Decorate Yourself Quotes

Nobody can say anything about you. Whatsoever people say is about themselves. But you become very shaky, because you are still clinging to a false center. That false center depends on others, so you are always looking to what people are saying about you. And you are always following other people, you are always trying to satisfy them. You are always trying to be respectable, you are always trying to decorate your ego. This is suicidal. Rather than being disturbed by what others say, you should start looking inside yourself… Whenever you are self-conscious you are simply showing that you are not conscious of the self at all. You don’t know who you are. If you had known, then there would have been no problem— then you are not seeking opinions. Then you are not worried what others say about you— it is irrelevant! When you are self-conscious you are in trouble. When you are self-conscious you are really showing symptoms that you don’t know who you are. Your very self-consciousness indicates that you have not come home yet.

What do you think an artist is? An imbecile who only has eyes, if he is a painter, or ears if he is a musician, or a lyre in every chamber of his heart if he is a poet, or even, if he is a boxer, just his muscles? Far from it: at the same time he is also a political being, constantly aware of the heartbreaking, passionate, or delightful things that happen in the world, shaping himself completely in their image. How could it be possible to feel no interest in other people, and with a cool indifference to detach yourself from the very life which they bring to you so abundantly? No, painting is not done to decorate apartments. It is an instrument of war.

Freedom is not a reward or a decoration that you toast in champagne. On the contrary, it's hard graft and a long-distance run, all alone, very exhausting. Alone in a dreary room, alone in the dock before the judges, and alone to make up your mind, before yourself and before the judgement of others. At the end of every freedom there is a sentence, which is why freedom is too heavy to bear.

If you feel your value lies in being merely decorative, I fear that someday you might find yourself believing that’s all that you really are. Time erodes all such beauty, but what it cannot diminish is the wonderful workings of your mind: Your humor, your kindness, and your moral courage. These are the things I cherish so in you. I so wish I could give my girls a more just world. But I know you’ll make it a better place.

Every culture has its southerners -- people who work as little as they can, preferring to dance, drink, sing brawl, kill their unfaithful spouses; who have livelier gestures, more lustrous eyes, more colorful garments, more fancifully decorated vehicles, a wonderful sense of rhythm, and charm, charm, charm; unambitious, no, lazy, ignorant, superstitious, uninhibited people, never on time, conspicuously poorer (how could it be otherwise, say the northerners); who for all their poverty and squalor lead enviable lives -- envied, that is, by work-driven, sensually inhibted, less corruptly governed northerners. We are superior to them, say the northerners, clearly superior. We do not shirk our duties or tell lies as a matter of course, we work hard, we are punctual, we keep reliable accounts. But they have more fun than we do ... They caution[ed] themselves as people do who know they are part of a superior culture: we mustn't let ourselves go, mustn't descend to the level of the ... jungle, street, bush, bog, hills, outback (take your pick). For if you start dancing on tables, fanning yourself, feeling sleepy when you pick up a book, developing a sense of rhythm, making love whenever you feel like it -- then you know. The south has got you.

Your answer is the logical, coherent answer an absolutely normal person would give: It's a tie! A lunatic, however, would say that what I have around my neck is a ridiculous, useless bit of colored cloth tied in a very complicated way, which makes it harder to get air into your lungs and difficult to turn your neck. I have to be careful when I'm anywhere near a fan, or I could be strangled by this bit of cloth. If a lunatic were to ask me what this tie is for, I would have to say, absolutely nothing. It's not even purely decorative, since nowadays it's become a symbol of slavery, power, aloofness. The only really useful function a tie serves is the sense of relief when you get home and take it off; you feel as if you've freed yourself from something, though quite what you don't know.

Decorate yourself with the beauty of love.

You have the right to not have to constantly manage how you look for other people’s sake. You aren’t here to decorate the world for other people. You’re here to live in it for yourself, no matter what that looks like.

Metaphor isn't just decorative language. If it were, it wouldn't scare us so much. . . . Colorful language threatens some people, who associate it, I think, with a kind of eroticism (playing with language in public = playing with yourself), and with extra expense (having to sense or feel more). I don't share that opinion. Why reduce life to a monotone? Is that truer to the experience of being alive? I don't think so. It robs us of life's many textures. Language provides an abundance of words to keep us company on our travels. But we're losing words at a reckless pace, the national vocabulary is shrinking. Most Americans use only several hundred words or so. Frugality has its place, but not in the larder of language. We rely on words to help us detail how we feel, what we once felt, what we can feel. When the blood drains out of language, one's experience of life weakens and grows pale. It's not simply a dumbing down, but a numbing.

Love Is the Treasure The temple of love is not love itself; True love is the treasure, Not the walls about it. Do not admire the decoration, But involve yourself in the essence, The perfume that invades and touches you— The beginning and the end. Discovered, this replaces all else, The apparent and the unknowable. Time and space are slaves to this presence.

Humans have terrible passions that can go either way: create or destroy, it all depends on where they emerge. Art is not a tranquil occupation. What is peaceful about wrestling with nothingness? If the process isn’t brutal, it’s just decor. Your choice: violence towards others, or violence to yourself?

-Well, well, look what you dragged up. You could’ve saved yourself the money on the flowers and just brought me him. Been a while since I entertained a handsome young Moroi -It’s been a while since I’ve met a woman who appreciates roses as much as I do, said Adrian, ever quick on his feet. Not that my experience has always been great with them. I’ve got to say, though, I’ve never seen such excellent decorating taste. You go for pink too, huh? I told them that when they got the flowers, but would they listen to me? No. They insisted on burgundy.

Want to create the best Christmas ever? Forgive someone who doesn’t deserve your forgiveness. Hug a stranger. Pass on something that you want to keep for yourself. Spend time with the ones you love. Spend time on your knees. Decorate your life with light and laughter. Love yourself while you’re loving others. Christmas is about Christ and Christ is all about your joy and happiness.

You don’t think she ever loved your dad?” Shelley shook her head. “I think, for her, it was more like taking a job than falling in love. If you’ve been bred to marry a rich man and have his babies and basically be decoration, and you have no skills and no idea how to support yourself, how many options do you really have?

Girls are better at this sort of labour, often called 'emotional labour', not because there's anything in the meat and matter of our living cells that makes us naturally better but because we're trained for it from birth. Trained to make other people feel good. Trained to serve the coffee, fill in the forms, organise the parties and wipe the table afterwards. Trained to be feisty, if we must, but not strong. To be bubbly, not funny. You must at no stage appear to have a body that functions in a normal human way, that pisses and shits and sweats and farts and falters. Decorate the prison of your body. Make yourself useful. Shut up and smile.

I come to call you Home. Those who resonate with my words and follow them internally, will find that place and know It's completeness, its joy and fullness. I have come to call you away from suffering, from fear and from a life of sorrow and into your own, divine Being. I did not come here to give you decorative stories, to excite your imagination, or sign you up for some long program but to show you how available Truth is, and to remind you that you are never separate from It. No person on this planet is apart from the Truth in the Heart and yet the world is so vast and varied in expression. The greatest good and greatest evil is here. In this forest of duality and complexity you must find your way Home. You must win your Self back. Wisdom and trust will be your compass. Many voices came to call us but we are here today because we are freshly called by the voice of God, Love, Truth. Do not come half way home, but fully home. I know the voice that called you is true and Truth and that where you are being called to is also Real. It is inside your own Heart. It is what gives me the strength to be here. I love to see the beings being set free from the hypnosis of conditioning; from fears, false projection and the grip of ego. And I know that to be liberated is not difficult. It requires only openness and the sincere desire to be free. I don't need to hear anything about your past. Your stories are of no interest to me. That is not how I know you. I know you only through your Heart. That is my true connection with you - the living power of God. It is That which I respond to in you and it is only This that I know. I can only keep reminding you of It by pointing you again and again to the obvious in yourself. Now you must respond to my pointing. This will complete this yoga of seeing. Find and be one with That which is imperishable. Be merged in the Absolute. Don't go to sleep.

