Decor Signs Quotes

Wit and puns aren't just decor in the mind; they're essential signs that the mind knows it's on, recognizes its own software, can spot the bugs in its own program.

Art is not merely a decorative enhancement of our lives, but a sign of our desire to live in the world fully and honestly.

Let the pleasure of doodling led us to writing as decoration rather than to the peculiarly abstract sort of representation it inclines towards: the making of signs to look through rather than at.

Every year, Kansas watches the world die. Civilizations of wheat grow tall and green; they grow old and golden, and then men shaped from the same earth as the crop cut those lives down. And when the grain is threshed, and the dances and festivals have come and gone, then the fields are given over to fire, and the wheat stubble ascends into the Kansas sky, and the moon swells to bursting above a blackened earth. The fields around Henry, Kansas, had given up their gold and were charred. Some had already been tilled under, waiting for the promised life of new seed. Waiting for winter, and for spring, and another black death. The harvest had been good. Men, women, boys and girls had found work, and Henry Days had been all hot dogs and laughter, even without Frank Willis's old brown truck in the parade. The truck was over on the edge of town, by a lonely barn decorated with new No Trespassing signs and a hole in the ground where the Willis house had been in the spring and the early summer. Late summer had now faded into fall, and the pale blue farm house was gone. Kansas would never forget it.

That’s when I noticed the damage on the door. Just a little scuffing at the edge. Right about where you’d put a crowbar if you wanted to break in. I winced. “Aww, come on…” I pushed open the door and peeked into the foyer. No sign of Irina or Trond. A decorative vase lay on the ground next to its usual display pedestal. A splash of bright-red blood on the wall— “Nope!” I said. I spun on my heel and stormed back into the hallway. “Nope, nope, nope!

While girls have always been encouraged to see self-decoration as a central part of their lives, today they are also exposed to a deluge of messages, even at an early age, about the importance of becoming sexually attractive. These dolls are just a fragment of a much wider culture in which young women are encouraged to see their sexual allure as their primary passport to success. This highly sexualised culture is often positively celebrated as a sign of women's liberation and empowerment.

I come to call you Home. Those who resonate with my words and follow them internally, will find that place and know It's completeness, its joy and fullness. I have come to call you away from suffering, from fear and from a life of sorrow and into your own, divine Being. I did not come here to give you decorative stories, to excite your imagination, or sign you up for some long program but to show you how available Truth is, and to remind you that you are never separate from It. No person on this planet is apart from the Truth in the Heart and yet the world is so vast and varied in expression. The greatest good and greatest evil is here. In this forest of duality and complexity you must find your way Home. You must win your Self back. Wisdom and trust will be your compass. Many voices came to call us but we are here today because we are freshly called by the voice of God, Love, Truth. Do not come half way home, but fully home. I know the voice that called you is true and Truth and that where you are being called to is also Real. It is inside your own Heart. It is what gives me the strength to be here. I love to see the beings being set free from the hypnosis of conditioning; from fears, false projection and the grip of ego. And I know that to be liberated is not difficult. It requires only openness and the sincere desire to be free. I don't need to hear anything about your past. Your stories are of no interest to me. That is not how I know you. I know you only through your Heart. That is my true connection with you - the living power of God. It is That which I respond to in you and it is only This that I know. I can only keep reminding you of It by pointing you again and again to the obvious in yourself. Now you must respond to my pointing. This will complete this yoga of seeing. Find and be one with That which is imperishable. Be merged in the Absolute. Don't go to sleep.

You don’t sound too excited about this,” Tucker comments twenty minutes later. He holds the door to the community center open for me. “And you are?” A yellow sign decorated with balloons greets us. “This process is so hard that I have to learn how to breathe? That’s not normal.” “You watch any of those YouTube videos?” “God no. I didn’t want to psych myself out. Did you?” “A few.” “And?” He gives me a thumbs-down. “I don’t recommend them. I’m wondering why we use brass balls to describe someone who’s really strong, because after the second video, my balls tried to climb inside my body. Plus, my YouTube history is officially fucked.” “Ha. Exactly why I didn’t watch any.” I wag a warning finger at him. “Stay by my head during the birth or you’ll never want to have sex with me again.

We haven’t got to the Sunflowers yet, said Michael. No, we haven’t, she said. You’re right. OK, so Vincent hoped to set up an artists’ studio down there in the South because he was keen to have friends and like-minded people around him. I think he was probably lonely, said Michael. What with the ear thing and the darkness. I think he was, too, said Dora. 1888 was the year, and he was waiting for another artist to join him, a man called Paul Gauguin. People say that, in all probability, he painted the Sunflowers as decoration for Gaugain’S room. Did lots of versions of them too, not just this. It’s a lovely thought, though, isn’t it? Some people say it’s not true but I like to think it is. Painting flowers as a sign of friendship and welcome. Men and boys should be capable of beautiful things. Never forget that, you two, she said, and she disappeared into the kitchen.

Life is messy and gloriously imperfect, and some signs of wear and tear indicate a well-loved, well-used home.

But if we're going to be putting up signs on our walls in our own homes, shouldn't they be encouraging us to do our work well and selflessly instead?

There are still no curtains in the rooms, still no sign of eccentricity.

The tips of her fingers started to tingle as did the tattoo of the small purple flower that decorated her chest. That was the last sign she needed. Whatever force that was looking out for her, it was sending her a warning.

Then they were off again, across the unbroken sprawl of Chicagoland, a single city made up of interlocking strip malls, decorated at random intervals by WELCOME TO signs with defiantly rural names—River Forest, Forest Glen, Glenview—and enough dales and groves and elms and oaks to populate Middle Earth. The flatlanders had been especially determined to tag every bump of land with a “Heights” or “Ridge.” Pity the poor hobbit trying to find anything to climb in the town of Mount Prospect.

I passed on to a window decorated with switches of wiry false hair, ointments guaranteed to produce the miracle of whitening black skin. “You too can be truly beautiful,” a sign proclaimed. “Win greater happiness with whiter complexion. Be outstanding in your social set.

In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!

