Absence Felt Quotes

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i felt her absence. it was like waking up one day with no teeth in your mouth. you wouldn't need to run to the mirror to know they were gone
James Dashner (The Scorch Trials (The Maze Runner, #2))
Don’t make your presence known. Make your absence felt.
Colleen Hoover (Without Merit)
You say you felt a presence, but I only sensed an absence. A vague pain without a source. I was like a patient who cannot tell the doctor where it hurts, only that it does.
Khaled Hosseini (And the Mountains Echoed)
Souls" When two souls fall in love, there is nothing else but the yearning to be close to the other. The presence that is felt through a hand held, a voice heard, or a smile seen. Souls do not have calendars or clocks, nor do they understand the notion of time or distance. They only know it feels right to be with one another. This is the reason why you miss someone so much when they are not there— even if they are only in the very next room. Your soul only feels their absence— it doesn’t realize the separation is temporary.
Lang Leav
I suffered no pain, my hunger had taken the edge off; instead I felt pleasantly empty, untouched by everything around me and happy to be unseen by all. I put my legs up on the bench and leaned back, the best way to feel the true well-being of seclusion. There wasn't a cloud in my mind, nor did I feel any discomfort, and I hadn't a single unfulfilled desire or craving as far as my thought could reach. I lay with open eyes in a state of utter absence from myself and felt deliciously out of it.
Knut Hamsun (Hunger)
Richard began to understand darkness: darkness as something solid and real, so much more than a simple absence of light. He felt it touch his skin, questing, moving, exploring: gliding through his mind. It slipped into his lungs, behind his eyes, into his mouth...
Neil Gaiman (Neverwhere (London Below, #1))
Have you ever met someone and felt . . . I don't know how to describe it, felt a chance at having something that eluded you? I don't know . . . Forget I said anything." I knew what he meant. He was describing that moment when you realize that you are lonely. For a time you can be alone and doing fine and never give a thought to living any other way and then you meet someone and suddenly you become lonely. It stabs at you, almost like a physical pain, and you feel both deprived and angry, deprived because you wish to be with that person and angry, because their absence brings you misery. It's a strange feeling, akin to desperation, a feeling that makes you wait by the phone even though you know that the call is an hour away. I was not going to lose my balance. Not yet.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Her absence had felt like torture--almost a form of personal punishment. He had nobody to discuss his feelings with, and for the first time he realised with appalling clarity what a destructive hold she had over him.
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium, #1))
She felt it when she woke, not a presence but an absence.
Paula Hawkins (Into the Water)
Damen said, 'Men, sometimes.' 'In the absence of women?' 'When I want them.' 'If I'd known that, I might have felt a frisson of danger, lying next to you.' 'You did know that,' said Damen
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
In the solitude, I felt the liberty you speak of. But I also felt your absence.
Céline Sciamma (Portrait of a Lady on Fire)
I carried the books to my room and read through the night. I loved the fiery pages of Mary Wollstonecraft, but there was a single line written by John Stuart Mill that, when I read it, moved the world: "It is a subject on which nothing final can be known." The subject Mill had in mind was the nature of women. Mill claimed that women have been coaxed, cajoled, shoved and squashed into a series of feminine contortions for so many centuries, that it is now quite impossible to define their natural abilities or aspirations. Blood rushed to my brain; I felt an animating surge of adrenaline, of possibility, of a frontier being pushed outward. Of the nature of women, nothing final can be known. Never had I found such comfort in a void, in the black absence of knowledge. It seemed to say: whatever you are, you are woman.
Tara Westover (Educated)
The ache of his absence felt like a hook lodged inside her heart. The hurt was always there, but in moments like these, it was as if someone had seized hold of the line and pulled.
Leigh Bardugo (King of Scars (King of Scars, #1))
I realize that some people will not believe that a child of little more than ten years is capable of having such feelings. My story is not intended for them. I am telling it to those who have a better knowledge of man. The adult who has learned to translate a part of his feelings into thoughts notices the absence of these thoughts in a child, and therefore comes to believe that the child lacks these experiences, too. Yet rarely in my life have I felt and suffered as deeply as at that time.
Hermann Hesse (Demian: Die Geschichte von Emil Sinclairs Jugend)
When two souls fall in love, there is nothing else but the yearning to be close to the other. The presence that is felt through a hand held, a voice heard, or a smile seen. Souls do not have calendars or clocks, nor do they understand the notion of time or distance. They only know it feels right to be with one another. This is the reason why you miss someone so much when they are not there—even if they are only in the very next room. Your soul only feels their absence—it doesn't realize the separation is temporary.
Lang Leav (Love & Misadventure)
And even though he felt pitiful and ridiculous, he didn't want it to end, because he knew the absence of her would hurt more than any breakup ever could.
John Green (An Abundance of Katherines)
What, I wondered, was the point of me? I contributed nothing to the world, absolutely nothing, and I took nothing from it either. When I ceased to exist, it would make no material difference to anyone. Most people’s absence from the world would be felt on a personal level by at least a handful of people. I, however, had no one. I do not light up a room when I walk into it. No one longs to see me or to hear my voice.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
Glancing in through the open door to Xav’s room, I saw Zed stretched out on the queen mattress, his arm hugging a pillow as if he felt Sky’s absence at his side.
Joss Stirling (Stealing Phoenix (Benedicts, #2))
I learned that courage was not the absence of fear, but the triumph over it. I felt fear more times than I can remember, but I hid it behind a mask of boldness. The brave man is not he who does not feel afraid, but he who conquers that fear
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
I thought maybe we mourned not only for the dead but also for the living. We felt their absence before we knew for sure they were gone.
Vaddey Ratner (In the Shadow of the Banyan)
The actuality that the heart does not want to feel, doesn't negate the certitude that it once felt and will still feel.
Itohan Eghide (The Book of Maxims, Poems and Anecdotes)
Work for a cause David, not for applause. Remember to live your life to express, not to impress, don’t strive to make your presence noticed, just make your absence felt. - Lichtenstein
Grace Lichtenstein (Inside Real Estate: The Complete Guide to Buying and Selling Your Home, Co-Op or Condominium)
The story seems to begin with catastrophe but in fact began earlier and is not a tragedy but rather a love story. Perhaps tragedies are only tragedies in the presence of love, which confers meaning to loss. Loss is not felt in the absence of love.
Elizabeth Alexander (The Light of the World)
She took a moment to lament her lack of parasol. Every time she left the house, she felt keenly the absence of her heretofore ubiquitous accessory.
Gail Carriger (Timeless (Parasol Protectorate, #5))
in their equation of thinness with goodness, my mother and Ana were so like-minded. My mother persuaded me to stay thin by insulting me. Ana did it by insulting everyone but me. This absence of rejection felt like an embrace.
Melissa Broder (Milk Fed)
He still felt her absence; it was like waking up one day with no teeth in your mouth. You wouldn’t need to run to the mirror to know they were gone.
James Dashner (The Scorch Trials (Maze Runner, #2))
Home is where your absence is felt, the echo of your voice kept alive, no matter how long you have been away or how far you may have strayed, a place that still beats with the pulse of your heart.
Elif Shafak (There Are Rivers in the Sky)
Absence has presence, sometimes, and that was what she felt. Absence like crushed-dead grass were something has been and is no longer. Absence where a thread has been ripped, ragged, from a tapestry, leaving a gap that can never be mended.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
The collar came first, and when Guerin drew it from his neck he felt the collar's absence like a lightness, his spine unfurling, his shoulders settling. Like a lie, cracking and dropping from him.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
However much you have been wanting and hoping and dreaming of meeting the person of your dreams, it is only when you meet them that you will start missing them. It seems that the presence of an object is required to make its absence felt (or to make the absence of something felt). A kind of longing may have preceded their arrival, but you have to meet in order to feel the full force of your frustration in their absence.
Adam Phillips (Missing Out: In Praise of the Unlived Life)
She had somehow given over the thinking to him, and in his absences her every action seemed automatically governed by what he would like, so that now she felt inadequate to match her intentions against his. Yet think she must; she knew at last the number on the dreadful door of fantasy, the threshold to the escape that was no escape; she knew that for her greatest sin now and in the future was to delude herself. It had been a long lesson but she had learned it. Either you think—or else others have to think for you and take power from you, pervert and discipline your natural tastes, civilize and sterilize you.
F. Scott Fitzgerald (Tender Is the Night)
The absence of lost things is felt most painfully when the things you possess stop providing satisfaction.
Sanu Sharma (अर्को देशमा [Arko Deshma])
The day I stood shoulder to shoulder with hundreds of thousands of my fellow civilians, staring down the barrels of the soldiers' guns, the day the bodies of those first two slaughtered were placed in a handcart and pushed at the head of the column, I was startled to discover an absence in side myself: the absence of fear. I remember feeling that it was all right to die; I felt the blood of a hundred thousand hearts surging together into one enormous artery, fresh and clean...the sublime enormity of a single heart, pulsing blood through that vessel and into my own. I dared to feel a part of it.
Han Kang (Human Acts)
If other ages felt less, they saw more, even though they saw with the blind, prophetical, unsentimental eye of acceptance, which is to say, of faith. In the absence of this faith now, we govern by tenderness. It is a tenderness which, long cut off from the person of Christ, is wrapped in theory. When tenderness is detached from the source of tenderness, its logical outcome is terror. It ends in forced-labor camps and in the fumes of the gas chamber.
Flannery O'Connor (Mystery and Manners: Occasional Prose (FSG Classics))
When your absence is felt, your presence is the essence and it makes a difference.
Michael Bassey Johnson
Writing has always been a serious business for me. I felt it was a moral obligation. A major concern of the time was the absence of the African voice. Being part of that dialogue meant not only sitting at the table but effectively telling the African story from an African perspective - in full earshot of the world.
Chinua Achebe (There Was a Country: A Personal History of Biafra)
Sammy felt...that he would rather not love at all than be punished for loving. He had no idea of how long his life would one day seem to have gone on; how daily present the absence of love would come to feel.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
How like a winter hath my absence been From Thee, the pleasure of the fleeting year! What freezings have I felt, what dark days seen, What old December's bareness everywhere!
William Shakespeare (Shakespeare's Sonnets)
Work hard for a cause, not for applause. Live life to express, not to impress. Don’t strive to make your presence noticed, just make your absence felt.
Sally Willard Burbank (Patients I Will Never Forget)
What stage of love was it when another person became a habit? How quickly had the mere background hum of another person's life become such an essential fixture of the house that its absence felt like a robbery? Like their home had been gutted and he was left drifting around the remains...
Charlie Adhara (Cry Wolf (Big Bad Wolf, #5))
It’s nothing compared to happiness.” I snorted through gritted teeth. “What happiness?” “Exactly.” “Reality interrupts—” Jaw clenching, my nostrils flared as I felt a gush of blood flow. A whisper. “Life.” His blink was slow. “The mother of all bitches.” “And the beauty?” “Its absence is duly noted.” “Only to be found by those later.” Another swipe of my cheeks. “Once they’ve suffered to the point they scream for death.” “Full circle.” His hand found mine in a gentle hold. “Pain needs to be felt.
Scarlett Dawn (King Cave (Forever Evermore, #2))
In my heart, I knew that Whorf was right. I knew I thought differently in Turkish and English - not because thought and language were the same, but because different languages forced you to think about different things. Turkish, for example, had a suffix, -mis, that you put on verbs to report anything you didn't witness personally. You were always stating your degree of subjectivity. You were always thinking about it, every time you opened your mouth. The suffix -mis had not exact English equivalent. It could be translated as "it seems" or "I heard" or "apparently." I associated it with Dilek, my cousin on my father's side - tiny, skinny, dark-complexioned Dilek, who was my age but so much smaller. "You complained-mis to your mother," Dilek would tell me in her quiet, precise voice. "The dog scared-mis you." "You told-mis your parents that if Aunt Hulya came to America, she could live in your garage." When you heard -mis, you knew that you had been invoked in your absence - not just you but your hypocrisy, cowardice, and lack of generosity. Every time I heard -mis, I felt caught out. I was scared of the dogs. I did complain to my mother, often. The -mis tense was one of the things I complained to my mother about. My mother thought it was funny.
Elif Batuman (The Idiot)
Life was worth living even when it was full of unfairness and injustice. When the heart felt light and when the chest was too tight to breathe. Because death was final. The absence of choice. And life was a collection of new beginnings. Full of unending choices.
Jennifer L. Armentrout (A Fire in the Flesh (Flesh and Fire, #3))
Would my soul remember him? A small part of me prayed I wouldn’t, but the rest knew better. I loved him. Deeply. Such a love was not something of just the heart and mind. It wasn’t something to be felt and eventually forgotten, to be touched without it in return touching you. No . . . this love was something else. Something irrevocable. It was something of the soul. I knew I would remember him. I would feel his absence even after death, would ache for him to be near me in a way he could never be again.
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
I lay with open eyes in a state of utter absence from myself and felt deliciously out of it.
Knut Hamsun (Hunger)
I had thought that I would never be able to grow tired of loving, but one night I woke to an absence of love and felt no torture: it was the absence of this tortute that truly scared me, that tortured me
Anne Garréta (Sphinx)
Silence is not the absence of something but the presence of everything . . . It is the presence of time, undisturbed. It can be felt within the chest. Silence nurtures our nature, our human nature, and lets us know who we are. Left with a more receptive mind and a more attuned ear, we become better listeners not only to nature but to each other. Silence can be carried like embers from a fire. Silence can be found, and silence can find you. Silence can be lost and also recovered. But silence cannot be imagined, although most people think so. To experience the soul-swelling wonder of silence, you must hear it.
Gordon Hempton
Is it true that you don’t love me anymore?” “Yes.” “Why? Because I lied to you? Because I left you? Because I humiliated you?” “No. Just when I felt deceived, abandoned, humiliated, I loved you very much, I wanted you more than in any other moment of our life together.” “And then?” “I don’t love you anymore because, to justify yourself, you said that you had fallen into a void, an absence of sense, and it wasn’t true.” “It was.” “No. Now I know what an absence of sense is and what happens if you manage to get back to the surface from it. You, you don’t know. At most you glanced down, you got frightened, and you plugged up the hole with Carla’s body.
