of the world to get a good look at what they've been missing and steal you away." I inhaled deeply, letting Bryn's scent surround me in comfort - home. As I began drifting off to sleep, I heard Bryn whisper something that id never forget. "There's never any danger of that. I'm yours. Always
D.T. Dyllin (Hidden Gates (The P.J. Stone Gates Trilogy #1))
Jacob being sensitive is an endowment. Think about all you'd miss out on if you didn't feel things so deeply, or see things so clearly." "But feeling good things deeply means you feel bad things deeply, too." "Would you rather walk around oblivious to the meaning of things hidden under the surface and the opportunities to feel wonder and joy? Would you want to miss out on moments that take your breath away?
Jacqueline Simon Gunn (What He Didn't See (Close Enough to Kill))
What is required to get a group of people to pray? They must see how big God is and how little they are. This will produce an awareness of their need. They will be deeply troubled. Yet they must also see that God is truly willing to hear the prayers of people like them. If either is missing, they will not approach the throne of grace. If both are believed, they will pray no matter how inconvenient the time. You will not be able to stop them.
John Snyder (Behold Your God Student Workbo)
Miss Brobity’s Being, young man, was deeply imbued with homage to Mind. She revered Mind, when launched, or, as I say, precipitated, on an extensive knowledge of the world. When I made my proposal, she did me the honour to be so overshadowed with a species of Awe, as to be able to articulate only the two words, “O Thou!” meaning myself. Her limpid blue eyes were fixed upon me, her semi-transparent hands were clasped together, pallor overspread her aquiline features, and, though encouraged to proceed, she never did proceed a word further. I disposed of the parallel establishment by private contract, and we became as nearly one as could be expected under the circumstances. But she never could, and she never did, find a phrase satisfactory to her perhaps-too-favourable estimate of my intellect. To the very last (feeble action of liver), she addressed me in the same unfinished terms.
Charles Dickens (The Mystery of Edwin Drood)
The small Japanese immortal sat cross-legged, his two swords resting flat on the ground before him. He folded his hands in his lap, closed his eyes and breathing through his nose, forcing the chill night air deep into his chest. He held it for a count of five, then shaped his lips into an O and blew it out again, puncturing a tiny hole in the swirling fog before his face. Even though he would never admit it to anyone, Niten loved this moment. He had no affection for what was to come, but this brief time, when all preparations for battle were made and there was nothing left to do but wait, when the world felt still, as if it was holding its breath, was special. This moment, when he was facing death, was when he felt completely, fully alive. He’d still been called Miyamoto Musashi and had been a teenager when he’d first discovered the genuine beauty of the quiet moment before a fight. Every breath suddenly tasted like the finest food, every sound was distinct and divine, and even on the foulest battlefields, his eyes would be drawn to something simple and elegant: a flower, the shape of a branch, the curl of a cloud. A hundred years ago, Aoife had given him a book as a birthday present. He hadn’t had the heart to tell her that she’d missed his birthday by a month, but he had treasured the book, the first edition of The Professor by Charlotte Bronte. It included a line he had never forgotten: In the midst of life we are in death. Years later, he’d heard Ghandi take the same words and shift them around to create something that resonated deeply within him: In the midst of death life persists.
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
If you’ve ever wondered what we’re missing by sitting at computers in cubicles all day, follow Jessica DuLong when she loses her desk job and embarks on this unlikely but fantastic voyage. Deeply original, riveting to read, and soul-bearingly honest, "My River Chronicles" is a surprisingly infectious romance about a young woman falling in love with a muscle-y old boat. As DuLong learns to navigate her way through a man’s world of tools and engines, and across the swirling currents of a temperamental river, her book also becomes a love letter to a nation. In tune with the challenges of our times, DuLong reminds us of the skills and dedication that built America, and inspires us to renew ourselves once again.
Trevor Corson (The Story of Sushi: An Unlikely Saga of Raw Fish and Rice)
Okay," Adam began, "Now concentrate! This was a real person. White suit!" "Colonel Sanders!" Lily replied quickly. "Colonel Sanders? I said it was a real person, not a logo for a chicken joint!" "He was a real person! If you don't believe me look it up!" "Whatever! Not Colonel Sanders though. Humor!" he said urgently. "Steve Martin!" She clapped her hands with joy, obviously believing that they had finally gotten one right. "No, uh..." He searched for another clue. "Wait! White suit and humor but not Steve Martin?" She looked crushed. "I just said no!" He yelled! "Hannibal!" "Um, uh, Dumbo..." she said with a deeply pensive expression. "Dumbo?! What the fuck?!" "Hannibal! Elephants! And before you say it he was real, too, you schmuck!" "Guess again goddamnit!" "Anthony Hopkins!" Adam threw down the card and looked like he was going to cry. "Halley's Comet!" he growled. "Halley's Comet?! What in the hell do you mean Halley's Comet!" "Time!" Braden informed them gleefully, wiping tears of laughter out of his eyes. "Mark Twain! You're an author Christ's sake!" Adam bit out. "Oh, right! He was from Hannibal, Missouri! What in the hell did Halley's Comet have to do with Mark Twain?!" "It appeared on the day he was born and the day he died! Duh huh!" Adam said. "This isn't Trivial fucking Pursuit!" Lily shot back. "Why didn't you say Mississippi or riverboat or frog jumping contest or something besides Halley's Motherfucking Comet?!" "Because they're all forbidden motherfucking words! Miss 'like a human'!" he yelled.