To the hyper-judgmental gay community, I say this: don't throw stones when you live in glass houses, everyone can see you barebacking strangers from the internet. You also have bad taste. Glass walls? Time to execute your decorator. And yourself.

Art is the conscious making of numinous phenomena. Many objects are just objects - inert, merely utilitarian. Many events are inconsequential, too banal to add anything to our experience of life. This is unfortunate, as one cannot grow except by having one’s spirit greatly stirred; and the spirit cannot be greatly stirred by spiritless things. Much of our very life is dead. For primitive man, this was not so. He made his own possessions, and shaped and decorated them with the aim of making them not merely useful, but powerful. He tried to infuse his weapons with the nature of the tiger, his cooking pots with the life of growing things; and he succeeded. Appearance, material, history, context, rarity - perhaps rarity most of all - combine to create, magically, the quality of soul. But we modern demiurges are prolific copyists; we give few things souls of their own. Locomotives, with their close resemblance to beasts, may be the great exception; but in nearly all else with which today’s poor humans are filling the world, I see a quelling of the numinous, an ashening of the fire of life. We are making an inert world; we are building a cemetery. And on the tombs, to remind us of life, we lay wreaths of poetry and bouquets of painting. You expressed this very condition, when you said that art beautifies life. No longer integral, the numinous has become optional, a luxury - one of which you, my dear friend, are fond, however unconsciously. You adorn yourself with the same instincts as the primitive who puts a frightening mask of clay and feathers on his head, and you comport yourself in an uncommonly calculated way - as do I. We thus make numinous phenomena of ourselves. No mean trick - to make oneself a rarity, in this overpopulated age.

If you should happen to catch a glimpse of what really matters in life, regard it with care. Decorate it with flowers. Cover it with love. Hold it in the sunshine. Give it a little bit of time and attention. And when the world tries to push you forward, listen to your heart instead. Because if you don’t make time for what really matters, no one is going to do it for you. Taking a few minutes to savor everyday wonders makes the heart fuller, the inner doubts quieter, and the human connections stronger. And that’s when the ordinary becomes extraordinary for yourself and those who share your life.

Being a lifetime wife and mother has afforded me the luxury of having multiple and even simultaneous careers: I've been a chauffeur. A chef. An interior decorator. A landscape architect, as well as a gardener. I've been a painter. A furniture restorer. A personal shopper. A veterinarian's assistant and sometimes the veterinarian. I've been an accountant, a banker and on occasion, a broker. I've been a beautician. A map. A psychic. Santa Claus. The Tooth Fairy. The T.V. Guide. A movie reviewer. An angel. God. A nurse and a nursemaid. A psychiatrist and psychologist. Evangelist. For a long time I have felt like I inadvertently got my master's in How To Take Care of Everybody Except Yourself and then a Ph.D. in How to Pretend Like You Don't Mind. But I do mind.

There are still no curtains in the rooms, still no sign of eccentricity.

T’aint’ no use to look for public sperit ‘less you’ve got some yourself.

THE MISCONCEPTION: Clothes as everyday objects are just fabrics for protection and decoration of the body. THE TRUTH: The clothes you wear change your behavior and can either add or subtract from your mental abilities.

Through these seventeen years of your life I have had this hour of your marriage in mind. In everything I have taught you I have considered two persons, the mother of your husband and your husband. For her sake I have taught you how to prepare and to present tea to an elder; how to stand in an elder’s presence; how to listen in silence while an elder speaks whether in praise or blame; in all things I have taught you to submit yourself as a flower submits to sun and rain alike. “For your husband I have taught you how to decorate your person, how to speak to him with eyes and expression but without words, how to—but these things you will understand when the hour comes and you are alone with him.

Look—here’s a table covered with a red cloth. On it is a cage the size of a small fish aquarium. In the cage is a white rabbit with a pink nose and pink-rimmed eyes. In its front paws is a carrot-stub upon which it is contentedly munching. On its back, clearly marked in blue ink, is the numeral 8. Do we see the same thing? We’d have to get together and compare notes to make absolutely sure, but I think we do. There will be necessary variations, of course: some receivers will see a cloth which is turkey red, some will see one that’s scarlet, while others may see still other shades. (To color-blind receivers, the red tablecloth is the dark gray of cigar ashes.) Some may see scalloped edges, some may see straight ones. Decorative souls may add a little lace, and welcome—my tablecloth is your tablecloth, knock yourself out.

If you feel your value lies in being merely decorative, I fear that someday you might find yourself believing that’s all that you really are. Time erodes all such beauty, but what it cannot diminish is the wonderful workings of your mind: Your humor, your kindness, and your moral courage

Politeness provides a way where you can back down with dignity. In nature there is only ever one reason you cede the high ground – you are acknowledging defeat. You are bowing before a superior power. But under the rules of politeness, you let the other person off not because you are a weakling, a coward or a failure, but because you value calm over chaos. Politeness makes it easier to apologise, because apologising isn’t just an act of pure submission. Politeness is founded on a major insight into human nature and a big positive thesis about what civilisation is and why we need it. It’s a view that was advanced particularly by the political philosopher Thomas Hobbes in the 17th century. Hobbes was acutely conscious that our normal, unrestrained instincts are far from being wholly nice. We may be quite inclined by nature to damage or destroy our rivals; to take advantage of those who are weaker than us; to grab more than our fair share of anything good if we can; to humiliate those who we feel are in some way alien; to revenge ourselves on anyone we feel has upset or disappointed us and to enforce our opinions and beliefs on others if we can. These are natural inclinations, Hobbes argues; therefore, we positively require a set of constraining conventions that artificially induce better ways of dealing with other people. Politeness is not mere decoration. It is directed at dealing with a major human problem: we need manners to restrain the beast inside.

You are the TEACHER. Some people are so stuck on what you did in the past, that they don't realize that you forgave yourself, matured, and graduated from what happened. Yet here they are stuck on that memory..wondering how you were able to move on. Time waits for no one and life keeps going. When haters try to remind you of your past, starve their attention with silence..Just realize that you don't have time to supervise adults. You got things to do and individuals to mentor. What was designed to crush you just strengthened your walk, put confidence in your talk, and encouraged you to be content with You. Their presence or opinion is only entertainment in the bleachers, tolerated decorations on the wall, and the uncelebrated clown at your events. Remember you are the teacher and they are the student...take charge of your classroom!!

I started to turn toward the closest bus stop. Alex turned the other way. "Suivez-moi," he commanded. So I followed. "Bon.Je pensais que nous irions-" "Alex." He stopped. "Ella." "Don't do that, the immersion thing." "Mais, c'est tres important." "Alex." "Ella." "Please.I know you do this with other linguistic losers, but it makes me feel like I should have a great big L lipsticked onto my forehead in some swirly French calligraphy." "Do you often contemplate decorating yourself in such a manner?" I took a quick look down.I was wearing Sienna's turtleneck again, but my own jeans. There was a large blue sea horse from the art museum fountain running from my knee to the crease of my thigh. "Yeah," I admitted. "I do." "Quelle horreur!" he declared, eyes round in mock distress. "Casse-toi." He let out a bark of laughter that sounded just like a seal. "Tres bien, Mademoiselle Marino. Got any more?" "A couple.Frankie gave me a copy of How to Offend the French when I managed to get a B in 1B last year." "Well,I never trade insults on a first date. Not that kinda guy. But after two or three..." I liked that he'd said "date," instead of "tutoring session." Even if it wasn't and he totally didn't mean it. I couldn't help it.

