Debut Quotes

We've searched our database for all the quotes and captions related to Debut. Here they are! All 100 of them:

There are going to be times when you learn more about the world you’re entering and feel defeated when you see the gap between the ideal and the reality… But that’s something we’ll all face. The people that face those obstacles and overcome them are people whose dreams come true.
Tsugumi Ohba (Bakuman, Volume 3: Debut and Impatience (Bakuman, #3))
A ma vie de coer entier. Mon debut et ma fin. Se souvenir du passe, et qu'il ya un avenir. My whole heart for my whole life. With an alpha and an omega: my beginning and my end. Remember the past, and that there is a future.
Deborah Harkness (A Discovery of Witches (All Souls, #1))
Hurricanes couldn’t remove you from my mind. You’re my world and I’m incapable of not loving you.
Billie-Jo Williams
The regular choreography, entrances and exits of blooms in stages such that the garden looked like an ever-evolving carousel of swirling rainbows and radiant butterflies, seemed condensed. All of the flowers still obeyed some silent urgent command to make their debut. But this year, it definitely unfolded more quickly, as if racing to meet a new compelling deadline.
John Rachel (Love Connection: Romance in the Land of the Rising Sun)
...Love can give you the most exhilarating wonderful highs at times... ...Then there will be dives that will take all you have just to hold on... Quote on the Title Page of "Love TORN Asunder
Elizabeth Funderbirk (Love Torn Asunder)
I wrote a book. It sucked. I wrote nine more books. They sucked, too. Meanwhile, I read every single thing I could find on publishing and writing, went to conferences, joined professional organizations, hooked up with fellow writers in critique groups, and didn’t give up. Then I wrote one more book.
Beth Revis
We actually wanted to ask you a few questions. About the interview you did this morning." At the mention of her KTVU debut, Caitlyn softened a little. "You saw that?" I nodded. "How did I look on camera?" Her grief was touching.
Gemma Halliday (Deadly Cool (Deadly Cool, #1))
Humanity’s debut novel you could say. Love, sex, blood, and tears. A journey to find eternal life. To escape death. It was written over four thousand years ago on clay tablets by people who tilled the mud and rarely lived past forty. It’s survived countless wars, disasters, and plagues, and continues to fascinate to this day, because here I am, in the midst of modern ruin, reading it.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
Hate is a lot like love. It's warm and fills you up until every part of you is tingling to release it.
Heather Demetrios (Something Real (Something Real, #1))
I hadn't yet come to terms with the man my father was, or the lives he'd destroyed. But I accepted that he was part of me, and that he'd loved me once.
Elle Cosimano (Nearly Gone (Nearly Gone, #1))
Because you live to love and love to live/ And because of what your heardrum will give/ Now we might love to live and live to love.
Janet Goodfriend (For the Love of Art)
Haruna: Rather than Yoh's appearance, I much prefer his character! Yoh: To me those are fatal words...
Kazune Kawahara (High School Debut, Vol. 1)
I have done what they expected of me. I have curtsied for my Queen and made my debut. This is what I have anticipated eagerly for years. So why do I feel so unsatisfied? Everyone is merry. They haven't a care in the world. And perhaps that is it. How terrible it is to have no cares, no longings. I do not fit. I feel too deeply and want too much.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
Tell me, why do you hunt?" "For my people. To feed them." Zafira said. "No one can be that pure.
Hafsah Faizal (We Hunt the Flame (Sands of Arawiya, #1))
One should never make one's debut with a scandal. One should reserve that to give an interest to one's old age.
Oscar Wilde (The Picture of Dorian Gray)
The truth is, time marches on and you have two choices: You move forward, come what may, and you experience all the sour and sweet things that fly at you from around corners, or you sit still. Don't sit still.
Suzanne Palmieri (The Witch of Little Italy)
A wounded animal yet bears teeth
Billie-Jo Williams (The Book of Redemption (The Destiny of Dragons, #3))
I don't like seeing myself on camera." But that's not it--that sounds shallow, like I'm worried I'll look fat or something. "It's like somebody is walking on my grave. TV immortalizes you. The episodes are what my family would watch if I died.
Heather Demetrios (Something Real (Something Real, #1))
As they say in Hollywood, that’s a wrap! And the oscar goes to Tudor North and Tash Munro for an outstanding debut performance in a sex scene!
Tillie Cole (Eternally North (Eternally North, #1))
Sexual debut. Sometimes it seemed to Deenie that high school was like a long game of And Then There Were None. Every Monday, another girl’s debut.
Megan Abbott (The Fever)
Yoh: Being popular with guys isn't something you can just stitch together! Haruna: What?! I Can't?! Yoh: OF COURSE NOT! Yoh: Mixing coke, tea and orange juice would taste nasty, right?! That's exactly what you're doing!
Kazune Kawahara (High School Debut, Vol. 1)
{Calpurnia)"My mother…she’s desperate for a daughter she can dress like a porcelain doll. Sadly, I shall never be such a child. How I long for my sister to come out and distract the countess from my person." He joined her on the bench, asking, "How old is your sister?" "Eight," she said, mournfully. "Ah. Not ideal." "An understatement." She looked up at the star-filled sky. "No, I shall be long on the shelf by the time she makes her debut." "What makes you so certain you’re shelf-bound?" She cast him a sidelong glance. "While I appreciate your chivalry, my lord, your feigned ignorance insults us both." When he failed to reply, she stared down at her hands, and replied, "My choices are rather limited." "How so?" "I seem able to have my pick of the impoverished, the aged, and the deadly dull.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Leon had pestered me during dinner one night, I lost control, and the black wings made their debut. The family was stunned into silence for a whole thirty seconds. And then everyone called me Goth Princess for a week and Arabella kept leaving vampire novels by my door.