N.M. Silber (The Home Court Advantage (Lawyers in Love, #2))
    Miss Witherfield retired, deeply impressed with the magistrate's learning and research; Mr. Nupkins retired to lunch; Mr. Jinks retired within himself—that being the only retirement he had, except the sofa-bedstead in the small parlour which was occupied by his landlady's family in the daytime—and Mr. Grummer retired, to wipe out, by his mode of discharging his present commission, the insult which had been fastened upon himself, and the other representative of his Majesty—the beadle—in the course of the morning.
Charles Dickens (The Pickwick Papers)
Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury, with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring" spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when she faced a man with thirty times her fencing experience across the razor-edged steel of their swords, with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own murdered steaders at her back. But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that moment that for all his own imposing record of victory in battle, he was not and never had been her equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she could have been a monster under the wrong set of circumstances. And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty, and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong circumstances, she could have been the most terrifying person he had ever met. In fact, at this moment, she was . It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a determination which would not— couldnot—relent or rest. "I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget, and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.
David Weber (Mission of Honor (Honor Harrington, #12))
I like literature," I said. "We started watching the film version of Romeo and Juliet today." I didn't tell them this, but the love story fascinated me. The way the lovers fell so deeply and irrevocably in love after their first meeting sparked a burning curiosity in me about what human love might feel like. "How are you finding that?" Ivy asked. "It's very powerful, but the teacher got really mad when one of the boys said something about Lady Capulet." "What did he say?" "He called her a MILF, which must be offensive because Miss Castle called him a thug and sent him out of the room. Gabe, what is a MILF?" Ivy smothered her smile behind a napkin while Gabriel did something I'd never seen before. He blushed and shifted uncomfortably in his chair. "Some acronym for a teenage obscnity, I imagine," he mumbled. "Yes, but do you know what it means?" He paused, trying to find the right words. "It's a term used by adolescent males to describe a woman who is both attractive and a mother." He cleared his throat and got up quickly to refill the water jug. "I'm sure it must stand for something," I pressed. "It does," Gabriel said. "Ivy, can you remeber what it is?" "I believe it stands for 'mother I'd like to...befriend'," said my sister. "Is that all?" I exclaimed. "What a fuss over nothing. I really think Miss Castle needs to chill.
Alexandra Adornetto
I do not want you to miss the simple arithmetic here: If man’s special value falls, then unalienable human rights fall, too. If man is not special, if he is not deeply different from any other thing, then there is no good reason not to treat him just like any other thing when it’s convenient for us to do so. If man is just “the result of a purposeless and natural process that did not have him in mind,” as matter-ism dictates, if he is just a gear in the machine, or if he is only an illusion of the universal Mind, then there is no good reason for unique and unalienable human rights. It should not be surprising, then, when cultures consistently believe that there is nothing special about being human, that soon they deny ultimate moral obligations and unalienable human rights too. When man is reduced to a mere animal—when the force of one’s worldview logic demotes humans to mere biological machines—morality and human rights die and power is all that remains. This has happened with every communist regime, and happens with all governments as they get increasing secular. It cannot be otherwise.
Gregory Koukl (The Story of Reality: How the World Began, How It Ends, and Everything Important that Happens in Between)
You may think you know the story. Oh, heard that one, have you? Well, we say again: you may think you know the story. By all accounts it's a good one: a penniless, orphaned young woman becomes a governess in a wealthy household, catches the eye of the rich and stern master, and (sigh) falls deeply in love. It's all very passionate and swoonworthy, but before they can be married, a - gasp! - terrible treachery is revealed. Then there's fire and despair, some aimless wandering, starvation, a little bit of gaslighting, but in the end, the romance works out. The girl (Miss Eyre) gets the guy (Mr. Rochester). They live happily ever after. Which means everybody's happy, right? Um ... no. We have a different tale to tell. (Don't we always?) And what we're about to reveal is more than a simple reimagining of one of literature's most beloved novels. This version, dear reader, is true. There really was a girl. (Two girls, actually.) There was, indeed, a terrible treachery and a great fire. But throw out pretty much everything else you know about the story. This isn't going to be like any classic romance you've ever read.