If, however, you feel you have made it, flattering yourself with your own little books, teaching, or writing, because you have done beautifully and preached excellently...if you perhaps look for praise, you are of that stripe, dear friend then take yourself by the ears, and if you do this in the right way you will find a beautiful pair or big, long, shaggy donkey ears. Then do not spare any expense! Decorate them with golden bells, so that people will be able to hear you wherever you go, point their fingers at you, and say, "See, See! There goes that clever beast, who can write such exquisite books and preach so remarkably well." That very moment you will be blessed and blessed beyond measure in the kingdom of heaven.

If you mean to be wicked, here’s my first piece of advice: never fish for compliments by demeaning yourself. Assume there is no place I’d rather be than by your side.” “But I know that’s not true.” “It doesn’t matter what my truth is. Know your worth and assume others do, too. Modesty, if you consider it, is the most unforgivable sort of falsehood: it’s a lie that does damage to no one but yourself.” She laughed. “Damage? I like that. Of course, you’re a heretic by profession. Most gentlemen consider modesty very becoming to a lady.” “No doubt they do,” he agreed. ... “The same gentlemen who liken ladies to flowers, no doubt.” ... “Others of us,” he said courteously as his hand dropped, “do not believe a woman’s main aim is to decorate a room.

On Monday morning, she called me into her bedroom. Her dark hair was tousled, her light robe very feminine against the soft blue of her bed. Her eyes were full of mischief. “Oh, Mr. West,” she whispered in her beguiling child’s voice. “I’ve gotten myself into something. Can you help me get out of it?” “What can I do?” I asked, wondering who was next in line to be fired. “I’ve invited someone to stay here,” she said, “but now we’ve changed our minds.” She cast a glance in the direction of the President’s bedroom. “Could you help us cook up something so we can get out of having her as a houseguest?” Without waiting for a reply, she rushed on, her request becoming a command in mid-breath. “Would you fix up the Queen’s Room and the Lincoln Room so that it looks like we’re still decorating them, and I’ll show her that our guest rooms are not available.” Her eyes twinkled, imagining the elaborate deception. “The guest rooms will be redecorated immediately,” I said, and almost clicked my heels. I called Bonner Arrington in the carpenter’s shop. “Bring drop-cloths up to the Queen’s Room and Lincoln Bedroom. Roll up the rugs and cover the draperies and chandeliers, and all the furniture,” I instructed. “Oh yes, and bring a stepladder.” I called the paint shop. “I need six paint buckets each for the Queen’s Room and the Lincoln Room. Two of the buckets in each room should be empty—off-white—and I need four or five dirty brushes.” I met the crews on the second floor. “Now proceed to make these two rooms look as if they’re being redecorated,” I directed. “You mean you don’t want us to paint?” said the painters. “No,” I said. “Just make it look as if you are.” The crew had a good time, even though they didn’t know what it was all about. As I brought in the finishing touches, ashtrays filled with cigarette butts, Bonner shook his head. “Mr. West, all I can say is that this place has finally got to you,” he said. That evening the President and Mrs. Kennedy entertained a Princess for dinner upstairs in the President’s Dining Room. Before dinner, though, President Kennedy strolled down to the East Hall with his wife’s guest. He pointed out the bedraped Queen’s Room. “… And you see, this is where you would have spent the night if Jackie hadn’t been redecorating again,” he told the unsuspecting lady. The next morning, Mrs. Kennedy phoned me. “Mr. West, you outdid yourself,” she exclaimed. “The President almost broke up when he saw those ashtrays.

Did you know,' I said over the sound of my sawing, 'that one summer, when I was seventeen, Elain bought me some paint? We'd had just enough to spend on extra things, and she bought me and Nesta presents. She didn't have enough for a full set, but bought me red and blue and yellow. I used them to the last drop, stretching them as much as I could, and painted little decorations in our cottage.' ... 'I painted the table, the cabinets, the doorway... And we had this old, black dresser in our room- one drawer for each of us. We didn't have much clothing to put in there, anyway.' I got through the second arrow faster, and he braced himself as I tugged it out. Blood flowed, then clotted. I started on the third. 'I painted flowers for Elain on her drawer,' I said, sawing and sawing. 'Little roses and begonias and irises. And for Nesta...' The arrow clanged to the ground and I ripped out the other end. I watched the blood flow and stop- watched him slowly lower the wing to the ground, his body trembling. 'Nesta,' I said, starting on the other wing, 'I painted flames for her. She was always angry, always burning. I think she and Amren would be fast friends. I think she would like Velaris, despite herself. And I think Elain- Elain would like it, too. Though she'd probably cling to Azriel, just to have some peace and quiet.' I smiled at the thought- at how handsome they would be together. If the warrior ever stopped quietly loving Mor. I doubted it. Azriel would likely love Mor until he was a whisper of darkness between the stars. ... 'Rhys's voice was raw as he said to the floor, 'What did you paint for yourself?' ... 'I painted the night sky.' He stilled. I went on, 'I painted stars and the moon and clouds and just endless, dark sky.' I finished the sixth, and was well on my way sawing through the seventh before I said, 'I never knew why. I rarely went outside at night- usually, I was so tired from hunting that I just wanted to sleep. But I wonder...' I pulled out the seventh and final arrow. 'I wonder if some part of me knew what was waiting for me. That I would never be a gentle grower of things, or someone who burned like fire- but that I would be quiet and enduring and as faceted as the night. That I would have beauty, for those who knew where to look, and if people didn't bother to look, but to only fear it... Then I didn't particularly care for them, anyway. I wonder if, even in my despair and hopelessness, I was never truly alone. I wonder if I was looking for this place- looking for you all.' ... 'I was looking for you, too,' Rhys murmured. And passed out.

It was this motley band of modest peeps and plovers on the beach who reminded me of the human beings I loved best - the ones who didn't fit in. These birds may or may not have been capable of emotion, but the way they looked, beleaguered there, few in number, my outcast friends, was how I felt. I'd been told that it was bad to anthropomorphize, but I could no longer remember why. It was, in any case, anthropomorphic only to see yourself in other species, not to see them in yourself. To be hungry all the time, to be mad for sex, to not believe in global warming, to be shortsighted, to live without thought of your grandchildren, to spend half your life on personal grooming, to be perpetually on guard, to be compulsive, to be habit-bound, to be avid, to be unimpressed with humanity, to prefer your own kind: these were all ways of being like a bird. Later in the evening, in posh, necropolitan Naples, on a sidewalk outside a hotel whose elevator doors were decorated with huge blowups of cute children and the monosyllabic injunction SMILE, I spotted two disaffected teenagers, two little chicks, in full Goth plumage, and I wished that I could introduce them to the brownish-gray misfits on the beach.

You own a sweet shop?” St. Just fell in step beside Westhaven, all bonhomie and good cheer. “Diversification of assets, Kettering calls it. Get your own sweet shop, why don’t you?” “My brother, a confectioner. Marriage has had such a positive impact on you, Westhaven. How long have you owned this fine establishment?” It was a fine establishment, which was to say, it was warm. The scents of chocolate and cinnamon thick in the air didn’t hurt, either. Westhaven waited silently while St. Just peered around the place with unabashed curiosity. There was a prodigious amount of pink in the decor, and ribbon bows and small baskets and tins artfully decorated. “You own a bordello for sweets,” St. Just observed in a carrying voice likely honed on the parade grounds of Spain. “It’s charming.” “Unlike you.” “You’re just cold and missing your countess. One must make allowances.” Mercifully, those allowances meant St. Just kept quiet while Westhaven purchased a quantity of marzipan. “You aren’t going to tell the troops to carry on, God Save the King, and all that?” St. Just asked as they left the shop. He reached over and stuffed his fingers into the bag of sweets Westhaven was carrying. “Help yourself, by all means.” “Can’t leave all the heavy lifting to my younger brothers.