Ilona Andrews (Emerald Blaze (Hidden Legacy, #5))
This was the Paris of the strivers, of those who dwelt low, not high. This was not the Paris of balloonists. It was her Paris, and it was the same as it had been this morning. But she, perhaps, was not.
Gita Trelease (Enchantée (Enchantée, #1))
My heart! Ohhh my poor heart Its bruised...its scarred and its full of pain.... But its still in love with you!
Keran Pantth Joshi
Always listen to your dog.
Margaret Mizushima
You can't screw up your own suicide and then expect the universe to give you presents wrapped in the skin of a wonderful boy. That's just not the way it works.
Heather Demetrios (Something Real (Something Real, #1))
About the new saga of Camp Half-Blood, Percy continues to narrate the book? Rachel (the new Delphic oracle) will remain on the books "(I am Brazilian and I love your books ... I can not wait for the books debut in Portuguese).
Rick Riordan
Asami: ...Why'd you chase after me? It's not like you care about me!! Yoh: Well that's true. But, things would be more complicated if I didn't chase after you.
Kazune Kawahara (High School Debut, Vol. 12)
were in town. At dawn, NBC, along with the rest of the baseball world, awakened to the irresistible story of Joe Castle and his stunning debut in Philadelphia. Suddenly the biggest game of the day was
John Grisham (Calico Joe)
Taken from the dedication in my debut novel Exactly 23 days. To honour all women on International Women's day. For women everywhere: When you know you are finally mended, spread the word, hold out your hand, share some love from your heart and some laughter from your soul and be there for a new member of the sisterhood who needs your help. Let's all help our sisters worldwide to stand tall and know, they can and they will recover, survive and thrive, to live the life they deserve. To all the sisters who reached out and held my hand in whatever way you could, who cried my tears with me, and laughter my laughter too, I thank every one of you. I survived.
Jayne Higgins (Exactly 23 Days)
This night felt like a last hurrah, like we could blaze our brightest, at the apex of our insane adolescence. This was our Mardi Gras before the dark days of Lent.
Heather Demetrios (Something Real (Something Real, #1))
Dance like the whole world is your stage and every day is your debut.
Emilyann Allen
To be perfectly honest, I think she became sick of Society during her debut season. Better to lock herself in her room with her books than to spend her life paying calls and going to balls.
Shanna Swendson (Rebel Mechanics (Rebel Mechanics, #1))
I mostly believe, deep in my bones, that life is very simply beyond description; regardless of what one makes of it, life always spills over the parameters of how anyone has chosen to define it.
Cyril Wong (The Last Lesson of Mrs de Souza)
It was Joss Whedon's Buffy the Vampire Slayer (the television series, 1997-2003, not the lackluster movie that preceded it) that blazed the trail for Twilight and the slew of other paranormal romance novels that followed, while also shaping the broader urban fantasy field from the late 1990s onward. Many of you reading this book will be too young to remember when Buffy debuted, so you'll have to trust us when we say that nothing quite like it had existed before. It was thrillingly new to see a young, gutsy, kick-ass female hero, for starters, and one who was no Amazonian Wonder Woman but recognizably ordinary, fussing about her nails, her shoes, and whether she'd make it to her high school prom. Buffy's story contained a heady mix of many genres (fantasy, horror, science-fiction, romance, detective fiction, high school drama), all of it leavened with tongue-in-cheek humor yet underpinned by the serious care with which the Buffy universe had been crafted. Back then, Whedon's dizzying genre hopping was a radical departure from the norm-whereas today, post-Buffy, no one blinks an eye as writers of urban fantasy leap across genre boundaries with abandon, penning tender romances featuring werewolves and demons, hard-boiled detective novels with fairies, and vampires-in-modern-life sagas that can crop up darn near anywhere: on the horror shelves, the SF shelves, the mystery shelves, the romance shelves.
Ellen Datlow (Teeth: Vampire Tales)
No matter how bleak, there is still chance of love in hatred but none in indifference
Keran Pantth Joshi (Beyond forever...in love)
…such criticism and mockery are largely beside the point. All religious belief is a function of nonrational faith. And faith, by its very definition, tends to be impervious to to intellectual argument or academic criticism. Polls routinely indicate, moreover, that nine out of ten Americans believe in God—most of us subscribe to one brand of religion or another. Those who would assail The Book of Mormon should bear in mind that its veracity is no more dubious than the veracity of the Bible, say, or the Qur'an, or the sacred texts of most other religions. The latter texts simply enjoy the considerable advantage of having made their public debut in the shadowy recesses of the ancient past, and are thus much harder to refute.
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
My internal temper tantrum tirade continued: But attracting and holding the interest of someone like Quinn Sullivan will have to go into my box of make believe with the eventual remake of Final Fantasy 7 with Playstation 3 graphics or finding an original, pristine version of Detective Comics No. 27- Batman's debut.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Even Mom doesn't understand how being in front of a camera all the time twists and warps you. How one second it makes you feel unbelievably alive and the next publicly strips you down until all that's left is one big question mark.