Cynthia Hand (My Plain Jane (The Lady Janies, #2))
Love you not deeply?" "Oh yes," answered he; "I deeply love Miss Cunegonde." "No," said one of the gentlemen, "we ask you if you do not deeply love the King of the Bulgarians?" "Not at all," said he; "for I have never seen him." "What! he is the best of kings, and we must drink his health." "Oh! very willingly, gentlemen," and he drank. "That is enough," they tell him. "Now you are the help, the support, the defender, the hero of the Bulgarians. Your fortune is made, and your glory is assured." Instantly they fettered him, and carried him away to the regiment.
Voltaire (Candide)
I immersed myself in my relationship with my husband, in little ways at first. Dutch would come home from his morning workout and I’d bring him coffee as he stepped out of the shower. He’d slip into a crisp white shirt and dark slacks and run a little goop through his hair, and I’d eye him in the mirror with desire and a sultry smile that he couldn’t miss. He’d head to work and I’d put a love note in his bag—just a line about how proud I was of him. How beautiful he was. How happy I was as his wife. He’d come home and cook dinner and instead of camping out in front of the TV while he fussed in the kitchen, I’d keep him company at the kitchen table and we’d talk about our days, about our future, about whatever came to mind. After dinner, he’d clear the table and I’d do the dishes, making sure to compliment him on the meal. On those weekends when he’d head outside to mow the lawn, I’d bring him an ice-cold beer. And, in those times when Dutch was in the mood and maybe I wasn’t, well, I got in the mood and we had fun. As the weeks passed and I kept discovering little ways to open myself up to him, the most amazing thing happened. I found myself falling madly, deeply, passionately, head-over-heels in love with my husband. I’d loved him as much as I thought I could love anybody before I’d married him, but in treating him like my own personal Superman, I discovered how much of a superhero he actually was. How giving he was. How generous. How kind, caring, and considerate. How passionate. How loving. How genuinely good. And whatever wounds had never fully healed from my childhood finally, at long last, formed scar tissue. It was like being able to take a full breath of air for the first time in my life. It was transformative. And it likely would save our marriage, because, at some point, all that withholding would’ve turned a loving man bitter. On some level I think I’d known that and yet I’d needed my sister to point it out to me and help me change. Sometimes it’s good to have people in your life that know you better than you know yourself.
Victoria Laurie (Sense of Deception (Psychic Eye Mystery, #13))
You must have traveled all night,” she heard herself say. “I had to come back early.” She felt his lips brush her tumbled hair. “I left some things unfinished. But I had a feeling you might need me. Tell me what’s happened, sweetheart.” Amelia opened her mouth to answer, but to her mortification, the only sound she could make was a sort of miserable croak. Her self-control shattered. She shook her head and choked on more sobs, and the more she tried to stop them, the worse they became. Cam gripped her firmly, deeply, into his embrace. The appalling storm of tears didn’t seem to bother him at all. He took one of Amelia’s hands and flattened it against his heart, until she could feel the strong, steady beat. In a world that was disintegrating around her, he was solid and real. “It’s all right,” she heard him murmur. “I’m here.” Alarmed by her own lack of self-discipline, Amelia made a wobbly attempt to stand on her own, but he only hugged her more closely. “No, don’t pull away. I’ve got you.” He cuddled her shaking form against his chest. Noticing Poppy’s awkward retreat, Cam sent her a reassuring smile. “Don’t worry, little sister.” “Amelia hardly ever cries,” Poppy said. “She’s fine.” Cam ran his hand along Amelia’s spine in soothing strokes. “She just needs…” As he paused, Poppy said, “A shoulder to lean on.” “Yes.” He drew Amelia to the stairs, and gestured for Poppy to sit beside them. Cradling Amelia on his lap, Cam found a handkerchief in his pocket and wiped her eyes and nose. When it became apparent that no sense could be made from her jumbled words, he hushed her gently and held her against his large, warm body while she sobbed and hid her face. Overwhelmed with relief, she let him rock her as if she were a child. As Amelia hiccupped and quieted in his arms, Cam asked a few questions of Poppy, who told him about Merripen’s condition and Leo’s disappearance, and even about the missing silverware. Finally getting control of herself, Amelia cleared her aching throat. She lifted her head from Cam’s shoulder and blinked. “Better?” he asked, holding the handkerchief up to her nose. Amelia nodded and blew obediently. “I’m sorry,” she said in a muffled voice. “I shouldn’t have turned into a watering pot. I’m finished now.” Cam seemed to look right inside her. His voice was very soft. “You don’t have to be sorry. You don’t have to be finished, either.” She realized that no matter what she did or said, no matter how long she wanted to cry, he would accept it. And he would comfort her.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
When she dies, you are not at first surprised. Part of love is preparing for death. You feel confirmed in your love when she dies. You got it right. This is part of it all. Afterward comes the madness. And then the loneliness: not the spectacular solitude you had anticipated, not the interesting martyrdom of widowhood, but just loneliness. You expect something almost geological-- vertigo in a shelving canyon -- but it's not like that; it's just misery as regular as a job. What do we doctors say? I'm deeply sorry, Mrs Blank; there will of course be a period of mourning but rest assured you will come out of it; two of these each evening, I would suggest; perhaps a new interst, Mrs Blank; can maintenance, formation dancing?; don't worry, six months will see you back on the roundabout; come and see me again any time; oh nurse, when she calls, just give her this repeat will you, no I don't need to see her, well it's not her that's dead is it, look on the bright side. What did she say her name was? And then it happens to you. There's no glory in it. Mourning is full of time; nothing but time.... you should eat stuffed sow's heart. I might yet have to fall back on this remedy. I've tried drink, but what does that do? Drink makes you drunk, that's all it's ever been able to do. Work, they say, cures everything. It doesn't; often, it doesn't even induce tiredness: the nearest you get to it is a neurotic lethargy. And there is always time. Have some more time. Take your time. Extra time. Time on your hands. Other people think you want to talk. 'Do you want to talk about Ellen?' they ask, hinting that they won't be embarrassed if you break down. Sometimes you talk, sometimes you don't; it makes little difference. The word aren't the right ones; or rather, the right words don't exist. 'Language is like a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity.' You talk, and you find the language of bereavement foolishly inadequate. You seem to be talking about other people's griefs. I loved her; we were happy; I miss her. She didn't love me; we were unhappy; I miss her. There is a limited choice of prayers on offer: gabble the syllables. And you do come out of it, that's true. After a year, after five. But your don't come out of it like a train coming out of a tunnel, bursting through the Downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.