Elena Ferrante (The Days of Abandonment)
I am numb. I don’t know what to do. The absence of my link to Enzo is a yawning chasm, a hollowness I first felt when Teren took Enzo’s life in the Estenzian arena. How long had he been a part of my world? How had my life been before he stepped into it? All I can think is that I am losing him all over again, except that I already lost him.
Marie Lu (The Midnight Star (The Young Elites, #3))
Numbness is not an absence of feeling but a felt absence.
Maggie Shipstead (Great Circle)
They left large areas of the paper blank because they felt empty space was as important as form, that absence was as important as presence.
Pik-Shuen Fung (Ghost Forest)
This time, when his heat departed, Dora thought she must have felt the cold – because the absence of him made her feel as though something crucial was missing.
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
Pain. Pain is how they control us. The first day I served a Gold was the greatest pleasure I felt in all my life. Now I know that it wasn't pleasure I felt. It was the absence of pain.
Pierce Brown (Golden Son (Red Rising Saga, #2))
True humility is the absence of anyone to be proud.” Humility is not a stance; it is simply the absence of self. In the same way, relationship is the absence of separation, and it can be felt with each breath, each sensation, each thought, each cloud in the sky, each person that we meet. “And being nothing, you are everything. That is all.
Joseph Goldstein (Insight Meditation: The Practice of Freedom (Shambhala Classics))
The sunlight now lay over the valley perfectly still. I went over to the graveyard beside the church and found them under the old cedars... I am finding it a little hard to say that I felt them resting there, but I did. I felt their completeness as whatever they had been in the world. I knew I had come there out of kindness, theirs and mine. The grief that came to me then was nothing like the grief I had felt for myself alone... This grief had something in it of generosity, some nearness to joy. In a strange way it added to me what I had lost. I saw that, for me, this country would always be populated with presences and absences, presences of absences, the living and the dead. The world as it is would always be a reminder of the world that was, and of the world that is to come.
Wendell Berry (Jayber Crow)
I breathed in the night air that was or was not laced with anachronistic blossoms and felt the small thrill I always felt to a lesser or greater degree when I looked at Manhattan’s skyline and the innumerable illuminated windows and the liquid sapphire and ruby of traffic on the FDR Drive and the present absence of the towers.
Ben Lerner (10:04)
During the twenty years of Odesseus' absence, the people of Ithaca retained many recollections of him but never felt nostalgia for him. Whereas Odysseus did suffer nostalgia, and remembered almost nothing. ..... For four long books of the Odyssey he had retraced in detail his adventures before the dazzled Phaeacians. But in Ithaca he was not a stranger, he was one of their own, so it never occurred to anyone to say, 'Tell us!
Milan Kundera (Ignorance)
Because, when I was away, I couldn't stop thinking about you. Part of me said, yes, it was the right thing to do, for your sake; part of me recognized the kind of man I am, the kind of work I do, the utter impossibility of it. But the other part of me... I felt your absence like a wound.
Juliet Marillier (The Well of Shades (The Bridei Chronicles, #3))
And someone who has never felt it can never understand what the absence of emotion feels like. It is a hopelessness of incomprehensible, unspeakable weight.
Karen Fortunati (The Weight of Zero)
I was desperate to discover what nothing felt like. It was the absence of something that attracted me. It was the start. Everything important originated with nothingness.
Augusten Burroughs
Loss is not felt in the absence of love.
Elizabeth Alexander (The Light of the World)
Elide asked softly, “What is your vote, Aelin?” Aelin tore her eyes from Rowan, and he felt the absence of that stare like a frozen wind as she said, “It doesn’t matter.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
All love stories are frustration stories. As are all stories about parents and children, which are also love stories, in Freud's view, the formative love stories. To fall in love is to be reminded of a frustration that you didn't know you had (of one's formative frustrations, and of one's attempted self-cures for them); you wanted someone, you felt deprived of something, and then it seems to be there. And what is renewed in that experience is an intensity of frustration, and an intensity of satisfaction. It is as if, oddly, you were waiting for someone but you didn't know who they were until they arrived. Whether or not you were aware that there was something missing in your life, you will be when you meet the person you want. What psychoanalysis will add to this love story is that the person you fall in love with really is the man or woman of your dreams; that you have dreamed them up before you met them; not out of nothing - nothing comes of nothing - but out of prior experience, both real and wished for. You recognize them with such certainty because you already, in a certain sense, know them, and because you have quite literally been expecting them, you feel as though you have known them for ever, and yet, at the same time, they are quite foreign to you. They are familiar foreign bodies. But one things is very noticeable in this basic story; that however much you have been wanting and hoping and dreaming of meeting the person of your dreams, it is only when you meet them that you will start missing them. It seems the presence of an object is required to make its absence felt.
Adam Phillips
There’s not just a gap, but a chasm between generations that AIDS create. Their absence is felt by those of us who are old enough to feel it. But the younger ones are never going to know about them unless we tell them.
Jeremy Atherton Lin (Gay Bar: Why We Went Out)
His absence from her for so many weeks had had such an effect upon him that his demands, his desires had grown; and only the night before, as his ship steamed, beneath summer stars, in sight of the Irish coast, he had felt all the force of his particular necessity.
Henry James (The Wings of the Dove)
It will move through you and you will touch joy and suddenly realize you have never felt joy because it requires abandon. It grows from gratitude and cannot exist where there is mad cynicism or distrust. You will touch this joy and you will suddenly know it is what you were looking for your whole life, but you were afraid to even acknowledge the absence because the hunger for it was so encompassing.
V (formerly Eve Ensler) (In the Body of the World: A Memoir)
My mother persuaded me to stay thin by insulting me. Ana did it by insulting everyone but me. This absence of rejection felt like an embrace.
Melissa Broder (Milk Fed)
But she felt that she had to see him or she would die.
Iris Murdoch (The Nice and the Good)
The hardest part about losing someone close to you was that you felt their absence in the simplest things.
Claire Contreras (The Consequence of Falling)
But perhaps what felt impossible was leaving that person behind. When your love for a person is so profound that it’s part of who you are, then the absence of the person becomes part of your DNA, your bones, and your skin. Charlie’s and
Ann Napolitano (Hello Beautiful)
Loss. A known absence. If you didn't know it, it would be nothing, which it is, of course, a nothing of another kind, as acutely felt as a blister, but a tumult, too, in the region of the heart and lungs, an emptiness with a name: You
Siri Hustvedt (The Summer Without Men)
He was my missing piece, and he was finally where he belonged, utterly and completely with me. I finally understood why mates went insane, why they raged, and why they broke when they lost it. If it felt like this, then absence was beyond pain, beyond agony. I thought I was a rage-filled, damned beast before, but if someone took this from me, I'd make the leader of evil look like a saint.
Amber V. Nicole (The Dawn of the Cursed Queen (Gods & Monsters, #3))
Can you stay Until the last stretched moments that will be taken away soon In your presence love felt like moonlight But In your absence It's burning my chest as If my heart has been set on fire.
_S.killer
I thought I would prefer apathy over this," I confided to her. "Why?" she asked. "Are you saying you would rather be cold than comforted? He's looking at you and offering his hand in friendship and you're rudely looking away pretending not to notice. At least with him you wouldn't be so alone." I felt my eyes turn into colorless pools as I glared at her for stating the obvious. "Being numb to someone is better than feeling something," I explained. "Safer you mean," she interrupted. I sighed and continued, "When someone who was once significant in your life comes back after an extended absence, emotions you had finally freed yourself from are reawakened, and if that's not enough to contend with, dormant memories are summoned whether you want them to be or not." "And what is it that you want?" she posed triumphantly. I swallowed my anger and thought with defeat, "Nothing anyone can give me.
Donna Lynn Hope
The gospel of Satan is not a system of revolutionary principles, nor yet a program of anarchy. It does not promote strife and war, but aims at peace and unity. It seeks not to set the mother against her daughter nor the father against his son, but fosters the fraternal spirit whereby the human race is regarded as one great “brotherhood.” It does not seek to drag down the natural man, but to improve and uplift him. It advocates education and cultivation and appeals to “the best that is within us.” It aims to make this world such a comfortable and congenial habitat that Christ’s absence from it will not be felt and God will not be needed. It endeavors to occupy man so much with this world that he has no time or inclination to think of the world to come. It propagates the principles of self-sacrifice, charity and benevolence, and teaches us to live for the good of others, and to be kind to all. It appeals strongly to the carnal mind and is popular with the masses, because it ignores the solemn facts that by nature man is a fallen creature, alienated from the life of God, and dead in trespasses and sins, and that his only hope lies in being born again.
Arthur W. Pink (Satan and His Gospel (Arthur Pink Collection Book 47))
Richard began to understand darkness: darkness as something solid and real, so much more than a simple absence of light. He felt it touch his skin, questing, moving, exploring: gliding through his mind. It slipped into his lungs, behind his eyes, into his mouth . . .
Neil Gaiman (Neverwhere)
And then I was alone, and glad that he was gone. I'd never been glad at Peter's absence before, and something inside me seemed to shift. My legs hurt like fire for a minute, and then it was over, and I distinctly felt that I was taller than I've been a moment before.
Christina Henry (Lost Boy: The True Story of Captain Hook)
Noatalgia Nalan believed there were two families in this world:relatives formed blood family;and friends,the water family.If your blood family happened to be nice and caring,you could count your lucky stars and make the most of it; and if not,there was still hope; things could take a turn for the better once you are old enough to leave your home sour home. As for the water family, this was formed much later in life and was,to a large extent,of your own making. While it was true that nothing could take the place of a loving, happy blood family, in the absence of one, a good water family could wash away the hurt and pain collected inside like black soot.It is therefore possible for your friends to have a treasured place in your heart, and occupy a bigger space than all your kin combined.But those who had never experienced what it felt like to be spurned by their own relatives would not understand this truth in a million years.They would never know that there were times when water ran thicker than blood.
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
How could I explain to this girl what Will and I had been to each other, the way I felt that no person in the world had ever understood me like he did or ever would again? How could she understand that losing him was like having a hole shot straight through me, a painful, constant reminder, an absence I could never fill?
Jojo Moyes (Me Before You (Me Before You, #1))
When I think of the years when I had no faith, what I am struck by, first of all, is how little this lack disrupted my conscious life. I lived not without God, nor wish his absence, but in a mild abeyance of belief, drifting through the days on a tide of tiny vanities — a publication, a flirtation, a strong case made for some weak nihilism — nights all adagios and alcohol as my mind tore luxuriously into itself. I can see now how deeply God’s absence affected my unconscious life, how under me always there was this long fall that pride and fear and self-live at once protected me from and subjected me to. Was the fall into belief or into unbelief? Both. For if grace woke me to God’s presence in the world and in my heart, it also woke me to his absence. I never truly felt the pain of unbelief until I began to believe.
Christian Wiman (My Bright Abyss: Meditation of a Modern Believer)
It had formerly been my endeavor to study all sides of his character: to take the bad with the good; and from the just weighing of both, to form an equitable judgment. Now I saw no bad. The sarcasm that had repelled, the harshness that had startled me once, were only like keen condiments in a choice dish: their presence was pungent, but their absence would be felt as comparatively insipid.
Charlotte Brontë (Jane Eyre)
Now I saw no bad. The sarcasm that had repelled, the harshness that had startled me once, were only like keen condiments in a choice dish: their presence was pungent, but their absence would be felt as comparatively insipid.
Charlotte Brontë (Jane Eyre)
Find a calm lake and wait for the twilight in silence! There, existence will visit you with all its magnificence! The existence of the Existence can best be felt in the presence of dimness and in the absence of crowds and noises!
Mehmet Murat ildan
WHEN I WAS a child, it was clear to me that life was not worth living if we did not know love. I wish I could testify that I came to this awareness because of the love I felt in my life. But it was love’s absence that let me know how much love mattered. I was my father’s first daughter.
bell hooks (All About Love: New Visions)
Sometimes the darkness beyond is not glorious at all, it truly is an absolute absence of light. A clawing, needy tar that pulls you down. You drown but you don't. It turns you to lead so you sink faster in its viscous embrace. It robs you of hope and even the memory of hope. It makes you think you've always felt like this, and there's no place to go but down, where it slowly, ravenously digests your will, distilling it into the ebony crude of nightmares. And you know the darkness beyond despair, just as intimately as you know the soaring heights. Because in this and all universes, there is balance. You can't have the one without facing the other. And sometimes you think you can take it because the joy is worth the despair, and sometimes you know you can't take it and how did you ever think you could? And there is the dance; strength and weakness, confidence and desolation.
Neal Shusterman (Challenger Deep)
She is silk in a bed of mail-order satin. Complete and seamless, an egg of sexual muscle. My motions atop her are dislocated, frantic, my lone interstice a trans-cultural spice of encouragement I smell with my spine. As, inside it, I go, I cry out to a god whose absence I have never felt to keenly.
David Foster Wallace (Girl with Curious Hair)
In these small things she felt his absence, not his presence,
Alan Brennert (Moloka'i (Moloka'i, #1))
It is only in absence that the true weight of love is felt.
Nayomi Munaweera (Island of a Thousand Mirrors)
darkness as something solid and real, so much more than a simple absence of light. He felt it touch his skin, questing, moving, exploring—gliding through his mind.
Neil Gaiman (Neverwhere (London Below, #1))
Influence is when you are not the one talking and yet your words fill the room; when you are absent and yet your presence is felt everywhere.
TemitOpe Ibrahim
I felt so many things at once that together, they combined to make nothing, a numbness, an absence of feeling caused by a surplus of feeling.
