β
It is like one of the riddles or charades in the plays themselvesβas if the plays have spilled off the stage, and we have all become players in a comedy that the author himself set in motion. Mistaken identities abound in Shakespeare. Reputations are false. Appearances are deceptive. Things are not what they seem. βI am not what I am,β says Viola, disguised in Twelfth Night as the boy servant Cesario.
β
β
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)