Julian Barnes (Flaubert's Parrot)
The wars around the globe into which religion is woven -- violence that over the past two decades has sent many tens of thousands of men, women, and children to terrible deaths in the Balkans, Iraq, Afghanistan, Indonesia, India, Israel, the Palestinian territories, and the United States -- deeply threaten what we have of a human society. Denouncing religion itself is futile. And such simple reactions badly miss the point. It is among the religious believers that the work must be done, within that overwhelming majority who would find common ground in being human and not wanting destruction, if only because their traditions are about so much more. Those traditions contain life-giving possibilities, even if the worst demagogues would try to twist dogma so hard as to wring poison from it.
Gustav Niebuhr (Beyond Tolerance: Searching for Interfaith Understanding in America)
Recent psychological research on grief favors meaning making over closure; accepts zigzagging paths, not just linear stages; recognizes ambiguity without pathology; and acknowledges continuing bonds between the living and the dead rather than commanding decathexis. But old ideas about grief as a linear march to closure still hold powerful sway. Many psychologists and grief counseling programs continue to consider “closure” a therapeutic goal. Sympathy cards, internet searches, and friendly advice often uphold a rigid division between healthy grief that the mourner “gets over” and unhealthy grief that persists. Forensic exhumation, too, continues to be informed by these deeply rooted ideas. The experiences of grief and exhumation related by families of the missing indicate something more complex and mysterious than “closure.” Exhumation heals and wounds, sometimes both at once, in the same gesture, in the same breath, as Dulce described feeling consoled and destroyed by the fragment of her brother’s bones. Exhumation can divide brothers and restore fathers, open old wounds and open the possibility of regeneration—of building something new with the “pile of broken mirrors” that is memory, loss, and mourning.
Alexa Hagerty (Still Life with Bones: Genocide, Forensics, and What Remains)
For too long the depth of racism in American life has been underestimated. The surgery to extract it is necessarily complex and detailed. As a beginning it is important to X-ray our history and reveal the full extent of the disease. The strands of prejudice toward Negroes are tightly wound around the American character. The prejudice has been nourished by the doctrine of race inferiority. Yet to focus upon the Negro alone as the "inferior race" of American myth is to miss the broader dimensions of the evil. Our nation was born in genocide when it embraced the doctrine that the original American, the Indian, was an inferior race. Even before there were large numbers of Negroes on our shores, the scar of racial hatred had already disfigured colonial society. From the sixteenth century forward, blood flowed in battles over racial supremacy. We are perhaps the only nation which tried as a matter of national policy to wipe out its indigenous population. Moreover, we elevated that tragic experience into a noble crusade. Indeed, even today we have not permitted ourselves to reject or to feel remorse for this shameful episode. Our literature, our films, our drama, our folklore all exalt it. Our children are still taught to respect the violence which reduced a red-skinned people of an earlier culture into a few fragmented groups herded into impoverished reservations. This is in sharp contrast to many nations south of the border, which assimilated their Indians, respected their culture, and elevated many of them to high position. It was upon this massive base of racism that the prejudice toward the nonwhite was readily built, and found rapid growth. This long-standing racist ideology has corrupted and diminished our democratic ideals. It is this tangled web of prejudice from which many Americans now seek to liberate themselves, without realizing how deeply it has been woven into their consciousness.