Hanya Yanagihara (A Little Life)
Loneliness isn’t an absence of company. Loneliness is felt when we are lost. But we can be lost right in the middle of a crowd. There is nothing lonelier than being with people who aren’t on your wavelength. The cure for loneliness isn’t more people. The cure for loneliness is understanding who we are.
Matt Haig (The Comfort Book)
I reached for Helen's hand, and felt her squeeze back, accepting that I would understand more than most the missing part of the human heart rendered by the absence of a mother and father.
Karen White (The Lost Hours)
Everyone is a whore, Fiona." I felt rather than heard when he unfolded himself from the settee. He wasn't so much a warmth or an essence behind me. But the absence of either. "We each merely offer different parts of ourselves for use, do we not? Our sex. Our blades. Our muscles. Our mind. Our time. Our souls.
Kerrigan Byrne (The Business of Blood (The Fiona Mahoney Mysteries, #1))
When I lost my mother, I also lost the reflection of myself that she showed me on a daily basis, a reflection of a young woman who was loved and cared about and wanted. Even the most important accomplishments of my lifetime have felt slightly hollow in her absence. Without the person who brought me into this world, I have struggled to feel like I am worthy of having a place in it.
Claire Bidwell Smith (After This: When Life Is Over, Where Do We Go?)
FOR THE DYING May death come gently toward you, Leaving you time to make your way Through the cold embrace of fear To the place of inner tranquillity. May death arrive only after a long life To find you at home among your own With every comfort and care you require. May your leave-taking be gracious, Enabling you to hold dignity Through awkwardness and illness. May you see the reflection Of your life’s kindness and beauty In all the tears that fall for you. As your eyes focus on each face, May your soul take its imprint, Drawing each image within As companions for the journey. May you find for each one you love A different locket of jeweled words To be worn around the heart To warm your absence. May someone who knows and loves The complex village of your heart Be there to echo you back to yourself And create a sure word-raft To carry you to the further shore. May your spirit feel The surge of true delight When the veil of the visible Is raised, and you glimpse again The living faces Of departed family and friends. May there be some beautiful surprise Waiting for you inside death, Something you never knew or felt, Which with one simple touch, Absolves you of all loneliness and loss, As you quicken within the embrace For which your soul was eternally made. May your heart be speechless At the sight of the truth Of all belief had hoped, Your heart breathless In the light and lightness Where each and everything Is at last its true self Within that serene belonging That dwells beside us On the other side Of what we see.
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
Now here it was after all, preserved by some considerate hand with varnisch and wax. Preserved along with it, like stale air in an unopened room, was the well known fear which had surrounded and filled those days, so much of it that I hadn't even known it was there. Because, unfamiliar with the abscence of fear and what that was like, I had not been able to identify it's presence. Looking back now across fifteen years, I could see with great clarity the fear I had lived in, which must mean that in the interval I had succeeded in a very important undertaking: I must have made my escape from it. I felt fear's echo, and along with that I felt the unhinged, uncontrollable joy which had been its accompanient and opposite face, joy which had broken out sometimes in those days like Northern Lights across black sky
John Knowles (A Separate Peace)
I had no pain--my hunger had taken the edge off it. In its stead I felt pleasantly empty, untouched by everything around me, and glad not to be noticed by any one. I put my feet up on the seat and leant back. Thus I could best appreciate the well-being of perfect isolation. There was not a cloud on my mind, not a feeling of discomfort, and so far as my thought reached, I had not a whim, not a desire unsatisfied. I lay with open eyes, in a state of utter absence of mind. I felt myself charmed away.
Knut Hamsun (Hunger)
I met you under the balloon, on the occasion of your return from Norway; you asked if it was mine; I said it was. The balloon, I said, is a spontaneous autobiographical disclosure, having to do with the unease I felt at your absence, and with sexual deprivation, but now that your visit to Bergen has been terminated, it is no longer necessary or appropriate. Removal of the balloon was easy; trailer trucks carried away the depleted fabric, which is now stored in West Virginia, awaiting some other time of unhappiness, some time, perhaps, when we are angry with one another.
Donald Barthelme (Sixty Stories)
Then Aelin said, “You’re last, Rowan.” “I vote no. Not now, not ever.” Rowan just stared and stared at his mate. His reason for breathing. Elide asked softly, “What is your vote, Aelin?” Aelin tore her eyes from Rowan, and he felt the absence of that stare like a frozen wind as she said, “It doesn’t matter.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
It meant sooner or later I was going to lose you again. No matter how deformed I felt, or how hobbled I was by your absence, with time I would develop the right callus to get on with life and you would slip into the background like a hand on someone’s leg that they feel less and less the longer it stays there.
Gus Moreno (This Thing Between Us)
My current life, I realized, was constructed around an absence; for all its richness I still felt as if the floors might give way, as if its core were only a covering of leaves, and I would slip through, falling endlessly, never to get my footing.
Esi Edugyan (Washington Black)
I seemed alone with Death absolute! It was not the absence of everything I felt, but the presence of Nothing. The darkness knows neither the light nor itself; only the light knows itself and the darkness also. None but God hates evil and understand it.
George MacDonald (Lilith)
It is a bizarre, but nevertheless psychologically exact, fact that the physics of the Greeks — being statics and not dynamics — neither knew the use nor felt the absence of the time-element, whereas we on the other hand work in thousandths of a second.
Oswald Spengler (The Decline of the West)
At the end of that Roger Ebert essay, he says he decided to force himself to do the reading that he knew, deep down, his brain wanted and needed. When he gave himself the proper literary diet (and found a room in the house where his Wi-Fi connection failed), “I felt a kind of peace. This wasn’t hectic. I wasn’t skittering around here and there. I wasn’t scanning headlines and skimming pages and tweeting links. I was reading. . . . Maybe I can rewire my brain, budge it back a little in the old direction.
Michael Harris (The End of Absence: Reclaiming What We've Lost in a World of Constant Connection)
Already he felt her absence from these skies: on the beach he could only remember the sun-torn flesh of her shoulder; at Tarmes he crushed out her footprints as he crossed the garden; and now the orchestra launching into the Nice Carnival Song, an echo of last year's vanished gaieties, started the little dance that went on all about her. In a hundred hours she had come to possess all the world's dark magic; the blinding belladonna, the caffein converting physical into nervous energy, the mandragora that imposes harmony.
F. Scott Fitzgerald
i know they say that absence makes the heart grow fonder. but sometimes, absence can also reveal the waning of once fond feelings. time passes and it's a surprise to realize that you haven't missed him, or her, or the place or the job that once felt like a match.
Heather Cochran (The Return of Jonah Gray)
When I arrived home from Boston, I realized there were no pictures on my mantel. I set down my suitcase and walked into the living room and looked across to the fireplace, and it felt empty. Empty of real stories. I went to my bedroom where the bed was made, and on my desk there were no pictures in frames and on the end tables there were no pictures. There was a framed picture of Yankee Stadium above the toilet in the bathroom, and there was some art I’d picked up in my travels, but there was little evidence of an actual character living an actual life. My home felt like a stage on which props had been set for a face story rather than a place where a person lived an actual human narrative. It’s an odd feeling to be awakened from a life of fantasy. You stand there looking at a bare mantel and the house gets an eerie feel, as though it were haunted by a kind of nothingness, an absence of something that could have been, an absence of people who could have been living here, interacting with me, forcing me out of my daydreams. I stood for a while and heard the voices of children who didn’t exist and felt the tender touch of a wife who wanted me to listen to her. I felt, at once, the absent glory of a life that could have been.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
You haunt me, Mina. Even before I knew you, I felt your absence.
Ava Zavora (Forever Elude Me)
He had melted away, and she felt his absence like a space cut from the air.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Though, truly, the thought of overcoming her grief seemed like a betrayal. She kept it a secret now. It was like a bruise she felt all the time, but she could perform an absence of pain.
Marcela Fuentes (Malas)
I've always felt like my calling was to inspire people. And not with famed, epic accomplishments, but with imperfection, struggles and humanity. I want people to read my stories and books and blogs, and look at my life and say, "She should have had nothing going for her. Meager means, questionable looks, no apparent safety nets and an absence of impressive letters after her name. But she followed her bliss anyway. If she can do it, I can do it. I'm not giving up.
Jennifer DeLucy
When he heard his father call out for Abel and he saw his borther go forth, it made him feel like he was nothing. He couldn’t even say that he felt like Cain anymore. One could not feel like Cain because it had no flavor. Cain was the absence of flavor. Cain was like saliva or a Wednesday.
Jonathan Goldstein (Ladies and Gentlemen, the Bible!)
If everything else were still the same, he'd have felt Zee's absence like a gaping hole. But if he could continue to reconfigure his entire life, there would be no missing place where Zee had been.
Rebecca Makkai (The Hundred-Year House)
The sarcasm that had repelled, the harshness that had startled me once, were only like keen condiments in a choice dish: their presence was pungent, but their absence would be felt as comparatively insipid.
Charlotte Brontë (Jane Eyre)
I Ask for Silence" Now they can leave me in peace. Now they grow used to my absence. I am going to close my eyes. I want only five things, five chosen roots. One is an endless love. Two is to see the autumn. I cannot exist without leaves flying and falling to the earth. The third is the solemn winter, the rain I loved, the caress of fire in the rough cold. Fourth, the summer, plump as a watermelon. And fifthly, your eyes, Matilde, my dear love, I won’t sleep without your eyes, I won’t exist without your gaze, I adjust the spring for you to follow me with your eyes. That, friends, is all I want. Next to nothing, close to everything. Now they can go if they wish. I have lived so much that some day they will have to forget me forcibly, rubbing me off the blackboard. My heart was inexhaustible. But because I ask for silence, don’t think I’m going to die. The opposite is true; it happens I am going to live. To be, and to go on being. I will not be, however, if inside me, the crop does not keep sprouting, the shoots first, breaking through the earth to reach the light; but the mothering earth is dark, and, deep inside me, I am dark. I am a well in the water of which the night leaves behind stars and goes on alone across fields. It’s a question of having lived so much that I want to live a bit more. I never felt my voice so clear, never have been so rich in kisses. Now, as always, it is early. The light is a swarm of bees. Let me alone with the day. I ask leave to be born.
Pablo Neruda (I Explain a Few Things: Selected Poems (English and Spanish Edition))
Standing beside her grandmother's deathbed, woolen dress still smelling of black logwood dye, Ade had felt the way a sapling might as it watched one of the old forest giants come crashing magnificently to rest: awed, and perhaps a little frightened. But when Mama Larson's final breath rattled from her ribs, Ade discovered the same thing the young sapling would have: in the absence of the old tree, there was a hole in the canopy above her.
Alix E. Harrow (The Ten Thousand Doors of January)
The sarcasm that had repelled, the harshness that had startled me once, were only like keen condiments in a choice dish: their presence was pungent, but their absence would be felt as comparatively insipid. Jane Eyre Page# 208
Charlotte Brontë (Jane Eyre)
The book should be the written counterpart of the unwritten world; its subject should be what does not exist and cannot exist except when written, but whose absence is obscurely felt by that which exists, in its own incompleteness.
Italo Calvino
A sensation rose in him, a high tingling of his blood. There came a wave, a wind that recognized him, that did not love him or hate him. He felt what he knew as the rising of his self, the shifting innerness that yearned and feared, that was more familiar to him than anything could ever be. He knew that an answering substance gathered around him, emanating from the trees and the stars. He stood staring at the constellations. Walt had sent him here, to find this, and he understood. He thought he understood. This was his heaven. It was not Broadway or the horse on wheels. It was grass and silence; it was a field of stars. It was what the book told him, night after night. When he died he would leave his defective body and turn into grass. He would be here like this, forever. There was no reason to fear it, because it was part of him. What he'd thought of as his emptiness, his absence of soul, was only a yearning for this.
Michael Cunningham (Specimen Days)
I’ve never been a very lonely person. I’m very good at being on my own. But after I met him, I lost a bit of that. It was like he helped me find some whole new section of my heart, one I didn’t even know existed before. One for just him to fill. And when he wasn’t there to do it, I felt his absence so keenly. I suppose this sounds very cliché and silly. It’s not that I didn’t want to fall in love someday. I did. I’m quite romantic, although I don’t know if it shows very much. But it seemed like such an abstract idea before. And something of an impossible one. And then I met him, and he was real, and it was all so unsettling and wonderful. But it’s still very hard business to really let yourself fall, I think. Especially when you’ve come to feel like it’s something you aren’t cut out for. But he was very patient with me, and I just really, really did love him. Eventually it came to seem worth all of the struggle. -- Emily
Hannah Johnson (Know Not Why (Know Not Why, #1))
Recovery does not refer to an absence of pain or struggle. Rather, recovery is marked by the transition from anguish to suffering. In anguish the paralyzed man and I lived without hope. We experienced anguish as futile pain, pain that revolved in circles, pain that bore no possibility other than more pain, and pain that lead nowhere. However, when we became hopeful, our anguish was transformed into` true suffering. True suffering is marked by an inner peace, i.e., although we still felt great pain, we also experienced a peace in knowing that this pain was leading us forward into a new future.
Patricia E. Deegan
This silence felt not like the absence but the presence of something. I felt seen. It was so quiet it felt loud, like that moment between a breath in and a breath out. The woods’ lungs seemed full, as if they were ready at any moment to speak.
Isaac Oliver (Intimacy Idiot)
Then someone else appeared from the crowd, and Annabeth's vision tunneled. Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular. Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared. During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again... Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there. Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared. Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily. Percy pulled away and studied her face. "Gods, I never thought-" Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!" Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn. "Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-" Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth. "Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself. Jason cleared his throat. "So, yeah…It's good to be back…" "And this is Annabeth," Jason said. "Uh, normally she doesn't judo-flip people.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
My father had told me when I was young that courage was not strength in the absence of fear but strength in the presence of fear, and I asked God for the courage to withstand whatever lay ahead. I felt His forgiveness wash over me, lessening my remorse.