Heather Demetrios (Something Real (Something Real, #1))
You know those primitive tribal people who believed a camera could steal your soul? Turns out they were right.
Heather Demetrios (Something Real (Something Real, #1))
He looks like the kind of boy who would jump trains, strum guitars, and pass a joint.
Heather Demetrios (Something Real (Something Real, #1))
Somehow, the pain and rage and confusion of the past eighteen years dissolves until all that is left is this one perfect moment; unscripted, unedited, it's ours and ours alone.
Heather Demetrios (Something Real (Something Real, #1))
A latter-day Go Ask Alice, BEAUTIFUL is raw, gritty, and powerful, an intense ice-pick jab to the heart. A stunning debut and a must-read.
R.A. Nelson (Teach Me)
Desperately hoping other gays know how gay you are without you saying anything is gay culture.
R. Cooper (Jericho Candelario's Gay Debut)
Though the heart may be cracked wide, pain can still seep in.
Rachelle Rea Cobb (The Sound of Diamonds (Steadfast Love, #1))
In June 1999, an 18-year-old Northeastern University dropout by the name of Shawn Fanning debuted a new piece of software he had developed called Napster.
Stephen Witt (How Music Got Free: A Story of Obsession and Invention)
Podemos estar numa sala cheia de gente e ainda assim sentirmo-nos sozinhos.
Amanda Brooke (Yesterday’s Sun: a heart wrenching and emotional debut novel)
To this day it cracks me up to think that my debut on national British television as a reporter ends with me turning a trick.
RuPaul (Lettin it All Hang Out: An Autobiography)
Love is not changed by death and nothing is lost, and all in the end is harvest.
Maggie O'Farrell (After You'd Gone)
Haruna: I'm so envious. Assa knows so much more about you from when I hadn't met you. I want to be born into your family too! Yoh: I'd be troubled if you were my sister. Haruna: Um, about that... it's not that you don't like hanging around me, right? You'd be troubled because if we were siblings, we couldn't date each other, right? I guessed it, Yoh! Could this be progress? Yoh: I really shouldn't have said anything!
Kazune Kawahara (High School Debut, Vol. 12)
You see that girl, she looks so happy right? But inside she's dying. She's hurt and tired. Tired of all the drama, tired of not being good enough, tired of life. But she doesn't want to look dramatic, weak or attention seeking so she keeps it all inside. Act's like everything's perfect but she cries at night, boy does she cry at night, so that everybody thinks she is the happiest person they know, that she has no problems and her life is perfect. Little do they know.
Jayne Higgins (Exactly 23 Days)
If my sister were a character in a Victorian drama, she would be the snobbish rich girl with a penchant for talking shit about everyone behind their fan.
Heather Demetrios (Something Real (Something Real, #1))
The past is past. You tried to kill yourself. So what? I humped a couch in season twelve. We all have our skeletons.
Heather Demetrios (Something Real (Something Real, #1))
People say that your life flashes before your eyes before you die, but they’re wrong. It’s not your life that passes before you, it’s the regrets that do.
Elise Valenti (We the People)
For every blissful moment you must an anguish meet.
Billie-Jo Williams (The Book of Conflict (The Destiny of Dragons, #6))
Upon its debut, The Room was a spectacular bomb, pulling in all of $1,800 during its initial two-week Los Angeles run. It wasn’t until the last weekend of the film’s short release that the seeds of its eventual cultural salvation were planted. While passing a movie theater, two young film students named Michael Rousselet and Scott Gairdner noticed a sign on the ticket booth that read: NO REFUNDS. Below the sign was this blurb from a review: “Watching this film is like getting stabbed in the head.” They were sold.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made (A Gift for Film Buffs))
Little grudge?” I repeated. The last time I’d been this close to Thea, she had admitted to setting me up to attend my debut in Texas society dressed like a dead girl. “You play mind games. And Rebecca almost got me killed!
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
This, I think, is a little glimpse of what life could be like without my family. Home could be a place of laughter and love, a refuge. I'm filled with a terrifying weightlessness, like I've jumped off a cliff, but I know that if I don't look down, I'll be just fine.
Heather Demetrios (Something Real (Something Real, #1))
Conventional wisdom holds that Arthur Conan Doyle invented the detective story but in fact Green’s first book featuring detective Ebenezer Gryce – in which Miss Butterworth does not appear – The Leavenworth Case came out in 1878, almost a decade before Sherlock Holmes made his debut in A Study in Scarlet. This is why Green is often referred to as The Mother of the Detective Novel.
Emmuska Orczy (Female Sleuths Megapack: Lady Molly of Scotland Yard, Loveday Brooke and Amelia Butterworth)
I'm not Bonnie™ or Chloe. I'm the essence of her, the nontrademarked person the camera can never capture and my parents have no right to sign over. There is a sovereign nation encased in this skin that MetaReel can never trademark.
Heather Demetrios (Something Real (Something Real, #1))
For a brief while, the women ask us questions: are we looking forward to our debuts? Did we enjoy this opera or that play? As we give our slight answers, they smile, and I cannot read what is behind their expressions. do they envy us our youth and beauty? Do they feel happiness and excitement for the lives that lie ahead of us? Or do they wish for another chance at their own lives? A different chance?