Martin Luther King Jr. (Why We Can't Wait)
Was she terribly ravishing in her underclothes?” Livia asked craftily. “Yes,” Marcus said without thinking, and then scowled. “I mean, no. That is, I didn’t look at her long enough to make an assessment of her charms. If she has any.” Livia bit the inside of her lower lip to keep from laughing. “Come, Marcus…you are a healthy man of thirty-five—and you didn’t take one tiny peep at Miss Bowman standing there in her drawers?” “I don’t peep, Livia. I either take a good look at something, or I don’t. Peeping is for children or deviants.” She gave him a deeply pitying glance. “Well, I’m dreadfully sorry that you had to endure such a trying experience. We can only hope that Miss Bowman will stay fully clothed in your presence during this visit, to avoid shocking your refined sensibilities once again.” Marcus frowned in response to the mockery. “I doubt she will.” “Do you mean that you doubt she will stay fully clothed, or you doubt she will shock you?” “Enough, Livia,” he growled, and she giggled.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
In literature, plays, and cinema, substitutionary sacrifice is always the most riveting and moving plot point. In the movie The Last of the Mohicans, British major Duncan Heyward asks his Indian captors if he might die in the flames so that Cora, whom he loves, and Nathaniel can go free. When, as he is being dragged away, Duncan cries, “My compliments, sir! Take her and get out!” we are electrified by his unflinching willingness to die to save others, one of whom has been his rival. He dies with his arms bound and stretched out, as if he were on a cross. In Ernest Gordon’s memoir of being a prisoner of the Japanese during World War II, he recounts how at the end of a day of forced labor the guards counted the shovels, and one was apparently missing. A furious guard threatened the British POWs that unless the guilty person confessed, he would kill them all. He cocked his gun to start shooting them one by one. At that moment, one prisoner stepped forward calmly and said, “I did it.” He stood quietly at attention, and “he did not open his mouth” (Isaiah 53: 7) as he was beaten to death. When they all got back to the camp and counted the shovels again, it turned out that they were all there. The man had sacrificed himself to save them all. In the first Harry Potter novel, the evil Lord Voldemort can’t touch Harry without being burned. Later Dumbledore explains it to him. “Your mother died to save you. . . . Love as powerful [as that] . . . leaves its own mark. . . . [T]o have been loved so deeply . . . will give us some protection forever.” Why do these stories move us? It’s because we know from the mundane corners of life to the most dramatic that all life-changing love is substitutionary sacrifice. We know that anybody who has ever done anything that really made a difference in our lives made a sacrifice, stepped in and gave something or paid something or bore something so we would not have to.
Timothy J. Keller (The Prodigal Prophet: Jonah and the Mystery of God's Mercy)
…the third article we discovered was by Linda Hartling, who ties together research from several areas to propose a model explaining how humiliation can lead to violence. Hartling suggests that humiliation can trigger a series of reactions, including social pain, decreased self-awareness, increased self-defeating behavior, and decreased self-regulation, that ultimately lead to violence. Hartling and colleagues state that “humiliation is not only the most underappreciated force in international relations, it may be the missing link in the search for root causes of political instability and violent conflict…perhaps the most toxic social dynamic of our age.” This connection between humiliation and aggression/violence explains much of what we’re seeing today. Amplified by the reach of social media, dehumanizing and humiliating others are becoming increasingly normalized, along with violence. Now, rather than humiliating someone in front of a small group of people, we have the power to eviscerate someone in front of a global audience of strangers. I know we all have deeply passionate and cultural beliefs, but shame and humiliation will never be effective social justice tools. They are tools of oppression. I remember reading this quote from Elie Wiesel years ago and it’s become a practice for me-even when I’m enraged or afraid: “Never allow anyone to be humiliated in your presence.
Brené Brown (Atlas of the Heart: Mapping Meaningful Connection and the Language of Human Experience)
He twirled her around a few more times before he said offhandedly, "Aren't you tired of fighting yet? I'm beginning to find it quite tedious m'self. I've even given you the benefit of the doubt-" "Don't do me any favor." He cocked his head to the side because she'd turned away to mumble that. "Are you challenging me to make you sweet and lovable again? I believe you are!" Her eyes flew back to his, but she could't do anything more than sputter over the absurdity. His pale eyes were twinkling, holding back laughter no doubt. What the devil as he doing! Je couldn't be serious.Yet he rubbed his cheek against hers right there on the dance floor! "What-" She should never have turned in toward that unexpected caress. Was she destined to bump lips with him by accident? She drew back instantly while she had the presence of mine to do so. But he didn't.In fact, he moved closer, his mouth actually persuing hers until there was nothing accidental about it! She stumbled as her sensed whirled. That just encouraged him to hold her closer and kiss her more deeply. She was fast approaching the point of not caring! Desperately, she tore her mouth away to gasp out, "You're going to cause a scandal!" "I do believe it would be worth it," he said softly by her ear. "But it's only a minor infraction and quite overlooked, since everyone here knows we're married." "No,they don't.I didn't have it announced." He stopped abruptly. Several other couples even bumped into them. "Why not?" She looked away from his frown, which make her feel distinctly uneasy. How to explain her earlier hesitancy without him seeing it for what it was, a full-blown panic? But he didn't wait for her answer. Suddenly he was leading her off the dance floor. He began a social circuit around the room, missing no one who wasn't currently dancing. From group to group he stopped to introduce Rebecca as his wife,the Marchioness of Rochwood. He did it curtly,as if here completing a task assigned to him, which gave her the odd feeling he was punishing her.She was mortified. Most of those people thought he was joking! They knew him.They knew his reputation. And he wasn't behaving the least bit normally.