Bo Caldwell (City of Tranquil Light)
The silence, all at once, penetrated; he felt his arms grow vague. In the absence of the Batys and Pris he found himself fading out, becoming strangely like the inert television set which he had just unplugged. You have to be with other people, he thought. In order to live at all. I mean, before they came here I could stand it, being alone in the building. But now it’s changed. You can’t go back, he thought. You can’t go from people to nonpeople. In panic he thought, I’m dependent on them. Thank god they stayed.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
Sports represent a shared vision of how we continue, as individual, team, or community, to experience a happiness or absence of care so intense, so rare, and so fleeting that we associate their experience with experience otherwise described as religious or we say the sports experience must be the tattered remnant of an experience which was once described, when first felt, as religious.
A. Bartlett Giamatti (Take Time for Paradise: Americans and Their Games)
To be honest, I hadn’t been emotionally prepared for the emptiness that seemed to accompany my senior year, the many reminders of my mom’s absence. Senior pictures, homecoming, college applications, prom, graduation; as everyone I knew got excited about those high school benchmarks, I got stress headaches because nothing felt the way I’d planned for it to feel. Everything felt… lonely.
Lynn Painter (Better Than the Movies)
Her absence hung over both of them like a hovering bird. Marek felt the bird wasn’t close enough, that it was just out of reach, that if it descended a bit farther he could grab hold of its foot and it would take him away, fly him to some better place. And Jude felt the bird was too close. If he looked up at it, it would scratch his eyes out. The difference was that Jude had known Agata. And he knew the truth about her absence. All Marek knew was that she had given her life for his own, like any good mother would do.
Ottessa Moshfegh (Lapvona)
Richard began to understand darkness: darkness as something solid and real, so much more than a simple absence of light. He felt it touch his skin, questing, moving, exploring: gliding through his mind. It slipped into his lungs, behind his eyes, into his mouth
Neil Gaiman (Neverwhere)
Sometimes it would be months—even a year or more—between episodes, and we would live in peace together. But then it would happen again; the silent phone calls, the too-excused absences, the late nights. Never anything so overt as another woman’s perfume, or lipstick on his collar—he had discretion. But I always felt the ghost of the other woman, whoever she was; some faceless, indistinguishable She. I
Diana Gabaldon (Drums of Autumn (Outlander, #4))
...I spoke about how I had never kissed Clara Barcelo, or anyone, and of how my hands had trembled when I felt the touch of Nuria Monfort's lips on my skin, only a few hours before. I told her how until that moment I had not understood that this was a story about lonely people, about absence and loss, and that that was why I had taken refuge in it until it became confused with my own life, like someone who has escaped into the pages of a novel because those whom he needs to love seem nothing more than ghosts inhabiting the mind of a stranger.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
His gaze widened, then taking in the entirety of the camp. All these people: they were trapped. And not merely by the wires that surrounded them. Physical barricades were nothing compared to the wires of the mind. What had truly imprisoned them was one another. Husbands and wives, parents and children, friends and companions: what they believed had given them strength in their lives had actually done the opposite. Guilder recalled the couple who lived across the street from his townhouse, trading off their sleeping daughter on the way to the car. How heavy that burden must have felt in their arms. And when the end swept down upon them all, they would exit the world on a wave of suffering, their agonies magnified a million times over by the loss of her. Would they have to watch her die? Would they perish first, knowing what would become of her in their absence? Which was preferable? But the answer was neither. Love had sealed their doom. Which was what love did.
Justin Cronin (The Twelve (The Passage, #2))
In the past, my dad's absence in this world felt like a numbing ache I could never get accustomed to. An amputated limb I kept trying to use. But something changed after the grief-ridden moment of clarity I had at my dining room table in Italy. From then on, my dad was so obviously present that the feeling of missing him switched from emptiness to a calm sense of warm -- something to reach for instead of something to fear.
Kate Bromley (Talk Bookish to Me)
I used to cry to the stars in the sky and begged them to have mercy on me cause I longed for the moment when the amount of pain I felt would be unbearable and I would simply go numb. Numb. The very taste of that word was a sweet symphony to me. A relief. An alleviation in my unendurable existence. A cure. I ached because of more reasons than I could contain. My mother's cancer, my unrequited love, my worn body. The absence of my dignity and innocence. The utter feeling of abandonment. My yearning for love and family. My beloved father who left me. My freakiness and lack of belonging somewhere. My bisexuality and faith deprivation. My poverty, being insolvent most of my life, having no money to my name since forever. My shack of a house, cold and loathed from the very first days. My sorrow and grief caused by my weaknesses and deficiencies...
Magdalena Ganowska
Krause knew academically that a human touch was desirable in these relationships even though he himself had never felt the need of it. He would be perfectly content to do and die in reply to a badly worded order from a superior and would feel no resentment at the absence of a polite phrase.
C.S. Forester (The Good Shepherd)
She tried to calm herself, to still the drift of her body, but the lack of gravity made it difficult to remain stationary. Her shoulder bumped one of the speakers, her hip nudged a screen, and the more she fought to be still, the more she drifted. She was fighting an absence instead of a presence, and it suddenly chilled her. Which way was up? As the floor dropped away to become the ceiling, she felt the thread of logic she'd followed throughout the mission, throughout her entire life, snap. Hard work and intelligence could not keep her safe−there was nothing she could have done, no amount of effort or foresight or skill could have kept any of this from happening. Nothing in this universe could possibly keep any of them safe.
Lily Brooks-Dalton (Good Morning, Midnight)
She tried to understand what it meant to carry winter on your back, to hesitate over every step, to confuse words you don’t hear properly, to have the impression that the rest of the world is going about in a great rush; the emptiness, frailty, fatigue, and indifference toward everything not directly related to you, even children and grandchildren, whose absence was not felt as it once had been, and whose names you had to struggle to remember.
Isabel Allende (The Japanese Lover)
And then they set foot on Night’s Bridge, and Richard began to understand darkness: darkness as something solid and real, so much more than a simple absence of light. He felt it touch his skin, questing, moving, exploring—gliding through his mind. It slipped into his lungs, behind his eyes, into his mouth . . .
Neil Gaiman (Neverwhere (London Below, #1))
Handsome, strong, gay ... She felt again the thro and lilt of her blood. She had loved Kameni in that moment. She loved him now. Kameni could take the place that Khay had held in her life. She thought: 'We shall be happy together - yes, we shall be happy. We shall live together and take pleasure in each other and we shall have strong, handsome children. There will be busy days full of work ... and days of pleasure when we sail on the River...Life will be again as I knew it with Khay...What could I ask more than that? What do I want more than that?' And slowly, very slowly indeed, she turned her face towards Hori. It was as though, silently, she asked him a question. As though he understood her, he answered: 'When you were a child, I loved you. I loved your grave face and the confidence with which you came to me, asking me to mend your broken toys. And then, after eight years' absence, you came again and sat here, and brought me the thoughts that were in your mind. And your mind, Renisenb, is not like the minds of the rest of your family. It does not turn in upon itself, seeking to encase itself in narrow walls. Your mind is like my mind, it looks over the River, seeing a world of changes, of new ideas - seeing a world where all things are possible to those with courage and vision...' She broke off, unable to find words to frame her struggling thoughts. What life would be with Hori, she did not know. In spite of his gentleness, in spite of his love for her, he would remain in some respects incalculable and incomprehensible. They would share moments of great beauty and richness together - but what of their common daily life? (...) I have made my choice, Hori. I will share my life with you for good or evil, until death comes... With his arms round her, with the sudden new sweetness of his face against hers, she was filled with an exultant richness of living.
Agatha Christie (Death Comes as the End)
That there was in her life the absence of something, or someone, fundamental to her own existence. Sometimes it was vague, like a message sent across shadowy byways and vast distances, a weak signal on a radio dial, remote, warbled. Other times it felt so clear, this absence, so intimately close it made her heart lurch.
Khaled Hosseini (And the Mountains Echoed)
There was nothing to cool or banish love in these circumstances, though much to create despair. Much, too, you will think, reader, to engender jealousy: if a woman, in my position, could presume to be jealous of a woman in Miss Ingram's. But I was not jealous...Miss Ingram was a mark beneath jealousy: she was too inferior to excite the feeling. Pardon the seeming paradox; I mean what I say. She was very showy, but she was not genuine; she had a fine person, many brilliant attainments; but her mind was poor, her heart barren by nature: nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness. She was not good; she was not original: she used repeat sounding phrases from books: she never offered, nor had, any opinion of her own. She advocated a high tone of sentiment; but she did not know the sensations of sympathy and pity; tenderness and truth were not in her. Too often she betrayed this...Other eyes besides mine watched these manifestations of character--watched them closely, keenly shrewdly. Yes; the future bridegroom, Mr. Rochester himself, exercised over his intended a ceaseless surveillance; and it was from this sagacity--this guardedness of his--this perfect, clear conciousness of his fair one's defects--this obvious absence of passion in his sentiments towards her, that ever-toturing pain arose. I saw he was going to marry her, for family, perhaps political reasons, because her rank and connecions suited him; I felt he had not given her his love, and that her qualifications were ill adapted to win from him that treasure. This was the point--this was where the nerve was touched and teased--this was where the fever was sustained and fed: she could not charm him. If she had managed the victory at once, and he had yielded and sincerely laid his heart at her feet, I should have covered my face, turned to the wall, and have died to them.
Charlotte Brontë (Jane Eyre)
1:295 IF THERE IS NO JOSEPH I will have sweet patience (12:83). Bright flames inside make a soft glow without. Enlightenment knows how laughter hides inside grief. Only if you love can you feel absence. If there is no Joseph for you, you're not alive. Jacob felt so happy with his son that his crying out for the stain-colored coat still breaks everyone's heart.
Bahauddin (The Drowned Book: Ecstatic and Earthy Reflections of the Father of Rumi)
Too many writers cannot come to terms with the ways in which the past, like the future, is dark. There is so much we don't know, and to write truthfully about a life, your own or your mother's, or a celebrated figure's, an event, a crisis, another culture is to engage repeatedly with those patches of darkness, those nights of history, those places of unknowning. They tell us that there are limits to knowledge, that there are essential mysteries, starting with the notion that we know just what someone thought or felt in the absence of exact information.
Rebecca Solnit
Dear Kai, The sun is probably streaming in through the big barn windows now, which means you're awake. And if you're awake, it means you're wondering where I went. I haven't run away from you, I promise. But I knew that today of all days, they'd need me in the house. Tatiana may be the head of our household now, but she's not the one our staff will look to in my mother's absence. And there is so much to do to prepare for the funeral. Also, I have to go tell my grandfather what has happened to his daughter. I don't want him to hear of her death from anyone but me. Thank you for last night. I wish I could say I don't know why you re the one I ran to,- you, Kai, not Tatiana or my father or even my grandfather. But I know why. And I have a confession to make. After you let me cry, after you let me sob and shout and choke on all that pain-after you did all that, and didn't say a word-I didn't fall asleep like you thought. Not right away. I lay there, wadded up into a ball, and you curved your body behind mine. You were barely touching me-your thigh against the edge of my hip, your arm draped lightly across my waist, your fingers entwined with mine. How many times have our hands touched, when we were passing each other tools or helping each other in and out of machines? Hundreds of times. Thousands. But last night was different. You cradled my hand in yours, palms up, our fingers curled in like a pair of fallen leaves. Fallen, maybe, but not dead. My hand never felt so alive. Every place you touched me sparked with energy. I couldn't sleep. Not like that. And so I bent my head, just the slightest bit, until my mouth reached our hands. I smelled the oil you never quite get off your fingers. I breathed in the scent of your skin. And then, as if that was all I was doing, just breathing, I let my bottom lip brush against your knuckle. Time stopped, I was sure you'd see through my ruse and pull away. I was sure you'd know that I was not asleep, that I was not just breathing. But you didn't move, so I did it again. And again. And in the third time, I let my top lip join my bottom. I kissed your hand, Kai. I didn't do it to thank you for letting me cry. For letting me sleep in your arms. I thought you should know. Yours, Elliot Dear Elliot, I know. When will I see you again? Yours, Kai
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
At last there came a time when the driver went further afield than he had yet gone, and during his absence, the horses began to tremble worse than ever and to snort and scream with fright. I could not see any cause for it, for the howling of the wolves had ceased altogether; but just then the moon, sailing through the black clouds, appeared behind the jagged crest of a beetling, pine-clad rock, and by its light I saw around us a ring of wolves, with white teeth and lolling red tongues, with long, sinewy limbs and shaggy hair. They were a hundred times more terrible in the grim silence which held them than even when they howled. For myself, I felt a sort of paralysis of fear. It is only when a man feels himself face to face with such horrors that he can understand their true import.
Bram Stoker (Dracula)
They have never put it into words, they cannot; but each absence is a threat. They never felt this way in New York - they moved all over New York. Here each is afraid that one of the others will get into some terrible trouble before he is seen again, and before anyone can help him. It is the spirit of the people, the eyes which endlessly watch them, eyes which never meet their eyes. Something like lust, something like hatred, seems to hover in the air along the country roads, shifting like mist or steam, but always there, gripping the city streets like fog, making every corner a dangerous corner. They spend more of themselves, each day, than they can possibly afford, they are living beyond their means; they drop into bed each evening, exhausted, into an exhausting sleep. And no one can help them. The people who live here know how to do it - so it seems, anyway - but they cannot teach the secret. The secret can be learned only by watching, by emulating the models, by dangerous trial and possibly mortal error.
James Baldwin (Just Above My Head)
When I think of the years when I had no faith, what I am struck by, first of all, is how little this lack disrupted my conscious life. I lived not with God, nor with his absence, but in a mild abeyance of belief, drifting through the days on a tide of tiny vanities—a publication, a flirtation, a strong case made for some weak nihilism—nights all adagios and alcohol as my mind tore luxuriously into itself. I can see now how deeply God’s absence affected my unconscious life, how under me always there was this long fall that pride and fear and self-love at once protected me from and subjected me to. Was the fall into belief or into unbelief? Both. For if grace woke me to God’s presence in the world and in my heart, it also woke me to his absence. I never truly felt the pain of unbelief until I began to believe.