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
Asami:...Did you think she was cute? Haruna: Hmm? Yeah, I thought she was cute! Asami: Do you think she's cuter than me? Haruna: Huh? Who's cuter!? Umm... She's more 'normal'... Asami: Yeah, that 'normal' part of her was why she was so popular.
Kazune Kawahara (High School Debut, Vol. 1)
Goodbye, control," Maggie muttered, her hands trembling with a mix of excitement and nerves. "Hello, fantasy.
Sara Jane Stone (Command Performance)
There was a feeling on the air like the eve of the end of the world.
Billie-Jo Williams (The Book of Wrath (The Destiny of Dragons, #1))
The air between them began to settle into a silence. Awkward, yet softly exciting. Like an unexpected snow day.
Suzanne Palmieri (The Witch of Little Italy)
I feel a little like Wendy Darling. Peering out my window, hoping to be swept off by magic.
Holly Ducarte (The Light Over Broken Tide)
Fumi: So, what happened Asami-chan? Asami: Onii-chan's(big brother)... always said mean stuff and he's always been cold. He couldn't get along well with his ex-girlfriend and I thought that he wouldn't be able to get along with anyone else either. I'd always thought that he'd always be by my side. But it's different with Haruna! He's getting along so well with her! And on top of that, they might be OO and XX and they might get married!! He won't be only my Onii-chan anymore!! Fumi: Wow! You really approve of Haruna-chan, huh? I see!! Asami-chan really likes Haruna-chan!! Asami: Fumi-kun... were you even listening...?
Kazune Kawahara (High School Debut, Vol. 12)
Let’s go back to Mr. Hernandez’s film literature class, back to Jaws. Mr. Hernandez pointed out that we never actually saw the shark until about eighty minutes into the film. Instead we heard horror stories, glimpsed its sinister fin; primed to be scared, so that when the shark made its grand debut, we saw everything we’d been taught to see, the merciless, blood-seeking Jaws. Before the cop pulled Philando over, he’d reported the man resembled a robbery suspect, commenting on his wide-set nose. By the time the cop stepped up to the window, he didn’t see Philando, he saw everything he thought he knew about wide noses, blackness, guns, added it all up to threat in his head. The problem is not who we are, the problem is what you think we are. The realities you cast on us; that Philando would be violent, that I’d ask for sex behind a dumpster.
Chanel Miller (Know My Name: A Memoir)
I’m missing my baby’s first swim lesson. If I am at my daughter’s debut in her school musical, I am missing Sandra Oh’s last scene ever being filmed at Grey’s Anatomy. If I am succeeding at one, I am inevitably failing at the other. That is the trade-off. That is the Faustian bargain one makes with the devil that comes with being a powerful working woman who is also a powerful mother. You never feel 100 percent okay, you never get your sea legs, you are always a little nauseous. Something is always lost. Something is always missing. And yet. I want my daughters to see me and know me as a woman who works. I want that example set for them.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
Mrs Guinea answered my letter and invited me to lunch at her home. That was where I saw my first finger-bowl. The water had a few cherry blossoms floating in it, and I thought it must be some clear sort of Japanese after-dinner soup and ate every bit of it, including the crisp little blossoms. Mrs Guinea never said anything, and it was only much later, when I told a debutant I knew at college about dinner, that I learned what I had done.
Sylvia Plath (The Bell Jar)
Even in the most liberal of countries and cultures, it is not easy for a pre-debut trainee to publicly voice his complaints about the label’s CEO. And Korea is a country where idol groups cannot be launched without significant capital, time, and planning know-how. In spite of this, Bang Si-Hyuk had the members write their own blog posts and publicly share their thoughts and feelings as trainees alongside their mixtapes and journal entries.
BTS (Beyond The Story: 10-Year Record of BTS)
I can’t really talk about it, but we’ve just got the English language rights for a really prestigious Swedish author. And everybody has been clamouring to read her debut novel, which is being billed as A Hundred Years of Solitude meets Gone Girl. But there was a lot of debate amongst the team over whether to give it an English title or stick with the Swedish original, and it all wound up being sorted out very last minute and so now the book’s gone to press as I’m Out of the Office at the Moment. Please Forward Any Translation Work to My Personal Email Address.
Alexis Hall (Boyfriend Material (London Calling, #1))
The Ordinary is Extraordinary ..." my motto for life as a writer/Mom/woman
Lisa Barr
Because one thing she’s learned through all this is that if a new beginning is really new; it will feel like a crisis. Any real change should make you feel, at first, afraid;
Nathan Hill
Scourge of the Betrayer is as harsh and profane as anything RichardK Morgan or Joe Abercrombie serves up. Fortunately, Saylards has the skills -and the humor - to pull it off. Snappy dialogue, political intrigue, shadycharacters, gripping action sequences, a poor guy that has no idea what he’sgotten himself into... Yeah, there’s a lot to like about this debut.