Your wife,” said Arthur, looking around, “mentioned some toothpicks.” He said it with a hunted look, as if he was worried that she might suddenly leap out from behind a door and mention them again. Wonko the Sane laughed. It was a light easy laugh, and sounded like one he had used a lot before and was happy with. “Ah yes,” he said, “that’s to do with the day I finally realized that the world had gone totally mad and built the Asylum to put it in, poor thing, and hoped it would get better.” This was the point at which Arthur began to feel a little nervous again. “Here,” said Wonko the Sane, “we are outside the Asylum.” He pointed again at the rough brickwork, the pointing, and the gutters. “Go through that door” — he pointed at the first door through which they had originally entered — “and you go into the Asylum. I’ve tried to decorate it nicely to keep the inmates happy, but there’s very little one can do. I never go in there myself. If I ever am tempted, which these days I rarely am, I simply look at the sign written over the door and I shy away.” “That one?” said Fenchurch, pointing, rather puzzled, at a blue plaque with some instructions written on it. “Yes. They are the words that finally turned me into the hermit I have now become. It was quite sudden. I saw them, and I knew what I had to do.” The sign read: “Hold stick near center of its length. Moisten pointed end in mouth. Insert in tooth space, blunt end next to gum. Use gentle in-out motion.” “It seemed to me,” said Wonko the Sane, “that any civilization that had so far lost its head as to need to include a set of detailed instructions for use in a package of toothpicks, was no longer a civilization in which I could live and stay sane.” He gazed out at the Pacific again, as if daring it to rave and gibber at him, but it lay there calmly and played with the sandpipers. “And in case it crossed your mind to wonder, as I can see how it possibly might, I am completely sane. Which is why I call myself Wonko the Sane, just to reassure people on this point. Wonko is what my mother called me when I was a kid and clumsy and knocked things over, and sane is what I am, and how,” he added, with one of his smiles that made you feel, Oh. Well that’s all right then. “I intend to remain.

I have seen people paralyze their entire existence around that greatest of mysteries, shaping their every movement, their every word, in a desperate attempt to find the answers to the unanswerable. They fool themselves, either through their interpretations of ancient texts or through some obscure sign from a natural event, into believing that they have found the ultimate truth, and thus, if they behave accordingly concerning that truth, they will surely be rewarded in the afterlife. This must be the greatest manifestation of that fear of death, the errant belief that we can somehow shape and decorate eternity itself, that we can curtain its windows and place its furniture in accordance with our own desperate desires. Perhaps the greatest evil I see in this existence is when supposedly holy men prey upon the basic fears of death of the common folk to take from them. 'Give to the church!' they cry. 'Only then will you find salvation!'. Even more subtle are the many religions that do not directly ask for a person's coin, but insist that anyone of goodly and godly heart who is destined for their particular description of heaven, would willingly give that coin over. And of course, the world is ripe with 'Doomsdayers'. people who claim that the end of the world is at hand, and cry for repentance and for almost slavish dedication. I can only look on it all and sigh, for as death is the greatest mystery, so it is the most personal of revelations. We will not know, none of us, until the moment it is upon us, and we cannot truly and in good conscience convince another of our beliefs.

The side of the van was decorated with a magnetic sign that they could easily exchange before an op. For this particular mission, they’d chosen the sign that read Clean Freaks Laundry Services. Yep, they’d let Tag design the signs. There was also a Master Painting Crew sign, Dig It Deep Plumbers, Little Bro Catering, and Adam’s Dog Grooming Services. But it looked like they were in the laundry business today.

The room was large and faultless. A psychologist, hired from Cambridge, had planned the decorations—magenta and gamboge; colors which—it had been demonstrated by experiments on poultry and mice—conduce to a mood of dignified gaiety. Every day carpet, curtains and upholstery were inspected for signs of disrepair. A gentle whining note filled the apartment, emanating from a plant which was thought to “condition” the atmosphere.

It's a difficult path that we tread, us Indie self-publishers, but we're not alone. How many bands practicing in their dad’s garage have heard of a group from the neighbourhood who got signed by a recording company? Or how many artists who love to paint, but are not really getting anywhere with it hear of someone they went to art school with being offered an exhibition in a gallery? How many chefs who love to get creative around food hear of someone else who’s just landed a job with Marco Pierre White? There’s no difference between us and them. There is, however, a huge difference in how everyone else perceives the writer. And there’s a huge difference between all of us – the writers, the musicians, the composers, the chefs, the dance choreographers and to a certain extent the tradesmen - and the rest of society in that no one understands us. It’s a wretched dream to hope that our creativity gets recognised while our family thinks we’re wasting our time when the lawn needs mowing, the deck needs painting and the bedroom needs decorating. It’s acceptable to go into the garage to tinker about with a motorbike, but it’s a waste of a good Sunday afternoon if you go into the garage and practice your guitar, or sit in your study attempting to capture words that have been floating around your brain forever.

Instead of seeing imperfections as thorns in my decorating flesh, I want to open my eyes and see them as signs of life. These messes all stem from gifts in my life. I still clean the mud off shoes (or make my boys do it), but I also know that if a neighbor walked in and saw a trail of mud, I wouldn’t need to be embarrassed. It’s just proof of lives being lived, and houses are for living. My home is a reflection of our life, and life’s messes can be gloriously beautiful.

Exhibit D: The Cots (or, If You Give a Librarian a Closet) If you give a librarian a closet, she will probably fill it with junk. If she fills it with junk, some of the junk will be books in need of repair. If some of the junk is books, and the closet is off of a back room anyway, she will hide more books there, books that she thinks are crap like the Stormy Sisters series, but which her boss thinks the library should keep. If she hides crappy books there, she will be in no rush to clean the closet, since she would then be out a hiding place. If she goes ten months without cleaning it, she will go to great lengths to hide the mess from her alcoholic and temperamental boss. If she wants to hide the mess from her boss, she will stuff the front of the closet with cots that were once used for nap hour of the short-lived library day care, circa 1996. If she stuffs the closet with cots… the closet will fester unopened for months. If the closet festers unopened for months, the librarian will probably decorate the closet door with cartoons and posters in an effort to distract her fellow librarians from the thought of ever opening the closet. If a librarian decorates a closet door, she will use such items as a Conan the Librarian cartoon, a large stocker that says “the world is quiet here,” a poster of If You Give a Mouse a Cookie, a CPR chart, and a bookstore café napkin signed by Michael Chabon. If she uses these items, her boss will ask, “What the hell does this mean, ‘The world is quiet here’? Is it political?” And her boss will also ask, “you’re not filing Michael Chabon in the children’s section, are you?” but her boss, distracted by these items, will never think to open the door. If her boss never opens the door, she will forget she has given the librarian a closet and will, by the end of the year, offer the librarian a second closet. If she gives the librarian a second closet, the librarian will probably fill it with junk.

