Decor Photography Quotes

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Almost every family has their own Christmas traditions (if, indeed, they celebrate Christmas) and we certainly had several. First, the house was thoroughly cleaned and decorated with wreaths and paper chains and, of course, the Christmas tree with all its sparkling lights and ornaments. The cardboard nativity scene had to be carefully assembled and placed on the mantle. And there was the advent wreath with its little windows to be opened each morning. And then there were the Christmas cookies. About a week before the holiday, Mom would bake several batches of the cookies and I invited all my friends to come and help decorate them. It was an “all-afternoon” event. We gathered around our big round dining table with bowls of colored icing and assorted additions—red hot candies, coconut flakes, sugar “glitter,” chocolate chips, and any other little bits we could think of. Then, the decorating began!
Mallory M. O'Connor (The Kitchen and the Studio: A Memoir of Food and Art)
Vanity is by far my favorite of all sins, and the camera lens is the ultimate vanity mirror. The camera captures all moods and nuances; immortalizes the soft and silky continuum that is humanity. Those still life moments seem so fluid, so representative of continuity. They are a single moment captured, yet an eternity expressed. All your youth; all your ages, captured and expressed in a single click. Of all the indulgences, vanity is certainly my favorite which we should otherwise resist, but are inexplicably captivated by and addicted. What other animal would spend so much time pouting and preening for its reflection? Only humanity would participate in such self-adoration. You would think we have the most colorful feathers or softest of manes. Rather, we are a naked biped that feels incomplete without some decorative element, accessory, or embellishment of the self. We are intoxicated by the image of the body, no different than we are seduced by fine wines, foods, or mind altering elements. We devour the skin, and peel away clothes as if they were the skin of some tropical fruit, covering a colorful and juicy interior. We hunt for bodily pleasures, and collect them as prizes; show them off in social situations as if our companions were some sort of extended adornment to ourselves. We are revealed in our sensuality. To touch beneath the surface; to connect beyond facades, that unattainable discourse between individuals is put tentatively within reach in intimacy. To capture those moments is to capture the essence of what makes us human, and what ultimately sets us above and aside from the rest of nature. Capturing humanity in its most extravagant expressions is intoxicating. Vanity is by far my favorite sin, and it is an endless tale as infinite as humanity. Every person is but a stitch in a giant tapestry.
A.E. Samaan
Photography is our exorcism. Primitive society had its masks, bourgeois society its mirrors, and we have our images. We believe that we bend the world to our will by means of technology. In fact it is the world that imposes its will upon us with the aid of technology, and the surprise occasioned by this turning of the tables is considerable. You think you are photographing a scene for the pleasure of it, but in fact it is the scene that demands to be photographed, and you are merely part of the decor in the pictorial order it dictates. The subject is no more than the funnel through which things in their irony make their appearance. The image is the ideal medium for the vast self-promotion campaign undertaken by the world and by objects - forcing our imagination into self-effacement, our passions into extraversion, and shattering the mirror which we hold out (hypocritically, moreover) in order to capture them. The miraculous thing about the present period is that appearances, so long reduced to a voluntary servitude, have now become sovereign, and turned back towards (and against) us by means of the very technology from which we had earlier evicted them. Today they come from elsewhere, from their own place, from the heart of their banality, of their objectality: they surge forth on all sides, multiplying of their own accord, and joyfully. (The joy of taking photographs is an objective joy, and anyone who has never felt the objective transports of the image, some morning, in some town or desert, will never understand the pataphysical delicacy of the world.)
Jean Baudrillard (The Transparency of Evil: Essays in Extreme Phenomena)
1Ian Potter Centre: NGV AustraliaGALLERY MAP GOOGLE MAP The National Gallery of Victoria's impressive Fed Sq offshoot was set up to showcase its extraordinary collection of Australian works. Set over three levels, it's a mix of permanent (free) and temporary (ticketed) exhibitions, comprising paintings, decorative arts, photography, prints, sculpture and fashion. Free tours are conducted daily at 11am, noon, 1pm and 2pm.
Lonely Planet (Lonely Planet Pocket Melbourne (Travel Guide))
Hyderabad's weddings are known for their opulence and grandeur. From the intricately designed bridal attire and jewelry to the sumptuous cuisine and exquisite decor, every detail is meticulously documented by photographers. These images serve as a testament to the city's rich cultural heritage and the values that bind families together. The business of wedding photography in Hyderabad india is thriving. The city's residents place a high value on preserving the memories of their special day, and they are willing to invest in professional photography services to achieve this. Photographers have embraced digital technology and social media to market their services and showcase their work. They have adapted to the changing times, offering diverse packages to meet the evolving needs and preferences of couples. Established photographers continue to innovate and expand their services, offering pre-wedding shoots, destination wedding coverage, thematic photography, and more. Aspiring photographers also enter the field, adding fresh talent and perspectives to the vibrant community of wedding photographers in Hyderabad.
chickrupa
The proliferation of social media has significantly impacted the industry. Families now have a platform to share these treasured photographs with friends and loved ones, expanding the reach and impact of baby photography. The ability to connect with other parents and share the joy of parenthood through social media has also contributed to the growth of this niche. These photographs are more than just decorative pieces; they become a source of pride and a lasting symbol of the love and joy a baby brings. They play a pivotal role in documenting a child's growth and development, creating a visual timeline of milestones, from the first coo to the first step. Hyderabad baby photoshoot are not merely photography sessions but celebrations of the purest moments of life. They capture the fragile beauty of a new life, the wonder and love of parenthood, and the universal experience of the early days of a baby.
chickvijaya
And to be clear, art in this context isn’t just something visual hanging on the walls. It imbues all parts of our life, from fashion and decor to design and architecture (and I would happily argue even food).[*] Art is poetry and spoken word, theater and music. It is film and photography and dance. It is a perfect pillow of agnolotti on a pool of tomato cream. Borrowing Tolstoy’s definition, art is anything that communicates emotion.
Monica C. Parker (The Power of Wonder: The Extraordinary Emotion That Will Change the Way You Live, Learn, and Lead)