David Anthony Durham
But let’s all realize we are in the same boat dealing with the same shit. So if you aren’t into someone, before just ignoring them, try to be mindful of how frustrating it is to be on the other side of that and maybe try crafting them an honest message or, at the least, lie and say: “Hey, sorry, working on my debut rap album, Fantabulous, so gonna be in the studio nonstop and need to focus, not dating at the moment. I’m very flattered though and you are a great person, all the best.”  •
Aziz Ansari (Modern Romance: An Investigation)
The 1920s was a great time for reading altogether—very possibly the peak decade for reading in American life. Soon it would be overtaken by the passive distractions of radio, but for the moment reading remained most people’s principal method for filling idle time. Each year, American publishers produced 110 million books, more than 10,000 separate titles, double the number of ten years before. For those who felt daunted by such a welter of literary possibility, a helpful new phenomenon, the book club, had just made its debut. The Book-of-the-Month Club was founded in 1926 and was followed the next year by the Literary Guild.
Bill Bryson (One Summer: America, 1927)
I hardly have any names on my dance card," Emma said, slightly despairing. This was not how she imagined her debut. "There are just four names on mine," Olivia said. "But I think the gentlemen only agreed to escape my mother. I really can't blame them.
Maya Rodale (The Wicked Wallflower (Bad Boys & Wallflowers, #1))
I was sixteen when, on October 23, 1998, the “… Baby One More Time” single hit stores. The next month the video premiered, and suddenly I was getting recognized everywhere I went. On January 12, 1999, the album came out and sold over ten million copies very quickly. I debuted at number one on the Billboard 200 chart in the US. I became the first woman to debut with a number one single and album at the same time. I was so happy.
Britney Spears (The Woman in Me)
Gao Qiu swivels his finger to me. "Wu Zetian." He pronounces my name like an intriguing new taste. "Oh, Wu Zetian. Exploding out of nowhere like a firecracker, offing that brat Yang Guang while at it. Fantastic debut, by the way. I can't get that moment out of my head. 'Welcome to your nightmare'," he mimics in a growl. Aiyah. Now it feels weirdly embarrassing that I ever shouted that at a dozen camera drones. "Was it not too much?
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
What are you supposed to do with all the love you have for somebody if that person is no longer there? What happens to all that leftover love? Do you suppress it? Do you ignore it? Are you supposed to give it to someone else? I never knew it was possible to think about someone all of the time, for someone to be always doing acrobatic leaps across your thoughts. Everything else was an unwelcome distraction from what I wanted to think about.
Maggie O'Farrell (After You'd Gone)
...the most important aspects of someone’s life are the very things not listed in an index.' There were never entries for “memory,” or 'regrets,' or even 'love,' in the lowercase. It was always 'Education (post-secondary)' or 'Awards (see also: Best Debut R&B Country CD by a Female Artist, Solo).' Indexes never seemed to get to the heart of the matter. There was never a heading for hope or fear. Or dreams, recalled. Smiles, remem­ bered. Anger. Beauty. Or even images that lingered, glimpses of something that had made an impression. A doorway. A window. A reflection on glass. The smell of rain. Never any of that. Just a tally of proper nouns and famous names. And why only one life? Why not the web of other lives that define us? What of their indexes, their moments?
Will Ferguson (419)
Nothing in life is permanent. All of it will eventually disappear…Maybe we’re supposed to know that…accept it, and live our lives differently because of it. Rearrange our priorities based on the finite number of heartbeats we have left.
Lindsey Frydman (The Heartbeat Hypothesis)
But let’s all realize we are in the same boat dealing with the same shit. So if you aren’t into someone, before just ignoring them, try to be mindful of how frustrating it is to be on the other side of that and maybe try crafting them an honest message or, at the least, lie and say: “Hey, sorry, working on my debut rap album, Fantabulous, so gonna be in the studio nonstop and need to focus, not dating at the moment. I’m very flattered though and you are a great person, all the best.
Aziz Ansari (Modern Romance: An Investigation)
An essential difference between British and American punk bands can be found in their respective views of rock & roll history. The British bands took a deliberately anti-intellectual stance, refuting any awareness of, or influence from, previous exponents of the form. The New York and Cleveland bands saw themselves as self-consciously drawing on and extending an existing tradition in American rock & roll. (...) A second difference between the British and American punk scenes was their relative gestation periods. The British weekly music press was reviewing Sex Pistols shows less than three months after their cacophonous debut. Within a year of the Pistols' first performance they had a record deal, with the 'major' label EMI. Within six months of their first gigs the Damned and the Clash also secured contracts, the latter with CBS. The CBGBs scene went largely ignored by the American music industry until 1976 -- two years after the debuts of Television, the Ramones and Blondie. Even then only Television signed to an established label.