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My darling son: depression at your age is more common than you might think. I remember it very strongly in Minneapolis, Minnesota, when I was about twenty-six and felt like killing myself. I think the winter, the cold, the lack of sunshine, for us tropical creatures, is a trigger. And to tell you the truth, the idea that you might soon unpack your bags here, having chucked in all your European plans, makes your mother and me as happy as could be. You have more than earned the equivalent of any university 'degree' and you have used your time so well to educate yourself culturally and personally that if university bores you, it is only natural. Whatever you do from here on in, whether you write or don't write, whether you get a degree or not, whether you work for your mother, or at El Mundo, or at La Ines, or teaching at a high school, or giving lectures like Estanislao Zuleta, or as a psychoanalyst to your parents, sisters and relatives, or simply being Hector Abad Faciolince, will be fine. What matters is that you don't stop being what you have been up till now, a person, who simply by virtue of being the way you are, not for what you write or don't write, or for being brilliant or prominent, but just for being the way you are, has earned the affection, the respect, the acceptance, the trust, the love, of the vast majority of those who know you. So we want to keep seeing you in this way, not as a future great author, or journalist or communicator or professor or poet, but as the son, brother, relative, friend, humanist, who understands others and does not aspire to be understood. It does not matter what people think of you, and gaudy decoration doesn't matter, for those of us who know you are. For goodness' sake, dear Quinquin, how can you think 'we support you (...) because 'that boy could go far'? You have already gone very far, further than all our dreams, better than everything we imagined for any of our children. You should know very well that your mother's and my ambitions are not for glory, or for money, or even for happiness, that word that sounds so pretty but is attained so infrequently and for such short intervals (and maybe for that very reason is so valued), for all our children, but that they might at least achieve well-being, that more solid, more durable, more possible, more attainable word. We have often talked of the anguish of Carlos Castro Saavedra, Manuel Meija Vallejo, Rodrigo Arenas Betancourt, and so many quasi-geniuses we know. Or Sabato or Rulfo, or even Garcia Marquez. That does not matter. Remember Goethe: 'All theory (I would add, and all art), dear friend, is grey, but only the golden tree of life springs ever green.' What we want for you is to 'live'. And living means many better things than being famous, gaining qualifications or winning prizes. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. Only now, when all that has passed, have I felt really happy. And part of that happiness is Cecilia, you, and all my children and grandchildren. Only the memory of Marta Cecilia tarnishes it. I believe things are that simple, after having gone round and round in circles, complicating them so much. We should do away with this love for things as ethereal as fame, glory, success... Well, my Quinquin, now you know what I think of you and your future. There's no need for you to worry. You are doing just fine and you'll do better, and when you get to my age or your grandfather's age and you can enjoy the scenery around La Ines that I intend to leave to all of you, with the sunshine, heat and lush greenery, and you'll see I was right. Don't stay there longer than you feel you can. If you want to come back I'll welcome you with open arms. And if you regret it and want to go back again, we can buy you another return flight. A kiss from your father.

The house decorating with the things and yourself with the dress is nothing as long as you do not furnish your language, talk and your character with the role modesty, decency, morals, sincerity, and love of humans.

What in the—? My begonias!” he heard someone say behind him. Nick looked over his shoulder. A small but muscular woman in sweaty workout clothes was stepping out of a big shiny car in the neighbor’s driveway. She was gaping in horror at the chewed-up flowerbed and the smoking lawn mower. Scowling, she turned toward Uncle Newt’s house. And the scowl didn’t go away when she noticed Nick looking back at her. In fact, it got scowlier. Nick smiled weakly, waved, and hurried into the house. He closed the door behind him. “Whoa,” he said when his eyes adjusted to the gloom inside. Cluttering the long hall in front of him were dozens of old computers, a telescope, a metal detector connected to a pair of bulky earphones, an old-fashioned diving suit complete with brass helmet, a stuffed polar bear (the real, dead kind), a chainsaw, something that looked like a flamethrower (but couldn’t be … right?), a box marked KEEP REFRIGERATED, another marked THIS END UP (upside down), and a fully lit Christmas tree decorated with ornaments made from broken beakers and test tubes (it was June). Exposed wires and power cables poked out of the plaster and veered off around every corner, and there were so many diplomas and science prizes and patents hanging (all of them earned by Newton Galileo Holt, a.k.a. Uncle Newt) that barely an inch of wall was left uncovered. Off to the left was a living room lined with enough books to put some libraries to shame, a semitransparent couch made of inflated plastic bags, and a wide-screen TV connected by frayed cords to a small trampoline.

It’s a tie! A lunatic, however, would say that what I have round my neck is a ridiculous, useless bit of colored cloth tied in a very complicated way, which makes it harder to get air into your lungs and difficult to turn your neck. I have to be careful when I’m anywhere near a fan, or I could be strangled by this bit of cloth. “If a lunatic were to ask me what this tie is for, I would have to say, absolutely nothing. It’s not even purely decorative, since nowadays it’s become a symbol of slavery, power, aloofness. The only really useful function a tie serves is the sense of relief when you get home and take it off; you feel as if you’ve freed yourself from something, though quite what you don’t know.

A blank canvas provides the artist in you with the perfect opportunity to express yourself! There is absolutely no limit to what you can create. To execute an artful tableau all you need is a willingness to experiment with paper flower crafts.

In her book Wild, Cheryl Strayed quotes her mother as saying, "There's always a sunrise and always a sunset, and it's up to you to choose to be there for it. Put yourself in the way of beauty." Left to my natural self, I'm more inclined to put myself in the way of Netflix than in the way of beauty. But putting myself in beauty's way is a perspective-shifting practice that grounds me.... I've decided that it's part of my job as a child of God to do so, to look for beauty in the natural world.

If you look for love and beauty, you will find it. You will find it because in doing so, you will realize that it is something that has always existed in you. Those who look for happiness or love outside of themselves will always be dissatisfied. It is like decorating your house with paintings and expecting to become a skilled painter yourself. To make a beautiful painting, you must pain. Similarly, to fill your life with love, you must first love. You cannot rely upon other people and expect them to complete you. It is something one must cultivate in oneself.

brace yourself for feline taxidermy, disco balls, crystal chandeliers, and other oddities of decor.

I visualized traveling the world, doing great things, and living in a home where I would be surrounded by beauty and love. Even after my parents moved away, and I was bounced around from one relative’s home to another, I decorated my makeshift rooms as best I could because I knew instinctively that I needed dignity in my life. There was no one pushing me to live a better life, or to dream; it was something I wanted for myself, and that desire fueled my seeking spirit. Through the losses and neglect of my childhood, the turmoil of my first marriage, and the battles to extricate myself from that and start over, I never gave up. There were never any limitations to my imagination. Visualization served me well—in my mind’s eye, I always saw a better life. Imagination, visualizing, and dreaming. big, combined with hard work, determination, and faith, are what got me where I wanted to go, and they can do the same for you. If you ever find your resolve melting away, tell yourself, “This time I’ll do it! This time I’ll win!” As long as you keep moving forward, despite any disappointments and setbacks, you will be on the path to victory.

I’d like you to imagine that you are about to attend one of the most important occasions of your life. It will be held in a room sufficiently large to seat all of your friends, your family, your business associates—anyone and everyone to whom you are important and who is important to you. Can you see it? The walls are draped with deep golden tapestries. The lighting is subdued, soft, casting a warm glow on the faces of your expectant guests. Their chairs are handsomely upholstered in a golden fabric that matches the tapestries. The golden carpeting is deeply piled. At the front of the room is a dais, and on the dais a large, beautifully decorated table, with candles burning at either end. On the table, in the center, is the object of everyone’s attention. A large, shining, ornate box. And in the box is…you! Stiff as the proverbial board. Do you see yourself lying in the box, not a dry eye in the room? Now, listen. From the four corners of the room comes a tape recording of your voice. Can you hear it? You’re addressing your guests. You’re telling them the story of your life. How would you like that story to go? That’s your Primary Aim. What would you like to be able to say about your life after it’s too late to do anything about it? That’s your Primary Aim. If you were to write a script for the tape to be played for the mourners at your funeral, how would you like it to read? That’s your Primary Aim. And once you’ve created the script, all you need to do is make it come true. All you need to do is begin living your life as if it were important. All you need to do is take your life seriously. To create it intentionally. To actively make your life into the life you wish it to be.