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
There is yet another reason why peer-oriented kids are insatiable. In order to reach the turning point, a child must not only be fulfilled, but this fulfillment must sink in. It has to register somehow in the child's brain that the longing for closeness and connectedness is being met. This registration is not cognitive or even conscious, but deeply emotional. It is emotion that moves the child and shifts the energy from one developmental agenda to another, from attachment to individuation. The problem is that, for fulfillment to sink in, the child must be able to feel deeply and vulnerably — an experience most peer-oriented kids will be defended against. Peer-oriented children cannot permit themselves to feel their vulnerability. It may seem strange that feelings of fulfillment would require openness to feelings of vulnerability. There is no hurt or pain in fulfillment — quite the opposite. Yet there is an underlying emotional logic to this phenomenon. For the child to feel full he must first feel empty, to feel helped the child must first feel in need of help, to feel complete he must have felt incomplete. To experience the joy of reunion one must first experience the ache of loss, to be comforted one must first have felt hurt. Satiation may be a very pleasant experience, but the prerequisite is to be able to feel vulnerability. When a child loses the ability to feel her attachment voids, the child also loses the ability to feel nurtured and fulfilled. One of the first things I check for in my assessment of children is the existence of feelings of missing and loss. It is indicative of emotional health for children to be able to sense what is missing and to know what the emptiness is about. As soon as they are able to articulate, they should be able to say things like “I miss daddy,” “It hurt me that grandma didn't notice me,” “It didn't seem like you were interested in my story,” “I don't think so and so likes me.” Many children today are too defended, too emotionally closed, to experience such vulnerable emotions. Children are affected by what is missing whether they feel it or not, but only when they can feel and know what is missing can they be released from their pursuit of attachment. Parents of such children are not able to take them to the turning point or bring them to a place of rest. If a child becomes defended against vulnerability as a result of peer orientation, he is made insatiable in relation to the parents as well. That is the tragedy of peer orientation — it renders our love and affection so useless and unfulfilling. For children who are insatiable, nothing is ever enough. No matter what one does, how much one tries to make things work, how much attention and approval is given, the turning point is never reached. For parents this is extremely discouraging and exhausting. Nothing is as satisfying to a parent as the sense of being the source of fulfillment for a child. Millions of parents are cheated of such an experience because their children are either looking elsewhere for nurturance or are too defended against vulnerability to be capable of satiation. Insatiability keeps our children stuck in first gear developmentally, stuck in immaturity, unable to transcend basic instincts. They are thwarted from ever finding rest and remain ever dependent on someone or something outside themselves for satisfaction. Neither the discipline imposed by parents nor the love felt by them can cure this condition. The only hope is to bring children back into the attachment fold where they belong and then soften them up to where our love can actually penetrate and nurture.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
Being held by him, kissed and mastered, taken under and swept away, enthralled her in a way she—an independent woman if nothing else in this life—could not have understood until forced to understand. From the tips of her toes to the ends of her hair, finally, a man's strength dominated her. Suddenly, she understood why women wanted so deeply. Why they wanted him. If they sensed even one-tenth of his passion, his power, his vitality, they would break his door down to get to him. And this, she learned as quickly as any pupil could, was what had been missing before: Zachariah Garrett's full participation. In all fairness to the dare, she locked her arms around his neck and consented to a draw. He murmured something low and unintelligible, his wine glass dropping to the grass with a soft thump. The arm around her waist tightened, the other climbing, his fingers delving into her loose chignon and tilting her head as he deepened the kiss, drawing down on her bottom lip and sucking. Instinct had her following his lead, shifting to better accommodate, parrying each thrust of his tongue with her own, rising on the tips of her toes to better sink into him, to gorge herself in vast, voracious gulps. The frantic nature of their joining melted her stiff posture and her cocksure bearing, rolling through her in a languid, glorious wave of sensation and recognition. It was a peculiar time to realize she had built her sense of self around an erroneous ideal. She was no different than other women.