Clinton Heylin (From the Velvets to the Voidoids: A Pre-Punk History for a Post-Punk World)
When The Matrix debuted in 1999, it was a huge box-office success. It was also well received by critics, most of whom focused on one of two qualities—the technological (it mainstreamed the digital technique of three-dimensional “bullet time,” where the on-screen action would freeze while the camera continued to revolve around the participants) or the philosophical (it served as a trippy entry point for the notion that we already live in a simulated world, directly quoting philosopher Jean Baudrillard’s 1981 reality-rejecting book Simulacra and Simulation). If you talk about The Matrix right now, these are still the two things you likely discuss. But what will still be interesting about this film once the technology becomes ancient and the philosophy becomes standard? I suspect it might be this: The Matrix was written and directed by “the Wachowski siblings.” In 1999, this designation meant two brothers; as I write today, it means two sisters. In the years following the release of The Matrix, the older Wachowski (Larry, now Lana) completed her transition from male to female. The younger Wachowski (Andy, now Lilly) publicly announced her transition in the spring of 2016. These events occurred during a period when the social view of transgender issues radically evolved, more rapidly than any other component of modern society. In 1999, it was almost impossible to find any example of a trans person within any realm of popular culture; by 2014, a TV series devoted exclusively to the notion won the Golden Globe for Best Television Series. In the fifteen-year window from 1999 to 2014, no aspect of interpersonal civilization changed more, to the point where Caitlyn (formerly Bruce) Jenner attracted more Twitter followers than the president (and the importance of this shift will amplify as the decades pass—soon, the notion of a transgender US president will not seem remotely implausible). So think how this might alter the memory of The Matrix: In some protracted reality, film historians will reinvestigate an extremely commercial action movie made by people who (unbeknownst to the audience) would eventually transition from male to female. Suddenly, the symbolic meaning of a universe with two worlds—one false and constructed, the other genuine and hidden—takes on an entirely new meaning. The idea of a character choosing between swallowing a blue pill that allows him to remain a false placeholder and a red pill that forces him to confront who he truly is becomes a much different metaphor. Considered from this speculative vantage point, The Matrix may seem like a breakthrough of a far different kind. It would feel more reflective than entertaining, which is precisely why certain things get remembered while certain others get lost.
Chuck Klosterman (But What If We're Wrong?: Thinking about the Present as If It Were the Past)
Through Jimi Hendrix's music you can almost see the assassinations of President John F. Kennedy and of Martin Luther King Junior, the beginnings of the Berlin Wall, Yuri Gagarin in space, Fidel Castro and Cuba, the debut of Spiderman, Martin Luther King Junior’s ‘I Have a Dream’ speech, Ford Mustang cars, anti-Vietnam protests, Mary Quant designing the mini-skirt, Indira Gandhi becoming the Prime Minister of India, four black students sitting down at a whites-only lunch counter in Greensboro North Carolina, President Johnson pushing the Civil Rights Act, flower children growing their hair long and practicing free love, USA-funded IRA blowing up innocent civilians on the streets and in the pubs of Great Britain, Napalm bombs being dropped on the lush and carpeted fields of Vietnam, a youth-driven cultural revolution in Swinging London, police using tear gas and billy-clubs to break up protests in Chicago, Mods and Rockers battling on Brighton Beach, Native Americans given the right to vote in their own country, the United Kingdom abolishing the death penalty, and the charismatic Argentinean Marxist revolutionary Che Guevara. It’s all in Jimi’s absurd and delirious guitar riffs.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Parte dintre nenorocirile care pândesc un cuplu în ziua de astăzi se datorează în mare măsură confuziei dintre iubire și ceea ce Hegel a numit „iubirea juridic-etică”, căsătoria adică. De-a lungul istoriei căsătoriei, societatea a ajuns să regleze din afară ceea ce, ca intim, ar fi pretins doar un reglaj interior. Căsătoria, cu toate ritualurile pe care ea le implică - culminând cu ceea ce a devenit astăzi o „nuntă cu dar” -, este varianta ce mai nerușinată prin care ceilalți năvălesc în existența ta, contribuie material la nașterea „fericirii” tale și sfârșesc prin a-ți intra în pat. Debutând din capul locului ca afacere („darul” în bani face parte din deliciile de debut ale căsniciei și induce în aceasta ideea unei trăinicii pe baze materiale) cuplul face un legământ nescris cu societatea că se va conforma exigențelor ei. (...) Tot ceea ce trebuie făcut pentru a consfinți cuplul ca atare ucide ceea ce ar fi trebuit să se petreacă spontan și face ca energiile consumate în numele lui în viața publică să lase loc, în intimitate, unui vid pe măsură și plictisului infinit.
Gabriel Liiceanu (Scrisori către fiul meu)
Most of us would give anything for the chance to play just one day of MLB baseball—especially for our favorite team. Well, there once was a pitcher named Bock Baker who actually got two opportunities to pitch in the big leagues. He took the mound for Cleveland against the Chicago White Sox in his big league debut. How did he fare? Well, he pitched a complete game. Pretty spectacular, right? Well, sure—but it depends on your perspective. He gave up 23 hits and 13 runs. Baker never pitched for Cleveland again, but the Philadelphia Athletics gave him a second big league start that same year (1901). He lasted juts six innings, and lost again after giving up 11 runs—and then his career was over.
Tucker Elliot
ONE All the best things in my life have started with a Dolly Parton song. Including my friendship with Ellen Dryver. The song that sealed the deal was “Dumb Blonde” from her 1967 debut album, Hello, I’m Dolly. During the summer before first grade, my aunt Lucy bonded with Mrs. Dryver over their mutual devotion to Dolly. While they sipped sweet tea in the dining room, Ellen and I would sit on the couch watching cartoons, unsure of what to make of each other. But then one afternoon that song came on over Mrs. Dryver’s stereo. Ellen tapped her foot as I hummed along, and before Dolly had even hit the chorus, we were spinning in circles and singing at the top of our lungs. Thankfully, our love for each other and Dolly ended up running deeper than one song. I
Julie Murphy (Dumplin' (Dumplin', #1))
Yoh: What were you doing? Haruna:Ah, I was sewing Asoaka-san's t-shirt and I got pricked by the needle. Yoh: He could've done the work better if he did it himself. I'm pretty sure he got a 10 in home economics. Haruna: Eh!? Really!? Yoh: Ah thanks for this. Haruna: Ah. yeah. Yoh: I drank what was in the container, but what was it? Haruna: Radish soup!! Asaoka-san told me that radish soup is good for the throaght!! Yoh: Why does he always come in with such good timing? Haruna: Ah. Come to think of it, you're right.It's a mystery!!