The art of hygge is a simple one: immerse yourself in the warmth and comfort of your beautifully lit and naturally decorated house with good friends, hearty food, and some happy conversation.

There is a huge difference between BEAUTIFUL HUMAN & DECORATIVE PIECE Don't make yourself the last one. just a decorative piece

Perhaps it's a terrible thing to write to you. You are just a lone moon hanging over the sky. You don't even have your own light. Your scars remind me of my hollow nightmares. They are so deep and hideous that you have to hide and decorate yourself twice a month. There is a darkness that sleeps in the other part of you. Your whole existence sickens me. Yet, when I look at you, I'm reminded more of myself than I see of you. The brightness reflects shades of imperfections, battles I have lost, and an unending desire to cling to someone every night, despite the millions of miles distance between my heart and hers.

You’re not the same person you were a year ago. You’re learning, and evolving, and can identify the ways in which you’ve changed for better and worse. You have the time and means to do things beyond the bare minimum. You’ve maybe been to a concert in the last few years, you buy books for yourself, you could take a day trip to a neighboring city if you wanted—you don’t have to work all hours of the day to survive. You have a selection of clothing at your disposal. You aren’t worried about having a hat or gloves in a blizzard, you have cool clothes for the summer and something to wear to a wedding. You not only can shield and decorate your body but can do so appropriately for a variety of circumstances.

Very bad,” she muttered. Benedict looked up. “Did you say something?” She crossed her arms mutinously. “Just that you’re a very bad man.” He chuckled. She’d known he would chuckle, and it still irritated her. He pulled the curtain away from the window and looked out. “We’re nearly there,” he said. He’d said that he was taking her directly to his mother’s residence. Sophie remembered the grand house in Grosvenor Square as if she’d been there the night before. The ballroom was huge, with hundreds of sconces on the walls, each adorned by a perfect beeswax candle. The smaller rooms had been decorated in the Adam style, with exquisitely scalloped ceilings and pale, pastel walls. It had been Sophie’s dream house, quite literally. In all her dreams of Benedict and their fictional future together, she’d always seen herself in that house. It was silly, she knew, since he was a second son and thus not in line to inherit the property, but still, it was the most beautiful home she’d ever beheld, and dreams weren’t meant to be about reality, anyway. If Sophie had wanted to dream her way right into Kensington Palace, that was her prerogative. Of course, she thought with a wry smile, she wasn’t likely ever to see the interior of Kensington Palace. “What are you smiling about?” Benedict demanded. She didn’t bother to glance up as she replied, “I’m plotting your demise.” He grinned— not that she was looking at him, but it was one of those smiles she could hear in the way he breathed. She hated that she was that sensitive to his every nuance. Especially since she had a sneaking suspicion that he was the same way about her. “At least it sounds entertaining,” he said. “What does?” she asked, finally moving her eyes from the lower hem of the curtain, which she’d been staring at for what seemed like hours. “My demise,” he said, his smile crooked and amused. “If you’re going to kill me, you might as well enjoy yourself while you’re at it, because Lord knows, I won’t.” Her jaw dropped a good inch. “You’re mad,” she said. “Probably.” He shrugged rather casually before settling back in his seat and propping his feet up on the bench across from him. “I’ve all but kidnapped you, after all. I should think that would qualify as the maddest thing I’ve ever done.” “You could let me go now,” she said, even though she knew he never would. “Here in London? Where you could be attacked by footpads at any moment? That would be most irresponsible of me, don’t you think?” “It hardly compares to abducting me against my will!” “I didn’t abduct you,” he said, idly examining his fingernails. “I blackmailed you. There’s a world of difference.” Sophie was saved from having to reply by the jolt of the carriage as it ground to a halt. -Sophie & Benedict

Get out of here, all of you," I continued. "This grave has been paid for by me and it belongs to nobody else. I died and am allowed to organize my funeral as I see fit. So, begone! My home is my castle and I will not tolerate any trespassers." "It's a scandal!" cried the decorated one. "A scandal without precedent!" A Public Prosecutor turned to me. "These inanities should be called to a halt," he hissed. "I arrest you in the name of the law, and I command the policemen to do their duty!" The policemen descended into the hole and placed their broad paws on my shoulder. But I looked at them sharply and said: "Have you no respect for the dead?" "But he is not dead! This is a complete sham!" a particularly brave Judge's apprentice cried out. "Ah, I beg your pardon!" I laughed, handing over my death certificate to the policemen. "Here, see for yourself. And in case the coroner's report is not sufficient you can always have a whiff, old donkey that you are." The decorated one leaned towards me. "The devil!" he exclaimed, hastily drawing back. "Please keep your distance, Sir," I admonished him. "Do I have to remind you of your whereabouts? It is a red-hot day in July, close to noon and you are in the presence of a corpse. I have every right to stink!" ("My Burial")

read aloud from Emerson: Be true to your own act, and congratulate yourself if you have done something strange and extravagant, and broken the monotony of a decorous age. It was a high counsel that I once heard given to a young person, “Always do what you are afraid to do.” A simple manly character need never make an a-po-lo-gy…

se "in-between times" to get things done. For example, it takes 15 minutes or less to change the sheets on a bed. So when you're waiting for dinner to finish cooking, to go somewhere, or for something to finish up, make a bed. Planning saves you time. Know what you have to do-and set your priorities. ere's a fun idea! Why not lighten a gathering together load a little by hosting a tea "potluck." It's a great way to widen your circle of friends and expand your recipe files. You provide the beautiful setting-and, of course, the tea. Invite each guest to bring a wonderful tea-time treat to share, along with the recipe. Have fun sampling all the goodies. You can also invite someone to play the piano, the guitar, or even do a dramatic reading of some sort. After the gathering, create a package of recipes and send them to each participant, along with a "thank you for coming" note. Friends are the continuous threads that help hold our lives together. f you have a fireplace, make it the focus of the room. Add plants, a teddy bear collection, or whatever you like to catch the eye. Add homey touches with a favorite stuffed toy, a framed picture of yourself with your grandmother. Photos and vacation souvenirs are great to liven up a room. Slipcovers help you make incredible changes in your decor simply. In winter months, toss an afghan over a sofa or chair. When you're not using afghans or blankets, stack them neatly under a shelf or a table to add texture to a room. Instead of a lamp table, stack wooden trunks or packing boxes together. These make great tables and provide storage.

The willingness to take an honest look at yourself and the ways you can improve is a great act of courage.  Some can approach personal development from a place of fixing what’s broken, but I think true personal development is making something great even better.  It’s the difference between demolishing a house and decorating one. 