The thing I remember from the Letters Page in those antique days was the way the OBs signed off. There was Yours faithfully, Yours sincerely, and I have the honour to be, sir, your obedient servant. But the ones I always looked for - and which I took to be the true sign of an Old Bastard - simply ended like this: Yours etc. And then the newspaper drew even more attention to the sign-off by printing it: Yours &c. Yours &c. I used to muse about that. What did it mean? Where did it come from? I imagined some bespatted captain of industry dictating his OB’s views to his secretary for transmission to the Newspaper of Record which he doubtless referred to with jocund familiarity as ‘The Thunderer’. When his oratorical belch was complete, he would say ‘Yours, etc,’ which Miss ffffffolkes would automatically transcribe into, ‘I have the honour to be, sir, one of the distinguished Old Bastards who could send you the label off a tin of pilchards and you would still print it above this my name,’ or whatever, and then it would be, ‘Despatch this instanter to The Thunderer, Miss ffffffolkes.’ But one day Miss ffffffolkes was away giving a handjob to the Archbishop of York, so they sent a temp. And the temp wrote Yours, etc, just as she heard it and The Times reckoned the OB captain a very gusher of wit, but decided to add their own little rococo touch by compacting it further to &c., whereupon other OBs followed the bespatted lead of the captain of industry, who claimed all the credit for himself. There we have it: Yours &c. Whereupon, as an ardent damp-ear of sixteen, I took to the parodic sign-off: Love, &c. Not all my correspondents unfailingly seized the reference, I regret to say. One demoiselle hastened her own de-accessioning from the museum of my heart by informing me with hauteur that use of the word etc., whether in oral communication or in carven prose, was common and vulgar. To which I replied, first, that ‘the word’ et cetera was not one but two words, and that the only common and vulgar thing about my letter - given the identity of its recipient - was affixing to it the word that preceded etc. Alack, she didn’t respond to this observation with the Buddhistic serenity one might have hoped. Love, etc. The proposition is simple. The world divides into two categories: those who believe that the purpose, the function, the bass pedal and principal melody of life is love, and that anything else - everything else - is merely an etc.; and those, those unhappy many, who believe primarily in the etc. of life, for whom love, however agreeable, is but a passing flurry of youth, the pattering prelude to nappy-duty, but not something as solid, steadfast and reliable as, say, home decoration. This is the only division between people that counts.

His house was certainly peculiar, and since this was the first thing that Fenchurch and Arthur had encountered it would help to know what it was like. It was like this: It was inside out. Actually inside out, to the extent that they had had to park on the carpet. All along what one would normally call the outer wall, which was decorated in a tasteful interior-designed pink, were bookshelves, also a couple of those odd three-legged tables with semicircular tops which stand in such a way as to suggest that someone just dropped the wall straight through them, and pictures which were clearly designed to soothe. Where it got really odd was the roof. It folded back on itself like something that M. C. Escher, had he been given to hard nights on the town, which it is no part of this narrative’s purpose to suggest was the case, though it is sometimes hard, looking at his pictures, particularly the one with all the awkward steps, not to wonder, might have dreamed up after having been on one, for the little chandeliers which should have been hanging inside were on the outside pointing up. Confusing. The sign above the front door said “Come Outside,” and so, nervously, they had. Inside, of course, was where the Outside was. Rough brickwork, nicely done pointing, guttering in good repair, a garden path, a couple of small trees, some rooms leading off. And the inner walls stretched down, folded curiously, and opened at the end as if, by an optical illusion which would have had M. C. Escher frowning and wondering how it was done, to enclose the Pacific Ocean itself. “Hello,” said John Watson, Wonko the Sane. Good, they thought to themselves, “hello” is something we can cope with. “Hello,” they said, and all, surprisingly, was smiles.

We'll stick close together, but make no sign we are acquainted. The girls should go ahead so that they get through first. We'll follow close behind to be there for any trouble." "Don't worry, my dears," said the professor gallantly, "I'll rescue you from any difficulties." Yelena laughed and kissed the old man on the cheek. "Of course you will. I don't know why we bother with these other men, do you, Tashi?" "But they are decorative, aren't they?" the Princess replied archly. It was fun to have a girl with whom she could gang up against the boys--she'd never had a friend like that before. "They give us something to look at on the boring stretches of the road." She let her eyes linger on Ramil, who appeared very warm all of a sudden. Yelena swung herself into the saddle. "My, my, Princess, I didn't know you could flirt." "I'm learning from a master--or should I say mistress--of that art," Tashi said with a bow.

Grudgingly, she approved the commission, provided he use only child-safe paints and that the work be done within twenty-four hours. Gabriel hurried off to a nearby paint store with his bodyguards in tow and returned in short order with the necessary supplies. With a few strokes of a roller—an instrument he had never used before—he obliterated Chiara’s work beneath a fresh layer of pale blue paint. It remained too wet to work more that evening, so he rose early the next morning and swiftly decorated the wall in a bank of glowing Titianesque clouds. Lastly, he added a small child angel, a boy, who was peering downward over the edge of the highest cloud on the scene below. The figure was borrowed from Veronese’s Virgin and Child in Glory with Saints. With tears in his eyes and a trembling hand, Gabriel gave the angel the face of his son as it appeared on the night of his death. Then he signed his name and the date, and it was done.

Fear not, O backward alien, I have experts who will explain to you the endless benefits one may derive from owning a horde of slaves. You can, for example, dress them in robes of different colors and have them stand in a great square to form a living mosaic, or signs providing sentiments for every occasion. You can tie them in bundles and roll them down hills, you can make a huge hammer—five thousand for the head, three thousand for the handle—to break up boulders or clear forests. You can braid them into rope and make decorative hangings, where those at the very bottom, by the droll gyrations of their bodies, the kicking and squeaking as they dangle over the abyss, create a sight that gladdens the heart and rejoices the eye. Or take ten thousand young female slaves, stand them all on one leg and have them make figure eights with their right hands and circles with their left—a spectacle, believe me, which you won't wish to part with, and I speak from experience!

I threw my binder of materials down on our apartment’s floral couch. “Seriously, pink is a neutral color! And what’s elegant about navy blue? No one ever says, ‘Hey, you know what’s elegant? The Navy!’” Arianna rolled her dead guys. “There is nothing neutral about pink. They need a color that looks good as a background to any shade of dress.” “What color clashes with pink?” “Orange?” “Well, if anyone shows up in an orange dress, she deserves to clash. Yuck.” “Chill out. You can do a lot with navy.” I sank down into the couch next to her. “I guess. I could do navy with silver accents. Stars?” “Yawn.” “Snowflakes?” “Gee, now you’re getting creative for a winter formal.” I ignored her tone, as usual. I was just glad she was here. She’d been gone a lot lately. “Hmm . . . maybe something softer. Like a water and mist theme?” I asked. “I . . . actually kind of like that.” “Wanna help me with the sketches?” She leaned forward and turned on Easton Heights. “Decorating a stupid dance is all yours. You’re the one who decided to be more involved in your ‘normal life.’ I’d prefer to be sleeping six feet under.” “This is probably a bad time to mention I also might have signed up to help with costumes for the spring play. And since I know nothing about sewing, I kind of maybe signed you up as a volunteer aide.” She sighed, running one glamoured corpse hand through her spiky red and black hair. “I am going to kill you in your sleep.” “As long as it doesn’t hurt.” We hummed along to the opening theme, which ended when the door banged open and my boyfriend walked through, shrugging out of his coat and beaming as he dropped a duffel bag. “Free! What did I miss?” Lend asked, his cheeks rosy from the cold and his smile lighting up his watery eyes beneath his dark glamour ones. “I lost the vote on color schemes for the dance, the last episode of Easton Heights before they go into reruns is back on in three minutes, and Arianna is going to murder me in my sleep.” “As long as it doesn’t hurt.” “That’s what I said!