Tracy Sumner (Tides of Passion)
Where did the dagger come from?” Azriel’s hazel eyes held nothing but cool wariness. “Why do you want to know?” “Because the Starsword”—she motioned to the blade he had down his back—“sings to it. I know you’re feeling it, too.” Let it be out in the open. “It’s driving you nuts, right?” Bryce pushed. “And it gets worse when I’m near.” Azriel’s face again revealed nothing. “It is,” Nesta answered for him. “I’ve never seen him so fidgety.” Azriel glowered at his friend. But he admitted, “They seem to want to be near each other.” Bryce nodded. “When I landed on that lawn, they instantly reacted when they were close together.” “Like calls to like,” Nesta mused. “Plenty of magical things react to one another.” “This was unique. It felt like … like an answer. My sword blazed with light. That dagger shone with darkness. Both of them are crafted of the same black metal. Iridium, right?” She jerked her chin to Azriel, to the dagger at his side. “Ore from a fallen meteorite?” Azriel’s silence was confirmation enough. “I told you guys back in that dungeon,” Bryce went on. “There’s literally a prophecy in my world about my sword and a dagger reuniting our people. When knife and sword are reunited, so shall our people be.” Nesta frowned deeply. “And you truly think this is that particular dagger?” “It checks too many boxes not to be.” Bryce lifted a still-bloody hand, and she didn’t miss the way they both tensed. But she furled her fingers and said, “I can feel them. It gets stronger the closer I get to them.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Consider the fact that we care deeply about what happens to the world after we die. If self-interests were the primary source of meaning in life, then it wouldn’t matter to people if an hour after their death everyone they know were to be wiped from the face of the earth. Yet, it matters greatly to most people. We feel that such an occurrence would make our lives meaningless. The only way death is not meaningless is to see yourself as part of something greater; a family, a community, a society. If you don’t, mortality is only a horror, but if you do, it is not. Loyalty, said Royce, solves the paradox of our ordinary existence, by showing us outside of ourselves the cause which is to be served, and inside of ourselves, the will which delights to do this service, and is not thwarted, but enriched and expressed in such service… Above the level of self-actualization in Maslow’s hierarchy of needs, they suggest the existence in people of a transcendent desire to see and help other beings achieve their potential. As our time winds down, we all seek comfort in simple pleasures; companionship, everyday routines, the taste of good food, the warmth of sunlight on our faces. We become less interested in the awards of achieving and accumulating and more interested in the rewards of simply being. Yet, while we may feel less ambitious, we also have become concerned for our legacy, and we have a deep need to identify purposes outside ourselves that make living feel meaningful and worthwhile. In the end, people don’t view their life as merely the average of all of its moments, which after all is mostly nothing much, plus some sleep. For human beings, life is meaningful because it is a story. A story has a sense of a whole, and its arc is determined by the significant moments; the ones where something happens. Measurements of people’s minute by minute levels of pleasure and pain miss this fundamental aspect of human existence. A seemingly happy life may be empty. A seemingly difficult life may be devoted to a great cause. We have purposes larger than ourselves. Unlike your experiencing self, which is absorbed in the moment, your remembering self is attempting to recognize not only the peaks of joy and valleys of misery, but also how the story works out as a whole. That is profoundly affected by how things ultimately turn out.
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
Nothing had changed in that moment when Violet and Jay had finally decided to have sex. Nothing-and everything. Violet was amazed by what they’d done. Amazed that they’d shared themselves with each other, like that. It was wonderful, and beautiful, and not anything that Violet had expected it to be. The pain had been more intense than she could have imagined, and she’d done her best not to cry out. But, of course, Jay had noticed as her body tensed, and then she shuddered. Tears dampened her lashes, yet she’d refused to let them fall. Jay had insisted that they stop, but Violet wouldn’t let him. Instead they’d waited, with Jay holding her, stroking her hair, her shoulders, her face, until the pain subsided, becoming something…less. Later, when she was lying in his arms, she shuddered again. Jay hugged her tight. “What’s wrong? You’re not sorry, are you?” The tenderness of his words made her heart twist. “Of course not. How could I be sorry for that?” He kissed her eyes, gently. “Then why are you shivering? I didn’t mean to hurt you, Vi.” She shook her head, clumsily bumping his chin. “I don’t know why.” She ran her fingertips over his arm, memorizing the feel of his coarse hairs, his skin, the muscles beneath it all. “It’s just…it’s a lot. You know?” Jay smiled. It was a satisfied smile. “Yeah.” He leaned back and pulled her to him, tucking her against his shoulder. “It was a lot. A really good lot.” She wanted to shove him, to banter, to play, but she was too exhausted. When Jay finally got up to leave, Violet leaned up on her elbow and watched as he buttoned his jeans. She wished they could stay like that-together-for longer. Forever. She already missed the feel of him beside her, and the scent of him around her. She sat up to give him back the T-shirt she was wearing. His lazy smile was far too beautiful to be real. “Keep it,” he insisted. “I like it better on you anyway.” The way he stared at her made her stomach flip. It was a look brimming with tenderness. They were a part of something more now; they belonged to each other. He tugged his hoodie over his bare chest, and then he leaned down to kiss her one last time, his lips lingering. His thumb traced the line of her cheek. “I love you, Violet Marie. I’ll always love you.” And then he left. And, once again, Violet slept deeply, soundly, wrapped in Jay’s shirt. He was the perfect remedy to all her worries.