Christian Wiman (My Bright Abyss: Meditation of a Modern Believer)
I knew that what Tomas—what the waiter, and the middle-aged couple sitting at the nearby table, what they had all been misled by was the current of intensity running between Xavier and me. Its source was an imbalance of want. Two people who want the same thing will never generate the same intensity as two people who want different things, or one person who wants into an absence, a void—as was in fact the case with Xavier, who wanted something from me that I could not give. More than that—he wanted something that I could not begin to fathom, a desire with which it felt dangerous to collude or to involve myself.
Katie Kitamura (Audition)
Strange how tightly one's body could be held, how close to somebody else's heart, and yet one wasn't anywhere near the holder. They locked you up in prisons that way, holding your body tight and thinking they had got you, and all the while your mind—you—was as free as the wind and the sunlight. She couldn't help it, she struggled hard to feel as she had felt when she woke up and saw him sitting near her; but the way he had refused to be friends, the complete absence of any readiness in him to meet her, not half, nor even a quarter, but a little bit of the way, had for the first time made her consciously afraid of him.
Elizabeth von Arnim (Vera)
In short they felt that they should like to have the pleasure of looking at Lady Pole again, and so they told Sir Walter - rather than asked him - that he missed his wife. He replied that he did not. But this was not allowed to be possible; it was well known that newly married gentlemen were never happy apart from their wives; the briefest of absences could depress a new husband's spirits and interfere with his digestion.
Susanna Clarke (Jonathan Strange & Mr Norrell)
Later. I woke again. I kept my eyes closed. I was curious about something. What, I wondered, was the point of me? I contributed nothing to the world, absolutely nothing, and I took nothing from it either. When I ceased to exist, it would make no material difference to anyone. Most people’s absence from the world would be felt on a personal level by at least a handful of people. I, however, had no one. I do not light up a room when I walk into it. No one longs to see me or to hear my voice. I do not feel sorry for myself, not in the least. These are simply statements of fact. I have been waiting for death all my life. I do not mean that I actively wish to die, just that I do not really want to be alive. Something had shifted now, and I realized that I didn’t need to wait for death. I didn’t want to. I unscrewed the bottle and drank deeply.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
The sudden and total disappearance of Mawlana aroused resentment among his disciples and students, some of them becoming highly critical of Hazrat Shams, even threatening him. They believed Hazrat Shams had ruined their spiritual circle and prevented them from listening to Mawlana's sermons. In March of 1246 he left Konya and went to Syria without warning. After he left, Mawlana was grief stricken, secluding himself even more rather than engaging with his disciples and students. He was without a doubt furious with them. Realising the error of their ways, they repeatedly repented before Mawlana. Some months later, news arrived that Hazrat Shams had been seen in Damascus and a letter was sent to him with apologising for the behaviour of these disciples. Hazrat Sultan Walad and a search party were sent to Damascus to invite him back and in April 1247, he made his return. During the return journey, he invited Hazrat Sultan Walad to ride on horseback although he declined, choosing instead to walk alongside him, explaining that as a servant, he could not ride in the presence of such a king. Hazrat Shams was received back with joyous celebration with sama ceremonies being held for several days, and all those that had shown him resentment tearfully asked for his forgiveness. He reserved special praise for Hazrat Sultan Walad for his selflessness, which greatly pleased Mawlana. As he originally had no intention to return to Konya, he most likely would not have returned if Hazrat Sultan Walad had not himself gone to Damascus in search of him. After his return, he and Mawlana Rumi returned to their intense discussions. Referring to the disciples, Hazrat Shams narrates that their new found love for him was motivated only by desperation: “ They felt jealous because they supposed, "If he were not here, Mowlana would be happy with us." Now [that I am back] he belongs to all. They gave it a try and things got worse, and they got no consolation from Mowlana. They lost even what they had, so that even the enmity (hava, against Shams) that had swirled in their heads disappeared. And now they are happy and they show me honor and pray for me. (Maqalat 72) ” Referring to his absence, he explains that he left for the sake of Mawlana Rumi's development: “ I'd go away fifty times for your betterment. My going away is all for the sake of your development. Otherwise it makes no difference to me whether I'm in Anatolia or Syria, at the Kaaba or in Istanbul, except, of course, that separation matures and refines you. (Maqalat 164) ” After a while, by the end of 1247, he was married to Kimia, a young woman who’d grown up in Mawlana Rumi's household. Sadly, Kimia did not live long after the marriage and passed away upon falling ill after a stroll in the garden
Shams Tabrizi
I prefer Tender Is the Night, though', and as I spoke, I got a raw jolt in my chest that could only br described as tender, as an image of Fiona, on the Bosphorus ferry, under a lambent soak of light, sweeping her hair out of her face, flickered in my brain. Even wasted she looked so poised and dignified. I loved her I loved her I loved her I wanted to melt into her bones. Her absence now felt like I'd been eaten from the inside.
Irvine Welsh (Skagboys (Mark Renton, #1))
And the story suggests something more: unchaperoned, and left to our own untutored judgment, we are quick to aim low and worship qualities that are beneath us—in this case, an artificial animal that brings out our own animal instincts in a completely unregulated way. The old Hebrew story makes it clear how the ancients felt about our prospects for civilized behaviour in the absence of rules that seek to elevate our gaze and raise our standards.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Truth is, Frauka, none of us know you very well at all. We can't read you.' 'Story of my life. You have no idea whatsoever how hard it is to be an untouchable. Everyone feels the absence, and it makes them uncomfortable. You get treated like shit. Working for Ravenor's the only decent job I've ever had, the only time I've felt worth anything. I guess that's over now, isn't it? Get off my back. I've covered yours long enough, and I deserve more respect, even if I make you uncomfortable.
Dan Abnett (Ravenor Rogue (Ravenor #3))
It’s our long absence from the city that makes us so popular,” Jordan joked, tossing chips into the center of the table. Ian scarcely heard him. His mind was on Elizabeth, who had been at the mercy of her loathsome uncle for two years. The man had bartered his own flesh and blood-and Ian was the purchaser. It wasn’t true, of course, but he had an uneasy feeling Elizabeth would see it that way as soon as she discovered what had been done without her knowledge or consent. In Scotland she’d drawn a gun on him. In London he wouldn’t blame her if she fired it. He was toying with the idea of trying to court her for a few days before he told her they were already betrothed, and simultaneously wondering if she was going to hate the idea of marrying him. Belhaven might be a repulsive toad, but Ian had grievously and repeatedly wronged her. “I don’t mean to criticize your strategy, my friend”-Jordan’s drawl drew Ian’s wandering attention-“but you have just wagered $1,000 on what appears to be a pair of absolutely nothing.” Ian glanced down at the hand he’d just turned over and actually felt a flush of embarrassment steal up his neck. “I have something on my mind,” he explained. “Whatever it is, it is assuredly not cards. Either that or you’ve lost your famous touch.” “I wouldn’t be surprised,” Ian said absently, stretching out his long legs and crossing them at the ankles. “Do you want to play another hand?” “I don’t think I can afford it,” Ian joked wearily.
Judith McNaught (Almost Heaven (Sequels, #3))
Any critique of Islam is denounced as an expression of Western Islamophobia, Salman Rushdie is denounced for unnecessarily provoking Muslims and being (partially, at least) responsible for the fatwa condemning him to death, and so on. The result of such stances is what one should expect in such cases: the more the Western liberal Leftists probe into their guilt, the more they are accused by Muslim fundamentalists of being hypocrites who try to conceal their hatred of Islam. [T]his constellation perfectly reproduces the paradox of the superego: the more you obey what the Other demands of you, the guiltier you are. It is as if the more you tolerate Islam, the stronger its pressure on you will be. What this implies is that terrorist fundamentalists, be they Christian or Muslim, are not really fundamentalists in the authentic sense of the term--what they lack is a feature that is easy to discern in all authentic fundamentalists, from Tibetan Buddhists to the Amish in the US: the absence of resentment and envy, the deep indifference towards the non-believers' way of life. If today's so-called fundamentalists really believe they have found their way to Truth, why should they feel threatened by non-believers, why should they envy them? When a Buddhist encounters a Western hedonist, he hardly condemns. He just benevolently notes that the hedonist's search for happiness is self-defeating. In contrast to true fundamentalists, the terrorist pseudo-fundamentalists are deeply bothered, intrigued and fascinated by the sinful life of the non-believers. One can feel that, in fighting the sinful other, they are fighting their own temptation. The passionate intensity of a fundamentalist mob bears witness to the lack of true conviction; deep in themselves, terrorist fundamentalists also lack true conviction--their violent outbursts are proof of it. How fragile the belief of a Muslim would be if he felt threatened by, say, a stupid caricature in a low-circulation Danish newspaper? Fundamentalist Islamic terror is not grounded in the terrorists' conviction of their superiority and in their desire to safeguard their cultural-religious identify from the onslaught of global consumerist civilization. The problem with fundamentalists is not that we consider them inferior to us, but, rather, that they themselves secretly consider themselves inferior. This is why our condescending politically correct assurances that we feel no superiority towards them only makes them more furious and feed their resentment. The problem is not cultural difference (their effort to preserve their identity), but the opposite: the fact that the fundamentalists are already like us, that, secretly, they have already internalized our standards and measure themselves by them.
Slavoj Žižek
In some traditions, Te Pō is associated with Te Kore, a word that in common speech expresses simple negation but here is elevated to mean something like “Nothingness” or “the Void.” Like Te Pō, Te Kore can be qualified—Kore-nui (the Vast Void); Kore-roa (the Far-Extending Void); Kore-para (the Parched Void); Kore-rawea (the Void in Which Nothing Is Felt)—suggesting that it is less a matter of true absence or emptiness and more a kind of liminal space between being and nonbeing—a “realm of potential being,
Christina Thompson (Sea People: The Puzzle of Polynesia)
At their father’s wake, a young paper-factory worker had said, It’s impossible he’s gone. And that man had been right—that had been an impossible loss. Sylvie was an impossible loss too. But perhaps what felt impossible was leaving that person behind. When your love for a person is so profound that it’s part of who you are, then the absence of the person becomes part of your DNA, your bones, and your skin. Charlie’s and Sylvie’s deaths were now part of Julia’s topography; the losses ran like a river inside her.
Ann Napolitano (Hello Beautiful)
Someone asked me, "What does it mean to be unforgettable?" and I answered, "Being unforgettable means having an absence that is felt just as much as your presence." An absence that is felt just as strongly as the presence. Today, people strive to become unforgettable and they believe the way to achieve this is by constantly reminding others of their attributes and their existence, lest they are forgotten. Lest anyone forget they are beautiful or talented or powerful. But that is not unforgettable; that is desperation. Absence is an attribute, this is what people do not know! Absence is an attribute just as much as presence is. When people feel your absence just as much, or perhaps even more than, they feel your presence-- this is what it means to be unforgettable.
C. JoyBell C.
When two souls fall in love, there is nothing else but the yearning to be close to the other. The presence that is felt through a hand held, a voice heard, or a smile seen. Souls do not have calendars or clocks, nor do they understand the notion of time or distance. They only know it feels right to be with one another. This is the reason why you miss someone so much when they are not there--even if they are only in the very next room. Your soul only feels their absence--it doesn't realize the separation is temporary.
Leav Lang
This is great. But what I’m grasping at is an idea about a subtler goal. This thinking owes a lot to conversations with Manjula Waldron of Ohio State University, an engineering professor who also happens to be a hospital chaplain. This feels embarrassingly Zen-ish for me to spout, being a short, hypomanic guy with a Brooklyn accent, but here goes: Maybe the goal isn’t to maximize the contrast between a low baseline and a high level of activation. Maybe the idea is to have both simultaneously. Huh? Maybe the goal would be for your baseline to be something more than the mere absence of activation, a mere default, but to instead be an energized calm, a proactive choice. And for the ceiling to consist of some sort of equilibrium and equanimity threading through the crazed arousal. I have felt this a few times playing soccer, inept as I am at it, where there’s a moment when, successful outcome or not, every physiological system is going like mad, and my body does something that my mind didn’t even dream of, and the two seconds when that happened seemed to take a lot longer than it should have. But this business about the calm amid the arousal isn’t just another way of talking about “good stress” (a stimulating challenge, as opposed to a threat). Even when the stressor is bad and your heart is racing in crisis, the goal should be to somehow make the fraction of a second between each heartbeat into an instant that expands in time and allows you to regroup. There, I have no idea what I’m talking about, but I think there might be something important lurking there. Enough said.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
I contemplated how I was going to get through the rest of the day and felt the onset of a terror I thought I had outgrown. I hated it when these clusters started to form. One unwelcome subject sought out its counterparts—farewells, people leaving and never coming back, ambulances.... And then those counterparts attracted similar old hurts and horrors until you were trapped in the nucleus of the cluster. This cluster, I knew, was labeled LOSS in big black letters. I knew this much, thanks to therapy and training, but simply knowing it didn't protect you from reacting to it over and over again. Until one day you resolved to sit down in the middle of the nucleus, fold your arms, and invite the cluster to do its worst. And if you survived that, you could look around and see what was left in its absence.
Gail Godwin (Grief Cottage)
The slippers in the story mean that everything you see and do and touch, every seed you sow, or don't sow, becomes part of your destiny...I met Hema in the septic ward at Government General Hospital in India, in Madras, and that brought me to this continent. Because of that, I got the biggest gift of my life - to be a father to you two. Because of that, I operated on General Mebratu, who became my friend. Because he was my friend, I went to prison. Because I was a doctor, I helped to save him, and they let me out. Because I saved him, they could hang him...You see what I am saying? I never knew my father, and so I thought he was irrelevant to me. My sister felt his absence so strongly that it made her sour, and so no matter what she has, or will ever have, it won't be enough. I made up for his absence by hoarding knowledge, skills, seeking praise. What I finally understood in Kerchele is that neither my sister nor I realized that my father's absence is our slippers. In order to start to get rid of your slippers, you have to admit they are yours, and if you do, then they will get rid of themselves. The key to your happiness is to own your slippers, own who you are, own how you look, own your family, own the talents you have, and own the ones you don't. If you keep saying your slippers aren't yours, then you'll die searching, you'll die bitter, always feeling you were promised more. Not only our actions, but also our omissions, become our destiny.