Mrs. Brown, I hurried over as soon as I heard..." Ollie Clark ducked through the low front door and removed his hat as he noticed Lily sitting in the old rocker she had brought with her from Mississippi. His gaze stopped at the child at her feet. "Come in, Mr. Clark, have a seat. You've had word of Jim?" Lily’s breath caught in her lungs as she waited for the words she didn't want to hear. Ollie took the overlarge wing chair that had once decorated a bedroom parlor and wrung his hat between his hands. "No, ma'am, I didn't mean to get your hopes up none. I was talkin' 'bout Cade. The boys were just funnin' about him the other day. He's a drunken half-breed, Mrs. Brown. You don't want the likes of him about the place. Let me explain things to him and send him on his way. It ain't right for a respectable lady like yourself to have to deal with a man like that." "I can't dismiss a man without giving him a chance, Mr. Clark. Even drunk, he's showed more sense than some sober men I could name. If Colonel Martin could use him, I don't see why I can't." He took a deep breath. "He ain't even white, Lily. You'll give me permission to call you Lily?" When she didn't reply, Ollie hurried on. "He's half-Indian, half-Mexican. You'd be better off hiring one of your father's slaves. At least they listen when you whip them. Cade's more likely to turn and kill you. He's done it before. You've got to get him out of here." Ollie was speaking sense from his own point of view. Beneath his placid exterior. Cade undoubtedly had a violent temper. Lily had seen evidence of that already. And Ralph had told her he'd been in prison for killing another man. So Ollie was speaking the truth, but only one side of the truth. Lily knew all about that kind of lie. "I'll give Cade his chance, Mr. Clark. Jim would want it that way." Lily watched gleefully as she used this two-edged sword to make Clark squirm. How many times had she resentfully heard those words when the men wouldn't listen to her? Clark scowled and rose. "Jim wouldn't have taken on a drunken Indian. I'll set about finding you a decent man to help out. You'll be needing him soon enough." He gave the child on the floor another glance, one of puzzlement, but he didn't ask the question that obviously was on his mind. And Lily didn't answer it. Sweetly, she held out her hand and offered her best Southern-belle smile. "I'm so grateful for your concern, Mr. Clark. Please do come and visit sometime. Perhaps you could bring Miss Bridgewater. I'd be happy for the company." The name of the young girl whom the town gossip had Clark courting only brought a milder frown to his handsome face. "That's mighty kind of you, Mrs. Brown. I hope you hear from Jim soon." Lily watched him go with a sigh of relief and a small sense of triumph. She didn't know why Ollie Clark was suddenly so all-fired concerned with her welfare, but surely she had set him properly in his place. Now,

Our philosophy is that home decor shouldn’t be taken too seriously, because we want our homes to reflect who we are, no one else. We want things to be fun and interesting, but we want things we can really live with and around. We want a place where you can use Play-Doh or prop up crusty old cowboy boots on the coffee table. We’re not afraid of candle drippings or drink rings. We believe all these things help our homes tell a tale of love and family. A tale of history and future. A tale of the American experience. Our homes spin the story we want to live in every day. We firmly believe your home should be your sanctuary, where you surround yourself with every sensible and nonsensible thing you love, a place that speaks of where you’ve been and where you’re going. Make no mistake: Our homes are far from perfect! Just beyond the frame of every camera angle is a pile of dirty clothes, three half-unpacked suitcases, and a room still waiting to be decorated. Because that, my friends, is real. C’mon in anyway and stay awhile. Our hope is that you’ll find an idea—a project, a picture, a spark of divine fire—that will inspire you. Because just like the wild woods or the glorious road, like fingerprints or feathers, your home is unique—and it should be uniquely you.

Oh, your birthday! What a day that would be. I would make you a cake and decorate the house with banners, before creeping into your room with a fistful of balloons and confetti and a cupcake with a single candle in it. This would become one of our traditions, so no matter how old you got, you’d always wake to a cupcake, with pink frosting of course, and a single candle. If for any reason I couldn’t be with you on that day, you’d make one for yourself or someone you loved would buy you one, and holding that cupcake would make you feel close to me wherever you were in the world. Your birthday would be a day for great, great celebration, the day my life changed. The day I got you, the day I gave my heart away . . .

You could do nothing more important than to wake up every morning of your life and remind yourself that the One who created and controls everything that exists has been made, by grace, to be your Father. He thinks of you with pure and faithful fatherly love. He acts toward you with the giving, providing, instructing, patient, and forgiving love of a perfect father. He is always with you. His hand is always upon you. He never stops watching you. His heart is always for you. He is always at work accomplishing his plans for you and through you. He lifts your burdens and lightens your load. He is your God, your Savior, your Friend—your Father. Nothing can ever be the same again because you now live in the Father’s house, where glorious grace decorates every room.

After pushing the appliances into place, I emptied our hamper into the washer and started a cycle. As the remarkably quiet load finished, I observed that many of Nia’s clothes, particularly her undergarments, appeared old and worn. “Nia,” I stated, holding up a blouse with an obvious hole in it, “This is unacceptable. You need to go out right now and buy yourself some new clothes.” I didn’t have to ask her twice. The next morning, she went out shopping for a new wardrobe with her friends. While she was gone, my friend Erick and I cleaned up the flower beds in front of our house, planting fresh flowers and shrubs. When we were done, the kids and I decorated the driveway with sidewalk chalk, leaving messages of appreciation for Nia. After putting the kids to bed, I cleaned the house, intent on making everything sparkle on her return. With shopping bags draped over her shoulders, Nia approached the front, radiating a happiness and gratitude I hadn’t seen in her since the day before my confessions to her two weeks prior. Her gaze fell upon her new flower bed. “It’s beautiful,” she said. As she entered the house that smelled brand new, she turned to me with misty eyes and said something that overwhelmed me with emotion. “You’ve been so sweet to me,” she said after dropping her bags, covering her face with her hands. I didn’t deserve to hear those words; the things I was doing should have been done long ago, but they immediately brought me to tears. I walked over and wrapped her up as she sobbed into my shoulder. I reassured her of my undying love for her and reminded her that I was no longer the man I had described in my confessions. “I know you may think I’m doing this stuff just to win you back,” I said, “but I hope time will show how much I truly love you.” I wouldn’t need much time at all. An opportunity to demonstrate my physical and emotional faithfulness to her was on the horizon. 33 Shiny Boxes As the bridegroom rejoices over the bride, so shall your God rejoice over you.

You have hardly started living, and yet all is said, all is done. You are only twenty-five, but your path is already mapped out for you. The roles are prepared, and the labels: from the potty of your infancy to the bath-chair of your old age, all the seats are ready and waiting their turn. Your adventures have been so thoroughly described that the most violent revolt would not make anyone turn a hair. Step into the street and knock people's hats off, smear your head with filth, go bare-foot, publish manifestos, shoot at some passing usurper or other, but it won't make any difference: in the dormitory of the asylum your bed is already made up, your place is already laid at the table of the poètes maudits; Rimbaud's drunken boat, what a paltry wonder: Abyssinia is a fairground attraction, a package trip. Everything is arranged, everything is prepared in the minutest detail: the surges of emotion, the frosty irony, the heartbreak, the fullness, the exoticism, the great adventure, the despair. You won't sell your soul to the devil, you won't go clad in sandals to throw yourself into the crater of Mount Etna, you won't destroy the seventh wonder of the world. Everything is ready for your death: the bullet that will end your days was cast long ago, the weeping women who will follow your casket have already been appointed. Why climb to the peak of the highest hills when you would only have to come back down again, and, when you are down, how would you avoid spending the rest of your life telling the story of how you got up there? Why should you keep up the pretence of living? Why should you carry on? Don't you already know everything that will happen to you? Haven't you already been all that you were meant to be: the worthy son of your mother and father, the brave little boy scout, the good pupil who could have done better, the childhood friend, the distant cousin, the handsome soldier, the impoverished young man? Just a little more effort, not even a little more effort, just a few more years, and you will be the middle manager, the esteemed colleague. Good husband, good father, good citizen. War veteran. One by one, you will climb, like a frog, the rungs on the ladder of success. You'll be able to choose, from an extensive and varied range, the personality that best befits your aspirations, it will be carefully tailored to measure: will you be decorated? cultured? an epicure? a physician of body and soul? an animal lover? will you devote your spare time to massacring, on an out-oftune piano, innocent sonatas that never did you any harm? Or will you smoke a pipe in your rocking chair, telling yourself that, all in all, life's been good to you?