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Taut, intelligent, and intense suspense that is deeply human.”—Mark Greaney, New York Times Bestselling Author of Gunmetal Gray “Exciting and well-layered....David Bell is a master storyteller with a sure hand at crafting characters you feel for and stories you relish.”—Allen Eskens, USA Today Bestselling Author of The Life We Bury “A tense and twisty suspense novel about the dark secrets that lie buried within a community and a father who can save his daughter only by uncovering them. Will leave parents wondering just how well they truly know their children.”—Hester Young, author of The Gates of Evangeline and The Shimmering Road “A gripping, immersive tour-de-force full of twists and turns. BRING HER HOME kept me flipping the pages late into the night. Don’t expect to sleep until you’ve finished reading this book. I could not put it down!”—A. J. Banner, bestselling author of The Good Neighbor and The Twilight Wife “In David Bell’s riveting BRING HER HOME, the unthinkable is only the beginning. From there, the story races through stunning twists all the way to its revelation, without letting its heart fall away in the action. Intense, emotional, and deeply satisfying. This one will keep you up late into the night. Don't miss it!”—Jamie Mason, author of Three Graves Full and Monday’s Lie “Spellbinding and pulse-raising, BRING HER HOME hooked me from the first sentence and surprised me until the final pages. Sharply written and richly observed, this book is about the secrets we keep, the mysteries that keep us, and the lengths a father will go to for the daughter he loves. David Bell is a masterful storyteller who has perfected the art of suspense in BRING HER HOME.”—Sarah Domet, author of The Guineveres
David Bell (Bring Her Home)
She has been unkind to you, no doubt, because you see, she dislikes your cast of character, as Miss Scatcherd does mine; but how minutely you remember all she has done and said to you! What a singularly deep impression her injustice seems to have made on your heart! No ill-usage so brands its record on my feelings. Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity, or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain – the impalpable principle of life and thought, pure as when it left the Creator to inspire the creature; whence it came it will return, perhaps again to be communicated to some being higher than man – perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! Surely it will never, on the contrary, be suffered to degenerate from man to fiend? No, I cannot believe that: I hold another creed, which no one ever taught me, and which I seldom mention, but in which I delight, and to which I cling, for it extends hope to all; it makes eternity a rest – a mighty home – not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime, I can so sincerely forgive the first while I abhor the last; with this creed, revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low; I live in calm, looking to the end.
Charlotte Brontë (Jane Eyre)
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Also bearing witness to the unbearable nature of the vulnerability experienced by peer-oriented kids is the preponderance of vulnerability-quelling drugs. Peer-oriented kids will do anything to avoid the human feelings of aloneness, suffering, and pain, and to escape feeling hurt, exposed, alarmed, insecure, inadequate, or self-conscious. The older and more peer-oriented the kids, the more drugs seem to be an inherent part of their lifestyle. Peer orientation creates an appetite for anything that would reduce vulnerability. Drugs are emotional painkillers. And, in another way, they help young people escape from the benumbed state imposed by their defensive emotional detachment. With the shutdown of emotions come boredom and alienation. Drugs provide an artificial stimulation to the emotionally jaded. They heighten sensation and provide a false sense of engagement without incurring the risks of genuine openness. In fact, the same drug can play seemingly opposite functions in an individual. Alcohol and marijuana, for example, can numb or, on the other hand, free the brain and mind from social inhibitions. Other drugs are stimulants — cocaine, amphetamines, and ecstasy; the very name of the latter speaks volumes about exactly what is missing in the psychic life of our emotionally incapacitated young people. The psychological function served by these drugs is often overlooked by well-meaning adults who perceive the problem to be coming from outside the individual, through peer pressure and youth culture mores. It is not just a matter of getting our children to say no. The problem lies much deeper. As long as we do not confront and reverse peer orientation among our children, we are creating an insatiable appetite for these drugs. The affinity for vulnerability-reducing drugs originates from deep within the defended soul. Our children's emotional safety can come only from us: then they will not be driven to escape their feelings and to rely on the anesthetic effects of drugs. Their need to feel alive and excited can and should arise from within themselves, from their own innately limitless capacity to be engaged with the universe. This brings us back to the essential hierarchical nature of attachment. The more the child needs attachment to function, the more important it is that she attaches to those responsible for her. Only then can the vulnerability that is inherent in emotional attachment be endured. Children don't need friends, they need parents, grandparents, adults who will assume the responsibility to hold on to them. The more children are attached to caring adults, the more they are able to interact with peers without being overwhelmed by the vulnerability involved. The less peers matter, the more the vulnerability of peer relationships can be endured. It is exactly those children who don't need friends who are more capable of having friends without losing their ability to feel deeply and vulnerably. But why should we want our children to remain open to their own vulnerability? What is amiss when detachment freezes the emotions in order to protect the child?
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))