At a time when moguls vied to impress people with their possessions, Rockefeller preferred comfort to refinement. His house was bare of hunting trophies, shelves of richly bound but unread books, or other signs of conspicuous consumption. Rockefeller molded his house for his own use, not to awe strangers. As he wrote of the Forest Hill fireplaces in 1877: “I have seen a good many fireplaces here [and] don’t think the character of our rooms will warrant going into the expenditures for fancy tiling and all that sort of thing that we find in some of the extravagant houses here. What we want is a sensible, plain arrangement in keeping with our rooms.”3 It took time for the family to adjust to Forest Hill. The house had been built as a hotel, and it showed: It had an office to the left of the front door, a dining room with small tables straight ahead, upstairs corridors lined with cubicle-sized rooms, and porches wrapped around each floor. The verandas, also decorated in resort style, were cluttered with bamboo furniture. It was perhaps this arrangement that tempted John and Cettie to run Forest Hill as a paying club for friends, and they got a dozen to come and stay during the summer of 1877. This venture proved no less of a debacle than the proposed sanatorium. As “club guests,” many visitors expected Cettie to function as their unlikely hostess. Some didn’t know they were in a commercial establishment and were shocked upon returning home to receive bills for their stay.

You’re called to come out of the crowd. You’re called to be counter-culture. You’re not called to live in this world, be of this world-you’re called to come out. News flash-the crowd is stupid. The crowd has no identity at all. We just do what everyone else is doing. “ “When you decide, you divide the enemy and his tactics, and his distractions towards your life. The moment you actually conqueror the urge, you get stronger and the urges get weaker. But it will never happen, until you determine “I am not like the crowd, I’m coming out of the crowd. I’m apart of the minority. Ruth is determined to choose right over easy. You want to know what the right thing is? The right thing is God’s word, and it’s not just about knowing it, it’s about applying it to your life!” “Choose right over easy.” “See, when you come out of the crowd, and when you say, and when you say with the crowd, it’s all crowded here, and when you say I’m going to be apart of the minority, but let my commitments stand. Hey Naomi, you don’t know me, I made a commitment, and my commitment matters. You can tell me I’m relieved of my responsibility, but my vow is my vow. And I’m not going to be swayed, just because the circumstances have changed.” “Stay on the path, because you don’t know what lies ahead of you. Because you’re not God. All He asks you and I is to put one foot in front of another. To keep on moving. Keep on going. Commit to God’s way, and watch God make a way, when there seems to be no way. “ “Being single is awesome! When you’re single, everything in your house, you own all of it. All the money in your bank account, belongs to you.” :) “I think one of the hardest things, that people don’t talk about is that you get to decorate your house exactly how you want to do it.” “The older I get, the more I realize that people are borderline obsessed with what’s next…but if you’re not careful you’ll get so obsessed with what’s next, you won’t care about what is now. It doesn’t take a lot of use to realize, that if you’re graduating from high school, everyone’s going-“where you going to college?” If you’re in college, everyone’s like “where are you going to work?” You work for a little while as a single person, and it’s like “when are you going to get married.” You get married, and everyone’s like, “when are you going to have kids?” You have a kid, and everyone’s like, “when are you going to have more kids.” “Singleness is not a stop sign. It’s not a period, it’s not a comma. Your life doesn’t begin when you get married. A boy-friend or a girl-friend doesn’t make your life start happening. Life is happening. The question is, “are you happening?” You don’t have to live boring or be bored to be single. A life filled with Jesus is full of adventure. It’s filled with spontaneity, it’s full of ups and downs. And it’s time for you to get on mission. Let me just be loud and clear and frank with it-Jesus is a better partner than any spouse could ever dream of being.” “The truth is, sometimes sitting on the path can be just as detrimental as getting off the path. You’re called to move forward, you’re called to grow, you’re called to become.” “Be the minority, because the majority is overrated.” -Rich Wilkerson Jr., Single and Secure

I built, of blocks, a town three hundred thousand strong, whose avenues were paved with a wine-colored rug and decorated by large leaves outlined inappropriately in orange, and on this leafage I'd often park my Tootsie Toy trucks, as if on pads of camouflage, waiting their deployment against catastrophes which included alien invasions, internal treachery, and world war. It was always my intention, and my conceit, to use up, in the town's construction, every toy I possessed: my electronic train, of course, the Lincoln Logs, old kindergarten blocks—their deeply incised letters always a problem—the Erector set, every lead soldier that would stand (broken ones were sent to the hospital), my impressive array of cars, motorcycles, tanks, and trucks—some with trailers, some transporting gas, some tows, some dumps—and my squadrons of planes, my fleet of ships, my big and little guns, an undersized group of parachute people (looking as if one should always imagine them high in the sky, hanging from threads), my silversided submarines, along with assorted RR signs, poles bearing flags, prefab houses with faces pasted in their windows, small boxes of a dozen variously useful kinds, strips of blue cloth for streams and rivers, and glass jars for town water towers, or, in a pinch, jails. In time, the armies, the citizens, even the streets would divide: loyalties, friendships, certainties, would be undermined, the city would be shaken by strife; and marbles would rain down from formerly friendly planes, steeples would topple onto cars, and shellfire would soon throw aggie holes through homes, soldiers would die accompanied by my groans, and ragged bands of refugees would flee toward mountain caves and other chairs and tables.

One of my best friends is LinDee Loveland, who is a Bible teacher at OCS and the children’s minister at our church. She and another friend and teacher, Mrs. Rita, were there at the hospital with us. As soon as they heard that everything had gone well, the two of them gathered all of Mia’s cousins together. “Missy, what’s Mia’s room number?” LinDee asked. I rattled it off, then quickly caught up with Jase, who was heading to the recovery room. We spent an hour in the recovery room with Mia, and when she was ready to be moved to her regular hospital room, Jase and I walked beside her gurney. When we walked into her room, I burst into tears. Mia’s room was beautiful! Several weeks before Mia’s scheduled surgery, Mrs. LinDee had asked the children at church to make snowflakes that would be given to a child who needed some encouragement. Mia even made one herself and signed it. “Each individual snowflake is special, and no two are alike,” Mrs. LinDee told them. “It’s the same way with us,” she shared. “No two people are alike. God makes everyone unique and special, with a purpose designed to glorify Him.” Later, when Mia wasn’t there, she asked all the children to make cards for Mia. When LinDee and the cousins scooted out of the waiting room, they went straight to Mia’s room and hung up the cards and the snowflakes all over her room. Mia was awake by the time she got back to her room, and when she saw the decorations, she literally oohed and ahhed. Dr. Sperry and Dr. Genecov both made the same comment when they visited Mia later. “I’ve never seen a room like this! This is the most decorated room that’s ever been in this hospital!” And Dr. Sperry summed it up beautifully: “Wow, somebody must really love you.” Having a room decorated means so much to a child--and maybe even more to a child’s parents. The fact that so many of Mia’s friends had created such exquisite, handmade snowflakes and worked so hard to make cards for her, and that Mrs. LinDee, Mrs. Rita, and all the cousins surprised us with the final display, spoke volumes to me about the way people loved Mia and our family. That expression of creativity was not only beautiful, it also touched my heart deeply.