It combines your health, your environment, your relationships, your thinking, and much more as you make the connections between your space and yourself. A Holistic Home connects your mind, body, spirit, and space all together. The mind covers the psychology of how you dwell, subconscious influences, decorating with intention, and how your emotional issues and challenges actually manifest in your space. The physical aspects such as furniture positioning, design elements, green living, wellness, and organization pertain to the body. The spirit covers the invisible energies, the Feng Shui, the atmosphere, your karmic lessons, and the soul of your home.

All you have done is help yourself to our money.' 'Your mate's money.' Another flash of hurt. 'Thank you so much for taking time out of your home-making and shopping to remember me.' 'I built a room in this house for you. I asked you to help me decorate it. You told me to piss off.' 'Why would I ever want to stay in this house?' Where she could see precisely how happy they were, where none of them seemed remotely as decimated as she'd been by the war. She'd come so close to being a part of it- of that circle. Had held their hands as they'd stood together on the morning of the final battle and believed they might all make it. Then she'd learned precisely how mercilessly it might be ripped away. What the cost of hop and joy and love truly was. She never wanted to face it again. Never wanted to endure what she'd felt in that forest clearing, with the King of Hybern chuckling, blood everywhere. Her power hadn't been enough to save them that day. She supposed she'd been punishing it for failing her every since, keeping it locked up tight inside her. Feyre said, 'Because you're my sister.' 'Yes, and you're always sacrificing for us, your sad little human family-

(1) The Mindset of Strategy and Positioning (心持ちの事　付　座之次第) ◎ With regards to mindset as you engage in a contest, be calmer than normal and try to see into your opponent’s mind. The enemy whose voice becomes higher in pitch, eyes widen, face reddens, muscles bulge and face grimaces is basically incompetent and will [clumsily] hit through to the ground. When faced with a [second-rate] adversary such as this, maintain serenity of mind and observe his face dispassionately so as not to provoke him. Then, taking hold of your sword, smile and assume a position lower than the upper stance (jōdan). Coolly evade his blow as he tries to attack you. When the enemy appears somewhat perturbed by your unusual attitude, this is the time to strike. Also, if your opponent is quiet, eyes narrowed, body at ease, and he is holding his sword in a relaxed manner as if his fingers are floating on the hilt, assume that he is an expert. Do not saunter carelessly into his range. You must seize the initiative and assail him skillfully, driving him back and striking in quick succession. If you are nonchalant with such a competent opponent, he will force you back. It is crucial to ascertain how capable your enemy is. In terms of where you should position yourself, the same conditions apply in both spacious or cramped locations. Step in so that walls will not impede your sword swings from either side. Take an approximate stance with the long sword and nimbly close in on your foe. If your sword should collide with some barrier, the enemy will become emboldened and will hem you in. If your sword looks as if it might scrape the ceiling, determine the actual height with the tip and be mindful thereafter. You can employ either sword for this, as long as it is the one that cannot be used [in attack while you do this]. Keep the light behind you. With your usual training, be prepared to freely apply any kind of technique with a relaxed mind, but always execute with urgency. It is important to adapt according to the circumstances. (2) About Gaze (目付之事) ◎ Direct your eyes on the enemy’s face. Do not focus on anything else. Since the mind is projected in [facial] expressions, there is no place more revealing than the face to fix one’s gaze. The way of observing the enemy’s face is the same as looking through the mist at trees and rocks on an island two and a half miles [4 km] in the distance. It is the same as peering at [and identifying] birds perched atop a shanty 100 yards [91 meters] away through the falling sleet. It is also akin to beholding a decorative wooden board used to cover the ridge and purlin ends of a roof gable or the tiles on a hut. Calmly focus your gaze [to take everything in].

I don’t know about you, but I can’t wait to get my hands on some fucking gourds and arrange them in a horn-shaped basket on my dining room table. That shit is going to look so seasonal. I’m about to head up to the attic right now to find that wicker fucker, dust it off, and jam it with an insanely ornate assortment of shellacked vegetables. When my guests come over it’s gonna be like, BLAMMO! Check out my shellacked decorative vegetables, assholes. Guess what season it is—fucking fall. There’s a nip in the air and my house is full of mutant fucking squash. I may even throw some multi-colored leaves into the mix, all haphazard like a crisp October breeze just blew through and fucked that shit up. Then I’m going to get to work on making a beautiful fucking gourd necklace for myself. People are going to be like, “Aren’t those gourds straining your neck?” And I’m just going to thread another gourd onto my necklace without breaking their gaze and quietly reply, “It’s fall, fuckfaces. You’re either ready to reap this freaky-assed harvest or you’re not.” Carving orange pumpkins sounds like a pretty fitting way to ring in the season. You know what else does? Performing an all-gourd reenactment of an episode of Diff’rent Strokes—specifically the one when Arnold and Dudley experience a disturbing brush with sexual molestation. Well, this shit just got real, didn’t it? Felonies and gourds have one very important commonality: they’re both extremely fucking real. Sorry if that’s upsetting, but I’m not doing you any favors by shielding you from this anymore. The next thing I’m going to do is carve one of the longer gourds into a perfect replica of the Mayflower as a shout-out to our Pilgrim forefathers. Then I’m going to do lines of blow off its hull with a hooker. Why? Because it’s not summer, it’s not winter, and it’s not spring. Grab a calendar and pull your fucking heads out of your asses; it’s fall, fuckers. Have you ever been in an Italian deli with salamis hanging from their ceiling? Well, then you’re going to fucking love my house. Just look where you’re walking or you’ll get KO’d by the gauntlet of misshapen, zucchini-descendant bastards swinging from above. And when you do, you’re going to hear a very loud, very stereotypical Italian laugh coming from me. Consider yourself warned. For now, all I plan to do is to throw on a flannel shirt, some tattered overalls, and a floppy fucking hat and stand in the middle of a cornfield for a few days. The first crow that tries to land on me is going to get his avian ass bitch-slapped all the way back to summer. Welcome to autumn, fuckheads!

How Do You See Rich People? One day, I was eating in a swanky restaurant with a friend—a friend who, ever since I could remember, was permanently in financial lack. Financial problems stuck to him like glue. And his friends avoided him like the plague because he kept borrowing money and never pay them back. While munching, he looked around the nicely decorated room and said, "The owner of this restaurant is probably cheating. He's probably not paying his taxes. He's also probably not paying the right salaries to his waiters. And he's also probably..." I cut him mid-sentence and asked, "How do you know?" I figured he probably had inside information. But he said, "Isn't it obvious? He's so rich. He must be cheating." That day, I realized why my friend was poor and always buried in debt. Although on the outside he wants to get out of poverty, on the inside he wants to remain poor. Subconsciously, he was resisting wealth. His subconscious found a way to avoid becoming rich. Because according to his belief system, all rich people are bad people—and he didn't want to be bad. Do you want to gain a prosperity mindset? Stop judging all rich people as crooks. Some rich people are very good people. When you see a friend becoming rich, share in her joy. Be happy for her. When you do that, you're telling yourself that it's also OK for you to become rich.