Kazune Kawahara (High School Debut, Vol. 9)
She is a mess, her dress once pulled together long and fresh, now drooping and awkwardly weighted to one side of her head. "What happened? Are you okay?" The women clamor around her. Nick walks out in perfect order and perfect swagger, passing her with a downward glance. "You forgot your panties". He said tossing her underwear onto the table in front of her. After being embarrassingly ignored by the group of debutants, the nearby college boys feel justified by the turn of events and break into hysterics. Slinking out the side door, the mortified women exit without another word.
Jennifer Loren (The Devil's Eyes (The Devil's Eyes, #1))
We're at the opening of the Globe." She thought back to Daniel's words under the peach trees at Sword & Cross. "Daniel told me we were here." "Sure,you were here," Bill said. "About fourteen years ago.Perched on your older brother's shoulder. You came with your family to see Julius Caesar." Bill hovered in the air a foot in front of her. It was unappetizing, but the high collar around her neck actually seemed to hold its shape. She almost resembled the sumptuously dressed women in the higher boxes. "And Daniel?" she asked. "Daniel was a player-" "Hey!" "That's whay they called the actors." Bill rolled his eyes. "He was just starting out then. To everyone else in the audience, his debut was utterly forgettable. But to little three-year-old Lucinda"-Bill shrugged-"it put the fire in you. You've been quote-unquote dying to get onstage ever since.Tonight's your night." "I'm an actor?
Lauren Kate (Passion (Fallen, #3))
IT BEGAN WITH A GUN. On September 1, 1939, the German army invaded Poland. Two days later, Britain and France declared war on Germany. In the October 1939 issue of Detective Comics, Batman killed a vampire by shooting silver bullets into his heart. In the next issue, Batman fired a gun at two evil henchmen. When Whitney Ellsworth, DC’s editorial director, got a first look at a draft of the next installment, Batman was shooting again. Ellsworth shook his head and said, Take the gun out.1 Batman had debuted in Detective Com-ics in May 1939, the same month that the U.S. Supreme Court issued a ruling in United States v. Miller, a landmark gun-control case. It concerned the constitutionality of the 1934 National Firearms Act and the 1938 Federal Firearms Act, which effectively banned machine guns through prohibitive taxation, and regulated handgun ownership by introducing licensing, waiting period, and permit requirements. The National Rifle Association supported the legislation (at the time, the NRA was a sportsman’s organization). But gun manufacturers challenged it on the grounds that federal control of gun ownership violated the Second Amendment. FDR’s solicitor general said the Second Amendment had nothing to do with an individual right to own a gun; it had to do with the common defense. The court agreed, unanimously.2
Jill Lepore (The Secret History of Wonder Woman)
I wanted to say a certain thing to a certain man, a certain true thing that had crept into my head. I opened my head, at the place provided, and proceeded to pronounce the true thing that lay languishing there—that is, proceeded to propel that trueness, that felicitous trularity, from its place inside my head out into world life. The certain man stood waiting to receive it. His face reflected an eager accepting-ness. Everything was right. I propelled, using my mind, my mouth, all my muscles. I propelled. I propelled and propelled. I felt trularity inside my head moving slowly through the passage provided (stained like the caves of Lascaux with garlic, antihistamines, Berloiz, a history, a history) toward its debut on the world stage. Past my teeth, with their little brown sweaters knitted of gin and cigar smoke, toward its leap to critical scrutiny. Past my lips, with their tendency to flake away in cold weather—
Donald Barthelme (Unspeakable Practices, Unnatural Acts)
Despite a seemingly pervasive belief that only people of colour ‘play the race card’, it does not take anything as dramatic as a slave revolution or Japanese imperialism to evoke white racial anxieties, something as trivial as the casting of non-white people in films or plays in which a character was ‘supposed’ to be white will do the trick. For example, the casting of Olivier award-winning actress Noma Dumezweni to play the role of Hermione in the debut West End production of Harry Potter and the Cursed Child got bigots so riled up that J. K. Rowling felt the need to respond and give her blessing for a black actress to play the role. A similar but much larger controversy occurred when the character Rue in the film The Hunger Games was played by a black girl, Amandla Stenberg. Even though Rue is described as having brown skin in the original novel, ‘fans’ of the book were shocked and dismayed that the movie version cast a brown girl to play the role, and a Twitter storm of abuse about the ethnic casting of the role ensued. You have to read the responses to truly appreciate how angry and abusive they are.- As blogger Dodai Stewart pointed out at the time: All these . . . people . . . read The Hunger Games. Clearly, they all fell in love with and cared about Rue. Though what they really fell in love with was an image of Rue that they’d created in their minds. A girl that they knew they could love and adore and mourn at the thought of knowing that she’s been brutally killed. And then the casting is revealed (or they go see the movie) and they’re shocked to see that Rue is black. Now . . . this is so much more than, 'Oh, she’s bigger than I thought.’ The reactions are all based on feelings of disgust. These people are MAD that the girl that they cried over while reading the book was ‘some black girl’ all along. So now they’re angry. Wasted tears, wasted emotions. It’s sad to think that had they known that she was black all along, there would have been [no] sorrow or sadness over her death.