In the room where the signing [of the surrender] was to take place the sole decorations were three flags upon the end wall: the Red Flag, the Union Jack and the Stars and Stripes. The French colours were nowhere to be seen. De Tassigny declared that France could not be represented at the ceremony without her flag alongside those of her Allies. But where could a French flag to be found? The Russians decided to make one, with a piece of red stuff taken from a former Hitlerite banner, a white sheet and a piece of blue serge cut out of an engineer's overalls. Alas! Our tricolor was less familiar to the young Russian girls than the red flag to many French girls, for when a jeep brought along the flag that had been run op in this way we found a magnificient Dutch flag: the blue, white and red had been sewn not one beside the other but one above the other!

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I used to have PHS - Perfect House Syndrome. At some point, though, I realized I wanted to live in a HOME, not a museum. Now if someone asks me what my decorating style is, I tell them it's 'confused,' reflecting all the facets of the people who live in it. I like signs of living, and the best compliment you can get on your house is, 'I feel comfortable in your home.

The various styles are at the rendezvous if you choose to brighten your home per your astrological sign. Will you dare? Capricorn (December 22 – January 19) Being a practical person, Capricorn considers interior decoration to be a significant matter. The normal style is the most suitable option. Military green, white, navy blue, and grey are the normal tones that cross the ages, and that they blend easily with the rich grain of the woodwork.

Being a practical person, Capricorn considers interior decoration to be a significant matter. The normal style is the most suitable option. Military green, white, navy blue, and grey are the normal tones that cross the ages, and that they blend easily with the rich grain of the woodwork.

Directly in front of them, dressed in white jerseys and forming a little protective phalanx, were the Pepettes, a select group of senior girls who made up the school spirit squad. The Pepettes supported all teams, but it was the football team they supported most. The number on the white jersey each girl wore corresponded to that of the player she had been assigned for the football season. With that assignment came various time-honored responsibilities. As part of the tradition, each Pepette brought some type of sweet for her player every week before the game. She didn’t necessarily have to make something from scratch, but there was indirect pressure to because of not-so-private grousing from players who tired quickly of bags of candy and not so discreetly let it be known that they much preferred something fresh-baked. If she had to buy something store-bought, it might as well be beer, and at least one player was able to negotiate such an arrangement with his Pepette during the season. Instead of getting a bag of cookies, he got a six-pack of beer. In addition, each Pepette also had to make a large sign for her player that went in his front yard and stayed there the entire season as a notice to the community that he played football for Permian. Previously the making of these yard signs, which looked like miniature Broadway marquees, had become quite competitive. Some of the Pepettes spent as much as $100 of their own money to make an individual sign, decorating it with twinkling lights and other attention-getting devices. It became a rather serious game of can-you-top-this, and finally a dictum was handed down that all the signs must be made the same way, without any neon.

there was no profession in the state of Texas with worse job security than that of high school football coach. Coaches were fired all the time for poor records. Sometimes it happened with the efficiency of a bloodless coup—one day the coach was there at the office decorated in the school colors and the next day he was gone, as if he had never existed. But sometimes he was paraded before school board meetings to be torn apart by the public in a scene like something out of the Salem witch trials, or had several thousands of dollars’ worth of damage done to his car by rocks thrown by irate fans, or responded to a knock on the door to find someone with a shotgun who wasn’t there to fire him but to complain about his son’s lack of playing time. When Gaines himself went home that Friday night at about two in the morning he found seven FOR SALE signs planted in his lawn. The next night, someone had also smashed a pumpkin into his car, causing a dent. It didn’t bother him. He was the coach. He got paid for what he did and he was tough enough to take it. But he did get upset when he heard that several FOR SALE signs had also been punched into Chavez’s lawn. Brian was just a player, a senior in high school, but that didn’t seem to matter. “That’s sick to me,” said Gaines. “I just can’t understand it.

There's something in Coach's tone that freezes me in place before her sparsely decorated desk. Beside her laptop, she always keeps a current team picture and a framed, signed Julie Chu puck. And they aren't there now. In fact, the desk calendar has been torn off to a blank sheet and the whiteboard on the wall, usually crowded with lines and drills has been scrubbed clean.

The joint was divided almost evenly between dining area and bar. The smoke-filled bar was jammed nearly full while the restaurant was largely empty. In both sections, railroad memorabilia—from fading pictures and travel posters to crossing signs—decorated every inch of available wall space. A platform, dropped from the ceiling, ran around the outside of the room and supported the tracks for several running electric trains that hummed overhead at odd intervals.

It was the middle of the afternoon, on a sunny day in early August of 1952, when we pulled into the bus dock in Bangor, Maine, located next to the Bangor and Aroostook Railroad Station. As I got off, I heard people talking about a moose that had run down the main street that morning, but I had my own problems. The Men’s Room in most bus and railroad terminals leaves a lot to be desired and this one was no exception, but now was not the time to complain. It had the usual disgusting engravings, with information on who would do what to whom, and how they could be contacted. The floor was also decorated with toilet paper, and someone forgot to flush, but my needs were urgent, and so I quickly overcame my inhibitions…. Not long after and much relieved, I emerged from the lavatory and looked around trying to get my bearings. Down the street, parked in front of a “No Parking” sign, I could see a blue school bus with “MMA” painted in white lettering above the windshield. This was my first contact with Maine Maritime Academy, the school that would shape my being for a lifetime.

windows crowded with useless crap. Beeswax candles, leftover Christmas decorations at fifty percent off, a notice for a book signing by Trippton’s favorite author, which had happened three days earlier, and a sun-browned sign that said, “Explore Your Home Scent

Instead of seeing imperfections as thorns in my decorating flesh, I want to open my eyes and see them as signs of life.

Travis seemed interested solely in those bars whose signs were either in both English and Spanish or in Spanish only. Some places were downright shabby and did not conceal the peeling paint and the moldy carpeting, while others used mirrors and glitzy lighting to try to hide their true roach-hole nature. A few were actually clean and expensively decorated.

I was born and raised in California. And here, our models and rivers look like they're on the same diet. Throughout the years, I've watched both get smaller and now I can see their ribs when they exhale. In California, our freeways are decorated with signs that ask us to be careful about how we use the water. They hang like an eviction notice from the environment. I wonder how long it will take the planet to tell us we can't live here and the locks are changed.

1995 archaeologists began to excavate a site in south-east Turkey called Göbekli Tepe. In the oldest stratum they discovered no signs of a settlement, houses or daily activities. They did, however, find monumental pillared structures decorated with spectacular engravings. Each stone pillar weighed up to seven tons and reached a height of five metres. In a nearby quarry they found a half-chiselled pillar weighing fifty tons. Altogether, they uncovered more than ten monumental structures, the largest of them nearly thirty metres across. Archaeologists are familiar with such monumental structures from sites around the world – the best-known example is Stonehenge in Britain. Yet as they studied Göbekli Tepe, they discovered an amazing fact. Stonehenge dates to 2500 BC, and was built by a developed agricultural society. The structures at Göbekli Tepe are dated to about 9500 BC, and all available evidence indicates that they were built by hunter-gatherers.