Abraham Verghese (Cutting for Stone)
She tried to understand what it meant to carry winter on your back, to hesitate over every step, to confuse words you don’t hear properly, to have the impression that the rest of the world is going about in a great rush; the emptiness, frailty, fatigue, and indifference toward everything not directly related to you, even children and grandchildren, whose absence was not felt as it once had been, and whose names you had to struggle to remember. She felt tender toward their wrinkles, arthritic fingers, and poor sight. She imagined how she herself would be as an elderly and then ancient woman.
Isabel Allende (The Japanese Lover)
Certain coincidence is wonderful. Certain meetings are memorable. Sometimes you meet some people for just a moment and they leave indelible footprints on your mind. They give you the reasons to ponder over and over. They become your food for thought. Though they go, their presence is felt within the innermost of the heart and the soul; especially when such people were a reason for a smile, or they were a perfect fit for a vacuum or probably they were a heavenly sent or maybe they were an epitome of a great union; when their light could shine to brighten the dark side of our lives; when they knew how to arouse interest even in the face of dull atmosphere; when they did understand silence and know the value and power of words; when even their absence is felt more than their presence. You can’t just forget about such people. Though they leave, they live within our hearts, mind, body and soul.
Ernest Agyemang Yeboah
It’s not life or death, the labyrinth.” “Um, okay. So what is it?” “Suffering,” she said. “Doing wrong and having wrong things happen to you. That’s the problem. Bolívar was talking about the pain, not about the living or dying. How do you get out of the labyrinth of suffering?” “What’s wrong?” I asked. And I felt the absence of her hand on me. “Nothing’s wrong. But there’s always suffering, Pudge. Homework or malaria or having a boyfriend who lives far away when there’s a good-looking boy lying next to you. Suffering is universal. It’s the one thing Buddhists, Christians, and Muslims are all worried about.
John Green (Looking for Alaska)
When he crossed the line into Shelby County, he removed his badge, tossing the five-point star inside the glove box. It slid against a half-empty pint of Wild Turkey he'd forgotten was in there, clinking softly, a siren call he left unanswered for the moment. He felt naked without his beloved badge but also strangely protected by the anonymity of its absence. Without the star, he would draw no undue attention, make no advertisement of his presence to any rank-and-file Brotherhood in the county, rabid dogs always on the hunt. And no word would get back to Houston, where he was stationed, that he was poking around something, unauthorized by his superiors, something he guessed he did hold an outsize interest in as a cop, as a Texan, and as a man. In fact as long as he wasn't wearing the Rangers star, they couldn't stop him from doing any damn thing. Without the badge, he was just a black man traveling the highway alone.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
I wonder what it says about me that I seem to feel love only in absence -- that, present, I recognise only irritation, a list of inconveniences, the daily round of washing and child teas, the mundanity of looking after, and beyond this the recollection of what went before and how nice it was to be free; but I didn't recognise my freedom then -- or wasn't free, since freedom only functions as an opposite to constraint. There were other things, then; and how can I say, now, that a different choice would have left me more content, and that I would not have felt the loss of this life as now I feel the loss of that one--
Jessie Greengrass (Sight)
What a great temptation she felt to escape from the cruelty of the empty nights, the darkness, the loneliness, the cold bed, the sheets that gradually lost the aroma of the beloved body that had been wrapped in them for so many years. But time does not stop. Despite the painful absence beside her, the sun came up and set each day, though as a veteran of loss, this fact no longer surprised her so much. The empty hours of the night do not pass unnoticed, because in their unrelenting cruelty, they do not allow one to rest; they force one to think, and they demand a great deal. Because it is at night that fear is most frightening, yes, but it is also when sorrow becomes deeper and one regrets what one did or did not do more.
Sofía Segovia (The Murmur of Bees)
In the fall he picked up his phone one afternoon to hear Grandma Lynn. 'Jack,' my grandmother announced, 'I am thinking of coming to stay.' My father was silent, but the line was riddled with his hesitation. 'I would like to make myself available to you and the children. I've been knocking around in this mausoleum long enough.' 'Lynn, we're just beginning to start over again,' he stammered. Still, he couldn't depend on Nate's mother to watch Buckley forever. Four months after my mother left, her temporary absence was beginning to take on the feel of permanence. My grandmother insisted. I watched her resist the remaining slug of vodka in her glass. 'I will contain my drinking until'- she thought hard here- 'after five o'clock, and,' she said,' what the hell, I'll stop altogether if you should find it necessary.' 'Do you know what you're saying?' My grandmother felt a clarity from her phone hand down to her pump-encased feet. 'Yes, I do. I think' It was only after he got off the phone that he let himself wonder, Where will we PUT her? It was obvious to everyone. ~pgs 213-214; Grandma Lynn and Jack;
Alice Sebold (The Lovely Bones)
The most problematic depression episodes plunge me into a feeling of disconnection. I am no longer a part of the world. All the colours, meaning and richness become hidden or lost to me. There is a numbing absence of feeling that strips away any inspiration and creativity. I become dead to myself, a husk, a shell. The fall into this state can be violently fast, although the triggers have all been external. Life does not treat many of us kindly. Most of the time, I draw inspiration from the world around me. That sense of connection to all other living and perhaps-not-living things nourishes and sustains me. Being pushed out of that sense of belonging is brutal. I have self-esteem issues and, subjected as I was to barrages of abuse, bitter criticism, invasive scrutiny and some terrifying processes in my life, I’ve been crushed, repeatedly. I’ve come to places where I’ve felt so awful that the only imaginable way out, I thought, was to die. I’m still alive because of the love and dedication of my husband. I hold the hope that I won’t have to crawl through hell again anytime soon, that I can build internal reserves strong enough to resist external pressures.
Cat Treadwell (Facing the Darkness)
They had no relish for gossiping about their acquaintance and even politics seemed a little dull. In short they felt that they should like to have the pleasure of looking at Lady Pole again, and so they told Sir Walter – rather than asked him – that he missed his wife. He replied that he did not. But this was not allowed to be possible; it was well known that newly married gentlemen were never happy apart from their wives; the briefest of absences could depress a new husband's spirits and interfere with his digestion. Sir Walter's guests asked each other if they thought he looked bilious and they agreed that he did. He denied it. Ah, he was putting a brave face on it, was he? Very good. But clearly it was a desperate case. They would have mercy on him and go and join the ladies.
Susanna Clarke (Jonathan Strange & Mr Norrell)
The city which lay below was a charnel house built on multi-layered bones centuries older than those which lay beneath the cities of Hamburg or Dresden. Was this knowledge part of the mystery it held for her, a mystery felt most strongly on a bell-chimed Sunday on her solitary exploration of its hidden alleys and squares? Time had fascinated her from childhood, its apparent power to move at different speeds, the dissolution it wrought on minds and bodies, her sense that each moment, all moments past and those to come, were fused into an illusory present which with every breath became the unalterable, indestructible past. In the City of London these moments were caught and solidified in stone and brick, in churches and monuments and in bridges which spanned the grey-brown ever-flowing Thames. She would walk out in spring or summer as early as six o'clock, double-locking the front door behind her, stepping into a silence more profound and mysterious than the absence of noise. Sometimes in this solitary perambulation it seenmed that her own footsteps were muted, as if some part of her were afraid to waken the dead who had walked thse streets and had known the same silence.
P.D. James (The Private Patient (Adam Dalgliesh, #14))
My children came from my body; their flesh was born of mine. Their arms reached out for me first, they called for me in the night and I scooped them into my embrace and breathed in the sweet scent of their little bald heads. As they grew, I felt the echo always of their infant selves. My body could not know what my mind did; it ached with her absence. I had feared to send her to wifehood, to become a mother herself one day. That separation was hard enough. I watched the fire spark into the night sky and wondered where she could be. Making her way down that dank, twisting path to the Underworld alone? I had gone everywhere before her; trodden the paths I sent her down to make sure they were safe before I let her go. How could I let her go now, to where I did not know, without me at her side?
Jennifer Saint (Elektra)
Yes: the future bridegroom, Mr. Rochester himself, exercised over his intended a ceaseless surveillance: and it was from this sagacity—this guardedness of his—this perfect clear consciousness of his fair one's defects—this obvious absence of passion in his sentiments toward her, that my ever-torturing pain arose. I saw he was going to marry her, for family, perhaps political reasons; because her rank and connections suited him; I felt he had not given her his love, and that her qualifications were ill adapted to win from him that treasure. This was the point—this was where the nerve was touched and teased—this was where the fever was sustained and fed: she could not charm him. If she had managed the victory at once, and he had yielded and sincerely laid his heart at her feet, I should have covered my face, turned to the wall, and (figuratively) have died to them. If Miss Ingram had been a good and noble woman, endowed with force, fervor, kindness, sense, I should have had one vital struggle with two tigers—jealousy and despair: then, my heart torn out and devoured, I should have admired her—acknowledged her excellence, and been quiet for the rest of my days: and the more absolute her superiority, the deeper would have been my admiration—the more truly tranquil my quiescence. But as matters really stood, to watch Miss Ingram's efforts at fascinating Mr. Rochester; to witness their repeated failure—herself unconscious that they did fail; vainly fancying that each shaft launched, hit the mark, and infatuatedly pluming herself on success, when her pride and self-complacency repelled further and further what she wished to allure—to witness this, was to be at once under ceaseless excitation and ruthless restraint. Because when she failed I saw how she might have succeeded. Arrows that continually glanced off from Mr. Rochester's breast and fell harmless at his feet might, I knew, if shot by a surer hand, have quivered keen in his proud heart—have called love into his stern eye and softness into his sardonic face; or, better still, without weapons a silent conquest might have been won.
Charlotte Brontë (Jane Eyre)
...the past, like the future, is dark. There is so much we don't know, and to write truthfully about a life, your own or your mother's, or a celebrated figure's, an event, a crisis, another culture is to engage repeatedly with those patches of darkness, those nights of history, those places of unknowing. They tell us that there are limits to knowledge, that there are essential mysteries, starting with the notion that we know just what someone thought or felt in the absence of exact information. Often enough we don't know such things even when it comes to ourselves, let alone someone who perished in an epoch whose very textures and reflexes were unlike ours. Filling in the blanks replaces the truth that we don't entirely know with the false sense that we do. We know less when we erroneously think we know than when we recognize that we don't.
Rebecca Solnit
It was always a strange thing, coming home. Coming home meant that you had, at one point, left it and, in doing so, irreversibly changed. How odd, then, to be able to return to a place that would always be anchored in your notion of the past. How could this place still be there, if the you that once lived there no longer existed? Yet, at the same time, in complete contradiction, seeing that said place had changed in your absence was nothing if not surreal. Dex felt this as they approached the road leading to their family's farm, just as they felt every time they made the trip. The road was the same, but the fence had been mended. The field was the same, but the greyberry bushes had been cut down to the root. The farm was a place where Dex knew they would always be welcome but never in the same way as before they left; a place they knew intimately and no longer knew at all.
Becky Chambers
Where have I been? she wondered. Is a life that can now be considered an absence a life? For some time things had been going badly for her. She could cite nothing in particular as a problem; rather, it was as if life in general had a grudge against her. Things persisted in turning grey. Although at first she had revelled in the erudite seclusion of her job, in the protection against the vulgarities of the world that it offered, after five years she now felt that in some way it had aged her disproportionately, that she was as old as the yellowed papers she spent her days unfolding. When, very occasionally, she raised her eyes from the past and surveyed the present, it faded from her view and became as ungraspable as a mirage. Although she had discussed this with the Director, who had waved away her condition of mind as an occupational hazard, she was still not satisfied that this was how the only life she had been offered should be lived.
Marian Engel
My father was taking me as seriously as the Ringolds were, but not with Ira’s political fearlessness, with Murray’s literary ingenuity, above all, with their seeming absence of concern for my decorum, for whether I would or would not be a good boy. The Ringolds were the one-two punch promising to initiate me into the big show, into my beginning to understand what it takes to be a man on the larger scale. The Ringolds compelled me to respond at a level of rigor that felt appropriate to who I now was. Be a good boy wasn’t the issue with them. The sole issue was my convictions. But then, their responsibility wasn’t a father’s, which is to steer his son away from the pitfalls. The father has to worry about the pitfalls in a way the teacher doesn’t. He has to worry about his son’s conduct, he has to worry about socializing his little Tom Paine. But once little Tom Paine has been let into the company of men and the father is still educating him as a boy, the father is finished. Sure, he’s worrying about the pitfalls—if he wasn’t, it would be wrong. But he’s finished anyway. Little Tom Paine has no choice but to write him off, to betray the father and go boldly forth to step straight into life’s very first pit. And then, all on his own—providing real unity to his existence—to step from pit to pit for the rest of his days, until the grave, which, if it has nothing else to recommend it, is at least the last pit into which one can fall.