Akala (Natives: Race and Class in the Ruins of Empire)
A flash of lightning ghosts into the room, and when it leaves again, my eyes follow it back out to sea. In the window's reflection, I glimpse a figure standing behind me. I don't need to turn around to see who creates such a big outline-or who makes my whole body turn into a goose-bump farm. "How do you feel?" he says. "Better," I say to his reflection. He hops over the back of the couch and grabs my chin, turning my head side to side, up and down, all around, watching for my reaction. "I just did that," I tell him. "Nothing." He nods and unhands me. "Rach-Uh, my mom called your mom and told her what happened. I guess your mom called your doctor, and he said it's pretty common, but that you should rest a few more days. My mom insisted you stay the night since no one needs to be driving in this weather." "And my mother agreed to that?" Even in the dark, I don't miss his little grin. "My mom can be pretty persuasive," he says. "By the end of the conversation, your mom even suggested we both stay home from school tomorrow and hang out here so you can relax-since my mom will be home supervising, of course. Your mom said you wouldn't stay home if I went to school." A flash from the storm illuminates my blush. "Because we told her we're dating." He nods. "She said you should have stayed home today, but you threw a fit to go anyway. Honestly, I didn't realize you were so obsessed-ouch!" I try to pinch him again, but he catches my wrist and pulls me over his lap like a child getting a spanking. "I was going to say, 'with history.'" He laughs. "No you weren't. Let me up." "I will." He laughs. "Galen, you let me up right now-" "Sorry, not ready yet." I gasp. "Oh, no! The room is spinning again." I hold still, tense up. Then the room does spin when he snatches me up and grabs my chin again. The look of concern etched on his face makes me feel a little guilty, but not guilty enough to keep my mouth shut. "Works every time," I tell him, giving my best ha-ha-you're-a-sucker smirk. A snicker from the entryway cuts off what I can tell is about to be a good scolding. I've never heard Galen curse, but his glower just looks like a four-letter word waiting to come out. We both turn to see Toraf watching us with crossed arms. He is also wearing a ha-ha-you're-a-sucker smirk. "Dinner's ready, children," he says. Yep, I definitely like Toraf. Galen rolls his eyes and extracts me from his lap. He hops up and leaves me there, and in the reflection, I see him ram his fist into Toraf's gut as he passes. Toraf grunts, but the smirk never leaves his face. He nods his head for me to follow them. As we pass through the rooms, I try to remember the rich, sophisticated atmosphere, the marble floors, the hideous paintings, but my stomach makes sounds better suited to a dog kennel at feeding time. "I think your stomach is making mating calls," Toraf whispers to me as we enter the kitchen. My blush debuts the same time we enter the kitchen, and it's enough to make Toraf laugh out loud.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
You will help, won’t you?” Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage! First I ought to know her name, though I’ll tell you she suddenly seems damned familiar.” “You will help?” “Didn’t I just say so? Who is that delectable creature?” “Elizabeth Cameron. She made her debut last-“ Alex stopped as Roddy’s smile turned harsh and sardonic. “Little Elizabeth Cameron,” he mused half to himself. “I should have guessed, of course. The chit set the city on its ear just after you left on your honeymoon trip, but she’s changed. Who would have guessed,” he continued in a more normal voice, “that fate would have seen fit to endow her with more looks than she had then.” “Roddy!” Alex said, sensing that his attitude toward helping was undergoing a change. “You already said you’d help. “You don’t need help, Alex,” he snickered. “You need a miracle.” “But-“ “Sorry. I’ve changed my mind.” “Is it the-the gossip about that old scandal that bothers you?” “In a sense.” Alexandra’s blue eyes began to spark with dangerous fire. “You’re a fine one to believe gossip, Roddy! You above all know it’s usually lies, because you’ve started your share of it!” “I didn’t say I believe it,” he drawled coolly. “In fact, I’d find it hard to believe that any man’s hands, including Thornton’s, have ever touched that porcelain skin of hers. However,” he said, abruptly closing the lid on his snuffbox and tucking it away, “society is not as discerning as I, or, in this instance, as kind. They will cut her dead tonight, never fear, and not even the influential Townsendes or my influential self could prevent it. Though I hate the thought of sinking any lower in your esteem than I can see I already have, I’m going to tell you an unlovely truth about myself, my sweet Alex,” he added with a sardonic grin. “Tonight, any unattached bachelor who’s foolish enough to show an interest in that girl is going to be the laughingstock of the Season, and I do not like being laughed at. I do not have the courage, which is why I am always the one to make jokes of others
Judith McNaught (Almost Heaven (Sequels, #3))
I still have no choice but to bring out Minerva instead.” “But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.” “It’s called geology,” Minerva said. “It’s a science.” “It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?” Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it. As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard. She shrugged off the awkward memories. That time was behind her now. Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.” “Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.” “Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.” Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’” Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.” Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal. That book provoked her, no end. Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries. Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice. She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat. With a calm smile, she placed the book on a side table. “Very useful indeed.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))