The old man held out a paper scroll, not mere parchment. It was a clear sign of wealth and status. Not every noble family could afford to use paper for invitations. The very fact that Hadjar was being visited by the clan’s attorney, and not by a simple servant, spoke volumes. “Thank-” Hadjar reached out, almost closing his fingers around the scroll, but the old man suddenly loosened his grip. Caught in the wind, the invitation, decorated with monograms and tied with a scarlet ribbon, fell to the dirt at Hadjar’s feet. The old man didn’t apologize. He stood there, with his hand still outstretched, a sneer on his lips, radiating complete confidence in his superiority. A clear example that old age didn’t mean one also gained intelligence or wisdom. He’d lived long enough for his hair to turn gray, but not long enough to acquire a brain. He didn’t even realize how simply and blatantly he was being used. Hadjar, just as the old man had expected, bent down to pick up the invitation, dusted it off, and held it without putting it away in his spatial artifact, as was required by etiquette. “You didn’t have to bow to me, young man,” the old man grunted. This was quite a serious insult. Being the personal disciple of a great hero made Hadjar equal in status to the senior heirs of aristocratic families. He was at the very top of the social structure of Dahanatan. But Hadjar didn’t really care about any of that. The power he possessed was insignificant in his opinion, and ever since he’d eaten those first scraps in Primus’ dungeon, he’d stopped caring about whether he was a Prince or a circus freak. Titles didn’t matter. The important thing was that the old man was a servant, and Hadjar was almost an aristocrat. The lawyer’s words were akin to the old man throwing a glove in Hadjar’s face. Hadjar looked behind his visitor, at the dark carriage emblazoned with the white coat of arms of the Predatory Blades clan. Brustor would have to try a little harder. So far, his provocations weren’t even a match for the insults that Hadjar had received during his meetings with Emperor Morgan. Shocking the old man, Hadjar bowed deeply. “Only a silly young man,” he said, straightening back up, “doesn’t feel respect toward someone whose hair is whiter than his.

I passed on to a window decorated with switches of wiry false hair, ointments guaranteed to produce the miracle of whitening black skin. "You too can be truly beautiful," a sign proclaimed.

I glanced at Darius as we were left alone together. Apparently my attempts to avoid this particular Heir were doomed to fail tonight. Darius looked over my shoulder and his face dipped into a scowl. I followed his gaze and spotted his fiancé Mildred barrelling through the crowd towards us with a frown on her face which melded her eyebrows into one bushy line. “Come on then,” Darius said hastily, leading the way to the door Xavier had taken out of the room. “Where to?” I asked in confusion. The party was in full swing and I was fairly sure we weren’t supposed to be leaving it. Not that I’d ever cared much for rules but it seemed odd that he’d gone to so much trouble to get me here just to sneak me away again. Plus it was probably a good idea for me to get the hell away from him before his toothy bride arrived and tried to snap me in half with her brawny arms. “Xavier said you want some real food,” Darius said suggestively, heading on out without bothering to make sure I was following. I hesitated. I didn’t really want to go anywhere with him but I couldn’t deny the draw I felt to him either. The champagne probably isn’t helping with that. My stomach growled impatiently and I sighed as I gave in to its demands. I snatched another glass of champagne on my way out, quickly drinking it in one gulp before hurrying after him. If alcohol was going to make this decision for me then the least I could do was make sure I consumed plenty of it. I glanced back at Darcy as I left but she was laughing at something Hamish had said and didn’t notice me. Mildred on the other hand looked like she was primed for murder and I hurried out of the room as she began to battle her way across the dance floor with me locked in her sights. Darius led me down corridors with gilded decorations at every turn. Dragons really liked their gold and it was obvious they had plenty of it to spare. “Thank you for cheering Xavier up,” Darius said as he opened the door onto a narrow corridor and led me inside. Thankfully there was no sign of Mildred catching up and I had to hope we’d lost her. A few serving staff squeezed past us carrying trays as we walked, bowing their heads as they spotted the infamous Acrux Heir. “Why did he need cheering up?” I asked curiously. “No reason.” I rolled my eyes at his back. (Tory)

When the negotiations were concluded and the papers signed, the next step was to wait for the owner of the tattoo to die. There was no way of knowing whether this would happen in ten years, or twenty, or thirty. However, it is a medical fact that all-over tattooing decreases life span because heavily tattooed skin doesn’t breathe properly. No matter how frustrated and impatient the collector might become during this long wait, he couldn’t very well slip the tattooed person a dose of poison to hasten the process. All he could do during those long years was to pray that the tattoo would remain safe, for there are so many potential disasters that can befall a wonderfully decorated body. Natural calamities, war damage, domestic accidents, automobile wrecks, violent crime, to name a few. Then there’s the possibility that the tattooed person will decide to disappear, absconding with his own skin to avoid the imagined horror of being flayed after death.

I never signed up for all this long-distance, faster’n time stuff. I should be back in a forest somewhere, making excitingly decorated constructions to attract females.” “That’s bower birds,” said Susan. “Ravens don’t do that.” “Oh, so it’s typecasting now, is it?” said the raven. “I’m missing meals here, you do know that?

We don’t ultimately grow kind by thinking about manners. We grow kind by thinking about self-doubt and self-hatred. A kinder world would be one that wasn’t more decorous, but one more alive to the presence of despair, to our susceptibility to shame and to our craving for any sign (however small) of our right to exist.

With a pair of scissors in my pocket, a bottle of rum in my hand, and Martina, we walked towards Plaza Trippy to go to the alley behind it called Carrer de la Rosa. Martina didn't know what this was all about; I tried to make it a surprise. At the gate, I asked Martina to hold the scissors until I climbed up the wall of the building and cut off the sign. I never had the chance to tell her that I used to do indoor climbing. Just like Adam. It was so dusty and rusty, abandoned and old, that I got dirty. The sign was quite new, or at least it looked new, but it was dustier than I had thought - it must have been up there for years. I cut the zip ties on the four corners, holding the sign to the old metal railings and then I jumped down from the wall to jump into Martina's arms in the tight alley. We were laughing. We went up and left, and up and right a few blocks until we crossed Ferran Street, I think, and finally, I thought we were safe: let's take a picture of the sign and get rid of it. I didn’t want anyone to see us in front of the place or on the busy Carrer Escudellers taking a picture of the 'For Sale' sign. Only Martina knew that we were going to have a club and that it would be right there. I gave my iPhone to Martina to take a picture of me holding the sign. I was so happy. I had my new girlfriend, suddenly from the sky, and she seemed to be “The One”. Celestial. I was wearing my beige suede Adidas shoes with white sole which Sabrina had surprised me with a year earlier on my birthday, my dark green Globe pants, and my black Breach jacket, a black hoodie, smiling ear to ear while holding a dirty sign in front of a store's closed metal shutter decorated with graffiti. After throwing out the sign in the trash can with Martina, I sent Adam the picture. He replied late at night: „:DDDDDDDDDDDDDDDDDDDDDD” Finally, it took a year to make Adam happy, even though Sabrina wouldn't let me make her happy. I got the place to make 'Aso Golan', the only place it could ever take place; to be one of the largest coffeeshops in Barcelona. I knew it would take another year to quickly fix up the place and pass the inspection before we could open it. I knew that in few years, we would be rich, looking back to the day I made my first order at the Sagrada Familia. Or the night we took off the FOR SALE sign with Martina.