Philip Roth (I Married a Communist (The American Trilogy, #2))
The last time I’d been unwell, suicidally depressed, whatever you want to call it, the reactions of my friends and family had fallen into several different camps: The Let’s Laugh It Off merchants: Claire was the leading light. They hoped that joking about my state of mind would reduce it to a manageable size. Most likely to say, ‘Feeling any mad urges to fling yourself into the sea?’ The Depression Deniers: they were the ones who took the position that since there was no such thing as depression, nothing could be wrong with me. Once upon a time I’d have belonged in that category myself. A subset of the Deniers was The Tough Love people. Most likely to say, ‘What have you got to be depressed about?’ The It’s All About Me bunch: they were the ones who wailed that I couldn’t kill myself because they’d miss me so much. More often than not, I’d end up comforting them. My sister Anna and her boyfriend, Angelo, flew three thousand miles from New York just so I could dry their tears. Most likely to say, ‘Have you any idea how many people love you?’ The Runaways: lots and lots of people just stopped ringing me. Most of them I didn’t care about, but one or two were important to me. Their absence was down to fear; they were terrified that whatever I had, it was catching. Most likely to say, ‘I feel so helpless … God, is that the time?’ Bronagh – though it hurt me too much at the time to really acknowledge it – was the number one offender. The Woo-Woo crew: i.e. those purveying alternative cures. And actually there were hundreds of them – urging me to do reiki, yoga, homeopathy, bible study, sufi dance, cold showers, meditation, EFT, hypnotherapy, hydrotherapy, silent retreats, sweat lodges, felting, fasting, angel channelling or eating only blue food. Everyone had a story about something that had cured their auntie/boss/boyfriend/next-door neighbour. But my sister Rachel was the worst – she had me plagued. Not a day passed that she didn’t send me a link to some swizzer. Followed by a phone call ten minutes later to make sure I’d made an appointment. (And I was so desperate that I even gave plenty of them a go.) Most likely to say, ‘This man’s a miracle worker.’ Followed by: ‘That’s why he’s so expensive. Miracles don’t come cheap.’ There was often cross-pollination between the different groupings. Sometimes the Let’s Laugh It Off merchants teamed up with the Tough Love people to tell me that recovering from depression is ‘simply mind over matter’. You just decide you’re better. (The way you would if you had emphysema.) Or an All About Me would ring a member of the Woo-Woo crew and sob and sob about how selfish I was being and the Woo-Woo crew person would agree because I had refused to cough up two grand for a sweat lodge in Wicklow. Or one of the Runaways would tiptoe back for a sneaky look at me, then commandeer a Denier into launching a two-pronged attack, telling me how well I seemed. And actually that was the worst thing anyone could have done to me, because you can only sound like a self-pitying malingerer if you protest, ‘But I don’t feel well. I feel wretched beyond description.’ Not one person who loved me understood how I’d felt. They hadn’t a clue and I didn’t blame them, because, until it had happened to me, I hadn’t a clue either.
Marian Keyes
And is one to be sorry that the doctors brought her back to life and operated, or not? She, who did not want to lose a single day, “won” thirty: they brought her joys; but they also brought her anxiety and suffering. Since she did escape from the martyrdom that I sometimes thought was hanging over her, I cannot decide for her. For my sister, losing Maman the very day she saw her again would have been a shock from which she would scarcely have recovered. And as for me? Those four weeks have left me pictures, nightmares, sadnesses that I should never have known if Maman had died that Wednesday morning. But I cannot measure the disturbance that I should have felt since my sorrow broke out in a way that I had not foreseen. We did derive an undoubted good from this respite; it saved us, or almost saved us, from remorse. When someone you love dies you pay for the sin of outliving her with a thousand piercing regrets. Her death brings to light her unique quality; she grows as vast as the world that her absence annihilates for her and whose whole existence was caused by her being there; you feel that she should have had more room in your life—all the room, if need be. You snatch yourself away from this wildness: she was only one among many. But since you never do all you might for anyone—not even within the arguable limits that you have set yourself—you have plenty of room left for self reproach. With regard to Maman we were all guilty, these last years, of carelessness, omission, and abstention. We felt that we atoned for this by the days that we gave up to her, by the peace that our being there gave her, and by the victories gained over fear and pain. Without our obstinate watchfulness she would have suffered far more.
Simone de Beauvoir (A Very Easy Death)
The other night I had dinner with a good friend, a woman writer whom I’ve known for about ten years. Though we’ve never had a romantic relationship, I love her dearly and care about her: she’s a good person, and a talented writer, and those two qualities put her everlastingly on my list of When You Need Help, Even In The Dead Of Night, I’m On Call. Over dinner, we talked about an anguish she has been experiencing for a number of years. She’s afraid of dying alone and unloved. Some of you are nodding in understanding. A few of you are smiling. The former understand pain, the latter are assholes. Or very lucky. We’ve all dreaded that moment when we pack it in, get a fast rollback of days and nights, and realize we’re about to go down the hole never having belonged to anyone. If you’ve never felt it, you’re either an alien from far Arcturus or so insensitive your demise won’t matter. Or very lucky. Her problem is best summed up by something Theodore Sturgeon once said: “There’s no absence of love in the world, only worthy places to put it.” My friend gets involved with guys who do her in. Not all her fault. Some of it is—we’re never wholly victims, we help construct the tiger traps filled with spikes—but not all of it. She’s vulnerable. While not naïve, she is innocent. And that’s a dangerous, but laudable capacity: to wander through a world that can be very uncaring and amorally cruel, and still be astonished at the way the sunlight catches the edge of a coleus leaf. Anybody puts her down for that has to go through me first. So she keeps trying, and the ones with long teeth sense her vulnerability and they move in for the slow kill. (That’s evil: only the human predator destroys slowly, any decent hunting animal rips out the throat and feeds, and that’s that. The more I see of people, the better I like animals.)
Harlan Ellison (Paingod: And Other Delusions)
I had to ask Scottie what TYVM meant, because now that I’ve narrowed into her activities, I notice she is constantly text-messaging her friends, or at least I hope it’s her friends and not some perv in a bathrobe. “Thank you very much,” Scottie said, and for some reason, the fact that I didn’t get this made me feel completely besieged. It’s crazy how much fathers are supposed to know these days. I come from the school of thought where a dad’s absence is something to be counted on. Now I see all the men with camouflage diaper bags and babies hanging from their chests like little ship figureheads. When I was a young dad, I remember the girls sort of bothered me as babies, the way everyone raced around to accommodate them. The sight of Alex in her stroller would irritate me at times—she’d hang one of her toddler legs over the rim of the safety bar and slouch down in the seat. Joanie would bring her something and she’d shake her head, then Joanie would try again and again until an offering happened to work and Alex would snatch it from her hands. I’d look at Alex, finally complacent with her snack, convinced there was a grown person in there, fooling us all. Scottie would just point to things and grunt or scream. It felt like I was living with royalty. I told Joanie I’d wait until they were older to really get into them, and they grew and grew behind my back.
Kaui Hart Hemmings (The Descendants)
And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart. I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding. 'Love is the thing that only God sees.' I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise. Love is the thing that only God sees. I supposeyou'dsay that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
Tomorrow his friends would gather at Josie's for coffee and doughnuts, and in his absence they would talk of [her] in the same way they had talked of that postal worker in the gorilla suit or the fellow who killed all those children. They would not do so maliciously, but because they had thought her curious and now found her death somehow threatening. After all, she had died here, in Hopewell––not in some other town in some other state. She had died here, where they lived, and she was someone they knew. Yes, she was odd, and it wasn't really any surprise that she had died of a heart attack blasting away at shadows with a shotgun, because [she] had done stranger things. But in the back of their minds was the conviction that she really wasn't so different than they were, and that if it could happen to her, it could happen to them. Truth was, you shared an uneasy sense of kinship with even the most unfortunate, disaffected souls; you felt you had known at least a few of them during your life. You had been children together, with children's hopes and dreams. The dark future that had claimed those few was never more than an arm's length away from everyone else. You knew that. You knew that a single misfortune could change your life forever, that you were vulnerable, and to protect yourself you wanted to know everything you could about why it had touched another and passed you by.


Terry Brooks (Running with the Demon (Word & Void, #1))
I would never say it- never let her hear that, even if she killed me. And if it was to be my downfall, so be it. If it would be the weakness that would break me, I would embrace it with all my heart. If this was- For though each of my strikes lands a powerful blow, When I kill, I do it slow... That's what these three months had been- a slow, horrible death. What I felt for Tamlin was the cause of this. There was no cure- not pain, or absence, or happiness. But scorned, I become a difficult beast to defeat. She could torture me all she liked, but it would never destroy what I felt for him. It would never make Tamlin want her- never ease the sting of his rejection. The world became dark at the borders of my vision, taking the edge off the pain. But I bless all those who are brave enough to dare. For so long, I had run from it. But opening myself to him, to my sisters- that had been a test of bravery as harrowing as any of my trials. 'Say it, you vile beast!' Amarantha hissed. She might have lied her way out of our bargain, but she'd sworn differently with the riddle- instantaneous freedom, regardless of her will. Blood filled my mouth, warm as it dribbled out between my lips. I gazed at Tamlin's masked face one last time. 'Love,' I breathed, the word crumbling into a blackness with no end. A pause in Amarantha's magic. 'The answer to the riddle....' I got out, choking on my own blood, 'is... love.' Tamlin's eyes went wide before something forever cracked in my spine.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Then someone else appeared from the crowd, and Annabeth's vision tunneled. Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular. Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared. During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again... Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there. Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared. Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily. Percy pulled away and studied her face. "Gods, I never thought-" Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!" Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn. "Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-" Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth. "Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself.
Rick Riordan
After I left finance, I started attending some of the fashionable conferences attended by pre-rich and post-rich technology people and the new category of technology intellectuals. I was initially exhilarated to see them wearing no ties, as, living among tie-wearing abhorrent bankers, I had developed the illusion that anyone who doesn’t wear a tie was not an empty suit. But these conferences, while colorful and slick with computerized images and fancy animations, felt depressing. I knew I did not belong. It was not just their additive approach to the future (failure to subtract the fragile rather than add to destiny). It was not entirely their blindness by uncompromising neomania. It took a while for me to realize the reason: a profound lack of elegance. Technothinkers tend to have an “engineering mind”—to put it less politely, they have autistic tendencies. While they don’t usually wear ties, these types tend, of course, to exhibit all the textbook characteristics of nerdiness—mostly lack of charm, interest in objects instead of persons, causing them to neglect their looks. They love precision at the expense of applicability. And they typically share an absence of literary culture. This absence of literary culture is actually a marker of future blindness because it is usually accompanied by a denigration of history, a byproduct of unconditional neomania. Outside of the niche and isolated genre of science fiction, literature is about the past. We do not learn physics or biology from medieval textbooks, but we still read Homer, Plato, or the very modern Shakespeare. We cannot talk about sculpture without knowledge of the works of Phidias, Michelangelo, or the great Canova. These are in the past, not in the future. Just by setting foot into a museum, the aesthetically minded person is connecting with the elders. Whether overtly or not, he will tend to acquire and respect historical knowledge, even if it is to reject it. And the past—properly handled, as we will see in the next section—is a much better teacher about the properties of the future than the present. To understand the future, you do not need technoautistic jargon, obsession with “killer apps,” these sort of things. You just need the following: some respect for the past, some curiosity about the historical record, a hunger for the wisdom of the elders, and a grasp of the notion of “heuristics,” these often unwritten rules of thumb that are so determining of survival. In other words, you will be forced to give weight to things that have been around, things that have survived.
Nassim Nicholas Taleb (Antifragile: Things That Gain from Disorder)
Her hand just above my knee, the palm flat and soft against my jeans and her index finger making slow, lazy circles that crept toward the inside of my thigh, and with one layer between us, God I wanted her. And lying there, amid the tall, still grass and beneath the star-drunk sky, listening to the just-this-side-of-inaudible sound of her rhythmic breathing and the noisy silence of the bullfrogs, the grasshoppers, the distant cars rushing endlessly on I-65, I thought it might be a fine time to say the Three Little Words. And I steeled myself to say them as I stared up at that starriest night, convinced myself that she felt it, too, that her hand so alive and vivid against my leg was more than playful, and fuck Lara and fuck Jake because I do, Alaska Young, I do love you and what else matters but that and my lips parted to speak and before I could even begin to breathe out the words, she said, “It’s not life or death, the labyrinth.” “Um, okay. So what is it?” “Suffering,” she said. “Doing wrong and having wrong things happen to you. That’s the problem. Bolívar was talking about the pain, not about the living or dying. How do you get out of the labyrinth of suffering?” “What’s wrong?” I asked. And I felt the absence of her hand on me. “Nothing’s wrong. But there’s always suffering, Pudge. Homework or malaria or having a boyfriend who lives far away when there’s a good-looking boy lying next to you. Suffering is universal. It’s the one thing Buddhists, Christians, and Muslims are all worried about.” I turned to her. “Oh, so maybe Dr. Hyde’s class isn’t total bullshit.” And both of us lying on our sides, she smiled, our noses almost touching, my unblinking eyes on hers, her face blushing from the wine, and I opened my mouth again but this time not to speak, and she reached up and put a finger to my lips and said, “Shh. Shh. Don’t ruin it.