Therefore, you have no cause to evade anyone who stands before you and needs your service. Suppose he’s a stranger. The Lord, however, has stamped him with His own mark that’s familiar to you, and for that reason God forbids you to despise your own flesh. Suppose he is contemptible and worthless. The Lord, however, shows him to be one whom He has condescended to decorate with His own image. Suppose you owe him nothing for what he’s done. But God—to whom you know you are obligated because of His many wonderful benefits to you—puts Himself, as it were, in that person’s place. Suppose he is unworthy of even your smallest labors for his sake. But the image of God, according to which this person is commended to you, warrants your giving of yourself and your all. Supposing a man not only deserves nothing good from you, but he has also provoked you with injustices and injuries—even this is not just cause for you to stop embracing him with affection and fulfilling your duties of love to him. He has deserved, you might say, something much different from me. But what has the Lord deserved? When He orders you to forgive that man for whatever sin he has committed against you, He calls you to do so not because that man deserves it, but because God Himself has forgiven you (Luke 17:3–4). This is the only path to achieving that which is not only difficult for, but entirely adverse to, our human nature—that is, loving those who hate us, repaying evil with good, and blessing those who curse us.

If I’m being honest with myself, it’s because I never felt like I was someone worth loving or worth having around. Like I was more trouble than I was worth.” “And why do you feel that way?” “Because, I don’t have much to contribute to society, Charlie. I’m not smart. I’m not decorated. I’m not educated. I’m not anything that anyone aspires to be. I’m not important.” “But how do you know? Is your life over already?” “Well, no. It’s not.” “Then how do you already know all that about yourself and your life if your life isn’t over yet?” “I guess I’m basing it off of who I was before and who I am now.” “Do you want to be and stay that same person, Bernie?” “Well, of course not.” “Then change it. You have the power to change who you are to be the best version of yourself. But you have to want to do it, Bern. No one can do it for you. You also have to believe that you deserve better if you’re ever going to get anything better out of life.

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Each morning I start again with the questions, easy stuff, like colour – I’ve always been drawn to colour. [...] I interview myself as a way to discover the new me. What colours do you like? [...] Why do you like those colours? ‘All I could think about after chemo was the colour purple, I decorated the whole Christmas tree in purple and wrapped every present in purple, it felt healing.’ Good, there’s a story there, a meaningful answer. Make a story out of your experiences. [...] I reignite my love of detail in clothes: a puffed sleeve, a side or a front zip on a leather jacket, the shape of a heel or toe of a boot. I’m enjoying looking: I used to look at everything and everyone. I notice marks on a stone, the haggard sea-worn groynes; it doesn’t matter what you like, just be truthful and observant, I tell myself. I don’t let myself off the hook; if I make a statement, I have to justify it.

The house decorating with the things and yourself with the dress is nothing as long as you do not furnish your language, talk, and your character with the role modesty, decency, morals, sincerity, and love of humans.

You’d better muse over your lessons and sums,” said Marilla, concealing her delight at this development of the situation. “If you’re going back to school I hope we’ll hear no more of breaking slates over people’s heads and such carryings on. Behave yourself and do just what your teacher tells you.” “I’ll try to be a model pupil,” agreed Anne dolefully. “There won’t be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn’t a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I’m going round by the road. I couldn’t bear to go by the Birch Path all alone. I should weep bitter tears if I did.” Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue—a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied carefully on a piece of pale pink paper scalloped on the edges the following effusion: When twilight drops her curtain down And pins it with a star Remember that you have a friend Though she may wander far.

Politeness is not mere decoration. It is directed at dealing with a major human problem: we need manners to restrain the beast inside.

If everyone is suddenly a writer, then no one is. It feels like cultural appropriation. You're stealing their identity. You're appropriating the one thing that is sacred to real writers. You're not a writer. You like to write. There's a difference. To you it's just a hobby, and yet you decorate yourself with stolen feathers. You give yourself a title you haven't earned and don't deserve. Just like you can't wake up one day and pretend now you're a proctologist.

Jacques-Henri exceeded all of our expectations with his creation. My three-tier champagne-flavored white cake coated with a vanilla buttercream frosting and decorated with an ethereal cascade of ice fondant flowers in the shape of bloomed blush-pink peonies is a showstopper. It was almost too beautiful to cut. “Honey, why deny yourself? Have a third slice.

Pie is this durable thing that you can share with people. It's kind of homey and rustic and nostalgic without being some fancy, decorated confectionary.

Ideas, doctrines - mere façades, decorative fantasies, accidents. If you have not resolved to kill yourself, there is no difference between you and the others, you belong to the faction of the living, all - no matter what their convictions - great believers. Do you deign to breathe? You are approaching sainthood, you deserve canonization.

If you somehow believe that you can free yourself from yourself, you will spend the rest of your life decorating the prison cell that you’ve been living in all of your life.

Words of Wisdom Approach each day with positive thoughts. Believe in the goodness of others. Create a better world by being a friend. Decorate your life with beautiful things. Educate yourself through the teaching of others.

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It's as if the light changes color when Maraia and Madam Maya are together. I heard them singing this afternoon. Maraia's high-pitched voice, and Madam Maya's with deeper and looser tones. They sat on the floor with two brown and green pieces of fabric between them, which they had folded into the shape of small animals with bodies and heads. "We sing for the turtles," Maraia said. She must have told Madam Maya about the princesses Tinaicaboga and Raudalice, who were transformed into turtles when they were kidnapped by fishermen from a village on Kadavu. They found a way to escape, but they had to go on living as sea turtles in the bay off the island. Maraia knew the song as well, the one the women in the princesses' village sing to them from the cliffs on the beach. The women of Namuana are dressed for grief They carry their holy clubs, decorated in strange patterns Raudalice, come up and show yourself to us! Tinaicaboga, come up and show yourself to us! When the women sing, the giant turtles come up to the surface and listen.

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Your Behavioral Responses to Anxiety The ways in which people react to social situations are often a result of physical and mental responses. Feeling anxious is a clue from your body that you are in danger and need to take action. However, because the danger is exaggerated, your actions often do not fit the situation and do not help you. Two typical behaviors are freezing and avoidance. When people freeze in a situation, they cannot react. Movement, speech, and memory are all affected. You may have experienced freezing when a teacher called on you in class. When attention like that was placed upon you, you probably felt the physical responses of blushing, shortness of breath, and rapid heart rate, among others. You probably had negative thoughts running through your head, such as “I’m such an idiot. I look stupid.” As a result of the strong physical and mental reactions, you froze and were unable to remember the answer; perhaps you could not speak at all. Because feelings of anxiety are unpleasant, some people try to avoid stressful situations altogether. If you are nervous around crowds of people, you may avoid going to parties or dances. If you are afraid of speaking in public, you probably avoid classes or situations in which you would be asked to speak or make a presentation. There are also other, subtler forms of avoidance. If you are nervous in crowds, you may not avoid parties entirely, but you might leave early or latch onto one person the entire time. Or, you may distract yourself by daydreaming or flipping through CDs instead of talking with people. Because of her social anxiety, Ruby hadn’t participated in any extracurricular activities during high school. At the beginning of her senior year, her guidance counselor told her she would have a better chance of getting into her top-choice college if she would join activities, so she joined the Spanish club. The group was led by the Spanish teacher and met once a week before school. When Ruby joined, they were beginning to plan the annual fiesta, and there were many decisions to make. At first, the other students tried to include her and would ask her opinion about decorations or games, but Ruby was so anxious that she couldn’t respond. Soon, they stopped asking and left her alone. Ruby thought she was being a part of the group simply by showing up, but she never volunteered for any of the planning committees and never offered suggestions. When it was time to fill out college applications, Ruby asked the Spanish teacher to write her a recommendation. The teacher said she couldn’t because she didn’t know Ruby well enough. Patterns of avoidance may be so deeply ingrained in your lifestyle that you are not even aware that you are exhibiting them. Think carefully about your reactions to various situations. When you receive an invitation, do you instantly think of reasons why you can’t accept? When you are with a group of people, do you use escape mechanisms, such as reading a magazine, hiding in the restroom, or daydreaming? Avoidance may help lessen your anxiety in the moment, but in the long run, it usually makes things worse. Life is very unsatisfying when you avoid so many situations, and such behavior hurts self-esteem and self-confidence.