Startled as I awoke in an unfamiliar room... nothing special, just advertisements and fancy looking brochures that contain just enough words to grab a simple minds attention. Empty chairs, existing for a purpose, stay vacant as punishment to the unseated who chose to stand when offered a conditional seat. The walls are covered with breath taking pictures in broken frames. The same decor of many abandoned rooms from generations before. The lights flicker as attemps are made to navigate around, never consistent enough to illuminate the dark. Just bright enough for the eyes to read the distinct exit sign. Laughter and love echo behind the closed singular door. No access with pushing or pulling. Unwelcome mat under my feet. I heard a voice yell "stop knocking" Adjusting to reality, the air becomes familiar, the same breath taken before. Back in the waiting room. Returning to the beginning for nothing.

As time went on, I subscribed more and more to Toynbee’s idea that civilizations die not by murder but by suicide. And then one day everything changed for me. It was March thirtieth, 2013, I’ll never forget—Easter weekend. At the time I was living in Brussels, and every once in a while I’d go have a drink at the bar of the Métropole. I’d always loved Art Nouveau. There are magnificent examples in Prague and Vienna, and there are interesting buildings in Paris and London, too, but for me—right or wrong—the high point of Art Nouveau decor was the Hotel Métropole de Bruxelles, in particular the bar. The morning of March thirtieth, I happened to walk by and saw a sign that said the bar of the Métropole was closing for good, that very night.

a driver who thinks stop signs are suggestions and red lights are decorative accents.

Pirate’s Cove. The decor was saddles and spurs and branding irons. The sign remained a lasting testimony that pirates don’t sell drinks in north Florida, and cowboys don’t sell enough for a new sign. Swinging

One entire wall was taken up by Hello Kitty merchandising. HK was interspersed throughout the whole room, but one entire wall had only Hello Kitty-branded objects. Backpacks, dresses, hats, ears, lunchboxes, decorative flowers, dog leashes, cat leashes, surface-to-air missiles, elder signs, sex toys, poker visors, hash pipes, soccer balls, blue balls, chainsaws, black books of diabolical import – you name it, it was branded with Hello Kitty or one of the associated characters. I saw what must have been a homemade green sculpture of Cthulhu that someone had replaced the Old One’s ugly mug with the mouthless cuteness of Hello Kitty. He and I stared at each other for one long and foreboding moment. The stars were indeed right.

First, A ship of the finest make and model available shall be furnished to carry the constructors home. 2nd, The said ship shall be laden with various cargo as here specified: diamonds—four bushels, gold coin—forty bushels, platinum, palladium, and whatever other ready valuables they happen to think of—eight bushels of each, also whatever mementos and tokens from the Royal Apartments the signatories of this instrument may deem appropriate. 3rd, Until such time as the said ship shall be in readiness for takeoff, every nut and bolt in place, fully loaded and delivered up to the constructors complete with red carpet, an eighty-piece send-off band and children's chorus, an abundance of honors, decorations and awards, and a wildly cheering crowd—until then, no King. 4th, That a formal expression of undying gratitude shall be stamped upon a gold medallion and addressed to Their Most Sublime and Radiant Constructors Trurl and Klapaucius, Delight and Terror of the Universe, and moreover it shall contain a full account of their victory and be duly signed and notarized by every high and low official in the land, then set in the richly embellished barrel of the King's favorite cannon, which Lord Protozor, Master of the Royal Hunt, shall himself and wholly unaided carry on board—no other Protozor but the one who lured Their Most Sublime and Radiant Constructors to this planet thinking to work their painful and ignominious death thereby. 5th, That the aforesaid Protozor shall accompany them on their return journey as insurance against any sort of double-dealing, pursuit, and the like. On board he shall occupy a cage three by three by four feet and shall receive a a daily allowance of humble pie with a filling made of that very same sawdust which Their Most Sublime and Radiant Constructors saw fit to order in the process of indulging the King's foolishness and which was subsequently taken to police headquarters by unmarked balloon. 6th and lastly, The King need not crave forgiveness of Their Most Sublime and Radiant Constructors on bended knee, since he is much too beneath them to deserve notice.

It didn’t necessarily mean that he’d been awake all night washing away his mother’s blood. She looked under the bed and felt behind the wardrobe. No porn. No girlie posters on the walls. In fact there were no pictures on the walls at all, only a framed certificate from his catering course. What did he do for sex? Probably used the Internet, like most of the UK’s male population. It came to Vera that more than likely he was a virgin. In contrast, Miranda’s room was surprisingly big. Opulent and glamorous in an old-fashioned way. It held a double bed, piled with pillows and silk-covered cushions, in various shades of purple. These seemed to have been artfully arranged – another sign, Vera thought, that Miranda hadn’t been to bed the night before. There was a small wrought-iron grate, just for decoration now. Where the fire would once have been laid stood a candle in a big blue candle-holder, identical to the one on the table on the terrace. Was that significant? Vera tried to remember if she’d seen one like it in the main house. On one side of the chimneybreast, bookshelves had been built into the alcove, and on the other stood a big Victorian wardrobe. There was a dressing table with an ornate framed mirror under the window, and an upholstered stool in front of it. No PC. So what did Miranda do for sex? The question came, unbidden, into her head. Vera sat on the stool and gave a wry smile into the mirror. She knew her team had sometimes asked the same question about her. But not recently. As you got older, folk seemed to think you could do without. This is where Miranda would have sat to prepare herself to meet the residents. Again Vera was reminded of an ageing actress. Her dressing table was scattered with make-up. The woman hadn’t shared her son’s obsession with order and cleanliness. And beyond the mirror there was a view to the coast. It wasn’t possible to see the terrace from here – it was in the shadow of the big house. But the beach was visible. What had Miranda been thinking as she put on her face, as she brushed her hair and held it in place with spray? That her life as a writer was over? Or did she still hope for the big break, the posters on the Underground and the reviews in the Sunday papers? Was she still writing? It seemed to Vera that this question was so important, so fundamental, that she’d been a fool not to consider it before. If Miranda had written a new book, and Tony Ferdinand had offered to help her find a home for it, of course Miranda would be shattered to find him dead. The stabbed body would symbolize her shattered dreams. It wouldn’t be easy for a middle-aged