John Green (Looking for Alaska)
An android,” Irmgard explained. “And nobody knows. No humans, I mean.” Pris, with the scissors, cut yet another leg from the spider. All at once John Isidore pushed her away and lifted up the mutilated creature. He carried it to the sink and there he drowned it. In him, his mind, his hopes, drowned, too. As swiftly as the spider. “He’s really upset,” Irmgard said nervously. “Don’t look like that, J. R. And why don’t you say anything?” To Pris and to her husband she said, “It makes me terribly upset, him just standing there by the sink and not speaking; he hasn’t said anything since we turned on the TV.” “It’s not the TV,” Pris said. “It’s the spider. Isn’t it, John R. Isidore? He’ll get over it,” she said to Irmgard, who had gone into the other room to shut off the TV. Regarding Isidore with easy amusement, Roy Baty said, “It’s all over now, Iz. For Mercerism, I mean.” With his nails he managed to lift the corpse of the spider from the sink. “Maybe this was the last spider,” he said. “The last living spider on Earth.” He reflected. “In that case it’s all over for spiders, too.” “I—don’t feel well,” Isidore said. From the kitchen cupboard he got a cup; he stood holding it for an interval—he did not know exactly how long. And then he said to Roy Baty, “Is the sky behind Mercer just painted? Not real?” “You saw the enlargements on the TV screen,” Roy Baty said. “The brush strokes.” “Mercerism isn’t finished,” Isidore said. Something ailed the three androids, something terrible. The spider, he thought. Maybe it had been the last spider on Earth, as Roy Baty said. And the spider is gone; Mercer is gone; he saw the dust and the ruin of the apartment as it lay spreading out everywhere—he heard the kipple coming, the final disorder of all forms, the absence which would win out. It grew around him as he stood holding the empty ceramic cup; the cupboards of the kitchen creaked and split and he felt the floor beneath his feet give.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart. I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding. 'Love is the thing that only God sees.' I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise. Love is the thing that only God sees. I suppose you'd say that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
I fumbled in my pockets for my father’s map. I stared and rubbed the paper between my fingers. I read the sightings’ dot’s dates with my wormed eyes, connecting them in order. There was the first point where my father felt sure he’d seen mother digging in the neighbor’s yard across the street. And the second, in the field of power wires where Dad swore he saw her running at full speed. I connected dots until the first fifteen together formed a nostril. Dots 16 through 34 became an eye. Together the whole map made a perfect picture of my mother’s missing head. If I stared into the face, then, and focused on one clear section and let my brain go loose, I saw my mother’s eyes come open. I saw her mouth begin to move. Her voice echoed deep inside me, clear and brimming, bright, alive. She said, “Don’t worry, son. I’m fat and happy. They have cake here. My hair is clean.” She said, “The earth is slurred and I am sorry.” She said, “You are OK. I have your mind.” Her eyes seemed to swim around me. I felt her fingers in my hair. She whispered things she’d never mentioned. She nuzzled gleamings in my brain. As in: the day I’d drawn her flowers because all the fields were dying. As in: the downed bird we’d cleaned and given a name. Some of our years were wall to wall with wonder, she reminded me. In spite of any absence, we had that. I thought of my father, alone and elsewhere, his head cradled in his hands. I thought of the day he’d punched a hole straight through the kitchen wall, thinking she’d be tucked away inside. All those places he’d looked and never found her. Inside their mattress. In stained-glass windows. How he’d scoured the carpet for her stray hair and strung them all together with a ribbon; how he’d slept with that one lock swathed across his nostrils, hugging a pillow fitted with her nightshirt. How he’d dug up the backyard, stripped and sweating. How he’d played her favorite album on repeat and loud, a lure. How when we took up the carpet in my bedroom to find her, under the carpet there was wood. Under the wood there was cracked concrete. Under the concrete there was dirt. Under the dirt there was a cavity of water. I swam down into the water with my nose clenched and lungs burning in my chest but I could not find the bottom and I couldn’t see a thing.
Blake Butler (Scorch Atlas)
A Letter to the Reader I thought my dog dying was going to kill me. If I’m being honest, I still think it, some days. Most days. If I’m being honest, I still think it every day. Soul-mutt. Best friend. Not everyone understands, or will. That’s fine. I’ve never been one to want to share in grief, never been one to share much of anything. Only child, writer. A dog removes itself from the pack to lick wounds clean. A dog goes off, alone, to die. But we all know it—a family member, a friend, the sudden glazing of the eyes, the feel of a heart stopping beneath our hand. Our souls and selves dropping pieces each time someone exits this earth. Our identities, foundations shaken. Even sometimes bulldozed to nothing. This one brought me to my knees. At the time of writing this note, I can honestly say, I have never felt anything like this. I am truly surprised it hasn’t killed me. I always knew Barghest was going to die. Barghest’s death was (with the deaths of the others) the worst thing I could think of, and my job as I see it is to explore all the worsts. And all the bests, too. This book, or more accurately, an early, now unrecognizable version of it, was the first thing I ever seriously wrote. It was also what got me started on this path of Writer. Someone read this early snippet and believed in it, in me. This was a story that I wanted to tell from day one, ideas that hounded me then and have for all the years since. It’s taken ten years, an education, all the events of a decade of life, and more drafts than I’d like to count for me to tell this story in a way that felt right. In a way that is (I hope) befitting of you, most precious reader. And these dogged questions of guilt, shame, faith have nipped at my heels through everything. Funny, how they always draw just enough blood to keep us from running full tilt. But now. In the wake of a loss that has shaken me more than any I’ve lived through before, in a moment in which I find myself, like Sophie, questioning everything, questioning what the point of being here is at all, I have to say, It all feels very human and very small to confine and bind ourselves to anything that seeks to diminish us. This world and universe and existence is so expansive and evolving, and we choose to let ourselves be crippled by someone else’s ideas. We share life with mortality. We will die. Everyone we love will die. We will all face the dark. Together, or separate. We just don’t know. There is no self-help book, no textbook, no how-to that can tell us, definitively, what comes after. By the time any of us has the answers, we won’t be here to write them. None of us knows, even if we think we do. But here is what I do know: We live with death. And horror chooses not to turn away from it. Horror looks the darkness in the eyes. Horror dances with the absence, the loss. Explores ways for us—you, the reader, and me—to take it in our arms and spin around together. Ways to embrace the centrifugal force that is human striving, human searching. Mortal life. Dogs die. Humans die. We live with it, whether we want to or not. But from choosing to look, choosing not to turn away, from our embrace in the darkness, I hope that guilt and shame and any idea invented to hold you down in this glorious, nearly blinding existence, will seem, at the end of it all, very, very small. You, and me, spinning too fast for them to catch us. Thank you for continuing on this journey with me. With my characters, who are of course, now yours. These questions and worlds that I humbly share with you. That now belong to you. And while we keep hurtling through the unknown, as we spin round and round, I want to say, Here’s to dancing, book by book, question by question, through this vast, shining existence. Together.
C.J. Leede (American Rapture)
This book festival...grew to attract thousands of visitors every year. Now they felt like they needed a new purpose. The festival’s continuing existence felt assured. What was it for? What could it do? How could it make itself count? The festival’s leadership reached out to me for advice on these questions. What kind of purpose could be their next great animating force? Someone had the idea that the festival’s purpose could be about stitching together the community. Books were, of course, the medium. But couldn’t an ambitious festival set itself the challenge of making the city more connected? Couldn’t it help turn strong readers into good citizens? That seemed to me a promising direction—a specific, unique, disputable lodestar for a book festival that could guide its construction...We began to brainstorm. I proposed an idea: Instead of starting each session with the books and authors themselves, why not kick things off with a two-minute exercise in which audience members can meaningfully, if briefly, connect with one another? The host could ask three city- or book-related questions, and then ask each member of the audience to turn to a stranger to discuss one of them. What brought you to this city—whether birth or circumstance? What is a book that really affected you as a child? What do you think would make us a better city? Starting a session with these questions would help the audience become aware of one another. It would also break the norm of not speaking to a stranger, and perhaps encourage this kind of behavior to continue as people left the session. And it would activate a group identity—the city’s book lovers—that, in the absence of such questions, tends to stay dormant. As soon as this idea was mentioned, someone in the group sounded a worry. “But I wouldn’t want to take away time from the authors,” the person said. There it was—the real, if unspoken, purpose rousing from its slumber and insisting on its continued primacy. Everyone liked the idea of “book festival as community glue” in theory. But at the first sign of needing to compromise on another thing in order to honor this new something, alarm bells rang. The group wasn’t ready to make the purpose of the book festival the stitching of community if it meant changing the structure of the sessions, or taking time away from something else. Their purpose, whether or not they admitted it, was the promotion of books and reading and the honoring of authors. It bothered them to make an author wait two minutes for citizens to bond. The book festival was doing what many of us do: shaping a gathering according to various unstated motivations, and making half-hearted gestures toward loftier goals.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening. Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives. My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light. In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide. And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality. What we find exotic abroad may be what we hunger for in vain at home.
Alain de Botton (The Art of Travel (Vintage International))
Christina walks out, bumping me with her shoulder as she leaves. Tris lifts her eyes to mine. “We should talk,” I say. “Fine,” she says, and I follow her into the hallway. We stand next to the door until everyone else leaves. Her shoulders are drawn in like she’s trying to make herself even smaller, trying to evaporate on the spot, and we stand too far apart, the entire width of the hallway between us. I try to remember the last time I kissed her and I can’t. Finally we’re alone, and the hallway is quiet. My hands start to tingle and go numb, the way they always do when I panic. “Do you think you’ll ever forgive me?” I say. She shakes her head, but says, “I don’t know. I think that’s what I need to figure out.” “You know…you know I never wanted Uriah to get hurt, right?” I look at the stitches crossing her forehead and I add, “Or you. I never wanted you to get hurt either.” She’s tapping her foot, her body shifting with the movement. She nods. “I know that.” “I had to do something,” I say. “I had to.” “A lot of people got hurt,” she says. “All because you dismissed what I said, because--and this is the worst part, Tobias--because you thought I was being petty and jealous. Just some silly sixteen-year-old girl, right?” She shakes her head. “I would never call you silly or petty,” I say sternly. “I thought your judgment was clouded, yes. But that’s all.” “That’s enough.” Her fingers slide through her hair and wrap around it. “It’s just the same thing all over again, isn’t it? You don’t respect me as much as you say you do. When it comes down to it, you still believe I can’t think rationally--” “That is not what’s happening!” I say hotly. “I respect you more than anyone. But right now I’m wondering what bothers you more, that I made a stupid decision or that I didn’t make your decision.” “What’s that supposed to mean?” “It means,” I say, “that you may have said you just wanted us to be honest with each other, but I think you really wanted me to always agree with you.” “I can’t believe you would say that! You were wrong--” “Yeah, I was wrong!” I’m shouting now, and I don’t know where the anger came from, except that I can feel it swirling around inside me, violent and vicious and the strongest I have felt in days. “I was wrong, I made a huge mistake! My best friend’s brother is as good as dead! And now you’re acting like a parent, punishing me for it because I didn’t do as I was told. Well, you are not my parent, Tris, and you don’t get to tell me what to do, what to choose--!” “Stop yelling at me,” she says quietly, and she finally looks at me. I used to see all kinds of things in her eyes, love and longing and curiosity, but now all I see is anger. “Just stop.” Her quiet voice stalls the anger inside me, and I relax into the wall behind me, shoving my hands into my pockets. I didn’t mean to yell at her. I didn’t mean to get angry at all. I stare, shocked, as tears touch her cheeks. I haven’t seen her cry in a long time. She sniffs, and gulps, and tries to sound normal, but she doesn’t. “I just need some time,” she says, choking on each word. “Okay?” “Okay,” I say. She wipes her cheeks with her palms and walks down the hallway. I watch her blond head until it disappears around the bend, and I feel bare, like there’s nothing left to protect me against pain. Her absence stings worst of all.
Veronica Roth (Allegiant (Divergent, #3))
These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye: But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration:—feelings too Of unremembered pleasure: such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love. Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened:—that serene and blessed mood, In which the affections gently lead us on,— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things. If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer thro' the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again: While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years. And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led: more like a man Flying from something that he dreads, than one Who sought the thing he loved. For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.—I cannot paint What then I was. The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.—That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear,—both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.
William Wordsworth (Tintern Abbey: Ode to Duty; Ode On Intimations of Immortality; the Happy Warrior; Resolution and Independence; and On the Power of Sound)
The chorus of criticism culminated in a May 27 White House press conference that had me fielding tough questions on the oil spill for about an hour. I methodically listed everything we'd done since the Deepwater had exploded, and I described the technical intricacies of the various strategies being employed to cap the well. I acknowledged problems with MMS, as well as my own excessive confidence in the ability of companies like BP to safeguard against risk. I announced the formation of a national commission to review the disaster and figure out how such accidents could be prevented in the future, and I reemphasized the need for a long-term response that would make America less reliant on dirty fossil fuels. Reading the transcript now, a decade later, I'm struck by how calm and cogent I sound. Maybe I'm surprised because the transcript doesn't register what I remember feeling at the time or come close to capturing what I really wanted to say before the assembled White House press corps: That MMS wasn't fully equipped to do its job, in large part because for the past thirty years a big chunk of American voters had bought into the Republican idea that government was the problem and that business always knew better, and had elected leaders who made it their mission to gut environmental regulations, starve agency budgets, denigrate civil servants, and allow industrial polluters do whatever the hell they wanted to do. That the government didn't have better technology than BP did to quickly plug the hole because it would be expensive to have such technology on hand, and we Americans didn't like paying higher taxes - especially when it was to prepare for problems that hadn't happened yet. That it was hard to take seriously any criticism from a character like Bobby Jindal, who'd done Big Oil's bidding throughout his career and would go on to support an oil industry lawsuit trying to get a federal court to lift our temporary drilling moratorium; and that if he and other Gulf-elected officials were truly concerned about the well-being of their constituents, they'd be urging their party to stop denying the effects of climate change, since it was precisely the people of the Gulf who were the most likely to lose homes or jobs as a result of rising global temperatures. And that the only way to truly guarantee that we didn't have another catastrophic oil spill in the future was to stop drilling entirely; but that wasn't going to happen because at the end of the day we Americans loved our cheap gas and big cars more than we cared about the environment, except when a complete disaster was staring us in the face; and in the absence of such a disaster, the media rarely covered efforts to shift America off fossil fuels or pass climate legislation, since actually educating the public on long-term energy policy would be boring and bad for ratings; and the one thing I could be certain of was that for all the outrage being expressed at the moment about wetlands and sea turtles and pelicans, what the majority of us were really interested in was having the problem go away, for me to clean up yet one more mess decades in the making with some quick and easy fix, so that we could all go back to our carbon-spewing, energy-wasting ways without having to feel guilty about it. I didn't say any of that. Instead I somberly took responsibility and said it was my job to "get this fixed." Afterward, I scolded my press team, suggesting that if they'd done better work telling the story of everything we were doing to clean up the spill, I wouldn't have had to tap-dance for an hour while getting the crap kicked out of me. My press folks looked wounded. Sitting alone in the Treaty Room later that night, I felt bad about what I had said, knowing I'd misdirected my anger and frustration. It was those damned plumes of oil that I really wanted to curse out.
Barack Obama (A Promised Land)