You said the god spoke to you. What did He say?" "That I was sent here, in answer to prayers, Illvin's among others, probably. The Bastard dared me, by my own son's god-neglected death, not to turn aside." She frowned fiercely in memory, and dy Cabon edged a little back from her. "I asked Him what the gods, having taken Teidez, could give me that I would trade spit for. He answered, Work. His blandishments were all decorated about with annoying endear merits that would have bought a human suitor a short trip to the nearest mud puddle by the hands of my servants. His kiss on my brow burned like a brand. His kiss on my mouth"—she hesitated, went on doggedly—"aroused me like a lover, which I most certainly am not." Dy Cabon edged farther back, smiling in anxious placation, and made little agreeing-denying motions, his hands like flippers. "Indeed not, Royina. No one could mistake you for such." She glowered at him, then went on. "Then He disappeared, leaving you holding the sack. So to speak. If this was prophecy, it bodes you ill, Learned." He signed himself. "Right, right. Um. If the first kiss was a spiritual gift, so ought the second to be. Yes, I quite see that." "Yes, but He didn't say what it was. Bastard. One of his little jokes, it seems." Dy Cabon glanced up as if trying to decide if that were prayer or expletive, guessed correctly, and took a breath, marshaling his thoughts. "All right. But He did say. He said, Work. If it sounds like a joke, it was probably quite serious." He added more cautiously, "It seems you are made saint again, will or nil." "Oh, I can still nil." She scowled. "That's what we all are, you know. Hybrids, of both matter and spirit. The gods' agents in the world of matter, to which they have no other entree. Doorways. He knocks on my door, demanding entry. He probes with his tongue like a lover, mimicking above what is desired below. Nothing so simple as a lover, he, yet he desires that I open myself and surrender as if to one. And let me tell you, I despise his choice of metaphors!" Dy Cabon flippered frantically at her again. It made her want to bite him. "You are a very fortress of a woman, it is true!" She stifled a growl, ashamed to have let her rage with his god spill over onto his humble head. "If you don't know the other half of the riddle, why were you put there?" "Royina, I know not!" He hesitated. "Maybe we should all sleep on it." He cringed at her blistering look, and tried again. "I will endeavor to think." "Do.

They ate at a place called El Rey del Taco. At the entrance there was a neon sign: a kid wearing a big crown mounted on a burro that regularly kicked up its hind legs and tried to throw him. The boy never fell, although in one hand he was holding a taco and in the other a kind of scepter that could also serve as a riding crop. The inside was decorated like a McDonald’s, but in an unsettling way. The chairs were straw, not plastic. The tables were wooden. The floor was covered in big green tiles, some of them printed with desert landscapes and episodes from the life of El Rey del Taco. From the ceiling hung piñatas featuring more adventures of the boy king, always accompanied by the burro. Some of the scenes depicted were charmingly ordinary: the boy, the burro, and a one-eyed old woman, or the boy, the burro, and a well, or the boy, the burro, and a pot of beans. Other scenes were set firmly in the realm of the fantastic: in some the boy and the burro fell down a ravine, in others, the boy and the burro were tied to a funeral pyre, and there was even one in which the boy threatened to shoot his burro, holding a gun to its head. It was as if El Rey del Taco weren’t the name of a restaurant but a character in a comic book Fate happened never to have heard of. Still, the feeling of being in a McDonald’s persisted. Maybe the waitresses and waiters, very young and dressed in military uniforms (Chucho Flores told him they were dressed up as federales), helped create the impression. This was certainly no victorious army. The young waiters radiated exhaustion, although they smiled at the customers. Some of them seemed lost in the desert that was El Rey del Taco. Others, fifteen-year-olds or fourteen-year-olds, tried in vain to joke with some of the diners, men on their own or in pairs who looked like government workers or cops, men who eyed them grimly, in no mood for jokes. Some of the girls had tears in their eyes, and they seemed unreal, faces glimpsed in a dream. “This place is like hell,” he said to Rosa Amalfitano. “You’re right,” she said, looking at him sympathetically, “but the food isn’t bad.

I had been assigned to a four-person suite in Wharton Hall, among the most popular and storied dormitories on campus. Built in 1903, it exuded quaint collegiate charm. Gargoyles depicting every season and the signs of the zodiac decorated eaves of the building. Wrapping around three sides of an expansive patio, Wharton featured some of Swarthmore’s largest dorm rooms; ours included two bedrooms and a living area that easily accommodated four work desks, bookcases, the glider chair, stereo tables, and an ancient, disheveled couch.

Become a junk mail detective. • Commercial catalogs: Go to CatalogChoice.org (they cancel catalogs for you) or call the catalogs directly. I opted out and I have never been happier with my personal sense of decorating and celebrating. • First-class mail: Do not open the unwanted letter. Its postage includes return service; you can write “Refused—Return to sender” and “Take me off your mailing list” on the front of the unopened envelope. I keep a pen in my mailbox for that specific purpose. • Mail addressed to the previous resident: Fill out a U.S. Postal Service change-of-address card for each previous resident. In lieu of a new address, write: “Moved, no forwarding address.” In the signature area, sign your name and write “Form filled by current resident of home [your name], agent for the above.” Hand the form to your carrier or postal clerk. • For standard/ third-class presorted mail: Do not open those that mention “return service requested,” “forwarding service requested,” “change service requested,” or “address service requested.” These postages also include return service, so here, too, you can write “Refused—Return to sender” and “Take me off your mailing list” on the front of an unopened envelope. Otherwise, open the letter, look for contact info, then call/ email/ write to be taken off the mailing list. These items typically include promotional flyers, brochures, and coupon packs. Make sure to also request that your name or address not be sold, rented, shared, or traded. • Bulk mail: Inexpensive bulk mailing, used for items such as community education catalogs, allows advertisers to mail to all homes in a carrier route. It is not directly addressed to a specific name or address but to “local” or “postal customer,” and is therefore most difficult to stop. A postal supervisor told me that my carrier had to deliver them and that he could take them back when refused, but since the postage does not include return service, the mailman would simply throw the mail away with no further action. The best way to reduce the production of such mailings is to contact the senders directly and convince them to either choose a different type of postage or adopt Internet communication instead. In the case of community-born mailing, one could also persuade his/ her city council to boycott the postage preference. But ideally, the U.S. Postal Service would not even provide this wasteful option.

Even the phrase we are ridiculed for, “live, laugh, love,” fits into the criteria of literal retail therapy, where we would wear it and hang it all around us to be reminded of how to feel good. When you think about how widely ridiculed that phrase is, it almost makes you forget how it represents three of the most standard and important verbs of our existence: to be alive, to enjoy oneself, to love or be loved. What people forget about the commercialization of the phrase is that it peaked between 2008 and 2012, the era when many millennials postrecession were left picking up the pieces of the world we grew up expecting to inherit imploding before our eyes. We weren’t educated enough to diagnose our own depression in a financial one, so sue us for doubling down on whimsical driftwood decor. Therapy for us at the time was painted makeshift traffic signs in our homes reminding us to experience three basic human emotions.